#from it like she doesn't like to talk about it like a trauma response... it feels all very realistic to me idk

[litnerdwrites]

This can't be seen as anything but racist to me.

We know three things about Illyrians based on what the IC have said in the books:

They are violent Misogynists, to the point where they believe mutilating women is supposed to be completely normal.

They are a warrior race who value status & bloodlines more than anything, happily throwing away and abusing those bastards and those considered weak.

They're super stubborn about the aforementioned points.

Nothing about the 'rich culture' that Illyria supposedly has. How does that make Rhys comparing Nesta to an Illyrian, especially as a woman, anything but insulting. It very much gives the same vibe as somebody insulting you, and then laughing it off because it's 'just a joke' even if it hurts you, putting you in an awkward position where your feelings are undermined but it's hard to speak up without seeming like you're making a mountain out of a molehill.

As things stand, all signs point to Rhys & Co. Not liking Illyrians. I'd argue that they outright hate Illyrians. So how could any comparison made between Nesta and an Illyrian be anything but an insult?

It's also unbelievably racist. The IC happily make comments about how terrible Illyria is and how it's cold and miserable. Mor says it right as they're walking through Illyria, so clearly they don't try to hide their distaste. The lack of Illyrian women in the library is also concerning, given that they're well aware of the treatment of women there, and in the HC. Why is that? Rhys is The Most Powerful High Lord, he could bring women to the library no problem, using his authority to overrule the Illyrians and save them, but doesn't. Why? Is maintaining an army worth the suffering of thousands? What about the orphans and bastards who are left with nothing? Or the children beaten regularly? Could he not do anything about that? Build more shelters, help provide more food, and other goods through trade?

Speaking of oppressed women, when Rhys compared Nesta to Illyrians, was he comparing to the oppressed women who are mutilated and abused regularly? Or the abusers who regularly mutilate and abuse women? Cause I have a feeling I know which and yet people still argue that Nesta 'should be grateful to him' and 'has said worse'.

Also, just generally, comparing a person you don't like or who you feel has wronged you, to an entire race of people you speak only negatively about, is racist. Especially when the original person isn't part of that race, like who tf do you think you are?

Even if Rhys did, hypothetically, mean it as a compliment, that doesn't make it any less racist or messed up. It means he has to reevaluate his view on the Illyrians, and learn more about them before ever speaking about/on behalf of them again.

Finally, let's talk about the 'she has no excuse' line.

First off, Nesta is having a very valid and common trauma response. One that I'm sure would be common in Illyria given how the Illyrians are a warrior race, and war is, well, traumatising. Veterans with ptsd, children being turned into soldiers, or beaten for having the audacity to be born with a uterus, families grieving the loss of mothers, fathers, daughters, wives, husbands, cousins, sons, sisters, brothers, friends, aunts, etc. Illyria, based on what we know, is probably ripe with traumatised people, and alcoholism, gambling and sex are some of the most common coping mechanisms for trauma. So what do you mean no excuse? Not even just Illyrian, but many people struggle with.

But, at the end of the day, a person's skin color has no bearing on what's an 'acceptable' form of coping. Suffering is suffering. Trauma is trauma. As things stood, the entirety of the IC were so unbelievably lucky that Nesta hadn't committed suicide, even by that point. Thinking of the potential suicides in both the HC and Illyria is actually terrifying, given the amount of trauma that the people from either location have to endure.

It makes you wonder what Mr. mental-health-matters-and-your-trauma-is-valid-Rhysand does to help the Illyrians to cope with their trauma? What resources do they have? Is there a library for them? What about a counselor, like the priestesses have? What about in the HC? What about the toxic masculinity that pressures boys into being strong soldiers, and abuse women? Being taught that they're there for domestic labour and child bearing, and nothing more?

Do you know what it feels like to be suffering in your own head, to the point you're contemplating an early grave, feeling alone, and unworthy of even the slightest affection or help, and everyone in your life just confirms your worst fears? Do you know how it feels to want to scream at the top of your lungs that everything from waking up to drinking water feels like the most difficult, painful thing you've ever done? Do you know how it feels when everyone tells you how much they love you, and want you to be happy, only to hate yourself even more when you can barely muster a smile for their sake, and all you can do in their presence is disassociate and try not to fall apart, as you hear your father's murder over and over again in your head?

Do you know what it feels like to be reminded time and time again how great you have it, and to be thankful, and that you should be happy for your life, and for the sake of others, and that it'll be better once you conform, and push everything down and let the world see you as a happy smiley person even if it kills you? Or what about when you're ridiculed, and insulted and spoken down to for the way you cope, the only thing keeping you alive? To never be able to let anyone see that part of you that's dying, because they care more about coping 'the right way' and appearances than you're wellbeing, is the most suffocating, lonely experience you could imagine.

If Nesta had conformed and interacted with the IC the way they wanted her to, I wholeheartedly believe she'd've been dead within a week. This is what Nesta's enduring, and the so called feminist, pro mental health, anti misogynist 'king' is saying things like that?

Seriously, it's such a small line, but it points to so many issues that people just refuse to acknowledge. It just comes off as Rhys being a misogynist who victim blames anyone who doesn't keep up appearances with him and his band of clowns and psychos.

thinking about the time rhysand said “nesta is… she’s illyrian. I mean that as a compliment, but she’s an illyrian at heart. so there is no excuse for her behavior.”

and that behavior is... playing cards at seedy taverns while spending the money rhysand owes her? if she's an illyrian at heart then maybe he'd prefer she go on a rampage and slaughter an entire village? rhys trying to pass this off as a compliment is also ridiculous because everything sjm has written about illyrians paints them as savage, violent monsters with bigoted/misogynistic beliefs. he is so foul for this

[cuntyfieddemon]

I wanna know so bad with who agatha crossed the road the first timeeee and whooo was the witch that survived at the end!!! was it rio??? im not ready to say it was her for sure bc she asked a few questions that made me think she never crossed it... and also i feel like they would have alluded to it while talking together... so who could it have been? i rly want it to be rio but i just dont know!!!

[corfisers]

i really need to finish this one day

[widevibratobitch]

uh ohhhhhh getting all in my head again aha

[woodchipp]

So your take is insane! Before anything else your arguments are terrible you are not referencing any official media you are just referencing your own biased work and one out of context photo from the game.

I have to say that I appreciate your choice to open your response with a slew of insults. Really sets the stage for a productive conversation.

Exactly what kind of official media am I supposed to be referencing in this case, if you don't mind me asking? Omocat's left toe?

"biased work" Classy. Is it biased because you don't agree with it? XD

The both of them are grabbing each other in this photo as you can see.

I can't see shit, actually. The photo is too blurry to see anything. What other sources for your claim do you have aside from a blurry photo? :)

The datamined captions for the Truth photos would've noted that she grabbed him if that actually was the intent. All she is said and seen to have done in the caption for Photo of a Fight and in the photo itself is blocking his path to the staircase's narrow passageway with her body and yelling at him.

Funny how quick Sunny is to interpret her scolding as a "fight", eh?

like when you’re restrained, you will fight back.

As I have explained above, it's not indicated that he was restrained.

I've explained that in the first post I linked ro in my response. Perhaps you would've kept that in mind had you bothered to read it.

he did not know what would happen if she fell,

Are you seriously insinuating Sunny's so stupid that he wouldn't know falling from a big height would be bad for the person who fell? lmao

He nearly died when he fell from a big height into the lake. That's why he has his fear of heights in the first place.

Because he is 12 and that is his sister and he loved her more than anything.

And yet he felt at peace when he saw her desecrated corpse.

That, interestingly enough, is a point of mine you didn't address.

Is this consistent pattern of assholery your referencing able to be explained by him being shy,

1) There's a difference between having trouble finding the right words and walking out on people while they're having a breakdown.

2) "Able to be excused" is a better way to phrase it. That's what you're doing, anyway.

him trying to repress his trauma,

Trauma is not an excuse for assholery either. That's pretty much what the game tries to say via Aubrey - her big rant near the stump on One Day Left has her admit the trauma of Mari's death was the reason she was an asshole to her friends and resolve to be better.

Judging by the fact you (and most of the fans) still readily use trauma as a defense, however, I think it's reasonable to assume the game has failed to communicate the message.

or a reaction to the immense pressure his sister put him under,

"Mari was mean!" is not a valid argument because the game only tells you she was without showing it throughout its runtime.

Quick development fact! Up until you’re about 25 you do not make decisions with the logical part of your brain basically at all!

The "fact" you're using as an argument is pop-culture psychology and has been disproven by clinical professionals. Despite that, it has been also used as an argument to prevent trans teens from transitioning.

This is not the defense you think it is.

(really weird of you to persecute this 12 year old like that but I digress)

1) You're talking about Sunny as if you're defending a real child. He's a fictional character. That means I'll talk about him however l please.

2) Sunny's age ceased to be a mitigating circumstance the instant he - and I have to emphasize that - felt at peace upon seeing his sister's desecrated corpse.

[it's] something he clearly regrets, that regret fuels the whole game.

He never does anything with it, though. It doesn't compel him to be a better friend to the group now that he has a chance to reconnect with them.

As for Jimmy, it seems that you've missed my point and took it as me arguing that he wasn't thinking clearly when he did what he did. What I was saying is that Jimmy's mindset is "irrational" in the sense he still believes he's always in the right and can fix everything even when it is clear the only thing he's doing is making shit worse. Thus, most of the decisions he makes are also influenced by his "irrational" mindset he's the "hero" of the story. At least, that's how I saw it.

lied to everyone about who had done it and what had happened because curly couldn’t defend his case,

Like Sunny lied about the cause of Mari's death to his friends to cover his own ass? :)

actively mocks and hedumanizes everyone on the ship due to his egoist and selfish nature

Because making your friends' pain - the pain you were responsible for - all about yourself is not selfish at all!

I do not see how you view this prepubescent child, and a monster with a horrific record of this behaviour who does nothing but continue it on the same regard

1) The logic I used to make my argument was yours.

2) Sunny's got a record too. I linked to it.

The only difference between those two is that you're willing to excuse Sunny's behavior.

Sunny is forgivable because he was a child who was not in a good rational mindset and made an impulsive decision with much more dire consequences than anticipated

Jimmy is not forgivable because he was an adult who had to make several conscious decisions to do what he did and does nothing but repeat his horrible behaviour

Both games are about forgiveness but two completely different ends of that spectrum. Omori is about how forgiveness can be healing and help those recover, and mouthwashing is about how sometimes forgiveness does nothing but enable horrible people to continue their abusive behaviour

[tobiasdrake]

*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

[dollypopup]

"Colin had no trauma related to love and self worth like Anthony. Anthony watched his father die, watched his mum turn into a ghost of a person, and didn't want that for his wife"

Bestie. . .they have. . .the same dad???? They have the same mum???? Literally all of the Bridgerton children except Hyacinth watched Edmund die? They all experienced Violet's immense sorrow? He and Violet obviously have a very close connection and so of course he saw her wilting (plant pun, if you were wondering) or at least knew about it and has responded with being particularly gentle with her?

Trauma shaped all the Bridgertons. Colin was a young boy when his dad passed and everyone in the family experienced an immense grief and, unlike his brothers, Colin was twelve, he wasn't the heir, he wasn't the spare, and had no responsibility but to go to school (sent off elsewhere after his dad passed away, thus disconnected from his circle of support and family) and figure out how to be a man from strangers and rakes. Literally no one had space for his grief and sensitivity? He even cries alone in his bedroom in Season 1 and stops talking about his travels after he gets made fun of in Season 2 and claims that hardly anyone replied to his letters in Season 3 like what do you mean he has no trauma related to love?

Colin was right there on the steps watching his father cradled in his mother's arms as she wept over his sudden passing. Of course he has trauma related to love? Colin's entire arc was about how he only felt he could be cared about if he was pleasing the people around him or being useful in some way and putting on a mask and a persona so he wouldn't be hurt by how much no one else wanted the real, messy, authentic him around? His mum and dad lived a love story and Colin watched it fall to pieces just as all the Bridgertons did, he just internalized it differently. His entire family was grieving so he decided to be useful by offering levity where he could, especially as the brother raised predominately with his sisters, Eloise and Daphne.

And yet despite the fact that this was such a huge tragedy of his childhood, Colin still is incredibly emotionally available and as soon as he realized what he felt for Penelope was romantic, he takes initiative and he cuts into her dance with Debling and he chases after her carriage so he can confess that he can't stop thinking about her and he's not at all angry at her, she doesn't vex him, it isn't frustration at her- it's torture because he is so damn besotted with her that he dreams of her and the kiss they shared haunts him but it's torture he embraces because he's a romantic soul who is incredibly emotionally brave and he cares about Penelope more than he cares about his ego or image or past hurts.

Give my man his flowers.

