#general au plot

[abyssal-author-and-artist]

My drawing stylus died yesterday but I got it to work again! Divine Falls Mabel and Dipper will be out tomorrow in all of their glory with creator notes! I'm actually enjoying Mabel's design way more than I thought I would.

Anyways, I feel like I should post Divine Falls lore/plot because... I want to.

In chronological order, not in order of how the show goes.

Ford and Stan, the twin gods of Life and Death respectively, are born to Caryn and Filbrick, married gods of Propecy and whatever I decide Filbrick gets because I literally can't think of something good for him. Ford, as Life, is put on a pedestal. For the first few years of their lives, Stan and Ford (and Shermie, god of conception or some shit, I'm still working on it) have their own wings of the main temples that their parents have. Caryn and Filbrick have one shared temple with a bunch of wings for various things.

College in this AU is replaced by temples, or rather, the status of temples. West Coast Tech is replaced by Ford being offered a large temple so large that a large city will be built around it. Think Athens. And yes, this era is very ancient Greece era because god au. Don't worry, we'll hit modern era.

So Stan wants to travel to spread his blessings. As the God of Death, he doesn't have many, but what he does have are the blessings that go unappreciated. Like granting a peaceful death to people or letting people say final goodbyes. Extending someone's life just long enough that that they can say goodbye to those that matter to them. And he wants to adventure. He wants to spread his blessings silently and see as many things as possible. He wants to do all this with Ford, whose blessings are way more obvious - long and prosperous life, fertility, that sort of thing.

When they're about to set off into the world, a human architect approaches the temple that's run by Caryn and Filbrick offering a huge temple to Ford. Filbrick wants those sweet offerings that mortals make to gods, but Stan doesn't want Ford to take it. Ford is conflicted but promises that if something goes wrong, he'll go with Stan travel the mortal world.

As an accident, Stan accidentally kills the forest where they want to build the temple and the town surrounding it. Stan becomes a pariah because he messed up his brother's chance to have his own temple. Stan goes on the run, pretending to be a mortal and spreading blessings more subtly. He still ends up in jail because people think he's suspicious, but he manages to break out every time.

Meanwhile, Ford is struggling to make his own mark. Because his first temple was ruined so dramatically - rotted trees and cracked stone all the way down - architects see him as a bad omen. He manages to share a temple with Fiddleford for a while, then finally gets his own little temple in a small, newly founded lumber town, where he becomes the main religious figure. People have to make pilgrimages to him, but for the most part, he's free to just exist as a god in a remote mountain town in butt-fuck nowhere, oregon.

One day, he's wandering around disguised as a mortal when there's not many people praying to him as he often does. He finds a cave and senses divine energy and decides, fuck it, he's gonna go in. He finds an inscription on a wall in a language long lost, even to him, and recites it in stuttering words. He's almost disappointed until Bill shows up.

To Ford, Bill feels divine, but weakened. So, naturally, instead of assuming Bill is a fallen Old God (which is the correct answer), he assumes Bill is an archangel for a fallen god - "Maybe even Stanley's archangel? Did he ever have one?" - because archangels are much closer to mortal life than gods are and can be seen in their most powerful form without driving a mortal insane. Basically near-mortal vessels of pure divinity. Bill being a triangle, well, it's odd for an archangel, but Ford's willing to handwave it because divinity does strange things to the mundane and a part of him is latched to the idea that Bill is somehow the mortal hand of Stan (where mortal hand is shorthand for archangel or other mortal vessel of divinity) despite the fact that that makes no sense. Bill uses this to convince Ford that his power, his remaining divinity, can be restored by a certain magical artifact that needs to be remade.

Now, Ford is good with creation and life, but not so much with recreating ancient artifacts with inscriptions from gods and divine entities long dead. So he calls up his old pal Fiddleford, god of Science, to help. Instantly Fiddleford is suspicious of Bill because something feels off. Additionally, Ford was always the one who preferred learning new things about mortal life and ancient artifacts, yet he didn't even bother trying to translate the text? But alas, Fiddleford doesn't know a lot about translating the odd and the strange, so he leaves it at just an odd feeling.

