#from the new blu ray release

[exdeputysonso]

Death Machine (1994) Behind the Scenes

[radio-4-is-static]

25コ目の染色体 | RADWIMPS

忘れてた泣き方 でも 今ここにある何か 目を閉じても零れそうな気がして

I will die for you, and I will live for you I will die for you, there is nothing more that I could really say to you

[street-corner-felines]

Zero Day Director commentary - With actor Andre Keuck

[shadowblade8192]

collecting things is so cool

like having something to work towards and that moment when you finally spot a good deal on one or a listing actually pop up for a rarer item

its great i recommend everyone having something cool to collect

[trans-poppy]

actually its a lil funny that toei would send cease and desist letters to fansubbers a few years ago because not only 1) did that not deter them & forced them to be more discreet when it comes to their fansubs, but 2) toei has been slowly dripping full subs for kamen rider projects. i applaud them for making the first two episodes of each kamen rider show (up to revice) available on their western toku channel available, as well as official subs for their newest anniversary projects (like fuuto pi, black sun, or 2023's shin film),

but at the same time, the actual shows have only ever gotten official subs by shout studios, which isnt bad at first, but it clearly seems like shout has a priority for super sentai subs over kamen rider subs. and i get that translating & subbing is a lot of work & takes time & patience, but that isnt gonna stop fansubbers from still. translating and subbing the newer shows you haven't made available on official grounds yet. people will still reach out to the fansubs first, especially now that they're discreetly made & the latest subs for each franchise has been dekaranger or geats

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.

[dunmeshistash]

Dungeon Meshi Information Sources

Dungeon Meshi has several worldbuilding details and extra comics in different publications and I think they get pretty hard to keep track of so I wanted to make a guide and explain what is what for people that maybe want to look into it themselves!

The Main Information sources are:

Daydream Hour 2-5: Sketch compilations and extra comics by Ryoko Kui with commentary, which can be found on EH Scans blog translated, and also in mangadex in between the manga chapters (The first daydream hour isn't dungeon meshi related)

The Complete Daydream Hour: Or more specifically "Ryoko Kui Doodle Book Daydream Hour" Released in january 2024 it still hasn't been fully translated into english. This version compiles extras and sketches from daydream hour 1-5 along with new content. Some of the exclusive comics have been translated and can be found on reddit and bato.to but the full thing is yet to be translated.

Delicious in Dungeon World Guide: The Adventurer's Bible (2021): A guide by Ryoko Kui that compiles information about the characters, monsters and the world. An official english version is available. It was released in february 2021 and has information pertinent for up to chapter 71 from the manga. It contains extra comics for all the main characters and for all the human/demi human races. The extras that talk about side character's backstories are from this book and the characters section has been translated by EH Scans (Also on mangadex)

Delicious in Dungeon World Guide: Adventurer's Bible Complete Edition (2024): Released in february 2024 and still untranslated, this version of the Adventurer's Bible has information updated for the end of the manga, there's even more extras and lots of comics about post-canon. Some of them are being translated and posted into reddit but I haven't seen them anywhere else. The raw is available on bato.to

Manga and Ryoko Kui's Blog: Some of it are from the manga itself, like Monster Tidbits and other Harta Magazine Extras (Where dungeon meshi is published) and also from the author's own personal blog. Lots of the drawings in her blog were deleted with the publishing of the complete daydream hour but you can still see what was unpublished using the wayback machine.

Blu-ray: With the release of the second bluray its clear that there will be extra content with each new one, there's "what if" extras and cover art by Ryoko Kui, you can check it the cover and info in the tag here.

I hope this helps somehow! It was pretty confusing for myself when I first started looking for more extras after finishing the manga.

The things I post here are all based on one of these and I try to put in the tags what the source is!

[fuckyeahgoodomens]

HELP - Good Omens Season 2 DVD - HELP 🥺❤📀

It's been more than half a year since the S2 of Good Omens came out and there are still no news of the DVD. I think it's time to let Amazon and BBC know that there is the market for it!!! :)

UPDATE! - BBC does not own the rights, so the one to write/call is Amazon!

I deleted the BBC parts from the post.

