I love how Nimona portrays Ballister’s curiosity as not inherently bad, and that when he’s respectful and gentle and acknowledges the sensitivity of the question Nimona is completely willing to explain and to show him. Because no matter what you use that as an allegory for it’s so often the case irl, if a stranger asks something invasive disrespectfully that’s completely different from a supportive loved one asking out of concern or a desire to understand you better, and that in close personal relationships asking questions, even if there’s a risk of stepping out of line or saying something insensitive, is usually good and healthy so long as it’s done properly.
Most of us (just like Nimona) are actively excited to talk about this stuff with those we care about, are happy for people we love to want to know us better, but it’s (obviously) stigmatised by strangers doing so rudely making people think they can’t ask any questions ever, which only increases the ignorance and stigma surrounding whatever the topic is. If someone knows they can tell you when a question is too much, when they trust you and understand what you’re intentions are, it’s good and natural to be inquisitive.
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And Then It Is Monday - Why Sunday's plan did not (and could not) work
So normally I don't really make longer analysis posts, but I kept seeing people on social media outright supporting Sunday's actions in 2.2, and I wrote something out about why I personally think that Sunday's plan is wrong. I don't know if this is an issue with tumblr as well, given that the people I saw supporting him were on different forms of social media, but regardless.
Before I begin, I'd like to pose a reminder that the opinions in this are mine and mine alone. If you agree, awesome! If not, I'd love to hear your thoughts on it, so long as you're respectful! I have no idea if this is well written or will make any logical sense, but here we go!
(Spoilers for the 2.2 Trailblazer quest under the cut, if that wasn't already obvious)
So the first thing to get off the table: I feel Sunday is a very sympathetic villain, but a villain nonetheless. I understand the people that sympathize with him. I do too, to an extent. He was raised on unhealthy ideals and the belief that he was a "religious figure," one that people looked up to. Other people were allowed to just be, but Sunday always had to be better. He loved his sister, and the people around him, and he wanted to make a better world for them.
But that does not excuse what he did. Making a 'better world' can never come at the cost of taking away people's free will, because that world will never be "better". That's where Sunday's plan falls apart.
Because, yes, there are shitty people in the world, and yes bad things happen. Would it be amazing if we could stop all the bad things from happening ever again, and make the world a much better place? Yes! It would! I would love to live in a world where I don't have to fear for my life and my freedom for an assortment of reasons! But that world doesn't exist--in real life or on Penacony--, and getting it to exist shouldn't be the result of subjugating and controlling other people, because that in and of itself is violence. Albeit a different kind of violence, but violence nonetheless.
Not to mention that things like Sunday's plan and the concept of forcing everyone to act a certain way just to fit this "better world" to me almost serves as a condemnation of human nature and of the very act of choice itself. Your better world starts by saying that some choices are bad, so those choices get taken away, but where does it end? What if someone in charge views a harmless choice as a bad one, and takes away that one in return? Does it stop there, or does it continue, until no one at all is allowed to make any decisions, except those in charge? Who, really, does that benefit?
Consequences for certain choices exist. Generally, society says murder is bad (except for specific circumstances such as self-defense, which technically at that point is no longer even considered murder (at least where I live, it may be different in other areas, but I'm basing this off of my own experience)), so there is a concrete consequence to people murdering people--assuming that they don't get away with it. It doesn't stop people from murdering people, because the liberty of choice is still there, but it shows that just because you can do something doesn't mean you should or that you will escape without consequence.
People are going to do bad things. That is, unfortunately, how humans are. But our responsibility lies in holding ourselves accountable and in promoting growth and healing. That is how you build a better world. Not trapping everyone inside a dream world without any care for their feelings or beliefs, but in getting people the help they need, in fostering a society of positive change and human connection.
And that is why, as "golden" as Sunday's dream may have seemed, it was never going to work. In the end, as the story quest shows, human will and the desire for freedom wins out in the end. When there's a will, there's a way.
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HIII writing prompt “monster” and 7? 💕
Giggling the teensiest bit, I love you <3 No, really, I love you, because 7 was, amusingly, the wildcard number, so randomly picking landed me on TIM STOKER, and I don’t think I’ve ever written in his pov before but this CONSUMED ME?? I haven’t written this much in one go in weeks, forget this fast?? This also, uh, turned into full-out jontim, which was a complete accident because this was SUPPOSED to be a meditation on him mid-Research era. Aha. Enjoy!!!!
