#go read it it's awesome
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the whole "jason rules crime alley and none of the other bats are allowed there!!1!" thing is so funny like. tim LITERALLY lives in the theater where bruce's parents died,
#rimi talks#sorry. thought about tim doing that again. what is WRONG with him kfjshakjdshfkjd#WITHOUT EVEN TELLING BRUCE UNTIL AFTER HED ALREADY DONE IT TOO.#TIMOTHY. WHY.#this is the other thing abt why i just dont like seeing jtodd in fanwork#whenever he appears like 99% of the time its in a way that is directly contradictory to actual comics#the 1% of people who actually read the comics and write him in such a way? fine great awesome!!#however i still am filtering that bitch out because hes kind of a catch-all for the most annoying batfanon tropes.#because. yknow. theres no other tags to filter out bc they dont Fucking tag it#alas. oh well. anyways can we go back to going hey tim what is wrong with you#because for real i think he got off way too easy for this one.#forget identity reveals i want the core four sleepover where tim's apartment gets its lore reveal#give me cassie doing such a dramatic spit take that she gets ice cream on the ceiling. picks up tim like a weasel. and goes WHY???#and hes just like. idk seemed like the right thing to do :)#tim
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some doodles based on this fic by @roscolate ;w; because holy shit this tore me apart, my heart ached then exploded it's so good
#super mario bros#smb#mario and luigi#dreamyart#like... they are so soft it's unbearable IT'S UNBEARABLE#i also found this fic at a perfect time merry christmas (also life has been a bit of hell right now and sweet soft bros really healed me so#(so thank you basically is what i'm saying)#absolutely the softest mushiest bros i've ever seen my god i was in tatters when you said get some tissues i didn't listen and then i CRIED#i almost forgor weegee's little bruise i know by the end it's mostly healed but like Ah The Reminder Of My Failure As A Brother holy moly#holy cannoli. Holy ravioli#erm anyway this fic is awesome and sweet go read it NOW#(so are the other two bros fics she has! go! GO NOW!!! they're all so squishy!!!!!)
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I love libraries.
I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.
Then it hits me. And I check the publishing date.
This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.
Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.
Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.
Excuse me while I go weep.
#books#history is awesome#of course i checked it out#i had no real intent to read wwi non-fic but i couldn't just leave my new friend there it'd be lonely#i want to break out in tears every time i look at it#it's so stupid but sometimes something stupid just kicks you straight in the heart and you just gotta deal#it's old front line by john masefield#i know nothing about it except thinking the author's name sounded vaguely familiar#also the interior design is fantastic#these old books know how to use white space and make something super readable#if you must know i was in the wwi section because i was at the history museum the other day#and saw a local author had a book of wwi letters#thought i'd see if the library had it#looked at the selection of non-fic surrounding it and thought of the wwi persuasion#saw many books that could be useful#and thought 'oh no this looks like fun'#it won't go anywhere i know i won't be able to focus long enough to do real research#but darn if it wasn't an appealing little daydream
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"Wink and smile and, when they come close, flatter the Pit Bosses"
Here's my contribution for this year's @tf-bigbang for the lovely @martintheland-lockedmartian9's fic >> IDOLATRY <<
I'm including this piece here too even tho I already posted it before to give an ominous context for all the Megatron/Soundwave enthusiasts out there 👀✨
#Kusa Art 0-0)/#GO READ COZ ITS A REALLY AWESOME FIC#tf big bang#transformers big bang#tfbb2023#megatron#megatronus#soundwave#tfp#transformers prime#tfp megatron#tfp soundwave#maccadam#maccadams
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THIS THING IS SCUUUFFED AS HELL & ITS ALSO THE BEST THING I HAVE ANIMATED THUS FAR. IM SO IN LOVE WITH EMIZEL. JUST WISH I GAVE HIM MORE STUPID TATTOOS. NEXT TIME THO. NEXT TIME. I ALSO LOVE VEX&VIV SOOOO MUCH. charlies flavor of Deranged is my FAVORITE!!