[flowerandblood]

The Lost Haven (16/16)

[ modern mafia • Aemond x niece •female ]

[ warnings: incest obviously, sex content, dirty talk, smut, the angst, murder, character death, miscarriage and the trauma associated with it, panic attack, mafia stuff, brutal violence, uncomfortable conversations, bad, bad things ]

[ description: The vacation from eight years ago still haunts his memories and doesn’t let him forget what happened between him and his niece, the daughter of his sister and Harwin Strong. Their paths separate and he immerses himself in his father’s mafia world until the day she calls him for the first time since those events. Sexual tension, dark, dangerous, withdrawn, thirsty Aemond. ]

Author’s note: As promised, this is another, this time official modern version of The Fall from the Heavens. In this version, Daemon is not related to the family, but is simply Rhaenyra’s husband and the leader of the second gang, Alys and Larys are also not related to each other, but Larys is Harwin’s brother. I will partly refer to the original series, hiding some easter eggs, and some will be a completely new, fresh plot. As in every universe, only Aemond calls her Rhaenys and this is not her real name (she is unnamed character and the others also do not know that he calls her that). There will be a lot more brutality and angst in this version, so watch out. You can read this as a standalone story.

Series & Characters Moodboard Aemond & Rhaenys Moodboard

* English is not my first language. Please, do not repost. Enjoy! *

Next chapters: Masterlist

_____

She was pregnant.

Although, according to all moral and social norms, she should have been crying in despair, she was happy: touching her belly with her hand, she felt nothing but love for this little being that was slowly growing inside her.

The fruit of their warm, deep, sincere affection.

The knowledge that she was not alone helped her when it was time for her to meet the staff for whom she was to be responsible from now on. Aemond insisted on being with her, fearing for some reason for her and the baby, she, however, knew that this was something she had to do alone.

Their stares when she walked into the VIP room in which she had ordered the meeting told her everything – grown men and women who looked as if they had seen far too much in their lives watched her in disbelief.

She knew they thought with disapproval that she was just a little girl, a whore who had been given this place as a gift by their boss that she wouldn't know what to do with, pestering them with her stupid bullshit.

She sat down in one of the empty armchairs, a few people lit cigarettes and grunted, other than that, complete silence all around her.

"I know what you're thinking and you're right. The fact that I have taken over these premises is a form of security for me. In true, not only for me, but also for you. Aemond will stop the flow of drugs through these and two other places that used to belong to my father. I have no intention of changing managers or leadership, quite the contrary – I want to talk to you about what you need. I want this to be a clean, legitimate business that is profitable. No drastic changes." She said, looking at them expectantly, feeling her heart pounding like crazy.

A few people twisted in their seats, others looked at each other.

Silence.

Obviously they didn't trust her.

"Think whatever you want about me. It doesn't matter. Know, however, that my stepfather no longer threatens you, and Aemond will still protect this place. All I ask for is loyalty. If there is a problem with something, come to me with it, not to my uncle, or he will be furious. Now get back to work, I want to stay with the manager." She said calmly.

All but one man who could easily be her father got up from their seats and walked out, leaving them alone.

"This is not a toy you can just pick up and have." He said finally, firing up the lighter, leaning over the flame with his cigarette.

"I don't see it as a toy. We can all gain something if we accept each other. Would you rather keep wallowing in this shit and selling ecstasy to young kids? Don't you have children of your own?" She asked coolly, and the man snorted under his breath, the corner of his mouth twitching in a smirk.

"I do. Three. Two sons and a daughter. Each of them works here. The sons as security guards and the daughter behind the bar." He said dryly and she swallowed hard, feeling the cold sweat on her back.

Fuck.

Had she just insulted him?

"You let your own kids do drugs? Do you want them to be arrested with you if the police come by here, as part of family integration?" She asked, and he sighed heavily, taking a loud drag on his cigarette.

"I didn't say that." He replied, letting the smoke out through his mouth.

"And I don't want that either. Help me protect you." She insisted, and he looked at her finally, as if he had made up his mind.

"You're just like your father."

She exhaled loudly, in an involuntary reflex she'd been holding back for the last few hours touching her lower abdomen as soon as the car door closed behind her.

"And how was it? Everything okay?" Her uncle asked, immediately grasping her hand in his, looking at her expectantly, tense.

"They are difficult people. Difficult, but tired. They don't want problems. They get used to it." She said quietly, exhausted and sleepy.

She looked at him, a worry in his eyes but also a tenderness from which she felt warm in her heart.

"Take me home."

The road to the sea was getting terribly long, perhaps because once in a while she felt an unpleasant twinge in her stomach, indicative of what was about to happen.

"– no – no, stop the car, stop the car –" She muttered, and he immediately pulled over to the side of the road – she only managed to open the door before she vomited on the grass, panting heavily.

"– oh, baby – why don't you lie down in the back seat? – you'll be more comfortable –" She heard his voice, his broad hand stroking her back.

Ever since they'd found out they were going to be parents he'd been so tender, so good, so sweet.

Exactly like he had been back then.

"– okay –" She mumbled and swallowed hard, wiping her mouth with her handkerchief. She unbuckled her seatbelt, climbed out and opened the door in the back, laying down on both passenger seats, closing her eyes.

"– sleep, little one – I'll drive slowly – we're not in any hurry –" He said, looking at her in the rear view mirror, and she nodded.

She flinched when she felt the car finally stop – she heard someone open the door, the fresh air and his familiar hands enveloped her, lifting her up, and she clung to him like a small child. He carried her into the house, to a room that belonged to him, where they had set up their makeshift bedroom for the time of renovation.

She felt him lay her gently on the bed, taking his place beside her a moment later, embracing her from behind.

"– you're tiring your mummy terribly –" He whispered, stroking her belly with lazy, calm motions of his hand. "– you need to let her rest –"

She smiled, allowing herself to fall asleep again, this time in his embrace. Her uncle often addressed their child as if the baby could already understand him – he was making a connection this way, realising that he was really going to become a father.

He was involved in everything about preparing for the arrival of their child into the world – they decided to dedicate the room she slept in that summer holiday to their future offspring and repainted it together, sticking cute glow-in-the-dark stickers on the walls in the shape of various planets and stars.

With some things, they had to wait because they didn't know if the baby was going to be a boy or a girl.

"It cost me a lot of money, but I made it. I have written permission from the Archbishop. Rhaenys, we can marry." He said to her one morning, holding a piece of paper in front of him that was to change their lives.

A dispensation for a church wedding.

"We need witnesses." She muttered, gripping his hand in hers. Her uncle nodded, as if he knew she'd said it.

"I know, Helaena agreed. I didn't want to decide about another person for you." He said, and she smiled, feeling grateful.

He became more open, more affectionate, always thinking of her and her needs too.

She knew who she wanted by her side.

"I know I'm asking a lot and that I'm not entitled to it. I know your father will be furious if you say yes, but… you have always been close to my heart. You didn't judge me. I wish I had you with me on this day." She mouthed in a breaking voice, standing alone in the bathroom with her phone pressed to her ear, wiping her face wet with tears.

She heard Baela swallow hard, shocked by her words.

For a long moment, they were both silent.

"– I – God – I've always felt you were in pain – only now I know why and I'm sorry you've been alone with this for so long – I don't want you to not have your bridesmaid on your wedding day – just tell me when and where –" She muttered and she burst out into a quiet sob, feeling relieved.

"– forgive me – forgive me for being such a disgusting person –" She choked out, whooping, feeling that she had finally described herself truly.

She had fucked her own uncle and was going to have a baby with him.

She was sick.

Baela drew in a loud breath.

"– stop – if he was your own birth brother, it would be much, much worse – on the positive side, he's actually only half your uncle –" She said, and for some reason she burst out laughing.

God.

"– right – it's a good thing I didn't choose Jace –" She mumbled, and Baela snorted.

"– exactly – let's stick to that –" She said.

"– it would be funny if the police burst into the church and arrested us –" She sneered, fiddling with the soft towel hanging on the rack, imagining commandos with guns ordering them to fall to the ground.

"– for what? – for drug dealing or for incest? –" Baela scoffed, and she giggled under her breath.

"– for everything – the list of crimes is long –" She said with a smile, for some reason feeling lighter.

It was the first time she had ever talked to someone about it completely honestly.

She shuddered when she heard a loud knock on the door.

"Rhaenys? Are you all right?" She heard his concerned voice.

Ever since he had found her in the bath then, he had been afraid if she stayed in the bathroom too long.

"Yes. I'm talking to Baela. She agreed." She called out to him.

"That's great." He said with sincere relief, as if he was afraid she would suffer another disappointment and rejection from her family.

They hadn't planned to invite any guests to the event, have a dinner together or anything of the sort – they knew that most of their family felt there was nothing to celebrate, and for them, as it wasn't a state wedding, it only had symbolic significance.

Helaena helped her choose the right dress – she wanted to look special that day, because even though their nuptials were going to be bittersweet, she was, in the eyes of God, going to be his wife.

"– oh – look – this one is lovely –" Helaena hummed, taking from the rack a long, white gown with a cut-out back and lace at the neckline and the ends of the delicate, long sleeves.

"– you're right – it would match the flowers in my hair –" She said, in her perfect image of herself that day wishing she had daisies woven into her curls.

Helaena dropped her off in the car at a shop near their house and they said their goodbyes – she needed nothing so much as a walk and some fresh air, however, she wanted to cook them dinner too, knowing that her fiancé would be back late.

Since he had started telling her about his affairs, what he needed to do and where he needed to go, she felt calmer and his absence no longer frightened her so much.

Besides, he wasn't leaving her alone anymore, she thought, touching her stomach happily, looking curiously at the shelves full of different kinds of pasta, searching for the perfect one for spaghetti.

She shuddered, having the feeling that someone had rubbed against her by accident, but then she felt that person holding something against her back.

"Be quiet and leave the shop slowly." She heard a cold, unfamiliar voice behind her and froze, feeling her heart leap up into her throat, a cold sweat on her back.

She looked to the side, wondering if she should scream, if anyone would help her, not knowing if this man held a gun or a knife against her body.

"Don't try anything or I'll butcher you like a pig." He said, as if he was reading her mind, and she swallowed hard, feeling burning tears of terror under her eyelids, her body involuntarily began to tremble.

She simply moved towards the exit, and the man she was afraid to look at put his arm around her like he was her boyfriend, clamping his hand firmly on her waist to make sure she didn't try to escape.

As soon as they left she sprang up to throw herself into a run, but the man grabbed her waist and clamped his hand over her mouth – she bit him with a loud squeal, but he only hissed, not letting her go, hiding behind the wall of the shop, two other men got out of the car.

One of them, a blond man with a beard and blue eyes had a scars on his left cheek.

"– come on, what the fuck are you waiting for – faster –" Tyland Lannister growled, and the man who was clearly his bodyguard forced her to bow her head and forcibly shoved her into the back seat, closing the door behind her.

She burst out crying, curling up as Tyland sat down next to her and the two men took their seats in front, driving away with a squeal of tyres.

"– shut the fuck up – be a good girl and no harm will come to you – I need to clear up a few things with your uncle –" He said lightly – only when she looked at him did she notice that he held in his hand a gun pointed towards her.

She pressed her body against the car door, looking at him with big eyes and shook her head.

"– please – please let me out, I'm pregnant – I –" She mumbled out and squealed, leaning forward, feeling a sudden, penetrating pain in her lower abdomen, and then another and another.

She began to pant loudly in terror, and wailed as Tyland slapped the back of her head with an open palm.

"– stop pretending – I told you to fucking calm down, I won't do anything to you – I won't –" He muttered and fell silent, looking with her at the drop of blood that ran down her thigh from under her dress.

She covered her mouth with her hands and screamed loudly, falling into sheer hysteria, the man in front cursed, telling her to shut up, and Tyland just stared at her, his mouth wide open.

"– stop –" He muttered. "– fuck, God, stop, stop, stop –"

"– here? – boss, we're in the middle of a country road –"

"– STOP, I SAID –"

The car stopped at the side of the road with a screech of tyres in a way that made her hit her head on the seat in front of her – Tyland opened the door, grabbed her ankle and dragged her out of the car like an animal, leaving her on the grass, then got back inside.

The car drove off.

She just breathed, whooping with tears, looking at the grass around her and the tree trunks, feeling a horrible warm stickiness between her thighs, twitching all over, not having the strength or the will to get up.

After a while some other car stopped beside her, the people inside screamed in terror and got out, a woman who could have been her mother ran up to her and covered her mouth with her hand.

"Good God, I think they raped her."

No, she thought.

They took something much more precious from me.

She heard his loud, frightened breath as she lay in the hospital bed, the policemen standing beside her grunted at the sight of him.

"Are you her family?" Asked one of them.

"Y-yes, I'm her uncle. Good God, what happened?" He mumbled in a breaking voice.

