#gainey

[roughridingrednecks]

Gainey

[wine-porn]

Pure Gains

You’d have to be living in a pretty deep cave to not recognize The Gainey Vineyard as a classic stalwart of SYV. Pretty much eponymous Merlot for the region possibly hit hardest by the made-up Merlot Flu. Few bottles have crossed my desk, but I have tasted in on numerous occasions–to varying results. Solid, a bit crowd-pleasing perhaps, but definitely delicious. This is my first experience with…

[ljones41]

Did Sawyer Really Evolve?

Watching Sawyer deal with Juliet's death in the Season Six premiere of "LOST", (6.01-6.02) "LA X" and throughout that season had made me realize that he never really developed as a character.

I believe Sawyer had never really learned how to deal with death and loss. One could say this was due to the trauma of his parents' deaths. Yet, so many "LOST" fans had excused his murder of Anthony Cooper as therapy for dealing with that loss. Yet, events proved that killing Cooper, along with Tom Friendly, didn't solve shit.

After Juliet's death, he had lashed out at Jack, blaming the latter for her death. Yet, if Sawyer had used his brains, he would have realized the person really responsible for her death was Dr. Stuart Radzinsky of the DHARMA Initiative. If that man had not insisted upon drilling into the island in the first place, the Losties would have never been placed in a position to stop him. That was the main reason they had ended up in the 1970s in the first place.

By the end of the series, Sawyer still had not moved on. He had fled the island with Kate, Claire, Richard, Miles and Frank. His reason? I guess one could say that it was safety. But I suspect he wanted to leave the island behind to flee from his memories of his three years with Juliet. I doubt that fleeing the scene of his major grief didn't solve shit. All Sawyer was doing was running away from his pain.

[camyfilms]

LOST 2006-2007

We’ve done our best to live on this island. Some of us have come to accept we may never leave it. Not all of us have survived since the crash. But there is new life, too, and with it, there is hope. We are alive. Please don’t give up on us.

[coffee-n-bagels-comic-universe]

Faith & Fate - A Leap Of Faith Fanfiction

As I told Emily (@philhoffman ) I have started writing a Leap Of Faith story, which I have now titled 'Faith & Fate', it takes place in 1993 and in the fictional town of 'Lead Springs, Texas'. And I shall now word dump on you some info:

Major Changes to the plot / Spoilers:

After the ending of 'Leap of Faith' Jonas was dropped off the next town over by the truck driver. The trucker thought Jonas was mad and threw him and his bag out.

Jonas had to call Jane, she and Sheriff Braverman came to get Jonas and they (Jonas and Jane) re-joined the crew, heading off to the next town, eventually reaching Lead Springs, Texas by January 9th of 1992, where 'Faith & Fate' begins.

So basically, I'm using 'Leap of Faith' as a 'movie becomes series' (like Buffy for example) to lead into 'Faith & Fate'

As per usual, if you wish to be tagged or untagged from the story, please let me know, either through asks or DMs

Characters (OCs & From Leap of Faith):

Under cut due to length. These are just the characters I'm certain I'll include as of now (8th June '24)

Jonas Nightengale & Jane Larson

Aka the two least deserving of anyone's trust, the Boss (Jonas) and the ACTUAL boss (Jane). I don't trust either of them, but I trust Larson more because of the butterflies scene. Jane is dating Sheriff Braverman long-distance and Jonas still keeps in touch with Boyd and Marva, though he isn't particularly close to either of them.

Ages: Jonas - 47. Jane - 37

The Choir & The Crew (General)

More than likely underpaid (even though Jonas has a bag of golden watches), but good people. I know several of the crew who put together the gigantic tent have tattoos, so possibly a mix of types of Christians, including maybe some who aren't fully Christians

Ages: Unknown, Approx. 20s-40s mostly

Tiny

First of all, he's a giant, dude's like 6'3. My name for him is Timothy Smalls, so in my head at least Jonas nicknamed him Tiny because of the character of Tiny Tim and it just stuck. He helps with building the tent, collecting money, gathering info, etc.

