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waitmyturtles · 1 year ago

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Turtles Catches Up With Old GMMTV: Not Me, and Negotiating the Romance Edition

[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. Today, I offer thoughts on Not Me, GMMTV's first BL that decentralized romance to share space with an issues-based storyline.]

Yes! I feel like getting to Not Me on the Old GMMTV Challenge list was a touch of a milestone, as I engaged a good number of friends (including the wonderful @wen-kexing-apologist, @ranchthoughts, and @chickenstrangers, when we're not talking about Only Friends, ha) on their love and/or appreciation for Not Me.

Not Me falls into the sub-echelon of BLs on the OGMMTVC list that navigated romance storylines with what I call either issues-based storylines (as we also see in The Eclipse), or other genre-based storylines (such as crime storylines in Manner of Death and KinnPorsche). Manner of Death was the first of this kind of BL (or maybe it wasn't a BL?) to appear on the scene, premiering on WeTV, and Not Me was GMMTV's first foray into this world.

I'm going to break down this review into a couple of potentially non-congruent parts, and I hope this all comes together. I'm going to take a look at:

1) How successful Not Me was as a holistic story, facing competing sides from its issues-based storyline and the need to incorporate a romance storyline for OffGun/SeanWhite,

2) How the in-built sponsorships of the show reflected on the issues-based storyline that Not Me was telling, and

3) In an attempt to tie these two together, whether or not the DanYok storyline specifically was helpful or detracting from the success of Not Me as a complete drama.

I admire both Nuchy Anucha and Golf Tanwarin (of Not Me and The Eclipse, respectively) for tackling BIG issues in their BL-centered shows. From a narrative infrastructural perspective, I cannot imagine the writing and directing of these shows to be easy. I've learned a TON about the Western romance genre from @lurkingshan, my drama structure guru par excellence, because honestly -- while I've watched a lot of Asian dramas in mah day, noting which dramas nail it by either being rooted in or inspired by the Western romance genre in terms of their fundamental elements is something I'm still new to. (Thanks to @lurkingshan and @neuroticbookworm for reviewing this post in advance for accuracy!)

When I was first putting together the OGMMTVC watchlist, my general assumption about Manner of Death and Not Me was that MoD was not a BL, and that Not Me was a BL, by way of pure genre definition and the marketing of OffGun as the shipped leads of Not Me.

I discussed in my MoD review the debates between whether or not the show qualifies as a BL, and honestly, I think it's up to the eye of the beholder (and I had a lot of fun debating both sides). To me, MoD is first and foremost a very good and intriguing crime story (written by the EXCELLENT screenwriter, Title Nirittisai, also of the EXCELLENT BL, He's Coming To Me), regardless of the BL label/definition. And the romance between Bun and Tan (led by the wonderful MaxTul) was, to me, the icing on the cake of the successful crime story, not central to the solving of the mystery of the plot, but certainly a driver of the dramatic lift and impact of the show (and OF COURSE, it helps that MaxTul are just chef's kiss with their chemistry).

My drama friends and followers of the OGMMTVC know from my passing notes that I had quibbles about the structure of Not Me, keeping in mind that Manner of Death was able to decentralize romance while still keeping the BunTan coupling as a driver of the drama as a whole. After the first five episodes of Not Me, I was wondering.... what exactly am I watching here?

I admit: I'm not the biggest fan of anarchy, and extreme political movements as a whole. I'm more of an advocate for long-term change, and coalition-based advocacy. (I also experienced misogyny while engaging with anarchists back in mah day, and just -- that left a bad taste in my mouth.) It didn't sit right with me that multiple men in this show -- Black, White, and Gram, specifically -- all did not engage Eugene (played by the wonderful Film Rachanun) in prior explanations to their future actions. Generally speaking, when I see male anarchists either portrayed and/or acting in real life like that, I tend to check the fuck out.

I think that Not Me spent more time than necessary demonstrating that at the start of the series, these guys were acting out of their own set of uninformed and/or ill-informed concrete beliefs. What I did appreciate was that the show, over the course of the series, had the guys experience change by way of education (especially through their conversations with their classmate, Nuchy), and by the exposure to new minds in their space, namely White's approach to anarchic tactics being different, more measured, and more thoughtful than Black's. I think all of the guys (.... maybe except for Yok, but I'll get to that in a bit) ultimately demonstrated a much deeper and more intricate understanding of the complications of their beliefs, and how power functions in capitalistic societies, by the end of the series.