"Your niece was found by a woman on a country road, thrown out of some car. She immediately informed us, suspecting that a rape had taken place, however, the cause of the bleeding was a sudden stress-induced miscarriage. The victim does not speak and does not want to say who did this to her. Could you please…"

The man did not finish as she heard him burst into a loud, mournful sob, felt the touch of his hands on her body, his face pressed into her hair, his broken, heavy breath.

Her eyebrows arched in pain, a single, lonely tear ran down her face.

Daemon had warned her.

The hours, the voices, the smells merged into one for her – she heard her uncle's voice, her mother's voice, she smelled their scent and touch, she heard their weeping and despair, but she herself felt like she was dreaming awake, feeling and experiencing nothing.

She felt herself awake when she heard another familiar voice.

"Did she say something?"

"No. She's silent. There's no contact with her. She's in shock." Her mother muttered, and Daemon embraced her, looking her straight in the eyes.

She felt something – she felt her heart hit harder in her chest, her eyebrows arched in misery, her breath caught in her throat.

"– baby – baby, please, say something to me –" She heard her uncle's whisper and only after a moment did she realise that he had been lying next to her on the bed all this time, that he had been stroking her head, that he had been looking at her, that he had been crying like a little baby.

"– get out for a while – leave us alone –" Daemon said – her uncle opened his mouth, furious, but she spoke up before he could say anything.

"– I want to talk to my dad –"

Everyone around her fell silent – Rhaenyra walked over to her brother and took his hand, explaining to him in a whisper that they would be back soon, that she was no longer in danger, that everything would be all right.

She felt herself quivering all over when Daemon took the chair and sat down beside her bed exactly as he had done then, after she had tried to take her own life.

She looked at him, into his bright, piercing eyes, and thought that this was what he was trying to protect her from.

"I wanted this child, dad. Very, very much." She muttered and closed her eyes, feeling the blissful emptiness she had surrounded herself with begin to crack, the pain that pierced her body, her heart so strong that she sobbed.

"I know." He replied.

"Is the baby…is the baby still inside me?" She choked out with difficulty, whooping with her own tears, feeling like she couldn't catch her breath.

"No. I'm very sorry, but no. It was too early, the baby was not yet formed. Nothing could be done." He said and she clamped her hands on her lower abdomen, thinking she felt like ripping out her uterus and other entrails because they were useless.

She was full and suddenly empty again.

She felt her father's hand on her arm, his fingers strong, his embrace giving her a sense of security.

"I have abandoned you. I chose my own pride. I knew he would want to take revenge on him. If I had given you my protection, it would never have happened. Forgive me." He said, and she closed her eyes, thinking that she wanted to become nothingness and disappear.

Despite Daemon continuing to speak to her, she fell into a state of half-sleep again, unable to think about it – her mind was repressing everything that had happened and waiting, although she didn't know what for.

What was she actually waiting for?

For her baby, she thought.

Little girl or little boy will be born in a few months.

No, she realised.

Not any more.

Tears ran down her face, but no sound came out of her mouth.

She saw him – her uncle stood in the doorway of her hospital room drenched in tears, trembling like a small child, just like she had been when she came into his room then, terrified of the darkness.

Darkness surrounded him, and he was frightened.

She didn't want him to be afraid.

He cried out loudly when she reached out her hand to him – she realised it was already dark around him when his body snuggled against hers, when he embraced her and kissed her cheek, when his face snuggled into her skin.

They lay, just breathing, holding hands – there was something comforting about that – in his silence. The fact that he knew there were no words of comfort, of justification, of absolution for them.

What did exist, however, were their bodies, warm and familiar, clinging to each other to find shelter.

She fell asleep, wrapped in his scent.

"I know you think this is my fault. That you will never forgive me." She heard his voice as if from a distance – she blinked, surprised to see that it was already daylight all around her, that her uncle was sitting beside her in a chair, looking at his hands.

Days flew by between her fingers.

How long had it been since that incident?

Since when had she been empty?

She pressed her lips together, feeling nothing but rage.

"I want Tyland Lannister." She hissed in a cold, shaking voice, and he looked at her in shock.

They stared at each other for a moment – his lower lip twitched when he suddenly realised what had happened, something in his gaze that had always frightened her, but now pleased her.

Aemond

Emptiness.

It seemed to him that he had simply gone through all the phases of grief – from despair, through denial, to a state of complete indifference.

His child, whom he had so desperately wanted, was no longer there.

He thought it would help to give the baby a funeral, even though they had nothing to bury – that's why they put the glowing stickers they had stuck on the walls of the room that was to belong to their child in a small box and buried it under a tree in the garden of their house.

She wanted the thing that would remind her of their loss to be close by, so that she could look at it every morning from her window.

It was an ordeal they lived through together, and although they suffered, they found relief in each other's arms.

She let him take her for the first time two weeks after it happened.

Lying in front of him in his embrace, she took his hand in hers and slowly guided it down under the material of her panties – she surprised him with this, because he was convinced that the vision of him touching her like this would be something disgusting to her – she, however, was wet.

He couldn't hide how much he missed her, and after a moment they were both naked from the waist down, fucking each other like animals with loud smacks of their hips, wanting nothing more than to feel fulfilled and relieved – the release he felt when he finally came inside her was like a revelation, her body hot and sweaty in his embrace, her little cunt pulsing on his erection, sucking his seed.

I'll give you another baby, he thought tenderly, kissing her long neck, not saying it out loud though, not wanting her to think he had already reconciled himself to their loss.

I will give you another baby, and then another and another.

We will be a big, happy family.

If he could say that anything good had come out of this awfully sad situation, it was that their families had begun to talk to each other again – Otto and Daemon couldn't forgive the murder of their grandchild, and Alicent, Rhaenyra, Jace and Baela had watched over his niece in his absence, looking after her.

Even Aegon asked him for a meeting, which was strange and downright comical. His brother put a hand on his shoulder and looked at him in a way from which he felt a squeeze in his throat.

"We're going to catch that son of a bitch."

The only person who was afraid to meet them was Helaena, blaming herself for what had happened despite the fact that neither he nor his Rhaenys resented her.

"She said she wanted to go shopping. Your house and the beach was across the street. I-I had the security guards go and take her dress to your house. She wanted to take a walk, she insisted. I…"

"Stop. You are not the one who did this to her. No one is blaming you." He said calmly, staring dully ahead, sitting in his car, feeling that his heart, his skin, his body, his breath were cold.

I want Tyland Lannister.

He licked his lower lip when he spotted his silhouette in the distance, coming out of one of the clubs surrounded by a few of his thugs, surely for protection.

Jason helped his brother move to another city, hoping they would never find him.

But he was wrong.

"I have to go." He said and hung up, starting the engine, dialing another number.

He never thought that he'd talk to him of his own free will.

And yet.

"He just left."

He followed him for a few streets, driving a few cars behind him, feeling strangely calm and patient – he had the impression that there were no more tears he could cry or screams he could shout.

His persona had come full circle, becoming again exactly who he had been before she had called him that evening for the first time in eight years.

He smiled, seeing that they had realised that someone was following them, trying to change direction suddenly – as he had predicted, they had fallen straight into their trap, and hundreds of loud gunshots rang out around the corner.

He pulled over to the side of the road and stepped out of the car, watching as Daemon's men slaughtered Tyland's men one by one, surprised by the manhunt from both sides, unprepared for such a sudden, merciless attack.

"– please –" Tyland mumbled, crawling on the ground at Daemon's feet – his sister's husband held a baseball bat in his hand, all dirty from his blood.

He thought with amusement that Lannister's face looked like a squashed tomato.

Together with Daemon, he dragged him, moaning and crying, to the boot of his car, locking him in there, and together they set off without exchanging a word.

By the time they reached the house by the sea there was only an hour left until dawn – Tyland had passed out in the boot from a lack of oxygen, and a strong kick to the liver revived him, making him draw in air loudly and cough, spitting up blood.

"– no – no, no, no, no, please, no –" He whined as they began dragging him along the ground towards the door, leaving a trail of his blood on the ground behind them.

When they walked into the house they threw him to his knees in front of her – his Rhaenys looked at his hunched, pathetic figure sitting in front of him on the couch in a white dress he was seeing for the first time, a knife in her hand.

Was this supposed to be her wedding gown?

I have taken away your purity and innocence, he thought with pain, looking at her with adoration.

Kora was no longer there.

Only Persephone was left.

His Queen of the Hades.

He longed to lie down at her feet and simply abide.

"– I lost someting because of you –" She said and raised herself up, touching her lower abdomen. "– my baby didn't even manage to take their first breath –"

He closed his eyes, feeling the squeeze in his throat, the pain he felt in his heart unbearable.

"– I didn't know – I didn't know, I'm sorry, I didn't know –" Tyland mumbled, because of how swollen his face was his words were indistinct and difficult to understand.

Standing over him, in her white dress, with a knife in her hand and with her beautiful hair loose, she looked like a ghost.

Like Death.

"– you threw me out of the car like an animal – you left me to die and drove away –" She whispered, tears one after another rolling down her beautiful, tired, pale face.

She had waited so long for this.

For relief.

For justice.

But no more.

"– please – please –" He begged, and she took a step towards him and knelt before him, looking straight into his eyes.

"– let me, Rhaenys –" He muttered, not wanting her to burden herself with this, to dream nightmares like him, to suffer like him because of what she had done.

"– no – I want to feel the life drain out of him – as it did out of me, then –" She said, and the knife she held in her hand stabbed into his side like butter.

Tyland wailed, grabbing the hilt, but Daemon held him down, preventing him from moving – he saw her slide the blade out, a huge bloodstain spilling down his shirt, dripping down his leg straight onto the foil-lined floor.

"That's enough. I'll take care of the rest. Take a bath and burn everything." Daemon instructed, laying Tyland's barely alive body on the ground, his breathing shallow until his eyes went blank.

His soul had left his body.

"Come." He said to her, taking the knife from her palm, placing it on the floor. He nodded at Daemon and grabbed her hand, leading her upstairs to the bathroom where the bathtub was.

Her entire dress and hands were in blood.

"Come here, little one. Come, let's wash it all off. It's okay, honey." He whispered, hugging her close, sinking his hands into her soft, smooth curls, and she reciprocated the embrace, sighing, closing her eyes as if relieved.

"Thank you."

Again she lay in the bath red with blood, again she was pale, however this time he felt that the life was not escaping from her, but returning to her – with each passing minute her cheeks flushed, her eyes wide as if her mind had returned to reality.

"Is he dead?" She muttered, and he swallowed hard, washing away with his hands any trace of what they had done from her beautiful, innocent body.

"He's no longer here. He's disappeared. He was just a monster from the wardrobe, nothing more, my love." He said quietly and she sighed, her hand touching his face.

"Do you still love me?" She asked in a trembling voice, and he looked at her, shocked.

"You are the love of my life. You need to rest. You are very tired. You haven't slept well in a long time. You're daydreaming." He replied, taking an unruly strand of hair from her face, her gaze warm and tender, meant only for him.

"Are you not disgusted with me? I've done something monstrous. I think I killed someone." She whispered, her eyes full of tears.

"– shhh –" He hushed her, pressing his forehead against hers, stroking her hair as if she were a small child. "– I forbid you to say such things – it will be our secret – mine, yours and your dad's – only we will know about it –"

"– about the monster from the wardrobe? –" She mumbled, and he nodded.

"– yes –"

Rhaenys

"– I'm scared, mummy – can I have my little lamp lit today too? –" Aemma muttered, but before she could answer her anything, she heard a voice from the bed above them, belonging to Visenya.

"– no, I can't sleep then –" Her older sister hissed, looking down at them, the bright curls she had inherited from her father in disarray.

"– I'm afraid of the monster from the television – the one from the horror movie that Aegon was watching –" Her daugther said in a breaking voice, and she furrowed her brow, shaking her head.

"– I told you this is not a film for small children –" She said sternly, and Aemma lowered her gaze on the verge of crying.

Vinseya groaned in frustration and climbed down the ladder, lying down under the duvet next to her little sister.

"– move along, coward – I'll kill any monster that disturbs my sleep –" Her daughter muttered, and she smiled and stood up, turning off the lamp.

"– good night –" She hummed and left, closing the door behind her.

She sighed, seeing the light on in his office, and moved lazily in that direction, finding him bent over documents. He glanced at her, then at the silhouette of her naked body hidden only beneath a soft silk bathrobe, and licked his lower lip with his tongue.

"– I'll come soon – give me a moment longer –"

"– talk to Aegon tomorrow – he mustn't let Aemma watch horror movies with himself because she is afraid afterwards – she's too little –" She said.

He shook his head, signing a few things.

"– I'll try, but you know him – he'll find a thousand excuses and explanations –" He grunted, and she laughed under her breath.

"– he resembles your brother –" She said amused, leaning her hip against the doorframe, and he snorted under his breath, the corner of his mouth lifted upwards.

"– indeed –" He said and looked up at her, his gaze again escaping down to her breasts and then even lower.

