#from her outside perspective nothing bad even happened with him
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loveandthings11 ¡ 1 year ago
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Kenaomi insight! 💕
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gisellecnz ¡ 4 months ago
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𝐋𝐎𝐕𝐄 𝐀𝐓 𝐅𝐈𝐑𝐒𝐓 𝐆𝐋𝐀𝐍𝐂𝐄
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💌 𝐩𝐚𝐢𝐫𝐢𝐧𝐠: Teen!Gojo Satoru x Teen!fem!reader
💌 𝐬𝐮𝐦𝐦𝐚𝐫𝐲: The most worst thing Gojo never wanted to happen became true. But after meeting the new transferee, all his problems went away.
💌 𝐜𝐨𝐧𝐭𝐞𝐧𝐭: Highschool 2009 jjk, Gojo being sad after the Geto incident, Reader is a transferee from Kyoto Jujutsu high, Reader is a 2nd year and Gojo is a 3rd year, fluff, slight angst
💌 𝐧𝐨𝐭𝐞: Might actually consider making this into a series... From Gojo meeting you for the first till you both are married and have children AACKKKK. Also, if you're wondering why it's not 2006, the year where gojo and Geto separated happened during 2009 and they were 3rd years
💌 𝐖𝐂: 1.4k
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2009 — 2 days after Gojo and Geto separated.
.
.
.
That sickening feeling of regret gripped Satoru as he sat down on the rough, stoned surface of the stairs outside Jujutsu high. He tried to reminisce the moments he had shared with his one and only, best friend Suguru Geto. He hoped that it would relieve his feeling of remorse after the incident. But instead, it made him feel worse. So worse that it made him feel more empty–an emptiness that was sinking deeper and deeper into the dark. He's the strongest, but why couldn't he save his loved ones? He just wishes that he had the ability to rewind the time.
EVERYONE knew that the two bestfriends were inseperable. Yet, was what so important to Satoru had been taken away from him.
Not until......
"Yo, Satoru, are you okay?" Shoko asked as she was approaching the white-haired man, who seemed depressed. Who did nothing but just stared at the ground while sitting on the stairs. It was rare to see Satoru in this state—His usual joyful and playful attitude replaced by a quiet demeanor now, made Shoko feel bad for him.
"...Yeah, I'm fine, it's just that... " He paused, not knowing what to say afterwards. He couldn't think of any excuse.
"... Don't worry, I understand." Shoko replied as she pulls out another cigarette. Searching for the lighter in her pocket.
"..Oi, Ieri-san, what do you think, am I the strongest because I'm Satoru Gojo? Or am I Satoru Gojo because I am the strongest?" He has been pondering about the same questions over and over, and still couldn't find the answer to it. But just now Shoko was too busy with her cigarette, that she didn't perceive what was Gojo was saying.
"Sorry, we're you talking to me?" Shoko puffed the smoke out of her mouth, and puts the cigarette back in to her lips.
Gojo sighs, "Well, forget it. Let's just go, that old man might start exploding by now if we go back to his class late again. " He finally stood up from the staircase as he walks together with Shoko back to class whilst watching the bright blue sky through his sunglasses.
After a few walks on the way to class, Shoko spots an unfamiliar girl who was wearing the same uniform as her, she had a pretty face. But the girl seemed puzzled of where she is right now.
Shoko taps on Gojo's shoulder, "Hey, is that the new transferee from Kyoto? I heard she's the same year as Nanami."
Gojo looked down from the sky, "Eh? Ha? What transferee? Whe–oh... " The moment he laid his eyes on you, he felt a rush of emotions. He's confused of what he is feeling. Why is his heart beating so fast? Why does his face feel hot? What? What?? You're even prettier than the model that he has as his wallpaper on his phone, just who are you?
(hey!! Waka inoue is very VERY pretty, this is just based on Gojo's perspective in my fic) (Also, think of this as the bg music of this scenario the moment gojo lays his eyes on you)
The way he is feeling right now felt so soothing and comforting, as if that emptiness he felt earlier felt like it was no longer there anymore.
He felt weird—for him, he felt like there was a connection between the two of you. His six eyes tell him that he's just crushing over you, but his soul tells otherwise. You were absolutely WAY more than that.
.
.
"Oi! Satoru! Stop daydreaming, that girl seems confused right now. We should ask her." Shoko snaps her fingers in front of Satoru's face, bringing him back to reality. "O-okay...!" His whole body tensed, and Shoko cringed at his reply.
As they approach you, your gaze met Satoru's, he feels even more tense. By now his face turned as red as a tomato.
You quickly ran towards them, feeling relieved that you finally found people that you can ask help with finding your dorm. You may have been to Jujutsu high's sister school, but this school was way different than the one in Kyoto.
"Oh thank goodness. I'm a little lost right now, but you guys must be the 3rd years. I'm [last name, first name]. I'm a transferee from Kyoto Jujutsu high. Nanami-san has told me about what you guys looked like in case I ran into you. " You said shyly.
Shoko smiles at your introduction, she knew you the both would get along well. "I'm Ieri-san, I work with healing a ton of people. And this is–" The moment Shoko points at Satoru, he scratches the back of his head, trying to avoid looking at you. Fuck, he's never acted like this in front of new people before. What were you doing to him? The only thing he could do right now is just to shyly wave his hands at you. "–Gojo. He may look stupid but he's actually really strong, he's a special grader."
Shoko went to take a look at Satoru, thinking why he was so quiet. Usually when he goes to introduce, he'd go boasting. He could even take an hour to introduce himself. The way he looks right now was so awkward–Red face, sweating, the way his eyes were avoiding to look at you, and he ONLY waved at you. Now that she has given a thought to it, mischievous thoughts filled up in her mind. She now found a new way to tease Gojo.
Upon hearing their introduction, your face lit up. They sounded really cool! You were happy to have them as your seniors. At that moment you didn't notice Gojo's awkwardness; you were more concerned about finding your dorm. But you wouldn't mind a little talk with them.
"Oh, I've heard a lot about you and your insane powers! You're really famous. I knew you were in Tokyo Jujutsu high. So when I was gonna transfer, I was looking forward to meet you." You were referring to Gojo.
When you looked up at him, his sunglasses were resting on the bridge of his nose, revealing his ice-blue eyes. His long white lashes framed them perfectly. His eyes we're sparkling like a sunlight above the rim of his glasses. You were slightly taken aback by how breathtaking his eyes looked. And he also had a well sculpted face. Now you understood why you kept hearing girls squeal about this particular guy.
After Gojo heard your comment about him, he felt like he could seriously melt at this moment. He stuttered a short "...T-thanks..." in reply. How long will he stay here talking with you? He can't take it anymore!
And it seemed like the gods heard his prayers, Shoko gave Gojo a teasing look. She pat his shoulders and told you that he wasn't really feeling well today. "Sorry, this guy kinda got a fever today. He'd go bragging about himself if he wasn't. He's gonna have to go back to his dorm right now." Shoko looked at Gojo with raising her one eyebrow up, giving him a teasing smile. It pissed Gojo off that she knew he had an instant crush on you. But anyway, she still helped him. "Gosh darn it you Shoko. "—he mumbled.
You turned to look at Gojo to see he was turning away now, a little disappointed that you guys didn't really get to talk that much.
"...Oh, I see. Get well soon then!" You yelled, but not too loudly as Gojo was about to head back to his dorm. But after all the talking, you remembered why you were here in front of Shoko—"Oh yeah. I forgot to ask something, it says my dorm is **** but I don't know where it is. Please help me find it!"
And after that, she was able to help you find your dorm, but the thing is..
*what happened after*
Satoru: "Shoko, what the fuck do I do. It's like I'm being tested, her dorm is right next to mines!!!??" he panics.
Shoko: "Looks like somebody's whipped..." *she raises both her eyebrows up and down repeatedly*
Satoru: "Oh my gosh shut up, I feel like I could melt any minute. What the heck is that woman doing to me... "
Shoko: "You were all emo and stuff earlier, now you're all giddy? She really did a huge impact on you. Aaaanddd it's the first time you were acting timid."
Satoru: "I know! When I first saw her, it felt so weird. I dont know how to explain it! It's like....weird in a good way.... "
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tags: @byakuya61085 @angelsleepinggurl
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imaginestuffs ¡ 2 months ago
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phases- Tyler Owens x F!Reader
Word count:3,721
Warnings: language, angst, fluff
Summary: Reader thinks over moments in her relationship with Tyler. All the good, and of course the bad.
A/N: I don't usually put an author's note, but I thought I should this time. This isn't my best writing honestly. I wrote this on my phone on a long drive. It all just kind of spilled out of my brain, and I liked it, but it's kind of all over the place. So, if you're willing to ignore some flaws, and bear with me I thank you!
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(gif not mine)
You never knew what it meant to love and be loved; by the one person you had waited for your whole life. 
The moment you met Tyler your life changed, your perspective was altered, so much so that you couldn't remember what it was before him. 
Every shade of sky, every mood, you had experienced with him—frustration, fury, embarrassment, love, admiration, and best of all acceptance. 
Through him, came your found family. The group of people you had the pride and honor of knowing and loving. Just being with them gave you a sense of freedom, respect for the unknown, and an acceptance of what's to come. No matter the difficulty you'd have them to pull you through. 
Before you met Tyler, you feared the storms, it didn't matter how many you weathered. The chance they could take everything from you in seconds was terrifying to you. 
He held you through the night. being your shelter for as many storms that made you tremble, and grip him tighter than you ever had. 
---
Your fear of storms originated when you were a little girl. You could remember the sirens going off and having to hide in your basement. You weren't able to get outside in time to get to the shelter. So your father rushed you into the basement. it was completely dark as your father guided you to the pipes he knew were in the corner of the pitch-black room. 
He instructed you to wrap your arms around them, and no matter what happened not to let go. 
You weren’t sure how long you were down there. But every slam against the house rang in your ears. Each creak of the foundation caused a jolt of fear to course through you. 
You could hear the raging wind decimating everything in its path. You knew that so much that you loved would be swept away. The town you grew up in would be devastated, it would never be the same. 
When everything went completely still, no wind could be heard, and all things seemed to have stood still, your father gently pried your hands from the piping. 
Your hands shook from how hard your grip was. Even now, they still shake during storms.
You hadn’t told Tyler about what happened when you were a little girl. Thinking that if a storm came you would cover up your fear. He had told you that he was a storm chaser but you hadn’t gone on any chases with him. So he was never around for storms. 
But it seemed that wouldn’t be the case for this one. You saw the dark clouds looming in the distance and the air smelt of rain. You just knew there was no avoiding this. You’d just have to do your best to hide your fear. 
Tyler walked into the kitchen and saw you looking out the window. He padded across the floor to wrap his arms around your waist. 
You felt his arms twist around you and jumped. You heard Tyler chuckle and felt him press a kiss on your cheek. 
“I didn’t mean to scare you,” you heard the smile in his voice. You forced a soft giggle and placed your hand over his. 
He could tell that something wasn’t right, there was no quip or witty response to him. You were tense, and he felt your hands shaking. 
“Baby, what’s wrong?” Tyler's breath warmed your cheek as he spoke to you. 
Your heart began to race, “Nothing. I’m-uh-I’m just fine. Are you excited for the storm?” you turn in his arms to face him. 
You reached your hands up to play with his hair and you felt the slightest bit of relief as he looked at you so softly. Yet you couldn’t stop the tremble in your hands. His hand moved a strand of hair from your face as he studied your behavior. 
“You can tell me anything, you know that right?” his hand rested against your face and you leaned into his touch. You nodded at him, “I know Ty,” you assured him with a kiss on his palm. 
The first clap of thunder sounded and you yelped, your hands covered your face and you slightly shook. The sky sounded off again and instead of sliding to the floor, Tyler pulled you close. 
“C’mon (y/n), let's get to bed now huh?” his voice was calm. 
“You’re not mad at me?” Tyler could hear the nerves in the way you spoke. 
He took your chin between his pointer finger and thumb gently having you look at him. “I’m not mad at you, I could never be mad at you,” he nudged your nose with his. You smiled weakly, and he guided you up the stairs and to your bedroom. 
His shirt lay discarded on the floor along with your sweats. He knew you hated wearing too much to bed. You had always said it made you feel too closed in. So there you were lying next to him in one of his shirts and your favorite polka-dot underwear. 
He allowed you to wrap yourself around him and promised that he would show you there was nothing to be scared of when he was there.
The thunder rolled and lightning struck. Rain pelted the roof and windows. The wind blew and whistled through the old oak outside your window. 
Each boom caused you to shake. Every gust of wind and blinding flash, had your heart pounding against your ribs. 
But there he was, secure, steady, and warm. Whispering assurances in the dark. Holding you close, unwavering. 
Your face buried in the crook of his neck, and his hand warm and rough against your back. 
His lips soft against your hairline, "I've got you, sweetheart. Nothing's gonna hurt you." He breathed out. 
A particularly strong gust of wind rattled the window. You let out a cry and wrapped yourself around Tyler. 
He felt warm tears drip on his skin. He lightly tugged you away so he could see your face.
"Please don't, please don't let go," your voice broke. His heart ached at your plea. 
"I'm not going anywhere. Look at me," he said. Softly brushing a piece of hair from your face. 
You didn't budge. "(Y/n), baby, look at me. You've got nothing to be afraid of," he said and pressed a kiss to your forehead. 
He gently did his best to coax you out of your hiding spot. 
"C'mon sweet girl, I've got you," he reminded you. Slowly but surely you shifted so you could look at him. 
He saw the tear stains on your cheeks and the fear in your (e/c) eyes. His gaze softened, and he leaned forward to kiss your red nose. 
"I'm sorry Ty," he heard your uneven breathing. 
He placed his hand on your cheek and rested his forehead against yours. His lips were just a whisper away. He placed a messy kiss on your mouth. Your breath hitched at the soft gesture. 
"You have no reason to be sorry," he mumbled before he pulled you back in for a real kiss. 
Albeit short, it was enough.
---
Now after 2 years of being with him, your fears lessened. Still, there were times you got scared, but with his hand in yours you never felt safer. Even when you weren't in the truck with Tyler. Dexter and Dani would have an arm around your shoulder. They knew watching the live streams made you nervous. 
You’d always cheer and celebrate but once the sky cleared you let out the breath you were holding.
---
You stood next to Dani who had their arm secure around your shoulders. 
You saw Tyler, Boone, and Lily getting closer to the oncoming storm. The sight was still as unbelievable as it was when you first saw it. 
Looming dangerously close to the people you loved. Even so, the smiles on their faces, and how they shouted in excitement spoke volumes. Eyes wide with a sense of wonderment. 
The all too familiar fearlessness etched on your boyfriend's face. It brought a smile to your face. 
As they anchored the truck into the ground, your heart raced. You shouted along with Dani and Dexter. You heard the fans around you cheer too as they shot fireworks up into the funnel. 
You watched as the sun came back into view, and they jumped out of the truck. You let out a sigh of relief. 
"Woo! Did you see that?!" Boone shouted and you laughed. Dani laughed out loud and picked you up in excitement. You held on tight to them and laughed as well. 
"She was gorgeous!" Tyler shouted. "Just like you babe!" He pointed at the camera and you knew he was talking to you. 
You blushed and smiled. 
As soon as the group reunited, you leaped from the RV. 
"Tyler!" You shouted as he stepped out of the truck. 
He quickly turned toward you with a huge smile. "Hey, baby!" He held his arms open and let you run into them. 
What he didn't expect was you to jump into his arms. He caught you and laughed, your face was buried in his shoulder and he placed a kiss on your neck. 