The plan 📋:

Please help - let's use multiple ways ❤ 🐍😊:

We need to tell BBC and Amazon that we want the DVDs - after S1 DVD was announced with no commentaries we wrote to BBC and it worked and they made commentaries! :)

Classical post - physical letter

If you can spare a coin for the post stamp please write them physical letter, physical letters are very good :).

Amazon Studios address:  AMAZON STUDIOS, 1620 26TH STREET SUITE 4000N, SANTA MONICA, CALIFORNIA, 90404

2. Phone

This is the option for those comfortable with calling :) <3. Call them and let them know we want the DVD (with commentaries)

Amazon customer service: 1-888-280-4331

3. E-mail

With amazon this is a bit tricky since I am not sure what are the proper emails to use, for amazon the customer service one is cs-reply@amazon.com, also there are emails on the amazon studios page but those seems more for media enquires ? amazon-pr@amazon.com, aws-pr@amazon.com.

Edit: on insta alexis.frykman.smith said: While talking with Amazon customer service several months ago, I was told that the correct email address for requesting the show be released on disc is primevideo-catalogsupport@amazon.com They do not actually reply to emails sent, from my experience, but it’s worth sending the plea.

4. Social media

Not sure how much this will help, but #GoodOmensS2DVD could be a nice tag + tagging amazon studios, and prime video on the social media of your choise :) <3

What to write/say ✍️

I am writing something along the lines:

Hello,

I am a big fan of the BBC+Amazon series Good Omens. I have bought several pieces of merchandise including the Good Omens Season 1 DVD and Blu-ray but there is no announced Good Omens Season 2 DVD. Please make Good Omens Season 2 DVD/Blu-ray for this wonderful series and put commentaries on each episode (ideally by Neil Gaiman, David Tennant and Michael Sheen).

(apologies if this is the route to say this, please redirect to the correct hands)

Thank you and have a wonderful day.

To summarize :)

Write emails

If you can, send physical letters

If you can, call

Tag social media for Amazon with #GoodOmensS2DVD hashtag

[thenightling]

For those keeping score here are all the TV shows based on the work of Neil Gaiman from the last ten years. Lucifer - Loosely based on the version of Lucifer who quits ruling Hell and opens a piano bar, from The Sandman comics by Neil Gaiman. Originally aired on Fox and then moved to Netflix for seasons 4 through 6. Neil Gaiman also got to play God in a bonus episode for season 3. The full series can be watched on Netflix. And is available on DVD. The plot deals with Lucifer, the ruler of Hell, up and quitting and moving to Earth where he opens a night club called Lux and takes up playing piano. In the TV series he befriends (and eventually falls in love with) a woman homicide detective named Chloe Decker.

_______________________ American Gods - Based on the novel by Neil Gaiman. Aired on Starz. The plot deals with a man called Shadow Moon who gets dragged into the strange world of Old and New Gods vying for power.

________________ Anansi Boys - Originally written by Neil Gaiman as a spin-off of American Gods, the TV series version was filmed for Amazon Prime and is currently in post-production (Not yet released.) The plot deals with the sons of Anansi, the African trickster Spider-God.

__________________ Good Omens - Showrun by Neil Gaiman and based on the novel by Neil Gaiman and Terry Pratchett. Also Neil Gaiman has a small cameo in the first season. Available now on Amazon Prime. Seasons 1 and 2 are complete. Season 3 has not yet started filming and will very likely be the final season. Season 1 is currently available on DVD. The plot deals with two "differently competent" entities, an Angel and a Demon, who have come to love life on Earth and each other. And now must work together to prevent the apocalypse.

______________________________ The Sandman - First episode was co-written by Neil Gaiman, based on the stories and original characters created by Neil Gaiman with a few borrowed DC comics characters. Currently on Netflix. Season 2 is in production now. Neil Gaiman also voiced a ghostly bird in the bonus episode segment Dream of a Thousand Cats. Season 1 will be available on DVD and Blu Ray at the end of this month. The plot deals with Morpheus, the King of Dreams, who accidentally gets summoned and captured by occultists who had been trying to capture The Grim Reaper. After over a hundred and six years in captivity Morpheus finally escapes and has to track down his tools which had been taken from him when he was captured. He also comes to realize he had made many terrible mistakes in the past and struggles to set those wrongs right.