"Come here. Sit on the desk." He said, leaning back in his chair, and she obeyed his command with a smile, walking closer with a lazy step.

He stood up as soon as her buttocks touched the tabletop, spreading her thighs apart, making her have to reach back with her hand to catch her balance.

"– ah –" She gasped as his fingertips sank into her fleshy, warm womanhood, collecting her sticky wetness.

"– since when are you in this state? – hm? –" He hummed, pushing her closer to him with an impatient tug of his hand on her ass, the other digging warningly into her delicate skin, trailing it around her swollen clit.

"– since this morning – since I saw you come out wet and naked from the bathroom in our bedroom – I've needed you, and you haven't touched me –" She mewled regretfully, feeling her walls clench greedily around nothing, craving him inside her.

What he heard was enough for all his foreplay, and with her help he quickly undid the belt of his trousers, his breath heavy and hitched.

"– after all, I fucked you last night – I had to drive Aegon and Visenya to training – you could have joined me in the shower –" He exhaled, impatiently releasing his long, hard erection from his boxers.

She sighed and tilted her head back as, without even waiting for her response, he directed the head of his cock against her slit, opening her wide on his fat length, filling her with himself with one, lazy thrust.

"– uncle – o-oh, fuck, uncle, yes, yes, yes –" She cried out, resting her hands behind her back, letting the material of her bathrobe slide off her shoulders, revealing her breasts full of milk, bouncing each time his hips pounded against her buttocks.

"– God, be quiet – shhh, be good or I won't let you come – is that what you want? –" He breathed out and she bit her bottom lip with her teeth, looking up at him pleadingly, something in her gaze from which he began to slam into her like mad, himself struggling to restrain himself not to moan.

"– that's what I thought – you come to me – ah – begging with those big eyes for my cock – and then you can't even fucking behave –" He growled and sighed, feeling her struggling to stifle a sob of pleasure when another thrust against that same sweet spot made her fall apart in front of him, panting heavily along with him, the next few loud, sticky slaps of their bodies were enough for him to cum with a sigh of relief.

They knew each other's bodies all too well by now and, with amusement, found more and more that they had trouble holding back from coming too early.

It was just too pleasant.

"– I'm pregnant –" She whispered, and he blinked and looked at her, as if he needed a moment to start thinking soberly after such intense fulfilment.

"– what? – but –" He exhaled.

"– I'm sure – I went to the doctor today –"

"– you lied to me –" He said with irritation in his voice.

"– Criston drove me there – I told you I would go shopping with him and we did after the appointment – no lies –" She said with a smile, touching her belly affectionately.

Her husband sighed, placing his hand on hers, the expression on his face calm and gentle again.

"– it's the sixth – what a big family indeed –" He hummed, and she laughed, nodding her head.

"– yes, my love – another child to drive to training –" She said amused, and he kissed her forehead with tenderness, from which a pleasant warmth spread over her heart.

"– don't sit here too long –" She sighed, jumping off his desk as soon as he slid out of her.

"– I won't –"

On her way to their bedroom, she walked into their youngest child's room and smiled, covering her little son more tightly with the duvet. Aemon's leg immediately pushed the bedclothes off him with his mutter of displeasure, so she gave up and left him alone.

She froze, spotting a silhouette in the corner of the room, thinking it was a man, with bright eyes, blonde hair and a beard, but was relieved when, after a moment, she noticed that it was the only shadow cast by the wardrobe standing nearby.

When she walked into their bedroom, she immediately turned on the lamp by their bed and waited patiently for him to return.

She knew she wouldn't fall asleep anyway.

When she was alone in bed, she saw his face and her hands sticky with blood.

When she heard her uncle's footsteps, when his warm body finally lay down beside her and his lips placed a soft, sticky kiss on her neck, she turned off the light, his whisper next to her ear like the calm hum of the wind.

"– now I will let you moan as much as you wish –"

"– Aegon – don't let her swim out into the deep water – Daeron, Visenya keep an eye on her, after all you can see she can't swim well yet –" He shouted to their children the next day, lying in front of her on a towel on the beach, little Aemon, sitting next to them, was building a sandcastle, the hot sun burning their skin.

"– okay, Dad! –" She heard Daeron voice behind her, lying on her stomach in her black one-piece bathing suit with her back cut out, reading a book, her husband's doctoral thesis on an excavation he had run with her in one of the cities the year before.

"– what do you think? – it's the last time for corrections – I've read it hundreds of times and it already makes me want to vomit when I look at it –" He said disapprovingly, turning his gaze towards the sea again.

"– it's the best doctoral thesis I've ever read – really –" She said softly, turning the page, amazed at how effortlessly her husband wrote.

"– look, mummy – it's a fortress, and here's the moat – and there's a dragon on top –" Mumbled Aemon, forcing the Mighty Vhagar figurine that had once belonged to his father onto the top of the tower.

"– beautiful, darling – it looks like the real thing –" She said with warm approval, and Aemon smiled broadly, satisfied, busying himself with creating a bridge over the moat from sticks.

"– Aemma, don't swim so far away – how many times do I have to tell you? –" Her uncle called out, raising himself angrily on his elbow, and she sighed heavily, throwing him a look full of pity.

"– she has swimming sleeves that are full of air that will float her even if she stops moving her arms and legs – she won't drown –" She said, and her husband sighed heavily, looking anxiously towards their children playing in the water.

"– I prefer to be sure –" He muttered.

She looked at him tenderly for a moment, feeling nothing but warmth in her heart.

He was such a good father.

Such a good husband.

She knew that one day they would have to explain to their children why they only had a church wedding and were not married before the state.

But not yet.

"So let's make sure. We should swim with them." She said, extending her hand to him, and he looked at her, apparently recalling their conversation in his car then, many years ago, when he had described his fantasy to her.

He licked his lips with his tongue and grinned in a way she loved.

"Come."

______

Author's note: The child that Rhaenys lost was Viserys: I decided that this story, because it is so dark, could not end differently, and the decisions of the characters had to lead to tragedy sooner or later. Something dies in Rhaenys, but thanks to this she can finally fully join her husband in their Hades, crossing the border of innocence and naivety, maturing in a kind of cruel way. However, the rest of their children, who appeared in the original series, are born. After losing Viserys (in this version they did not know that it would be a boy), they decided that they wanted to have as many children as God would give them, since he took one away from them (in their eyes one too many). Visenya and Aegon will definitely become mafia bosses in the future, just like their father, lol. Their children have the same characters and looks like in the original series, which you can see here.

[inkskinned]

she says he won't let her get a dog, which is fine, because they're in an apartment, and that's the kind of thing people say about their partners. he won't let me get a dog. and you're at a dinner party and you tilt your head a little to the side just like that dog he won't let her get, because is this the thing that's going to upset you? you don't know every corner of their relationship, she could be joking, they could have had so many healthy conversations about the dog, right, and maybe she's not letting herself get the dog because of money and time and whatever. but, like, she did say let

and she wants to move away from his hometown and he wants to stay and then he tells you with a wink and a conspiratorial stage whisper don't worry i'll convince her and she laughs about it - so clearly this is something they laugh about. but you do just stand there and stare at him like what the fuck, man. you can't say what you want to say which is why do you get the final say on everything because they're both obviously aware of the other person's stance on this and have obviously had private conversations about it and what are you going to do about it except make a scene and then he'll be mad at you and call you one of those bitches behind your back and she'll cut you off, which is a loss that doesn't feel worth it just because he makes you a little skeeved out every 3rd comment

and they both agree he just isn't the type to get flowers which is fine because everyone shows love differently, and are you really gonna judge someone based on their sense of individual relationship responsibility? maybe he's constantly cleaning her car and writing her poems and making her furniture or something. maybe she doesn't even like flowers and this is perfect, actually. and no you couldn't date him, obviously, ew; but like, she tells you she's happy. you almost send her a tiktok that says don't be 25 and the cool girl that doesn't need anything, you'll hate not getting flowers at 30, but that's like, starting drama & you shouldn't start drama needlessly.

and you're a little older than her but not so much older you can pull the whole trust me on this one babe thing and besides that wouldn't have worked anyway (when does it ever) and besides you have trauma so you and your therapist both agree that you're always looking for a problem even when there isn't one. and you tell yourself that just because you see them for 15 minutes every month does not mean you can identify every single red flag based on a single shitty half-joking(?) comment

and besides, what are you going to do? she says i actually wanted another stand mixer but thankfully he stops me when i'm about to spend too much money and you're standing there like are you okay? is this normal? is this just something people say? and again - what are you going to do?

to your therapist you try to language it - it's not, like, any of my business. but sometimes, doesn't it feel like - you should do something. there's got to be something, right? you've tried dropping little hints but they sail right through and you've tried having a single serious conversation and she got upset because why does it matter to you, yes it's different but we're happy, it doesn't need to make sense to you and you're like. really unwilling to push a boundary about it anymore; because the truth is that you know logically it shouldn't matter to you, as long as both parties are happy.

and besides, you've been wrong before. it's just... like, every time you see them both, something else happens, some kind of shiver down your spine like do you even hear each other when you talk. it's their strange, bickering orbit. just the way he's on his phone through dinner or watching sports instead of helping in the kitchen or, fuck, another one of these little throwaway comments he makes about we'll see about that, babe. she laughs when he calls her passions stupid shit and meanwhile she gets him tickets to see the knicks and he tells you well at least she's smart about something and still! it's none of your business.

you say get the dog anyway and she laughs. like, this is is you being funny. and not you saying - no really. get the dog. get the dog and get out of here. pack up and start running.

[novantinuum]

Steven's Breakdown Was Inevitable From the Very Beginning

I feel like the thing that fucks me up the most about Steven Q. Universe and how well conceived he is as a character is that the fundamental building blocks of why he reached his breaking point in SU: Future were laid out as clear as day in the span of legit only the first four episodes of the original show. The writing was literally always on the wall that future him would struggle with matters of self worth and identity in relationship to the others around him.

Let's take a look:

Gem Glow

"Awesome! What are these things?"

Foundational Trauma #1: Steven's home is always either under threat or actively being wrecked by antagonistic forces/beings, and he constantly copes with this by pushing down his fear in favor of a curiosity and silver linings based mindset.

Look at his initial shock when he opens the door and gets tackled by one of these things, and then his response when one of them spits acid:

The kid's freaked the hell out about all this, and while I do think there's a part of Steven that genuinely IS curious about what these lil critters are, I think he's subconsciously using that curiosity as a way to distract himself from his own fears and anxieties. This is Steven actively learning how to ignore the deeper problems in favor of emoting a facade to the others in his life that he can totally handle himself in scary situations like these.

The underlying reason why is incredibly apparent, when you look at the example from the next episode-

Laser Light Canon

"I don't know what a magic lady like her ever saw in a plain old dope like me..."

Genuinely- from the bottom of my heart- I think the above quote from Greg is a moment where his own insecurities around the Gems actually rubbed off on Steven.

At this point in time, Steven may be living with the Gems... but he hasn't started to harness any of his powers at all, so in his own head he might as well be the same as his dad- another human, just one who happens to have a gem! But the way Greg talks about himself... given Steven was living with him in the van for years before moving in to the beach house, he had to have heard negative self-talk from his dad like this before.

And then there's the rest of the Crystal Gems... always speaking of Rose with such reverence as if she were an all-powerful goddess... and Steven can't help but look back at himself, and his gem that won't work... the gem that the others still identify as Rose's...

"Your gem-! You have Rose's gem!"

And maybe he starts to wonder if- without any working powers- he's just a plain ol' dope like his Dad, too.

"Please work... Unlock! Activate! Go! Please-!! Everyone's counting on you, you can't just be useless!"

Foundational Trauma #2: Steven has Rose's gem, and as such, is constantly living under the silent expectation to live up to a standard that he simply cannot ever hope to achieve, because he doesn't KNOW her and he never will.

I want to highlight one of Steven's expressions while his dad is talking about Rose- look at that sad look. My god, I just wanna hug him. This is the expression of a child who has already come to terms with the fact that his only relationship with his mom is through the rose tinted stories that other people tell him about her.

Cheeseburger Backpack

So. Steven has learned so far that he needs to push down his feelings and emote a false veneer of cheer and bravery even when he's afraid, because the rest of the people in his life have expectations and hopes for him due to the legacy of his parentage and he can't bear the thought of letting them down. (And in a sad way, at this point "letting them down" literally just means... being an ordinary human boy. I believe Steven at this stage of the show is flat out scared to be human, because to be human is to fail at being a Gem, and no amount of love and sacrifice in the name of humanity in the seasons to come could've ever saved him from the fundamental fact that the wedge between him and this whole half of his being was already drawn long before the events of season 1 even started. But I digress.)

Let's see where we go from there. Let's check out Steven's first "mission." Or as Pearl puts it about 35 episodes later, his first "test."

"Yeah... they can't all be winners."