You wrapped your legs around his waist, he held you up underneath your thighs. You looked at him with a big smile, that mirrored his. 
He set you on the tailgate, before bending down and pressing his lips to yours. One hand traveled to your hip, the other hitched your thigh higher over his hip. Your slender fingers ran through his hair, gently tugging at the strands. Your thumb affectionately stroked his cheek.
A low whistle sounded behind you and you smiled against Tyler's lips. 
"We know it was a good chase but damn, didn't think you would be that excited." Dani teased. 
You giggled and hid your face in his chest. He looked down at you in adoration. He let you go and helped you hop down from the bed of his truck. 
The group looked at the two of you knowingly. Boone winked at Tyler who rolled his eyes. 
"Use protection!" Lily shouted as you pulled Tyler up the staircase, and to your room for the night. 
---
Sometimes things got rough. For a brief moment in time, you felt forgotten. Forgotten by the one person you never thought would forget you. 
You thought it was over.
---
Tyler woke you up one morning. He was already dressed and ready to head out the door. 
"Where are you going T?" You asked in confusion. Trying to rub the sleep from your eyes. 
Tyler looked over at you with a sad smile. 
"What's wrong?" Your voice had grown concerned. 
"I'm going to check on Kate. She left in a hurry, and I'm worried about her." He said and fiddled with the arcade ring on his finger. 
Your brows furrowed together, "what?" Your voice was softer than usual. 
He shut his eyes and ran a hand over his face. 
"She went through hell last night. Dexter remembered her name from the paper a few years ago. I'm going to see if she's ok," he sighed.
"Alone?" Wondered aloud. He shifted his weight. "Were you even going to tell me? Or were you just gonna leave?" Your voice shook.
"I was gonna leave a note..." he trailed off and cringed at how shitty that sounded. 
"Fine, go." You said and pointed at the door. 
You did your best to hold back your tears, of both frustration and hurt. 
He tried to take a step toward the bed but you pushed yourself further back. 
"Baby, please understand, she needs someone right now," 
You huffed and shook your head. "Right, then leave. It's not like anyone here needs you," you mumbled. 
He watched as you stepped past him and walked into the bathroom. The door wasn't slammed shut but closed softly in a way only you did when you were hurt. 
Tyler stepped up to the door and placed his hand against it. "I love you (Y/n)," he said. 
With no response from you, he walked out the door. 
Having heard the door shut you let a few tears fall. You didn't want the team to see how upset you were so you pulled it together. 
You slipped into your jeans and a tank top before heading out the door. 
The door shut behind you, and before walking down the stairs to greet everyone you plastered on a smile. 
"You guys ready to chase some storms?!" You called down the stairs. The group turned to face you and they all whooped as you jumped the last few steps. 
You ran over to them and asked if there were any possible storms. 
As soon as you asked Dexter shouted. "I've got one! This cell to the east is looking strong, we gotta go!" 
You all piled in the RV as best as you could. It was nowhere near comfortable but it would have to do. 
Staring at the sky turning gray, and the horizon being blurred by the tornado picking up speed. The thought of Tyler running off to comfort a girl he barely knew, was eating away at you. 
Despite not being able to drive straight into it Liliy's drone picked up all you needed to see.
You wanted to jump out of the RV, let the wind whip your hair and the rain lash your face. You wanted to scream until you couldn't anymore, but if you did your friends would surely know that there's something wrong. 
You stayed silent as the tornado dissipated. 
It had been 2 days since you had seen or heard from Tyler. You had put on the performance of a lifetime. Each time Boone or Lily asked about Tyler, you just told them that everything was fine. You acted as if it was no big deal, and continued to smile.
"Tyler! Man, where have you been?" Boone cried down the phone. Your head turned to see him on the phone. 
"Wait, wait. Kate did what?" Boone questioned in confusion. He went silent as Tyler spoke to him. 
"Where do you want to meet?" Boone listened to his friend's instructions. 
He called everyone over and explained what was going on before rallying you all into the RV. 
Everyone chatted about Kate's plan, and you chose to stay silent. You didn't have much to say. All you thought about was Tyler, staying with her for 2 days. Her riding shotgun while they chased a tornado. 
They hugged and celebrated the rush of adrenaline after the storm passed. 
Before you knew it you arrived at the place he told you to meet him. 
Everyone exited the vehicle and went to greet Tyler. You stepped out of the RV and made your way over to the group. 
Tyler saw you hanging back and smiled softly trying to break the tension. 
"Hey Sweetheart," he said and opened his arms hoping you'd run to hug him. He knew he had messed up the second he reached Kate's house. 
He didn't know why it took him so long to realize the actual damage he had done to you. But he couldn't have turned back then. It was too late, you were already hurt. 
You sent him a curt nod before Kate came walking toward you. 
"Finally ditched the losers huh Kate?" Boone grinned at her and she smiled. 
The rest of the team greeted her with smiles and open arms. She looked over at you and tried to send a smile your way. 
You weren't a terrible person so you, just like you did with Tyler, gave her a curt nod. 
You listened as she and Tyler explained their plan to you all. You understood, and couldn't lie that you were impressed. But it didn't hurt any less when he smiled at her excitement.
Seeing her work so easily with everyone made you insecure. It took you a while to settle in when you met everyone but with her, it seemed like they had known each other for years. 
You leaned against the back of the RV as you tried to get a moment for yourself. 
You didn't hear his footsteps until they were right next to you. 
You looked away from him and did your best to not let your emotions get the best of you.
His shoulder bumped yours as he leaned back. His hand brushed yours and your heart jolted. 
"(Y/n), will you look at me?" His voice was soft. 
"Why?" You shrugged still avoiding his gaze. 
"Because I want to talk to you. I need to hear your voice," it came out almost as a plea. 
“If you wanted to hear my voice, you should’ve called. You should have stayed,” you refused to look at him.
“I know, I messed up. I was an asshole and I-I” he didn’t know what to say.
The sound of his voice made your stomach turn. "Please," he tried one last time.
You reluctantly turned to look at him. The man you loved. 
He could see the dark circles under your eyes and you looked like you hadn't truly rested in days. His heart lurched at the thought of this being his doing. 
"Baby..." his eyes filled with concern as he reached up to place a hand on your cheek. You stopped his hand before it reached your face. 
"Now you care?" Your voice was harsh. He could see the hurt and frustration in your tired eyes. 
"What do you mean, "now"?" He narrowed his eyes at you. 
You rolled your eyes and laughed bitterly. 
"You were going to leave me in our motel room, with a note telling me that you went to be with a girl you hardly knew because she needed you. You didn’t call, you didn’t text. You went radio silent for 2 days." You barked. 
You threw your hands up, and he began to speak up. 
"I didn't mean to hurt you. I admit what I did was stupid, but look where we are now. We can help, we can make a difference!" He raised his voice. 
"I guess you found your match huh? Someone as smart as you. Not some girl who doesn't always understand what you're talking about. You found someone to make a difference with. You don't need a stand-in for the right person anymore." You didn't mean for your voice to waver at the end, but you couldn't help it. 
His eyes widened, and you could see what you said hurt him. 
"That's really what you think? You think you're a stand-in, you're just temporary?" His heart broke.
Tears threatened to fall, as you looked at him. 
"That's exactly what I think. You've acted differently ever since you met Kate, and now I realize that you found the one you really want." You stated.
He threw his hands up and ran them through his hair in frustration. 
"You're crazy, you're actually crazy." He looked at you in shock. Shocked that you believed he thought of you as a placeholder while he waited for “someone better”. 
His words broke the dam of tears you'd held in since the moment he left. 
He saw tears pour down your cheeks and grabbed you to pull you close. His arms were wound around you tightly and no matter how much you tried to push him away. No matter how much you struggled he held you.
"Let me go, Tyler!" You cried but he didn't let go. "I'm not letting you go." He stated.
"I love you." He said and looked down at you. Your face was wet with tears, and he could see how much he hurt you. But with his words you let yourself fall against his chest. Your tears soaked his shirt, and you clung to him. You didn’t know how much you needed to hear that until now. After feeling second best since Kate showed up, all you needed to hear was that he loved you. Just you.
He pressed his lips to your head. "God, I love you so much, Sweetheart. I'm so sorry. I love you," he whispered in your ear. He felt your frame shake in his hold, and he didn't know if it was possible to hold you any closer. 
You pulled back and looked up at him to see tears in his eyes. 
"You're so fucking stupid Tyler Owens. I should hate you, but I just can't," you said and pulled him down to kiss you. His hands immediately found your waist. 
He kissed you as if his life depended on it. Like you were the only thing he needed to live.
Your hands touched him anywhere they could. Wanting to memorize every part of him. 
He gripped your hips, ran his hands under your shirt, and traced every inch of your skin. Grabbing at the flesh of your waist. Doing anything he could to commit your body to his memory. His lips wandered to your cheek and left a trail along the column of your throat. He savored every sound, every sigh, every whisper of his name. 
The slam of a car door snapped you back to reality. He pulled away from you, with a soft smirk on his lips. You knew you must have been a sight. 
"Help me?" You asked him. He knew what you meant, and immediately ran his hands through your hair, as you wiped your cheeks.
He fixed the collar of your shirt and smiled before leaning down once more to kiss your plush lips.
"You still have a lot of making up to do," you pointed at him. 
"I'll do anything for you," sincerity dripped from his words. 
"Alright, love birds. We get you made up but we have to go!" Boone yelled. 
You chuckled as you ran towards the truck. Tyler helped you in, kissed your hand, and rounded the truck to get in the driver's seat.
---
Things after that day had changed drastically. Tyler had done everything he could to gain your trust back. 
He took a week off from chasing to stay home with you.
The time was spent tangled in sheets. It was spent in sundresses having a picnic in the field by your house. It was spent falling in love all over again.
---
-Hope you liked it alright! thanks for reading if you made it this far! <3
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aperrywilliams ¡ 7 months ago
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It Was Horrible Until It Wasn't (Spencer Reid x Fem!Reader)
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------------------ 
Author Masterlist
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Part 1: If Anything I Find It Educative
Part 2: It Was Horrible Until It Wasn’t
Part 3: Douchebag Falls Short in This Case
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Pairing: Spencer Reid x Fem!Reader.
Summary: Reader comes up to her apartment after Spencer walks her home from the diner, where they spend the last couple of hours. She is still processing the night and wonders if they will meet again. Another fortuitous event makes that happen. In which terms they will part ways again?
Word Count: 5.1k
Warnings: Mention of guns (tests to carry a gun). Mention to Reader's ex. Some strong words? IDK what else. If I forgot something, let me know.
A/N: I got very excited after your reactions and comments to "If Anything, I Find it Educative." So this is kind of part two, from Reader's perspective. I'm not convinced about a series yet, even if I have some ideas. What would you like to see if it happens?
-----
Reader's POV
-----
As I open the door, a bunch of cardboard boxes scattered on the floor greets me. That reminds me that I haven't unpacked all my things yet.
I've only been living here for two weeks, and I'm still getting used to the idea that this is my new home. 
It doesn't feel like it yet. 
But the boxes will be a problem for tomorrow. Now, I only want to take off these high heels and this fancy dress and call it a night - a pretty eventful night.
Not only did I have to confront my ex with his new girlfriend, but I also had to pretend I was okay with it. But how did I expect to do that? Did I genuinely think two months would be enough to be outside again to prove I got myself up? 
How naive of me.
I make a beeline to my bedroom, not even bothering to look at the rest of the apartment.
Again, it's tomorrow's problem.
Retreating my phone from my purse, I plug it to charge over my bedside table as I strip from my clothes and go to the bathroom to do my nightly routine.
The entire time, my mind doesn't stop wandering. At some point, it settles on the girl I helped from choking. It was a total coincidence for me to be there. I only approached the bar for another drink when I heard that man rambling. I don't know why my ear perked up, but it did. When I look to find the voice's source, my eyes land on the man and the girl by his side.
He was talking as if the world would end if he didn't, and the girl only eyed him from head to toe, clearly not giving a damn what he was saying. I kept subtly listening to them while sipping my drink. The guy's voice had something enchanting. I would have heard him talk for hours if it were from me. It was a bad thing his interlocutor wasn't so receptive, and when she occasionally said something, it was a flirting remark that only made him uncomfortable. 
What a shame.
When I noticed her fighting to breathe, swatting her hands in desperation, and the poor guy froze on the spot, I knew I needed to do something.
I didn't think much of it and wrapped my arms around her torso to help her. It worked. The oyster she choked with flew into the air, and she could breathe again.
But the next thing I knew, her palm connected to the man's cheek.
The poor guy seemed so confused, and the people talking around didn't help either. What a shitty situation. And as the good citizen I am, I tried to do something about it, only to get lashed out by the same woman I just saved from choking.
Fuck it. 
Seeing the people's attention returned to them, I walked away. That wasn't my fight in the first place.
Returning from the bathroom, I hear my phone ding. It's a text from my friend Andie.
Andie: How did the gala turn out? Did you see him? He was with her, right?
Andie had insisted on me not going to the gala, although I repeated to her several times that it was okay, that nothing would happen, and that I couldn't hide forever.
Me: You were right. I wasn't ready.
It's a defeat I must recognize. I wasn't prepared to see them.
Andie: My girl, I'm so sorry. It must have been awful for you.
It was, but it doesn't mean the night was a disaster.
Me: It was horrible until it wasn't. I can tell you more tomorrow. Now, I only want to go to bed.
Andie: You have me a bit confused here, but okay. I'll call you tomorrow. Sleep tight; I love you.
I return my phone to the charger and slip under the covers.
It was horrible until it wasn't.
I keep thinking about that. And a smile tugs the corner of my lips. Since Spencer - the guy who got slapped by the oyster-choked girl - approached me at the terrace, the night wasn't that awful anymore.
Who would have thought I would end my night in a diner, dressed to the nines and spouting details of my messy life to a stranger?
-
Monday morning comes faster than I wanted. 
I spent my Sunday mostly unpacking boxes and tidying my apartment, and now, with a coffee in hand, I cross the hall to my office on the third floor of the FBI building in Quantico.
Some colleagues greet me as I pass by. I return them with a polite smile. I saw a couple of them at the gala on Saturday. I only hope they didn't notice the wreck I was that night.
On my desk, a pile of hundreds of manila folders are waiting for me.
This Monday will be a blast.
Dutifully, I reach for the first folder to start my work, as my ear perks up to two colleagues' conversation about the gala.
"Did you see them? Those hot chicks from Counterterrorism?" a male colleague says to another.
"Yeah. I heard one of them was hitting on Reid from the BAU. What a waste!" The other adds.
"And the lucky bastard wasn't able to take her home. His nerdy charm didn't even help him with that."
The mention of the BAU brings Spencer to my mind again. And I realize I don't even know his last name. 
I don't think I need to know, but I can't stop my fingers from typing 'Spencer FBI BAU' on my computer.
My findings make the conversation between my colleagues intriguing. They were precisely talking about Spencer, Spencer Reid, and the girl with him at the gala. Clearly, the incident did not go unnoticed.
I don't like the tone they refer to him, either. I do not know the guy well, but I'm sure he's way better than any of the men at the venue that night.
Are you hearing yourself (Y/N)? That kind of blind trust put you in this situation with your ex in the first place.
I shouldn't grant credibility so fast, but honestly? Spencer seems to be everything but a threat. The things he said, the way he spoke. Anyway, I should stop thinking about that if I want to finish some work. Yeah, that's what I need to do.
Drowning out the noise, I return to the opened folder and continue working.
Some would ask how a task as monotonous as the one I'm doing now could be appealing to someone. The appeal for me comes from how everything fits in the right places and serves a purpose. That's enough for me, even if some people don't understand it.
