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flameleads · 3 months ago

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Strap in, folks. This will be a post on how Roy Mustang uses his flame alchemy: which hands he uses, how much he moves, how much fire he produces, et cetera. This will be image heavy with GIFs. Because of that, I’m putting most of this under a readmore. As a side-note: iIf you want to see how I broke down the science of his alchemy, I’ve got a headcanon post about it here: link.

Let’s get started!

First and foremost, let’s look back to the 2003 anime and Conqueror of Shamballa. We’re going straight to where Roy’s alchemy really shines through for both the audience (us) and those around him: Fullmetal vs Flame.

This is the first transmutation he does when “fighting” with Edward. There’s a bit of a flourish as he flicks his wrist, and he uses three fingers. The result is a large, flashy explosion that sends Edward backwards; after all, Roy doesn’t actually want to use his alchemy on Edward. In fact, Roy generally tries to avoid using his alchemy on other human beings. He almost always uses it adjacent to others, creating explosions to impair the enemy, not kill.

In that episode in particular, Roy is doing one thing that’s worthy of note: he’s using this as a teaching opportunity. It’s a mock battle, so he turns it into a training to teach Edward things he needs to know when fighting. All of his dialogue makes that clear as well when he quotes from The Art of War by Sun Tzu (something he did in the manga as well with this fight and with Lust).

Another note: he makes it dramatic with his taunts and general tone of voice because he also views this as a way to show off what he could do to everyone watching. Flame alchemy is the reason people are afraid of getting on this man’s bad side and why the war in Ishval ended quicker once Fuhrer Bradley issued Order 3066.

The problem with that, as Edward quickly finds out, is that gloves come in pairs. Roy shows that he is capable of using both hands to transmute, and he makes a show of it. He’s just as skilled using his left hand. Three fingers, a bit of a flourish as he flicks his wrist and creates a large and tightly controlled explosion. It’s smaller than the first one due to the distance, and he only wants to destroy the cannon. Nothing else.

And, of course, he’s smirking at this. Someone underestimated him again, and he loves it. He loves showing people that there’s more to him than what they see.

Now, let’s look at another, albeit smaller, transmutation from the 2003 anime:

For those unaware of the context, that piece of paper contained intelligence Roy’s date gathered, and he wanted to ensure no one else got their hands on it. This time, there’s nowhere near as much of a flourish as he raises his right hand, uses three fingers, and creates a small, controlled fire. He’s making a small show out of using his alchemy for this purpose, hence the flourish, but nowhere near as grand as when he fought with Edward.

Again and again, I will emphasize that Roy Mustang is an actor. He’s putting on a show for everyone around him so others don’t see that cunning ambition. He makes his alchemy look dramatic because that’s what he wants other people to see. It’s not just limited to the 2003 anime either.

In the first episode of Brotherhood, Roy goes out to contend with Isaac McDougal, the Freezer Alchemist, head on. With both of these transmutations, Roy puts his entire upper body into it without really needing to, thus putting on a show for the other soldiers watching him. His gestures are dramatic when he only actually needs two or three fingers to make his transmutations happen. He wants others to view him as someone who likes showing off and someone who acts without thinking.

And Hawkeye backs him up. During the first episode, we hear her say, “When will he learn?” She’s reinforcing that belief, and we see her do it again when he faces off with Scar.

Before this moment, Roy does a few things to set the stage:

1. He shoots off his gun to get Scar’s attention. This gives him time to see just how close Scar is to Edward and Alphonse, who are in horrible condition. 2. He confirms that Scar was behind Shou Tucker’s murder. In doing so, he prompts Scar to share some of his motive. 3. He asks Scar why he’s going after State Alchemists in particular. Scar doesn’t give a direct answer to that, instead choosing to tell Roy that if he’s going to interfere, he’ll kill him too.

While he’s doing this, Roy is not wearing his gloves. He knows that getting his gloves wet will make it impossible for him to use his alchemy. As this post mentions, Roy is a war veteran with years of experience as an alchemist. He’s not about to put on his gloves to fight when he can’t use them. That’d be downright foolish.

So, when he puts on one of his gloves after tossing his gun to Hawkeye, it’s yet another show, and it’s a tactical one. This scene has layers to it, and I’ll try and tackle all of them.

Hawkeye instantly knows what he’s about to do when he tosses her his gun, and thus she does one thing: she says his name. Scar didn’t recognize him on sight as a State Alchemist, after all, and they needed to shift his attention off Edward and Alphonse to keep them safe. Roy reinforces that he’s the Flame Alchemist, and he purposefully hams this up to make Scar come at him. He even begins to close the distance between the two of them to encourage Scar to do what he wants.

This transmutation obviously doesn’t happen. He moves forward, stands still, and rubs three fingers together to create a puff of smoke. Scar tries to take him out right then and there, but can’t because of Hawkeye. She backed up Roy without hesitating, and she started shooting with two guns once she had the chance. There was distance between the Elrics and Scar now. Shooting earlier ran the risk of Edward getting hurt more than he already was or killed. No one wanted to risk that.

What we didn’t know when this scene happened is Hawkeye’s deep connection to flame alchemy and Roy Mustang. She may not be an alchemist, but she knows the strengths and weaknesses of Roy’s alchemy, the alchemy her father created. The amount of trust Roy placed in her during this encounter is off the charts.

One last thing: Roy didn’t move his arms much when doing this transmutation. No flourish. No extra dramatics. He kept it simple. There wasn’t a need to make it more complex. When Roy isn’t trying to put on a show, and he’s focused solely on the mission in front of him, he doesn’t move much at all.