This episode is tinted with a little bit of tragedy for me on rewatch, because I genuinely do think the Gems handled the situation as well as they could've. They were supportive of Steven's successful ploys, and (for the most part) responded with grace when he majorly blundered and left the Goddess Statue at home. The main problem, however, is that Steven has already developed a bit of a complex about impressing the three of them-

Foundational Trauma #3: Even when they claim otherwise, Steven has convinced himself that affection from the Gems is transactional, and that when he messes up he's not truly a part of the Crystal Gems.

Of course we the audience know this isn't true- I mean, hell, Amethyst even said as much in episode one after her slip-up ("and you're fun to have around, even if your gem IS useless!")... that the Crystal Gems wouldn't be the same without him. But Steven... the poor kid is a complicated little guy living a complicated life, and whether they intended it or not, the language used they've used around him thus far has not backed up their attempts at fully embracing him, human parentage and all.

Thus, Steven just spends the entire episode wracked with anxiety trying to find creative non-power using ways to make the mission easier so he can convince them he's useful to have around.

Look how nervous he gets even when all three of them are visibly and vocally supportive of his presence here:

This is the face of a boy who feels like he's under constant judgement and scrutiny from those around him.

Blessedly, viewing this episode in isolation, he experiences a brief moment of mental respite where he finally accepts the Gems' encouragement and agrees that his ideas 'can't all be winners,' but this lesson does not stick for him moving forward. A shame, really.

Together Breakfast

"What's the matter, Steven?" "I wanted us all to have breakfast together, so I made Together Breakfast! But everyone keeps leaving..." "Oh, that's nice..."

Taken in context with what we've learned already in the last three episodes, Steven's desperation to spend quality time with the Gems here and his sadness that they keep leaving him alone doesn't just exist within a vacuum. He spends the whole morning watching them shuffle in and out of the temple, or come back from missions he wasn't invited on, and with the disastrous result of the LAST mission he went on probably fresh in his mind it's not hard to understand why this bothers him.

Foundational Trauma #4: Steven internalizes that the price of "not being useful" is that the Gems actively ignore him, meaning that the only way to guarantee their attention is to work as hard as he can to become a stronger member of the team.

I know this screenshot is usually used as a lighthearted meme, but I wanted to include it because I think it's a good example of how Steven's intense desire to impress permeates every facet of his personality at times. Just LOOK at how desperate he is to make Garnet laugh at his joke, to be the one that's at very least "fun to have around," as Amethyst put it in episode one.

The Gems do eventually drop what they're doing to spend time with Steven by the conclusion of this episode, but this only comes after Steven shows his growing strength and "proves" himself by saving their butts from the breakfast monster.

If he successfully gained their attention in literally any other way he might've come away from this episode with a different lesson, but no. Instead, his fears were proven true- the Gems value strength and utility, and if he's not exhibiting that, then what use is he to them?

These fears of his can be seen weaving throughout the foundational fabric of the entire show, but I think Steven lays out what he sees as his "stakes" in the clearest way possible in the episode 'An Indirect Kiss.'

"But- if I don't have powers, then I can't hang out with Amethyst, or Garnet, o-or Pearl, and- I-I can't go on missions!"

And these same insecurities even rear their ugly head as late as the movie.

"I can't believe this... for the first time in years, everyone's in danger, everybody needs me, and- I'm useless!"

Powers = Utility = Worth = Other's love, for Steven. Everything is transactional to the end, which is a hilarious double standard he's set for himself when he's made his reputation as the kid who always listens and encourages and gives others a chance to change, no matter their messy history with him.

__

So let's recap and restate those foundational traumas from Steven's perspective.

One: The only way to cope when your life is constantly under threat is to bury the damage and pretend to be fine.

Two: Everyone expects you to live up to the standards of someone you're not.

Three: The Gems only love you when you're of use to them.

Four: If you ever stop being useful, the Gems won't want anything more to do with you.

In sum, Steven's habit of burying his feelings for the benefit of others was there from the very beginning, not just since 'The Test.'

Those unreachable standards he felt so daunted and intimidated by all his life were the ones set by Rose, at first... but over the course of the series, the dynamic of this shifted. As Rose's influence fell into the background, Steven's rose into the front. And so it's with great irony that- by the time of Steven Universe: Future, the expectations this exhausted, worn down teenager is fighting to once again achieve are the ones HE set for himself. Many of young Steven's selfless actions during the war are quite admirable when analyzed in isolation, but almost none of them are sustainable. He set himself on fire just to save the world, but teen Steven is genuinely unable to see this for what it is yet- as a tragic sacrifice of his own childhood. You can't burn your own ends for others forever, not at all. His breakdown was simply inevitable.

When it comes to the interconnected beliefs three and four, these are exactly why the ultimate confrontation at the end of I Am My Monster HAD to be one fueled by selfless love. Steven is at his absolute lowest at this point- he's everything he fears he's become, trapped in a form that's nearly incapable of reason. He's big and angry and spiky because that's a part of the facade- because a part of him WANTS to scare the Gems away, wants to be left alone forever, believing this the fate he deserves as price for his misdeeds.

In this form, by his own definitions he is NOT useful to the Crystal Gems at all.

But they don't care.

Because it never WAS about Steven's 'usefulness' to them, they simply love him for being Steven.

With this in mind, the conclusion of Steven Universe: Future wasn't just a salve to teen Steven's immediate struggles, it was a salve to the foundational insecurities that have been plaguing him his entire life.

And hopefully... from this point on... his family's shows of love and encouragement will be enough to finally convince Steven that he's more than worth their time...

No matter what path the future leads him on, and no matter what form he takes.

[littlefankingdom]

I saw another post criticizing Bruce for having children fighting at his side, and I must say: tell me you don't know shit about the batkids' stories without telling me. Bruce fucking tried to stop those kids from being vigilantes, but they keep doing it behind his back, so he decided the best thing to do was to give them the proper training, an armor and to have them stick at his side so he can watch over them. You know, like a parent telling their underage children that they can drink alcohol but only at home where they can watch over them.

Dick became Robin because he wanted revenge over his parents' murder. He would run out in the street of Gotham as a 8 years old, all alone, to go fight Zucco. Bruce helping him make Robin was the compromise to keep Dick safe, because the child would not listen. (And yes, it wasn't the case in the very first canon, but it was like the 40s. Do you know how many kids fought against the Nazis in Europe at that time???)

Barbara Gordon is not his daughter and he has no authority on her being a vigilante. He cannot even ground her.

Jason became Robin after helping Bruce take down Ma Gunn's school. It is implied by Bruce, while talking to Dick, that he offered Robin to Jason as a way to gain a child because he missed having Dick around. He didn't need a Robin, he just missed having a kid. Bruce used the Robin mantle with Jason like people use churu to appease stray kitten. AND JASON'S DEATH, let's talk about it. Jason ran away, which leads to him being killed, after eavesdropping on Bruce and Alfred talking about Jason's mental health. Jason is benched as Robin, but not because Bruce thinks he killed someone like fandom says, but because Bruce knows it is not helping or healthy for Jason. They are talking about getting him help for his traumas and how violence is not helping Jason. And, when he is older and has healed, they can try again if he wants to. That's why Jason or people saying that Jason died because he was a soldier, or blaming Bruce for Robin's existence is false. When Jason died, Bruce was against Jason being Robin for his own health! And Jason knows that, he heard the discussion, he wasn't bench like how so many of his siblings are, with little to no honest explanation. Jason died in the Robin's costume because of his own stubbornness, not because of Bruce. (And that's not blaming Jason for his death. He is not to blame, but neither is Bruce. It's just about the Robin's colors. Jason would not have been wearing them at the time if he listened to Bruce.)

Tim Drake imposed himself as Robin. Bruce was against it, Tim literally went "Don't care, didn't ask". And Tim was already following them around before. Bruce already have Jason blaming him for making Tim Robin when he had no control over that.

Stephanie Brown became a vigilante before Batman knew her. He has tried SO MANY TIMES to make her stop, and so many fans hate that he did it. Make a choice, is it bad that he didn’t stop her more or that he didn’t let her more be a vigilante? He even got his kids to try to make her stop. AND SHE IS "KILLED" TO TEACH HIM THAT MAKING KIDS VIGILANTES IS BAD WHEN HE IS NOT RESPONSIBLE OF HER BECOMING ONE AND TRIED TO STOP HER! No shit the man blames himself for things that are not his fault, everyone does it.

Cassandra Cain was 17 when she becomes Batgirl, so I don't know if she counts. But when Bruce tries to make her stop for her own health, with the support of Barbara and Alfred, Cass is devastated and doesn't obey him. She puts on her costume and fights him physically.

Damian Wayne was trained as an assassin. In every version of him being introduced to Bruce, Bruce is against making him Robin and Damian keeps sneaking out. Damian wants to prove himself to his father so bad and refused to be kept away from the fight. In the comics, it's Dick, DICK, that makes him Robin when Bruce is gone, because Bruce was against letting Damian out at night.

Conclusion: Bruce is a tired father of a bunch of kids that cannot understand they should stay home at night and not be vigilantes.

[lovelyladyabsinthewrites]

Rosalie and Jasper talking about reader who is sleeping peacefully but had a nightmare episode a few nights ago

Can't Escape the Nightmares

Pairing(s): Jasper Hale x Human!Reader, platonic!Rosalie Hale x Human!Reader

Warnings: mentions of past assault, mentions of past rape, noncon themes discussed, reader is jasper's mate, platonic!rosaliexreader, human!reader, nightmares, trauma, ptsd, dark content, mention of blood, brief mention of murder/death, short

Words: 624

Cradle (pt2)

Rosalie pets your hair with the tenderest of fingers as you slept with your head on her lap, head cushioned by a pillow. Your mate Jasper was off with Emmett and Edward for a boy's night. Which was quite unfortunate as he was one of the few who could subdue your nightmares that constantly plagued you. Thankfully you found the same sense of calm when you were with Rosalie.

She'd left a text to Jasper, telling him to come home when he gets the chance but that was a while ago. Maybe he didn't have cell service out there.

Drawing the blanket closer to you, Rosalie makes sure you're bundled so her naturally cold skin doesn't make you freeze. What she would give to be able to see into your dreams to make sure they were sweet. You'd been through enough in the waking world, you shouldn't have to suffer them again as you slept.

Was it really only four years ago that she followed the sound of your screams into the woods and found you being assaulted in the worst ways possible. When she saw you there, she was taken back to a time where Rosalie was in a similar scenario. There was no prior thinking involved in her decision to rescue you and kill the men responsible.

She didn't even know what she'd do with you once she finished killing them. When Rosalie gazed down at your dirty face and trembling body she was not willing to leave you out there by yourself. You were swiftly brought to the Cullen house so Carlisle could attend to you.

And from there. . . you and Jasper fell in love. You were there to stay.

The back door alarms ding, Rosalie nearly jumps to her feet before she remembers you were fast asleep using her for comfort.

She needn't even budge. In a second, Jasper was in the living room with them. Eyes brimming with concern when he regards your sleeping form. "Was it bad?"

Rosalie hums and resumes stroking your head. "She's had worse."

Jasper kneels down so that he could get close to kiss the bridge of your nose. You'd been doing so well this past month; no nightmares for several consecutive days and it looked to be keeping strong. Of course the one night you push Jasper out to join his brothers in hunting would be the night you'd get a nightmare.

"Remember what Carlisle told us." Rosalie reminds Jasper in a warm yet warning tone. "It's from her PTSD. She may never really recover. All we can do is help her when she's suffering from it." Maneuvering herself so that Jasper had easier access to you, he picks you up blankets and all.

He often thinks back to the day Rosalie brought you home. Bruised, naked, dirty and so terrified that your bottom lip couldn't stop trembling. Bright red was splashed across Rosalie's face and even dyed parts of her hair where blood had spattered on. Time itself had stopped in that moment. Rosalie holding you looked like a painting from Titian.

It was funny, the contrast between how Rosalie treated you compared to Bella. Night and Day. From that day on, Rosalie always kept an eye on you similar to a mother hen. It didn't surprise anyone in the family, knowing what Rosalie had gone through was quite similar to what had happened to you. A morbid, kindred familiarity that made Rosalie soften up to you.

"Thank you, for being there for her." Jasper whispers. Unequivocal tenderness warms Rosalie's eyes as she watches Jasper hold you.

"Don't be stupid." her voice mellow like a drip of honey. "Even if you didn't want me to be, I'll always be there for her."

[shouts-into-the-void]

Just read screenshots of the Aaron extra chapter and I have so many thoughts, so here they are:

It's always so funny to me to be reminded of the fact that the animosity between Aaron and Neil is mostly one-sided. Like, Neil finds Aaron frustrating, but all the antagonistic stuff he does to him is ultimately in service of helping him in some way and while he's angry when Aaron provokes him, he otherwise regards him with disinterest and even expresses the desire to see what he's like when he's relaxed and enjoying himself during the party with the Vixens. Meanwhile Aaron just really hates that man.

