#girl just be original for once like…

[cetoddle]

i get so damn annoyed with myself sometimes cause like. ooooh you have to pick a symbol icon? you picked the cat? who EVER could have seen that coming -_-

[heartorbit]

figure skating set right now please. thanks

[luxaofhesperides]

Ghostlights where Phantom saves Duke or the Signal, and a week later (at a Wayne gala or some other place) Duke recognizes the light/aura coming from Danny

Putting off gala prep was perhaps not the best plan. Duke spent the past month insisting that everything is fine and he has it under control. Duke is also a lying liar who lies, and now he’s frantically trying to pick up his suit in time to get it dry cleaned and altered as necessary. 

Alfred would be disappointed in him, but in Duke’s defense, he had to go out of town on a mission to bust a growing drug cartel, and then spent half a week visiting a shelter for metas on the run (unofficial and hidden away) to help everyone find new homes and learn to control their powers. These things take time!

Unfortunately, gala prep also takes time, and since it’s a charity gala for funding the education of every Gothamite student, it’s not one he can slip out of. The entire family is being strong-armed into attending and not making a scene until the donation period in the first half is over. 

Duke knows he’s not the only one who’s scrambling to get ready for a gala that’s taking place in three days, but they’re not helping him, so it feels like he’s the only one messing up. 

“Sorry!” he calls behind him as he sprints through a group of people. 

He could have asked someone to drive him, but he knows they’re all busy and doesn’t want his own poor time management to cause problems for anyone else. Even though he’s sure Bruce is looking for an excuse to get out of a mandatory Wayne Enterprises board meeting that both Lucius and Tim dragged him to.

RIP Bruce. He will be missed.

The Diamond District is full of people walking the streets, sprinting between parked cars and waiting for their rides. They’re all dressed nicely, making him feel out of place. It’s a feeling that’s never left him since he joined the Waynes but it’s particularly bad when he’s left to navigate these spaces alone. Rich people and socialites are a different kind of human, one that Duke doesn’t care to understand; there’s greed in all of them, turning them heartless, and they can give as much as they want to charity but it won’t change the fact that all they do is a performance to make people like them, rather than a desire to do anything good. 

The sooner this is over, the better. He keeps going, hoping that he can still make it to his appointment with the tailor. Alfred recommended the store, then set up the appointment, so all Duke has to do is trust their judgment as they get him fitted. He’s still got twenty minutes until the scheduled time, but some unspoken rule makes it so he has to show up fifteen minutes early for better service or risk being turned away and told to reschedule. 

Duke slows to a walk when he catches sight of the store, the trying to catch his breath and look more composed before he reaches the door. He takes a moment to straighten his clothes a bit, then opens the door and steps in.

The bell jingles pleasantly above his head. The store is empty of any other customers, and the employee at the front counter looks up with a plastered on smile. 

“I’ll be with you in a moment!” she says, then looks down at her phone and types something out before placing it under the counter. A tablet comes out instead and she swipes through a few screens, then sets it down and look at Duke again. “How can I help you, sir?”

“I have an appointment? For a suit fitting. Under the name Thomas.”

She taps on the screen for a minute, then nods and gives him another customer service smile. “Alright, I’ll go ahead and grab the tailor. They’ll be out with your suit soon. Please, feel free to take a seat or browse some of our suits. We just recently got a new collection in from Italy.”

“Sure, thanks. I’ll just… be here, I guess.”

The employee takes her tablet and disappears through a door, leaving him alone in the store. He doesn’t want to sit down, not while his heart is still trying to settle from his sprint through half of Diamond District, so Duke wanders around the neat stacks of dress shirts and vests, pants and belts and shoes lined up neatly against the walls. 

He takes a moment to shoot Alfred a text that he’s at the tailor for his fitting appointment. Steph’s sent him a long string of videos online, and he’s just about to go through them when the bell rings again. 

Duke glances up and watches a guy walk into the store. He looks around, makes eye contact with Duke, then quickly looks down, taking a seat by the door.

Probably another upper class citizen uncomfortable with the fact that someone in jeans and a hoodie is shopping for suits. Shaking his head lightly, Duke wanders deeper into the store to get some distance between them so they could ignore each other more easily. It’s only until the tailor comes out, and then he can go to a fitting room and be done with this whole thing, so Duke resigns himself to suffering through the tense silence. 

How long is he even supposed to wait? He can only look at clothes in one of three colors before he gets bored. 