As I'm sure you know if you are a Gravity Falls fan, Fiddleford is right to be suspicious of Bill. In this, Bill's trying to restore his powers and status as an Old God. Part of the way through the reconstruction of the artifact, it goes haywire and Fiddleford receives a fraction of Bill's sealed power, which includes a lot of very not good things, like straight up mass mind control with no cooldown or wind up. It makes him realize that, oh, Bill is an Old God in disguise. He leaves the project and Ford gives up a fraction of his divine influence so Bill can use it to finish the project. He's nearly at the end when Ford takes over again to go grant a blessing. And then he realizes Fiddleford was right.

He calls up Stan, first verifying that he's been tricked and that Stan never had an archangel or other mortal hand due to being an outcast despite the fact that, as Life and Death, Stan and Ford could have mortal hands. When Stan affirms this, Ford calls him over.

Despite being a god, Stan has to manually travel to Gravity Falls, Oregon - his divine influence is weak and many people don't even know that there's a god of Death anymore, let alone worship him. He's stealing offerings from other god's altars just to survive at times - and often gets thrown in jail because he's seen as thieving from the gods when he, himself, is one of them. When he gets to Ford, Ford has descended into paranoia and the town is nervous and anxious due to their town's patron deity not interacting with them anymore. Ford is in his human form, which seals most of his divine influence, when Stan gets to the temple. He's paranoid and isn't even letting people in his temple. Luckily, he has enough offerings to sustain himself, but he's basically starving himself so he and Stan have about the same amount of influence - basically none.

The journals are literally the same except they cover different topics. Basically, Ford gives Stan a book (Journal 1) that covers how best to perform the duties of Life. Journal 2, as held by Gideon, describes how best to use offerings and influence granted by worshippers. Journal 3, once discovered by Dipper, is a record of divine phenomena such as how festivals affect divinity and how the flow of time can sometimes warp strangely (see: The Time Traveler's Pig in canon for why I need to write time travel into the journals). All three have mentions of Bill, and the diagrams and notes for how to recreate the divine artifact.

Ford, instead of getting thrown into the multiverse, has his influence sealed and his power is scattered across the universe as a rogue natural force. He's sentient but he can't interact with anyone, not even as a wisp of influence. His power has been sealed in the same place most of Bill's is, which makes it so he can interact with Bill's well of influence. He spends his time attempting to annihilate Bill's power while sealed, resigned to never being brought back because the artifact is partially crushed, mostly used, and two of his journals have been relocated around the town.

Stan takes over the temple. It starts small, where he just uses some of the stockpiled offerings, one after the other, but eventually, he runs out of influence and needs to reopen the temple. Luckily, if he steals some of Ford's accessories that are the things most vividly depicted in murals of him, he can pass as Ford, the God of Life, pretty easily. He uses the journal to bullshit as many of Ford's powers as possible, but that's rather difficult so he ends up just using any of his powers that he can. Because he has a lot of blessings he can give, it works, and he's able to pass as a somewhat-subpar Life for a few centuries.

Fast forward to probably about the same time Gravity Falls takes place (if not a little earlier). Mabel and Dipper, twin Gods of Earth and Space, live with their parents, the Sun and the Moon, until they're sent away to live with "Stanford, god of Life" in his temple. The idea is that they're learning how to harness their powers best with an experience god on their power level while also using the small town that's very used to the divine and supernatural due to the sheer amount of gods walking among them to learn how to interact with mortals. Dipper finds Journal 3 and uses it to learn a lot of things about divinity and the anomalies.

Something that might be seen as a plot hole: the Earth and Space have existed probably longer than Life of Death. As have a lot of the concepts embodied by children - Pacifica is the god of Change which is one of the oldest concepts ever and Gideon, as the god of Magic, has existed as long as magic has existed. To cover for this, every once in a while a God's essence needs to be returned to the fabric of the universe to merge with other concepts and create new world and religious orders. For example, when Pacifica and Fiddleford (Change and Science, respectively) die, their essences will meld together into Progress. Therefore, Mabel and Dipper were likely part of an entity known as Reality before they died and split into twin gods.

Dipper, as Space, is naturally inclined to keep learning everything about everything - things symbolized by space include mystery, magic, and knowledge, after all, so he's likely to seek out the strange, paranormal and divine.

Mabel, as Earth, is a free spirit who adores creation and finding new, fun mortal pursuits. In general, she's a lot more focused on the mortal side of things than Dipper is - where he wants to learn everything about godhood and their divinity, she wants to enjoy walking among mortals for as long as possible.

When Ford gets brought back, he yells at Stan, revealing he was about to destroy the seat of Bill's power and now they have to go about it the hard way.