I really appreciated Nora using this chapter to clear up some of the gripes a lot of the fandom has had with Aaron's character in the past and confirm that Aaron's comments to Nicky have to do with his cousin making graphic and unwanted sexual advances on their teammates, and his accusations towards Neil were from a place of concern for his brother. I also liked that it was pointed out that of course he would have at least some internalized homophobia due to being raised by religious zealots in a conservative area, but is unlearning it due to Nicky.

On a similar note, I'm glad that we were provided the context that Nicky's inappropriate behavior is a defense mechanism to weed out people who might hurt him rather than legitimate advances, because I think the fandom tends to forget that he is also a character with extreme trauma written outside of the "perfect victim" stereotype. His actions aren't okay, but the entire point is that they are the result of what he's had to endure just like every other member of the team

The implication that Andrew specifically signed with the Foxes so Aaron could go to college

Aaron and Andrew have the same nervous habit of picking at loose thread

It causes me physical pain to see Andrew clearly trying to open up to Aaron about his self-harm, but because his way of communicating is less straightforward (he doesn't lie, but he because he stuggles to confront and be open with his emotions, he presents the truth in flowery, vague language) and because the two dont really know or understand each other, Aaron can't fully grasp the implications of what he's saying

On the subject of things that cause me physical pain: baby Aaron telling his mom that he wanted to be a neurosurgeon like the people on TV and her laughing and saying he'd never make anything of himself. Fuck Tilda Minyard, all my homies hate Tilda.

Andrew is so uncomfortable, someone Get Him Out of There.

Going off that and his nervous habits (that Aaron mentions he did often enough to be noticable as a habit premedication), I am highkey wondering if the reason Sober Andrew doesn't talk to anyone outside Neil is because he's just. Socially Awkward.

We get a little bit of insight into Andrew's "misogyny" (I personally think distrusting certain people as a result of extreme personal trauma is a little bit different than just being sexist, in the same way women distrusting men because they're used to being harassed and belittled isn't misandry, but that's up to your personal opinion) and that his distain for Katelyn comes from the fact that he thinks she's stringing Aaron along and will turn out to be awful like his previous girlfriends (there's also a notable implication that Aaron has the same self-destructive tendencies as Andrew, and may be why he went out of his way to get him into college and on the straight-and-narrow) also see that this extends to Bee as well despite their close relationship, with him being so afraid that she'd reject him for being gay that he can't even look at her while talking about Neil, probably made worse by the fact that she's a maternal figure for him, which is where this trauma response originates.

Aaron is the only person on the team who's aware that Andrew hasn't slept with Neil, and the only one to grasp the significance of the fact that they've gotten close to that point already despite Andrew's trauma, outside of Renee

It was overall really interesting to see inside Aaron's head (I actually wouldn't mind a book from his perspective, he has a similar way of thinking to Neil but much more grounded) and to see Andrew through the lense of someone who just views him as Just A Guy

[the-cat-and-the-birdie]

We talk about how mischaracterized Hobie is - which he is - but I honestly think someone else is characterized REALLY weirdly by fandom

Miguel O'Hara and Misrepresentation of His Rage: a.k.a Miguel has Ken Energy you fools

[this is a breakdown where I examine Miguel's trauma, his relationship with Miles, his role in The Society, and his personality]

I talk a lot of shit about the Hobie tag, but the over-saturation of smut in the Miguel tag is at critical mass.

And like Latino-fetishization aside, I feel like he's not written as a human.

He's written so flat.

I swear ya'll be writing him as the angriest, coldest, most anti-social man on earth. Ya'll be having him rude and avoidant with no friends whatsoever or a romantic soft latin lover and NO IN BETWEEN

which is so funny cause like... I feel like Miguel is Just A Guy

I know they're easy to overlook but I think about moments like these all the time

But I ALWAYS see him written him as friendless, and cold, or constantly irritated and angry but like - I feel like most of the time Miguel is just some dude. Like in a Good Way.

And he's fine with that.

Miguel runs a Society Full of Spider-people, and they're working for him voluntarily. Peter Parkers wouldn't work for someone they didn't think was genuinely, good-likeable, and level-headed.

He compliments Lego-Spider-Man. When Hobie was there he wasn't pissed he was just like 'not in the mood rn ngl'

and Hobie didn't take the piss outta him - because I feel like him and Hobie have a mutal understanding/relaxed relationship. All throughout the movie Hobie isn't talking bad about Miguel in specific - he never says anything about Miguel being annoying or evil - he's always taking about The Society Miguel has made.

Even Hobie - who will openly talk bad about the PM, doesn't really feel the need to diss Miguel's character in specific. Which I find very interesting.

I think this, along with a couple other things shows that the way we view Miguel in fandom is not really how he is, like..when he's not going buckwild insane.

Miguel and His Role as Canon

I could see Miguel taking his role as boss very seriously - the same way he took being a father.

Miguel has assumed the role of 'leader' over these Spider-people. In his eyes, it's his job to lead these people through their canon events to the other side, for the safety of the universe, and for them to become the people fate says they're supposed to be.

Because he made the mistake of 'going against fate'. A lot of the time we say that Miguel's justification is 'because I suffered, you must too'. But in his eyes, it's more like 'I tried to run from who I was supposed to be and it blew up in my face. Please don't make the same mistake - it's not worth it.'

Quiet literally 'Do what you're supposed to do, and things won't fall apart around you.'

And I think that really says a lot about how he feels about his own choices, and his own daughter.

Miguel broke canon to be with his daughter, and because of that, she - and billions of others, died. And Miguel feels directly responsible for that. In his eyes, he killed his daughter and murdered billions of people.

And although he loves his daughter - he sees it as not worth it. He sees taking her father's place as a mistake.

To Miguel, canon events and the pain they cause are much more 'worth it' and 'tolerable', than the pain and guilt of killing an entire universe.

Because with canon events, there is no fault. It's not your fault you couldn't catch Gwen Stacy. It's not that you're not fast enough, it's that it's suppose to happen. It's not your fault.

But in Miguel's case - it was his fault. It wasn't suppose to happen.

That's why Miles sets him off in a way others don't and can't. Because he wasn't supposed to happen.

When things are under control, Miguel is fine. When things aren't, Miguel isn't.

Miguel needs order. He needs canon. Not because he likes it, but because he feels beaten into submission by it. He feels safe in the idea that canon events happen even if you do everything right, because he still feels the guilt of having done something 'wrong'.

That's why he sees letting people die in canon events as 'the right thing'.

It's the trolley problem.

A trolley is hurtling at someone you love, on the other track there are 5 people. Do you let the one you love die, or do you hit the switch and save them - and take the blame for killing five people?

What's the right thing to do? Save your captain father and letting a universe die? Or letting your father die, but the universe will for sure live.

Miguel has already made his choice, even if he didn't know it at the time. By becoming a father, Miguel hit the switch. And he chose his daughter at the expense of a universe. And he regrets that decision. He feels guilt, like he's to blame.

When canon events happen, there's no one to blame. When anomalies happen, there is.

Miles and Miguel

Miles and Miguel have an interesting and unique dynamic with each other, one that I haven't seen anyone mention yet.

When I look at Miles and Miguel, especially in this scene:

I kinda see Miguel and a past version of himself. Miguel trying to stop what he sees - as someone about to make the same mistake he did.

When Miguel met his daughter, he didn't know about it's threat to the multiverse. And although it might be described as the best time in Miguel's life, he regrets it. If he would go back, he would have rather let his daughter live. Fatherless, but at least she would have lived.

Miguel didn't know. But Miles does. And that's what makes Miguel so furious.

Miles is going to go against canon, be with his dad, and threaten the multiverse. And Miguel believes that if Miles does this, billions of people and beings across a universe will die. 100% totality rate, 100% assured.

Miles is in the same position as Miguel once was. Miles has the same choice. To choose the one he loves over canon.

The only difference is Miles knows. He has a chance.

Miguel believes that Miles can spare himself the pain, and the guilt of murdering billions - if he just listened to him.

Miguel is the only Spider-person who has ever killed a Spider-verse. And he doesn't want that for Miles.

Miles being an anomaly was one thing. He was ready to calmly talk about that. But when Miguel sees him going down the same road as he once did, making the same choice even though Miguel is telling him not to - it makes it snap.

Because if Miguel could go back, knowing what he knows - if Miguel could only be in Miles' place - he wouldn't. Like Rio said - Miguel would kill to be in his place.

He sees Miguel like how Rio describes herself, oddly enough. Rio says she'd kill to be in Miles place, and she doesn't understand his 'irresponsible' behavior. But unbeknownst to her - his 'irresponsible' behavior is more heroic than she can understand.

Miguel is just the same. He sees Miles' choice as irresponsible, that he's making all the wrong choices even though people are throwing opportunity at him.

Miles is the only other Spider-person to risk what Miguel risked. And, genuinely believing everyone will die because of this - he's furious at Miles, the same way he's still furious at himself. He loved his daughter, and he knows Miles loves it dad. But having been on the other side of it all, he sees it as not worth it.

Miguel wants to be the only Spider-man who is the way he is. He doesn't want to Miles to do what he did, become what he is. Because he knows theres no coming back from that.

If Miguel could go back and shake himself and scream in his face to leave Gabriella alone, to just leave her dimension alone, he would. But he can't.

So he does it to Miles.

Miguel as a Boss

I don't think Miguel is an outright mean or abrasive person. I feel like outside of Miles, he's fairly calm, albeit a bit stressed. I could see him being really organized and good at time management -

And I can see Miguel being good with people. I don't think he's the kinda boss that'd be like 'Oh, you had a canon event last night? Your girlfriend fell off a building? Yeah, we get that a lot, get over it.'

And if anything - I think he'd want to help the Spider-people when it comes to processing canon events.

Miguel believes that canon events are necessary, not just to the multiverse, but to the development of who Spider-people are 'supposed' to be. So I think he'd set up support systems around HQ to help them process it, and he'd at least be a bit understanding.

I could absolutely see Miguel as the type to ask a teammate "Are you alright?" after something intense, or telling them to sit out. I could see him giving generous leave for Spiders who are going through stuff.

By Jess's response, it seems as if he leaves most of that to her, but I feel like the fact he stops to tell Gwen "Don't worry, kid." shows that he's use to comforting people, or prioritizes putting people at ease.

I mean, what Spider-man doesn't?

Miguel does seem to get along with people (aside from Miles and Gwen when he's scolding her), and it seems like people do like Miguel.

Miguel's Personality

Tbh - I don't think he's nearly as angry as fandom makes him out to be.

He was raising a child. I imagine that for the most part, he's pretty patient.

Like if you call him a name, he's not gonna get pissed. I feel like he's more likely to be like "Haha. Very funny." Or just pinch his nose bridge and be like "You done?"

I mean I know with all the gnashing and clawing and yelling and going apeshit, it can be easy to imagine Miguel as JUST that.

But I also like to imagine that most of the time, he's just like that normal boss as Target.

And a lot of his day is spent doing boring mundane things.

He's not always standing there brooding over videos of him and his dead daughter. He only does that when he's psyching himself up to yell at Miles.

Outside of that, he probably has a lot more things to do, realistically speaking. Organizing missions, checking status reports, looking over intake forms of anomalies, okaying and vetoing different protocols. Approving new technology, taking complaints from members, dealing with Hobie (an extra job in its own right), fixing things MayDay breaks, etc, etc.

And he's completely fine with that. Maybe he even finds calmness in it. When there's order, and routine, and everyone is working together and there's no kinks in the hose per say, he can operate.

Like yeah he's a little irritated and looks like he only slept 4 hours - but he's here and he's going to work with his team and employees, make sure things run smoothly, and make sure everyone gets home safe.

He's gonna try and make the society a nice place to be and make sure people on the team (like Lego) feel appreciated and odd-one-outs like Hobie get to hang and do what they want without much kickback.

The other Spider-people - like Pavi - wouldn't have joined otherwise.

If Pavi had showed up and Miguel was all stern and cold and rude, he probably would've been like 'no thanks my friend'

Miguel knew Peter B. before he lost Gabriella. So he had to become friends with Peter some way. He was putting up with Peter and his humor by choice, and in return Peter must have found Miguel cool enough to hang out with.

I think it's because Miguel is good with people, a lot of different types of people.

He's pretty down to earth, even if he is a work-aholic. He can be fun to chill or hang out with, even if he's a bit of a tight-ass.

Sure his humor may be dry, and his personality tame, but he's just him.

But I can see him as being a guy who you see at the gym routinely and never say hi to but you just nod at each other in silent respect while doing your workouts sometime.

Or the dude at your job you only see at the coffee machine - you know he does other stuff, but you never run into him anywhere else.

Or the dude who'll stop on the street when you ask for the time and lift one earphone before telling you it, then walking away without another word.

