#give us their back references NOW

[l0uterstella]

CHARACTER DESIGN NOTES FROM THE 4GAMER INTERVIEW

🍎 HALLRITT - "I told them that I absolutely wanted to include the ribbon in the upper right corner, no matter how cute it turned out to be. It also includes the image of Kitty's blue overalls on his suspenders. The yellow ribbon on his boots is an image of Kitty's twin, Mimmy."

🎼MEROLD - "He was drawn together with Blue Bouquet's Kurode. My Melody wears a hood, as she was originally designed as a "Little Red Riding Hood". The slit on the side was inspired by the design of the slit under My Melody's neck."

🍀PURUTH - "Since Pompompurin is a golden retriever, one of many dog designs, the belt-like thing coming out of his waist has the image of a leash. The shoes on the left and right sides are different, reflecting Purin's hobby of collecting and hiding one shoe on each side."

🌹 ROMARRICHE - "The silhouette of Marroncream's puff sleeves is expressed by wearing a cape. The floral pattern and polka dots are also inspired by her. We have not yet shown the back view, but there is also a lot of attention to detail hidden in the cape."

🐟 RIMICHA - "Kirimi-chan was the first runner-up in the "Eating Character General Election," so we gave him a distinctive mouth. Also, the asymmetry of his hair expresses their (Kirimichan) original silhouette, which is voluminous on the right side. The fishnet stockings are an image of a grill…!"

🌺 SANAH - "Usahana is a character who values the colorful colors she gets from the sky and flowers, so we took advantage of that. Also, around the year 2000, when Usahana debuted, sticker exchanges were popular, so we also incorporated that image into the design."

☁ CIELOMORT - "While also expressing Cielomort's royal and mysterious image, we incorporated motifs from Cinnamoroll, such as "clouds," "sky," and "white puppy". Cinnamoroll is also characterized by his swirling tail, so we made Cielomort's hair curly as well."

👿 KURODE - "As far as the spiritual nature is concerned, the theme of "becoming who you want to be" is the basis of Kuromi's work, and it makes use of the visual sense of "The World Kuromification Project". In contrast to the fluffy cuteness of Merold, I imagined a darker cuteness."

✉️ WILLMESH - "Wish Me Mell is a postman's helper, so he is given a mail bag and a brooch with a sealing wax motif. The polka dot pattern on Wish Me Mell's palm is reproduced with a polka dot bandage."

💫 KLARKSTELLA - "Kiki and Lala are "dreamy and cute" and "starry-eyed," so we developed them from there and based the costume on the image of pajamas. The twin-leaf-like hair on the top of her head is also inspired by Kiki and Lala. Another point is that they are tall."

🌟 LOUTERSTELLA - "His basic image is just the same as Klarkstella's, but we were careful to not simply make them different colors. They both have a dreamy atmosphere, but not too cute, and I think they have beautiful designs with a mythological mystery."

🌾 MYUNNA - "The design of the "spirit of flour" is based on the "fragile cuteness" of Cogimyun, who looks as if he might be blown away and turned into powder. Also, the back of his dress is a silhouette of Cogimyun's pet shrimp, and the decorations on his shoes are also based on her signature."

🐊 BADOBARM - "Bad Badztamaru's mischievous boyish atmosphere has been reproduced as a life-size male figure. Also, the "Xs and Os" shape, which is often used by Bad Badztmaru himself, is used in many of the costume decorations. By the way, Badztmaru's pet crocodile is called "Pochi," while the crocodile-shaped fairy with Badobarm is "Tama.""

🐶 CHACO - "We tried to express Pochacco's silhouette and his skateboarding element with the image of a very active child. We were particular about the balance of colors so that it would not be monotone, so we gave the hair color a unique look so that it would not be similar to other children."

🐣 ARUPEK - "From Ahiru No Pekkle's treasured bucket, we gave him a water pistol as an element for water. The large feet are also reproduced in his shoes. The hunting cap has a bird-like silhouette. The "1989" on the patch is Pekkle's debut year!"

🐧 TUXAM - "Tuxedo Sam is a gentlemanly penguin boy who has studied abroad in England, so we kept his noble image in mind. His hat is a combination of the sailor hat Sam wears and the hat of Sherlock Holmes... Who is famous in England. On the stick is an ice cream cone that Sam often spills."

🐙 HANGYON - "We designed the bewitching element based on Hangyodon, a half-fish man born in China. The round eyes are represented by sunglasses, and the pink color of Hangyodon's lips is incorporated into the lenses and makeup. The fairy on his shoulder, "Lily," was inspired by Sayuri, an octopus who is a good friend of Hangyodon."

🐸 PIKERO - "Since his lord's real name is "Keroppi Hasunoue (Keroppi above a lotus)", we added a black pattern to the umbrella to make it look like a lotus leaf. Also, it is hard to tell, but his eyes are pink, which represents the color of Keroppi's cheeks. His overall image is not Chinese, but Vietnamese."