Most of the series plays out mostly the same except Weirdmageddon is replaced by Bill regaining his godhood and is defeated by erasing his divine presence with something similar to the memory gun, which has been invented by Fiddleford to prevent his influence from fracturing. There's new logistics behind it which I will. get to. eventually.

So that's basically a broad overview of the plot and I might end up making this into a fic because I have gone feral over this AU. In case you. Couldn't tell.

I might make a separate blog for Divine Falls stuff one of these days because this is a lot, but I'm not sure I will.

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[somerandomdudelmao]

Hey Cass, I found an animatic on your youtube for a Cyberpunk AU of the Dream SMP. I tried finding it but the link doesn't work (and I never really use twitter), do you know where I could go find it?

Oh..well. I deleted my twitter so I guess nowhere. But I still have it on my Ipad so. Here👍

[zondearts]

mmj WoF au desings+ doodles

[yourangle-yuordevil]

What did Crowley do to piss of Athena

Questioned her too much, in full Crowley style x°D

During the Great Battle, he was given a prophecy from her. He should have killed the brother of Gabriel, the general who tried to invade Athens. Instead of obeying blindly, Crowley asked her questions about this guy who he had to kill and what he did to deserve it. Athena told him that he did nothing to deserve it, he was a lover of arts and theater, but so the prophecy foretold and must be done. When Crowley refused he was cursed by her. Since he didn't stand up to defend her city, then he wouldn't be able to ever stand up for himself. She turned him into a snake and made him lose all the memories before that moment, so his first memory would only be the ones in snake form.

The transformation wasn't permanent, tho. Crowley transformed back into a human in the middle of the battle when the Athenian army was being slaughtered. He don't know who he is, where he is, he's not even sure IF he's a human or a snake; he's confused and scared. When he instinctively grabs a sword to protect himself and parry a blow from an enemy his arm immediately gets covered with snake scales so he drops the sword in panic and flees.

With time, he understands that he's cursed to turn into a snake every time that he tries to use violence. If he does so too much he'll turn into a snake again, and each time for a longer period. He's scared as shit that one day he'll not be able to turn into a human again, so he try to avoids combats as much as he can, relying instead on his wits to survive. Basically cursed to forever follow the way of Athena, if he want to stay alive.

[blackkatdraws2]

Narrator Grey reference.

↓ [down below are the individual close ups of the outfits in chronological order (past to present)] ↓

The Stanley Parable Demo does not exist in this AU.

[katabay]

some kind of. miscellaneous conversation sometime during ac3?? this was actually part of a much longer scene that went in a more serious direction than I originally planned once I started drawing it. I ended up starting over, but I couldnt bring myself to delete the pages I had already started (which is why the dialogue's a little janky bc I decided to redo it before I got to the lettering stage RIP) so I cleaned them up a bit to post :') get some sleep, desmond.

[surreal-duck]

newly moved in farmboy enamored by atrocious spring onion doodle on local help wanted poster

[aliferous-ly]

ranchers au of the story of a woman who'll marry whoever can get the key off her cats neck

except it's tango, who is a magician of sorts so he's highly sought after, so he comes up with this test of whoever can get the key he'll marry. people start setting traps and whatnot. most of them tango avoids with ease, but he gets caught in one. depressed, he waits for the inevitable downfall.

only, the person who finds him isnt the one who set the trap. a man finds him, and, aghast at the sight, let's tango go. later in town as jimmy recounts this happenstance everyone around him angrily tells him off because he's squandered this perfect opportunity, and this is how Jimmy finds out about the contest.

he thinks the contest is rather upsetting, because how could someone set the whole town against a poor cat like that?

jimmy takes it upon himself to take care of the cat. he listens as people brag about traps so he can find them and dismantle them. he leaves food and fresh water out when he can, and sets up a small shelter for when it rains. he can't imagine that the cat will use it, with it looking so obviously like a trap, but he sets it up anyway.

he gets a rather negative reputation in town because of this. but instead of backing down, jimmy instead snaps back about what kind of person tango must be, to pit the whole town against an innocent animal! because of the pushback from the townspeople he gets rather righteous about his position.

his opinion is cemented further as the cat slowly learns to trust him. sometimes Jimmy rants to the cat about his neglectful and cruel owner.

time passes. many people in town give up on their endeavors. they set traps, but can't afford to check them frequently. they're too busy working. jimmy gains the cats trust and the cat hides in the shelter he built it. eventually, the cat even walks into his home.

jimmy all but adopts this cat, at this point. he feeds it, cares for it, makes sure it's safe during storms and warm on cold nights. the cat hangs around him all the time, the key dangling from its neck. it's startling, the first time the cat jumps on his lap, but jimmy rewards this trust with lots of pets and nothing else.

the cat grows bolder. it bumps it's forehead against jimmy's hand, curls up on jimmy's lap, and yowls for food at the crack of dawn. it leaves the house but never for longer than a day, always returning with an expectant gaze.

