#gender norms are dead

[therighthandofvengeance]

your gender norms mean nothing to me. tell me who’s the war-criminal-turned-ambassador and who’s the ambassador’s burnt-out gifted kid of an attaché— that’s what I want to know about your relationship.

[ganem-ouchie]

I believe in Will showing off his scars supremacy.

This is self-indulgent. I, however, invite you to indulge with me.

[obsessiveagony2point0]

👋Introduction👋

Hiya! Hello! Welcome! ✨My name is Theodore Jace.✨ You can call me Teddy, TJ, Dore, or Theo. You can also call me Theodore or Jace. I am... Genderfluid 🩷🤍💜🖤🩵 Trans/Trans Masc 🩵🩷🤍🩷🩵 Demisexual 🖤🤍💜🩶 Panromantic 🩷💛🩵 And I use he/she/they pronouns

This is my second blog fully dedicated to The Sandman/Dreamling and Dead Boy Detectives/Payneland as my main blog was forced into explicit mode (sad...😞). This is where I post my own art as well as my AU ideas, fics and ficlets, post pictures of the actors and actresses of The Sandman and DBDA, and, honestly, just to babble about the Gaiman Universe. 💥Please💥 make sure to check out my Master Post for not only the tags I use for my own things but also to check out the Emoji's I will use in my post as a visual warning as I do post some NSFW and Mature art and fics as well as a a few works that may trigger people. Not only are my own works here but I also share the work of other creative minds here as well that I enjoy. I am not against other ships in either fandom, and I may now and then reblog Cat King and Edwin posts or maybe Corintheus posts, but it will mainly be Dreamling for The Sandman and Payneland for DBDA as those are the ships I personally prefer more.

Thank you for stopping by! Hope you enjoy your visit! 💖

[dimiclaudeblaigan]

If there is at least one thing I can credit FE for doing better than Tales in localization, it's not trying to actively go out of their way for an entire game to avoid subtext or direct text between two men that is romantic or implied romantic. Funny when it's so present that the attempt doesn't even work; infuriating that it was attempted to begin with.

So as much as I often have issues with some of FE's localizations, at least they have a leg up on loc Tales for that.

[eebie]

we are deconstructing gender on Google docs tonight boys

[pirdmystery]

yes sylgrid is m/f but it’s not a “het ship” to me. there is nothing gender normative about what they’ve got going on.

[sunsonasaturday]

i’m thinking about how job took one look at crowley in ep 2 and was like… this…. person…. instead of man or woman to describe him like hmm yes nothing looks gender binary about bildad the shuite

[livinginadumpster]

The way Dead Boy Detectives handles queerness and labeling of sexuality is honestly so refreshing. The way it's handled makes is very obvious that it's not the kind of media in which characters are assumed straight until proven otherwise; the characters' sexualities are left undefined because the focus isn't on specific labels, it's on the relationships between characters.

As the show goes on, it becomes abundantly clear that the characters' sexualities are a non-factor. Sure, Jenny dates women, but a label is never put on that. Same with Edwin - he is clearly interested in men, but not once in the show is he labeled as gay. It's not necessary in either case; labeling these characters wouldn't add anything to their stories or character arcs. The show is completely relaxed about labels because they're almost never a part of or even relevant to the plot.

And so, in a show that is so utterly unconcerned with labels, it would also be exceeding strange to impose the label of "straight" on any character. Characters like Charles and Crystal, who clearly demonstrate attraction to the opposite gender, don't come across as strictly heterosexual, they come across as people experiencing human emotions. And a character like Niko, who never expresses romantic attraction to anyone, really can't be assumed heterosexual either, because it simply wouldn't be in line with what we know about her.

Heterosexuality never comes across as the default in this universe. It never seemed as if the writers automatically assumed any character, no matter how background, to be straight. Queerness is explored not as a defiance of the norm but as just another way of loving someone. In a world where being queer is always viewed as alternate or deviant, and where coming out is a lifelong process that begins again every time you meet someone new because you're always assumed cishet, this kind of complete abolishment of heteronormativity is a breath of fresh air. Seeing queerness handled in such a casual way onscreen honestly feels a little bit revolutionary.

