#giving freedom and control

[actual-corpse]

Therac-25: *exists. Injures many*

Engineers of the past: aw damn. Better not put to much faith in software. It might override its safeguards and kill people! Thanks for the lesson Therac-25!!

Self aggrandizing software bitches: Self driving cars! Remove human error! No mechanical input!

Therac-25: wait. Have you learned NOTHING FROM ME?!

Self driving car enthusiast: We give the robot moral tests to make it choose between killing a baby and a grandma!

Any person with a lick of sense: Just.... Just drive off the road if you can... Bro!

Car bitch: THE CAR STAYS ON THE ROAD! THINK OF THE TROLLEY PROBLEM

Engineers: WE SOLVED THAT!

Another insulting name that I'm using in place of people like Elon Musk: YAY TECHNOLOGY! HUMANS ARE WEAK AND OBSOLETE I AM GOD!

[villain-song]

i love you people

i love you world

we are afraid

but we must not be complacent

love each other

fight for one another

never ever give up

we will survive

we will live

keep imagining a better future

hold it in your hearts

one day there will be no fascism, no white supremacy, no patriarchy, no empire, no dispossession, no capitalism, no oppression, no racism, no cishetamatonormativity, no ableism, no unfree labor, no prisons, no billionaires, no destruction, no regimes of death

let's fight for a better world so that one day there will be clean air, clean water, clean lands, housing for all, healthcare for all, food for all, love instead of hate, unity, solidarity, caring communities, abolition, liberating education, the ability to do what we love, queer liberation, black liberation, liberation for all peoples, sunshine on our faces, life instead of survival, and so much more

loving and hope are happiness.

[whitefang93]

One of my biggest issues with Kageyama role in the movie is it's there but not enough for people to understand why this moment is so pivotal for kagehina together in their numerous strides of trust/threat.

Kenma wasn't being illogical here. And any setter doesn't want the game flow to be hampered at the cost of emotional needs of one player. While all the same a setter should try to raise the morale, we see kageyama do that for Tanaka In the inarizaki match.

As far as Hinata is concerned for kageyama, no matter how much he says that "as long as you are essential for winning" putting it in Rough words for hinata, has hurt him the second time during the tokyo camp. He gets angry and hurt as he talks to Yachi, he is emotional and says it was even harder to get along with back then. But after all this time hinata expected Kageyama to be there for him. He says I don't expect closeness via friendship but he thought kageyama understands his desire to get better.

While that's another discussion on hinata pov, as far as kageyama is concerned, while he said those words, he himself fears change or isn't sure how to keep having hinata around. And he wants hinata to be able to play with him, kageyama for the first time found a partner who matches his speed. Both kagehina crave speed.

When hinata has his slip ups, kageyama is concerned. But also he asks hinata to get better at receives as that's basic for playing volleyball.

Now Hinata is ofcourse concerned if kageyama is going thru a choice of should I toss to him?, and.hinata only replies with strong conviction by receiving and being in position to always be ready for a quick.

Recieving and then getting in position for a quick attack is not an easy feat. He is openly targeted. So how does kageyama who wants to toss to Hinata, but has to have restraint to not let game slip by mistakes, BUT wants to reward Hinata for doing his best??? He let go of his obsession with speed. Hinata also let's go of his sole purpose as only hitting quick, with mutual trust that they haven't abandoned each other and to show off Hinata to kenma, to display his need, his want in tossing to Hinata he raises him to a new height. A tall king of the court, giving a simple four toss is almost like a gutsy ballsy move along with the kindness and ease and consideration for his spiker to shine above him.

It's also important to learn that Kageyama does have an emotional need to see hinata flying. Hinata represents his freedom to play anywhere across the court. Kenma also notes that by restricting of Hinata they aren't at a big disadvantage so why does Kageyama give??

Well long story short Kageyama will not leave Hinata behind, he isn't only essential to winning and was never that, he wants him to improve too and wants to sneak in tosses whenever he can, like someone giving treats to their fav. He adores the relationship he has with Hinata. And by extension Kageyama bonds with many others like tanaka, tsukishima too by raising limits and trusting their best is upto them. Kageyama core development is stability and loosing control and let his spiker shine.

[rainbow-neko-artblog]

Are we gonna see you on Tumblr more often, since the ban for TikTok might be going out?

mmmmmmmm

I really hate thinking about it but i suppose yes.