I spoke with @bengiyo and @lurkingshan when I was watching the series the first time around about how I felt the romance storyline of SeanWhite was a bit too fast in its implementation -- especially because, again, the first five episodes were so issues-based, and even the majority of episode 6 was based in the attempt to raid the drinks manufacturer.

But, @ranchthoughts reminded me that the first indication of Sean recognizing that White might be a man that he could love was at the start of episode 6, at the end of Gumpa's fake kidnapping raid -- when White said that he'd sell out his friends for the sake of saving Sean's life, and implored Sean to value his own life, which is something we could not imagine Black ever doing.

Thanks to @ranchthoughts's note, and a close rewatch of episode 6, I agree with her (thank you, Ranch!), and I think the series's transition to the SeanWhite romance through episodes 6 (the raid), 7 (the protest and the equality celebration) and 8 (the sleeping face-touching and the first kiss) was not as clunky as I first had experienced. Referencing @lurkingshan and @neuroticbookworm's notes to me (thank you, ladies!), it's also important to note that in relation to Sean's huge family loss earlier in his life: his hearing from an empathic person about the value of his life may not have been a message that Sean had previously been given.

All that to be said, though -- it's clear that Not Me had issues with that transition, if I had to rewatch the episodes to catch those nuances. Especially because an indication that this show either would be a romance (which it wasn't quite, exactly) or an issues-based show (which it was and wasn't), all wasn't very clear, even to the end. @lurkingshan and @neuroticbookworm, in the course of my writing this review, noted that parkour was an important piece to the storytelling -- I agree with that, and I might even argue that the early depictions of it (along with the cute dude pile, gotta love a cute dude pile) seemed to indicate a story moving away from romance and more towards an issues-based perspective.

While I spent a lot of words on this, I do feel that this a minor quibble, especially as I rewatched some episodes and I TRULY enjoyed AND LOVED the OffGun dynamic. Y'all know that I wasn't sparing in my critique of Third in Theory of Love, and I have to say: Gun's Third did not show his range. Gun was AMAZING IN NOT ME. I now know what y'all are talking about with his acting. His White VERSUS his Black -- oh my god. Brilliant. He kicked fucking ASS, and convincingly demonstrated character differences between White and Black. (I need to see Gun in more roles like that!) And also! I am an admitted Off girlie (cc @lurkingshan). And Off totally held it down in Not Me. I thought he was FANTASTIC, and despite the storyline not holding his transition to SeanWhite as smoothly as I would have liked, I think he held it together for a convincing deep-in-love posture by the end of the series. (And I must give it to OffGun for managing a fabulous intimate scene, which I know from @bengiyo was rare -- if not the first time that GMMTV had a sex scene in a BL. OffGun were fantastic, and I'm glad they held the mantle for that moment.)

And of course, OffGun gave us one of the most iconic moments in Thai BLs, one that I have loved going back to time and time again in the course of my processing this show.

(Source: @namchyoon!)

So -- speaking of a show being issues-based, I want to take a second to talk about the in-built advertisements in Not Me, from the Suzukis (POWER YOU UP!), to the Oishiis ("it's cold and fresh"), to the soy milk, everything.

Like I said earlier: I think Not Me demonstrated the growth of the guys in their education about the efficacy of their original anarchic tactics. Sean himself states that with White by his side, he will continue to fight for what's right. Not Me doesn't mince words with the issues that it examines -- but it does so alongside these in-built advertisements.

As an #old, I gotta hand it to Nuchy and team. I appreciate that the showmakers did not flinch away from the reality in which this show was made. I'm glad it was sponsored all over the place -- of course it would be, as an OffGun vehicle. The reality of a global capitalistic society was placed starkly AGAINST a dialogue of the pitfalls of that very kind of capitalistic society. It was a WELCOME juxtaposition. We literally could not have watched this particular show if it wasn't for the sponsorships -- who knows if it would have gotten made. I appreciate that this show demonstrated the kind of slow change -- that we NEED to make change in a world that doesn't change very quickly -- up against the stark political messages of the show itself.

I think that's sophisticated commentary. It didn't shy away from reality. For me, the show was summed up beautifully by Nuchy in the finale.

If I were to translate what Nuchy is saying here by way of the nature of the society that we have: we have rules in place. It's our biological predilection to want social order. We have customs in place -- like advertisements for shows. Can we change the paradigm on a dime? Not always. I thought it was courageous of Not Me to place those advertisements next to potentially hot political commentary (especially for a Thai government and conservative society that doesn't always take well to critical commentary) and serve it up to BL fans and drama fans alike, many of whom are younger and can contemplate positions like anarchic frameworks -- and to be creative about how to make good change happen from those positions.