#cw gore#jrwi fanart#THE SQUIRMING IMAGE#jrwi suckening#jrwi suckening spoilers#ACTULY FINISHED THIS A WHILE AGO. kept going back n forth between trying to work on it more or call it done#in the end i chose DONE!! i worked on this for a full day n a half. NO idea what possesed me but it is NOT happenin again anytime soon#i shall do better NEXT TIME!! in the meantime tho OH MY GOOOOOD WHO WANTS TO SCREAM ABT THE SUCKENING WITH ME#THE FUCKINNN THE FUCKIN THING WITH VEX N VIV BEING THE SHADOW LEADERS OF THE FANGS/DEMONS#OH MMYY GOOOODDD THATS THEIR LIL MEAT GENERATOR... THTS SO FUCKED UP AND COOL UUUGHHH I LOVE THEM...#THEIR FLAVORE IS SO WONDERFUL. I LOOOVE HOW SILLY THEY ARE. MAKING PUNS WHILE PULLIN A SCREAMING VICTIM APART#vex n his lil fashiony art workshop and viv n her sterile n clean doctors office#i bet she doesnt even HAVE a medical liscense. it would be funny if vex did tho. could u imagine#they main MEDIC in tf2 together. viv is the battlemedic while vex only pocket medics for her. COULD U IMAGINE#guh i could go on abt these two forever n ever n ever i LOVE THEMM i gotta draw em more....#OH ALSO before i run outa room. i should say. i took inspiration from a tf2 animation called POOTIS ENGAGED#the animator. Ceno0. uses black bars in the action sequences in SUCH A COOL WAYYY everytime i watch that video i feel inspired#oneday ill make more complex fight scenes... one day....#in the meantime UGHHH I LOVE THE SUCKENING SO MUUUCH CAN I JUST FUCKIN SAAAYY THAT I THINK EMIZEL IS A SMART COOKIE!!#THESE PPL FUCKING FEAR HIM NOW!!! 'SHAMIA SHAMI' IS NOW THEIR MORTAL ENEMY!! POWERFUL ILLUSIONIST. CANT DIE.#THAT PART AT THE END THERE WHERE HE FUCKIN. KILLS HIMSELF INFRONTA THEM. THATS SO AWESOME. THATS SO METAL. AND THEN HE COMES BACK!!#I WATCHED EP 7 ASWELL BUT I WONT SPOIL IT HERE. BUT OMYGOD. EMIZEL IS SO COOL AND CAPABLE N SMART N FUNNY N UGHHHHHH I LOVE HIMMMMM#OKAY THATS MY RAMBLE FOR THE DAY THANKYOU FOR READING. I READ ALL TAGS SO YOU SHOULD RAMBLE TOO. IF YOU WANT. IF YOU CAN.