I think ill have to focus on posting to youtube i guess....since i can still make monetizable money over there....and ill probably have to push my patreon more-

Hey maybe ill be able to make designs for my redbubble and- work on Tiny Tails more hah....ah....

yeah.....work.......that'll distract me from such a volatile ban of freedom of speech......

...

[insufferablemod]

Life is wild,,, I'm likely gonna say no to what has been my dream job for like 10 years or something,,,???

[molinaesque]

On the topic of Raphael and him "being bad in bed".

Okay I'm only ever going to talk about this at length once and then never again. I've been avoiding talking about it until now because bringing it up always just seems to keep this topic in circles and it becomes an endless pit of nothing.

First of all, I know most of the time (like maybe 70% of the time) it's for the lolz. I get it. Hell, Raphael fans will be the FIRST to quip about this.

BUT

For those taking it seriously one way or another... It becomes such old hat VERY fast.

Those who use it as a jab towards Raphael havers are... Kinda dumb. Because it's like... Okay, and? You act as if somehow negates the entirety of his character somehow just because "HAR HAR HANDSOME DEVIL MAN IS BAD AT SEX" and it's so... vapid and boring? Also it seems a lot of people keep thinking "bad at sex" = JUST that he finishes too fast and nothing else but they seem to forget that the player character came up with that insult on the spot (rather than seeing it as a commentary about his pure selfishness and where it stems from). Haarlep is also a bias source. There's a semblance of resentment from them AND they're a damn incubus. EVERYONE'S terrible in bed in comparison (have you seen Tav? Little shit just lays there like a sack of potatoes during the Haarlep scene). This isn't me saying "Oh it means Raphael is terrific in bed because Haarlep's word cannot be trusted". HELL, no. Quite the opposite, actually. I'm saying "okay... What can I glean from that set of information?"

I feel like this goes for Raphael havers too who have this conversation. I feel like many tend to fall into this trap of odd desparity when they realise that "oh no our magnificent hot man is bad at sex" and somehow treat it as if it's forever a caveat and somehow negates the ENTIRETY of Raphael as a complex character. My first reaction when I got this information during House of Hope was laughing and then going "mmm that's so interesting and adds such a great layer to this already amazing character. Where else can I take this to". In fact, House of Hope as a quest does SO much in adding all these tidbits that make Raphael not just another boring, all knowing, god like, ineffible character. It made me love and appreciate his character even MORE. instead of going in circles and lamenting in how this is somehow "the worst thing ever", I think it's way more fun to explore it and delve into where the root of his narcissism and self esteem issues come from. The dichotomy and complexes of his character. There's SO much to talk about there and yet we're still just stuck on "haha devil man is a bottom and bad in bed" (which is another ridiculous thing btw because people seem to misconstrue bottoms as JUST being submissive. Y'all need to be more open minded 😂).

Apologies if this came off as ranty/condescending maybe. But it's coming from someone who's just minding her own business but have to see a variation of that line CONSTANTLY in the notes/tags on my art/gif posts and as I said... It gets so old REALLY fast. Like please be more imaginative than this, I beg of you. 😭

[starrysharks]

chapter 1 of reassassination's nearly done script-wise! hopefully the next chapters won't take like 6 months of on-and-off work to complete lol

[astarlightmonbebe]

it's easy to read the situation between li tongguang, ruyi, and yuanzhou as a love triangle on a superficial level, but looking even one step further, it's clear that there's no triangle about it. li tongguang is obsessed with ren xin; ning yuanzhou is devoted to ren ruyi. ltg's obsession is fervent and all consuming, but it's not devotion. like ruyi herself notes, his feelings to her are on the basis of her as a mother figure in his life, as a replacement for what he never received from his mother. is there an element of romantic/sexual love/desire to it? maybe. more likely he's deluded himself into thinking that, because the truth is, it's doubtful that ltg even understands what love is (platonic, filial, familial, romantic, all of the above, etc), because he has no basis for understanding. ruyi's teachings and actions towards him are the closest thing he has to hold up as an example. what he wants is ren xin, is a replica of the master he had. he doesn't want ruyi, because he doesn't actually care about ruyi. therefore, he doesn't care if she's sad, angry, mad; he just can't bear her 'abandoning' him. we saw this way back when she first meet and left him, both at thirteen and seventeen. although he distrusts her first, she saves his life and cares for him in the way no one else has, hence her first being raised on a platform in his mind. when she leaves for good, ending their master-disciple relationship/training, even though it's for official business and she's not abandoning him, in his mind that's exactly what it is. so now that she's in his life again, he won't let her leave again. he was powerless before, a child with no proper name, but now he's a recognized member of the imperial family, a man who can meet her as 'equals' (even when that's far from the truth). as a child, he could only cling to her legs and beg her, but now he has the power to keep her by his side. it's telling that when he finally gets confirmation of her identity, it's not ning yuanzhou he seeks to harm (even though he detests him and their relationship), but yang ying. yang ying is ruyi's new disciple, and as ltg doesn't know she's a woman, he only sees her as his direct replacement.