(With this point, I wonder if it was truly Not Me's influence that allowed GMMTV to feel comfortable in its decision to air The Eclipse the next year without sponsorship funding. I hope so, and I'll get to that more during my The Eclipse rewatch later on in the OGMMTVC project.)

To tie up what I hope I can successfully bring together by way of an examination about romance and politics in this show: I really thought the DanYok side coupling was indicative (more so than the sponsorships) of the downfall of basic social expectations on a show like this. I totally see why DanYok is beloved -- listen, the chemistry that First Kanaphan has with EVERYONE is mind-blowing, let alone Gawin Caskey, a deep fave of mine. DanYok is definitely still a popular ship -- just check the tag on this site.

Anyone who reads around here knows that I'm not a fan of the branded ship pairings. That First is paired with Khaotung Thanawat now, another extraordinary actor, is so fabulous by way of pure talent, but damn it, I want them both to act with other people, too (I mean, for heavens' sake, Khao was paired with PAWIN in 55:15 Never Too Late, and they nailed it). And the economics behind them being paired with anyone else right now do not calculate, as FirstKhao are so successful as to be GMMTV's first pair to have an international fanmeet later this year in Brazil. It's the economics, in the end, that are driving this reality.

Going back to Not Me: it seemed to me that Yok's beliefs as an anarchist were set aside not for education (unlike Gram, who grew into an expanded belief framework through Nuchy), but for exposure to a really hot and artistically talented dude in Dan, who also happened to be a cop. And DanYok certainly provided a spicy edge to this show that could be comfortably marketed next to SeanWhite.

Now. I am extremely critical of the power cops hold. I also get, as a simp for dudes, the power of hot artist dudes. I get that Yok found Dan hot and appealing. I get it. If I were Yok, I'd be like, all ogly eyes for Dan, too. My man, I get it. But. If I had committed to my friends to not fuck up our work together for the sake of a crush, then I'd have to check myself. Separate work and romance, especially in dangerous situations -- that's advice that I'd give to my kids.

Yok's trajectory was unlike Gram's, in that Yok totally fell apart for Dan, seemingly forgetting the missions and values that he had committed himself to. I am ALL for change and growth (hello, Khai). Yok didn't seem to change. Yok seemed to trade his convictions (cc @bengiyo and @lurkingshan, thank you for the convo) to simp over Dan, a dude that, holy fuck, THEN sold his Yok and his crew OUT, AFTER admitting that he had killed Sean's dad. WOW. I mean, Dan's complicated! Yok might like complicated dudes, I respect that! But Yok seemed to totally forget, in the face of attraction and love, that he really had committed himself to his group that depended on his engagement for missions, and -- if you're gonna commit to a dangerous thing, at least don't leave your friends high and dry. And putting your trust in a cop that may -- and then DID -- sell you out is only just more problematic.

Did Yok redeem himself at the end? I think so, possibly. I think he showed critical awareness for the risk of his attraction to Dan. But I do feel like GMMTV played First a bit. Yok, Akk (also a cop), and now Sand. These are characters that are kinda givin' it up for the hot dudes. I want to see more backbone in First's characters. I'm not saying that I would have liked to see Yok as a one-sided character. But I think Yok's beliefs as an anarchy-inspired character, who traded his mindset in for love for a cop, could have been explored further. It wasn't, because there was SO MUCH else going on in the show (I haven't even mentioned Gram and Eugene, and Mond was SO GOOD as Gram), and I kind of think that the show added DanYok as a spicy BL romantic edge that really needed as much intricate ethical closure as only SeanWhite ended up getting.

Not Me was not a perfect show. I offer criticism here. But: I did VERY MUCH enjoy it, because it held a LOT, and I think Nuchy Anucha, as I said earlier, was extremely courageous for tackling ALL of what she did in this show. I love @he-is-lightning-in-a-bottle's tags on this post that indicate that the show went very deep in depicting accurate protest postures in art and messaging. I will absolutely appreciate this show for showing me Gun's true range. This show makes me VERY happy for OffGun's return in Cooking Crush. Mond and Film, I loved them. I have quibbles about the way in which the show's issues-based message may have been undermined for the sake of DanYok's love story. But I love First, and I LOVE GAWIN. DanYok could have been leveraged better for something more enlightening than an attraction-based romance.