Age: 44

Matt

(Image credit - @philhoffman / Emily) Matt, my beloved, young dumb and full of… energy, this man has so much energy. My name for him is Matthew Braddock. He helps collect money and gather info, but is also the one who Jane and Hoover (Meat Loaf) send to do random tasks, like an intern.

Age: 25

Hoover

The driver of Jonas' bus, as in the main bus at the front of the pack of 4. His name's Tobias Hoover. His family is my OCs, specifically his 2 brothers and niece. I like his fashion choices, but I know they're not for everyone, also I have been unironically listening to mostly Meat Loaf songs while writing these characters.

Age: 43

(OC) Jedidiah 'Jed/Bubba' Hoover

Eldest brother, and the only Hoover brother to have kids, big (6'2") cuddly papa bear, but seriously don't come near his daughter, he protects her like she's a miracle and her mother / Jed's wife died when Cai was very young.

Age: 46

(OC) Micaiah 'Cai' Hoover

Jed's daughter, Cai's been raised by practically just men, her family has always been in Lead Springs, her uncle Tobias was the only one who left. She suffers with CIDP, which means she's often in a wheelchair but manages as well as she can to be independent. She doesn't work, not due to disability but rather due to lack of jobs, as well as the mistreatment she receives in Lead Springs.

Age: 22 (turns 23 within the first few chapters)

(OC) Zechariah 'Ari' Hoover

Tobi and Jed's younger brother, and Cai's uncle. Zechariah goes by Ari, which can be confusing. He lives with Jed and Cai, acting as a second father to Cai while working with Jed at the town's diner. Most days he regrets letting Tobias leave, but has to remind himself that his brother has his own life.

Age: 40

(OC) Reverend B.J Deacon

The young, new Episcopal church reverend/deacon, fresh faced and just out of seminary school. He's very new to actually leading a church and very inexperienced, hoping to learn from Jonas how to engage people with their faith.

Age: 22 (turns 23 within the first few chapters)

[dodger-sister]

Guest Stars Of Note: Justified season 1 ep 7

Ray McKinnon who you might know from Dopesick or Sons Of Anarchy, but I know from a great movie called Take Shelter & ofc as H.W. from Deadwood.

M.C. Gainey who’s Swamp Thing from Con Air & Tom Friendly from Lost, as a Crowder so he’ll be around

[clemsfilmdiary]

Starman (1984, John Carpenter)

7/29/23

[randomestfandoms-ocs]

💙 + all your Tangled descendants babies aka

Callista - Finley - Fitz - Gloria - Robin - Rylan

there's so many of them (also I'm officially down to only 50 left to update my descendants masterlist which sounds like a lot ubt is also so much progress thank you for your service to the cause)

[pedroam-bang]

Django Unchained (2012)

[mockingjayne12]

Reunited!

[stripesysheaven]

[rookie-critic]

