#german tango

[sictransitgloriamvndi]

[gremlins-hotel]

yeah, agreed...would you like to go to the gym?

[mysterious-secret-garden]

Louis Raemaekers - The German Tango, c. 1916.

[huariqueje]

Tango night at Clarchen's Ballhaus , Berlin   -  Carola Schapals  , 2015.

German , b. 1957 -

Oil and acrylic on canvas , 140 x 170 cm.

[lafcadiosadventures]

The spotify algorithm lobbies hard for bach. every time i listen to an instrumental piece from any period/region it suggests a bach prelude/variation etc. and now it’s starting to suggest his sons as well. and I don’t mind, bach goes well with everything but lol why

[vrgelivvvv]

Every morning with him is so sweet 🥰

[drzibs]

@jellieland he is like the puppy that was raised in a household of cats, they all just think hes a Really Big Cat

my take on the life series’ smp members! done in a catified style, of course ^^

credit to @xmaruu11 for the base design!

[sunshine304]

Yesterday was the pro dancer challenge for "Let's Dance!", the German version of "Strictly Come Dancing" and "Dancing with the Stars".

As usual, performances were fanstastic! The three finalists were Ekaterina Leonova & Paul Lorenz, Anastasia Stan & Evgeny Vinokurov and Massimo Sinato & Valentin Lusin. These three pairs had to dance a short routine to the same song and all of them were awesome as you can see above!

Their three long routines were:

Anastasia & Evgeny performed a dance to the theme of Vlad Dracula and his lost love. Anastasia was a revelation this season, a newcomer to the show who proved great at working with her celebrity and proficient in choreographing fun routines. And I really enjoyed seeing Evgeny back on the LD dacefloor.

Ekaterina & Paul danced a tango to the "Mr & Mrs Smith" theme, which also incorporated their own past relationship (they were dance partners and also a couple off the dancefloor) that was mostly ended by miscommunication. Their connection is still obvious.

Massimo & Valentin danced a routine to "Vivaldi vs Beethoven", which I enjoyed immensely. Massimo wasn't so good this season with his celebrity, but he felt much more energetic in this number. Valentin seemed much more relaxed this season, I found him more likeable.

[swugflower]

Sometimes I randomly remember that the best thing I have ever written came from a creative writing exercise, the art work ‘Summer evening on the beach at Skagen’ by Peder Severin Krøyer and my obsession from the Cell Block Tango (glee version).

We were tasked to write a short story inspired by the art above and somehow I turned it into a intense story about a wife threatening her husband with a weapon because he cheated on her with her sister… just randomly as homework written by fucking hand

[abtrusion]

Tranny Tango

There's a man on the sidewalk, looking over, then up to see me walking past. He stops in his tracks and stutters back and forth, his read || reaction to me flickering between upstart woman // taller man || hold ground // make space, glitching him in place. When I step off the sidewalk and into the grass, he sheepishly passes me by without a word.

I'm interested in the everyday glitches, the double-takes, the way "everybody is just a little bit disgusted by you," what Susan Stryker calls 'monstrosity' and more than that, the casual experience of being a gaping hole in the gendered world. Stryker attributes this monstrosity to the idea that medical transsexuality, more than any other form of transgenderism, "represents the prospect of destabilizing the foundational presupposition of fixed genders." She takes anti-trans feminists at their word, assuming that their hate stems from some abstract gender trouble that transsexuals pose to female spaces, and her solution is a near-complete identification with that trouble. We can do better. This monstrosity, this glitching, is not just a downstream consequence of spectacular interruptions to some abstract 'fixed genders.' It is certainly not dependent on some unique threat posed by medicalization. It exists through instinctive disgust and constant little glitches in the social infrastructure that is gender, an uneasy response to an uncanny bricolage of the building blocks of gendered life.

Escaping the Cisgender Gaze

The classic trans encounter is to see a visibly transfeminine person out on the street, or as an escort, or in some carefully-curated performance piece, and to realize that gender is a lie. This is part of the utility of transmisogyny, which renders people both constantly accessible and utterly exemplary, and in turn this casts transmisogyny itself as spectacular exclusion instead of a slow social and economic death that sometimes spikes, particularly with multiply marginalized subjects, into horrific violence.

This singularization of transfeminine life and oppression (particularly with trans women of color) through suicide and murder statistics renders both trans life and pain spectacular and implicitly places one as a 'natural' consequence of the other. We need to seriously inspect the many interactions between non-passing transfem people and cis people which do not end with one of them dead. One way to start is Sandra Lee Bartky's understanding of hegemonic femininity as a disciplinary practice.

