#get out my repressed

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[justaz]

merlin’s secret being a visual thing. when he is around arthur or gwen or leon or morgana or [insert whatever character here] merlin seems pale and thin, almost like a ghost or an apparition. when the sun lands on him he reflects it like a corpse, he eyes seem dark and dull. he has this ethereal beauty to him, this otherworldly visage that leads many to believe he is of fae blood. he just doesn’t seem to be 100% human. but when he is ONLY with lancelot or gaius (cough or gwaine bc gwaine DEFINITELY knew) merlin is heartachingly human. merlin shines in the sunlight, colors are brighter and more vibrant around him, and his smiles are wide and his laughs are boisterous. he takes on color and leaves everyone wanting to know him. but when other join in or interact with the two, merlin shifts before their eyes so quickly and suddenly that they aren’t sure whether or not what they saw was a trick of the light. the idea still leaves them wanting more and wanting to see the merlin who is just so full of life but that merlin only appears for a small select group of people. merlin who has a guard so high that it has an effect of other’s perception of him.

[willowser]

oh oh oh 30 year old touya...............body still healing, rediscovering who he is, figuring out how to be a brother and a son again. learning and growing mentally and emotionally in a safe space, for the first time. it's weird and wonky and some days are better than others and healing isn't linear and feelings are hard.

especially once he realizes he's got a little crush on the sweet nurse that comes to check on him every day.

[shortnotsweet]

[ “SOMEBODY TOLD ME”]:

BREAKING MY BACK JUST TO KNOW YOUR NAME. SEVENTEEN TRACKS AND I’VE HAD IT WITH THIS GAME. A BREAKIN’ MY BACK JUST TO KNOW YOUR NAME—BUT HEAVEN AIN’T CLOSE IN A PLACE LIKE THIS.

— The Killers, Hot Fuss (2004)

Princess Rhaenyra’s insolence is wearing her stepmother’s patience thin. Queen Alicent is not ten years her senior, but even during her own sixteenth year, she cannot recall herself behaving so brazenly. She would never burst into courtly discussions in nothing but gilded armor and the underskirts of her riding leathers, awash in blood. (She would never be spotted in blood that was not her own, anyway. Alicent has never picked up a sword, not one that belonged to her.) Nevermind that Rhaenyra is attending to diplomatic affairs with bared teeth and scales, no—the crux of the matter is just that, her affairs. Rhaenyra is the Realm’s Delight, a beauty incomparable to any fair maiden, Alicent included. She indulges herself with appetite of a spoiled child, the confidence of man, and the pickings befitting only to her royal blood. Criston Cole. Daemon Targaryen. Harwin Strong. Laena Velaryon. She’s full of love, isn’t she? That selfish, foolish girl. What does Rhaenyra Targaryen know of love, of duty? She is a child in so many ways—she thinks killing makes her a man, thinks the throne is hers despite being a woman, thinks she can have her knight and her uncle and her protector and Laena Velaryon in one fail swoop. She’s wrong. She doesn’t know herself half as well as Alicent does. Alicent, who sees her for what she truly is, who wants to see all of her and more of her and none of her. Alicent has been stolen into the Keep by her own father—both of their fathers—but Rhaenyra is the key to this place, is the window to everything barred. Rhaenyra Targaryen has a dragon. Rhaenyra can fly.

That’s what Rhaenyra had promised her once, with her lips pulled back in a grin, exposing the white of her teeth like the violently radiant creature she was. “Perhaps when you grow tired of plotting against me, we shall ride on dragonback together,” she had said. The tease.

Alicent had yanked her into an empty corridor by the silk of her sleeve, ready to chastise her for her ill behavior. Conversing with the lords and ladies of the court at a feast was one thing, but chattering about her bloody encounters in battle over the pudding tureen were another. The lord at her elbow was going green. Alicent’s own face was likely red; her heart raced whenever Rhaenyra got like this. Alicent had never seen the battlefield—only seen battered men in dented armor and the slumps of corpses lined along dirt roads in the aftermath of war—but her own imagination terrified her like nothing else.

(Rhaenyra is better with a sword than half of the knights in Westeros, and more lovely than the lot. Her reign has not yet begun, but already the commoners flock to her—lured in by tales of her beauty and fine hair—and soldiers would follow her into battle. Alicent would not follow, but she would watch and bite her nails down to the quick.

