#fuck me I love this film

[therealcallmekd]

Now THAT'S Thinkin' In 3D!

HHEHEHEE HAH FLATLAND FANART BE UPON YE

[ilovemesomevincentprice]

It's almost Halloween, so I thought I'd bring this back...

No one could do "sensation, horror, and shock" like Vincent Price!

House of Wax (1953) dir. Andre De Toth

[avocadoraisin]

A vampire and a werewolf walk onto a crime scene...

[wyrmswears]

yknow what, fuck you, [unhumans your previous elemental masters of lightning and ice and makes them best friends^_^]

Ice is an unspecified eldritch being. He has an uncanny valley effect on humans that unnerves the majority of the team who in turn can't understand how Libber, Garmadon, and Wu don't feel unsettled by him. Eventually, the teams warms up to him, and though no one becomes as close to him as Libber is, everyone knows they can come to him if they want to hex their ex or get a demon exorcised (sometimes these are one and the same).

Libber is a raijū and though this isn't common knowledge when she joins the elemental masters, news quickly spreads; she isn't great at keeping secrets. She DOES bite and Maya learnt this the hard way.

more art but also cw for death under read more

[arohusbandodododo]

movies like nimona and across the spiderverse makes me realize that I never want to see another live action movie again. The way you can utilize animation and make visuals so interesting, as well as the flow and colors, is just something you can't do with real people

[undead-knick-knack]

This idea popped into my head and I couldn't let it go, enjoy

[howfarethestars]

i’ve seen furiosa three times now, and i keep coming back to the idea of it being a story told as oral history. it’s mythic, it’s legendary, it’s sprawling, and it’s just an absolute joy to watch. it feels like storytelling at its very essence. it’s the kind of story that got told around a camp fire three thousand years ago.

i think you can feel its mythology most in its inaccuracies and missing pieces. we don’t know exactly how dementus and his crew brought down the leader of gas town; we just know that he did it. we don’t know every detail of the 40 days wasteland war; we just know how it ended. it feels like reading from a history book and there’s a footnote at the bottom noting the uncertainty surrounding certain aspects of the story.

furiosa is entirely the vessel through which the story is told. she’s our lens. if she doesn’t know what happened (dementus didn’t drag her into gas town; she doesn’t know what happened exactly) (she was in the citadel watching the 49 day war from a distance; she doesn’t know the details), neither does the audience. she’s set up to be a pretty reliable narrator (and so is the physical narrator, the history man), but she can’t help what she simply doesn’t know.

that’s why i find the ending so interesting, too. the introduction of the idea that maybe the peach tree isn’t true, that stories got passed around saying that furiosa simply shot dementus or tortured him to death in the same tree where he did the same to her mother, is something most *films* don’t do. it’s something that myths do, something that a real breathing person would do if they were verbally telling you the story.

because it’s an oral history!!

[captain-rickbond]

King Philip the Second of Spain

of Spain

[chrliekclly]

i just remembered i had this post in my drafts for when the season ended! have some bts :)

[xxplastic-cubexx]

sequel to this ramble cause the way james talks bout the reduced cherik scenes throughout the xmen films in this video is making me want to kill people. 'we'll always have paris darling' what if we all blew up.

[ilovemesomevincentprice]

Vincent Price with his fuzzy co-star behind the scenes of The Long Night (1948)

[fantastic-mr-corvid]

u know wot im gonna talk about attack the block. its a movie made cause the director was fed up of seeing 'hoodie horror' and charecters like Moses[played by John Boyega in his first acting credit], black kids who got involved in bad stuff/expelled from school beeing shorthand for 'pure evil'

he went around interviewing kids to get the language right and meet people like moses. heres the full quote: "We did find some who were quite similar to Moses, who’d been excluded from school or got involved with bad stuff. And they’re not monsters. They’re very empathic, and when you spend a bit of time with them they’re normal and sweet, enthusiastic and bright. But they’ve just been cornered a bit by life, and I think that often the way they’re portrayed doesn’t help with that. Culturally, it makes the problem worse, not better." from an artical in the list

its fun its heartbreking its political its alien designs are awsome and it shows people and community with love that are so often treated like shit when portrayed.