_________________________________________ The Dead Boy Detectives - First official spin-off of The Sandman. The Dead Boy Detectives were originally planned as an HBO Max series (now just Max) but moved to Netflix after the success of the first season of The Sandman. Based on characters who first appeared in Neil Gaiman's The Sandman: Season of Mists, Neil Gaiman is involved in the production. The plot is a pair of ghost teenagers decide to become detectives and are really bad at it. These two characters made a previous appearance in Doom Patrol on Max (Formerly HBO Max) but had been played by different actors.

[retrosofa]

Discotek Media is releasing the original Cutie Honey TV series on SD-BD. The release date is February 25th, 2025.

I did the subtitles (and then some) for this release, which is honestly a dream come true. I was only 14 years old when I imported the Japanese DVDs with my own allowance money. Never in a million years did I think I'd get to work on its official US release!

This Blu-ray will have a completely new and improved translation from the original DVDs. Names and terminology will be consistent with Discotek's New Cutey Honey, Re: Cutie Honey and Cutie Honey The Live releases.

My friend and magical girl enthusiast, Ayumi Shinozaki, did a lot of translation work for this release. She especially helped out with a lot of trickier dialogue, namely 90% of Danbei and Ms. Alphonne's lines. My good friend @sailorfuncomics was also a huge help by proofreading the subtitles.

And of course, I want to make a shout out to Justin Sevakis and David Miranda for making this all possible. We all put a lot of work into this release, so I'm glad to finally see it come out! Please support more Cutie Honey in the US by pre-ordering a copy!

[yumeka-sxf]

Spy x Family miscellaneous collab scans - part 5

I'm back with new scans from recent merch I bought! (another merch post coming soon as well 🙂) I bought these two adorable postcards specifically to scan ❤️

Such cute "before/after the family outing" illustrations~ Did Loid rent that green truck specifically for the occasion? 😅 Judging by the basket that Yor has, maybe they're going on a picnic? Also, carrying sleeping Anya back to the house after a long day of fun 🥰 And I noticed that there's an extra bag on top of the truck in the first picture but not in the second one. I'm assuming it moved to inside the truck, lol.

I also recently got the deluxe version of the movie on Blu-ray/DVD. The casing has nice scannable images, including the below one which I believe was made specifically for the home video release.

I love the design and colors of this pic! It's cool that the main four locations from the movie are in the background: the train, the restaurant, the ferris wheel, and the airship (but they should have included a toilet too 😂)

And lastly, the below two movie images were used on some of the marketing, but the disc case had them without the usual movie text.

Continue to Part 6 ->

<- Return to Part 4

[nuka]

Call me delulu, but I woke up with hope in my heart today.

It's only been 2 months since the show was cancelled. WBD is run by an incompetent fool. WBD previously said they'd sell Coyote vs. Acme, but then made it impossible for anyone to buy it. All streaming services are struggling financially at the moment.

Daddy Jenkins had to tell us we've reached the end of the road, because that's the reality right now. Either WBD made it impossible for anyone to buy the show, or the actual realistic price was just too high for other streamers at the moment even if they wanted to buy it. “Many complimentary meetings, conversations, etc” sounds like someone was interested.

DJ and everyone else who worked on the show need to be able to move on, so they can make a living from other projects. They’ve all been holding their breath just in case they can start filming after all. The fans need to move on in the sense that we can't expect a renewal "any day now", like we did for 2 months. We can still hope that we'll see season 3 one day, but now we can be realistic about the chances of it happening in the immediate future.

Everyone who worked on this show has loved it so dearly that I'm certain that if season 3 gets greenlit in the future, they'll all want to work on it again. As long as DJ is in, the others are too. The Revenge can be rebuilt. The time that has passed can be explained in the story, if it needs explaining at all. If some actors won't be able to return, we'll get new characters added to our family, and we'll embrace them just like we embraced all the new characters in season 2.