She thinks of the figure Rhaenyra cuts in full armor, the heat in her gaze underneath the slots of her helmet. Alicent remembers the weight of her own hand in Rhaenyra’s—which was gloved—when the princess rode up to the spectators box and grasped it in her own, bringing Alicent’s knuckles to her lips. She thinks of Rhaenyra murdered in the sky, skewered with another man’s sword, plummeting to the ground, torn in half, streaking crimson across the clouds. Alicent would scream, or cry. She might laugh. She would throw herself from the window of her tower. Rhaenyra’s bloody exploits terrified Alicent for reasons she could not identify, and excited her for reasons she refused to.)

“I’d sooner be confined to the castle for the rest of my days than get on the back of that bloody lizard,” Alicent scoffed. Rhaenyra only tucked her hand over Alicent’s, where it was resting on her forearm. She flexed her fingers, moving to release her grip on the dark fabric, but Rhaenyra intertwined their fingers and held them fast.

“You’re confined already. You are already accustomed to such a thing. I know you. But—”

“But you forget yourself. You think you’re invulnerable, Rhaenyra. You don’t know who you are.” Alicent intends for it to be a sneer, but instead it comes out quietly, and too gentle for disdain. She can’t know. Rhaenyra is as trapped as she is, but they’re trapped together. They belong together. She belongs with Alicent.

“I am Rhaenyra Targaryen, Heir to the Iron Throne and all of Westeros. I am a dragonrider. I am—I am your daughter. In a way. Your sister, too. Your enemy. Your sword, your shield.”

“And what am I?” What else is left for me? Alicent wonders.

“My Queen. For now.” Rhaenyra cocks her head, and the gleam in her eyes burns like fire raining down. “When I am Queen, you will be my lady.”

[thereweredragonshere]

Astrid whump

pretty

Pretty

Pretty

Pretty

PLEASEREER

:3

[fatmaclover]

anyway yeah something something about indulging a man in his delusions about playing god just so you can have the relationship with God youve always craved or whatever. theres some analysis or poignant post here somewhere after i rewatch the series a couple more times

[ask-the-rag-dolly]

" oh no people will get weirded out by how much i like to torment this ragdoll " i say to myself , even though i Just cultivated an audience of people who loves ragdoll torment

[sage-nebula]

Kristoph Gavin's black psyche-locks have remained unbroken for 17 slutty, slutty years.

[cogentranting]

There's a direct line from seven-year-old Peter crying and saying "I know I sound crazy, but I'm not" when he talks about being kidnapped from "the other world at the bottom of the lake" and then being subsequently gaslit into repressing all the memories of his childhood, to adult Peter's anger at Walter because-- in his words-- "being crazy was something he did to us" and his bitter sarcasm early in the series in response to every fringe event or theory that sounds weird or crazy.

There's a deep-seated fear of being disbelieved or seen as crazy, and that anger and sarcasm come as a defense mechanism. It's probably also what led to his time as a drifter and (essentially) con-man.

[soultiio]

how funny it is that you are the first to crack

[triglycercule]

mtt therapy moment except dust keeps taking breaks to talk to phantom papyrus and horror just wants this to hurry up so it can get to his turn because he couldn't give two shits about dust and killer's trauma and killer physically cannot discuss his issues and just starts zoning out while crying for some reason during it

and i'm the therapist listening to all of this writing down notes fervently because ITS CANON MATERIAL CANON I NEED TO GET THE CANON MATERIAL

[anonymocha]

i think one reason some lgbt people are very intense with their identities online is because they don't get to express themselves in a sufficient way irl or at all due to lgbtphobic environment, lack of queer friends, self-repression, guilt, etc etc. so for that reason if you wanna make being gay a personality on your blog then idgaf go ahead the world is cruel enough to you, this is your space and you can do whatever you want

[arsenicflame]

steddyhands modern au inspired by this post:

(1828 words, themes of kink but nothing explicit, established blackhands & gentlebeard-centric. Happy Pride!)

Stede picks up leatherworking in the wake of his divorce. He's not exactly sure how it ended up being such an important hobby for him, only that he had always admired the intricate designs on his horse's best bridles, and with little else to do with his time, he decides to give it a go.

It's rocky going at first, but he's having fun working with his hands for the first time in his life, and there's a sense of satisfaction in seeing the design come to life as he works. With practice, his skills improve, and he learns how to make things that are truly one of a kind.