My ex didn't. And as him, many others.
I'm still fighting to ease the effects their judgments had on me.
Around lunchtime, stopping the papers review, I pick up my phone to check my messages. Yesterday, I promised Andie I would have lunch with her today, so I'm checking for her confirmation and a place to meet.
Just in time, a text comes. She is free right now and suggests a restaurant just outside the building.
"Hey, girl! I'm glad you made it," she greets me as I spot her on one of the tables.
"Of course. I promised I would."
Lunchtime is only one hour, so we order quickly and go straight to the matter.
"I can't believe the son of the bitch decided to go and show off his new conquest," Andie huffs.
"Not that new, considering she has been sleeping with him in what used to be my bed at least a month before I discovered it," I correct with an annoyed look.
It's good to say these things without crying my eyes out anymore.
I tell Andie more details about how it went to share a space packed with mutuals around us and try to stay composed.
"But at some point, I just couldn't. So I retracted to the bar. I only wanted to grab a drink and be alone."
Andie nods in understanding.
"I don't blame you. So you were at the bar when you crossed to the girl to whom you did Heimlich?"
Yesterday, by phone, I told Andie the main facts regarding that, and after laughing for a solid five minutes about the whole ordeal, she made me promise to reveal more details in our lunch meeting.
That's why I'm describing what happened piece by piece.
"She slapped the guy? And she yelled at you? What a bitch! But I don't understand why he apologized on her behalf."
"Honestly? I didn't understand it, but it made sense after talking with him. The guy felt responsible, even if it wasn't related to him. It was the fact that someone had to do the right thing," I explain, with my eyes fixed on my water glass, recalling Spencer's words from that night. 
I can't help but feel some fondness for his genuine worry. Andie raises an eyebrow and hums.
"The guy made a good impression on you, I see."
Andie's tone is teasing, and I know exactly where she is heading.
"Come on, don't start with that," I warn her. I'm not thoroughly annoyed, but I'm not in the mood for teasing. Andie scoffs.
"I'm just saying it's good to know there are men out there that give hopes up. That's all!"
"Sure," I mumble, not very convinced by her explanation.
The rest of our lunch follows a similar tone. When I finish telling Andie about Spencer walking me home, I know she is biting her tongue to say something to taunt me, but she holds back and opts for a question.
"Do you think you'll see him again?"
I ponder my answer. I don't know, although I remember Spencer asking, 'See you around?'
That doesn't mean we agreed to see each other again, even if I said, 'Sure, why not?' 
Did Spencer mean that? Did he want to see me again?
"I don't know. Maybe. We both work in this building, so there are chances, I guess," I shrug. Andie narrows her eyes.
"But do you want to?"
That's a question I don't know how to answer, so I take some seconds to think about it.
"Let's say I'm not opposed to the idea."
A reply that could be an understatement. But not I'm telling Andie that.
She doesn't press on the matter, though. And I'm grateful she doesn't.
Now it's time to go back to work. We walk out of the restaurant to our building and separate ways at the elevator. Andie continues to the eighth floor when I hop off on the third.
Returning to my desk, I continue checking the folders piled on my desk, and my mind only focuses on that, knowing if I don't, there is no chance of getting this stack finished.
----
A good thing about the week progressing is nobody talking anymore about the damn gala. It's been a nightmare since Monday when everyone had to mention something about it. That included comments about me facing my ex there. 
Of course, it was public knowledge I was dating an agent of the Criminal Investigative Division. Also, it became public knowledge he cheated on me with his current girlfriend from Counterterrorism.
But finally, it is Thursday, and everything seems to have returned to normal, so much so that the amount of work has increased exponentially. That's why I'm still at the office at seven pm.
I only assume it's time to go home when my boss pokes out of his office and calls for Andrew, one of our coworkers who distributes files and memos to the other departments.
I turn around, and it's only me at this hour. My boss notices the vacant office and is now talking to me.
"I guess I have to ask you to do this. Can you go to the sixth and drop this to Aaron Hotchner's office? I would have waited until tomorrow for Andrew, but this must be at his desk today."
I don't think I have a choice, so I pick the folder, promising to drop it before going home.
With my coat and purse, I grab the folder and stroll to the elevator.
I have been working here for four years and know every financial detail of each Quantico department, but I still need to recognize all department locations in this facility. So, floors are just floors, except the eight where Andie works.
Arriving at my destination, I walk into a bullpen, where I can see a lot of desks and offices. And just like my floor, it is almost empty. Anyway, I see one of the offices with lights on. My instinct tells me that's the place I'm looking for, and the plaque at the door confirms my suspicions: SSA Aaron Hotchner.
"Come in," a voice comes from the office when I knock.
Peeking inside, a stern-looking man is glancing in my direction. "Can I help you?" he asks with a slight frown.
"Yes, sir. I'm with the Finance Division, and my boss asked me to bring this to you," I explain as I reach out to hand him the folder. When he grabs it, realization washes over the man.
"Of course. Thank you very much-" Agent Hotchner trails off.
"(Y/L/N)," I supply, knowing he wants my last name.
"Thank you very much, Agent (Y/L/N)."
Weird. 
Everyone in the finance and administrative department refers to each other only by last name. We use the 'agent' thing mainly with those who do the fieldwork, and we are used to that.
"You're welcome, Agent Hotchner," I smile politely, ready to leave the man's office. He nods approvingly.
"Hotch, sorry for interrupting you, but I'm ready with my report. I thought you wanted it-"
A man talks, entering abruptly at the office. He stops in his tracks when he sees Agent Hotchner isn't alone.
"Oh, I'm sorry. I didn't know you were with someone. I can come back later," he apologizes.
Wait. I know that voice. 
I turn, and I see Spencer standing there. His eyes meet mine, and I feel my cheeks burn. He doesn't say anything but doesn't tear his eyes from mine.
I don't know how many seconds pass, but it's enough for Agent Hotchner to intervene.
"Reid?" he calls Spencer's attention.
"Uh?"
"The report. It's okay; you can give it to me," he tells Spencer, not without subtly bouncing his gaze between us.
"Oh. Okay." Spencer approaches Hotchner's desk, but he still directs glances at me. I want to say hi to him properly, but it doesn't feel okay knowing the man in front of us is undoubtedly his boss. I don't want him to feel uncomfortable. So, I take that as my cue to leave.
"If you excuse me," I tell Agent Hotchner, signaling my departure. Spencer looks at me, and I give him a subtle smile.
"Of course. Thank you again, Agent (Y/L/N)."
"To you, sir. Have a good evening."
I walk down the stairs to the open bullpen and toward the elevator.
Before I can push the go-down button, a voice calls my name. It's Spencer's.
"(Y/N), wait!"
I turn and see him trotting towards me.
"Hi!" he says once we are face to face.
Now I feel bad. Spencer comes here to say hi, and I didn't greet him properly just two minutes ago. 
"Spencer, hi. I'm sorry, I should have said something there, but I didn't know if you wanted him to know- I mean, I supposed he was your boss, and I-"
What's wrong with me? 
Why can't I explain myself without stumbling with my words?
"No. No. Don't apologize. It's okay. I should have told you something, too. But I didn't expect to see you here."
"Me neither. My boss sent me here instead of one of my coworkers, who left early. I didn't know this was the BAU floor. What a coincidence, uh?" I play cool, shifting my weight from one foot to another. Spencer nods in agreement.
"Totally. It's good to see you, though. I hoped we could cross paths again."
Isn't it weird that his words have produced a funny tingle in my stomach right now?
"Is that so?" I half-breath, noticing his cheeks turn a shade of pink.
"Yes. I mean, I truly enjoyed talking to you that night," he sheepishly admits.
I more than enjoyed it, Spencer.
"Yeah, me too."
Silence sets between us. And it's time to make a decision. I could say I go home and leave him with a lukewarm 'See you around,' or say I'm leaving, but before doing so, give Spencer my number so we can talk soon. Or...
"Are you busy right now? I'm heading home now, but if you can and want, we can go for a coffee."
Wow (Y/N). Very smooth. I like you smooth.
Spencer's eyes widened, and I wondered for a second if my offer was too straightforward.
"If you have plans, it's okay. We don't have to," I relent.
"Oh, no. I don't. And I would love to go for a coffee with you," Spencer hastens to say. I release a breath I didn't know I was holding.
"Yeah?"
"Sure! If you wait for me just a second, I'll pick my things from my desk, and we can go."
----
This time, it's my turn to pick the place.
It's a small coffee shop in the middle of Virginia, just mid-way between Quantico and my apartment.
As we get on the train, I ask Spencer about Agent Hotchner.
"Hotch? Well, he has been at the unit for twelve years now. Gideon, a former agent, told me once he didn't expect Hotch to last long in the BAU. But he proved him wrong. Indeed, Gideon left, and Hotch stayed. Honestly, I can't picture the BAU with another unit chief."
There is a fondness when Spencer talks about Hotchner. I can tell he sees him more than as a superior.
"What about yours?"
Now is my turn to talk about my boss.
"Agent Williams? He is a bureaucrat from head to toe. He had just transferred from another administrative department when I joined the financial division four years ago. At that time, he had ten years working with the FBI. The guy is a genius but lacks social skills. I'm not judging him; I'm a bit like him. But in his position, he needs to make politics, which involves talking and convincing people."
The conversation with Spencer flows so well and easily that I'm as impressed as I was the night of the gala. 
When we reach the coffee shop, we sit facing each other. After ordering our coffee, we start talking about our coworkers.
"So Garcia is our technical analyst. I have to say she is like the team's heart. Besides her outstanding skills, her compassion and care are something out of this world," Spencer admits, and again, I feel the fondness in his voice.
"She seems very special," I add. Spencer nods.
"Very. I don't know what it's like to have a sister, but if I had one, I would have liked someone like her.
So he doesn't have a sister. Does he have brothers, though? We have yet to talk about our families, so this is the first piece of information I get about it.
"What about the guy who came to check what was happening with your girl at the gala?" I ask, and Spencer scoff.
"First of all, Ashley isn't my girl. I think she made it pretty clear that night. And secondly, the guy in question is Morgan, the culprit of why I was with Ashley in the first place."
That's interesting. I want to know more about that.
"How is that?" I ask, sipping my coffee.
Spencer tells me how Morgan insisted they talk to the girls - Ashley and her friends - and how he reluctantly followed him.
I'm about to make a not-so-kind remark when Spencer gets ahead of me.
"I know it may seem like he is a thoughtless person, but he truly means well. I can't entirely agree with his tactics most of the time, but he's right when he tells me I should enjoy more and work less."
"It's safe to say you weren't 'enjoying' that much there," I quip, air-quoting the word 'enjoying.' Spencer chuckles.
"Yeah. Honestly? I have more fun when Morgan kicks doors down in our field chases than when he tries to play wingman for me."
What? Kick doors down?
"Wait a minute. Are you telling me that the FBI had to spend thousands of dollars in repairs for third parties last year because of him?"
I know I'm being dramatic. It's impossible that just one agent destroyed that amount of dollars by kicking doors. But still.
Spencer's eyes widen.
"What? No! I mean, yes. He does that, but thousands of dollars? Last time I checked, doors are not that expensive."
I roll my eyes. That's not the point.
"Okay. I know it's not only Agent Morgan's doing, but did you know the buro's budget had increased by 4% last year due to refunds for field operations? And did you know 70% of that increase refers to agents shattering private property?"
Now, I sound like my boss. Great. I became what I swore to destroy.
Spencer looks at me with amusement. I narrow my eyes to him. "What?"
He clears his throat. "Oh. No, nothing. It's just - well, it's fascinating to hear you talking about - uh - numbers."
I can't help but snort. "Come on, how fascinating that can be?"
Spencer grins. "If anything, I find it educative," he parrots my words from that night, and we fall into a fit of laughs.
"Yeah?" I muse after the laughter subsides. Spencer nods, still a smile gracing his face.
Gosh, that smile.
"Well, I can talk about numbers all day. But I'm sure you don't want me to 'fascinate' you that much."
Spencer hums, faking be pondering his options.
"Don't tempt me. I like to know and talk about everything. But before returning to numbers, I want to ask about your coworkers. I already talked much about mine."
Even if there is not much to say, indulging him with an answer is only fair.
"What can I say? In my area, there are three: Anthony, Leah, and me. We were four then, but Andie was promoted to the eighth floor a year ago. Anthony is a good guy, a little inexperienced, but very eager to learn. We don't have a very close relationship, but he's my protegee at work. Leah is very clever and has enough experience, but sometimes she is not present, making things a little tense between us. Andie is rightfully my friend. We got to the bureau simultaneously, and although she doesn't work with us anymore, we are very close."
Spencer is looking at me with full attention. It's odd to talk about this kind of thing with someone. I don't like to talk about my bonds in general. It makes me feel vulnerable. But for a reason that I still don't get, with Spencer, it feels right.
It's night already, and we are in our third coffee.
"Do you usually drink this amount of coffee daily at this hour? I try to cut off my dosis after lunch, but sometimes I just can't," I point as I stir the spoon on my coffee. Spencer hums.
"I drink a lot of it at any time of the day, every day. It's worse when we are on cases because that shitty coffee at the precincts should not even be called coffee," he scoffs, pouring half of the sugar pot into his cup.
I have already noticed the amount of sugar Spencer has used in his two previous coffees; this third is not the exception.
"I'm sorry, but I have to ask," I say as my eyes dart to his sweet liquid. He follows my line of sight and chuckles.
"I love coffee, but I don't like its bitterness. I know it doesn't make sense, but for me it does."
"Fair enough."
After that, our conversation stumbles to lousy sleep habits.
"Ray hated it. Even once, he told me I purposely got up in the middle of the night to annoy him."
Spencer's brow furrows.
"Ray is your ex?"
Shit. I don't realize I'm talking about him.
Why do I have to mention him? I hate how ingrained he is still in my life.
"Yeah, Raymond. No wonder why things didn't work out between us," I try to joke because I don't want to cry about it anymore.
"An example of a man," Spencer follows my lead, and I'm grateful he doesn't look at me like people usually do when I talk about it. There is no pity. There is no that look saying, 'Oh, poor girl who got cheated on.' It's like a whole understanding. It doesn't make me feel like a failure. And that's a change—a good one.
I chuckle. "Hell, he is."
It's getting late, and it's time to part ways, even if I don't want it. Hours pass quickly with such good company.
"We should get going. It's late," I point as I glance at my phone. Spencer nods in acknowledgment, signaling the waitress to get the check. He is about to fish his wallet when I stop him.
"No. Don't do that. I invited you."
Spencer scoffs, opening his wallet nonetheless. 
"No way. You invited me the other night. You can do it next time."
Next time, uh? I want to say something teasing, but the waitress returns with our check.
We are outside the coffee shop now. I adjust my coat as Spencer does the same with his suit jacket. The night is chilly, and the contrast with the warmth of the coffee shop is evident.
"Can I walk you home?" He offers. I have my doubts about that. It's not that I don't like the idea; I just don't want to use more of his time.
"You don't have to. Really," I shake my head.
"Please? You already said it. It's pretty late," he insists, looking at me with dog puppy eyes. 
Why is he doing that? He is testing my resolve.
"You know I can take care of myself, right? I'm a certificated FBI agent. I can't carry a gun, but sure I could manage," I argue in a teasing tone. Spencer chuckles.
"I know you are. And I'm sure you could. Even though, why no to prolong our evening for fifteen minutes long?" I raise an eyebrow.
"So you really like my company, uh?" 
I'm sure I see a blush creeping his cheeks, and it's endearing.