[donutboxers]

📺Server Room📺

[pokimoko]

The Poetics of Space - A Gravity Falls Fic

Written by pokimoko

Chapters: 3/3

Word Count: ~44K

Fandom: Gravity Falls

Rating: Teen and Up Audiences

Warning: No Archive Warnings Apply

Relationships: The Mystery Shack & Ford Pines, The Mystery Shack & Stan Pines, Ford Pines & Stan Pines, Fiddleford H. McGucket & Ford Pines, Bill Cipher & Ford Pines, Ford Pines & Mabel Pines, Dipper Pines & Ford Pines, Dipper Pines & Ford Pines & Mabel Pines & Stan Pines, The Mystery Shack & The Pines Family, Fiddleford H. McGucket/Ford Pines (One-Sided), Bill Cipher/Ford Pines (also one-sided), (do you even need to ask in which direction the one-sided is pointing)

Characters: The Mystery Shack - Character, Ford Pines, Stan Pines, Fiddleford H. McGucket, Bill Cipher, Dipper Pines, Mabel Pines, Background & Cameo Characters

Summary:

“What was it like when you lived here?” Mabel asked, gesturing at the Shack.

Ford let out a gentle chuckle. “Very different, I assure you. If these walls could talk, I'm sure they would tell some stories.”

Oh, if only he knew.

—

(or: the Mystery Shack has many secrets, and just as many memories. Afterall, a lot can happen over four decades within the space of four walls.)

Tags: Mystery Shack (Gravity Falls), Mystery Shack POV, setting as a character, Haunted Houses, POV Outsider, POV Nonhuman, Pre-Canon, Canon-adjacent, Alternate Universe - Canon Divergence, Ford Pines Has Issues, Ford Pines Needs a Hug, Golden Child Syndrome, Manipulative Bill Cipher, Emotional Manipulation, Emotional/Psychological Abuse, Gaslighting, Possession, Stan Pines Needs A Hug, Stan Pines Has Issues, Implied/Referenced Self-Harm, Implied/Referenced Child Abuse, Loneliness, Angst, Angst with a Happy Ending, Reconciliation, Implied Autistic Ford Pines, implied AroAce Ford Pines, Unrequited Love, Ford Pines and Mabel Pines Bonding, Pines Family Feels (Gravity Falls), Emotional Hurt, Emotional Hurt/Comfort, Grief/Mourning, Inspired by House of Leaves - Mark Z. Danielewski, (very very VERY loosely), If These Walls Could Talk They Would Give You Therapy, Sentient Houses, Sentient Buildings, POV Inanimate Object, its/its pronouns, Protective Mystery Shack, Sentient Mystery Shack - Freeform

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[ganondoodle]

so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-

but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again

(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)

i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)

weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon (which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( ) AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward

but i suppose i was very wrong with that .__.

right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)

[liquidstar]

another request from cohost! my friend asked for traditional inuk hairstyle like qilliqti, which is what i ended up going with! looking up the hairstyles sent me on a sidequest of looking at a bunch of fashion designers with modern takes on traditional clothes, so i also used some of those! so credits for that under the cut vv

jacket- https://www.instagram.com/p/C3QiKIdO0Jp/?img_index=5 jacket 2 (full fashion show with more angles, and a lot of super cool designs, also really cool music)- https://www.youtube.com/watch?v=yp_eAzDu8xU patch- https://www.bradorfabrics.com/products/inukchic-iron-on-patches-celestial-narwhal hair originally from the film atanarjuat the fast runner, but the specific screenshot is here https://www.pinterest.com/pin/53480314313400875/

[dnangelic]

like it's just the way that outside of the BATB/POTO 'love what's ugly and ostracized' narrative itself cocteau was gay and everybody hated his gall about it, howard ashman was gay and had to conceal it and died of aids after finishing his work for disney's batb.... rather than have dark be homophobic and spitting in the face of his inspirational roots (the sole canon detail i can't stand) it's much much much more interesting for me to both read and write not someone who's meant to be a pervert (in humor) and an agape lover (in serious contextualization) only to turn and say 'no homo' to the crowd every single time but rather, instead of all that, someone who, simultaneously taking daisuke into account, is both extremely firm yet simultaneously insecure in the struggle to establish their identity not only in regards to themselves but also around others.