He starts off posting his pieces online, as a way to reach fellow enthusiasts, but quickly finds himself with a rather large audience. Stede’s style is unique, and, after many requests from his followers, Lucius encourages him to make some more basic pieces he can sell. It's not about making money for Stede, but another way to meet new people who share his interests- as Lucius keeps telling him, it's sad that his personal assistant is the main person he talks to these days. 

So Stede sets out on a new adventure, and has quite the time designing a new range of patterns for the market. He makes purses, belts, bracelets, and, most importantly, dog collars- all still with his unique designs embossed into them, of course. He rents a booth at his towns monthly craft fair, and very quickly finds himself with a new group of friends in the other regulars- Pete, his usual neighbour, who sells an array of wooden figures he carves, Roach, who runs a stand for his bakery, and Frenchie, who isn't actually a stallholder, but is almost always busking near his friend Wee John’s stand of knitted goods, bringing life to the market even in the pouring rain. There's also Buttons, another regular at the market. Nobody is exactly sure what he does there- he doesn't sell things, or seem to buy anything either, but rain or shine, he's there with the birds.

Stede’s been doing this a few months by the time June rolls around. As he's setting up his stand, he notices that the area is much busier than it’d normally be at this time of morning. Lucius, who got roped into helping run Stede’s stall somewhere down the line (despite his protests that this is not what personal assistant means… But hey, he got a boyfriend out of it, at least), reminds him that there's the parade today, too- not realising that Stede had no clue there was a parade today, and especially not that it was pride. Stede immediately jumps to fretting about the amount of stock he’s brought, and Lucius takes the cue to escape, saying he’ll go and grab them coffee (but really, he's off to flirt with Pete)

Lucius is still missing when Ed stumbles across the little leather stall. Stede’s just ran back to his car to fetch his last boxes of inventory, and by the time he returns, Ed’s already begun to narrow down his choices. Stede greets him, starting to tell him that they're not actually open yet, but before he gets more than a couple of words out, Ed’s exclaiming “You're a Kiwi!!!”

The two of them smile at the shared recognition, and Stede says he’ll make an exception, just for Ed, and asks him what exactly he was interested in. Ed tells him that he's looking for a collar “for his boy”, and points out the particular design he was looking at. It happens to be one of Stede’s favourites from this latest run of work, a fact he mentions to Ed. It leads them into a discussion about Stede’s craft, and Ed’s Izzy, and then everything in between. Ed’s listening intently to the things Stede’s telling him, completely drawn in by the process, and by Stede himself. He watches as Stede stamps Izzy's name into the collar, and Stede even lets him have a go at one of the stamps. 

Lucius reappears sometime in the middle of this- only to immediately retreat again, seeing Stede engrossed with Ed. He sets up camp at Pete's booth opposite, watching this man flirt intensely with his boss- and Stede flirt back just as hard. Does Stede even realise he’s doing it? Lucius had known Stede was gay since before Stede even admitted it to himself, but this is on a whole other level.

The pair stand there so long that Izzy comes to look for Ed- the two of them are manning a float on the parade with their crew, and it's past time for them to get geared up. He's already worked up, frustrated to have been left to set up everything alone, when Ed had just gone to see if he could get them both coffee. So maybe he's a bit of a prick, approaching with a brash “where the fuck have you been, Edward”, to which Stede brings the same energy, giving a bitchy “Ed! Do you know this guy?” Izzy tenses, ready to snap, but then Ed cuts in, excitedly telling Stede that this is “his Izzy!” Which confuses the hell out of Stede. 

Forgetting his earlier attitude, he asks Ed if he “really named his dog after his friend”, only to be met with confusion right back from Ed at where the hell Stede got the idea he had a dog from. Stede gestures at the bag with the collar in it, to which Ed has to tell him, “oh, no, that's for him.” Ed tells Stede that they're here to run a float for their local leather society, and while Stede is certainly shocked by what Ed’s saying, he's not finding himself… uninterested. It's simply that he’s never even considered any of this before, especially not that people would use the things that he made for this, but Ed sounds so enthusiastic about it all. He tells him about how his friends would love to see Stede’s work, about how classic leather gear is always so fucking boring- but not Stede’s stuff, no, Stede’s stuff is “fresh” and “fascinating” and unlike anything Ed’s ever seen before. 