"I like your company. I thought I made it pretty clear the other night?" he probes. And I don't know how to respond to that.
The truth is quite curious. Teasing Spencer seems so natural sometimes, but now I don't know what to say.
I decide not to say anything and nod, motioning for us to start walking.
Spencer follows me, and we walk in silence for the first block. Then, I feel the need to continue our conversation. I want these fifteen minutes to be as good as the previous two hours.
"Did you know that I used to carry a gun? Although it took me three failed tests to do so."
Spencer looks at me, surprised. I take that as my cue to tell that story.
Once I tell him how I finally managed to pass my shooting test, he starts telling me how he also failed his test a couple of times.
"So you saved your boss life shooting an unsub?" Spencer nods.
"But I really aimed to his leg, not his head," he adds, and we burst into a fit of laughter.
Without realizing it, we are already in front of my building. The laughter subsides when we notice where we are.
I clear my throat. "Well. Uh-thank you. Again," I say, referring to him walking me home.
"No need," Spencer says. "I had a good time today," he adds, smiling. 
I can't help but feel my cheeks burn. Spencer casts his eyes to the ground.
"Me too," I admit, biting my bottom lip. "I - uh."
Why am I so nervous right now? Just say what you want to say!
"I - uh. I'd really like to do this again. I mean, you know, maybe next time could be something planned?"
Spencer's eyes flick to mine. I would say he didn't expect me to say that.
"I would love that," he says, keeping eye contact. And for a moment, I think the breath leaves my lungs. Those eyes are something I didn't see in my life before. I can't describe it, but it's enough to make me speechless.
"I guess it's here when I ask for your number?" Spencer's voice is the one that brings me out of the trance.
I chuckle, mid-embarrassed by my absorption moment. I gesture for him to give me the phone. Spencer does it, and I advert his piercing gaze to focus on typing my number. Once done, I return the device with a playful smile. Jeez, I feel like a damn teenager.
A snort leaves Spencer's lips when he sees the name I used for my contact.
"Really?" He asks. I nod, chuckling.
"It's safe to say you won't forget who I am," I confirm.
"Bet I won't."
"Good. Now I'm going to come up," I gesture to the building. "Good night, Spencer."
"Good night, (Y/N)."
I turn to enter the building, and although I can't see him, I feel him standing there in the cold night until I disappear into the elevator.
Once I cross the threshold of my apartment, a ding comes from my phone. Frowning, I pick it up.
Unknown number: Are you free on Saturday at midday? We could go to lunch. Let me know. Good night. SR.
I bit my lower lip. And after typing a reply, I start my night routine before bed.
Oh, boy. What are you getting into (Y/N)? 
Whatever it is, it feels so good.
-------------
Next -> Part 3: Douchebag Falls Short in This Case
-------------
A/N 2: As always, I'm excited to know your thoughts about this one!
-------------
Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers
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mmogurl ¡ 6 days ago
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Last to Fall Chapter 3 - Dark On Me
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18+ | 2.9k | Aegon II Targaryen X Female Dragonseed Reader | Unresponsive Aegon | half sister reader - you're a princess now! Fastest elevation in class ever! wholesome, fluff, severe injury and burns, mentions of death and other bad things, but still... this whole thing is actually kind of sweet compared to what I usually write.
Ok! This chapter was actually very emotional for me to write. I think sometimes I put my mind too closely into that of my characters, because as I was imagining several parts of this chapter from the reader's perspective, I found myself tearing up. Hopefully that emotion comes across in the work and makes it better.
Chapter 1 | Chapter 2 | Chapter 3 On AO3
I've also decided that I'm going to try my best to fit every chapter to a Starset song because the whole Series is based off the title of one (Last to Fall). I'm enjoying the challenge of finding one that suits each theme/ story! They're not all going to be perfectly aligned, but I'll try my best. This one is Starset - Dark on Me I especially like the line - 'But I found in you what was lost in me.. In a world so cold and empty.' Thanks to @zaldritzosrose for headers and I actually made all the gifs myself again! Tags: @coffeebooksrain18, @lexi-anastasia-astra-luna, @meggletoomanyfandoms, @theanbitchless (If you wanna be removed or added from/to the taglist, just let me know)
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You hear the horns sound and watch from the balustrade as the procession makes its way through the city up towards the Red Keep. The soldiers return from battle victorious, carting the head of Meleys upon a wagon, but you haven’t seen Sunfyre return yet and nobody will tell you what has become of the king. You’ve heard his mother, Queen Dowager Alicent, mention Aegon in hushed whispers with some council members, but she has not deemed you worthy to share whatever information she has.
Even with the king’s decree elevating your status to that of princess, none will tell you what has happened. You must assume the worst. As the caravan draws closer to the castle, you can see another cart led by two horses. It carries what appears to be a casket covered by many blankets and your heart sinks at the thought of your most dire fears come true.
He cannot be dead. No, no. You won’t accept it.
You rush down to the courtyard, to await the arrival of your king, praying to any gods that might listen that he is still alive. A large contingent of the Kingsguard greet you outside and you feel even more strongly now that your assumption must be true. That Aegon is indeed in that wooden tomb, very likely deceased, but your heart still holds out hope that you’re wrong. The massive gates open to the inner wall of the keep and you watch with despair as the wagon is pulled forward.
As the wooden cart stops, your eyes dart to and fro as men step up to bear the casket forth. You catch the gaze of one of the white cloaks standing near you, and plead with him for answers. “Is he dead?” you whisper, desperate to know the fate of the man who had asked you to be his.
He offers a knowing expression of remorse, but nothing more. You are forced to follow behind as six men carry the king inside, be he dead or alive. You can’t help but wonder where everyone is. Where is his mother? His brother? Where is the small council? Is nobody here to witness the return of the king? You can’t help but to cry quietly as you follow the men of the City Watch and Kingsguard combined with your hung head low.
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They carry the massive wooden crate all through the castle, heading upstairs until they enter Maegor’s Holdfast. You pass by Queen Helaena who is standing outside of her chambers, observing the procession with curiosity. You can’t help but wonder if they had kept the truth from her as well. When your eyes lock onto each others, her features twist with curiosity at the sight of your tears, but there is no malice present.
Helaena has never been rude or cruel to you, despite her knowledge of your role in Aegon’s life. She almost seemed grateful that you were able to offer him the companionship that she could not. The queen did not follow further, opting to stay back, likely having a sense that even more tragedy was on the horizon. You didn’t blame her for that, but it didn’t change that you must know. You had to see with your own eyes what had become of your love, Aegon.
As the doors to the king’s chambers opened, your gaze fell upon Alicent standing to the side by the windows. Of course she had known, but chose to leave you in the dark, suffering alone with your doubts and fears. When she saw you, she averted her eyes for a moment, her facade of calm cracking slightly before she steeled herself and offered you a nod. You returned the gesture with a trembling lower lip stepping aside to watch what came next.
They removed the lid of the casket and a whimper escaped your lips as one soldier took Aegon’s sword, Blackfyre, from within and placed it to the side with reverence. The soldiers cleared the room as men dressed in black heaved a dark canvas bag from within the wooden coffer. The sight of this actually made you fall to your knees with grief, finally seeing proof that Aegon was not of this world anymore.
A lamenting wail throbbed through your chest as they placed Aegon’s body on the bed. Your hand clutched the footboard as you fell down on one knee, barely keeping yourself upright. Alicent came to stand beside you, and you barely noticed the presence of the maesters entering through your sobbing.
“Is he alive?” the Queen Dowager asked with a mixture of shock and trepidation. The words stopped your weeping instantly as you pulled yourself up and leaned over the bedframe.
“His Grace, remains with us, for the moment,” Grand Maester Orwyle answered somberly.
You let out whining gasp that makes you sound like a pathetic animal, but you can’t help it. “He was alive? And you carted him through the streets as though he were a corpse!?” You cannot help but cry out as you stare accusingly at Alicent, appalled by the treatment he’d received.
“I didn’t have much say in it,” the Queen Dowager replies looking bewildered as the sight before her seemed to sink in. “They told me.. They thought it would be best that nobody saw the injuries he sustained.”
You stop your outrage, realizing that she likely didn’t know the extent of the damage either. Still, you wish she would have confided in you what little she had known so that you might have better prepared for this.
Orwyle takes an instrument from his medical kit and begins to remove pieces of Aegon’s armor. The more you look, the more you begin to understand what has happened to him. The entire left side of his body, from his head all the way down to his leg, has been scorched by dragonflame. His arm appears to have been dealt the brunt of the damage, where the Valyrian steel has melted into his limb, leaving it a gored tangle of flesh and metal.
A cry threatens to escape your lips once more, but you stifle it. There will be time for sobbing later, but for now you wish to keep yourself preoccupied. “I wish to help,” you say desperately, but everyone is so busy at work that nobody even responds. “Please,” you ask again, your brows furrowed with anguish. “I need to help.”
Alicent offers a glance at one of the maesters assisting Orwyle and from there, a chain reaction of assent occurs, until finally a young man tugs your arm and pulls you to the side.
“You can aid me in making the poultices,” he says softly. You cannot possibly express how grateful you are for the opportunity to stay busy, while attempting to save your king. You offer the Queen Dowager an appreciative look from across the room and return to learning how to prepare the treatment for Aegon.
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It is likely a good thing that you are not watching as they remove the king’s armor, for you can hear his ragged breaths and the gasp that startles from Alicent’s mouth in response to it.
“Is my son going to die?” she asks sounding petrified. You do not wish to hear it, but you can’t tune it out either.
“I’m afraid I cannot say,” Orwyle responds quietly, turning his head to regard the Queen Dowager for a moment. “Now, if you’ll excuse me, Your Grace, these next hours are most critical.”
“Of course,” Alicent replies, taking a step back so that she’s no longer interfering with the healers work.
The young maester in training hands you a plate filled with individual leaves of steamed cabbage and notions for you to take it to the bed. “Take these,” he says quietly as a mouse. You don’t hesitate to obey, not wanting to hinder Aegon’s chances for survival.
You hold the tray out, leaning over Aegon’s bed, to an aged maester with a gray beard dressed all in dingy whites. He begins to take one piece at a time, placing the wraps at the bottom of Aegon’s broken leg and working his way up. Your hands shake slightly, but you do your best to stall your trembling so that you might be of use. Stealing a glance down the length of the bed, you see Orwyle sponging charred bits away from Aegon’s once pristine face.
Your heart aches, but you push it deep down. There will be time to grieve later if he dies, but you refuse to give into despair again before that actually happens.
“Someone will have to rule in his stead,” the cold and familiar voice cuts through your thoughts.
You turn to your right and see Aemond standing there, dead center at the foot of Aegon’s bed. He had always seemed dangerous to you, but has never looked this unhinged before. You can’t help but wonder what might have happened at the battle of Rook’s Rest to change his demeanor so drastically. The way he looks at Aegon, it reminds you of a cat playing with a mouse, holding it by the tail and swatting at it.
You can’t help but wonder how he stands there without an ounce of concern for his brother. As your discomfort grows, you decide that you will have to keep an eye on the prince from now on. You swear solemnly to yourself, glaring at Aemond while you do so, that you will keep watch on the king as though your life depended on it. Just in case.
————
It has been a couple of days now and while Aegon has not yet woken, he has not yet passed into the arms of the Stranger either. He’s been cleaned up considerably, and his wounds all tended to. The only remnants of the horror you witnessed when he first arrived in the Red Keep being the charcoal still tinting his cheek and of course all of the burns that lace his left side. His broken leg is propped up to keep the blood from swelling, but otherwise Aegon looks peaceful in his slumber, despite the audible struggle he has breathing. You lay next to Aegon on the bed, unwilling to leave his side for any reason lest he might wake alone without a caring face to welcome him back. Nestled carefully against the side of him that is not horribly burnt, it almost feels comforting to feel his chest rise and fall beside you with a fire crackling in the hearth.
At first, you worried that Aegon might pass at any given moment, but once he was out of imminent danger, it became a waiting game. Inevitably boredom overcame you as the king continued to sleep. You took to cleaning to pass the time. First, washing and scrubbing every nook and cranny of the floor in his chambers despite the objection of everyone that came across your endeavoring to stay sane. You then moved onto dusting and cleaning out the tapestries. It was one of the few times you’d left the king’s chambers since he returned, but you wanted to take everything outside to be aired out, lest there be a dust storm within.
A soft sigh pulls you from your memories and your eyes open to see Alicent sitting at the side of Aegon’s bed. Her hand is clinging to his as she leans slightly onto the bed. You can tell from her expression that this whole situation has been very taxing on her. Within such a short span of time, she’s almost lost her eldest son and king, and been passed over for the regency of the realms in his absence for Aemond. Given the predatory way the new Prince Regent had been staring at Aegon days prior, this is a decision you wholeheartedly disagree with.
As much as you hate to admit it, you’ve grown to appreciate Alicent’s company. At first she seemed annoyed by your presence, but you can only assume that in seeing your dedication to her son, she’s softened towards you. She’s even shared several kind words with you, which felt incredibly awkward, especially when she began referring to you as ‘The Princess,’ a title you are still not accustomed to hearing anyone speak, let alone her.
The Queen Dowager had never acknowledged the decree previously, but then none of the acceptance really matters without Aegon here to share it with. He’d talked of marrying you upon his return and now you wondered if that would ever happen. Your fingers caress softly along his arm, a motion that has become almost involuntarily by now as you huddle to him, hoping that your touch will bring him back.
Alicent stands suddenly, her eyes bleary as she places a hand on her son’s good cheek. She almost looks afraid to get too close, as though admitting the depth of her care for him might somehow make it hurt more to lose him. She nods a soft ‘good night’ to you and goes to leave the room. You watch for a moment as the maester opens the door for her in anticipation, and rest your head back down on the pillow.
And that’s when you hear it, so quiet and coarse that you might have missed it if you had not been right beside him. “Mummy,” he whispers without opening his eyes.
You dart up from the bed with haste, looking at him incredulously, as though he had just risen from the dead. “Queen Dowager!” you cry out, not wishing to disturb him, but needing to get her attention. “Maesters! He spoke!” You realize you are laughing with relief as you call out to the them, brushing the backs of your knuckles upon Aegon’s cheek gently as you coo to him. “She is coming, my love.”
As Alicent rushes back to her son’s bedside, you both share a look of hopeful promise. “What did he say?” she asks, her eyes searching over Aegon as though he might move, and than glancing back to you.
“He said ‘Mummy,’” you answer with a smile, happy to see the look of touched gratitude that appears on her face.
“Oh my sweet son…” she trails off, seemingly unable to put words to how she is feeling. She stands beside him, reaching out with a little more confidence this time. “Mummy’s here,” she offers quietly as the two maesters on duty gather behind her.
Aegon lets out a gravelly sound, his breath hitching as he fights for consciousness.
“We’ll let Grand Maester Orwyle know of this development,” one of the men in white offers. “But if he is soon to be speaking with us, it is good news indeed.”
The Queen Dowager is in high spirits when she is finally ready to leave for the night, so exhausted she can barely keep her eyes open. “Thank you,” she says, looking you in the eyes as she rises from her chair. “You didn’t have to call me back, but I’m glad that you did.”
“Who am I to deny him his mother if that’s who he’s ask for?” you say as though there was no other possible outcome in your mind.
She smiles at you with a warmth she’s never shown you before, nodding slightly. “Will you have them fetch me if he wakes again?” she asks with fondness in her voice.
“Of course,” you reply, settling back into the bed beside Aegon. You are surprised when she walks around to your side of the bed, and proceeds to mother you under the covers.
“If you’re going to spend your nights in here, than the least you can do is keep comfortable,” Alicent says with a hint of jest in her tone.