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i think the way the book became 3rd person pov when kim dokja got off the train is one of the most fucking genius literary moves ive seen in years
#maybe im being dramatic#but im sooo serious i thought it was fucking AWESOME#orv#omniscient reader's viewpoint#orv spoilers#kim dokja#sorry im just so#i think about it a lot#it was SO SMART#i was like oh???? why is it 3rd person????#is something going on????#and then fucking. then yes!!! something WAS going on!!!!!#screams#that being the last chapter before the epilogue made me scream#if there wasn’t an epilogue it would have been such a fitting end too but then you check the page count#and realize there’s like 500 left and you’re like ‘WHOAH WHAT THE FUCK’#and keep reading and with dread in your heart you turn the page and are like OH SHIT#god i fucking love this book
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2 of mind
#sonic#sonic the hedgehog#sth#mecha sonic#scrapnik island#sonic idw#this is my tribute to scrapnik island. i loved every issue so much and the conclusion made me go insane#scribbles#i used a palette from the comic because the color choices seriously blew me away with every page#READ IT if u haven't like omg <3#sonic literally has a ZEL moment it's awesome. i think they should keep that 2 mind thing for fun#sonic can be part robot. as a treat
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A bit tired of people complaining about Sanji's principle of "not hitting women" being misogynistic when it has been clearly stated multiple times that he does not choose it and it's heavily tied to his trauma and admiration for his dad and respect for women and definitely not from seeing women as somehow weaker than him
#like okay i get where you're coming from and i understand that from a simpler perspective it's weird#if meet a guy irl who refuses to fight against women no matter how evil they are for no reason other than being women i'd consider it odd#but.... we have watched sanji's backstory and we have seen him actively feeling bad for not being able to hit female enemies#like what do you not understand#you can say the practice itself is based on misogynistic views too but the reasons why sanji doesn't hit women are more complex than that#a lot of people might disagree with me but like#i'm not saying the act itself is awesome and solemn and correct but you can't go and call sanji a misogynistic character just bc of that#like saying he views women as weaker than him is just. wrong. and i've seen people say it#and yes this behavior adds to his gentleman personality and it's also for the writing to show how polite and nice he is to women#but it's not exaggerated. he genuinely has issues viewing women as equals bc he romanticizes them#and that's bad! he knows that's bad!#let the character grow?????? i swear people can't read 😭#i'm not making any sense i just woke up but yeah#one piece#black leg sanji
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I just finished reading The Golden Rose by Ana Venture and to say I'm in love would be an understatement. I love the characters, the world building, and the the the- *passes out*
anyway i drew these two
#the golden rose#the golden rose book one#interactive fiction#tgr hadrian#tgr alessa#ill draw my mc soon im always weird abt drawing myself#bANYWAY go read this ! such an awesome book#art#jacks.art#digital art#procreate
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I do feel like the way Kyoshi was written in the Avatar reboot was lowkey influenced by the fandom's perception of her. Cause like in the original show she's really just portrayed as a pragmatist who's willing to kill if necessary. Like Aang is conflicted about killing the Fire Lord and she's like "well if I were in your position I'd do it but that's just me. Good luck." And then people started making memes where she's like a murderous psychopath who thinks extreme violence is always the solution. And it was funny at first cause it was just exaggerating for comedy but now everyone thinks she was actually like that in the show when she really wasn't. And then in the remake her introductory scene is her angrily yelling at this 12 year old that he needs to stop being a little pussy and be a ruthless warrior or whatever and the only explanation I can think of is that someone in the writer's room maybe looked at a few too many of those memes.
#she had an awesome fight scene though so there's that#disclaimer i own both the kyoshi books but haven't actually read them yet#so this is just going off how she was written in the original show#i'm working my way through all my books that i haven't read yet so i'll get to the avatar novels soon#but i gotta get through a couple more star wars books first lol#but yeah you know those spider-verse memes#where they take the scene where jefferson says ''spider-man why did you create that guy''#and they replace it with some funny dark shit like ''spider-man kill him and his family'' or ''spider-man fuck this guy's ass''#that's basically what people seem to think kyoshi is like#avatar the last airbender#avatar kyoshi#shut up tristan
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
#aurora comic#aurora webcomic#comicaurora#art analysis#...I hope those are the right tags???#new fandom new tagging practices to learn ig#much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY#also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down#idk how to format those tho#...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so#oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY#made an incredibly complex program into something comprehensible <3#synapse talks
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it's just so. tim and kon have so much going for them in the comics - tim taped wendy while kon was in hypertime, their whole fight on apokolips, batman claiming that tim "speaks highly" of kon, kon having the batcave landline in his contact book not long after he first met tim, robin!kon, the "your voice drops an octave when you get all commander-like" line and the Everything before it, the winick closet moment, they were his colors, and so much more. they have such a rich history and relationship across so many comics!! they genuinely have so much going for them!!!!
and then you try to look at the tag on ao3 or tumblr and it's just full of homophobic stereotypes, shovel talks, and the same 2.5 tired jokes about tim/ber or clone babies, maybe with a bit of clark bashing thrown in for flavor, because no one making these posts has fucking read the comics and they don't even know where the ship came from, but god forbid they get out of the comics tags. jesus fucking wept.