[communistkenobi]

I’ve been thinking a lot about fandom recently, both as someone who has engaged with it regularly for over a decade on various platforms and also as someone who has increasingly become disenchanted with those spaces. Not only because of pervasive issues of (especially anti-Black) racism, misogyny, transphobia/homophobia, and the like, but the particular way those things take shape within fandom.

At the most basic level I think fandom has a fundamental methodological problem with the way it approaches texts, be they shows, books, movies, etc. What I mean is that people almost invariably approach fandom at the level of character, often at the level of ship - your primary way of viewing a text is filtered through favourite characters and favourite relationships, as opposed to, say, favourite scenes, favourite themes, favourite conflicts.

This is reinforced through the architecture of dominant platforms that host fan content, particularly AO3 - there are separate categories for fandom, character and ship, and everything else is lumped together in “Additional Tags.” You cannot, for example, filter for fics on AO3 by the category of “critical perspective” or “thematic exploration”. There is no dedicated space for fan authors to declare their analytical perspective on the text they are writing about. If an author declares these things, they do so individually, they must go out of their way to do so, because there are no dedicated or universally agreed-upon tags to indicate those things, and if your fanfiction has a lot of tags, that announcement of criticality gets mushed together in a sea of other tags, sharing the same space with tags like “fluff and angst” or “porn without plot.” Perhaps one of the few tags closest to approaching this is the tag “Dead Dove: Do Not Eat,” which doesn’t indicate perspective or theme but rather that there is, broadly, some kind of “problematic content” contained therein - often of a sexual nature, frequently as a warning about “bad” ships.

Now this is not an inherent problem, as in, it is not inherently incorrect to approach a text and primarily derive pleasure from it by focusing on a given character or relationship. And I think a lot of mainstream media encourages (even requires) audiences to engage with their stories at these character- and ship-levels. The political economy of the production of art (one which is capitalistic, one that seeks to generate comfort, titillation, controversy, nostalgia, or shock for the purposes of drawing in viewership, one that increasingly pursues social media metrics of “engagement” and “impressions”, one that allows for the Netflix model of making two-season shows before cancelling them, as well as a whole host of other things) enforces a particular narrative orthodoxy, one that heavily focuses on the individual interiority of specific characters, one that is deeply concerned with the maintenance of white bourgeois middle class values of property ownership, the nuclear family, normative heterosexual sexuality and gender, settler-colonial ideas about community and environment, etc. If you do not care about the familial drama surrounding Shauna cheating on her husband in Yellowjackets, for example, because you think the institution of monogamous marriage and the nuclear family is stupid and violent and heternormative, then you will have a difficult time engaging with the show in general. We exist within a deeply normative (and frequently reactionary) media environment that encourages us to approach art in a particular way, one that privileges the individual over other narrative components (settings, themes, conflicts, ideas, political and moral perspectives, structure, tone, etc).

All of which culminates in priming fans to engage with art at these levels and these levels alone, even when that scope is deeply inappropriate. A standout example I recently encountered was browsing the fandom tags on tumblr for the movie Prey - a movie that recontextualises the original Predator film by setting it in colonial America to make the argument that the horrific violence of white colonists and imperial soldiers is identical to the violence we see the Predator do to human beings. It is a movie that makes the argument that, despite this alien monster running around killing people, the villains of the franchise are these occupying soldiers and settlers, an alien force who themselves have just as little regard for (indigenous) human life.

And when browsing the tags on tumblr, what I found was dozens upon dozens of horny posts about how hot the predator monster was. Certainly there were discussion of the film’s narrative, and these posts got a good amount of notes, but the tags were heavily dominated with a focus on the Predator itself. People were engaging with this film not as a solid action movie with interesting and compelling anti-colonial themes, but as a way to be horny about a creature that is, ironically, a stand-in for white settler indifference to (and perpetuation of) indigenous suffering. And if this is your takeaway from an extremely straightforward film with a very clear message, this is not merely a failure to comprehend the content of a text, this is something beyond it - a problem that I think is due in part to the methodological problem of approaching all texts as vessels for bourgeois interiority, individual but ultimately interchangeable expressions of sexuality, perhaps best-expressed by the term “roving slash fandom,” a phenomenon wherein fans will move from one fandom to the next in search of two (usually white, usually skinny) guys to draw and write porn of, uncaring of any of the surrounding context of the stories they are embedded in, and consequently dominating a large sector of fandom discussion.