“—and that,” Jon declares, “is why it’s so vital to continue establishing Hope Spots, not just in spots ripe for ecotourism, but across the world.” He takes what must be his first breath in ten full minutes, and it’s only then that he seems to register Tim and Sasha’s twin gleeful expressions. His own expression goes a little funny. “Tim, Sasha, please tell me you weren’t—”
Sasha is already stabbing at her phone, fumbling a little before she actually hits the right button. “Twelve minutes and forty-six seconds! A new record!”
“The man’s a monster!” Tim toasts Jon with a whoop, and Jon—there’s really no other word for it: he fully pouts at Tim, wrinkling his nose so primly it makes Tim want to bear-hug him right then and there. He sublimates the urge by being even more over-the-top, trying to see if he can make Jon’s nose scrunch up even more. “Attenborough who! I want all my documentaries voiced by this man!” Opposite him, Sasha dissolves into tiny giggles, sweet and delicate as a spray of mayflowers.
“Sasha missed the ‘stop’ button about five times, you can’t call that—” Jon snorts, but his cheeks have turned the rich cherry of his desk back at Research, so he can’t be that mad about their subpar timekeeping of his latest incredibly disorganized, incredibly endearing overview of the last documentary he watched.
“Jonnnnnn, take the win!” Tim cries, and he gives in and slings an arm around Jon’s shoulder like it belongs there. God, the man’s teeny, they need to make sure he gets some carbs in him. On that note— “Take some chips, too, you’re built like a bird!”
“And you’re built like,” Jon grumps, “a—a—” He scowls and takes a chip, presumably only to cover the fact that he’s too drunk to come up with a simile. Contrary little bastard, he is. “Get off me, you arse.”
Tim makes a complaining sound even as he immediately pulls away—only for Jon to jolt and then practically butt up into Tim’s hovering arm, far more housecat than bird. Tim freezes, not putting any pressure against Jon even though they’re skin-to-cardigan again.
“Jon…?”
Oh, there it is, there’s that wrinkled nose. Tim loses his breath, a little bit. “I didn’t mean it,” Jon says, scowling even harder than he’d been before and refusing to look Tim’s way. “It’s—It’s cold in here, alright?”
As a matter of fact, it is a comfortable degree of stifling in here, and Jon is in a cardigan that’s more than enough to ward off the mild autumnal chill and drunk besides. Jon seems well aware of this, or maybe not aware at all, because as Tim settles tentatively against him again, he grabs for his long-forgotten glass and downs the rest of it. Tim gives Sasha a wide-eyed look, only for her—traitor! Disloyal turncoat!— to smirk back, propping her chin up with a hand and arching her perfect eyebrows at him.
“Oh, shut up,” he snips, cheeks warming, just as Jon sets down his now-empty glass. Jon turns to him curiously, having entirely missed the exchange, and Tim turns his brightest beam on him and coos, “Not you, you’re a delight and I’m glad you’re sitting next to me and not”—he aims another scowl her way, and Sasha sticks her tongue out at him—“Sasha over there, because she gives me a hard enough time without you there to egg her on worse.”
Sasha smirks harder. Tim wishes he could kick her under the table without Jon noticing.
“I’m perfectly capable of siding with her even while sitting practically on top of you,” Jon sniffs, drier than anyone should be capable of being with that quantity of liquor in them, and Tim gapes in outrage even as delight fills him up to the tips of his ears to match Jon’s still-red cheeks.
“That’s what I like to hear, Jon!” Sasha cheers, raising her own empty glass to him. Jon quirks a wicked little grin and does the same.
Tim emits a high-pitched squawk of disbelief. “With friends like you, who needs enemies?” He sags dramatically against Jon, relishing in his little grumble of annoyance as he gets crushed. “What’s a guy to do?”
“Buy us more drinks?” Sasha suggests innocently to the tune of Jon’s sniggering, and Tim groans theatrically even as he flags down the waiter for another round. Monsters, the both of them! he laments to himself. He wouldn’t have it any other way.