Con Air (1997, dir. Simon West) - review by Rookie-Critic

What an absolutely wild time the late '90s must have been that this was a big blockbuster production. 1997 alone was absolutely wild, with this, Event Horizon, Contact, Face/Off, and so many others dropping all within the same cycle around the sun. Studios were really just throwing absolutely anything at the wall to see what stuck, and sometimes it really paid off (Strarship Troopers), and other times it didn't (Speed 2: Cruise Control), and sometimes I think it landed right in the middle, somewhere between good and awful, where it's really riding that line, but is just self-aware enough to be incredibly entertaining, and that's where Con Air lives. You have Nic Cage there to bring the zaniness, to give us brilliant moments like the classic "put the bunny back in the box" scene, and the absolutely asinine premise completely backs him up and gives him as much room to play around in this bananas space as he wants. There are some side characters that also help the zaniness move itself right along (I'm lookin' at you, Danny Trejo and Dave Chappelle). The one-liners range from eye-roll inducing to exceedingly clever, and the action set pieces are big and bombastic and generally just a crazy, explosive good time. All of this is fun. It doesn't hold together in the slightest, but it is fun. However, you then have Ving Rhames, Steve Buscemi, and John Malkovich delivering absolutely great performances that aren't Cage's brand of "good by humorous proxy," they're actually just really good. I found myself slack-jawed from the whiplash between bonkers scenes of Cage using the body of a dead con to send a message to ground level (something that I really don't think would have actually worked, which is indicative of a lot of the stuff in this film), and these amazing scenes where Malkovich or Buscemi just get to interact with their environment or even just give a line read that is way above and beyond the quality of the line itself. I know that Malkovich, at this point in his career, has almost become a bit of a meme (possibly in part due to the general goofiness of his name, probably in part due to the 1999 cult classic film Being John Malkovich, which I don't think he ever really was able to reclaim himself from fully), but damn, he's just an amazing actor, and this is someone saying this in reference to his performance in Con Air, of all things!

I don't want to just rant my bias for goofy self-aware action films on this one, though. For one, I already did that recently with Plane (which Con Air is vastly more ridiculous than), and two, there are quite a few problematic things in this film [TW AHEAD: mentions of rape]. I think firstly is Danny Trejo's character in general, who is a con doing time for raping 23 women, possibly more. His entire arc as a character is that there is one female guard that is a hostage onboard the plane, and Trejo wants nothing more than to... well, you get the idea. Granted, everyone else in the film, even the other criminally insane convicts, try to prevent him from accomplishing this, and the film is not so depraved as to ever actually let him get away with it, but it was something that was massively uncomfortable anytime it was given attention, and something that was, at the time, probably seen as "edgy" or "envelope pushing," but really was just incredibly problematic. The film is also just kind of vaguely racist any time a white character is referring to a nonwhite character, especially at the beginning. There's also a character, referred to in the end credits of the film as "Sally-Can't-Dance," (I have looked it up and the character's name is actually Ramon Martinez, which I think they're maybe only referred to as once in passing) that is a... problematic(?) portrayal of a character that is trans (again, while watching the film I wasn't entirely sure they were being presented as trans, but every article and piece of writing I've looked at refers to them as trans, so I'm going with that). I put a question mark next to problematic in the last sentence because, while Ramon never does or says anything that is inherently problematic or questionable, the way that everything surrounding them presents is like the butt of a joke, like we as the audience are meant to be laughing at "how ridiculous this character is." Maybe that's an incorrect read, but regardless it didn't sit right with me. It also has that classic, cheesy as all get out opening and closing with an incredibly sappy song that has no business being in a movie that is even remotely like Con Air. In this case, the song is the Dianne Warren-penned, Trisha Yearwood-performed "How Do I Live," which I had no idea was actually written for the film and was even nominated for an Oscar at that years' Academy Awards, where Con Air was also nominated for Best Sound. Granted, those are two fitting categories I guess, but the fact that this film was nominated for not one, but two Oscars is absolutely baffling. Getting back on track, it follows in the steps of songs like Top Gun's "Take My Breath Away" and Robin Hood: Prince of Thieves' "Everything I Do (I Do It for You)" as songs that clash in every possible way with the films they were written for, and it's an aspect of action films from that era that I am so, so happy has not carried over to the present. Despite all of these many faults, I can't lie and say that I didn't have a lot of fun with Con Air. I'm not sure I can recommend it in good faith, but if you're a fan of dumb, bananas action movies like I am, then Con Air basically fits the bill.

Score: 6/10

Currently unavailable to stream unless you have the Live TV add-on on Hulu. It is available to rent/purchase on digital (iTunes, Amazon, Vudu, etc.) and on Blu-ray & DVD through Disney/Buena Vista.

[florjdaboy]

[ljones41]

Locke & Sawyer in "Confirmed Dead"

Recently, I did a rewatch of the "LOST" Season Four episode, (4.02) "Confirmed Dead". And I had enjoyed it as much as I did during previous viewings. However . . . there was something about Oceanic 815 survivors John Locke and James "Sawyer" Ford that had eluded me during those past viewings.