[mythtakens]

Show Me Love aka Fucking Åmål (1998) dir. Lukas Moodysson

[guest-1-2-3]

Yk what blows my mind is when i’m reading something amazing right, i am so immersed in the story the writing is beautiful it’s making me feel more emotions than i’ve ever felt in all my years of living and then the end notes are just like. “uhhh hope u enjoyed ig? haha” or “idek what this is lol” like sir ma’am my guy your writing is the most gorgeous thing i have ever read. i cried and i laughed and i screamed and i did that thing where you roll around in bed and giggle like a child at 3am. if it was the zombie apocalypse and i could only take one story with me as i fought to survive it would be yours. “what even is this lmao” a masterpiece. a fucking masterpiece is what it is

[liyrical]

i love my wife. he is so cute

[art--harridan]

[Image one: The first page of a digital comic about Miles Morales from the Spider-Verse movies. It begins with two panels of Miles' face resting on his closed hand. The first shows him in his school, wearing his uniform. He looks bored. The second has him in his first, store-bought Spider-Man costume. The forest surrounding Alchemax is behind him. Both of the panels cut off around his eyes. Next to them is two smaller panels, one showing someone in a classic Spider-Man costume swinging on a web, while the other shows their feet flying through the air. At the bottom of the page, there's Miles' legs flailing as he falls during the Leap of Faith scene. A panel is behind them, in a purple halftone gradient. Shards of glass surround the legs like lightning bolts. The page says "you always thought that the scariest part of a leap of faith would be the fall".

Image two: The second page of a digital comic about Miles Morales from the Spider-Verse movies. The first part of the sentence says "but really... it feels like flying;". This is interspersed with close-up panels of Miles in his first black suit. There's one of his outstretched hand, one of his chest symbol, one very close to his eyes and another of his outstretched feet. Behind the panels, there's a rock pigeon mid-flight. The sentence continues with "floating;", followed by four panels of Miles floating as his fall is flipped upside down. The pose is identical in each, but the background gets gradually darker for each one. Then, "free in a way that feels unnatural -" is written, accompanied by a panel of Miles in his school uniform. You can't see above his lips and he's sweating nervously, shoulders hunched. Scribbles, like the portals on The Spot, crowd around him. The sentence finishes with "you love it". The final panel zooms into Miles' hand clutching his backpack strap. His Spider-Man suit peaks out of his sleeve.

Image three: The third page of a digital comic about Miles Morales from the Spider-Verse movies. At the top of the page is Miles' shoes stood on the side of a wall, one foot hanging over the edge slightly. Above it, it says "the fear is in the precipice -". Below the drawing, it says "the edge", alongside Miles standing on a wall from behind, cut off around the ankles. The sentence continues "and what you gaze at beyond it", the last two words in a bubbly black and white font over top of a purple halftone gradient panel. Then, the sentence finishes "(and what you're scared will slink back in)". On the left side there's two panels, one a close-up of Kingpin's tie, and the other shows The Prowler's cape laying in a pool of blood. The other side has two panels set out the same. The top panel has one of The Spot's portals, while the one below it shows Jefferson Davis' glasses discarded and broken, one lens shattered and bloody.

Image four: The fourth page of a digital comic about Miles Morales from the Spider-Verse movies. It begins with Miles' shoes, one planted on the wall while the other hangs is elevated, hanging over the edge. Two panels beneath it show his feet with one lowered slightly, and then both planted on the wall. They're accompanied by the sentence "the hovering moment where you can still simply step back". After this there's two different Miles, standing with their bodies facing the viewer but eyes facing each other. The first is taller, unmasked, and wearing his outfit from the rooftop party. His expression is pinched together, worried. The other is in his ill-fitting store-bought Spider-Man replica suit, body posed as if he's been caught by surprise. His eyes, from what is visible, are wide. Two panels separate them - one is completely black, while one has a spark of blue lightning bursting out of it. Finally, the sentence ends "... but then you'd just be there; waiting, doing nothing".

Image five: The final page of a digital comic about Miles Morales from the Spider-Verse movies. It starts with Miles' hand in the darkness, unfurling as he reaches out his index finger. Blue lightning sparks off of it, leaving his finger like a claw. This is surrounded by the line "and you can't let that happen,". Below that, Miguel O'Hara's gloved hand creeps towards Miles, curled and claws out, like he's just failed to grasp something. It is large compared to Miles, who is swinging through the air, looking back at the hand. His body is fairly loose. The page ends with the line "even if the first step is the steepest".]

looking down