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sorry im just thinking about bcs but like. why not add a few smaller scenes of gus interacting with his own men? why does it seem like, in comparison, mike is almost immediately elevated to a higher status than those two in bcs purely because we actually get to see him having normal conversations with gus? like i understand they might not keep the plot moving as well because of the fact obviously if victor is currently doing something it’s because gus told him to etc. but for the most part all of the smaller interactions gus does have with those two ends up being in a somewhat high stress situation where it feels very tense between everyone. and it’s just like damn! is it always like that?? why do those two even care that much about their jobs if their boss is a bit of a dick? etc. i think even an additional scene or two with those guys (either alone or the both of them) talking with gus in a more normal situation could’ve both added a bit more depth into how gus treats his employees (we got a lot with how he treats lyle and co., but not a whole lot with the illegal side of things), how comfortable vic and tyrus feel around him in a calmer setting, and exactly why they both feel the need to be as loyal as they are to the guy.
and also on the other side of this i don't think it'd hurt to maybe elaborate on their pay just a bit..? i'm not saying to randomly put a number out into the atmosphere but i just mean some smaller things like. do they buy nicer things for themselves? what's their housing situation? what's their car situation? are the escalade / yukon their own vehicles or does gus just use those two for business situations? do they use them when they're doing their own stuff off the clock or do they have their own cars? etc. that can also help with understanding their motivations a bit. don't get me wrong i don't think they should be visibly rich or something because that's not what gus would want but just smaller things! cause it's easy to write their loyalty off as Well they probably get paid super well, which i'm sure is true, but if they don't show a single hint of that then what's the point. even something as simple as giving tyrus a nice watch, or maybe victor having a nicer looking gun, etc. something small like that. because as it stands right now the average 41 year old viewer who watched the show once only knows and will only ever know victor and tyrus as those two guys in the background who do random stuff for gus with no clear motivation. just the personification of "On it boss (salute emoji)". and to be honest this is true for a whole lot of fans who do watch the show multiple times and enjoy thinking about it more in depth, because on screen we barely have anything about the two.
and to be clear i'm not trying to say we should have an episode just for them or something like no i understand they're side characters. i understand we don't need all that. and i understand this is also primarily Jimmy's show. but it's not like these two are on the same level as like, arlo or paige and kevin etc. these guys have been around since brba. victor was literally introduced in the same episode gus was. and they are a huge part of gus's story, especially in brba. s4 wouldn't have been what it was without victor and tyrus. and in bcs, ignacio's situation wouldn't have been the same if it weren't for victor and tyrus as well. and i just personally believe that if their goal with gus in bcs was to go back and elaborate on how everything came to be and show what he was like a few years younger, they could've dragged victor and tyrus into that. and i think his character would've benefited from taking that extra step with those two.
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YES thank you @kyanako5972 for your service 😤👏 (I was actually looping them both for a bit but I keep forgetting to run it lately ah...)
And hehe I have been ✨enabled ✨Have some Triage thoughts, and feel free to add your own!!
Starting off with my main praise of the song: “I want to be Innocent, I want to live.” I know the point of milgram is that all the characters are going to get worse, but I feel like this video is the first t2 song we’ve seen a prisoner get better. (People have talked about his savior complex being an issue but that’s coming after the inno verdict, in Triage he specifically says he never wanted this to be some kind of hostage situation where he has the power to save/kill people.) This is when we can finally see one of our verdicts go right. The others had an issue, or creeping guilt, or uncertainty, but Shidou gets over any uncertainty right then and there – he wants to live again!! In a series so full of death, in which half of the cast makes some reference to suicidal thoughts, plus two victims who did commit suicide, there’s something extremely profound about seeing one of them change their mind onscreen. We hadn’t gotten a moment of healing like that before, and I doubt we’re ever going to get one again.
The moment itself is shown very accurately and beautifully, in my opinion. His expression when he makes his statement about wanting to live is so unique. It’s not a smile, it’s not a grimace, it’s something in between. His voice is strained, but set. He’s not excited about it – when you’re in that mental place, it isn’t a cheery switch to wanting to live, it’s a grit-your-teeth and pick yourself up and make the tough choice. It’ll be so, so hard but by god you have a job to do. It made sense, given all the previous mentions of him helping Fuuta and Mahiru – he had a lot of complicated feelings about being a doctor, but he remembered that saving others really is his purpose in life.