Femininity as Disciplinary Practice

As the lesbian separatists of the 1970s and 80s intensified the work of rooting out patriarchy from their spaces, they began to discover that nothing was sacred: nearly all everyday social activities were shaped by gender. As Bartky argues, the 'imposition of such discipline on female identity' influences every second of every day:

Iris Young observes that a space seems to surround women in imagination that they are hesitant to move beyond: this manifests itself both in a reluctance to reach, stretch, and extend the body to meet resistances of matter in motion—as in sport or in the performance of physical tasks—and in a typically constricted posture and general style of movement. In an extraordinary series of over two thousand photographs, many candid shots taken in the street, the German photographer Marianne Wex has documented differences in typical masculine and feminine body posture. Women sit waiting for trains with arms close to the body, hands folded together in their laps, toes pointing straight ahead or turned inward, and legs pressed together. The women in these photographs make themselves small and narrow, harmless; they seem tense; they take up little space. Men, on the other hand, expand into the available space; they sit with legs far apart and arms flung out at some distance from the body. Most common in these sitting male figures is what Wex calls the “proffering position”: the men sit with legs thrown wide apart, crotch visible, feet pointing outward, often with an arm and a casually dangling hand resting comfortably on an open, spread thigh. …in a way that normally goes unnoticed, males in couples may literally steer a woman everywhere she goes: down the street, around corners, into elevators, through doorways, into her chair at the dinner table, around the dance floor. The man’s movement “is not necessarily heavy and pushy or physical in an ugly way; it is light and gentle but firm in the way of the most confident equestrians with the best trained horses.”

Bartky concludes that, between behavior and makeup and skin-care, these disciplinary practices "produce a 'practiced and subjected' body, that is, a body on which an inferior status has been inscribed,” and that "the practices that construct this body have an overt aim and character far removed, indeed, radically distinct, from their covert function;" that is, she claims that gender is everywhere, that it is power, and that cisgender women are structurally made unaware of this connection.

What does this mean for transfeminine experience? First, as seen in the sidewalk example we started with (so chosen precisely because of how fucking boring it is), the abstract 'genderfuck' of transfeminine existence congeals into actual examples in the context of gender-as-infrastructure. Gender is a crossing-guard, a gatekeeper, a reviewer -- it performs social functions, all the time, which glitch and shake in our presence. Transmisogyny is not necessarily vitriolic rage at 'boundary-breakers,' it can also just be the passive exclusion of a person whose existence causes a few too many little frictions.

As we've noted, the singularization of transfeminine life makes non-spectacular trans life impossible for cis people to understand, leading to a constant current of disgust/disdain that accompanies their more exciting bouts of transmisogyny. One major inlet to this current is social friction, the way that non-passing transfems are structurally prevented from using social/visual gender infrastructures to do everyday things. The second inlet, which I will discuss in the next section, is the unease provoked by the negotiations transfems take to navigate gendered systems despite this breakage, making small corrections which are ignored, must be ignored, leaving only the horrible lingering fear that they're better at this gender thing than you.

Gender work

Because transfemininity makes no sense from a vulgar gender-power perspective, cis people generally view transfeminine people as either unwitting 'dupes' of gender or as spectacular hyper-aware gender predators, as seen across the HSTS/AGP split, the dead tranny/serial killer media split, the 'scheming eunuch' archetype, and the binarization of transfem identity in queer spaces. But because cis people also generally want to assume that they're talking to someone that isn't an evil serial manipulator, personal interactions encourage and enforce the good tranny archetype, which demands absolute suppression of any sort of informed gender negotiation. This archetype is impossible to fulfill because of the systematic failure of social gender-power infrastructure to account for transfeminine people, which demands some degree of semi-intentional gender work to fill in the gaps.

Fortunately, this work will basically never be understood as such by well-meaning cis people because of transmisogyny, so you don't have to be /super/ subtle about it. Unfortunately, ignoring this transfeminine gender work takes a lot of effort on the part of cis people, particularly if they also have had to perform reparative gender work because of trans-adjacent conditions (divorce, infertility, lesbianism, PCOS). The invisible work cis people must make to keep themselves separate from transfeminine people is then associated with our presence, most clearly articulated in Janice Raymond's lament that transsexual lesbians are feeding "off woman’s true energy source, i.e., her woman-identified self" -- our proximity alone demands intense effort to keep cis gender negotiations distinct from trans ones, growing frustrations that feed the slow current of transmisogyny.