Ed's enthusiasm is incredibly infectious, so when he invites Stede to come back to see their float, he readily agrees. It’s a concept Izzy’s less than enthusiastic about. He doesn’t really want to bring this man who’s dressed like he just walked out of a HOA board meeting to their kinky little corner of the world, but he is having a lot of fun watching Stede squirm, so decides not to raise a protest. He does demand he gets his long-overdue coffee first, though (Stede pays for it- as “compensation for him distracting Ed from his job”, he says, not giving Izzy a second to process before he's tapping his card)

By the time they return to the float, Fang, Ivan & Jim are waiting for them, all already geared up. Stede is stunned silent at the sight for about 5 seconds, before he starts actually looking at the quality of Jim’s harness, and proceeds to go off about the poor quality of the craftsmanship, about how the hardware is tacky and completely the wrong choice with this leather, how his “ten year old daughter could do a better job!!!” 

There's complete silence from the group, until Izzy, of all people, bursts into laughter at Stede’s audacity (and, the fact he was staring at Jim's tits completely unabashedly, like he hadn't even noticed them in the first place). Izzy's laughter sets Ed off as he tells the group about Stede’s misunderstanding- “you didn't say he was a person!” “I mean, he's my dog”- and soon everyone's having a friendly giggle at Stede’s mistake.

It's somewhere in the middle of the retelling that Ed remembers that this whole thing happened because he was buying Izzy a gift. After a moments fumbling, he presents Izzy with the collar-  It's a rich, deep black, embossed with a rolling pattern that resembles waves. It’s made from a firm enough leather to take the tooling, and to remind Izzy that he’s owned while he’s wearing it, yet still soft enough for long term comfort. Izzy's eyes immediately lock on to it, an unreadable expression coming over his face, and Ed turns it; first so he can really see the design and Izzy’s name embossed into it, and then so he can see the small “Ed ♥” on the inside of the collar, right over his swallow tattoo. 

“I did the heart,” Ed says to him softly, intended only for Izzy’s ears. Izzy's eyes flick up to Ed’s, and he raises his chin to give Ed the room to put it on. Ed buckles the collar around his neck almost reverently, a test of the tightness turning into a caress of Izzy's neck. It's a perfect fit.

It's as though something comes over Izzy; so twitchy and abrasive earlier, now silent, staring at Ed with a look akin to worship in his eyes. He obediently tilts his head for a kiss as Ed's fingers move to his chin- It's a sight to behold, and one that has Stede intrigued. He wants to know more about this lifestyle, and these men in particular. He wants to be the one to put that expression on Izzy's face.

The moment breaks as Ed and Izzy pull apart, and Ed calls for the crew to finish the last bits of set up. Izzy shakes himself a little before running off to bark orders again, but even still, there remains a softness to him that wasn't there before. 

Ed turns back to Stede with an apologetic smile, already obvious that he has to get going. Before he can speak, however, Stede jumps in -“My business numbers on the card in the box… I'll be around all day”- Ed’s smile turns more genuine at that, promising to stop by if he gets a moment, and that he’ll send his friend's Stede’s way- “if he wants that kind of business.” Stede says that he does, actually- that he's seen a whole new world already today, and, while he was a little taken aback at first, he can feel the passion Ed and his friends have for this life. If there's one thing that's ever mattered to Stede, it's other people's enthusiasm. Maybe he doesn't completely understand yet, but he would like to try.

One year later, Stede’s back at the market on pride weekend again, far better stocked for the crowds this time around. Lucius is finally free to spend the day flirting with Fang & Pete to his heart's content, now that Stede’s roped his own boyfriends into helping him run the stall- and into modelling the merchandise. Ed loves that part, while Izzy needs a lot more convincing, but the puppy eyes Stede & Ed weaponise against him make a very good argument.