For a show that held a LOT, I think the majority of the show was successful. Not Me will be at the top of my list of shows that I'll want to rewatch, to enjoy SeanWhite's unique turn as a couple that continually, in every single episode, spent intentional time learning more about each other. The love they ended up developing, alongside the issues they believed in, ultimately came together convincingly, which was indeed a dramatically complicated and successful feat.

[Okay friends! NEXT! I have wrapped up 55:15 Never Too Late, and that review will drop next week. I added 55:15 for its rumored BL storyline and macro commentary about BL culture from a GMMTV lens. I gotta say: Khaotung Thanawat's storyline went way beyond BL. It was a gorgeous queer coming-of-age storyline that included playing against an older version of himself in Kob Songsit (Kinn's dad), and just -- it was surprisingly sophisticated and mature. I love that GMMTV het dramas do not shy away from queer storylines, and I think 55:15 provided some fantastic generational context for what it meant, and means, to be queer in Thailand over the course of decades. I can't wait to process it.

NOW! I SHOULD be starting my long-awaited Bad Buddy rewatch, for which I will need some time, and will take a brief break from writing reviews to pen Many Deep Thoughts. HOWEVER! I am also going to pause on the OGMMTVC to watch Cutie Pie and Cutie Pie 2 You, to get to know Zee x NuNew, as they seem to be the first Thai BL pairing to come to America next month. This is culturally important! I'm gonna do my ZeeNew homework.

So, after next week, I'll be on a bit of a break for a beat, but I'll be back real soon with the motherlode of honorary analyses for my fave Thai BL of all time in Bad Buddy.

Here's the status of the OGMMTVC watchlist. For a more up-to-date version, please check this link!

1) The Love of Siam (2007) (movie) (review here) 2) My Bromance (2014) (movie) (review here) 3) Love Sick and Love Sick 2 (2014 and 2015) (review here) 4) Gay OK Bangkok Season 1 (2016) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 5) Make It Right (2016) (review here) 6) SOTUS (2016-2017) (review here) 7) Gay OK Bangkok Season 2 (2017) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 8) Make It Right 2 (2017) (review here) 9) Together With Me (2017) (review here) 10) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 11) Love By Chance (2018) (review here) 12) Kiss Me Again: PeteKao cuts (2018) (no review) 13) He’s Coming To Me (2019) (review here) 14) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 15) TharnType (2019-2020) (review here) 16) Senior Secret Love: Puppy Honey (OffGun BL cuts) (2016 and 2017) (no review) 17) Theory of Love (2019) (review here) 18) 3 Will Be Free (2019) (a non-BL and an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn pushing queer content in non-BLs) (review here) 19) Dew the Movie (2019) (review here) 20) Until We Meet Again (2019-2020) (review here) 21) 2gether (2020) and Still 2gether (2020) (review here) 22) I Told Sunset About You (2020) (review here) 23) YYY (2020, out of chronological order) (review here) 24) Manner of Death (2020-2021) (not a true BL, but a MaxTul queer/gay romance set within a genre-based show that likely influenced Not Me and KinnPorsche) (review here) 25) A Tale of Thousand Stars (2021) (review here) 26) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS (re-review here) 27) Lovely Writer (2021) (review here) 28) Last Twilight in Phuket (2021) (the mini-special before IPYTM) (review here) 29) I Promised You the Moon (2021) (review here) 30) Not Me (2021-2022) (review coming) 31) Bad Buddy (2021-2022) (thesis here) 32) 55:15 Never Too Late (2021-2022) (not a BL, but a GMMTV drama that features a macro BL storyline about shipper culture and the BL industry) (watching) 33) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch 34) Secret Crush On You (2022) [watching for Cheewin’s trajectory of studying queer joy from Make It Right (high school), to SCOY (college), to Bed Friend (working adults)] 35) KinnPorsche (2022) (tag here) 36) KinnPorsche (2022) OGMMTVC Fastest Rewatch Known To Humankind For the Sake of Re-Analyzing the KP Cultural Zeitgeist 37) The Eclipse (2022) (tag here) 38) The Eclipse OGMMTVC Rewatch For the Sake of Re-Analyzing a Politics-Focused Show After Not Me 39) GAP (2022-2023) (Thailand’s first GL) 40) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 41) Moonlight Chicken (2023) (tag here) 42) Bed Friend (2023) (tag here) (Cheewin’s latest show, depicting a queer joy journey among working adults) 43) Be My Favorite (2023) (tag here) (I’m including this for BMF’s sophisticated commentary on Krist’s career past as a BL icon) 44) Wedding Plan (2023) (Recommended as an important trajectory in the course of MAME’s work and influence from TharnType) 45) Only Friends (2023)]

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clemelntine · 10 days ago

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Shitty analysis of Proletariat Expressionism by Yok

This form about the art in not me reminded me again of Yoks art and I have been thinking about it ever since.