Even if a cis person successfully suppresses their understanding of transfeminine gender work, for folks within queer & women's spaces, this itself leads to a horrible looming anxiety because people in these spaces usually pride themselves on having a full consciousness of gender, and we're a pretty notable exception to that. These anxieties are then channeled into a constant fear of the bad tranny, manifested in the horrible trans woman that your cis queer initiators will tell you to stay far away from. But there is really not much of a difference between the shadowy machinations of the bad tranny and the gender work transfeminine people have to constantly perform to even exist within queer spaces, so transfeminine people are rendered constantly precarious.

What's so deliciously ironic about all this is that this is just a shallow repetition of the cis man // cis woman dyad! Archetypes like 'the poisoner witch' or 'the gossip' or 'the slut' have always been used as a reaction to negotiating power gained via the kitchen, or cloistered social activity, or sex, all routes that men could never understand as a direct consequence of their own gendered power -- so in response to this fear, these roles pilloried exemplary women to structurally terrify the population, but just as importantly to exonerate the rest of the female population, to let men pretend that these weren't tools that everyone was using, to pretend that heterosexual relationships were pure! Just as transfems serve the role of gay best friend^2 in gay mens' films, they serve the role of women^2 in queer spaces, constantly performing gender work which is simultaneously unknowable and terrifying to the cis majority, forcing periodic purges to pick out 'the bad ones' which temporarily exonerate the rest, letting the majority believe that the 'good tranny' actually exists: that mythical trans woman who is not semi-intentionally managing their gender presentation around you, the one you can fuck without worrying if she's just faking it, the one who is good and pure and radical and really, really boring. I have never met a non-passing trans woman like this, but I'm sure plenty of queer people have.

Conclusion

So there are two main forms of everyday experience that express and constitute transmisogyny. The first is the social friction inherent in being freak-gendered in a world that relies on gender to make people move and talk and shit correctly. The second is the friction between the gender awareness demanded of transfeminine people (none) and the practical result of transgendered living in the world. If you want to take some of this back to cis womanhood, I've been trying to reframe the marginalized position of womanhood in terms of articulation work -- that while women have always worked, that work has generally been rendered unreal, always carried out with a dream of not existing, turned into stage-setting for the real boys to grow up and come in and be breadwinners. In this context, our components look like 1) do gender work and 2) don't let it show, and the framing of transfeminine people as socially useless outcasts despite their constitutive role in social life via flexible labor starts to sound a lot like the making of a super-woman, like the mujerísima sometimes invoked in Latin American travesti activism. That sounds just about right. I will become a witch of witches, the lurking terror that eats astrologers, always and ever a little bit too real.

[gremlins-hotel]

okay it's not ludwig, but it is aldrich (ancient germania). redraw of something from last year. i'd like to play with his color palette more but alas.

[meelkiewee]

Washed up and ready for tumblr

sadly, i'm in a bit of an artblock/burnout so i'm kinda procrastinating on some projects by doing other stuff like this eefo character design... sigh

[pls reblog, don't like]

⬇️ my choices explained under the cut

INTRO

i'll start by saying that this character design was brought to life with my kinda limited knowledge of etho and my absolute passion for heavily redesigning characters and giving them my own twist.

THE MASK AND THE MASK's MASK

the first image that came to my mind was his mask. i knew i wanted something to cover almost all his face and for it to be wolf inspired. i still wanted it to reference his skin in some way though, so i added the little metallic plate and the black forehead ribbon as the way the mask holds up.

underneath his main mask i put another simpler black mask that mainly serves 3 purposes: it makes the wolf mask more comfortable to wear without too much metal to skin contact, it mantains the face covered in case the other falls off and... guys i remember i saw a clip of hermits asking him to take off the overlay of his skin to see his face but there was a second mask underneath. i don't make the rules.

CONCEAL DON'T FEEL

after that i slowly worked up a little bit of context in my head while i was adding more details and making my choices. so what i did was making a collage of the infos i collected over time about him and his character and sprinkle a little bit of kakashiki (-cit tango) visual elements.

as we all know etho is a brilliant redstoner and a guy who really cares about privacy. put that together and you get the lore i made up for him:

with his advanced irl tech knowledge, he found a way to transfer his soul in minecraft, kinda like SAO works, and has to conceal his appearance to not get caught. here comes the layered clothes, the enormous coat and ofc the masks. due to all of this i also headcanon him preferring to live in the colder biomes, and this ties back also to the fact that he's from canada ykyk.

AWOO BUT NOT TOO MUCH

i really like wolfie etho designs i saw going around but i didn't want to design another ren with a different palette (my ren is a anthro german shepherd) so i channeled the wolf energy in the mask, the thick fur of the coat that ends with a tail (inspired by marcille dungeon lord outfit, a few notice but her dress has a tail) and in his hair, also kinda looking like a tail.