ning yuanzhou, on the other hand, is devoted to ruyi. he wants to build a new life and future with her, instead of slotting her into a spot in the life he already has. he's someone who accompanies her on walks and makes her midnight snacks, who holds her when she needs to be held and lets her go when she needs to do things on her own. when she speaks her mind, he listens, even when it makes him discontent/it's not what he wanted/wants to hear. he sees her unabashedly as his equal, and though he acknowledges her skills and abilities, or points out her naivety, he never does it to belittle her; to him, she is his peer, deserving of the highest honor and respect. he trusts her to have his back, and she has come to trust him to have her. he did what she might have thought no man would ever do: he proved himself reliable, so she came to rely on him. yuanzhou gives her freedom and autonomy as both ren ruyi and ren xin. of course they run into problems, but they both learn and grow from them, as individuals and as a couple. yuanzhou's belief in her is unwavering, but adaptable, whereas ltg's is unwavering, but frozen in time, disallowing for any new information to be presented. yuanzhou works with ruyi to accept the changes thrown her way; he seeks the core behind her actions in order to better understand her. li tongguang cannot accept the changes in ruyi's character, because they run contrary to the master he has on a pedestal in his mind.

what li tongguang wants is to return to the past, but yuanzhou offers ruyi the promise of a future, even one that might never come to fruition. there's no triangle about it.

[mizinthropy]

please PLEASE someone hit me with a shotgun i cannot stop thinking about luka and his past and his character and the experiments he had to go through and just how tragic he is in general PLEASE I NEED TO BE PUT DOWN

[quietwingsinthesky]

most of those are jokes but not the one about dean going slowly insane in heaven as he realizes no one he’s talking to is real and his pseudo-son he once tried to lock in a box to keep everyone safe has now locked him in a slightly nicer box where he can talk to his Fake Mom and Fake Dad and Fake Brother all he wants, and jack even lets him think he’s escaped sometimes and made it to different universes just for fun. i want to say none of this is malicious on jack’s part, and i’m sure he believes that and that he’s being a good and kind god who doesn’t even let dean feel pain and erases his memories whenever he gets too stressed in his tiny heaven enclosure, but also. it’s a little cruel, pulling wings off of flies and all, but not evil, only the sudden overwhelming realization that he can control everything all the time in the hands of a three year old who learned all of his morality from the man he’s inadvertently torturing with paradise.

[fictional-worlds-are-exquisite]

i love love love when a teacher says:

so i'm going to leave this assignment pretty open, there's about one sentence of vague instructions and i don't really have any guidelines for you, i just want you to interpret this however you want and make something from that, just be creative and enjoy the opportunity to explore however you want.

i'm definitely not heading for the nearest window that would be ridiculous

[average-hua-cheng-fan]

it's actually so important to me that in the memory loss extras xie lian finds out he doesn't have spiritual power anymore (because he's been having sex). it means

he feels comfortable relying on hua cheng

he's able to be 'selfish', and choose what he wants rather than what other people think is correct

he's free from the responsibility of being the most powerful martial god in heaven

he's getting thoroughly dicked down

[zeb-z]

jrwi riptide 100//

Jay wanting to be a pirate just because of the freedom it gives her in this world. No lofty goals or ambitions. That’s what it’s always been about, hasn’t it? Since La Alma, who set sail from Joaldo without a thought of his future, and even before him, it’s been a clear theme. There is freedom in the open seas, there is freedom in having an open future. Not knowing what is next because you get to decide your heading.

And they help others find their freedom as well, as they make their own journey. Whether it’s by helping them fight back against whatever boot is crushing them, or trying to help them and give them resources to continue on their journey, or other such means. They’re the best goddamn pirates because they embrace this freedom, and they use their power to help others find their freedom as well.