I also do have to practice these things for school. So here is a visual analysis (with a particular look at art style) of Proletariat Expressionism, a painting by Yok, from Not Me. Original painting by Oat Montien

(Small disclaimer. I do study mostly Western art history, so my judgment on some things is clouded by that. However, as Yok focuses his art piece around the expressionistic art movement, one started in Europe, I feel I do have some insightful theories and interpretations)

(Another small disclaimer: I talk a lot about Yoks decisions for this art piece. I tried to look at it from the perspective of the not me universe to see how Yoks emotions might shine through. It's a lot of searching for meaning that probably isn't there. I know the decisions aren't Yoks and just thought I should mention that as to not discredit the actual artist (Oat Montien) who made this piece and a lot of the decisions regarding it.)

To start Yok already tells us some things about the piece; it is an expressionistic portrayal of a proletariat suffering, and the viewer is supposed to find beauty in that.

It is a pretty good subject. Nudes are common in paintings but usually fall into two categories.

*(There are many different thematic portrayals of nudes outside of the Western artwork that I didn't mention here)

Classic depiction of a nude form where the body is shown in a gracefull, idolized, or dramatazided manner, these paintings are beautiful. They portrayed male nudes as heroic and female nudes as innocent, they are supposed to feel like they are 'for the viewer'.

Around the 19th century, a second category emerged. Paintings where the nude was supposed to be provocative. For example, a piece like Olympia by Manet where we see a nude prostitute who isn't in a submissive position or trying to be pretty. The viewer is the customer in this painting, and Olympia knows that, looking us straight in the eye. She isn't a girl who was caught naked and painted for our pleasure. She knows her appeal, and she is claiming it.

Yok goes outside of these bounds, showing a vulnerable naked male body. He doesn't fit the classic archetype, but his nudeness isn't anything to cause controversy either. He is still supposed to be beautiful.

The piece is described to be expressionistic, an artstyle characterized by expressing feelings and emotion through abstraction of reality, and showing the personal, subconscious reaction of the artist to his surroundings. This is in line with the Proletariat Expressionism.

Expressionistic pieces use an exaggeration and abstraction of visual means to emphasize this aforementioned emotion. The different areas of abstraction are color, light, proportion, perspective, use of materials, and composition.

Color: The choice of red and warm tones is a really good one. Red, especially when on a body, is quickly associated with blood, whether within the body, from shy blush or red hot-faced anger, or out on the skin where it reminds one of blood. This color shows who Dan is, shows his anger at the world, and his embarrassment/shame to share it. It also doesn't hide his past. He's killed a man and has literal blood on his hands. Yok knows this, and he doesn't want Dan to hide it as much as he does. He needs Dan to realize that that experience has become a part of him. And on the painting shows that the blood he spilled is rubbed across his body.

The purple hues could also be a clue to the suffering Yok aims to portray. He wants to show the 'scars' that the proletariat suffered under the oppression they face. Dan doesn't have any scars (I wonder why he didn't add the gunshot wound to the shoulder Dan got during the making of this piece) but bruises show the effect of continuously being beat down on by the ones in charge (litteraly).

Warm colors also attract the eye, they draw us into the picture. Yok was very adamant about wanting to show the proletariat nude, and he doesn't want the viewer to shy away but instead to look deeply into the painting. Red is a wonderful choice for that.

Light: The lighting source is somewhere above him slightly to the viewer's left.

Dan casts some shadows on his own body but has no shadow from other objects. This isolates him even more, and although Yok already didn't paint any of the room that was surrounding them, making sure that none of the objects would cast shadows on Dan drives home the point that Dan is supposed to feel alone in this piece.

In the posing/drawing scene, there is also a lightsource coming from the left and lighting Dan from behind. Yok didn't depict this (there is some light points visible on the egde of his limbs, but they are not as big and there is specifically none on his face), and the singular light coming from above could be a metaphor for judgment. It could represent the light from God. This hints at Dan saying he feels he is confessing his sins during the drawing process and makes the piece feel more open and vulnerable, we see him not as just a viewer but as someone who he is sharing his secrets with

Disclaimer: this ^ is mostly rambling that could very easily be explained by the fact that the painting was made by Oat Montien in a different room than where they filmed the scene (different lighting and devoid of any object), but please indulge me in my nonsense

Proportion: There is nothing important happening with his proportions, and the piece is very lifelike in that area.