He goes to another rack, trying to see if he can notice anything different about these shirts. 

And then he hears a shoe scuff against the floor behind him. He tenses up, but before he can turn around, a belt is wound around his throat, pulling him back and choking him. 

Duke drops his weight, tucking his chin and gets a hand against the inside of the belt to try to push it away. His back hits someone’s chest and he’s trapped, focused on trying not to be choked to death while also keeping his vigilante abilities and meta powers secret. 

More footsteps come from behind, and a soaked cloth is pressed against his nose and mouth.

Chloroform, he realizes, familiar with the smell from Bruce’s training. But training isn’t enough to keep him from being knocked out, and he quickly slips away from the waking world, falling to the ground. 

Just before he passes out completely, he hears the employee who greeted him say, “I’m not sure how much Wayne would be willing to pay for him, but let’s start high and negotiate lower. New kid can’t possibly be worth that much…”

Duke wakes up groggily, memories of what happened quickly snapping into place. He’s too out of it still to get up, but he’s awake enough to be offended. Sure he’s the new kid, and barely even a Wayne, but he’s still worth a lot!

Kidnappers these days. So rude.

He doesn’t hear anyone around him, and it feels like he’s lying on a cold concrete floor. Basement, maybe? Warehouse? Storage unit tucked away somewhere? There’s nothing much to see when Duke is able to open his eyes, squinting bareilly at his surroundings. His arms are tied behind him, wrists bound, but they left his legs alone. 

If he could just hit the panic button on his bracelet…

Duke wiggles around, fighting through the lingering effects of Chloroform, and manages to sit up. If he strains his hearing, he thinks he can hear voices outside of the empty room he’s been left in. There’s a window high up, too high for a normal person to reach without help, but if he can use the shadows to travel through it, then he may be able to escape on his own. 

First things first: he needs to free his hands before anyone comes in to check on him.

They used zip ties on him, which is inconvenient. He’s learned how to get out of them, but it’s difficult enough without being drugged and having to do it behind his back. 

He’s feeling the zip ties bite into his wrists just as there’s a crash from outside the room. His kidnappers yell, alarmed, and are quickly silenced. That’s rarely ever a good sign. Duke renews his efforts to escape, ignore the pain in pushing against his binds like this. 

The door opens. Duke hears the small click of a lock disengaging and freezes. Then he gets to his feet, still unsteady, and prepares to ram his head into anyone who comes near him like some sort of deranged battering ram, or a drunk raging bull. 

Duke is ready for the worst: a gang hoping to steal away a Wayne hostage, a Rogue, Gnomon popping in to cause trouble for the sole purpose of getting on Duke’s nerve. 

He’s not expecting another teenage boy, who is literally glowing, to poke his head in and zero in on Duke. He blinks, then smiles; it’s friendly and sincere, nothing like the employee who helped kidnap him. 

“Hey!” he says, coming into the room properly. He’s floating a good foot off the ground, eyes a bright neon green, with white hair that sways as if he’s underwater. “Are you okay? I saw them drag you out of the back of the store and followed them, but I got a bit lost. Sorry for taking so long to get here.”

“...It’s fine?” Duke offers, trying to wrap his head around what’s happening. “I wasn’t expecting a rescue so soon, anyways. Think you can help me out here?”

“Yeah, of course!” he flies closer, then drops down to the ground behind Duke. He hums lightly under his breath, and then Duke feels a cold touch on his wrist and the zip ties are suddenly gone. 

Duke blinks, then brings his arms in front of him. He moves around a bit to make sure he’s not hallucination, and sure enough, he’s free and unbound because a random meta teenager vanished the zip ties into the ether, or something. 

“Thanks, man. Any idea where we are?”

“Not a clue. I got lost coming here, and I was following them. I don’t think you should trust any directions I give.”

“Fair enough,” Duke laughs. “I’m Duke, by the way.”

“Phantom.”

“Well, thanks for the save, Phantom. Can I treat you to something?”

“Like, coffee?”

“Sure. Or brunch, or ice cream. Whatever you want, really.”

Phantom considers it for a moment, then shakes his head. “Sorry, I would love to but going out in public looking like this,” he gestures to himself, “Is not a great idea. Thanks for the offer though. You got a ride?”

Duke pats his pockets, then sighs. “My phone’s gone. I still have my wallet, though.”

“I fly you to someplace you can call someone, if you’d like.”