TYPE: VIBES

the eye of the wolf mask being red and scarred (for life) is of course inspired by his kakashi skin. i sprinkled red tassels here and there to fill in the spots and mainly cause i personally love tassels and wanted to add some red accents for redstone.

his kinda slouchy posture is totally for vibes, etho comes across to me as this kinda lazy/chill guy that channels the energies he has into thinking about the redstone he gotta do and calls it a day. i tried to channel that also in the kinda generic plain clothes.

for the vibes i wanted to put him in crocs/flip flops too but i couldn't otherwise he would absolutely freeze. i had to give him some warm boots or whatevs *sigh*

i tried to make his single visible eye as cute and puppy-looking as possible 'cause c'mon he a cutie pie okay? for the mole near the eye, guys i literally can't recall where i got this piece of info and if it's even remotely true but, i read/heard somewhere he has a bunch of moles on his face irl??? idk idk this is so random, i'm sorry.

SO YEAH

this is the end of my long long explanation for this character design. i hope you like it and if you don't, i know my bestie likes it (he's a bit of an ethogirlie lol luv ya bestie <3)

the end, thanks a lot for reading!

[bucket-of-amethyst]

HELLO MINERS AND CRAFTERS GOOD TIMES WITH SCAR HERE FOR HERMIT-A-DAY MAY DAY 11

This one has been a long time coming dslgkj. Scar is, well, a big Mutt! More specifically, I wanted him to be a choco Lab (for the sillies), Husky (for the drama), German Shepherd (for the strength) mix!

I feel like i will regret picking this wheelchair for his design but i have to admit it looks pretty cool dfljfdh

✨ My commissions are open check it out if you’re interested! ✨

🐶More puppers: 

Jog / Pixl / Porl / SoupGroop / Tango / Zed / Grian / Skizz / Cleo / Jimmy / Jev-Stress-Wels / Doc - Doccy / Mumbo / Bdubs / False / Etho / Iskall / XB

[vrgelivvvv]

Hes the perfect doggo

[the-entitie]

COD men x K-9 Unit male reader

Part 1 | Part 2》》

A/n: I can speak three languages, only one of which borrow German words, so forgive me for shitty translations. I'm from the RSA, so you know. Not any of the boys hometown.

Reader works with a K-9 unit and his partner is called Mutt who is a mix breed of Alaskan Akita and Doberman(Mutt is also a service dog as reader has paranoia and C-PTSD). Readers call sign is Riot. The 141 boys needed help tracing a terrorist and John called in some favors to bring Riot and Mutt into the field. He helped the Los Vaqueros as well.

After the mission back at base, the reader interacts with the men, and they end up interacting with him.

Reader is referred to as you or Riot.

Mentions of panic attacks, anxiety attacks, C-PTSD, war, and / or war related violence. Unhealthy coping mechanisms, past trauma. Death of a family member. Torture, scars, and flashbacks.

Left: American Akita and Right: Long-haired Doberman

John Price: (740 words)

-He met you first, saw you first. Hell, he verified your file so he knew of your old teammates that turned because of the torture, and he knew of the many years you spent MIA. He also knows what you did to get out. So he keeps you close and keeps an eye on you. He's the one who needs to clear you for this recon mission. It will be his fault if another team mate goes rogue. -It only take him a few minutes to see how much you actually relay on Mutt, it takes him days to see its not reliance, no the two of you act in a cemented trust between you two. From the interactions at home base to the way you both move like a well oiled machine on the field, it doesn't take a genius to see that Mutt is a deadly force with training that makes the hound that much more dangerous. Price comes face to face with that realization when he sees just how far Mutt can throw a soldier four times their size. And Mutt came up to his thighs, mind you. -Time and space are all Price really needed to trust you completely. He knew how you acted with Mutt, and therefore, he knew how you would act around a team you trust. It doesn't take him long to see its not only Mutt who reacts to you. You react just as much based on your K-9. Price nearly shoots you when you call out to Mutt because you didn't whistle for the hound. You howled, and he could hardly tell it apart from the wild dogs he's heard out in the desert. He didn't even understand what the fuck you where doing until he heard something answer you, in the same rumbling call. It took a lot more time to get used to those kinds of noises from you. He could expect them from Mutt but not when it's you who makes them -Both of you were exhausted, been about three long days on your feet with little sleep, that's when he asks you how you make the sounds Mutt does. Hell he even starts trying to learn them just to know how you and you K-9 partner work better. "So I just cup my hands and what now Riot? I Grunt?" "No," you laugh at him, he doesn't feel patronized by it, "you hold your hands around your mouth and just bark, makes it echo like a dog." He sounded more like a mountain lion then canine when he actually gave it a try. You teach him how to pitch it up a bit, and how to drag the call out properly. "And you don't use your hand because?" "Because I'm used to it, and can make the 'echo' without my hands. I still do when I howl. Look." A few nights pass before he uses it to scare a tango shitless out side of the enemy base. He doesn't admit it but he likes 'talking' to the local wild dogs with you. He even enjoys hearing you and Mutt go off at each other because it means your both alive and still here. -Out side of the field and when you two go out to roam the town at the dead of night, he comes to see that the canine noises you and Mutt share gives you peace. The kind he used to find in cigars and smoke. He gets it, he knows that some people just have a vice. When you find him smoking alone behind his own home, he shrugs it off and blames it on the smoke detectors. He doesn't say that he stops to make your K-9 more comfortable in his home. He doesn't stop smoking but he tries to avoid it for your sake. You only corner him around a day or so to thank him. He won't admit to the red flaring up on his ears, but he tells you to drop it. -If he's ever the one who finds you when your having an attack, he will guard you. Get you safe and comfortable then he will become a gruff mother bear and be completely over protective of you. He only calms down when he sees that Mutt already does that, and he learns what can help you, what to look out for. He won't admit it though.