Depending on what the problem for the pick up was, things might change very quickly, or they might take a few years. Who knows, if we continue being loud, a streaming service that quickly passed on the show in January might take interest in it later. A streaming service that offered too little might make a better offer, and WBD might accept just to get rid of us (because we're back to calling Max out on this bullshit and it's not a good look for them). Or, once the industry recovers a bit, a streaming service might be willing to reconsider spending a big amount of money on this show. And if WBD set an impossible price for the show this time, they might shop it around for a more reasonable price once Zaslav is out (or even greenlight season 3 themselves, but that’s delulu level 200). Even if we don't get a season 3, we might still get a movie, or a comic book, or a script book, or a blu-ray release, or the Jenkins Cut. And honestly, if someone was to announce they've picked up the show in a year or two... that's not a long time at all.

Pirate Daddy said that our campaign was noticed across the industry. They hear and see our love for this show. They know we're here for the show if it's ever to return. They know this show has potential.

So let’s keep having fun in the fandom. Keep being loud about Our Flag Means Death. Keep using the hashtags. Keep making fanart. Keep shouting about how unfair this cancellation was. We don’t have to do it with the same intensity as during the campaign (I know we’re all tired and it’s completely okay to step away if you need/want to), but as long as we as a fandom are consistent, they’ll see there’s a demand that just won’t go away.

There is always hope. It’s not the same kind of hope we had before January 9th, and it’s not the kind we had until March 7th. But there are so many variables, and so little time has passed. Who knows what the industry will look like in a year or two. I’d rather believe in a future that might just hold a pleasant surprise for us than throw in the towel completely.

[sean-gaffney]

What's Left of the Looney Tunes?

So you’re a Looney Tunes fan, and you’re waiting with baited breath (Greetings, Bait!) for the cartoon list for the next Collector’s Choice Blu-Ray.  And as you wait to see if they add that 1953 Friz Freleng or 1958 Robert McKimson cartoon, you must be thinking:  Surely they’ve released every single cartoon at SOME point since the 1980s, right?  Well, except for the really racist ones.  Right?

Nah.  There’s 129 Looney Tunes and Merrie Melodies that have never been officially released, restored or unrestored, on home video at all.  And, to be honest, most of them are unlikely to be on the Collector’s Choice sets.  Let’s take a look at the last bastions against having all 1000 LT/MM cartoons available.

Bosko.  Now, there are a few Bosko cartoons available.  There’s 38 Bosko cartoons from 1930-1933, not counting the weird ones like the Talk-ink Kid pilot or whatever Bosko and Honey was.  Of those, 11 have been released officially.  This leaves 27 in limbo.  This is a shame, there are some really good Bosko cartoons.

Buddy.  Even worse, to be honest.  23 Buddy cartoons were made, 5 have had some official release.  That leaves 18.  Now, there’s a reason for that.  They’re awful.  (Also, two of those 18, Buddy of the Apes and Buddy in Africa, also fall under one of the later categories we’ll get to.)

Seven B&W Merrie Melodies.  Two of these, Hittin’ the Trail for Hallelujah Land and Goin’ to Heaven on a Mule, are basically banned for content.  Those Were Wonderful Days, Why Do I Dream Those Dreams, The Girl at the Ironing Board, The Miller’s Daughter, and Rhythm in the Bow, are simply not available, possibly as they’re dull.  However, they have been restored.  (As has HtTfHL.)

Seven B&W Looney Tunes.  Mostly the same as above.  The Daffy Duckaroo and Tokio Jokio are banned for content, though we may see Duckaroo someday (Native American caricatures have traditionally been less banned than Black and Asian caricatures).  Saps in Chaps also has some Native American gags, I think.  As for The Fire Alarm, Joe Glow the Firefly, Gopher Goofy and Nutty News, they’ve been restored but never released.

The rest of the “Censored 11”, of which Hittin’ the Trail for Hallelujah Land was the first.  As most cartoon fans know, this is not a catch all of all racist WB cartoons, it’s just the ones that were owned by Associated Artists productions.  So yeah, Sunday Go to Meetin’ Time, Clean Pastures, Uncle Tom’s Bungalow, Jungle Jitters, The Isle of Pingo Pongo, All This and Rabbit Stew (a Bugs Bunny cartoon), Coal Black and de Sebben Dwarfs, Tin Pan Alley Cats, Angel Puss and Goldilocks and the Jivin’ Bears.  They’ve all been restored.