DO YOU GET WHAT I MEAN DO YOU GET THAT VIBE Like just Dude He's like a dad but not like a 'Dad vibe' with like sneakers or anything but like 'Dad who comes to PTA meeting but doesn't talk to anybody and quietly leaves when it's over'.

DO YOU UNDERSTAND PLEASE TELL ME IF YOU UNDERSTAND THIS VIBE It's giving Ken.

Anyways stop avoiding Miguel's Kenergy.

[crumb-crumblet-s-crumbington]

yooooo!!! you’re my favorite ethan winters artist i just wanna say that first and foremost, thank you for the wholesome content of my comfort character and father figure 🥹🫶

i’m really curious bc i feel like i see a lot of people against mithan (not me personally, i’m p neutral on them!) but i’m curious to know all your thoughts on them! thoughts on their canon relationship, their fanon portrayal, the backlash against them/mia accusations, and your headcanons? i’m just really interested!!! hopefully that’s not weird :”)

have a good day!! sparkle on!!! ✨💖

i heart mithan... i think that they can be so cute...

i personally hc them t4t and i like to think that the dated in highschool before they both had fully transitioned

mia likes to bake and ethan likes to scrap book and he always likes to take pictures of mias cakes/ baked goods and has a album for them 😭

i am a multishipper so i draw a lot of ethan ships so my girl is left out sometimes and im sorry mia 😔

i actually really like their relationship, its a really complex dynamic that i like to talk about with my friends

i think the issue is that when talking about mithan or mia in general, theres just SO MUCH misinformation that its honestly a pain the butt to talk about

people still think that she was responsible for the creation of eveline, people still think that she experimented on eveline, people still use examples of her attacking ethan as if she did it on her own will instead of being mind controlled

in reality she was just someone who oversaw the transportation of evie. im not excusing her or anything because obviously she knew what she was doing, but people really try to accuse her of doing something she didnt and it bothers me alot lol

the problem with the fandom is that people either try to water her down to girlboss who did nothing wrong and fail to acknowledge the complexity/ moral grayness of her character and the other side is misogynists 😭😭😭😭

its hard to talk about her without people either going "stop trying to villainize her and make her look bad!" or people ACTUALLY villainizing her and acting like heisenberg would have treated him better 😭😭

mithan is such a sad relationship because they loved each other so much and that ended up being the reason their relationship fell apart (sort of... its not like the broke up... ethan kinda just straight up died)

i get a lot a trouble for saying this, but mia is a selfish person.

its not a bad thing! well i mean it is but it doesnt make her some evil witch who is somehow worse than the guy how made a werewolf american ninja warrior. its just a major character flaw she has! which is good! mia being a flawed person who makes mistakes and morally gray decisions make her a more interesting person!

she is selfish in the way that she wants to keep her family with her no matter the cost. even if it means lying to ethan about her job so that he wont think different of her. here is a interrogation from the re7 DLC, which is easy to miss!

she isnt necessarily trying to apologize for the things she has done, she is more of a, "u wont need to forgive me in the first place if we just forget it all and move on"

she doesn't try to redeem herself for what she has done, she tries to move on and return to the normal life that she wants so bad. which is fine! everyone copes a different way and she has to right to move on from her trauma. the problem that lies in this is that she has a shared trauma with ethan who still has no idea what went on in dulvey and still effects him till the present (he is mold! this is a important thing to know! most people would want to know if they were a walking corpse)

she played a direct part in what happened in dulvey, and im not referring to the email, she did not send that. she never wanted ethan to come in the first place. she tried her best to send a video to him, begging him to forget about her because she wanted to protect him, BUT it didnt send.

he got involved because she was involved. its honestly a series of really really unfortunate events.

THOUGH! she did know what she was getting into. im tired of seeing the narrative that mia was innocent and didnt know what was going on or was simply a bystander. she knew what she was doing, she knew eveline was a bioweapon, she knew eveline was a child. she used a MACHINE GUN! she knows how to use weapons and was obviously trained for it.

she tried her best to keep everybody out of the mess, ex: warning the bakers not to take them in, warning ethan not to find her, sacrificing herself for ethan in the later half of re7

but again, those are the consequences of HER actions

her consequences just happen to get really big and end up hitting ethan on the head like a metal sheet 😭

their relationship is really so interesting, it makes me really sad to think about sometimes 😭they both went through something that nobody else would ever understand, in the end they really only have each other. they get moved to an entire different country and the dulvey incident gets covered up with a "gas leak"

its really tragic because their marriage definitely had some flaws and bumps. and i know im repeating myself but its because people always take this in the worst way possible but just because i say their relationship was rocky doesnt mean im saying they dont love each other!!! thats the entire basis of mias character!! saying she doesnt love ethan would destroy her entire character!

you can see in the re8 DLC how fondly ethan talks about mia! he loves her so much, though im not sure if his comments in the DLC are him narrating current (post re8) or his thoughts before everything went down and he died (pre re8)

everything mia did was because she LOVED ethan. she would never do anything to intentionally hurt him, she is not a cruel person. she hides the truth of her job from ethan pre re7 because she loves him and doesnt want her job to drive them apart. she CONTINUES to refuse to tell ethan the truth post re7 because she wants to move on a live a happy normal life with him and knows something like her being directly associated with the connections would probably cause (more) problems. she refuses to tell ethan that he is mold because again, hard to live a happy marriage with your husband after you tell him hes a bioweapon.

obviously i dont think it was right that she did this, thats what makes her selfish! she did it for herself! she did it for her family! she thought it would work out, she thought that they could move on and be happy together.

the issue is that ethan didnt want to forget. he wanted to know what happened, he wanted to know the part mia played, he wanted answers! which is reasonable! he knows to some extent that mia was partially responsible for his involvement and he was always suspcious that mia was lying to him about her job which is implied when mia says "you were right, i did lie to you"

she doesnt learn, she doesnt stop lying, her lies get bigger and worse and it sucks yeah but it makes her so interesting!!! she keeps doing stupid things under the idea that this is whats best for her and her family, that if she hides this everything will work out and it will be for the better but its not!

just because telling your husband hes dead and a bioweapon is a hard subject to bring up doesnt mean you DONT bring it up. people shouldnt use that as a reason to excuse mia 😭, its a very bad excuse and honestly highlights how horrible their communication skills were. you cant just not tell your husband that he is actually infected with the mold and not tell him for the tree years between post re7 and pre re8.

im not saying these things to put mia down, or try and villanize her. these are all just actual things her character does! she isnt evil, but she isnt a knight in shining armor either. we need to be able to have talks about complex characters without crying everytime someone points out a flaw. characters have flaws! and mia just happens to have a lot of them!

im not mad at her, i dont dislike her because i think this way of her. shes a fictional character! you can like characters that are morally gray, or villains that drink blood and make corpse soldiers. they are fictional! pointing out the flaws of a character does not mean i dont like them.

i wouldnt call her "the real villain of re8" but i wouldnt treat her like a damsel in distress either. she is a competent person, she knows what shes doing, she has her reasons for doing them. she made bad descions with good intentions behind them! they can coexist and we should let them!

i like mithan! its a complex relationship because they both love each other so much but hurt each other in the process

talking about them is just a pain in the butt because talking about mia is a pain in the butt lol

i really hate how she keeps getting sidelined, its super frustrating to see mia get put in a cage in every game 😭

its even more frustrating that mia straight up just disappears???? in the shadows of rose DLC... like she just stops taking care of rose and theres nothing said about it. no reason or explanation. i dont think mia would ever ditch rosemary because she didnt care about her, but we probably will never know because capcom sucks at writing and they probably forgot the mia ever even existed.

all in all, i think the fandom is really just full of misinformation which make people either think mia is some horrible evil person, or its full of people who think that saying mia messed up is the equivalent of comparing her to wesker lol.

i really love mia, shes a incredibly fun and complex character, its just hard to enjoy her sometimes with the people in the fandom haha.

also ive got no idea what u meant by "the backlash against them/mia accusations" so sorry if i didnt answer that!

thank u for the ask! sorry for the long response!

[bonefall]

Clear Sky is a Monster.

Of all the characters in Warrior Cats, I think Clear Sky was the most heavily mishandled.

At every turn, the narrative begs you to sympathize with him, to "understand" the "misunderstood." To this end, his brother Gray Wing is used to "keep faith" in his inherent goodness, his abused son, Thunder, is forced to go back to him over and over, and his second dead wife is completely lobotomized in death to absolve him of all sin.

Because of this, of all this set-up for the "redemption" arc they're trying to tell in the last three books, DOTC is Clear Sky's story. Everything primarily exists to benefit and serve his arc. Thunder and Gray Wing might have POVs, but HE is the character who truly drives the plot. So in order to HAVE conflict for that back half, two evil foreign cats, Slash and One Eye, are summoned to act as contrast.

Their narrative purpose is to display "true evil" to make Clear Sky look less bad in comparison. Unfortunately, Clear Sky is the most malignant, deadly character who has ever blighted Warrior Cats.

The "pure evil" examples they summon aren't effective contrasts because they're flat. Clear Sky is what real abusers look like.

His rhetoric is what it sounds like when a cult leader is trying to keep control over a group. He lies when it benefits him, justifies his actions with his tragic backstory to assuage his guilt and manipulate others, and violently lashes out when his feelings are hurt before blaming his victim for making him angry.

He only made "some mistakes" in that SOME of his actions were accidents-- the vast majority of them were malicious, self-absorbed, intentional choices to punish, hurt, and kill others.

I've spoken about Bumble. I've tallied his body count next to Tigerstar. I've talked about how his infant son's death was his fault in sequel books, and called attention to the infected wound face shoving scene that no one talks about. I can't fit every detail into a single post-- because he's so rancid that I would practically be posting entire books.

So what I want to do here is tackle the heart of Clear Sky. Everything he does, everything he's motivated by, is absolute and utter control over other people. He leverages his "trauma" to evoke empathy from his targets to make them easier to manipulate. He's a dirty liar. He breaks down to physical violence when all other tactics stop working.

He's one of the most severe and realistic abusers I've ever read about outside of very adult literature-- and when I read the reasons why he's attracted to Star Flower, my stomach immediately lurched.

The Killing of Misty

Starvation Rhetoric and the Memory of Fluttering Bird

Aside; a question

Hunger as a punishment; he doesn't care about starvation

Exoneration arc

Predation: Star Flower is a replacement for his son.

I think that index is an evocative content warning. But to say it again; this post contains child and domestic abuse, physical assault, public humiliation, incestuous grooming implications, and a lot of murder.

I need to start with the death of Misty. I see a few people saying that Clear Sky killed her for "being on his land" or trespassing, but this is actually a misstatement that I feel is important to correct.

Misty and her children were on their own land. It was her house. Clear Sky killed her to take it.

This is one of the most important details to remember about Clear Sky, that this is the consistent end point of his obsessive need for power and control. By harassment, by violence, or by death, he will brutalize anyone who does not give him what he wants, or who makes him feel bad, and find some way to justify it.

This territory expansion was for no logical reason. There was plenty of food and plenty of land. Any aggression that's happening on this territory is in response to how he's been stealing land and mauling people.

When it's found out she was fighting to defend her children, Clear Sky's immediate response is to slaughter them too.

Petal doesn't have milk either. It wasn't about the logistics. He wanted to kill the kids, because looking at them made him feel bad, and she just managed to stop him.

Starvation Rhetoric and the Image of Fluttering Bird

It is often said that Clear Sky is doing this because he's "traumatized" from how his little sister, Fluttering Bird, starved to death in the mountains. That the emotion came from wanting to feed people. That's incorrect. It wasn't about food. Fluttering Bird's death, and all the "starvation" he's faced, are used as manipulation tactics to guilt, influence, and control other characters, particularly when he might meet resistance or be held accountable for something.

It was always, ALWAYS, about control.

He does not care about actually helping people; "Starvation Rhetoric" through Fluttering Bird is an image he can invoke to justify the actions that are as bloody and cruel as the one this post starts off with. Either in his own mind, or in the minds of the cats he's manipulating.

He does this to Falling Feather, before slicing her face open in anger when she doesn't buy it. He does it to Rainswept Flower, before he strangles her to death. And he does it in the chapter just before Misty's murder, both to his Clan and then to Thunder,

Clear Sky climbed up in front of an entire crowd and gave a grand speech about hunger and "adjusting" the borders around territory he plans to conquer. When he gets to "forgiveness" he feigns pain to make his point because he is performing. If the sentiment is not a total lie, then at bare minimum, he is intentionally playing this up for the crowd.

He is rallying the Clan to support his violence against the cats whose land he wants to steal, and selling it with his life's hardships.

The audience is clearly well-trained, because several cats recognize the cue, particularly Frost who is praised for loudly comforting him. This signals "loyalty" because showing your sympathy towards his "suffering" is how this type of emotional manipulation works. It creates a persecuted, righteous in-group.