How can I put this? There seemed to be a great deal of hypocrisy emanating from both Locke and Sawyer in this episode. For example, while questioning Locke's sanity in "Confirmed Dead", Sawyer had pointed out the older man’s murder of Naomi Dorrit, an inhabitant from the newly arrived freighter Kahana, in the Season Three finale, (3.22-3.23) "Through the Looking Glass, Part II". Locke had killed Ms. Dorrit in an effort to prevent her from contacting her associated aboard the Kahana. He had considered them a danger to the island and its inhabitants.

Also, Sawyer had recently committed two murders during late Season Three - Anthony Cooper in (3.19) "The Brig" and Other member Tom Friendly in "Through the Looking Glass". It turned out that Cooper was Locke's father, whom the Others had captured to test Locke for the position of their leader. Unable to kill his father, Locke had discovered from one of the Others, Richard Alpert, that Cooper was also the man who had swindled Sawyer's parents from their money some twenty-eight years earlier. This act had led to Sawyer's father murdering his wife for adultery and committing suicide. Sawyer, who had been eight years-old at the time, spent nearly three decades needlessly vowing revenge. Thanks to the manipulations of both Richard and Locke, Sawyer committed the murder. As for Tom Friendly's murder, Sawyer had killed the man out of pure spite. In the Season Two episode, (2.11) "The Hunting Party", he claimed that Friendly had shot him, when he was aboard Michael Dawson's raft in the Season One finale, (1.23-1.25) "Exodus". In "Through the Looking Glass", he claimed that his murder of Friendly was in retaliation for the kidnapping of 10 year-old Walt Lloyd, Michael's son.

Despite Locke's efforts, Oceanic survivors' leader, Dr. Jack Shephard, managed to contact the Kahana occupants. This led the survivors to split into two groups - those who saw the Kahana as a means to their rescue and those who followed Locke, certain that Ms. Dorrit's associates meant to harm them. Locke led the doubters on a trek to the Others' abandoned compound, on the other side of the island. Sawyer was among them. I know what you are thinking. What does this recap of the late Season Three/early Season Four events have to do with hypocrisy? And why target John Locke and James Ford?

Among those who had decided to follow Locke to the Others' compound out of safety was their leader, Ben Linus. Both Locke and Sawyer already had a personal grudge against the man. Ben had tried to murder Locke in (3.20) "The Man Behind the Curtain" in an effort to prevent the latter from replacing him as the Others' leader. Ben had kept Sawyer, Jack and Kate Austen hostage as a means to receive a much needed operation in early Season Three. When Sawyer had interfered in a slightly hostile conversation between Ben and one of his former followers, the adolescent Karl, the former Others leader made insinuations that Kate (whom Sawyer was attracted to) preferred Jack over the con man. As it later turned out, he was right. In a fit of anger, Sawyer gave Ben a beat down and suggested to Locke they should "execute" - namely kill - Ben, because the latter was being a nuisance. Locke refused, claiming they needed Ben's assistance in dealing with the island's newcomers. But this was not the last of it.

Four of the Kahana's passengers finally arrived on the island via a helicopter and parachutes. One of them proved to be Dr. Charlotte Lewis, a cultural anthropologist. Ben feared that Charlotte might contact the freighter and confirm his exact location to her associates aboard the Kahana. He also feared what the freighter's arrival would mean for the island's other inhabitants. Driven by these fears, Ben tried to kill her by shooting her in the chest with a gun he had stolen from an unsuspecting Karl. At that moment, Locke decided to follow Sawyer's advice. He decided to punish Ben by killing the latter. Sawyer offered to do the job, but Locke decided he must be the one to "clean his own mess". Only Ben’s revelations of his knowledge of Charlotte’s background, the reason the freighter had arrived at the island and his spy aboard the Kahana had saved his life.