The dog cartoons.  There are a bunch of one-shots that have no regular characters but all involve dogs, and (likely as they don’t have a “star” and aren’t really great) they’ve never come out.  Pappy’s Puppy, Mixed Master, A Waggily Tale, Dog Tales.  All but Pappy’s Puppy are restored.

Miscellaneous “banned for content” cartoons.  Which is Witch (a Bugs Bunny cartoon), Tom Tom Tomcat (a Tweety and Sylvester cartoon), and two REALLY late cartoons, Hocus Pocus Pow Wow and Injun Trouble.  None of these have been restored.

Random missing 50s stuff.  A Bone for a Bone (Goofy Gophers), Sock a Doodle Doo (Foghorn Leghorn), Easy Peckin’s, Quack Shot (Daffy Duck and Elmer Fudd), Trick or Tweet (Tweety).

60s stuff that’s still actually Warner Brothers.  There’s about 10 or 12 early 60s cartoons that just aren’t very good, and that’s why they’re not out.  They’ve all been restored except Unnatural History and What’s My Lion, which are two of the worst LT/MM shorts that ever came out – not for content, they’re simply pathetically unfunny.

All the post-64 stuff.  There’s a pile, I won’t break them down one by one.  Mostly Daffy/Speedy cartoons, the nadir of both characters.  A few of the Roadrunner cartoons that weren’t stuffed onto that one DVD a while back.  They’re here as no one wants to watch them.

The post-67 stuff, aka the nightmare years.  Cool Cat, Merlin the Magic Mouse, Bunny and Claude… those.  (Though actually, both Bunny and Claude shorts HAVE been released.)  They’re here for the same reason – unpopularity.

Note this doesn’t even get into the cartoons which were fine to release in the 1980s on VHS but *aren’t* fine to release now (all the Merrie Melodies that weren’t banned but have racial stereotypes, such as the Inki cartoons, a huge number of cowboy and Indian cartoons, and Bugs Bunny’s unfortunate wartime cartoon).  Or all the stuff that’s restored and out on Max, but has never hit a DVD or Blu-Ray (half of the 30s Merrie Melodies).  Or the stuff that’s unrestored, not on Max and has never hit a DVD or Blu-Ray (the other half of the 1930s Merrie Melodies).  Or Holiday for Drumsticks, what’s up with that?

In any case, when they announce the cartoons for the 4th set in a week or so, you can look at this list and see if it has any of those.

[maria-taiwin]

I'm seeing a lot of fake news on the japanese stage play of MDZS (especially because a lot of toxic people are just taking the chance for the million times to shit on The Untamed, you are not so brilliant for that) so here two cents:

- this is a stage play, a theatrical experience, so IT'S NOT a live action. It will not be divided like an anime or a tv drama with numerous episodes. It will be divided in stage acts. Because it has a limited run, do not expect to be a 1:1 carbon copy of the book.

- recording on theatre is illegal, they catch you and you will get your ass kicked. If you go, do not expect you can film it with your iphone

- It will be up to the theater's discretion whether to release the opera on paid streaming or on a DVD. But again do not expect it will be so simple to find it on movies free streaming. If you have the chance, support economically the opera. (Tickets are by lottery. Entry is open until jan 7 and results are jan 11. The production is set in march-april on Tokyo and Kyoto).

- though you shouldn't expect to be a carbon copy of the book, especially because MDZS wasn't born to be a theatrical experience, your hype shouldn't be low. Yeah, the adaptation is japanese but the japanese opera is famous to stay faithful to the original source material, they are historically known to adapt from stories all over the world. Of course while using japanese elements, so far they've been faithful to the original source material about the main theme of the story, so you shouldn't be worried about faithfulness of the scenes.

- the jap opera is very creative as regards the scenography and set design. Your eyes will be blessed

- the actors are already skilled in BL genre. So is the japanese theatre. Do not expect it to be like thai BL, but I'm confident we will see kisses.

- no, the japanese won't give a fuck about other opinions, especially international opinions, so the stage play won't get canceled because of some random user on twitter.

- no, the japanese don't hate The Untamed, in fact it got very popular even there. The dvd/blu ray box entered top 10 best seller rank.