“You sure? I could probably just walk out of here and call a taxi.”

“I don’t think walking around by yourself after being kidnapped is a great idea,” Phantom says, doubtfully. “Seriously, let me fly you.”

He should just hit the panic button and wait for someone to show up to get him. He shouldn’t go to some unknown location with a meta he literally just met. 

But, you know what? No one else can say they got kidnapped twice in one day, so Duke nods and says, “Sure, sweep me off my feet, Phantom. You gotta commit to this rescue.”

Phantom laughs. And then he does sweep Duke off his feet into a princess carry with a cheeky grin and flies them out the building, which turns out to be an abandoned apartment building slated for demolition. 

“Keep this up and you’ll be replacing Superman in no time,” Duke jokes.

“I think I could manage it,” Phantom replies thoughtfully. “I mean, I’m already prettier than him, don’t you think?”

“Oh, definitely. The glow really brings out your eyes.”

Phantom gets him a few blocks away when Duke recognizes where they are, and quickly directs him into Crime Alley. They land on top of one of Jason’s safe houses, and while he’s sure there’s enough security to take out a SWAT Team, that’s absolutely not going to stop him from breaking in to use one of Jason’s burner phones and eat his leftovers. 

He’s set down on his feet gently, and as soon as Phantom sees that he’s fine, able to walk and everything, he floats back up, just out of reach.

“Be careful, okay?” he says, getting ready to leave.

“I’ll do my best. Hey, are you gonna be in Gotham for a while, or…?”

Phantom gives him a tired smile. “Nah. I’m just passing through. As long as my luck doesn’t get even worse, then I should be out of here in a few days.”

“Shame,” Duke says, giving Phantom a very visible once over. He’s pretty tall, and Duke can see some muscle on him, and the tight black outfit really adds to his look. The glow that comes out of his chest makes him look ethereal and Duke is beyond glad that he got such a charming rescuer.

Phantom doesn’t blush like a normal person. He glows brighter instead, curling into himself a bit as he looks away, unable to stop the smile from growing on his face. 

“I guess,” he shrugs. “Are you really going to be alright from here?”

��Yeah, man, I have a friend who lives here. I’ll just bother him until he agrees to give me a ride.”

“Alright.” Phantom drifts away, glancing behind him before turning back to Duke. “I’ll get going then. Take care, Duke!”

Duke waves and watches as Phantom begins to fly away. Then Phantom… disappears? Or rather, his body does but Duke can see an orb of light making its way across Gotham, almost like a star fallen from the sky.

He stays on the roof until the light is long gone. When he’s finally ready to go in and steal from Jason, the sun has completely set. 

And he still doesn’t have his suit.

Duke sighs, and mentally prepares himself to other day of stressing out about the gala.

Three days of stress and last minute scrambling leave Duke in the Gotham Museum of Modern Art with Steph, Tim, Cass, and Damian. They’re hiding in the photography gallery to avoid other guests, taking a break from being polite and letting thinly veiled, passive aggressive insults slide over them.

.

.

.

“How much longer must we suffer this before we can go?” Damian grumbles, looking like he’s do anything to get his hands on a blade. Which, considering how many people tried to either pinch his cheeks are say some racist remark about him and his mother, is totally fair. Duke would just punch them, but sometimes a little drama helped get the message across. 

“At least two more hours,” Tim says, not bothering to look up from his phone. From what few glimpses of the screen Duke caught, he’s leading a Titans missions through text and clever hacking. Though it may be more accurate to call is a Young Justice mission since there’s no way any of this was authorized by a Justice League member. 

Also Anita, suited up as Empress, is there. If they aren’t on the news for property destruction and absolutely batshit wild shenanigans, Duke will have to check on Tim to make sure he’s not a pod person sent to infiltrate the family. 

“Think we can sneak out without anyone noticing?” Steph asks, looking at the emergency exit longingly.

Cass shakes her head and points to the door leading to the ballroom. When they look over, Dick makes very deliberate eye contact with them and give them a smile that looks stretched across his face.

Tim winces and pushes Duke. “Oh, something went down. Go take over for him and let Dick rest in here for a bit.”

“Man, why does it have to be me?” he grumbles even as he stands. Dick lets out a heavy breath and gives Duke a grateful smile, patting on the shoulder before shoving him out the door. 

As soon as he’s back into the main hallway, the music and chatter swell, no longer muffled by the thick walls of the photography wing. A few people come and go from the ballroom, no doubt looking for the restroom. 