[introspectivememories]

high school timber is all about repression!!!

it's about bernard desperately trying to prove to himself and his parents that he's straight!! because his parents already don't like him and he cannot be gay. not now not ever!!!! so he puts up this front of a ladies man and he picks a girl he cant ever get together with and maybe he kisses like 3/4 of the female population at grieves and gains a reputation but hey! at least he's not gay! but he's so caught up in making sure his eyes don't to stick too long on tyrone's face or michael-from-biology's eyes or kabir-from-study-hall's thick thighs that even his attraction to women is under a filter. and it's not that he doesn't like women, he does! very much so!! but it's that he's soo caught on not being perceived as gay that he cant show his attraction to women the way he'd like to. it's all under this filter of what he thinks Real Men who are attracted to women act like so it's this brash, loud, crass, thing and it's not him at all. it's "ooh tim, ms. winters is soooo hot!" or "hey kayla, why don't you and i get to know each other a little better, if you know what i mean?" or "god her tits are soo big. she's so fucking hot!" and all this other shit when he really means, "tim, why the fuck does your stepmom have such a pretty smile?" or "kayla, you said you liked yugioh? i'd love to hear more about it!" or "god fuck, that girl has such pretty hands. i think if i held them i'd combust." but none of that is how a Real Man likes women so he shuts that shit down before it even has a chance to come up. it's fine, he's fine. so what if no one ever holds him like he holds those girls? it's fine. he'll take the manwhore label and the fuckboy title and he'll give out as many kisses as those girls want and if sometimes when he's kissing a girl he wonders what it'd be like to sit on kabir's thighs or if tyrone's lips really are as soft as they look, that's just the devil speaking. and if sometimes when he walks back into the cafeteria at lunch, lipstick still smudged on the corner of his mouth, after making out with a girl and his eyes skirt over tim's lithe body and he wonders what it'd be like to draw out the same sounds he's heard girls make when he kisses them, or what it'd be like to brush his thumb over tim's hands, or what it'd be like to hold tim or press a kiss to his shoulder, or a million and one other things, well that'll just have to be another one his secrets.

and it's about tim who's in a relationship with stephanie and his dad knows he's robin and he doesn't have time to figure out why his mouth goes dry when the light hits bernard's hair just right. he's too busy trying to figure out a way back to his nightlife. and so what if bernard has pretty pink lips that look very plush? so what if he's looked at some of his teammates and thought they were handsome? he's not blind!!! he has a girlfriend! and he loves her! and so what if his hand brushes bear's during fourth-period bio? so what if the tingles last all day? it was just some static! and it doesn't matter that when bear laughs his eyes get squinty and they water over -- cause bear always laughs so hard he almost cries -- and it sounds like bells. and it doesn't even matter, that sometimes when bernard walks back into the lunchroom, 10 minutes before the bell rings, lipstick smeared across the corner of his mouth, lips tilted up in the most charming smirk he's ever seen, that his chest fills with jealousy. it doesn't matter that his hands clench into fists so hard that his nails leave crescents marks all day. it doesn't matter that he wants to be bear's flavor of the day, week, month, whatever. he wants to leave the lipstick marks!! he wants to know if bear really is as good as he hears the girls speak about!!! he wants to know "that thing bernard does with his tongue!" is! he wants to drape himself over bear the same way he sees those girls do! he wants to know what bear's hands feel like gripping his waist. he wants, wants, wants!!! but it doesn't matter. it doesn't. he's got a girlfriend, her name is stephanie, she's gorgeous and, most importantly he loves her. he's too busy for bernard anyway.

[honeycreammilkshake]

Hey so idk if you know about this, but in Japan the politicians are going ham on trying to get BL and GL censored and illegal (???)

And with how gege likes bl, gl, and a lot of queer romances in general, do you think if he didnt play it safe, sukuita would have been canon?

i think i've read about the recent backlash on yaoi/yuri/etc in japan. and i'm really happy gege came out in support of queer series. i feel like it means a lot that they did that.

i also have a feeling that gege knew exactly what they were doing when they made sukuna and yuuji so shippable, but i'm also sure that jjk being a shounen would have prevented sukuita from being canon either way, only because then the series would technically be classified as yaoi or bl instead. and since this was marketed as shounen, it's highly unlikely that the publishers will allow it turn into bl (especially now that there's more censorship of yaoi).

however, gege still (so unsubtly) went out of their way to give us some of the most bl-looking scenes between yuuji and sukuna.

i mean just look at this!!! sukuna is like some kind of lovesick kitten, trailing after yuuji the whole time, yet insisting he's nothing more than an intimacy-hating stray who can't stand any kind of closeness or warmth. but if that's the case, why cling so much to yuuji, who (may i remind you) was the only guy to treat sukuna as human??? i don't know, kinda looks like you're a bit needy for that affection, sukuna.