Simon 'Ghost' Riley: (734 words)

-Ghost didn't like you at first. or well he doesn't like anyone actually but he didn't like you. -You had a dog breed that was originally made for bear bating and he hated that he knew that. Even if you didn't get the hound because of that. Well, that and Mutt is constantly muzzled. It took you explaining it was required by law for him to try and ignore it. -But when he watches how fluidly you and Mutt work together, even seeing the raw fucking power that dog has when Mutt tackled an enemy to the ground, he starts to understand why you have to keep Mutt muzzled. Even if he didn't like it. -Simon has an ex-military dog at home so he knows how to act around an active working dog. He's the best to be around if you don't want people petting or trying to do anything really with your K-9 partner. -when at the base afterwards he sees that the dog isn't just a working dog but acts like you service dog. Everything from crowd control to doing small tasks for you on the daily. To siting between your legs when you have your back to anyone when doing a task to protect you. Mutt will even start doing this quiet sort of 'rueff' sound that will make you get out of where ever you are without any fanfare, you will just disappear. -He only finds out why a lot later. He feel kind of stupid for missing it after the fact. -Its the scars that cross your back and over your shoulders, the hitches of thick skin around your jaw. You are a torture survivor. So suddenly he gets it. Mutt is your safety, the dog wears a muzzle because your K-9 partner is also a person protection dog. -After he realized the why you stick to your partner so closely, he would begin to help Mutt protect you. He would stand ahead of you when Mutt would lay down to create space (crowd control). Ghost would watch your back and react with your partner to help you. -He takes his mask off when you two are either alone or when your are forced to show your scares he shows some of his to help you feel more comfortable. -you start to notice it, and at first you would try to stop him but eventually you just start protecting him back. You become more comfortable around him. Simon notices it to. -One day after a few days straight of being on your feet, both you and Simon end up passed out in his private quarters. Ghost wakes first to see Mutt cuddle against you and draped across him, when ever he tried to move the dog, they would just growl and to his utter amusement you growled back. -After that he gets you to 'talk' to Mutt any time he can, even on missions. - Ghost was the one who told you and Mutt to bark at each other to distract the enemy when on a recon mission. "Copy Riot, we need an in" "Need an in, copy. Any ideas for that L.t?" "Yeah, Riot go off and make some noise with Mutt" "Seriously?" "Yip, get going we need that data" You two got in, and yes you did start howling back and forth with Mutt in the echo trick wolves use. The enemy thought they were surrounded by cayotes. -When you eventually cuddle up with Ghost again, and Mutt yips or growls at you and you make the noise back, Simon will growl at you. It becomes a games between you to, even doing it as call outs outside of coms. Soap complains about wild dogs once and now Simon will get Mutt vocal just to fuck with Soap. -he starts calling you dog related nicknames, your name doesn't exist anymore. Call sign? only when necessary. You are now called with doggie names. He'll call out a, "Heh, Good boy" "Come on puppy you can speak" when you go dark on coms, or just when you don't answer him. Yes he will also say things like, "What ever you say Fido" -He makes you swear to never tell a soul that he also barks back at Mutt when you two are off duty. You caught him coping a growl when playing with Mutt once. -He gets Mutt and his las to meet. Now he also makes dog sounds with you on his down time, even without you much to his old girls delight.