Or more private places for… other things. Things they definitely shouldn’t be doing in an art museum.

He really can’t wait for this night to be over.

Duke joins the rest of the guests, fake smile on his face, and quickly makes his way to the snack table. He might as well make the most of his time stuck out here. Maybe he could even cause another relationship scandal by implying that Bruce is sleeping with one of partners when in hearing distance of a couple. Maybe even both of them. 

Bruce would go with it. It’s hilarious and he also needs something to make these events bearable.

Sadly, he doesn’t see any good targets as he scans the ballroom. A few people are dancing, while others are talking in small circles, closed off from outsiders. There’s an entire table of old ladies with glasses of wine in front of them; Duke considers hanging around them, since they confess to a lot of crimes after a few glasses. It’s fascinating. 

Also, he does kind of miss hanging out with the one old lady who’s declared herself his high society grandmother and told him stories of how she used to go to bars to find racist people or Klan members during the Jim Crow era, seduce them, then poison them and get their addresses so a few gangs she was friends with would fuck them up.

Granny Kaliasto is the coolest person ever. 

Just as he’s about to finish his last mini rolled crepe, Duke catches sight of one of the few teenagers still in the ballroom. The others, mostly stuck up rich kids no one actually likes, have already left to take over some other part of the museum to gossip until their parents decide it’s time to go home. These two are clearly not part of that crew, what with the girl being very goth and in a poofy, ripped dress, and the boy having already taken his jacket off to keep over his forearm, the top button of his shirt popped open.

They might be cool. He’s hoping they’re cool because he desperately needs some company to keep from dying of boredom while the gala continues on.

Duke walks over to them, going around the side of the ballroom, until he’s close enough to hear them talking.

The boy has his back to Duke, but the girl sees him. She immediately scowls and slaps the boys shoulder, eyes locked on Duke.

“Got another comment about my dress?” she says, voice sharp and acidic.

“Another?” Duke repeats. “I was just bored and wanted to talk to people who were my age. Sorry?”

The boy smacks the girl’s arm, then turns to face Duke. “Sorry about her! Sam is just naturally rude and aggressive. Tonight’s been a bit rough, with this crowd.”

Duke goes to say something, but the words stick in his throat when he sees the boy’s eyes shift from deep blue to an electric green. When he focuses, he can see a faint glow in his chest, the same glow he saw in Phantom.

“Dude? You alright?”

Sam looks him over judgmentally. “I guess it’s nice that I’m not being ogled for once, but don’t do that shit to Danny either.”

“Wait, that’s not what I was doing!” Duke hurries to say, snapped out of his shock. “I just… you look a lot like someone I met recently.”

“Yeah?”

“Yeah. What was your name? I’m Duke, by the way.”

He holds out a hand, and the boy shakes it with a small smile. “Danny. I don’t think we’ve met. I mean, I’m only here because Sam wouldn’t come to this gala without me, so her parents flew me in.”

“You from out of town?”

“Sam and I are from Illinois. Her parents are traveling around the east coast right now, and they decided to spend a week in Gotham to talk business.”

“I’d ask how it is, but outsiders tend to really hate Gotham, so…”

Sam barks out a sharp laugh. “Oh please, we can handle Gotham. Our town might not be as big and well known as Gotham, but we got our own shit to deal with there.”

“I do get shot at a lot back home,” Danny adds thoughtfully. “And that’s without the ghosts.”

“Woah, what?”

“Up for a bit of a story?” Danny asks, impish grin on his face. By his side, Sam brings a hand up to cover a manic smile, shoulders already shaking with laughter. 

This is already better than the grandma gang. Duke leans against the wall, getting settled in, and says, “Always, man. Hit me with it.”

The next hour an a half passes quickly with Sam and Danny dramatically narrating some of the things that have happened in their town. Duke listens, absolutely enraptured, and doesn’t even notice the Waynes file into the ballroom again. 

Unfortunately, they bring with them the attention of most of the ballroom, including Bruce and Sam’s parents. 

She cuts the current story about Box Ghost short with a heavy sigh. “Hold up, I need to greet the Waynes properly while my parents are watching.” She steps in front of Duke and Danny, holding out a hand with a pained smile.

Tim takes it first, giving a solid shake, and introductions start. 

Free from the rules of high society, if only for the moment, Duke leans closer to Danny and whispers to him, “Phantom. Wanna get out of here?”

