#ghosts sitcom

[bookshopcrow]

I love BBC Ghosts and have been rewatching it this week while I've been unwell 🖤

[the-frog-wizard-leep]

rip Captain James you would’ve loved the legalization of gay marriage

[pebble-person]

Tried watching the American version of Ghosts again. It's worse. Definitely worse. But in, like, an *insulting* way. They removed every subtlety! Do they think my American brain was incapable of comprehending that Captain was in the closet without him making stereotypical jokes about it every three sentences??? And they made Fanny younger and "hotter". For why? Hhh. Agh. Argh. I need to make art of the original BBC series.

I miss Kittie.

I'm gonna draw Kittie.

[dovebuffy92]

My Top Ten Favorite Sitcoms

This list is made up of three American sitcoms, two Canadian sitcoms & five British sitcoms. Also this is not in any particular order.

1. The Thick Of It

2. Kim’s Convenience

3. Schitt’s Creek

4. Outnumbered

5. Derry Girls

6. The Royle Family

7. Ghosts (British One)

8. The Partridge Family

9. Abbott Elementary

10. Parks and Recreation

[justlookatthosesausages]

So one last year and they'll be all sucked off 🥺

[hiding-under-the-willow]

So. I decided to doodle ghosts au etho to get his design down and I. uh. thought a little too hard about him

[rosalie-starfall]

Hetty & Trevor

Ghosts - The Family Business

[tanjir0se]

Wait ok Tanjiro and Genya trying to parent trap Giyuu and Sanemi into getting together staging more and more elaborate and ridiculous scenarios to encourage them to finally admit their feelings. Ex: Tanjiro saying *while genya is visibly right behind him stuffing the other bedroll into his shirt* “Oh no Mr. Tomioka there’s only one bed in this wisteria house!!! I guess you and Mr. Shinazugawa will have to share! :))))”

But the punchline is they’ve been dating for weeks and Tanjiro and Genya are just really stupid lol

[puppetmaster13u]

Another Prompt in Memes?! Yes.

[the-purple-auxiliatrix]

I gonna need some of yall to gently remember that ghosts is, at its CORE, a SITCOM yall. A SITCOM.

[peachyygoblin]

Maybe another Time?🌹

crazy how their wedding went amazingly guys am I right!!!

[captain-grammar]

Themes I've Noticed in Episodes of Them There Projects Ben's Written - Ghosts Edition:

Being unable to connect to your family/loved ones because you've move from one phase of your 'life' to another (s1e3 'Happy Death Day')

Hiding secrets/a part of yourself behind a military facade (s2e3, 'Redding Weddy')

A father expressing regret at missing the childhood of his daughter; a father and son connecting after having a misunderstanding (Christmas special, 'The Ghost of Christmas')

Accidentally ruining a relationship with a "member of your family" (s3e4, 'I Love Lucy')

Finding love, comfort and support from a misfit family you choose (s3e6, 'Part of the Family')

Grief, loss, hiding your emotions behind bravado to 'keep calm and carry on' (s4e4, 'Gone Gone')

Your 'family' driving you crazy but ultimately knowing you could never replace them (s4e5, 'Poached Guests')

Feeling isolated, alone, like an outsider; unable to connect with people even though you try (s5e4, 'En Francais')

Finally coming to terms with aspects of yourself you'd hidden and revealing that to the people you care about; trying to overcome the shame associated with it (s5e5, 'Carpe Diem')

Literally the entire character of the Captain; being a gentle soul, wanting to be quiet and silly and soft but feeling like you have to play the part and be the soldier because that's what's expected

(Yonderland edition)

[happilyhadesbound]

reading the IMDb page for Redding Weddy... screaming crying throwing up etc

[afrsconp]

So this account was only going to be used to reply/comment to other people's posts, but then CBS released new Nissac pics and this happened, instead.

Inspired by the photos from S04E07, and especially this one:

“– you don’t even like dinosaurs, you’ve never cared for them, and you know that I myself love dinosaurs dearly – just as much as you love your ants! So you see–”

“Take it.”

“I–you–what?” Isaac exclaims, unsure if he’d heard correctly.

Nigel sits very still and keeps staring straight ahead, not even glancing at Isaac beside him on the bench. 

“Just take the bed,” he repeats.

“What are you– After all the arguments and fights and squabbling, now you’re just letting me take it?” Isaac stares at Nigel’s profile, more than a little disbelieving. “Just like that?”

Nigel takes a deep breath. “Do you know why I even wanted it in the first place?”

Isaac frowns. “Petty revenge?” he guesses.

Nigel smiles thinly. 

“Perhaps,” he acknowledges. “Partly, at least. But no. That wasn’t the real reason.” 

He's silent for some time, and when he speaks again, his voice is so quiet that Isaac has to lean a little closer to hear him.

“When we were engaged,” Nigel begins, “we were unable to exchange rings. We had no tangible, physical evidence that we were – that what we had was –”

He cuts himself off there, pressing his lips together, as though forcing the words to remain inside his throat, unspoken and unheard.

“And I thought,” he continues eventually, “I thought the bed could become that for me. One that came too late, I know, but still. A keepsake, if you will, of… what we once had.”

Nigel turns to look at him, finally, but the expression on his face is utterly blank: the kind of look one would give a featureless wall, or an empty canvas, or a – a complete stranger, Isaac thinks, as he tries and fails to read something of Nigel’s thoughts there, and finds nothing at all.

“But it’s becoming clear to me now,” Nigel adds, “that what I thought we had... was not what we actually had, and so–” He stops suddenly, swallowing whatever it was that he was going to say. “What’s the point of a keepsake that signifies nothing?” he asks instead.

He smiles again, but it's an awful expression, one that reminds Isaac of the way Nigel looked at him right after the aborted wedding, when he'd tried to explain why he called it off and Nigel told him, eventually, that it was all right and he understood.

"Besides," Nigel adds now, still smiling that awful smile, "it's the perfect replacement for the new daybed you always wanted. Symbolic of something you love... and only sleeping one."

Isaac jerks back slightly, the unexpected reminder only sharpening the sting.

“So take the bed, Isaac," Nigel says. "Take whatever you want.”

Then he stands and walks away, and though his shoulders are visibly tense his steps don’t falter and he doesn’t look back, not even once. 

Isaac watches him go, until his figure disappears into the woods in the distance, and all at once he's struck by a strange sense of inevitability. That now, that hard-won bed will no longer remind him of fun little dinosaur facts or an afterlife-changing lapdance, but that it will forever remind him of this, instead: the sight of Nigel's red coat vanishing into the trees; Nigel never saying the actual word but the last thing he said still sounding very much like goodbye.

Isaac glances at the bed's box nearby, then looks back at the woods again. He's won the battle; the bed is his now. But for some reason, this doesn’t feel like a victory at all.

[batcavescolony]

Do you think School Spirits and Ghost's could be in the same universe? They're both ghost tied to the place the died, who have no idea how to cross over, and some people can see them. Now I want a Ghost × School Spirits cross over.

[fixationstationbaby]

Woe, DOAI doodles be upon ye

You'll never guess what I'm fixating on again, it's sooo hard to notice (heehee)

Kept these loose and sketchy to warm up. These two are everything istg