It is definitely a touch strange as she pulls the blanket up and around you, tucking it underneath you slightly. It’s almost suffocating, but in a nice way. “Good night,” you say, turning on your side towards Aegon. You’ve practically made a nook at his side from the amount of time you’ve spent there by now.
“Sleep well,” Alicent calls as she extinguishes the candles, leaving nothing but the hearth to light the immediate vicinity. She ushers the maesters out of the room, with an authoritative pitch. “Get some rest for the night, my son is in good hands as you can plainly see.”
As the doors close and you’re left in silence, you can’t help but consider how sometimes the worst things in life can really help to bring people together. You’ve also seen tragedy tear relationships apart, but when something beautiful can blossom from the ashes of destruction, it almost feels like everything is going to be alright again. Like Aegon is going to wake up and get out of his bed and move on with his life. And when he does, he’ll find himself rousing to a world in which his mother might feel a little more comfortable showing her thanks for his company.
You nuzzle your face into the crook of his neck, inhaling deeply of his scent. Despite all of the medicinal herbs and the lingering remnants of carbon, you can still smell him. You press a tender kiss on his neck, right below his ear, humming softly as you taste him on your lips.
Whispering softly, you beseech him with kindness, “I love you, Aegon.” You run the tip of your nose against his jawline, savoring the feel of him. “I’ll wait for you… As long as it takes. Just come back to me.”
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freesia-writes ¡ 4 months ago
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Ch 17: Graffiti
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~ Master List ~ Previous Chapter ~ WC: 2.7k
“You really don’t need to be doing this,” Omega said quietly, her face downcast as she dipped her rag in the small, soapy bucket of water. “I’m the one who messed up.” She continued rubbing at the carelessly spray painted stucco wall, watching the bright colors slowly fade beneath the cleaning solvent. 
“We all mess up,” Lyra answered soothingly, scrubbing in circles with her own brush. “You never ‘arrive’. Or you might feel like you do, and then something swipes your legs out from under you or you do something stupid again.” She chuckled, glancing at the girl to see if her words were helpful or discouraging. “But you’re smart and kind, and your heart is in the right place. That’s what matters.”
“This didn’t seem so smart or kind.”
“Well, you clearly have the right perspective now, so I think you can chalk it up to a lesson learned and move on.”
“Hm.”
They cleaned in silence for a while, side by side in front of the small, flat wall of one of the square island homes on the outside of the Town Square. A barely-recognizable (and wildly crass)artistic rendition of Sy Snootles was slowly disappearing as they chipped away at it little by little. 
“Sometimes we beat ourselves up because we feel like it makes up for it,” Lyra offered, and Omega nodded in response, rubbing her hair out of her face for a moment before continuing her task. 
“I just don’t get how I can simultaneously know that it’s stupid and yet get carried right along in it.”
“It’s hard to go against the flow.”
“Yeah, I guess so. I’m not exactly one who has ever really fit in anywhere though.”
“I think your brothers would disagree,” Lyra suggested, touching her elbow in a brief pause. A slight warmth appeared on Omega’s face, and she nodded again, pressing her lips together as she stepped back to look at their progress. 
“It all happened so fast,” she said, looking at the colorful vandalism that she’d been coerced into the night before. “And I don’t know where the idea even came from, but suddenly we were all just… Ugh.” 
“Can I offer an old lady sentiment that might help in future situations?” 
Omega laughed, returning to her scrubbing, “You’re not an old lady.”
“Alright, well… Just remember this. Nothing good happens after midnight.”
They shared a quiet chuckle, each nodding with their own understanding of the adage as they continued their cleaning in silence. 
Hunter sighed from where he was leaning against the building across the street, having approached to check on Omega but pausing as he sensed a sort of intimacy occurring between the two. He’d hung back, listening to their words as best he could to ensure he wasn’t interrupting something important. A deep gratitude settled in his heart as he heard Lyra’s gentle encouragement, and he shifted from one foot to the other, unsure if he should even make an appearance at this point. But he did have something he wanted to say to Omega, and the sooner the better, as he felt bad for the way he’d reacted when he’d found out about her ill-fated shenanigans.
She probably wouldn’t have shared it with him in the first place, but Omega had arrived at their cabin in the wee hours of the morning, sniffling so loudly as she headed for bed that Hunter had to investigate. She’d been overwhelmed with remorse, partly because of her participation in unsavory activities, but mostly because when they had finished spray painting the side of the house, a few of the kids had thrown the paint cans at the wall in triumph. Their shortsighted actions had resulted in the homeowner coming out to see what the fuss was, and his appearance had solidified her realization that this sort of thing was not what she wanted to be about. 
“He was so old and frail,” Omega was telling Lyra now, voice quivering with miserable remembrance. “He shuffled out here and saw all of this, and his face just fell. It was awful. The others ran away, but I just… I couldn’t. He looked at me and was so sad. He asked why we did this, and I couldn’t answer him. I just promised I’d make it right. I commed the other kids this morning to help clean it up, and they either laughed at me or ignored it.”
“Because they’re idiots,” Hunter said, appearing behind them without warning. Lyra startled a bit, flinging soap bubbles across her skirt as her hand jerked the brush she’d just dipped in the bucket.
“Do you make a habit of sneaking up on people?” she asked, a smile diffusing the mild indignation in her voice. 
“Usually just animals,” he winked, then looked at Omega. “How’s it goin?”
“Fine,” she said quietly, not meeting his gaze. Lyra looked back and forth between the two, picking up on the discomfort, and turned to continue her scrubbing, slowly moving down the wall to give them some space. 
“Hey, listen…” Hunter began, running a hand through his hair and resting it awkwardly on the back of his neck for a moment. 
“Please don’t lecture me,” Omega said abruptly, rubbing the wall harder with her rag. “I feel bad enough already.”
“No… That’s not… No,” he fumbled, shaking his head and dropping his hand to his side. “I uh… I’m sorry. You were already sad about it, and I jumped down your throat… I was just… I don’t know, I hate that these kids can cause you so much trouble.”
“Ah,” she said in quiet revelation, slowing her vigorous scrubbing a bit as she began to register his unspoken fears and the deep care he held for her. “Yeah. It’s messy sometimes.”
“I can see that,” he attempted, stepping back to look at what was left of the so-called artwork: the bottom half of the Pa'lowick singer in a very embellished style. “You guys really went for it, eh?”
“Ugh,” Omega said with a roll of the eyes. 
“This part here is particularly notable,” Lyra remarked quietly, gesturing at the ample, curvaceous buttcheeks that they’d given the otherwise flat-bottomed entertainer. “It feels a little weird rubbing them so hard.” Her deadpan delivery made both Hunter and Omega chuckle, and he went to stand behind Lyra, admiring the creation. 
“I think you missed a spot,” he teased, pointing over her shoulder to what looked like a few exaggerated hairs that would have been poking out of an obscene place. “Better get in there.” Lyra shot him a look, meeting his eyes with an initial flash of humorous challenge, but it quickly melted into an amused admiration that Omega couldn’t have missed if she wanted to. The young girl’s eyes flickered from her to Hunter, whose sharp features were similarly relaxed and warm, and she bent over the cleaning bucket with a small smile. 
“You might as well make yourself useful if you’re gonna stand here and critique our work,” Omega announced, tossing Hunter an extra rag after she’d squeezed it out. He didn’t expect it to come flying his way so quickly, yet he did indeed catch it, though not without his tight grasp sending a splotch of soapy water across his chest. With a grumble in Omega’s direction and a mockingly stern grin at Lyra in response to her laughter, he found his own spot on the wall and began to help. 
They fell into thought-filled silence for a while, working slowly and steadily until the graffiti was almost gone. A few stubborn spots remained, and Omega paused, stretching her arms out in different directions to refresh them a bit. Lyra gave her a pat on the back and a reassuring nod when the girl met her gaze, returning it with a small smile of her own. 
“Next time they try to make me do something stupid, I’m gonna tell them to stuff it,” Omega resolved, ignoring the approving snicker from Hunter. 
“It’s so hard, especially in the moment,” Lyra commiserated. “It took me years, and… Well… I still don’t think I’m very good at standing up for myself.” Hunter snuck a glance at her out of the corner of his eye, his mind wandering to her attractive coworker who had the gall to regale her with his sordid tales of sexual escapades. 
“You seem to be pretty calm about everything,” Omega observed. “It makes you look confident.” 
“Oh gosh,” Lyra laughed, tossing her braid back over her shoulder to look at the girl with an openness on her face. “I’m glad it comes across that way. I just… I don’t want to get into anything with anyone, and I don’t think my opinions are particularly life-changing, so… Not a lot of need to make myself big or forceful for any reason. It’s easier to just do your own thing, I guess.”
“Don’t you get lonely?”
Lyra hesitated, thrown off by the girl’s uncanny way of zeroing in on a tender point. She considered her words, slowly moving her brush back and forth against the wall and taking a moment to reflect so that she could answer honestly. “Yes,” she said simply, the depth of emotion behind her words creating a flurry of feelings in Hunter. “There are people that were very special to me who are no longer in my life. I connected with them so deeply that it makes other relationships seem pale in comparison. But I suppose that might be my own tainted perspective…” 
“Yeah, people seem to change once you get to know them,” Omega said, thinking of her own shifting relationships with her friends. “Or they want you to change.”
“I used to be more… flexible,” Lyra admitted. “When I was young and in school, I wanted to do whatever it took to be included. To not be made fun of. I also thought it was super fun to take risks, try new things, and be whoever they wanted me to be on any given day. Eventually, it started to feel a little empty, because there were very few constants in my life, so it was like… who am I, at the core? I realized my identity was dependent on ‘them’, and who even is ‘them’? The most outspoken people, who I later realized were just the most insecure… and they depended on mockery and false confidence to make themselves feel superior.” She paused, looking back at the girl. “Sorry, I’m talking a lot.”
“No, keep going,” Omega encouraged. “It’s tragically relatable.”
“Tragically,” Lyra echoed with a chuckle. “I mean, that’s basically it. I didn’t understand until I was a little older that it was my choice to let their opinions matter to me or not. Once I stopped caring, there was a sort of freedom. But, it took me a long time to get there – I was already an adult, and I was out of that environment where you’re forced to be around these people all day. Anyway… This probably isn’t helpful, but a potential encouragement to you might be the fact that the rest of your year is more site-based than classroom-based, so you don’t have to be around the herd mentality as much.”
They continued chatting, slowly fading from school talk to random life things, and Hunter remained quiet. He found his eyes wandering across the hunch of Lyra’s back as she finished scrubbing off the last bit of alien foot, and his hand twitched at his side at the sight of the little pieces of hair that had fallen from her braid to tickle the side of her face instead. He was moved by her vulnerability and authenticity, and it was causing a surprising reaction within.
“Ohh, look at that! It hasn’t been so bright since it was brand new!” a frail voice broke through, and its owner soon made an appearance, tottering along in his slow, steady gait. “Thank you, young lady.”
“I’m sorry it happened in the first place,” Omega said, moving back in satisfaction as she checked the entire wall for any remaining paint. 
“Well thank you for making it right. That’s more than your friends could say for themselves,” the elderly man remarked. 
“Yes sir,” she agreed, packing up her cleaning supplies. They exchanged some polite pleasantries and eventually parted ways, Omega heading home for a shower and nap, Hunter and Lyra finding themselves immediately lost in a random conversation as they leaned on the low stone wall across the street. He laughed heartily at something she said, surprising himself with the openness of his delight, then slowly quieted, regarding her with an almost bashful admiration. His face grew serious, watching her stare down the street at the people milling about, and he wondered where her mind was. His own was in a few places at once, the internal conflict driving him crazy. Following her gaze, he scanned the cobblestoned path, idly noting every gap and bump in the road as he mulled everything over, frowning in concentration.
“Hunter?” her low voice jerked him from his reverie, and a little wave of tingles ran down his body as he lightly touched his arm, pulling her hand back when he turned to look at her a little too quickly. “Sorry,” she continued, glancing down and away. “I just wondered what you were up to for the rest of the day?”
“Well, I’ve got some things to finish up in the shop,” he said, almost regretfully. He stood up straight, absently adjusting his shirt, then looked at her with a renewed intensity. “And then… Uh… Would you like to go for a walk?” 
“Always,” she answered with a smile. “Meet at the edge?” They’d developed a habit of starting their walks from the point between their houses where the sloping meadows met The Forest. But he shook his head, fidgeting with his fingers.
“I wanted to try something different, if you’re up for it,” he admitted, kicking himself at his sudden sheepishness. “I’ll meet you at your fence?”
“Oh, sure,” she nodded. “Sounds good.” 
“Ah, so this is why you aren’t in your shop!” Wrecker’s voice broke through as he approached from a side street. “I’ve had about four people ask me if I knew where you were. Why isn’t your comm on?” 
“Must have forgotten…” Hunter muttered, shooting Lyra a quick smirk. 
“Oh suuuure,” Wrecker laughed, clapping Hunter on the back. “You retire and you think you can just slack off…” He drifted off in response to the sharp look from Hunter and began backtracking as best he could. “I mean, retire from the last job… And don’t take this one too seriously… You know. Anyway, hi Lyra! How are you?”
“I’m alright, Wrecker,” she said with a chuckle, gasping for air as he trapped her arms against her sides in a big hug before releasing her and stepping back to admire the two of them standing beside each other. 
“I sure am glad you two are dating,” Wrecker declared, unabashed glee across his face. “You’re just adorable together.” Hunter’s blush was partly covered by his tattoo, but the speed at which his hand flew to awkwardly rub his neck was a bit of a giveaway. Lyra similarly shifted on her feet, clasping her arms together across her front then releasing them.
“We’re… We’re just friends,” she deflected, staring at the ground too hard to notice Wrecker’s eyebrows climbing up his forehead or the quick furrowing of Hunter’s brow before he hid it behind a carefully neutral expression.
“Oh. Really?” Wrecker stammered. “Ahh, I mean. Yeah. I’m glad you’re friends. Welp, I’ll see you later!”
“Later,” Hunter echoed, turning to Lyra. “I’ll see you later tonight?”
“Can’t wait,” she smiled, turning demurely to head toward the path to her home. Hunter watched her go, then slowly made his way toward his own, grappling with the undeniable fact that her deflection had somehow rubbed him the wrong way while being equally confused and clueless as to why.
.
Previous Chapter ~ Master List ~ Next Chapter
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ozzgin ¡ 1 year ago
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Ok, could I just say I LOVE how you write for your Baki characters, they're always a treat 🥺✨️
May I request another prehistoric reader, but when they revived her along with Pickle, she just looked so roughed up that she looks like the definition of surviving
What could cause such scars? Well they wouldn't have to wait long since turns out she's like really clumsy, like "nearly losing an eye by tripping on air and onto a metal pole" clumsy
Pickle just has to be by her side every time to catch her before she actually lose something
I love the idea! I can definitely picture it, thank you for the suggestion and the kind words!
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Baki Headcanons: Prehistoric! Clumsy Reader
Featuring Pickle and his challengers and one tough looking reader that turns out to be just extremely clumsy.
The men scan your features with a cautious defensiveness. Here you are, standing tall next to Pickle, with a similarly toned body yet peppered with scars and old wounds. Assuming you have the same survival skills as Pickle, what could you have possibly fought to leave you with such extensive damage? The air is tense as they analyze the possibilities. A T.Rex? It was your main source of food. Multiple of them? Entire packs of ancient elite predators? Were you the main hunter of the pack, taking on challenges that left the other humans scurrying away in fear?