Danny flinches and turns to him looking panicked. “How did you know?”

“I kinda got magic eyes. I see a lot of things normal humans can’t. Don’t worry about it. I still owe you, so you wanna get out of here?”

He watches as Danny glances around the ballroom, then back to him, clearly weighing out his options. Then he nods and says, “Know where to get a good milkshake around here?”

“Sure do.”

“I guess you’re the one rescuing me this time.”

“Not a rescue,” Duke corrects, and casually picks Danny up over his shoulder into a fireman’s carry, “A kidnapping.”

Danny laughs and waves Sam and all the others goodbye as Duke marches out of the ballroom.

“Don’t bother me for the next two hours!” he calls to the Waynes, “I’m going on a date!”

There are shocked gasps and murmurs all through the crowd. But as he spins around to wave at his shocked and easily amused family, he also catches sight of Granny Kaliasto raising her half full wine glass towards him.

She really is the coolest.

He’s definitely telling her all about this at the next event they attend together. It’ll be nice to have a few stories of his own to share.

[mishy-mashy]

Bruce is actually really attractive, and I have enough reasoning to make a list

He's:

Tall (. Tall enough to hit his head on the vault doorframe)

Long-legged

Has a straight nose bridge

Has high cheekbones (more noticeable in 2nd pic below)

Has a strong jawline

Sharp eyes, but they aren't small (plus eyebags if you're into that)

Overall, he has strong, attractive facial features

Has broad, refined shoulders. You can tell he works out (or he did, when he was alive)

Even has a thick, muscly neck

He has MUSCLE. Is SCULPTED. NOICE. VERY NOICE. (nice arms. Nice shoulders. Nice neck. Nice legs. Nice butt-)

(There are actually panels where you can see some of his muscles. Other than those already shown here, he's got bricky thighs-

-and in the panels where we first get his name dropped, he's got those shoulder blades too-)

The one time we see him smile, and he actually has a scary one

Has small, kinda sharp pupils, and his eyes remind me of a cat. We only ever saw him tense or defensive, so his resting/listening face is really cute

Other than the physical appearance stuff, he also:

Takes shit without batting an eye (patience, knowing it's just how Kudo is, etc)

Kudo being all "Cut the crap Bruce and give it to me straight", after Bruce tests his blood and is rightfully Concerned because they just faced AFO

Put up with Kudo's experimenting and testing over Yoichi's transferable Factor

Did ya'll see the look on Kudo's face when he realized he had Yoichi's Factor/will? Kudo was going to start in nonsense and Bruce just dealt with that.

Also something I noticed when looking back at the images here; Bruce has bandages on his arms in the void. But not when he faced AFO in the sewers.

Were he and Kudo cutting their arms open in their experimenting over Yoichi's theory? Is this why Kudo has two gauntlets instead of his one? Why we never see his bare arms in the void? That he always keeps his arms down so there's no slip?

Is smart enough to run blood tests, plus has enough common sense to pick Shinomori as his successor

He picked a guy who avoids society, has an Ability to detect danger so he can always stay away from AFO, is also a coward so he's never going to go throw himself into danger, even without knowing instinctively he stands no chance, etc.

Meanwhile, Kudo chose Bruce, who he played Hot Potato Yoichi with; but he did also trust Bruce, and put the only pure combative Ability in OFA through Bruce.

These two made their choices based on what they valued and saw the Factor needed.

Is logical, analytical, and calm.

He tried advising Midoriya on their Abilities in One For All, especially his own.

Midoriya then tried ignoring him about using Fa Jin for the first time, but found he was right, thinking: "Dammit!! I had [Lady Nagant] right where I wanted her, but... ugh! The Third was right. My parallel Quirk processes are all screwed up!" (ch. 314).

Plus, when Midoriya fixed his processing mistakes, Bruce was analyzing the way he reached his new conclusion. Pure facts, no bias, very calm, just saying it as it was.

We never see him panic. When he's caught by surprise in the sewers by AFO, Kudo, and Yoichi's little bubble event, he immediately reacts. He doesn't falter, he just knows he has to do something right now.

Was more willing to listen than Kudo to Yoichi's beckon, and probably was just following Kudo's rejection of Midoriya

While we don't see Kudo's face, we see Bruce's eyes when Yoichi calls on his heroes. Bruce was more open and receptive, or at least more impacted.

Bruce was also the one to start talking, while Kudo just kept quiet.