[commsroom]

to me, the question of whether hera would want a body is first and foremost a question of autonomy and ability. she has an internal self-image, i think it's meaningful that the most pivotal moments in her character arc take place in spaces where she can be perceived the way she perceives herself and interact with others in a (relatively) equal and physical capacity, and that's worth considering. but i don't think it's about how she looks, or even who she is - and i think she's the same person either way; she's equally human without a body, and having a body wouldn't make her lived experience as an AI magically disappear - so much as it's about how she would want to live.

like most things with hera, i'm looking at this through a dual lens of disability and transness, both perspectives from which the body - and particularly disconnect from the body - is a concern. the body as the mechanism by which she's able to interact with the world; understanding her physical isolation as a product of her disability, the body as a disability aid. the body as it relates to disability, in constant negotiation. the body as an expression of medical transition, of self-determination, of choice. as a statement of how she wants to be seen, how she wants to navigate the world, and at the same time reckoning with the inevitable gap between an idealized self-image and a lived reality, especially after a long time spent believing that self-image could never be visible to anyone else.

it's critical to me that it should never imply hera's disability is 'fixed' by having a body, only that it enables her to interact with the world in ways she otherwise couldn't. her fears about returning to earth are about safety and ability; the form she exists in dictates the life she's allowed to lead and has allowed people to invade her privacy and make choices for her. dysphoria and disability both contribute to disembodiment - in an increasingly digitized world, the type of alienation that feels like your life can only exist in a virtual space... maybe there's something about the concept of AI embodiment, in particular as it relates to hera, that appeals to me because of what it challenges about what makes a 'real woman.' when it's about perception, about how others see her and how she might observe / be impacted by how she's treated differently, even subconsciously. it's about feeling more present in her life and interfacing with the world. but it's not in itself a becoming; it doesn't change how she's been shaped by her history or who she is as a person.

i think it comes back to the 'big picture' as a central antagonistic force in wolf 359, and how - in that context, in this story - it adds a weight to this hypothetical choice. hera is everywhere, and she's never really anywhere. she's got access to more knowledge than most people could imagine, but it's all theoretical or highly situational; she doesn't have the same life experiences as her peers. she has the capacity to understand that 'big picture' better than most people, but whatever greater portion of the universe she understands is nothing next to infinity and meaningless without connection and context. it's interesting to me that hera is one of the most self-focused and introspective people on the show. her loyalties and decisions are absolute, personal, emotionally driven. she's lonely; she always feels physically away from the others. she misremembers herself sitting at the table with the rest of the crew. she imagines what the ocean is like. there's nothing to say that hera having a body is the only solution for that, but i like what it represents, and i honestly believe it'd make her happier than the alternatives. if there's something to a symbolically narrowed focus that allows for a more solid sense of self... that maybe the way to make something of such a big, big universe is to find a tiny portion of it that's yours and hold onto it tight.

[basuralindo]

Hey do you think Jamil has trouble seeing people his age as peers?

Like, growing up having to be a caretaker to a guy literally a few months older than him, always expected to act like the adult in the situation, expected to work with adults and adopt their perspectives and pick up their slack. Do you think he just, forgets sometimes?

I mean we've seen him go into caretaker mode with other sophomores, and the only people I've seen him take seriously are juniors like Vil who also act much older than they should have to (his reactions to Leona look more like a trauma response and I don't wanna get into it here). People like Malleus and Cater still somewhat get the caretaker treatment. Like I just highly doubt that he subconsciously realizes he's actually part of his age group

Aaand that inevitably brings up Azul, who also acts like he thinks he's older than he is. Whether you're looking at it from a shipping angle or not, he reacts to Azul like an actual peer. With older students, he seems more in his element but there's still a status hierarchy which he compulsively reacts to. With Azul he doesn't acknowledge any status worth respecting or see him as someone who needs to be looked after. He just bickers like an equal, in a way that implies he actually does see Azul as a real peer, like subconsciously he's categorized this guy into the same group as himself, who was previously alone on that level (he gets like this more with the twins too, over time, but it seems to start with Azul).

And my favorite part about this is, while that response stems from them both acting more like adults in general, they elicit a pettiness from each other which drags them both down to actually acting their own age, and I just love that. Their characters are perfect foils for each other and it seems to make them both less isolated in a way.

[basiltonpitch]

i think el would benefit from dyeing her hair a bright color