This even gets expressed in the primary ideological battleground of fandom itself, the ridiculous partitioning of all fan conflict into “pro-“ and “anti-“ shipping compartments. Your stance on engagement with fandom itself historically was (and still is) always first filtered through one of these two labels, describing your fundamental perspective on all texts you engage with. And both of these two labels are only concerned with shipping, as if all disagreements about art can only be interpreted through the lens of what characters you think are acceptable to draw or write having sex. Nowhere in this binary is space to describe any other perspective you might take, what approaches you think are valuable when interacting with art, what themes or stories you think are worth exploring. It’s not just that the pro/anti divide is juvenile and overly-simplistic, it is a declaration that all fan conflict must be read through the lens of shipping and shipping only - the implication being that any objections raised, and criticisms offered, is ultimately just bitching about ships you don’t like.

Which, again, I think is a fundamental error of methodology. It leaves no space for people to discuss the political and moral content of a work, the themes of a piece of art, the thorny issues of representation not just as expressed through individual characters but entire worlds, narratives, settings, and themes. You are always hopelessly stuck in the quagmire of “shipping discourse,” and even rejecting that framework will inevitably get you labelled as either pro- or anti-ship anyway - and you will almost invariably be labelled an “anti” if you express any kind of distaste for the bigoted behaviour of fans or the content of the text itself, again reinforcing the idea that this is all just pointless whining online about icky ships you personally hate.

And this issue is best perhaps epitomised by reader insert fanfiction, circumventing any need for you to project onto a character by literally inserting yourself into fiction, primarily in order to write/read about a character you want to fuck. This then intersects in particularly disgusting ways with real world politics, such as reader insert fics about Pedro Pascal going with you to BLM protests. Even if this is (incredibly over-generously) interpreted as a very poor attempt at being “progressive,” it still demonstrates that many (white) fans are often incapable of thinking about anything outside of a character-centric perspective, quite literally centring themselves in the process, and consequently they think it’s totally appropriate to do things like that. The fact that this is also frequently a racist lens is not coincidental, because again, a chronic focus on (fictional) individuality prohibits any structural perspective from entering the discussion, which necessarily excludes a coherent or useful perspective on systemic issues, where people come to the conclusion that the topic of police brutality is little more than a fun stage to enact whatever romantic shenanigans you want to get up to with a hot guy.

I will stress, again, that it is not a moral sin to have a favourite character, nor is it bad to enjoy reading about two guys having sex in fanfiction. I enjoy and do those things, I engage with fandom often through a character-centric lens (see my url) - because it’s fun! But I think that this being the dominant mode of engagement inherently excludes and marginalises all other approaches, and creates a fandom space where the most valuable way to talk about media is to discuss which two characters you most enjoy imagining fucking each other

[oftenconfuzzed]

I love Stormlight because you can like make stupid news article titles from the events of them (light spoilers nothing too major)

Man Shatters Gender Norms - Learns to Read

Doctors discover that locking mentally unstable people in a dark room is bad!

Dead Sword Speaks to Man

Mentally Ill Soldier invents group therapy - does not attend

[obsessiveagony2point0]

Dreamling/Dead Boy Detectives Master Post

Twitter/X•AO3•Pillowfort •Linktree•Bluesky•Ko-fi

- Main Blog (currently forced into explicit mode) - Art Commission Form - Fic Commission Form (Not Open Yet)

tags: #obsessive_dreamling #dreamling #centennial husbands #cow!dreamling #bunny!dreamling #Feral Fashion AU #Hob Gadling says fuck gender norms #punk dream of the endless #punk dream #PunkxHistory!Dreamling #obsessive_Payneland #Payneland #EternalFamily #to draw #Dark Dead Boys #Su1cide and Murd3r AU

I'm going to use emoji's in the posts to hopefully help warn(?) people of anything sexual or triggering or mature before they click the links. **More may be added later on.