He actually communicates a lot

When Yoichi called them to support Midoriya, Bruce started talking to paint a picture of why they thought the way they did, so Yoichi understood where they were coming from.

(Though he seems to beat about the bush sometimes, since Kudo spoke up to be direct on how they couldn't just put their trust in some starry-eyed teenager. Plus, when Kudo tells him to just tell him what's wrong [double Factors])

When Midoriya first used Fa Jin against Nagant, Bruce came out just to tell him he knew what he was trying, but that Midoriya wasn't ready; and Midoriya found he was right. Midoriya just didn't want to listen to him then.

He asks Kudo for clarification after finding Kudo had two Factors in him after the sewer incident ("Just to be sure, All For One didn't touch you, right?") Kudo knew him well enough to go "stop beating around the bush and tell me", so Bruce was probably gonna start with questions, theories, and trying to understand everything in general, before saying "yeah you have two Factors. Don't know why".

Is strong-willed and loyal.

He followed Kudo, even to death, carrying on the cause he started until it ended with him.

Plus, when talking about how AFO needs a strong will to override OFA's own, we first see Bruce, Kudo, and Yoichi.

AFO couldn't steal OFA because the will was too strong for him, and that was back during Banjo's time. Since Shinomori never actually tried opposing AFO and just hid, we can assume the first Three (Yoichi, Kudo, Bruce) already had an accumulation of strong willpower that made OFA un-stealable. Those three are a strong enough foundation, and the main wills, that the other users just become bonuses.

Kudo, also saying that Midoriya needs allies with the same will and drive as him... hey Kudo, you're talking about yourself and your old allies, aren't you? That's why you look at Yoichi and Bruce when you say this.

Not only is Bruce attractive, but he's got good character. THE END.

[poorly-drawn-mdzs]

More MDZS and Hollow Knight! The cool bugs I found in my backyard have started to unionize.

Part 1 - Part 3

[cousin-apollyon]

So Hazbin Hotel came out and im late to the party but Alastor design is just not giving to me at least, it just doesnt tickle the brain right

so i made my own version

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

[surrealsunset]

😭😭😭

[scimagic]

Oooo I just had a thought. What if instead of probably dying after the fight with the SMG4 crew, what if- hear me out- Puzzles is given the chance to Actually work in the crew with SMG4? An actual redemption arc where he's able to let out his creativity And be a part of a show entertaining people?

He becomes a background character that only appears when needed as he usually just works with SMG4 to help with his videos, kind of like Mario except he's more on the... editing side of things? The behind-the-camera type of deal, an assistant even. SMG4 gets someone to help and Mr. Puzzles gets to live and work on the entertainment business, win-win for all!

I guess this is a bit of a stretch but hey- one can hope. It'd make for a very nice AU if things go south.

[thesorrowoflizards]

SORRY this is so fucking funny. van is like oh, my crush likes another guy. that really fucking sucks because i kinda thought she liked me? god. and then she invites him over and tackles him onto her couch.

[proselles]

a white haired guy is childhood friends with a dark haired guy who is more righteous and kind than him and the dark-haired guy teaches the white haired guy the meaning of doing the right thing and being nice to others (not killing them) before he goes off somewhere the white-haired guy can’t protect him and subsequently becomes a murderous villain with the goal of creating a perfect world (in part for the white-haired guy), rejecting the very morals that he taught the white-haired guy to embrace.

they reconcile right when the dark haired guy is about to die (the white haired guy is told to do it and has a large part in it). there’s also magical eye fuckery and a very big and significant identity reveal about the living status of the black haired guy that devastates the white-haired guy. they are also forced to kill each other. there is also struggle with identity and loyalty and following rules you dont agree with for the sake of the greater good.

now: kakaobi or satosugu???

[mossy-paws]

Lightblox (PHIGHTING!)

“And I’m floating in a most peculiar way, And the stars look very different today.”

alt versions:

[brown-little-robin]

oh I just realized that my interest in anime and my interest in clowns are linked by the concept of "exaggerated silliness". hmm!!!

[wrinkleintime]

enterprise text posts: featuring trip (and friends) in Situations

[mic-check-stims]

Walkshipping board for that one anon from forever ago who asked about my ships

X-X X-X X-X

[astralprisms]

New gith who dis?

Saving her for patch 7 since I'm finally going to run Durge. Haven't settled on a name yet but I'm very into this look.