Barely flicks his wrist as he transmutes, and he creates a powerful explosion that engulfs part of what appears to be a city. This attack is devastating.

Obviously the circumstances behind him using his alchemy are different in this case. With Lust, he had to rely on using a lighter as ignition. There was also the fact that he was seriously injured and in excruciating pain. Had that last one not been a factor, I doubt he would’ve acted differently. Lust even comments in both the manga and Brotherhood that Roy is calm and focused. Again, he barely moves when unleashing a devastating attack, and he kills a creature that supposedly can’t die.

The only dramatic part of this transmutation was the fact that Roy needed to turn to see his target. That’s it. He started the transmutation as he turned, not giving his enemies enough time to try and strike back. Quick, and he disabled them with ease.

Not a lot of movement on this one either. He only moves his hand to direct his shot while using three fingers. In seconds, he kills the Immortal Soldiers that gave Edward and co. a lot of trouble. These were beings that seemingly couldn’t die, and Roy kills them off while making it look effortless.

He’s not trying to put on a show. There’s no need for it. He’s in the mindset of ending the fight quickly while only using the necessary amount of force. Every single one of these transmutations have that in common: they’re controlled and precise. His face also makes his purpose clear. In all of those shots, he’s frowning or otherwise keeping a serious expression.

In general, we can assume that if Roy’s using his alchemy to stage a performance of sorts, he’s going to be more dramatic with his movements. If he’s using his alchemy with his focus solely on the fight in front of him, he’s going to limit his movement. There are only three exceptions to this. One takes place in Conqueror of Shamballa while the other two are in Brotherhood during the Promised Day.

Let’s tackle CoS first, specifically with this gifset. In that moment, we have to consider all of the circumstances surrounding it. For starters, Roy cannot see out of his left eye, and he hasn’t used his alchemy in years. He’s a bit out of practice. It takes effort to transmute, hence why he puts almost his entire upper body into it. Alchemy transmutations do take energy to perform. Most of the time, Roy only needs to expend mental energy. But, again, due to the surrounding circumstances, he had to expend physical energy too.

Now, onto the Promised Day. Y’all knows what happens right after the Immortal Soldiers. Envy enters the scene, and they reveal the truth that Roy’s spent the last several months searching for: they were the one to kill his best friend, Maes Hughes.

Up until this specific moment, Roy never uses both hands at once. He might wear both gloves, but he’ll only use one hand to transmute. Using both hands is excessive force, lacking in mercy, and it requires him to spend more time on calculations. He killed a Homunculus and the Immortal Soldiers with one hand already. He’s proven that he doesn’t need both gloves to get the results he wants. This is the only time he ever uses both.

Not only that, but, unlike with his fight with Lust or the Immortal Soldiers, he doesn’t stay still. He’s putting his entire body into doing these transmutations. Is it because he’s trying to put on a show? Trying to emphasize to Envy that their actions had consequences? Showing off just how powerful he is?

The answer is none of the above. What makes his fight with Envy unique is that he’s also vocal during it. He usually only has dialogue during his transmutations if it’s a performance. When he’s focused on his mission, he hardly says a word. With Envy, not only does he get vocal, but he gets nasty with his dialogue. He goes into graphic detail about what he’s doing, doesn’t hold back with his threats, and he lets emotion come through his voice.

Those emotions—all of that grief that he’s kept buried and masked with anger—are what triggers his need to expend physical energy on this fight. He can hardly contain those emotions anymore, and thus he lets them out with his movements and alchemy in tandem. He stops holding back, and he loses complete control. He gives all of himself to this fight.

His hand shakes before he can get that transmutation out. His breathing is heavy. He’s yelling. This is physically straining him because he refuses to hold back for Envy. He wanted to give them the worst punishment possible.

Flame alchemy is complex and difficult to perform. In order to be effective, Roy needs to maintain tight control, account for many factors in his calculations, and he must never use more force than needed. In Ishval, he saw the consequences of using too much force, and he made the conscious decision to never allow himself to go that far again. He doesn’t even use his alchemy that much save for when he needs to. When he does, he keeps himself calm and focused.

Even later during the Promised Day against Father, Roy has that logic going. Look at this gifset from when he has Hawkeye directing his transmutations. During that scene, she has to tell him not to hold back, to not throttle his flames against the most powerful enemy he’s ever faced. Yes, he’s hesitating because he can’t see what he’s doing, but it’s also because he doesn’t ever want to use more force than needed. He’s careful, and he just saw what happened when he lost control.

We can also tell by his facial expression as he transmutes that it hurts. Fuhrer Bradley put his swords through Roy’s hands, so of course it’s going to hurt to move them. He moves as little as possible against Father. He fights through that pain because it’s important, and because Roy Mustang never backs down from a fight unless he’s forced to (i.e. Gluttony).

All right, let’s wrap this up. What have we learned from all of this?

Roy makes a show of using his alchemy for tactical purposes (short and long term).

He can use both hands to perform with alchemy and get the same results. We can safely assume that he’s ambidextrous.

When focused solely on completing the mission, he makes his transmutations quick.

He tries to keep his emotions out of combat.

Most of the time he transmutes, he only really moves his wrists, not his arms like other alchemists. He doesn’t need to do more.

With the exception of his fight with Envy, every transmutation he performs is tightly controlled.

Thanks for reading through my post overanalyzing Roy’s alchemy. This was fun to write, and I hope you like it!

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