Perspective: The point of view is around his eye height. This isn't abstracting in any sense, but it does create a sense of intimacy. The viewer is lowered down to his perspective, and we are supposed to feel like we are on the same level as him. Which makes it easier to relate. This way, the observer also gets a better view of his eyes, which carry a lot of emotion.

Use of materials: Expressionistic pieces are usually in oil paints, but they definitely don't have to be. This artwork looks like it is pencils, pastels, or crayons. The texture of the canvas (the little white dots) is visible, but there are some well blended areas as well. So I'm not sure which one, but Yok used a soft material. The areas of canvas showing through and some of the sketchy unblended lines that Yok made are usually techniques to emphasize the fact that it is an artwork on canvas and not an accurate depiction of reality. This is a concept that is very prominent in Fauvism, an expressionistic art movement that started around 1905. Fauvism means wild animal, because critics thought the images that the fauvist depicted were atrocious, due to the harsh lines and colorwork. Henri Matisse, a fauvism artist, responded to this by saying that he agreed, and if he met a woman like 'Woman with hat' (a painting by him for which his wife modeld), he'd run away. That wasn't important though, this was a painting, not a woman. They wanted to let go of the rules of the real world and write new ones in their art.

The blotches of colors in Woman with hat are also very similar to Proletariat Expressionism. And I think it is a beautiful comparison that Yok too ended up making a painting of someone he loved just for him to want to run away from him after the piece was completed. There is no mention of Yoks opinion of the piece, and he did intend for it to be beautiful, so I doubt it was his intention to make a fauvistic piece in any aspect other than visual traits.

Composition: The composition doesn't leave much for the mind to theorize on. It is a very straightforward central composition. There is also only one subject so I can't say much about the relation of objects to each other. It all comes down to why the subject is centered and why the background might be empty.

You can actually see when comparing the first sketch and the finished work that Yok decided to crop it a bit. Part of the right leg is cut off. This removes the bit of Dan that was sticking out, making the subject into a sort of square instead of a triangle. This also makes it look like his head is sticking out of the form his body creates. The attention of the viewer is more to this painting because it doesn't 'fit in'. Eyes are drawn to difference. This even though Dan's head is one of the darkest points. Yok probably chose this because he wanted our attention on the face. Keeping the leg extended while it also has such strong highlights would draw the eye away too much.

I already said that I think the background is empty to isolate Dan and make him feel alone. I also think it is simply so as not to distract the viewer. Backgrounds can be great for telling stories about the subjects in them, but when there is no story, when it is just about the emotions of the subject, it can be a smart decision to leave out a background. The color black could allude to the night, which is when Dan does his activism art. A trait that yok finds very appealing. Or it could simply be because a dark background makes the dark colors in a painting seem less dark. It's a way to brighten up the gloomy scene. Because even though Dan is sad, suffering, and morally dark, the world around him is worse.

Finally no one needs any knowledge on art to see that this piece takes obvious inspiration from The Fallen Angel by Alexandre Cabanel. The positioning of the figures is near identical, except for the tilt of their head and the amount they are leaning back. This, however, isn't mentioned in the show, and they act like the position just came to Yok and Dan naturally (the actual reason is because it was a decision made by Oat Montien, as he explains in this post). Ignoring that though. This comparison in positioning allows me to compare the two in story and meaning as well.

The Fallen Angel is a depiction of the devil right after being cast out from heaven. This can be seen as a similar story as Dan and his departure from the police force. The angel fell because he wanted to much, wanted to be God. In the same way, Dan wanted to bring justice, something that wasn't his role, and when he got involved with the gang to do this in his own way, he asked/wanted to much and eventually got removed from the police force.

The difference between the two is that Gawin sits more upright and more of his face is visible. Dan's posture makes him seem like he is ready for action. The angel doesn't look relaxed necessarily but Dan looks less accepting of his fall. He is willing to get back up and redeem himself (he doesn't want to go back to where he fell from (the police system) but he wants to make it up to the world through other ways). Because of the tilt of his head the eyebrows of the angel cover his eyes more, making him look angry. This contrast shows that Dan's main emotion about his fall isn't angry. He is sad, as his little tear and sad eyes tell us.

I have some more things I wanted to add to this about Yoks other sketches and inspiration, but couldn't because it'd be to long. So I might still compile that into a different post.