then there's them constantly taunting each other like boyfriends that can't stop being competitive for one moment. (over the literal smallest of stuff, too. you know the infamous king of curses couldn't care less what kind of crayfish he got if he wasn't with yuuji... he constantly has to show us - so painfully unsubtle - just how much yuuji gets to him.)

but at least he gets to one-up yuuji during archery... though of course the brat isn't as impressed as he should be. (you can just sense the hurt pride dripping off of sukuna's words after yuuji said playing with him wasn't enticing.)

i mean, this whole chapter just made me feel like sukuna is like those tsundere guys in yaoi who can't tolerate having feelings for the cute protagonist everyone loves, so they have to be as edgy-looking and rude as possible whenever their crush comes around. (and then their crush is just 10x nicer to them because of it, which only makes them even more insecure and angry.)

sukuna, it looks like you're repressing lots...

... especially with whatever you got going on here—

(do you think gege drew this with a nosebleed?)

and just when you thought it couldn't get any gayer... these two are pretty much canonical soulmates whose fates have been chained together since before they even met.

(i think i'm noticing a trend with how gege draws them like this —back to back, two parts of a matched set, all but fused together.)

it reminds me of those yaoi manga where the protagonist becomes an unwilling (at first) bride to the monster guy everyone else hates but then slowly starts falling in love with him despite everything because oh maybe he isn't so evil after all.

and though the most recent chapter have really made it seem like yuuji has been pursuing sukuna in this way, let's not forget that sukuna was also the biggest flirt with yuuji before all the feelings hit him far too hard.

sukuna, you've known yuuji for only a few days and you're already feeling up his heart? isn't that usually not until the 3rd or 4th date?

so he does something like that but then has the nerve to act all coy with yuuji later on...

"it's annoying" he says but he's smiling. he looks almost excited. (yes, we know you like yuuji looking up at you without permission, sukuna, we get it already. you don't have to spell it out for us so obviously.)

and yuuji, honey, you know he's into that, right? stop falling for his thinly-veiled traps; you know he loves to bait you like this, you're just feeding his ego. (and also i can't forget to mention just how frustrated sukuna gets when yuuji does ignore him!)

oh and remember that fighting is how sukuita flirts, just in case you didn't pick up on that already.

they look so excited to be doing this right now — yuuji's unhinged grin, sukuna's "fight me" eyes... (mappa, it's a crime that you didn't animate this ;-;)

i'm crying, they could have done comedy together.

also... why are they grinning at each other like this?

sukuna's sitting on top of you, yuuji so why are you looking up at him with that completely unhinged look on your face? (i would say get a room but isn't that what innate domains more or less are?)

and again. if we didn't understand it perfectly well enough already, gege doesn't want us to forget that sukuna just loves it when yuuji fights back.

just look at his feral grin at the idea of yuuji trying to take him on... he loves messing with this brat.

and although sukuna and yuuji are never officially married, the fate they're forced to is almost exactly just that. in sickness and in health (mostly sickness) they are bound to each other, and only death does them part.

crazy how they got divorced TWO times...

.... yet they still can't escape whatever threads them together

even if it's not explicitly stated, it's still heavily implied that yuuji was the one to set sukuna on this different path, to remind him of whatever humanity he had left.

he was the one to connect with sukuna as the king of curses was dying.

to hold him gently and remind him that the monster he is was a matter of chance, that they could have shared that same curse if yuuji hadn't had his grandfather to provide him the fulfillment he needed while sukuna didn't have that in his own life.

to even propose that they could live together, even if he alone would accept such a thing.

it's like something straight out of a doomed romance story. i've never seen such romantic dialogue even in actual bl romance.

and if the heartbreakingly, over the top romantic dialogue wasn't enough, this is their official art, too:

like does any of this look straight to you? (also sukuna can't stop trying to get his hands all over yuuji, it's insane.)

i think it's pretty clear that sukuita is essentially canon already. and short of gege drawing them violently making out with each other (which, technically, that's what fighting is like for them) that crazy one-eyed cat made it nearly transparent that sukuita is actually a thing.

gege, you're THE shipper. to think they got away with inserting the most wonderfully messed up and fascinating yaoi story into a shounen series about a boy who literally sticks his enemy's fingers in his mouth is just crazy.

[originalcontent]

I can't find art of my ship anywhere so I GUESS that means I have to make it myself, here are some doodles.