Watching all of this unfurl had made me shake my head with amazement every time I had viewed "Confirmed Dead". But it took this last rewatch for me to realize both Locke and Sawyer's hypocrisies. Locke had been willing to execute Ben for attempting to do to Charlotte what he had recently done to Naomi in "Through the Looking Glass" - namely kill someone from the Kahana for his self-preservation and the safety of the island's inhabitants. As for Sawyer . . . he had punched Ben for making insidious comments about Jack and Kate. And he also wanted Ben dead for the attempt on Charlotte’s life. This all reminded me of Sawyer's second reason for murdering Tom Friendly. The con man had claimed he did it for 10 year-old Walt Lloyd’s kidnapping in "Exodus". Yet, Sawyer had never went after Ben for the same reason. And by late Season Three and early Season Four, he knew that Ben was the Others' leader and the one who had ordered Walt's kidnapping. Yet, Sawyer had never went after Ben for that reason.

For years, I never understood why so many "LOST" fans had turned a blind eye to the crimes of most of the Oceanic survivors. Or made excuses for their crimes. I now realize one should consider personal bias toward certain characters as a major reason. But after my rewatch of "Confirmed Dead", I am surprised hardly anyone had noticed the Oceanic castaways' penchant for hypocrisy, including that from John Locke and James Ford in this episode.

[camyfilms]

THE MIGHTY DUCKS 1992

Have you guys ever seen a flock of ducks flying in perfect formation? It's beautiful. Pretty awesome the way they all stick together. Ducks never say die. Ever seen a duck fight? No way. Why? Because the other animals are afraid. They know that if they mess with one duck, they gotta deal with the whole flock. 

[coffee-n-bagels-comic-universe]

Faith & Fate / Leap of Faith Bios: Tiny

The tallest member of Jonas' crew, 'Tiny'

Jane's personal security measure, Timothy 'Tiny' Smalls.

"Well, if you'll follow me."

Name

Full Legal Name: Timothy Eugene Smalls

First Name: Timothy

Meaning: English form of the Greek name 'Timotheos' meaning 'Honouring God', derived from 'Timao' meaning 'To honour' and 'Theos' meaning 'God'.

Pronunciation: TIM-a-thee

Origin: English, Biblical

Middle Name: Eugene

Meaning: English form of 'Eugenius', the Latin form of the Greek name 'Eugenios', which was derived from the Greek word 'Eugenes' meaning 'Well born'.

Pronunciation: YOO-jeen

Origin: English

Surname: Smalls

Meaning: Variant of 'Small', which comes from a nickname for a small person, from Middle English 'Smal'.

Pronunciation: SMAHLZ

Origin: English

Titles: Mr

Nicknames: Tiny, Tim, Gene

Characteristics

Age: 44

Gender: Male. He/Him

Nationality: American

Ethnicity: White

Birth Date: January 18th 1948

Sexuality: Straight

Religion: Christian

Main Language: English

Relationship Status: Single

Astrological Sign: Capricorn

Actor/Actress: M.C. Gainey

Appearance

Height: 6'2" / 189 cm

Eye Colour: Brown

Hair Colour: White

Hair Dye: None

Facial Hair: Moustache

Tattoos: None

Piercings: None

Scars: None Visible

Health & Fitness

Allergies: None

Alcoholic, Smoker, Drug User: Drinks, Smoker

Illnesses/Disorders: None Diagnosed

Medications: None

Any Specific Diet: None

Relationships

Affiliated Groups: Jonas Nightengale and the Angels of Mercy

Friends: Jonas Nightengale, Jane Larson, Tobias Hoover, Matthew Braddock

Significant Other: None

Parents: Ralph Smalls (60, Father), Phyllis Smalls (66, Mother, Née Smith)

Siblings: Kathleen Davis (41, Sister, Née Smalls)

Siblings-In-Law: Roger Davis (43, Kathleen's Husband)

Nieces & Nephews: Mark Smalls (20, Nephew)

Children: None