#rimi talks#oops i have the migraine grouchies it's bitching hour <3#anyways. tim and kon's actual relationship in postcrisis comics is awesome and i care them deeply#i am desperately holding hands with the few people who have actually read superboy 1994 and Get It#(kind of like how tim and kon were holding hands in issue 65--)#(was it 64 or 65. iirc 65 but im sleepy already and put my laptop away so. can't check)#but yeah anyways. i love comics it is so sad that it's fucking impossible to find fics actually about the comics#because of how people who don't read them still put everything in the fucking comics fandom tags#i gnaw on wood. and now i go to bed. farewell#timkon#tim#kon
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bun ny bunny bu nny bunny ? @wolfertinger666
#salem#original character - salem#wolfertinger666#Hi Ryeders This Is The Dawing I Said I Would Post#dropping that act AA i'm really proud of this actually#i usually will just fill bucket or default pen to colour#but this time i used a TEXTURED MARKER B) and did it manually it was awesome !!#i've wanted to draw salem art for a while now!!!#his art is rlly inspiring to me!! i've drawn more straight up furry things rather than ke/mono/mimi things because of him :]#and experimenting more with style too :D#and also he's kinda relatable :) as a fellow fat black trans man with no top surgery who came from a heavily religious background and is..#..now living with his mom that is transphobic to the point that it is almost life-threatening#it's really great to see him here despite everything ya'know?#so i can go on too :)#Well Anyways Ryeders Thank You For Reading#I Will See You Next Time I Post Something#Which May Be Soon. Like A Week Or Two Maybe#All In MsPaint Sourry..#Okay Bye Ryeders I Love You !!#bad art tw#<- art tag goes at the end this time because NO!!! This is NOT bad#so sourry if u don't like being tagged in rando fanart
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#somehow the exact same face won for marshtomp. but. i should've expected this#marshtomp#looming#i think. i guess that's what they're doing#idk i don't like marshtomp. mudkip is cute and swampert is awesome but marshtomp is just#ugly i'm sorry. it's got middle child syndrome#somebody left a heartbreak emoji when i said that on the polls and i am SORRY but this is one of the worst middle children#out of all the starters. right next to fuckin quilladin and yes#quilladin is catching strays every time i have to talk about starter middle evos#i know you guys always comment on it when i attack quilladin on posts that aren't even about it. so#heh. yeah. i'm doin it again…#i read notes… and quilladin sucks and this thing isn't much better#there's somebody out there who likes both this and quilladin because reasons and honestly#i hope you have enough love to go around because. it is. so difficult for me
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fanart of a fanfic based off of fanart based on a book
#i really like this persons fanfics y’all should go read them#la passe miroir#the mirror visitor#thorn x ophelie#christelle dabos#the mirror visitor fanart#thought the fanart looked familiar and it’s the person who does art for the author a bunch on insta#quite awesome#nicodoodles#books got me so obsessed I’m drawing backgrounds
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It's finally my time to post one of the pieces i did for @hermitshippingbigbang! This one goes to an amazing piece of fanfiction by @violet-fire-cat, Spring Blossoms! :D
It's an amazing Ethubs fic, inspired by Stardew valley, and it was as fun to read as it was to work with! Totally go check it out! :DDD
#hermitshipping#ethubs#hsbb 2023#bdoubleo100#ethoslab#court jester's art#god this fic is so good fr i had the time of my life working on the pieces for it and it was so hard to choose even two cause there's just#so many great moments#its awesome go read!!#hermitcraft#court jester's fanfiction appreciation moment
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