Emoji Meanings ⚠️ - Trigger Warnings (they will be warned at the top of the post as well) ⚠️❓ - Possible Trigger Warning (they will be warned at the top of the post as well) 🔞 - Sexual Themes/Smut/Porn 🧓 - Mature Themes (nudity that's nonsexual or partial nudity) 🅾️ - Omegaverse 🫄 - Mpreg

⋇⋆✦⋆⋇ The Sandman/Dreamling ⋇⋆✦⋆⋇

- Cow!Dreamling

- Bunny!Dreamling

- PunkxHistory!Dreamling

- Feral Fashion AU

- Other FanArt / Animatics

- FanFics

⋇⋆✦⋆⋇ Dead Boy Detectives ⋇⋆✦⋆⋇

- EternalFamily AU - Dead Boy Detectives & Dreamling - Other Fanart/Ideas - ⚠️❓Su1cide and Murd3r AU/Dark Dead Boys

**dividers, trigger warning banners, MDNI banners, and content warning banners for all the master posts are from @cafekitsune who is gracious enough to allow free usage of their amazing work**

[augiewrites]

"secret admirer" - dead poets society

summary: y/n receives yet another profession of love under their door—too bad the hallway is always empty when they open the door

pairing: anonymous!dead poet x gender neutral reader

word count: 591

i am back two years and one english degree later to write a fic that no one asked for! now that's what i call self care!

part two

Winter proved the student body of Welton wrong when they thought the school couldn't get any more dull. The cold can be cruel like that.

Just like the winter stripped the North of all life, Welton stripped it's students of all identity. In a place where boot licking is the norm and conformity is the goal—Y/N's only retreat was the 200 square foot box they called home for ten months of the year. The only place anyone in Welton was allowed to be themself.

That was exactly where Y/N and their roommate—Quinn—found themselves on a particularly cold Sunday morning.

Y/N sighed and looked from their homework over to Quinn, who had yet to get out of bed, "Do you know that guy that's like...scary good at latin? What's his name? Minks?"

"Hmm," Quinn hummed, wrapping the blanket closer to their body, "the ginger kid? Always hanging out with that tall dude?"

"Yeah, him," a pause and yet another sigh from Y/N, "I think I need a tutor if I want to keep an A this semester. I—"

Suddenly an envelope skidded under the door and across the floor. Rapid footsteps followed soon after and Y/N could hear a door slamming further down the wing.

Quinn rolled their eyes, "God. Not another one."

Y/N just shot them a look and picked up the envelope—one of many addressed to them and left unsigned.

"You wouldn't be rolling your eyes if you were the one with a secret admirer."

"You wouldn't be rolling your eyes if you were the one with a secret admirer mehmheh blah," Quinn mocked in a high tone, "Yeah. If they were for me, they'd be romantic. For you? Prepare to be murdered."

"Shut up."

Y/N opened the letter and dove in. Their heart was beating much faster than they would like to admit.

Lovely Y/N,

She walks in beauty, like the night Of cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes; Thus mellowed to that tender light Which heaven to gaudy day denies.

I couldn't help but think of you when Keating had us reciting Lord Byron's work last week. The sun was so bright for a dreary winter day, and the rays illuminating from the window painted an image of heaven around your silhouette. You looked so lovely, I could barely register Byron's words.

I would happily go toward the light if I knew you were waiting for me within it.

Sincerely,

Yours.

Y/N could feel Quinn's eyes on them as their cheeks burst into a rosy flame.

"He's in my English class."

Quinn gasped, "Finally! We have a lead!"

"Quinn, I really don't want to play detective on this...what if I think it's the wrong person and make a fool of myself? I think I would have to drop out. Die, even."