John “Soap” Mactavish: (616 words)

-He loves your K-9 partner from the first time Price introduces you to the team, sure he tries to be professional but the second you let Mutt go off to play out of gear he just wants to give the hound so many pets. They are just so big and have that cute angry tilt to their face! Can you blame him. -when out on the field, he loves running with two of you on missions. The adrenaline and rush and just how much faster you two are than him. He loves it. -You end up doing it with him outside of missions after a while. Hiking out in mountains and secluded valleys, it's the first time he hears you howl with Mutt. The coyotes had started, yipping over whatever they killed lower down the ridge. Mutt, who was a few paces head, had paused to howl, without thinking you howl with them. Scares Soap but he just finds it fun. -Soap being so in love with Mutt leads to just being around you a lot. He starts learning what certain movements mean to you and your dog, how a sharp left with your hand was a call to draw back or how the shift of your stance meant to take the lead. It amazed him how well you read each other. -Then he sees how you act outside of the field, how Mutt still acted like a protector, and you kept mimicking the sounds Mutt made. Especially when you were more tired. He found it cute. Hell, he loved playing with Mutt, so when you made the hound more excited, he also got just as if not more excited. -Soap loves head scratches you find out when you two are off duty and hanging out. He's on the floor with Mutt and the hound he's cuddling wines before you reach down to comfort the dog with head scritches. You miss and pet Soap instead, beside being completely flustered, he asked you to do it again.  He just starts asking you to do it more and more before you start petting him the same way you pet over your hound. -Now you start with the dog related nicknames, even over coms. Much to Soaps embarrassment and the teams delight. He nearly buckles the first time you call him a good boy, and he does when you call him a good dog. Blames it on a miss step. -He loves, loves, loves listening to you, and Mutt yap back and forth, loves even more when you go to rough houses with growls and even try pining you down one. He fails, but he doesn't care. -Soap only catches one of your attacks when it's about sun down. You're both at his place standing in the kitchen when your shoulders suddenly hitch, but you continued on as normal. Until Mutt wandered over to you, they stopped dead before making a gruff noise and jumping up onto you. Instead of getting you secluded because, of course, the hound sees Soaps house as a safe space. And Mutt will get you down, force you to sit and lower your head. "Woh, n'er knew em ta jump? Wait shit. ROIT!" He'll be right there next to you, knows what to do because of Ghosts episodes on recons. "What's it, lad? What can I do ta help 'im?" -You don't really talk about it. Sure, you explain what it was and why Mutt did that, but not the why it happened. It takes a while to admit that the scares you hide are the reason for that attack. He gets it he does, and now? Mother fucker will do dumb shit to distract you, or just talk and talk and talk. It helps, he knows it helps.

König: (764 words)

-Being a sniper, he likes the added security, the extra eyes to help watch his back. Sure, he doesn't trust you per say but he tries to be friendly none the less. -He had no idea what Mutt was trained for until he saw the both of you take down someone who made it to his vantage point. He saw how you moved like Mutt was an extension of yourself, that's how you earn his respect. -König didn't know why you had so many commands for Mutt, but most of them were cues or just situational. Most of all, the verbal commands you use are in Russian and Dutch so he can understand some of the tasks you ask Mutt to do . It kind of scares him that Mutt would know which trail was a friend and which person wasn't. He stands by that fear when he watches you set them off on a run away target. -He will only admit to himself that both you and Mutt look way to good covered in the gore from that attack. -You had to explain that that kind of training meant your partner had to be muzzled. You both get to talking that night, swapping stories of close calls, and König shyly showed you the star splattered scar on his jaw. Lifting his hood up just enough to see it before hurriedly drooping it back down. You share a few of the worse days you had as a call in search and riot guard and snippets of the scars covering your throat. -Habits begin forming. König will be a silent wall between you and crowds while Mutt would start alerting to his anxiety attacks as well. You made a joke about borrowing Mutt to him on the days off. He didn't understand the first time Mutt barked at him in a weird gruff tone before jumping up and doing it again. It's when you get him secluded and safe that you explain it to him. "Its called signaling. They can tell you when these things are going to happen or are actively happening. " "So it's to let me know?" "Yeah, for me, it's when I'm going to either for a flash back or when my paranoia forces me into a panic attack." "Flash back?" "Yes, remember that sister I told you about." -It took days for you to actually relay that story to him. How your team abandoned you, how the enemy held your sisters head above your bloody form. You explained how that caused phantom pains or flashbacks and how crippling that can be some days. -He becomes your solace after that. He would be there when you needed it. Keep people away when you couldn't look at anyone. He even began listening to Mutts alerts. He even lets you help him through the easier ones. -König called you one night when you both were off for the next few days. You could tell by the shake on his breath what was happening before he could tell you. That was when you showed him how Mutt does decompression therapy, the hound big enough to help ground him. You stayed that night, even teaching König some of the commands you use to tell Mutt how to help you. He's quick to learn them as some phrases are Dutch that you use so he can catch the meaning of some commands. -You don't call him until a long while later. It's on a mission while you two are hunkered down after a botched extraction. Or well, Mutt calls him. "Riot? Are you, Oh Scheiße! 「Shit」" "wat 「what」, ag. What can I do? Dir helfen 「Help you」, how can I help. Please let me help you. " -He ended up holding how so you couldn't hurt yourself in these attacks. It didn't feel as entrapped as you thought it would. König is so much bigger than you, but it's like he makes a physical barrier between you and the world. He helps your partner make you feel safe. It's hard to explain to anyone why your panic attacks act like that, why your mind needs pain to calm from feeling like you're dying. König will explain how his attacks can feel suffocating, and that's why his jaw and throat are so bruised most days. -Between one mission and the next, you start showing off things you and Mutt can do to him, like Mutt retrieving throne knives or how the hound can trace any sent it knows for miles. -You only bark back at Mutt one night when trapped in a safe house. Neither of you could find each other, and mutt had run off