And then the shock factor. Because of that moment and the family reveal, I think this video had the biggest twist of t2. The others had surprises, sure, but they were hinted at in the voice clips and vds, or they just exaggerated things we already knew about the characters. I was completely blindsided by Triage. Everything leading up to it paralleled Shidou with Mahiru, so I thought it was just a lover he’d lost (and maybe someone he’d just met or something). He had his moments with Amane, but I always assumed it was because of her connection to him, not vice versa. I assumed he was just overdramatic and killing people for some lady he’d fallen for, and then decided to take the easy way out and ask for death. So to find out he had a fully established family, wife and two kids??? To see his main character trait from season one was completely reversed??? (but in a way that wasn’t at all forced???)
Now, it’s much easier to make a character unlikable than it is to redeem them. We saw how quickly the fandom turned on certain characters, we felt pangs of horror for many of them. But it’s very difficult to make someone like a character they’d previously despised. Which is why I’m insanely impressed with the way those three minutes could undo months of my hatred toward Shidou, and bring me literally to tears over him. Suddenly his actions weren’t so selfish, as rash. He’s not taking the coward’s way out. He had incredibly good reason to do what he did, and now he’s taking accountability and choosing to face pain in order to atone. I’ll add more in a sec, but it’s not even that the video shows him as this perfect saint. Without holding back on everything he’d done wrong, it conveyed a real, grieving human that really moved me.
Of course the music itself was amazing – Shugo Nakamura sounds incredible. I don’t know too much about actual music structure, but the tone of both Shidou’s songs manages to be so fun and relaxing while simultaneously filling you with that profound sadness. It’s like an embodiment of his peaceful, sad smile. There’s something so human about his voicemail message, and it’s unique hearing different types of speaking parts in a song! But that moment is also foreboding. You wonder why he missed the call, and who’s calling, and you kind of already know, and you hear the three beeps as the line is dead. Then there’s the gut-wrenching return of those sounds, with the added visuals bringing to mind a dying heart?? Insane.
And lastly, the visuals are gorgeous. Bringing back the flower/pomegranate symbolism in a similar but new way was perfect. The bright scenery and picturesque scenes really emphasized how happy he was. The video is so bright. His family is gorgeous, they’re happy. His neighborhood is sunny and warm. His house is comfortable and light. Which meant the dark scenes contrasted perfectly, driving home how jarring his loss was. And despite all the good things I said about him before, the video isn’t actually trying to paint him in an innocent light. There are literal graveyards behind him, showing how much blood is on his hands. The rotting food is such a disgustingly painful way to show what he was doing to people. He handed the tag directly to his son, showing full accountability: he gave his son his fate, he killed him himself. The images seem beautiful at first, especially compared to AKAA’s dark, bloody rooms, Backdraft’s grim tunnel, and INMF’s monstrous bees. But no matter how lovely it looks, it successfully conveys a truly horrendous crime.
In conclusion Shidou my fucking beloved. Go watch Triage again :3
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i would love to hear about the ollie and handler crack ship here’s a silly doodle as well
LOVE THE DOODLE YOU SEE THE VISION!!!
Also this got my ass to design Ollie so:
(Love him - Also redesigned Reggie for this too so thanks!!)
And idk if it's moreso a crackship or a rarepair that only works in an AU (HACKS up Starstruck), but Reggie's line of "...and I hope Ollie made it out too. I hope a lot of things." It's totally me reading into it but like,,,,I want them to talk because Ollie is not dead to me in my heart of hearts.
Maybe the only change is like Reggie taps into the communication on the radio in Hot Water instead of using the earpiece, so Ollie ends up hearing him also? And they end up getting along really well (with Reggie having to jump through a couple hoops to be like "haha what agency..."). There's an Agency base in the South-East coast of Australia and maybe the Agency ends up adopting him after he washes up on the shore with the escape pod (after HEAVY questioning).
Alas take a doodle of my own:
Transcript (it's just canon lines):
Ollie: "She's being controlled, it's not her fault."
Reggie: "Agent, I have 0 experience dealing with giant security squids."
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