But Quinn kept rambling on, completely ignoring their roommate's apprehension, "it's too bad I'm not smart enough for AP English—I would for sure be able to catch that creep staring you down. You're so oblivious. He could be telling you all these things to your face and you would doubt that he's into you."

"I'm not that oblivious, Quinn."

"Oh, please," Quinn exclaimed, "you're so romantically challenged! This guy has been right under your nose and you don't have a single clue!"

Y/N scoffed and returned to their homework.

"Whatever you say, Quinn. We're just going to have to wait and see."

~~~

a/n: who could it possibly be?? 🤯

part two

[almightygremlinblob]

A Honey Trap For The Butterfly

Nanami Kento was everything you needed in a therapist, only as long as you ignored the sinking feeling in your gut.

Even tho there's nothing describing the act of s*x here, it's still a yandere fic - so minors and those not comfy with yandere stuff DNI and have a nice day! 🫶🏽

Word Count: (will update when life stops life-ing lmao)

⚠️Content Warnings⚠️: UNBETA'D, Dead Dove Do Not Eat, Yandere!Therapist Nanami Kento, Gender!Neutral Reader (and no bits mentioned), Modern!AU, Hurt/Comfort, Soft Yandere, behaviour that SHOULD NOT be tolerated irl, Nanami says some very comforting shit to manipulate you, no curses.

⚠️Further Content Warnings⚠️️: Unhealthy power dynamics, HEAVY and subtle emotional manipulation, implied stalking, mention of sexual activities, professional boundaries are OUT the window.

When your gut tells you something is wrong, one tends not to believe it at first, and this causes you to dismiss any further warnings.

"Do you want to talk about it?"

"Sorry, I-I'm just..."

"There's no need to push. Only if you're ready."

"No, I-I'd like to."

Therapy was a tricky thing. There was the problem of getting the right medication for you. There was also the problem of finding the right therapist for you. Which is why some people - like you - search for a very a long time until you finally found one that clicked. Nanami Kento, who was practically everything you needed in a therapist.

"The nightmares are about your family, yes? They say nightmares are ways for the mind to release overwhelming emotions. Can you tell me more about them?"

"Y-yes, I...these nightmares are always the same. My family talking about me behind my back, it's...I feel alienated."

"Hm...it's no wonder these nightmares always coincide with upcoming family gatherings." He scribbles something down, and turns his full attention towards you. "If you're okay with sharing, what makes you think they're alienating you?"

"I...now that you mention it Doctor, it does seem to coincide, but...I-I don't believe I've mentioned...how did you-"

"Ah, it's just an observation." He waves his hand dismissively. "And I told you, you can call me Kento."

-------

"I-I'm so sorry!" You apologize profusely, embarrassed and just a little defeated when you turn up short at the cashier of your favorite coffee shop. There's a brisk walk, and someone familiar drops some change at the cashier for you. Though being payed for was a surprise, the person paying was not. It was Nanami, who you seemed to run into a lot. So much, that bumping into your therapist outside of your sessions was almost the norm. Something about living nearby.

"Oh, Doctor, I-I'm really sorry about this!"

"Oh don't fret, it was only a few bucks." He offers his hand. "Come, sit with me."

You're taken aback. It's not like you didn't WANT to. Nanami was a very attractive man; well built, broad shoulders, and such a handsome face. But, still, he was your therapist. There is a very faint alarm, all the way at the back of your mind, that makes you feel just a little bit uneasy at the proposal.

"A-are you sure this...I mean, i-is this okay?"

"Of course." When he intertwines his fingers with yours, his face and eyes and words are completely welcoming. Laced with nothing but care in order to hide the ugly side just waiting to devour you.

"It's just coffee, love."

-------

-------

"I think last session was a very eventful one. You did a lot well this week. I'm quite proud of you."

"Still...I-I don't think it was right for me to just cut everyone off like that. Now I don't have anybody..."

"You have me. They don't care about you." The fingers that brush your cheek are too gentle for how dangerous they feel. "You know this...it's why you came to me in the first place. They never cared, not truly. Not like I do."

"I know it doesn't seem like it, but you made the right choice. Now..." His warm and strong hands linger on top of yours, as he hands you the paper for your medications. "See you for lunch after?"