that applies to a lot, but i've been considering it especially in regards to dark's gender and daisuke's attractions. dark in my portrayal (while overall 500% nonbinary) is closer to someone bi-gender rather than agender; the feminine aspect to him isn't just theatrics, it's actively also part of his entirety to him, (compared to daisuke's passivity; the ten thousand canonical princess allusions,) and even if nobody ever recognizes it in a cognizant way, it is always, always there, the same way that erik blurs and obscures gender in leroux's novel (my second enormous inspiration, sugisaki's outright admitted primary) and sakurai occasionally discusses his relationship as both a performer and a person as well (my third enormous inspiration and sugisaki's secondary,) (see 1, 2.) simply put, the tragedy of (my!) dark does not ever derive from his being able to choose and sit comfortably and confidently with this sort of identity (in fact, it's one of the few things he can stubbornly, viciously decide for himself [alongside daisuke] as essentially a non-human, autonomous 'angel',) it's instead the way that his personality is so strong and 'anti-feminine' in the eyes of convention that said aspect of himself often gets disregarded for strictly masculine (and regardless, further self-contradictory and therefore isolating,) expectations.

dark himself alone does not care if others do not understand him; this is meant to be one of his far more admirable and impressive traits. he's staunchly independent: he knows who he is, what he's supposed to be, and he knows that if he actively presented himself more femininely (crossdressing to 'pass' essentially,) then people's behaviors WOULD be very likely to change around him, but he doesn't even do that because it goes against his overwhelming sense of pride. he never contorts, he never twists himself, what matters to him is that he and he alone understands himself and knows what he is, what he isn't. but he is, without proper support or acceptance, still alone. even bearing a strong character, the stifling loneliness and inherent, underlying self-sense of broken/wrongness of the 'other,' (god's luciferean problem child, the black sheep, the black-leather wearing punk,) is still inflicted on him. dark exists solely for himself, he exists solely for daisuke, which is simultaneously wherein the inversion and insecurities lie: if dark is canonically the live metaphor for all the aspects of daisuke's self that he attempts to and yet cannot possibly, conceivably repress, from his loves to his faults to his shames and his criminal sins as a thief, then the likes of daisuke's own personal confusions in regards to himself and his attempts at intimacy/socialization with others is the other, hidden side of dark's absolute self-confidence; it's every fear of perpetual isolation, misunderstanding, and abandonment for things outside of daisuke's own control.

queerness in relation to the self (transgender allegory) queerness in relation to others (non-hetero-romanticism) mental illness (depression, anxiety,) etc, etc, dark's thematic basis may at its most general simply be "a secret that feels wrong and that you feel you can't really tell anyone or else you'll get in trouble/won't be as liked as much" but it feels much better to give due respect to each of these primary roots.

[that-was-anticlimactic]

i think it's about time that we acknowledge that, no, that character would Not change their name in a groupchat! especially not to that. and, no, that character would not change everyone else's names! especially not to that.

[yuri-for-businesswomen]

i need to consume something or my thoughts consume me

[goldkirk]

I opened Pinterest for the first time in months.

That made me realize a lot about how bad I was actually doing and how much of a Waffle House Index use of Pinterest is for adult me, apparently.

I hadn’t realized it had grown that foundational to me in a healthy-brain-exercise-and-hobby-joy way. Nice to know moving forward! It’s another sign I can keep track of and use to spot correlation/indicator patterns earlier my behavior.

I love this kind of thing, it makes me so excited!

[hawkhills]

talk to me about profound, formative events in adulthood impacting people's settled daemons. are their shapes set in stone? would a strong enough experience manage to cause a crack in their settled shape? is there such a thing as daemon dysphoria? do our daemons define us, or do we define them?

[cellybrini]

"Mercury," Mary Soon Lee, Elemental Haiku

Quicksilver was associated with the fastest planet, which had been named after the Roman god Mercury, who was associated with speed and mobility.

x | x | x | x

for @simmyfrobby's nhl periodic table poems!

[ereborne]

Song of the Day: March 27

"Long Time Gone" by The Chicks

[asherasgayagenda]

my take on @solaaresque‘s lovecore shuffle unit!

[mariocki]

New Scotland Yard: My Boy Robby? (2.13, LWT, 1973)

"Why?"

"It's the hearing in the magistrates' court tomorrow. They wanted to frighten you. Show you they were serious."

'But they must have known that I'd phone you?"

"People who live in their sort of world often miscalculate the effects of violence and threats on those who live outside it."

[crossbackpoke-check]

re last answer: please don't stop, being very unhinged about these two pretty white boys is helping distract me from the sharks losing streak rn so bring it on

https://www.tumblr.com/bondedpairs/764566430180147200?source=share

(sideblog woes but there's the link for you) anyway in the vid they talk about going over to each other's houses to have dinner and things and while that is a delicious example of their codependence i love it bc through an rpf lens there is definitely some old man ******* going on. they can have the dilfs and each other.

(someone else mentioned kept boys which i could write an essay on but i fear being Perceived™️)

anyway if you have anything to add to this please do, if not ignore me and i will hide under a rock until the stress-related insanity has worn off and i am a functioning member of society once more 😂

- @bondedpairs

ty for the video!!! and please, WRITE THE KEPT BOYS ESSAYYYY i promise i will read it with my hands over my eyes if you don’t want to be perceived. do it scared!! do it anyway!! we’ll all love you for it!!!