Alejandro Vargas: (720 words)

-Learning of the terrorist stationed so close to los vaqueros' home base, Alejandro was quick to reach out. The 141 had helped him before, so he was surprised to learn of the newer recruit they called in to help them. Alejandro told Price to just bring you along. They needed the extra help honestly, as much as he refused to trust any of 141 purely on principle. They needed the help. -He met you with Ruddy on the roof of the office building, and he asked the polit to land on. When you dropped from the helicopter with the others. Mutt held to your chest before being deposited on the ground. He's seen how some of the other search and rescue units who have K-9's, but he's never seen anyone who works with their hound like you do. Alejandro is both grateful and terrified to have you fighting with him.  -Seeing you and Mutt outside the field was even more intriguing. How the two of you reacted perfectly to each other, he saw a bit of himself and Rudy in the way you two work like a well-oiled machine. He tried to play nice, be kind and calm, but when shit hit the fan? He drops it. Its only been a week before you use the recall command on Mutt to level the man they needed to interrogate. Both of you were forced to hunker down in a safe house, Alejandro making the bound man walk with little success. He asked for your help not long after the son had dipped down.  "Think he will talk?" "Not willingly if that file you circulated was true." "Any ideas?" "You aren't scared of loud noises, are you?" "Not really, why?" -When you said you could help, this isn't what he was expecting, but it was working. You had taken to standing behind the tied down guy, and whenever Alejandro could sound even remotely frustrated,  you would call out to Mutt before the dog would lunge with a snarl or harsh bark. Scared the man shitless, and he would mumble about 'de-ablo' or 'deamons' on and off. When things got too harsh, or either of you were cornered, he watched in equal parts horror and delight as you let Mutt cull those surrounding you all. Watch as you both kill together just as well as you work together. -It eventually became a joke, the whole you being a dog or sounding like one. Even when the two of you left the safe house. Hell, he started talking to you like he would your dog. Started to tease you with the same command you used on your hound. "Come on, Roit, I know you can beg better than that." "Here, cachorro cachorro cachorro [puppy puppy puppy]!" "Such a good boy, you want a treat?" "There we go, Good perro. Now sit for me." Even saying he kept treats for when you were especially well behaved. If you didn't also start laughing along he wouldn't have kept doing it and actually started keeping 'treats' on hand for you on the late nights you two would just talk on and on about nothing and everything. -Being back at the base and left to your devices, he started asking about everything Mutt could do. He would ask if you could also do the tricks and inquire about the ones you could. "Wait cariño, you can howl?" "Yeah. Wanna hear me?" "Oh more than anything." "hhhm, maybe I'll do it later." "I'm happy to beg you, but I think you would sound better begging me, cariño." "I don't beg Alejandro." "You will. And you'll sound so good doing it." "Try me," -He loved hearing you talk to Mutt. Just waiting up at night to listen to the back and forth of barking and yips that echo across the open land. Whether from far away or not, he loved it. -Alejandro is the worst when either of you get hurt. He is the worst flirt, and he lays the dog related teasing on twice as thick. Not only is Rudy swearing him out in broken Spanish, but you don't help either. Doing anything to help him stay conscious or playing along to distract yourself from the pain. Even Mutt begins to see him as safe.