"I just can't believe they'd do that to me..." You try and keep yourself from crying any more. "They're my family. Why would they go around spreading rumors like that! I nearly lost my job..."

"Hey, hey...don't worry about them anymore, okay? Just leave them behind." Nanami gently cups your face with his hand. "You don't deserve to be burdened with dead weight."

"It's okay. You'll be okay." His eyes go over to your lips, as he tilts your head to better align with his. The room suddenly feels awfully quiet, too constricting, when his lips meet yours. "I'm so proud of you. You know that, right?"

-------

"I think I've come a long way." You sigh and laugh softly. "I'd like to celebrate but...I-I'm not sure how. I'd like to minimize my spending..."

"Well, I'd have to agree, you ARE making fantastic progress." He takes your hand in his. "If it's alright with you, I'd like to celebrate it with you. I have a few ideas we could try."

"Oh, of course!"

"Date night." He brings your knuckles to his lips. "Your apartment."

Nanami stayed over that night. Worshipped your body as if he was made for it. He was a wonderful lover but, the entire experience left you feeling wrong, somehow.

-------

"I don't know what to feel...I just...they're all dead. My family, they're all..." It was all too much, and Nanami wraps his arms around you. "I know what they did but, still, I..."

"Oh, love...it's okay. Let me handle everything; planning, funeral expenses. Everything."

"Kento, that...that's too much-"

"Nothing in the world is too much for you, my dear." He holds your face when you start to cry again. "I would do anything for you."

When he looks at you, his eyes show a devotion and adoration so strong it borders insanity. You'd never expect this 'gentle giant' to be the one that caused your family's deaths. It was nothing you've ever seen from him, and it unsettles you.

"Anything. You know that, right?" He seals it with kiss on the lips, just a bit too harsh, just a bit too possessive. "Stay here, with me - where you belong. Don't worry anymore."

"You're home now."

When your gut tells you something is wrong, one tends not to believe it at first, and this causes you to dismiss any further warnings. It is just one of the many ways that humans self-sabotage. Though, for many manipulators, the intention is to make their victim do so by putting up a welcoming and disarming front - a perfect honey trap.

.

.

Writing this was a TRIP man, ughk. It's so tame and light as a yandere fic but something about writing subtle manipulation just makes my skin crawl the most. 😭 Anyways, hope you enjoy! ✨🫰🏽

[wafflinglumos]

Current day Wolfstar(let me preface this by saying, you should take liberties when it comes to these character, JKR sucks, these are just my gripes with how the fandom currently perceives these two)

Aka I’m annoyed so I’m making it everyone else’s problem. The “stupid feminine Sirius who’s 5’4 and who’s oh so much uglier than Remus, and he’s basically just a charity case!” STOP IT, stop it stop it, stop it. I have zero problem with feminine Sirius, go wild, my problem is with relating femininity to weakness and stupidity.

Also, I am so, SO sick of “big alpha 6’5 hot Gryffindor Casanova Remus Lupin”, not only does it not make sense, it’s annoying, and it reinforces gender roles. Remus Lupin spent his whole life being told he was basically a big scary monster, who can’t be around other children, HOW do you think he would react to being perceived as this big angry asshole with no regard for the people around him?

ALSO, Remus Lupin was NOT drop dead gorgeous, I’m sorry to say, he was not the hottest guy around(that is still my darling man and I will not tolerate anything against my darling man), he was a scrawny werewolf with scars, and premature lines and shabby clothing, if anything, he looked like an anemic average British man in the seventies, if not below average.

Sirius was literally “Hogwarts’ pretty boy”. I’m not saying this to make Remus seem like a charity case, because, wolfstar is pointless when you make one the “man” or “woman”, or “hot” and “ugly”, i’m saying this because Casanova Remus Lupin annoys me, if ANYONE was “Casanova of Gryffindor Tower” it was Sirius Black. (I also think people forget the negative connotation with the term “Casanova”, which is sometimes annoying to see when talking about Remus, or Sirius)

