#get a job idk

[leyyvi]

aot fans putting unsolicited awful takes and tagging them in the main tags then getting surprised by other people dunking on them will always be astounding to me

[madscientistenthusiast]

Personally I think that Azula should have been redeemed simply so that she can become Zuko's horrible little advisor who whispers evil little plans to him so that he can do the exact opposite

[chloesimaginationthings]

The real reason why FNAF movie Vanessa got her job,,

[swiggity-swexual-i-am-asexual]

We all know the semi-canonical ‘all the Robins know to hide/duck inside of Batman’s cape, even as adults’ thing.

We also know that Danny ‘is LITERALLY a ghost’ Fenton sucks at remembering his own intangibility while ALSO forgetting to look ahead of him.

All I’m saying is, Danny Fenton (or Phantom, if you’d really like) would absolutely SLAM into Batman on accident while running on roof tops and Bruce ‘Brooding Instinct’ Wayne doesn’t even think twice about letting the kid hide and scanning around for danger before there’s a record scratch of ‘wait who tf is this?’ kicks in.

[chatlote]

Just because you don't love yourself it doesn't mean I will stop loving you.

[inkskinned]

so i wrote a book that comes out soon and having that be real feels like falling down stairs because i wanted this since i was 7 years old so now what do i want after it.

so tell me why today all i care about is the word trundle, that the word trundle exists. of course i have things to do and emails to send and a world of suffering to protect but today my brain won't let me look away from the sheer linguistic improbability of trundle.

i saw a truck doing it. i imagine animals did it first. or people maybe. to trundle comes direct from old english. cows do it on occasion, but more often sheep (in my experience). someone had to name lope and someone had to name slog. the verbs to run and to leap make sense; they are singular and important distinguishers.

but we can bask rather than relax. we can scuttle rather than crawl. sometimes when i move in dance class it is to undulate rather than roll. someone had to name things like sonder and whimsy. of course we had words for tangible things like tree and grass and root. i love those words, i'm eating them.

i don't know the word for this thing. where it's real-now. sometimes i feel it when i am dating someone i actually like-and-love and i realize that is real, i am dating them and it's real that i like-and-love them. sometimes i have this feeling when i have been planning a vacation or an event for weeks-and-months and it finally happens - the feeling this is happening, it's happening right now.

it happens randomly sometimes too. i will be at the carnival or at an ice cream stand or with the last light of summer in my hair and i will feel it again, that sense - i have waited my whole life for this, and im finally experiencing it, and i need to pay attention to it.

but it's real! how amazing! how horribly tragic! it's real. it exists. the moment is here.

i have no idea what to do with it.

[bastardlybonkers]

feetman

[collophora]

Sleep time.

[stump-not-found]

Soooo…. How is Ford feeling about killing the only being that’s ever given him the affection and praise he desperately craves??

it'll be fine

[tshortik]

Mild rant from me about Hans Zimmer's involvement in Dragon Age:

I just think it's such sellout behavior to hire expensive movie composers (Zimmer is also known to be a transphobic asshole lol) known for their blockbuster soundtracks for your game when you already had the most iconic soundtrack ever for the previous installment, except the composer was lesser known.

Most people hear the swell of violins and immediately think it must be the best soundtrack ever, but if I am really honest, the DATV soundtrack so far sounds like the most generic slopfest with the laziest leitmotif I had the misfortune to hear in a long while.

Hiring people for their name alone is something I find incredibly shameful. Like I cannot even put into words how nasty it is in my eyes, because it actively takes away from lesser known creatives in the industry who could have made a name for themselves. And it doesn't matter to me if Zimmer only did the Main Theme or whatever, because in that case, it shouldn't be his name that is plastered everywhere but Balfe's! But everyone is talking about Zimmer anyway for exactly the reasons I already mentioned.

Even just the thought of how expensive this endeavor must have been... That money could have gone to other, more important places, easily. It makes the layoffs also that much more bitter in my eyes. Idk. I adore Dragon Age and I am still a huge fan and I will play it, but stuff like that make me angry. I don't need some Zimmer who has been sitting his ass on his laurels from 10 years ago in my franchise. I'd rather have a no name person, or Trevor Morris, to get a chance again.

[botanyshitposts]

how crazy would it be if i became a biology lab instructor. would that be crazy or what

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[rochenn]

The Jedi Order mainly being an institution about teaching makes me sad that we never see more "Jedi classes" outside of the popular ones like martial arts, healthcare and Force wackery.

Alongside basic language and science education etc there have to be at least some trade and college courses on offer, right? The Jedi need a bunch of their own people with law degrees. Proper pedagogy studies for future crèchemasters. Cooks. Managers. All types of engineers. Electricians. Accountants. Researchers. How many Jedi hold a doctorate or professorate? Because I think a large number of them do. Their databanks are filled with millennia of dissertations. You can still find Yoda's articles from 500 years ago and cite them in your history research paper.

The Order just having its own micro-economy going on and every member getting their own regular job education next to all the lightsaber swinging adventures... pls

[arttsuka]

Stanford, your boyfriend lab partner blew up

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[afreakingmilkshake]

good day to draw meta knight gijinka