#genuinely about things

[angelicstalker]

Are we ever going to actually talk again?

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[gongyussy]

i'll let phie-san say it:

[adolin]

tfw "popular" fanon becomes so embedded in a fandom & discussions within fandom spaces that people just start treating it as the default and all interactions with others are coloured by this interpretation. have you considered that I actually don't subscribe to this take, which is nowhere in the source material? wait nvm, clearly not.

[abstractpyschopomp]

[chloesimaginationthings]

FNAF Into the pit got William Afton a new hater..

[hardtchill]

this opening ceremony is basically a mix between Eurovision and Pride with a sprinkle of Olympics thrown in there

[swordsonnet]

i'm sorry but i don't think we should call this the "autism website" when there's still posts with tons of notes mocking people who:

struggle with social skills / have anxiety around social settings

are unemployed / unable to work certain jobs

have intense or "age-inappropriate" interests

haven't had certain life experiences that are deemed universal/essential

struggle with personal hygiene

don't have any friends or dating experience

don't go outside much or at all

take things literally / don't get sarcasm/jokes

have unusual ways of speaking

generally aren't "normal"

[batsyheere]

"So, handling your archnemesis," Danny starts. The room falls quiet, heads slowly turning to look at the man as he writes the words on the chalkboard. When finished, the characters somehow both messy and neat at once, Danny places the chalk back down and claps his hands.

"I typically call them fruitloops. Often they're in a better position than you are- older, richer, more powerful. They may have some sort of status that protects them when facing the public."

Tim wondered where Dick was right now, and if he was laughing. His brain was lagging like a computer as he tried to process what Danny was saying, and how seriously a few of his fellow teen vigilantes were taking this.

"Some of their more common tactics are-" the chalk was picked back up, and Danny writes as he speaks.

"Manipulation, isolation, conditioning, and empathy."

MICE.

Tim stares at the board, and quietly slips put his phone.

-What have I done to deserve this.

Enjoy your lessons Tim-

His head thumps against the desk. Conner leans over, gives him a pat on the shoulder but returns to taking notes as Danny goes on to explain the conditioning tactic.

[wardensantoineandevka]

Warden Antoine is so funny for being someone who will make a stirring declaration about how the Wardens have an opportunity to reach for a future in which they are dedicated to protecting and restoring and nurturing the life and landscapes lost to the Blight, that it is their duty and it will give them purpose as they reckon with the end of Archdemons, then immediately provide you with like three hundred pounds of explosives he personally developed from scratch so you can blow something up for him

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[strawnger]

i just think that eddie gives the weirdest compliments & steve has a huge embarrassing crush on him

eddie: i want to remove your brain and keep it in a jar.... make a soup from all your thoughts...

steve, blushing: oh uh. you do?

eddie: yes but first i'd poke your brain with sticks. see what happens.

[verishii]

Absolutely incredible how a season based on chaos and trickery got won by the one of the most chaotic and impulsive players not through living up to that wildness but by doing the opposite and subverting it.

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[stars-obsession-pit]

Following an accident, Danny wakes up in Gotham City in a DC universe. Lacking any forms of ID or possessions beyond the clothes on his back, he’s forced to commit some crimes to survive. Minor crimes, but still.

And then he gets caught.

During the court proceedings, they come to the mistaken conclusion that he’s a Meta suffering from some psychiatric issues such as Cotard’s Syndrome (a real rare condition where a person holds the delusional belief that they’re dead/don’t exist/etc).

Thus, between his “need for mental treatment” and the concerns about housing someone with his unique physical traits, he is sentenced to spend time in Arkham Asylum. He’s under pretty low security aside from the anti-Meta stuff and has more freedoms than some other inmates, but it’s still not a great experience. Even at the best of times, Arkham is hardly a nice place.

Some of his fellow residents are decently chill all things considered, but lots very much aren’t.