It doesn’t take too long for the mystery to solve itself. The first one to pick up on it is Baki, who just happened to be visiting the enclosure. You’re in the middle of a playful scuffle with Pickle when you decide to impress the newcomer with your signature move. You extend one arm and twist your body slightly, as if gaining traction. Pickle can immediately tell what is about to happen and growls at you, but it’s too late. You swing, and the fist lands in your own face. Baki gasps in shock and you blink a few times in order to process the succession of events. Good Lord, you’re just clumsy. Terribly so.
Now, they have to admit, being this dangerous to yourself and making it this far is rather impressive. Whether in a good or a bad way is another story. The major force of reason in your life seems to be Pickle. Whenever possible, he’s there to stop your ungainly displays. He’s lifted you from the ground more times than he could ever care to count. Truth be told, he does enjoy the fact that you’re this dependent on him. Outside of your clumsiness you’re quite capable and he likes to have one area where he can prove himself as a partner to you.
It’s almost like you and Pickle crawled out of a slapstick comedy. The men are nearly temped to fabricate their own scenarios to check whether you come out unscathed. They’d rather not upset Pickle more than necessary, however. And witnessing your lack of coordination first-hand has also awakened a similar worry towards your safety.
Before they know it, they’re stopping mid-conversation to check on whatever shenanigans you’re up to, ready to interfere. Retsu will silently interrupt your failure and pretend nothing has ever happened, sparing your embarrassment. So does Katsumi, after having a good laugh about it. He finds you extremely entertaining and always compliments your gift of getting into trouble.
Jack doesn’t like to make his empathy known. He’ll ‘accidentally’ step in front of you moments before you’re about to crash into a wall. He just so happens to hold the edge of the barrier right before your head collides with it. Move along, there’s nothing to see.
With Baki there's always a 50% chance he'll fail miserably together with you instead. He's about to stop you from tripping and in doing so his chin hits the pavement at the same time as you. Thankfully Pickle has two hands.
Even Yuujirou is forced to comply with the unspoken rule. He’s been told repeatedly of the importance you and Pickle hold from a cultural and scientifically perspective and he doesn’t disagree with it. Depending on his mood he will laugh at your misfortune or arrogantly scold you, but either way he will prevent your injury. He’s also secretly impressed by your durability.
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greenconverses ¡ 10 months ago
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Richard saying, "we're going to end up in the same place, it doesn't matter how we get there" pissed me off so much ISN'T "HOW WE GET THERE" THE ENTIRE POINT OF STORIES?! ISN'T THAT WHY THE ENTIRE DAMN BOOK EXISTS?!
So, shocker, I have Thoughts about this post of his. My knee jerk reaction when I saw it last night was an eye roll and an urge to rant, which I kept contained because I'd already ranted and we gotta space that stuff out from time-to-time.
And now that I have had a full night's sleep and I am slightly less cranky, I'm gonna have to go on record and... DEFEND part of his logic, gasp.
For those not in the know, RR wrotes this reply to question on Threads (lol) a few days ago about changes to the plot in the sixth episode that apparently bugged a lot of people:
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And like, I'm deeply annoyed about the "it won't change anything" bit because OH MY GOD STORYTELLING which is a whole other thing but I do have something to say about the man's logic and the difference in the show premise vs the books that I think is flying over a lot of people's heads.
The plot of the show is Percy saving Sally and doing a quest along the way. Sally and Percy's relationship is the A plot, the mythology and conflict among the gods is the B plot. Percy knows from 1x02 that his mom is alive and that changes his priorities immediately; we see him start to care about the overall quest and his place in the world in 1x05, but he's still pushing forward because of his mom. You have to add another pearl to pay off that A storyline, to promise audience members that Percy is going to succeed until he doesn't.
Percy in the books has a feeling his mom is alive or that he can get her back from the Underworld, but doesn't know for sure. The quest and the setting up the overall Big Three backstory is the main plot of the books and what we the readers are focused on. I wouldn't even put saving Sally as a B or C plot in the original TLT. Percy doesn't get confirmation that she's alive until they're down in the Underworld and Hades reveals he took her for leverage, so then only having three pearls becomes a brief but important conflict.
This is where we're seeing a lot of the issues with the show's plot come to a head. It's fine to change the priority of the story from returning the bolt to saving Sally, because it delivers the same result in the end anyway, like Rick says. But you have to bulk up other parts of the script in a way to make up for it and the show has not delivered on that part. (See exhibit A: my rant about any lack of mystery with the monsters.)
I think the most egregious change that he says doesn't matter is the trio missing the deadline. In the books, we're told that natural disasters and weird things have been happening since the bolt disappeared as Zeus and Poseidon fought, and stuff was getting worse the closer the deadline came. We are briefly shown this in 1x05 with Ares and in 1x06 with Luke saying things are "bad" at camp, but imo, it doesn't feel super heavy. The consequences of missing the deadline is that gods go to war and bad shit happens! Lots of mortals are gonna die! Doesn't that matter?
The show could've stepped outside of the Percy and Sally storyline for little bit to give more of a perspective about what was happening at camp or the outside world to bring that weight - you're not limited to just Percy's POV storyline in the medium of a TV show! (Of course, we can step outside of it to give a LMM cameo/stinger because priorities but I digress.)
They didn't and I'm not sure how they're going to "solve" Zeus's response to Percy missing the deadline 'cause like... this is the unreasonable king of the gods that Rick has started yet another series based on the premise of him being a petty bitch who wants to ruin Percy's life. Is the guy gonna walk back starting a war? Is he waiting to start because Poseidon asked nicely? What's the consequence to the world going to be? Clearly nothing, since Rick said the story is going to end how it was always going to end, which is just poor storytelling.
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thecarnivorousmuffinmeta ¡ 8 months ago
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I’m not sure if you’ve ever said anything about this, but the first time I read new moon, the vote chapter, there was one bit that really stuck out:
(from Bella’s point of view) Edward grabbed my face in his hand, forcing me to look at him. His other hand was out, palm toward Carlisle. Carlisle ignored that.
Bella later went on to say it was hard to talk clearly with how Edward was holding her jaw. I don’t know if I’ve misunderstood what exactly was happening, but why did the entire family watch that and do nothing? I’ve read the metas where you���ve said it’d take a lot for Carlisle to realise what Edward really is, but surely that’s a pretty massive indicator and Carlisle actively ignored it?
Anon, you're hilarious.
An Aside in Which I Say "Look in the Mirror"
I've been running this blog for a few years now (a terrifying thought) and I'm both a) one of the most critical of Edward in this space (which is not a bad thing, mind, people are free to do what they like) b) often get asks in which I am asked by anons to justify why I think poorly of Edward.
This is on top of the thousands of metas I've written pointing out various things from canon, where I've presented many arguments, and anons still will ask me to make more arguments.
This is fandom, anon, relatively objective observers who are privy to information the characters in the story don't have. We know Bella's exact thoughts, we know how Edward has interacted with her in private, and we even know Edward's private thoughts for at least the duration of Twilight because of Midnight Sun.
AND YET, I AM HERE.
And you ask this as if it should be obvious to the most casual observer.
Back to Your Ask
I've discussed this at length in posts I'm too lazy to look up at the moment but the crux of it is that
a) Edward's a beloved family member and it's deeply hard to think ill of those we love and we want to justify their actions
b) the family doesn't see most of what goes on with Bella and are only told things by Alice and Edward with Alice being firmly on Edward's side
c) Due to his having previously had a redemption arc in which Edward came back unprompted to the diet even though it must have been not only humiliating but terrifying, Edward comes across as one of the Cullens who best understands that human life is worth protecting and just why they're all doing the diet.
This particular moment though, I'd also give Edward a pass if I was present. To touch Bella at all, to move her like this, Edward has to be extraordinarily gentle and careful. If he was at all rough with her, at all, Bella would be dead or seriously injured (with her jaw crushed between Edward's fingers, her neck snapped, etc.) Basically, for Edward to do this at all, he's being incredibly mindful and the Cullens as vampires are very aware of that.
Add onto that that Bella can speak, when this is a guy who's hand is made of stone, he has to be holding her incredibly gently from his perspective for her to be able to speak at all (and not have a broken jaw).
Also from the outside perspective, where Bella and Edward are in this romantic relationship (even though they just got out of being broken up) and they all know Edward's deeply in love with Bella, this looks like an intimate gesture than it does a "LOOK AT ME" gesture. It's not something any of them would do, or a normal person would, but they're also not dating Bella/convinced they're soulmates with her.
Add into that that they're in the middle of a very intense day, in which Edward had just tried to kill himself and is very emotionally fragile, Bella's now asking to be turned directly, the Volturi barely pardoned them, and Edward is coming unglued with the idea that Bella's going to be turned and the Cullens aren't at the top of their game.
They're just trying to get through the conversation where they tell Edward (and Rosalie) that, yes, they actually do have to turn Bella.
This doesn't register as physical violence to them, and I don't blame them for this one.
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sweatreleaseofdeaths ¡ 1 month ago
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I never liked some aspects of SNK's ending since it came out back in 2021. Not because I thought it was bad or because I thought it wasn't well made, but because it felt forced. 
The sudden change of Eren's feelings about Mikasa was one thing that pissed me off, but also because Isayama's original ending wasn't even supposed to be the one that we got. It felt like he only wrote that specific ending for the fans and readers (and maybe because he was tired too; have you seen the bags?) and not because that was the ending that he wanted to write. 
Like you can clearly tell by the last arc that he took a drastic turn on where the story would go to make it "happier," for lack of better words.
 
The way I saw it from the beginning, there was no getting out of it. No happy ending whatsoever. And true to it, the ending with got was bittersweet. Everything Eren did was for nothing because the cycle started back again.
I did actually appreciate that, because it showed us something that was an actual reality. Even if it did help for a bit, nothing really changed because it's in humanity's nature to always start the cycle once again.
However, what I wanted to see more was his original idea of everybody dying. Instead of that, Isayama went and tried to pull a Naruto (with Armin and Eren) so that they could talk it out, understand each other, and come to an understanding. (The understanding being: the reasons of his actions, Eren's need to die, and their promises) 
From an interview (if I'm not mistaken), the original ending was apparently inspired by "The Mist," which is basically about the protagonist being the cause of his loved ones downfall in an attempt to protect them. Sounds familiar, right? It feels like it was going in that direction, then Isayama just decided to make them all resolve their differences, for some reason. 
I personally don't hate the ending; like I said, I just think it was a tad forced on his end.
 
On the Mikasa/Eren thing, do NOT get me wrong. Mikasa is and has always been an important character to this story. Her as well as her relationship with Eren IS special. Now just because what they share is special doesn't necessarily mean that it's "love.".
On Mikasa's side, she literally lost her parents and met Eren a second later because he killed for her and came to her defense. She latched into him because of that. She was a traumatised child with a deeply unhealthy view of love, so while she did love Eren, the way she showed it could be interpreted as just obsession toward her rescuer.
But the thing with Mikasa's character is that the more the story goes, the more you see her become her own person without Eren. Either it be choosing between her desire to stay with him or her duties as a soldier, or even when she had to make a choice between killing him or not being willing to because of how much she loves him.
I honestly love Mikasa as a character so much. You can see her growth and see her trying to get past her trauma step by step. So, at the end, even though she never stopped loving Eren, she moved on and started a life for herself, because that's where her development was leading to.
Contrary to her, Eren had little to no self-restraint. He was hot-headed and only believed in what he believed, walking the path that he felt was right. He was obsessed with one thing and one thing only (that's literally everything he talked about), never straying from it no matter what happened.
I feel like he never tried to get past his trauma, only feeding into it the more time passed. From always getting into fights because of different perspectives he had with people (i.e., hitting one of the guys who was badmouthing the scouts with a stick) to ending 80% of humanity. Eren was selfish from the beginning; everything he did was for himself. Even the rumbling was partially for himself because his freedom couldn't be obtained if the people outside the walls were still around. 
Eren was and will always be a deeply selfish person, but there is also more to that. (So much more that I'm not even going to get into that here, because I love Eren too much and wouldn't be doing him any justice by resuming his character in just a few words.)
 
TLDR: Eren did not love her romantically (he did LOVE her; it just wasn't romantic), and even if Isayama wanted to say that they did love each other, what they shared ultimately was toxic. It could've turned into something better if Eren was less self-centred, but then again. My issue with all of this is that Isayama underexplored this aspect of their relationship so much that it just was out of the blue (and might I add ooc without getting shot) when Eren started wailing about not wanting her to end up with someone else.
You can't just make a story, build it, and put effort into it, then make a little throwaway line of "Oh, these two love each other, btw." That's just not how it works. You have to develop it for the readers to understand, and even if some people end up not liking it, it wouldn't matter because at least you made it make sense. 
 
Also! I'm not criticising SNK, nor am I criticising Isayama. I've loved this story for years, so really, at the end of the day, even if some things still felt off to me, I will keep loving it to death. (And you can ship whoever you want who gives a fuck!)
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kyshiwarrior ¡ 8 months ago
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WORD VOMIT RE: Jet's attitude towards his decisions.
another reason i wanna kiss whoever wrote and directed jet's episode is the fact in the cartoon, jet was absolutely hyped about blowing up the dam and knew deep down it was bad because he shielded the gaang from it even if he was upfront with the freedom fighters and confirming with the duke that innocents would die but thats the price --- but still later smiling and saying theyre going to have a great victory over the fire nation after sokka is taken away.
in the liveaction, the cockiness jet has is when he's amused the gaang thinks they're slick for trying to sneak in, when he's helping them sneak in because he thinks its amusing and a helping hand, and the face of a threat: when the fire benders are found waiting for him in the forest to kill him for spying on them and hes ready to fight them back. Then, he's smiling at the camp when he's announcing who they are and what their goal is: freedom and protecting their home because no one else has their back.
Outside of this, Jet is very somber and expresses a lot of stress. For example, when he stops Katara from making herself known too early when Sai is talking to the spy then when Katara confronts him. What really stood out to me was when Katara walked up and Smellerbee was exchanging a look with him. They both looked really stressed and uncomfortable before she even came around the corner, but then especially. The look Smellerbee gave to Jet really said a thousand words, like they've been having a lot of discussions about involving her in their mission and an almost 'I told you so.' (sidenote: they did a wonderful job with nonverbals). Jet immediately puts his foot down about it not being the time then also not denying what he was doing when confronted. When he explains why he’s doing it, even as he smiles a little when saying they know how to take out the trash, its spoken with so much ire because he’s doing what he feels he needs to — and it hurts its your own people that let you down. He smiles because he’s in pain and overall feeling of ‘This is what happens when these people think they could get away with it. They have us to reckon with.’
What was significant to me was the lack of ego. This was someone who had full understanding that what he was doing wasn't something to boast about, but a building frustration tying with "IF NOT US, WHO?" What Katara didn't understand was the difference between herself and Jet, what defines being 'the good guy.' Jet was someone so acutely aware of his lack of privileges and the fear that drives the 'hard decisions' for the sake of collective. Hard decisions that put the very people you're trying to protect at risk because they were in the wrong place and the wrong time, but more would be at risk if they didn't act immediately. It's ugly, messy, imperfect -- and Jet is aware. He is not excited about any of this. Instead, he's pissed he feels he has no other choice because no adult after his parents did anything to help him. So it's all up to him, to him. ((cartoon implied these attitudes but I still spent years trying to get it through jet anti’s heads ))
And assassinating a KING and almost effortlessly succeeding is ... quite something. Impulsive, but pretty impressive. Sad, too, that it would be so easy. Everything Jet had to say about Bumi in this universe was true. Bumi lost his nerve, he was surrounded in privilege, he wasn't doing anything to really stop the corruption, and he fell into despair. Sure, Aang got through to him. Sure, Sai changed his ways and drew away from his treason with risk following. Sure. But we know what's going to inevitably happen, unless they decide to change it: Bumi happily lets Omashu get overtaken by the Fire Nation and orders all his guards to "do nothing" without any explanation. We better see Jet in Season 2 talk about his perspective here because the changes they did have me buzzing with theories. He would be livid and seemingly 100% right about King Bumi. ((Unfortunately, he is also destined to die before finding out about Bumi's plans to take Omashu back the day of the solar eclipse, but it doesn't matter because Jet would not have forgiven him for that terror.))