Also, I could talk about how canonically, Sirius was the tallest marauder, or how a huge part of his character was HOW hot he was, I could talk about how he was hotter than Regulus, i COULD talk about how Remus wasn’t the smartest marauder, I could talk about how Sirius is canonically an overly clever wizard, I could talk about how if anyone is aggressive between the two, it was Sirius, but, I don’t think I will, because that will seem like I’m trying to push Sirius being the “aggressive man” of the two, and Remus being the “ugly woman” of the two, and I don’t believe that,

Wolfstar has now become just a way to reinforce gender roles on two characters, and that’s gross, making Remus the smart aggressive “man” of the relationship, and Sirius the stupid small “woman” of the relationship, is just gross dude.

Wolfstar doesn’t HAVE to fall into gender norms, that’s not necessary, neither of them HAVE to be the “man” or “woman”, that’s NOT necessary.

Remus being a funky looking guy, while Sirius is a hot nepo baby, is so beautiful, and it makes their relationship so much more interesting than “man aggressive and hot” and “woman ugly but pretty and pathetic”.

Anyways, let Remus be a skrunkly little man, and let Sirius be hot, also STOP ASSIGNING GENDER ROLES TO THEM OH MY GOOOOOD DHFBFJDJCJ

[girl4music]

“But I can tell you this, Xena… you’re the only constant in my life, and unless you know something I don’t, I’m not going anywhere. So I’m going to say the most selfish thing I’ve ever said to you: that baby’s my baby too, and I deserve a chance to fight for it as much as you.”

- Gabrielle, ‘Them Bones, Them Bones’ (Original script dialogue.)

They knew what they were doing with this scene. Especially the way Xena AND Gabrielle’s heads turn back to the baby at exactly the same time as if they were both proud of making that little bundle of joy between their arms. Also notice how Gabrielle only steps away after a glance towards Xena and Eve, clearly assessing that they both need to be alone while she responds to Hercules' request. As if to say "You stay here, I'll take care of business."

Dialogue is rarely ever needed between these two because the body language communicates so much in small intimate scenes like this. Both the mark of great acting and great chemistry between the actresses. I've always said that it's the quiet moments that truly reveal the depth of the loving relationship between Xena and Gabrielle. Whether you see it in a romantic way or not, you cannot deny that it is not filled with unconditional love. Especially where Gabrielle is concerned.

In fact...

I'm reminded of what Ares says in the ice cave in confession to what he believes to be a dead Xena about the dichotomy between his love for Xena and Gabrielle's love for Xena.

"You're with her now. I handled you all wrong. I know that. She knew what you needed - unconditional and unselfish love - and I couldn't give that to you. But I appreciated you in ways she never could. Your rage, your violence, your beauty. When you sacrificed yourself for others, you were hers. But when you kicked ass, you were mine. I love you, Xena."

- Ares, ‘Looking Death In The Eye’.

And I back up what I say in my character study thesis. The reason why Gabrielle won Xena's affection every time wasn't just because she was good at that moment. It's because she was given a CHOICE to be good in EVERY moment. Ares never offered her that choice. It was always "be mine, or die". Gabrielle always did - she would just take herself out of the picture if Xena chose evil or stand against her.

Such a striking difference is often not spoken about in this love triangle the writers obviously intended between Xena, Gabrielle and Ares. It says that the show never really went one way or the other on the romance not just because it couldn't... But because it didn't have to. There was importance in keeping the romance balanced although many wouldn't admit to it and would rather just complain about it instead. As for me, I think it's one of the most groundbreaking things about it. Rob was definetly right about keeping it this way and I back him up on it 100%. We knew that Gabrielle had Xena's heart. However, the conflict in Xena's heart would always remain because Ares would always be around to remind her of her former life. And in so doing this, we learn that Xena could never be definitively one way or the other either. This is what made her character so damn dynamic. And why it was leagues ahead of its time in queer representation. Even today, a bisexual narrative like this is never done. Or rather - it’s done but it’s never written this well. It’s never connected to the major narratives and themes. And that’s because the queer characters are never the major characters. They’re never the actual narrative. Instead, the queer characters have to wrap around it. And that’s the wrong way of going about doing this.