He's also apparently used this tactic before, since this entire crowd knows what "I Would Never Forgive Myself " means.

He's made sycophants out of his followers. Like a cult leader.

His abused son, however, hasn't been fully indoctrinated yet. Seeing Thunder uncomfortable with the idea of expanding the borders for no reason, Clear Sky calls him over for a personal propaganda session.

Clear Sky begins the exchange by calling this a "duty" and a "great honor." Immediately framing what he plans to do as righteous.

He puts on the act when Thunder shows resistance, dramatically pausing to let the guilt trip sink in.

"Thunder waited, realizing that he said the wrong thing."

And then Clear Sky launches into infantilizing Thunder, talking down to him like a child who's too inexperienced to see the "signs of starvation," acting like he's being "patient" in "explaining" it.

And then we get it. "I know what starvation looks like (so stop trusting your own eyes) because I have been through more than you (so shut up and do what I tell you), and I'm being a HERO for what I'm about to do (so opposing me would make you a bad person)."

Thanks to these crocodile tears, looking "moved," the act works. The victim is immediately wracked by guilt because the abuser seems genuinely emotional.

He even lovebombs him over the corpse of Misty in the next chapter, making Thunder feel threatened.

Thunder doesn't have the words to describe what is happening to him, but he knows that this sudden snap to praise isn't natural. That something is very wrong.

A Question.

Before I move on to show that this IS an act, and that he is lying about how important avoiding starvation is to him, I will ask a question. Please think about it, because I promise I mean it genuinely;

Why does it matter if Clear Sky actually believes this or not?

The victims are just as dead either way, yes? Thunder is just as abused and guilt tripped. The entire Clan has been driven towards violence while coddling and cooing at their Supreme Leader. Clear Sky is slowly annexing the entire forest. If you have ever accepted that he had "good intentions" as an excuse for the harm he did, or that abuse and murder was what he imagined was "the right thing," or that his trauma justifies the way he leverages his own pain to make cats do what he wants... why do you think that?

Why does that make it morally better, as the narrative concludes? Would you accept the same for every other WC villain or antagonist? Tigerstar? Slash? Tom the Wifebeater? Brokenstar? Rainflower?

How could you tell the difference, if you couldn't read their actual thoughts on the page? ...are there any other "good intentions" you've accepted, somewhere else?

Don't share that answer with me. It's a question for you. Sit with it.

Hunger as a punishment; he doesn't care about starvation.

...but, regardless, Clear Sky is not deluded about starvation. It's a justification for his obsessive need for control, and always has been. There was no shortage before stealing Misty's land and kits, he is fully aware that there's more prey than they can eat.

He punishes Falling Feather with hunger and harassment for thought crime, by briefly thinking of leaving. But first, he invokes Fluttering Bird at her like he did before, flying into a screeching fit of rage when she doesn't buy it,

"I'm sorry I hurt you... BUT" is THE wifebeater phrase. THE stereotypical line of a domestic abuser. "I'm sorry I hit you... but it's your fault for making me so angry."

She went through the same exact starvation he did, calls out that he's just framing his greed as being for the collective benefit of his subjects, and is assaulted for that.

When we're in his head, we see his REAL concerns are not about hunger. He invoked Fluttering Bird to try and make her shut up and bow down to him; what he's focused on is her "gossiping" and "whining" about the open wound he left on her face. He's still furious at Fircone and Nettle for how Thunder QUESTIONED him. So he will "strengthen their commitment."

When "starvation" DOES enter his thoughts, it is to assuage his own guilt and JUSTIFY what he already did. What he already WANTS to do. It's post-hoc.

He had to suppress his own guilt at how his greed and ambition made these children into orphans, completely unable to admit that he's ever been wrong or has a change to make, so he invokes the starvation rhetoric at himself to excuse it. So he feels less bad.

Everything, EVERYTHING, in this confrontation is about his pleasure at being able to torment his subordinates. To continue the abuse when the initial confrontation is over. If it isn't pride in his power and control over them, it's plain sadism.

He invokes starvation in front of the crowd, again, after being pleasured at the guilt in her eyes, hoping that everyone sees her writhing with shame and embarrassment. Fear wasn't at the root of why he assaulted Falling Feather; rage was, and now he feels better that he got to humiliate the person who offended him.

Starvation Rhetoric is a manipulation tactic.

It goes RIGHT BACK to his twisted idea of "loyalty." Obedience.

A cat who's actually, primarily concerned about starvation wouldn't encourage other cats to steal her food if they feel like it. He wouldn't be using it as a weapon to retaliate against her because she hurt his feelings.

This is paired with the fact he restricts and monitors the diet of his cats. They eat when he allows it, and only what he gives them, in spite of there being piles of dead animals rotting, going to waste.

We then find he personally doles out food from these piles, plucking carcasses off them and flinging them at his cats, one by one. Probably so he can watch how grateful they are to him and make sure they stay a little hungry-- and definitely because it means he can control WHO gets to eat at all.

If Clear Sky chucked a mouse at Falling Feather and someone took it? She would have gone hungry. For not groveling to him. Like when he decides to starve her brother; a hostage who he promised to feed and care for.

He's a dishonest snake. He lied about abandoning baby Thunder, calling it a "test of strength," he lied about Bumble's death, he lied about keeping Jackdaw's Cry fed.

And he lied about starvation to Thunder, because he was just making up an excuse to steal more land.

He wasn't "seeing the signs" of starvation when he moved to "adjust" his borders. Even FURTHER into this so-called "delusional slip" into tyranny, he's freely admitting that it takes months for a person to starve when it benefits his sadistic need to punish undeserving cats.

"Dumb moor cats, always expecting more than they DESERVE."

Not need. DESERVE. It's not a delusion about starvation and it never was. STARVATION is how he CONTROLS SkyClan, and once again he's angry that his pleasure has been sullied.

The massacre at Fourtrees was started over Jackdaw's Cry catching a bat after being starved, on land that Clear Sky has decided RIGHT NOW that he also owns, because it mades him think about being disobeyed.

The bat is forgotten as Clear Sky pivots into a tantrum, wanting to make his family HURT for being 'disloyal' and 'ungrateful.' For leaving him. He LIKES seeing people grovel, cower, and beg, getting PLEASURE from watching how he can hurt and command other cats, and if you don't give him what he wants he will kill you.

Which, make no mistake, is what the "First Battle" actually is. Clear Sky attempting to murder those who don't worship him or swear their undying fealty to him and his twisted dictatorship. Particularly his own son, the most prominent victim of his emotional abuse.

It's not about the bat. It was never even about food or starvation. It's about retaliation for any perceived lack of control.

Once again he breaks out starvation rhetoric to try and manipulate someone, and when Rainswept Flower doesn't buy it just like Falling Feather didn't, he murders her in another fit of entitled rage.

Exoneration arc.

At the end of this battle that was entirely his own fault, we're introduced to the hollowed-out ghost of Storm. She has been flushed of all personality, so that she can be the perfect narrative mouthpiece.

She accepts yet another Fluttering Bird Invocation in spite of how we saw it's not sincere. He was lying the entire time and using starvation rhetoric as a manipulation tactic to get control over his victims.

And that's it.

That's the consequence. Storm's a little mad at him until he says "Buttering Flird" and she swoons.

He doesn't have to be ""afraid"" anymore because the cats just invented an afterlife to believe in. He keeps all of his power and influence and gets off scot-free, because "guilt" (which we SAW him repressing anyway) is supposed to be the best consequence for murder, abuse, and tyranny.

The husk of Storm even materializes again at the end of book 5 to say it outright; he "never drove anyone away." Not even after Book 4 where it's also his fault One Eye took over his Clan for 5 minutes. It was just destiny.

His "redemption arc" is just an exoneration arc. The narrative doesn't think he really did anything wrong.

EVERYTHING about Clear Sky has ALWAYS been about making grabs at power, but since the narrative didn't see a problem with him extorting his personal tragedy and the death of a child, his own sister, he continues doing it. As if these behaviors are normal personality 'traits'.

Even when that sister COMES OUT OF HEAVEN TO YELL AT HIM DIRECTLY,

He finds a way to COMPLETELY miss the point, so he can interpret her words in a bizarrely specific way that will conveniently end with him being the supreme dictator of the entire forest. Just like he ALWAYS does.

It's the entire 5th book. Clear Sky trying to convince everyone, including himself, that it's Fluttering Bird who wants him to grab at power, NOT himself and his own ambition, that THIS time, he promises, for realsies, it's actually about keeping everyone safe.

But just like ALWAYS, because he does not change, when this tried and true tactic manages to work on Thunder, during ANOTHER exchange where he's dramatically pausing and using the cold shoulder to make his pitiable act land harder,

He lapses right back into bullying his child, creating situations where Thunder will have difficulty or be put in pain, so that he can have an excuse to mock and belittle him.

And this all comes to a head when Clear Sky takes romantic interest in Star Flower, his abused son's previous romantic interest.

Predation: Star Flower is a replacement for his son.

Direct parallels are drawn between Thunder and Star Flower. Star Flower contrasts her loyalty to her father to Thunder's "disloyalty" to his own, in an appeal to Clear Sky.

Clear Sky brushes it off for now, citing that he cannot accept her because of who her father was.

But then, Thunder makes the connection between himself and her, because he knows what it is like to be a victim of parental abuse and correctly clocks that they have this in common,

On his vouch, Clear Sky accepts her into the group. She starts trying to offer himself to him; hunting twice as hard as the others, self-imposing harsh conditions like taking a wet sleeping spot. In their second interaction, Clear Sky begins to take interest in her.

Thunder himself points out that Star Flower is seeking an abusive tyrant to replace her own father, which reads like he's deflecting the stress of how his father is abusing him to deny a connection he already made. As if Thunder sees so much of himself in Star Flower that it makes him (rightly) feel sick that his father is romantically invested in her;

Thunder then goes on to follow his own advice and form his own Clan, because Clear Sky IS like One Eye... while Star Flower remains here. At Clear Sky's side. Because she feels like this is what she "deserves," that she "understands" him, truly believing that her crime (warning her father that Clear Sky brought an ambush in case he lost the 1 on 1 death match he requested, which he did) are on the same level as his abuse and murders.

Clear Sky is attracted to Star Flower because, in his own words;

She is young.

She will not betray him.

She won't question him,

and she obeys him.

We've seen what "betrayal" is to Clear Sky-- not taking his excuses or his beatings. To "disobey" is betrayal. To "question" is disobedience.

These are ALL things he's tried to drill into Thunder. We saw him happily exploit their difference in age to tell him he can't have an opinion. He constructed humiliating games in retaliation for ever being questioned. He tried to murder Thunder and his friends for their "betrayal." Even now, being disobeyed causes explosive reactions.

He was previously grooming the things he now identifies as attractive in a young woman into his child.

If your body becomes too useless to serve him, like Frost and Jagged Peak, you're thrown out. If you don't unquestioningly follow his bloody commands, like Falling Feather or Thunder, you're subjected to abuse and public humiliation. If you're in his way, like Misty or Rainswept Flower were, you die.

If you meet all of his expectations...

You will be in a horrific position where you will never have agency over your own life ever again. Every move, every word, will have to be carefully crafted so that he feels like you're "loyal" to him by the arbitrary standard he feels that day. Never step out of line, never doubt his decisions, never live for anyone except him and the children you will give him, not even for a moment, because then you will not be "worthy" of his grace.

Star Flower would be in serious danger if this series wasn't written by abuse apologists. They accidentally wrote a perfect reflection of how child abuse victims often find themselves in unsafe and toxic romantic relationships with large age gaps which mirror what they went through as kids; but this team doesn't clock it, playing this relationship as wholesome and genuine.

He finally has someone who ""understands"" him. Because they think the character they wrote is misunderstood.

but reality is plain to see.

Clear Sky is a monster. The most realistic monster in all of WC-- far, far closer to real life predators and domestic abusers than the "born evil" rogues like Slash and One Eye. The Erins seem to believe that what separates Clear Sky from One Eye is "fundamental" good and "fundamental" evil, when the truth is that they'd be separated by very, very little.

If they had realistic motivations, they would be exactly like the character their existence is meant to excuse.

Slash and One Eye HAD to be kept flat and one-dimensional. If the book was more earnest, the only difference between Clear Sky and One Eye would have been that One Eye is stronger. So strong that Clear Sky needed to manipulate the other groups into helping him.

While anyone can change, not everyone will, and Clear Sky has no reason to. He sees no consequences. He has everything he wants; power, a pretty and obedient young mate, and unchecked authority over a brainwashed forest cult. There is always a victim on a leash, a naive enabler, or a bunch of desperate and gullible marks somewhere in his proximity to bully into doing his dirtywork

Whether his "intentions" were sincere or not (evidence points towards not) at its root it was always about control. Power is something he perpetually keeps, and continues to violently use.