Anyway, they did a great job humanizing him while making him a foil to her. In the original, Jet was Sokka's foil, but I think it works so well to make him Katara's -- as they both become the most vocal and impulsive social justice activists. So seeing them fight and discuss what it meant to be a 'traitor' and 'unforgivable' was fascinating. They were actually able to have two separate discussions on the matter -- one where Katara confronted Jet to call him a traitor and when Jet confronted Katara to call her one in return.
I love how in the original, Sokka was able to prove he is a good leader in his own way by showing empathy for all and not willing to risk innocent lives ever, which gets Aang and Katara's respect after so much ridicule and comparisons. In contrast, I also love how they decided to go an alternate route because with Jet's impact on Katara that had such a lasting impression, this change did their dynamic justice. It sets up season 2 very well in how they'll engage with each other again.
I also love how Katara is able to reflect on Jet with criticism, but also understanding and a moment of gratitude. It feels a lot better than his simple flattery followed with manipulating her for her powers, and audiences feeling unsure how much of his flirting was genuine. Mind you, helps her story and establishes trust issues around being used (factors into her other plotlines), but it's such a disservice to Jet in return. I'm a big advocate of 'you don't have to completely demonize and ruin a character for the sake of uplifting another, the other should be able to stand on their own.'
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sourcherryandsprinkles ¡ 2 years ago
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Can I have wednesday x reader when it's wednesday's birthday?
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—
Figuring out what Wednesday wouldn’t hate for her birthday required a lot of thinking. Anything involving technology was an absolute no and all the books you had thought of, she either already had or were impossible to find copies of.
You almost got her a necklace with a black dahlia pendant in a small shop in Jericho, but Bianca mentioned the unspoken best friend vs girlfriend birthday present competition. Unfortunately for you, Enid was a fantastic gift-giver, which added some pressure on your shoulders. Although Wednesday would’ve liked the necklace, you put it back. You could do better, you needed to do better.
Three days before the birthday surprise, you woke up in the middle of the night with a flash idea. You got your laptop and found exactly what you wanted. You had to order it with express shipping, but the extra dollars would be worth the look on Wednesday’s face when she’ll open it.
There was no way Enid could do better than you. Nothing would rival your gift.
On October 12th, everybody gathered at Crackstone’s crypt for midnight. Tyler had been in charge of the cake — 98% dark chocolate ganache with a grim reaper on top —, Thing the making the magazine cut-out message to slide under Wednesday’s door, and Enid the guests.
You and Enid had difficulty containing your excitement as you waited for the birthday girl to arrive. Wednesday had no idea this surprise was happening. She didn’t even know you knew her birthday date. If it hadn’t been from Thing, her birthday would’ve been skipped over.
When you heard footsteps crunching leaves outside of the crypt, you all hid and waited for Wednesday’s grand entrance to scream ‘surprise!’. You all came out from being the statue of Joseph Crackstone, singing ‘happy birthday’ while Enid held the cake. Everyone was off-key and sounded terrible, but it’s the thought that counts.
Wednesday stood there, visibly uncomfortable. Her eyes shifted in the small room, looking for the culprit who slipped her birthday date to everyone. ‘’I should have known you were behind this,’’ she said to Thing, who was sitting on a column. ‘’What part of no party under the penalty of death do you not understand?’’
‘’Don’t be hard on him. Thing only told us your birthday date, the rest is all me and Enid...and Tyler.’’
‘’I made and delivered the cake,’’ he explained, nodding at it.
‘’Make a wish, Wednesday,’’ Enid urged, grinning behind the cake.
She didn’t make a wish, but she did blow her sparklers. She likely did just so the party would be over with, but unfortunately for Wednesday there was more than cake and a bad song.
Enid pushed the cake to Tyler and grabbed a neatly wrapped package from the side of the crypt. ‘’It's presents time! I’ll go first.’’ She handed it to her roommate and watched excitedly as Wednesday unwrapped it. ‘’Do you like it?’’
Wednesday held the black whooled object and examined it with the most confusion. ‘’What is is exactly?’’
‘’It’s a snood, silly,’’ Enid explained as Wednesday unfolded the snood with a new perspective. ’’I made it in your signature colors. And you want to know what the best part is…’’ She reached into a brown paper bag and pulled out a pink blob. ‘’I have one too!’’ Enid wrapped the pink snood around her neck, showing Wednesday how it’s worn. ‘’We can wear them together to class tomorrow.’’
Enid’s snood was thoughtful and sweet — even more so with Enid’s matching one —, but you knew the look on your girlfriend’s face. She hated it.
‘’Oh, Enid. This is far too unique to wear to something like class. I suggest we wait for a more special occasion,’’ Wednesday said, holding back from telling her true thoughts to not hurt Enid’s feelings. ‘’Like a funeral.’’
Enid scrunched her nose, funerals having a totally different meaning to her. ‘’Oh.’’
A few snickers were heard from behind you, so you stepped in and covered them by giving Wednesday your present. ‘’While we’re still accepting presents.’’ You handed her the wrapped box with a large black bow on top, making everyone wonder what was inside. ‘’You’re very difficult to shop for, my little viper,’’ you said to her.
Wednesday ignored the comment and unwrapped the box under everyone’s curious eye. The others wouldn't get it, but you knew Wednesday would understand the emotional meaning the second she would see the box's content.
She unfolded the black tissue paper and an unusual plush animal was revealed to her eyes. Wednesday took it out of the box and confusion spread on all of your friends’ faces.
‘’A scorpion?’’ Bianca said questioningly, her tone full of judgment. She knew Wednesday liked strange things, but a scorpion plushie was a weird ass present.
To Wendesday’s eyes, the plushie was so much more than a medium-sized scorpion. It represented a part of her past. She never got emotional, but the scorpion in her hands filled her little black heart with emotions she was not used to feeling.
‘’Nero,’’ Wednesday mumbled, her deep brown eyes fixated on the plushie. She was baffled, absolutely speechless.
‘’I know he can’t be replaced, but it can be a physical reminder of him.’’
Her eyes filled with water and Wednesday had to fight her strange desire to hug you, not comfortable doing so in front of so many people watching her like a caged animal in a zoo.
She cleared her throat and told Tyler to cut the cake.
After the whole cake was gone and the clock ticked 1am, you decided to call it a night. Principal Weems liked to take a stroll during the night and you doubted Wednesday's birthday would be a valid excuse in her eyes to be out past bedtimes.
The sky was starry above your heads as you walked back to the academy. It was pretty through the tall trees.
Beside you, Wednesday was holding a bag with Enid's gift in one hand and her other hand was holding the scorpion against her chest. ‘’This is the best present I’ve ever gotten. Thank you.’’ She smiled ever so softly.
‘’Oh? I got the impression you had a preference for Enid’s.’’
Horror formed on your girlfriend's face, getting horrible flashes of the content of her bag. ‘’That thing is horrendous. Never mention it again. If you see it on a bench somewhere, never bring it back to me.’’
You held a giggle and nodded. Noted.
‘’Where did you find it?’’ Her finger gently caressed the top of the scorpion’s head.
‘’This terrifying place you call the internet,’’ you said, mocking her refusal to use any form of technology. ‘’I thought of you the second I saw it. I know you don’t want to talk about Nero and I respect that, but he is worth being remembered.’’
Wednesday didn’t know how to respond, so she did what she didn’t allow herself to earlier and pulled you in a tight hug. It was a form of physical contact she used on rare occasions and with very few people.
Her arm that wasn't holding the plushie wrapped around you, pulling you closer. You responded to her gesture, not letting go until she did. 
—
Wednesday taglist: @sofiaadler @partyfly @hoodforcalum @thelilacmourning @ellessecretobsession @su-alteza-emia @achoo---uu @not-leaprvt @xaviersgf @peterparkerdilf @roadworkaheadisurehopeitdoes @dragon-chica @coldtacozinepanda @wrldofsage @eddiemunsonsluvrrr @capriaura @officialsaturn @babyfiva @maevaomizzolo @kelloggs-world @whosljt @ajpanda181 @belovedrey @emerycrt @elizabitchsshit @heaven-hiding @lilithlikestoread @est-liber @moonisu @dessxoxsworld @parker-nite @bellblake121890 @vesperazhier @kaldurahms-lover @beeebo234 @nephilimsss @mayuphoenix @sweetheartlizzie07 @watermelon-18 @snixx2088 @555stargirl555 @robinscardigan @chumchum19 @lilttblog @aphex2winn @heizenka @mystargirl-interlude @hwrtsiren @babygirljay20 @wildflowerlyss @strangersomeone @openfandoms @charlottelaffin @iheartmaddyperez @starless-starkov @ali-r3n  @poppet05  @ell0ra-br3kk3r  @rhaenyraswife  @teaganthemorningstar   @aphex2winn @moompie   @ifevilwhyhot @oliviah-25 @spenglerslime @wetwilliam02 @yellowcupcakes @haileyismoo @theyslayallday @wrldofsage @manofworm @rhydianissuperior @supersanelyromantic @nicangel13 @toylewestinnyc @meme-queen-1999 @rottenstyx @mxxny-lupin @idli-dosa @silenzju @ar40s @sweeterheartxamerica @renaissancewhxre @jordierama @lilppsblog @harrystylesfp  @katsuki420 @ravenssh1t @izzy-laufeyson @iluvwomenblog @kenzi-woycehoski @arunaposeidondottie @liidiaaag   @lilaconner @katsukis1wife @momoewn   @amithesimpoffandoms @chaotic-fangirl-blog @hawkegfs   @lyxrix @mommyruuetrue   @acornacreacure @lucassinclairsgf @youdontneedtoknowthisinformation
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grapecinnamon ¡ 1 year ago
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Welcome Home headcannons (bc I'm obsessed now)❤️🧡💛💚💙💜🏳️‍🌈♾️
Julie, Sally, and Poppy have an all-girls slumber party every once-in-a-while. Sometimes they invite Wally
Wally and Barnaby have regular sleepovers too, usually in Home. They don't like to leave him out
Frank likes to infodump about butterflies to Wally. It's easy to infodump to him, since he doesn't talk much anyway
Wally can pick up weird bugs off the ground with his own hands because to him, "they're just tiny neighbors who live outside."
Wally's the one everyone goes to whenever they have a problem. Wally doesn't mind listening to them and giving them advise. But sometimes, Wally isn't having the best of days and can't listen to anyone. But he always has Barnaby to go to
Julie's most common stim is flapping her hands
Julie only owns dresses. She doesn't really own pants. She has to borrow from Sally
Sally loves romance novels. She'll usually read them when she's not directing
Wally loves talking about art. He'll mainly ramble on about shapes and perspectives, and the color theory, his most favorite to discuss.
Eddie Dear kisses Frank on the forehead to calm him down whenever he's angry. It always seems to help
Howdy is practicing juggling. you'd think it'd be easier with four arms but... not for Howdy
Barnaby is always trying to get Wally to try new foods, even some Wally doesn't think he'll like. It's not that Barnaby doesn't respect Wally's boundaries, he just wants him to at least try it
The neighbors celebrate Thanksgiving, but they call it something else (Feast Day I suppose?)
Poppy is always nervous for Feast Day because she usually makes desert. Since she's afraid of using kitchen appliances, desert making is usually a two person job, sometimes with Julie and sometimes with Sally
Wally loves Feast Day. He gets to make pumpkin pie for everyone. The problem is that Wally doesn't like stuffing (Julie's usual) cause of all the weird textures. He would still make himself eat it so he wouldn't look rude, even though he would be visibly uncomfortable eating it. Now every Feast Day, Julie makes two stuffing dishes. One for everyone else, and one for Wally, which is a bit more plain. It's currently Wally's favorite Feast Day dish.
Wally ate a flower in Frank's garden one time. It did not go well for either of them.
Julie and Frank like to gossip. Nothing too bad, they just talk about how extra bossy Sally was being or Barnaby telling another bad pun, etc.
Wally likes to put his paintings around the neighborhood, almost as if the buildings are fridges
Julie is afraid of ghosts. Frank usually has to be the one to tell her they're not real. "I bet they don't like to play games," Sally says.
Howdy has all of Wally's food preferences memorized, since Wally never really changes his opinion that much. Plus he likes his hot dogs plain
Eddie Dear and Wally bond over their love of arts and crafts. They sometimes get together and make stuff
Wally is usually the stagehand during Sally's plays. He sometimes plays a role, but he's much more comfortable pulling the curtain or moving the spotlights
Wally actually loves pulling pranks. Barnaby got him into them. Most of the time, Wally's pranks are just misplacing objects where the neighbors didn't leave them (he once hid Sally's script, and Frank's butterfly net). But sometimes he'll feel bad and tell them where their missing object is
Wally and Poppy are very good at sewing. Wally loves making sweaters for everyone when it gets cold. Poppy likes knitting scarves and sometimes crochets little messages (she has a "bless this mess" sign in her home)
Wally has a sensitive stomach and can't eat certain things. There's a correlation between autism and stomach problems, and Wally seems like the type to have them
Whenever they have meetings, they always have them in Home, so Home could also be apart of the discussions
Poppy loves having picnics. It's easier to make sandwiches because in her mind, nothing bad has ever happened to anyone who made a sandwich
Wally loves taking naps. He'll sleep for about an hour during the day everyday. if he doesn't get his nap, he gets so drowsy during the day. If he does this, you'd usually find him sleeping with his head leaning on Barnaby, giving up his long battle of not napping. He was once found facedown in Frank's garden. Frank, of course, was not pleased
that's it. for now. Ik it's a long post, but I'm just so obsessed with Welcome Home. Clown, if you see this, you're a goddamn genius
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insomniac-101 ¡ 2 years ago
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Rose Tyler Character Analysis
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Ah so Rose Tyler.
Rose " you like my gun?" Tyler who arguably, is one of the most important characters of the RTD era. A character so influential, that the narrative takes the time to mourn her absence and was single handedly responsible for bringing the series back from the dead.
She's so controversial. You either really love her or hate her, and I think that in itself is a testament to how well she is written. Because she left an impact, and that's not an easy thing to do in a series that has been around for so long
With that in mind though, I find that she is also the character that most people tend to misinterpret a lot. Often framing her in a bad light, rather than with the nuance required to understand her.
That being said I'm about to analyze the shit out of her character as well as some of her main relationships so if you love her, great I do too! Let's be friends! And if you don't, that's a shame but hopefully the way I interpret her journey will help you better understand why others do:)
I must stress that this is my interpretation but feel free to let me know if you saw a scene differently than me! Love reading alternate interpretations, me
Rose Marion Tyler is introduced to us in the first season of Nuwho as an ordinary girl. She has a job, a boyfriend, and a mother but from the way we are introduced to these facets of her life, we get the impression that she isn't necessarily someone that seeks to have anything more. She fits right in with said life and from an outside perspective, one can even argue that she seems content with it.
However it's in the moment where we see her come face to face with the impossible, that we really see who she is as a person.