Jimmy tries to ignore the key but he grows restless. this tango guy hasn't even asked about his cat, and Jimmy's been caring for it for ages! He knows the key is to tangos house and is only for the winning suitor, but after the weather turns cold and jimmy despairs about how the cat would survive in such extreme weather without help, he takes the key and stomps up to tangos house to give him a piece of his mind.

it's a long, winding path. The cat follows him the whole way, which is odd, since the cat usually only follows Jimmy when he's safe at home. jimmy reaches the house and he knocks first, he has manners, but after no answer he unlocks it and storms in.

only, the whole place is empty. it's clean, someone clearly lives here, but there's nobody home. jimmy deflates. the cat jumps on a large cushioned chair and stares at him.

jimmy slumps over to the cat and pets it, mumbling about what to do next. he does one final sweep of the house (in jimmy's opinion, if tango wanted privacy he wouldnt have put his key on a cat!). and when he turns back to the cat, hands on his hips and ready to announce failure, his cat isn't... there. in it's place is a man with fiery red hair and a smirk firmly upon his lips.

jimmy has his moments of foolishness but he's not dense. he makes the connection. he realizes, and gapes at the man -- at tango, who's been the cat all along.

tango teases him about marriage and jimmy flusters. the two of them finally get to know each other outside of the contest and tango is firm in his reward, announcing it to the townspeople (many of which are furious at Jimmy, loudest anti-tango spokesman around, being the winner).

and jimmy and tango fall in love and live happily ever after the end.

and yes, jimmy is incredibly embarrassed about unknowingly insulting tango to his face. tango, for his part, found it hilarious and it actually endeared him to jimmy, since jimmy was so furious on the cat's behalf.

[lamentable-comedy]

you know, that one story about a relationship between a guy with an unprecedented one of a kind power and his kind of dead love interest who wears a lot of fancy floral print outfits

(aka Simon Snow Pushing Daisies AU)

[sugarsweetvirgo]

Scary

[dumblucksers]

doodle dump from my genloss downfall au

[phoenixcatch7]

Bingqiu is so funny to me like,,, you have sexy man turned into an idea of a tumblr sexyman and uh, some guy that watches instagram reels bc “he could never be a TikTok user”

Asdfghjkl that's exactly what they are. No wonder they're so popular on tumblr XD. Sqq is that one reddit user who swears every week that he's leaving this toxic hole for good and you know you'll find him mere hours later arguing pedantry on some incredibly niche sub reddit.

And he's somehow gay married to a guy who underwent an irl sans verse swap with his evil version. Who is his 'I can fix him' blorbo. His poor little meow meow. Lbh would have an aesthetic tradwife account, you know the ones where there's some scandal about them actually being insanely rich and in some weird marriage? That's him. His recording room that looks like an offshoot of a small cosy traditional cottage is actually a renovated spare room in his palace quarters.

They're that one meme about their braincells cancelling each other out. They're so stupid I love them.

Thanks for the ask :D!

[quirkle2]

so what if . slime rancher au

[the-cloudy-dreamer]

Gothic Romance Dreamling AU (General Plot)

“Robert Gadling is a professional appraiser who’s being offered a job cataloguing the contents of an old, abandoned family estate.

The former owner Lord Morpheus Endelas, a infamously mercurial painter, went missing months after his only son’s death.

After formal investigation decides to classify Morpheus’s disappearance as a cold case, the remaining Endelas family hires an auctioning house to sell out their brother’s estate.

Through cataloguing the estate Robert begins to know Morpheus and to piece together the last months of his life, particularly the late man’s obsession with something called the “the ancient order of mysteries”.

What does this order have to do with Lord Endelas , late son Orpheus Endelas and Lord Endelas own disappearance?

More importantly why can’t Robert stop having dreams about this man he’s never met before?”

[angermango]

hello,

black mirror