I don’t care what anyone says.

Gabby was the daddy.

Or the other mother, if you prefer. Although, I would definetly say Gabrielle’s role was typically that of a father. I don’t like gender norms, roles and stereotypes either but that doesn’t mean those are off-limits to a woman.

I’ve said before that the fact Gabrielle was depicted as doing the “typical father” role means the writers were abolishing the belief that only a man can do it and therefore using gender norms, roles and stereotypes as a way to promote equality and solidarity.

If you have a problem with me calling Gabrielle the “father” of Eve, you have to understand I am speaking from the point of view they would have in their time. There was no such thing as a same-sex couple in Ancient Greece in the sense that they could marry and have children without the participation of a male figure. Of course gay couples would exist but would not be socially accepted. Hell, it wasn’t even socially accepted a decade ago. What makes you think it was then? So me referring to Gabrielle as that male figure in Eve’s life should be seen as a compliment, not an insult. I’m saying she had the capability to fill that role and she wasn’t even a man. Just like how Xena could fill the role of a warlord and she wasn’t a man. Can’t you see that I am giving them respect as people who can take on both the feminine and masculine side of situations? Xena and Gabrielle were human anomalies and that’s bloody awesome as far as I’m concerned. I wish more shows today had that kind of gender roles representation with their characters. Sadly, they don’t.

[klapollo]

wait could you elaborate on the snl transphobia sketch thing? i don’t use twitter and haven’t watched snl since i was a teenager so i’m out of the loop.

yeah of course. i'll do a bit of a deep dive for usefulness, but it's a very dark and upsetting story so be warned this is going to discuss transphobia, transphobic violence, sexual violence and murder.

the post was about this meme:

This is late comedian Norm Macdonald, reporting on the murder of Brandon Teena for the Weekend Update segment.

Brandon Teena was a transgender man from Nebraska. He passed so successfully that most of his social circle did not know he wasn't cis. His own girlfriend, Lana Tisdel, did not know he was trans until he was jailed for check forging and she found him in the female section when bailing him out. Word got out after this.

As a result, two men in his life -- John L. Lotter and Marvin "Tom" Nissen -- assaulted him at a Christmas party a few days later. They forced Brandon to expose his genitals to Lana, against both his and Lana's will. They then took Brandon away and gang raped him. Brandon escaped and Lana convinced him to report the rape, but the rape kit was lost and the police were expectedly hostile due to his gender.

Lotter and Nissen got wind of the report and hunted Brandon down and murdered him, along with his roommate Lisa Lambert and Lana's sister's boyfriend, Phillip DeVine. Lotter was executed and Nissen sentenced to life in prison for their crimes. Brandon, only 21 years old at the time of his death on New Year's Eve 1993, was buried under his dead name with an epitaph describing him as a "daughter" and "sister."

The SNL joke comes from Weekend Update, a segment that recounts the news of the week with a humorous slant. This meme comes from a February 1996 episode, "reporting" on the sentencing of Nissen and Lotter. Macdonald's full joke is as follows:

"And finally, in Falls City, Nebraska, John Lotter has been sentenced to death for attempting to kill three people in what prosecutors called a plot to silence a cross-dressing female who had accused him of rape. Now, this might strike some viewers as harsh, but I believe everyone involved in this story should die."

Naturally, this was heinous for a number of reasons. Even in the homophobia and transphobia of the 90s, community organizations spoke up in outrage over this. The Transexual Menace threatened to picket if SNL didn't apologize. NBC even admitted the joke was inappropriate at the time.

But still, this joke also aired almost 30 years ago, before a lot of us were even born (I myself was just a baby). While Teena's murder (along with Matthew Shepard's) was a watershed moment for the gay rights movement in America, it's not as widely discussed today. But we have a responsibility to not perpetuate this joke that was castigated even in its time. It strikes me as our responsibility to do right by our elders who held NBC to account for this and not pass this meme around and rehabilitate it unintentionally. Maybe that's overdramatic. I don't think so.