More COD Boys x K-9 unit reader 》》》》

[grimm-the-tiger]

Misadventures with Google Translate

I put Life Series quotes through Google Translate too many times. Please help me, I can't stop.

The Names

Bdubs -> Bduby

BigB -> Capital B

Cleo -> Language

Etho -> line

Gem -> Decoration

Grian -> Shooter

Impulse -> Road

Jimmy -> Jimmy

Joel -> Hurrah

Lizzie -> Lizzie

Martyn -> Martyne

Mumbo -> Explosives

Pearl -> Beer

Ren -> Ren

Scar -> Right

Scott -> Scott

Skizz -> Writing

Tango -> Background

The Watcher -> Inspector

Some highlights

Scott: this house Jimmy: And street. [Original line: "It's home?" "Home."]

Language: Be good to me: die for me. [Original line: "Do me a favor: Die for me."]

Lizzie: And I left this world the same way I entered it: troubled. [Original line: "And so I left this world just as I had entered it: confused."]

Shooter: Scar, I think we are spirit descendants and you are too busy catching fairies!! [Original line: "Scar, I think we're soulmates and you're too busy chasing fairies!"]

Scott: They tear up carpets and kill farm animals. It immediately burst into lava. [Original line: "They break carpet and kill cows. And they mine straight down into lava."]

Language: Look, if you have a lost father, you might lose it? [Original line: "Look, if you're gonna be an absent father, could you be at least absent?"]

Scott: Our theme is ABBA's summer house, is it there now? Dead metal?! [Original line: "Our theming was once Cottagecore ABBA, now it's what? Death metal?!"]

Martyne : Tell me something before you go. Why are you attached to the sun? Inspector: Hmmm... HE. It was never meant to be. He just wanted to look. [Original line: "Just... tell me one thing before I go. Why were you so set on Grian?" "Hmph... HIM. He was never meant to be there. He was only ever meant to watch."]

line: I'm a good person to have someone light my tree. [Original line: "I was a good person till somebody burned down my tree."]

Decoration: God, that seems like a recipe for anxiety. Yes I am. [Original line: "God, that sounds like a recipe for angst. Yeah, I'm in."]

Lizzie: Follow it! No friends! [Original line: "Ha! You've got no friends!"]

Beer: Something bad is happening here. [Original line: "Something wicked this way comes."]

Shooter: Here we show our true truth? For yourself or for someone else? Are we all excited? [Original line: "Is this where we show our true allegiance? To each other, and no one else? We turn on everyone?"]

Background: It's not fair, it's not fair, I'll come back to it. [Original line: "This is unjust, it's excessive, and I will return."]

Capital B: No holes! [Original line: "There is no hole!"]

Some notes

I thought it'd be funny if the translations I used were all into languages I either knew off the top of my head that the creators speak or are official languages where they live. This got really convoluted really fast, because Ren was the only person I could think of who speaks a language other than English and I completely ran out after French and Scottish Gaelic, so I added languages spoken by Hermitcraft members instead, then threw Maori on for good measure because New Zealand's close enough to Australia (sorry, New Zealand) and I couldn't find any aboriginal Australian languages on Google Translate. So the translation order roughly went Afrikaans -> French -> Scottish Gaelic -> German -> Swedish -> Polish -> Maori -> English.

Ren's line "Red Winter is coming, me laddie" line got translated as "The red winter is coming, my lady." Honestly, it still kind of works?

"Watcher" got translated as "Inspector", which gives me the mental image of Inspector Gadget in a Watcher costume.

I don't know where the extra e at the end of Martyn's name came from.

I don't know why Etho's name is the only name that got translated into lowercase.

The fact that Mumbo's name somehow got translated as "Explosives" made me start cackling as soon as I saw it.

There were several points where Grian's name got translated as "The Sun" instead, probably because "Grian" is the word for "Sun" in Irish and Scottish Gaelic is from the same language family, so they probably share the same or a similar word.

"Soulmate" somehow got translated as "Spirit descendants". I'm pretty sure it's because it got split up into its component words; "Soul" corrupted into "Spirit", and "Mate"...I honestly don't know.

I translated a grand total of one line from Bdubs, and for some reason when I translated the document back to English, that one line stayed stuck on what I'm pretty sure is Maori except the word "Boogey", which stayed exactly the same.

I'm genuinely surprised by how many lines stuck remarkably close to the originals. Aside from his name, one of Joel's lines ("Where's the fun in that?") somehow survived perfectly intact, and one of BigB's lines ("There is no hole!") got pretty close ("No holes!").

I think the best part about this is that you can tell how and why Google translated some things the way it did, and then others you're just left completely stumped about how the hell it happened.