Congratulations on who will get the chance to watch this wonderful experience because japanese stage plays always are 😊

[astoundingbeyondbelief]

I was a skeptic about Criterion releasing any post-Showa Godzilla movies on disc, but lo and behold, they're teeing up Godzilla vs. Biollante, my favorite movie of all time, for 4K Ultra HD + Blu-ray (or just plain Blu-ray) on March 18. The description:

SPECIAL EDITION FEATURES:

New 4K digital restoration, with 5.0 surround DTS-HD Master Audio soundtrack

In the 4K UHD edition: One 4K UHD disc of the film and one Blu-ray with the film and special features

New audio commentary featuring film historian Samm Deighan, host of the podcast Eros + Massacreand coeditor of the book Revolution in 35mm

Making-of program from 1993 featuring director Kazuki Omori and special-effects director Koichi Kawakita, among others

Short documentary from 1993 about the Biollante and Super X2 vehicle concepts

Deleted special effects

TV spots and trailers

New English subtitle translation

PLUS: An essay by science-fiction and horror film expert Jim Cirronella

Yes, this means they're skipping over The Return of Godzilla and not waiting until all the Heisei films are in their hands to unload them as another box set. I was surprised at first, but it makes sense. Biollante is the only Heisei movie Toho has released on 4K in Japan so far (with The Return of Godzilla and Godzilla vs. Mechagodzilla II joining it in June), and arguably the best-regarded. Toho's always going to prioritize the domestic market first, so this is Criterion's best shot at a new release during Godzilla's current swell of popularity.

I have mixed feelings, as is usual when any new English kaiju/tokusatsu home release is announced. I'm glad the movie is back in physical circulation; it's again become legendary as the most difficult Godzilla movie to find on home video for a reasonable price. Only one library in my county owns it, and that number is about to spike. It'll be a major visual upgrade to boot. The non-G54 movies in the Criterion Showa box set didn't have audio commentaries, so I'm glad they sprung for one this time. I'm not familiar with Samm Deighan's work, but I think she's the first woman to record an English commentary for a Godzilla movie.

But...

I saw the Criterion presentation of Godzilla vs. Biollante at the Dryden Theater in October, and the subtitles were... simply not proofread, or at least not proofread by anyone who should have a job in the field. "More typos than a Mill Creek Ultraman Blu-ray" was how I described it at the time. I believe Criterion is using a number of vintage (we're talking probably-shown-in-Hawaii) subtitle scripts for the Toho tokusatsu films they're made available on streaming but not on disc, and I dearly hope they show more care with the Biollante 4K.

There's also no English dub.

This suggests that Toho is now doing its best to bury all the pre-Reiwa Godzilla dubs, even the ones they commissioned themselves. I doubt Criterion will bother to include the film's English visuals either. So... the version of Biollante I rented from Blockbuster some 20 years ago, the version I grew up with, will just be completely erased from the latest-and-greatest (and last?) edition. Depressing stuff. The current incarnation of Toho might be embarrassed by those old dubs, but as an indignant woman in the Diet Building once exclaimed, the truth is the truth! And Biollante's one of the films I prefer to watch dubbed (for one, nobody can argue that the English the actors spoke on set was better than that recorded by the Hong Kong Players).

Lesser concerns: I'll have to double-check, but I think the making-of program and the short documentary were on the old Echo Bridge discs too. The trailers would be new, but, well, they're trailers. So potentially nothing fresh in the featurette department, certainly not a retrospective with surviving cast and crew. (Somebody get one of those done before we lose even more of them!) And I do feel bad for Ed Godziszewski, whose commentary for Echo Bridge was effectively pocket-vetoed by Toho and is now truly never going to see the light of day.

Bleh.

[museqmeg]

Nightow's thoughts on Roberto as an original character in Trigun Stampede:

"The time of Milly's appearance was determined at the beginning of the project, so I knew Meryl's growth was going to be a pillar. That helped me understand why Roberto was there. A lot happened, but it was tough staying silent about Milly since talking about her would doom Roberto to death (laughs)."

Nightow's "pillar" comment clearly shows his feelings about his character, Meryl. She is so important to the story of Trigun. She is the hero. Vash is the protagonist. I appreciate how Muto highlighted this by creating an all-new original character to highlight Meryl.

from the Bernardelli Times Limited English Blu-Ray release of Trigun Stampede