When confronted with a group of living mannequins that slowly creep towards her , alone I must add, her reaction is one that is quite strange. Here she is, looking to fulfill a task in a completely dodgy and empty area below her workplace and when she sees something odd, she doesn't show fear. She doesn't scream, no on the contrary, she begins to try to rationalize what is happening in a manner that makes sense to her. Never one to assume danger, even when it is painfully obvious that there might be something strange happening.
That is when she meets the Doctor. A man unfamiliar and strange that saves her life right before she too succumbs to the threat. Thus, treating us to our first glimpse into the dynamic between our two leads.
She is visibly put off. Perhaps a little afraid but she asserts that the incident was nothing more than a prank. Something harmless and silly, even though it is quite obvious to us that that is not the case. It's this manner of viewing the incident that catches his attention however.
"Very clever, nice trick. Who are they then, students? Is this a student thing or what?"
"Why would they be students?"
"I don't know!"
"Well you said it, why students?"
"Cause to get that many people dressed up and being silly, they got to be students"
I find this interaction so interesting because it says a lot about her perspective. She doesn't assume the mob meant any harm. In fact, she goes out of her way to make up an even more incredulous scenario to justify their innocence, even when it is obvious that that is not the case. 
It shows nativity, but there's an underlying level of optimism there as well.
It is here where she finds out that Wilson is dead, and we see her react with concern. But notice, she doesn't assume he had anything to do with it.
Rather it's his tone that rubs her the wrong way, and she confronts the Doctor. Chastising him about joking about something so awful and even when he interrupts, she doesn't stop her pursuit for an explanation.
She is on the move right behind him, asking more questions that only seem to have more confusing answers. Following in spite of how absolutely bat shit his explanations are.
In this brief interaction, we see some of the most crucial aspects of her character. Her bravery, curiosity, and stubborn nature that allow her to remain by his side, long enough that he has to physically stop her and tell her to go home.
It is this blatant show of her character that prompts him to ask for her name.
Because here she is, confronted with the impossible yet she doesn't just stand to the side in shock. No, instead she chooses to engage with the Doctor. Trying to find a reason for what is happening, or in other words, a solution even if it's at the expense of her own well-being.
It's when we see her recovering at home, that the initial veil of an ordinary and perfect life is uncovered. Jackie is too busy on the phone to really offer any emotional support to her daughter. Gossiping on the phone about the incident, and in the minute a break presents itself, she uses that time to criticize her for not taking advantage of the situation.
I must stress that this interaction isn't included to say that Jackie is a horrible mother, quite the opposite, but she is human. RTD goes to show you that no one is perfect. That even the most well intended individual is flawed, and that everyone has their strengths and weaknesses. This is important to keep in mind when analyzing the relationships between the characters.
Even though Jackie doesn't show her support through words, she still takes the time to give her tea as she is sitting. She is doing the best she can under the circumstances in which she's in. She's conscious that their financial situation isn't ideal, and so by telling her that she should have asked for compensation, this is not to show that she is greedy, but rather it's her way of showing that she cares. That at the very least, her daughter can secure herself some money for experiencing the traumatic incident.
It shows that she's a realist, someone who views the world through a cynical lens and prioritizes survival above all else.
Similarly we meet Mickey, and he is a bit more emotional to an exaggerated degree. Showing physically that he cares with a hug and going out of his way to fuss and dote over her, but this overblown affection seems to make her uncomfortable. As if to show that she doesn't like being the center of attention, and that they are making her feel helpless at the expense of their concern.
Understanding her need for a distraction, he offers to take her to the pub but it's not long before she catches on to his true intentions. Granted he does appear to be genuine in his goal, but it's not an activity she would enjoy and so she tells him to just go alone.
Now similar to the previous point I made about the characters being flawed, that applies here too. The relationship she has with Mickey is not perfect. Mickey is trying to play the role of a perfect boyfriend. He is showering her in love and support, but we quickly see that his motivations are not completely selfless. That really that overblown affection he is showing at the moment, is an act. We see this happen again later when he tries to put on this front that he's her protector in front of Clive, but she shuts that down too. Not because she doesn't love him or appreciate the concern, but because it's not him, and this front he puts on sometimes results in him ignoring what she actually needs.
He assumes he knows what's best for her without taking into account that she might not agree. It's only when he shows that playful nature we saw earlier in the intro that Rose seems responsive to him. As if to show that it's when he's acting like himself, that she appreciates his company. Because what she needs at the moment is not for them to dictate what she should do, she just needs them to respect her decision to move on.
When he leaves, we finally see that the comfort she derives from him is really from the friendly banter they have. At the core of their relationship, is a friendship.
I find that way too many people tend to assume that everything Mickey does comes from a place of ill intent, and that is just not true. He's a person, and he too has his own motivations and emotions that may not always align with those around him. That doesn't make him a bad partner, just a flawed one.
When she wakes up, we see that yet again, she is subjected to more fussing from her mother but it is in this interaction that something interesting about Jackie is revealed.
Jackie claims that her prior job at the mall was giving her "airs and graces" and this is something she tends to bring up later too, when she feels herself becoming more distant from her daughter.
This is a reflection of Jackie's own insecurities, not Rose's actual attitude.
Whenever she sees Rose find a piece of the world to call her own, she tends to put it down. Not because she hates seeing her succeed, but because she fears that once she finds something better she'll leave her behind. That she will have to experience loss once more, at the expense of her daughter rather than her husband all that long ago.
Now this is an assumption that on her part, I'd argue, is a bit unfair given that Rose doesn't ever really show to resent where she comes from. (in Tooth and Claw, she is even named  "Dame Rose of the Powell Estate". Which shows that she is not really one to shy away from her background) Nor does she believe herself to be better than anyone, but Jackie uses it often because she knows it elicits a reaction out of her. She's grown so used to having her around, that now she can't fathom living without her and resorts to hurting her as a means of keeping her close. 
It's an attachment to her daughter that at times, can prove to be stunting to Rose's development but ties back to the long lasting grief she feels at losing Pete. Again this is not an intentional thing she does, but it is a flaw that exists and shows up when they butt heads.
(I stress this point because I've noticed that this Era of Doctor who in particular has many instances where characters declare something, only for it to be a false conclusion. It's vital that one considers not only the words, but the actions of said characters. To read into their words, rather than to take it a face value. I will be doing a lot of that here, case in point)
Rose often has to put up boundaries with Jackie. Not because she doesn't love her, but because the extent of her love and attachment can be overbearing to the point that it interferes with her life. They have survived so long by functioning as a unit, but now it's time for Rose to prioritize her own feelings and that in turn scares Jackie.
I must stress that Rose is still so young, only 19. For her to have the maturity to know how to handle her mother as well as handle the household (we see her fussing over the cat flap, demonstrating that she is constantly aware of the circumstances they live in) shows that she had to grow up fast. Being constantly aware of adult concepts such as finances and the death of a parent from a young age, tends to do that to a kid.
Now skip ahead to when nine stumbles upon her home, and she manhandles him inside lol. She takes control of the situation, offers him a cup of tea and asks him to accompany her to the police station so that they can both handle the situation.
I must stress, once again, that she has no reason to assume he's a good person. For all she knows, he could have purposefully caused the explosion to kill them all. But no, she assumes that he was just a victim like herself and aims to bring closure to the incident.
Rose is someone that assumes the best in people. We see this time and time again with how she interacts with those around her. When she is talking about the body that was found, she assumes it's Wilson and talks about how sorry she is that it happened to him and that he was a nice bloke (even though her face tells the opposite lol).
She is kind. It's in her nature to care for and care about others. It's because of this that she is able to get through to the Doctor when he tries to leave again.
So she insists that he tell her what's going on, and continues to pursue him while making conversation. At one point he asks if she believes him and she admits that she doesn't, but nonetheless she continues listening. 
A kind act she then does for Clive, which suggests that the reason why she stays is because she recognizes that everyone wants to be heard. That to be acknowledged, means to finally feel validated. Something that seems to be absent from her life, given how often both Mickey and Jackie tend to dominate conversations regarding her decisions.
She gives him the space to joke around, to add levity to the discussion but the moment he confesses that he is alone she stops it.
Because she is concerned now. He, a complete stranger yet she offers him the patience to go at his own pace. All while, she is firm in her pursuit for an answer but not at the expense of upsetting him.
This is why they work.
She has the emotional intelligence that he lacks. She challenges him by offering a perspective that completely goes against his own. And when he's being insensitive or too focused on the big picture of things, she is able to put him in his place. Reel him back in and set him straight again.
(I did a more in depth analysis on the 9th doctor here if you're interested!)
It isn't until after she leaves Clive that we see her actually start to reconsider the direction that her life is going in. Because now more than ever, she realizes just how narrow her perception of the world really is. How insignificant her life is, in the grand scope of the universe.
She reminisces, talking about how she could go back to school now that she has the extra time to spend. Another decision, mind, that was done on behalf of someone else and she is starting to regret.
She asks for Mickey's opinion but him not actually being him, isn't able to give his input and changes the subject.
"I'm sorry, was I talking about me for a second?"
Her offense is something that stands out to me, however.
Based on prior interactions, one can come to the conclusion that Rose is not as open as she appears to be at first glance. When Mickey attempted to appease her by offering her the space to talk about the explosion, she shut him down and later on refused to include him in her meeting with Clive. She even went as far as to lie about her prior involvement with the Doctor to her mother. Which in turn suggests that it's not often that she has aspects of her life that are solely hers and so, when she finds something, she keeps it to herself.
This could be due to a number of reasons, but I suspect it is because of the company she keeps around.
Her mother criticizes her job and asks her to change it, and Mickey dissuades her decision to go looking for Clive. She keeps things close to her chest because she's aware that the people in her life won't often support them.
Then the Doctor interrupts, and Mickey is revealed to be a clone. Panic arises but her being the selfless person she is, presses the fire alarm as a means of ensuring that more people won't get hurt. This also shows one of her biggest strengths as a character, she is incredibly clever. Even though she dropped out of school at a young age, she has a knack for finding solutions with very little resources. She's sharp and has a level headed approach that makes her perfect for a crisis. 
It also shows that she has a habit of putting others before herself, because before Mickey even attacked, she was already standing next to the button.
Her compassion, bravery, and quick thinking are what ultimately drive her to save the Doctor's life. Because I'm spite of being in trouble himself, he pleads that she save herself at the price of his own life. Proving to her, that he is not responsible for the death follows him. And in turn she realizes that the life she is living is truly stunting her, because it's her putting faith into her own capabilities that allows her to save him.
That she, just like the Doctor, is capable of doing something beyond what she thought was out of her reach.
That she is free to live a life not constrained by the ordinary.
Now I'll skip ahead to the big decision; the one that seals her fate as his companion and a decision I often see people misunderstand. The decision to stay with the Doctor is not one that comes easily. Her initial rejection of his request is one that displays her hesitance.
Note that it is not because she doesn't want to, that much is evident from the way she's gazing longingly at the Tardis. But because Mickey's pleading is getting to her. He is latching onto her, metaphorically and literally; not taking the time to consider how she might feel about the opportunity.
He does not trust that she knows what's best, which is made evident in the way he often doubts her.
Up until now Rose has been someone that puts everyone above herself when it comes to making decisions. She has to consider their feelings, to the point that she feels the need to hide things from them.
Her mother.
Mickey.
And now she's going to let them snub out that little spark she just discovered she has.
It's because of this that she thanks Mickey before she leaves. Because it's his helplessness that helps her realize how fit for a life of thrills she is. While he was cowering, she in turn was thriving in the danger.
Him doing nothing but clinging to her, made her realize that she is capable of doing so much more than what she could do at his side. That she has the potential to save many lives and make a difference in the world.
So she leaves.
She is not angry at him when she does, quite the opposite, it's him being true to himself in a crisis that puts things into perspective.
The next episode makes her confront the reality of the path she has chosen.
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He takes her to the end of the world and she realizes that her role is not to stop the inevitable. The Doctor is not someone that is responsible for preventing bad things from occurring, no, he is a witness to them just like she is.
This confession comes with the loaded realization that not every adventure will end happily. That death is not something that can be avoided and that the Doctor is not a hero. This shows her naivety, and through this adventure, she begins to lose some of it.
She freaks out at seeing the "relics" of the human race. All things she is familiar with, yet, it comes with the startling realization that everyone is dead. 
That she is the last of her kind alive.
So she runs.
In spite of it all being such a shock to her, however, she still has the ability to reach out to someone. Finding comfort in talking to an alien by the name of Rufalo, and asking for her name and background. Extending kindness to someone that she doesn't have to, because it in turn brings her happiness. It shows she is someone that cares for others, regardless of what they look like. That at her core, she is kind and considerate.
One of my favorite scenes that perfectly demonstrates this point is an underrated scene where she talks to a plant. She previously observed that one of the aliens that initially greeted her is a tree descendant that gifts her a piece of her grandfather, and she addresses it shyly.
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"Hello, my name's Rose, that's a sort of plant. We might be related..I'm talking to a twig."
It's played for laughs but it demonstrates that her ability to want to understand others comes from a place of wanting to relate to them. She talks to the tree with respect and views it as an equal before realizing that it's just that, a twig.
When the Doctor finds her and begins to appease her by making jokes at the expense of the aliens, she once again surprises him with her reaction.
She gets offended.
All on behalf of the deep south aliens that cannot defend themselves in the current moment from his scrutiny, because she is able to humanize them. To see them as people, in spite of the obvious differences they may have.
This suggests that Rose's first instinct when out of her element, is to try to understand and sympathize.
That way of being, is what causes her to turn her questions on him.
Why he is so quick to judge others.
Why he is able to maintain that sense of levity as he sees the world burn.
And why he seems so touchy about his background.
Something that I wish to add, because we have an instance of this happening in this episode, is that her need to understand others might be rooted in the perception others seem to have of her. People tend to diminish her value because of how she looks. In this episode, Jabe, the tree lady presumes that Rose is the doctor's concubine or even a prostitute. This is why she gets offended and tells them both off.
(This happens a lot more than I realized on my first watch, and a lot of people write it off as her being jealous when that's not the case. That isn’t to say that she doesn’t display some jealousy at times, but it genuinely does not occur as often as people claim it does)
This is also why Cassandra gets under her skin so much. Because she presumes that Rose is inferior and looks down on others but that alone is not enough to justify her being killed. She makes that clear when she pleads for the Doctor to save her.
We also get some insight on why her dad's death left such an impact on her. It's brief but while watching the earth melt away, she says this:
"it's gone, we're too busy saving ourselves no one saw it go. All those years, all that history and nobody was even looking."
Even though she didn't know him personally, the fact that he died alone is something that deeply troubles her. To anyone else he was just a man, yet to her and her mother he was a father, someone that was meant to be a part of her life. He should have had someone there, just like how the earth deserved to be remembered in its final moments by those who personally lived in it. To die without anyone you care for acknowledging your importance must be haunting.
The reason why she stays with the Doctor is for the same reason why the tragedy of her father's death deeply affected her, she doesn't want him to be alone. Loneliness can be so terrible. Had it not been for the Doctor being with her, she would have felt overwhelmed by the weight of the world's end. It's having him there that made the pain bearable. She understands this, and so, she takes it upon herself to be the person he has to look his way. To be the hand he has to hold when everything becomes too much.
But the question remains, to what extents is she willing to go to ensure that he will be okay?
Gradually we see Rose become more confident in her ability to command and reason. She no longer hesitates to step in and offer her perspective, all while she continues to extend her kindness to others. This at times, clashes with the Doctor's own priorities but nonetheless his exposure to her has an effect.
It is in the episode Dalek however, where that kindness takes on a new form, a merciful killing. Up until now Rose has been the one to tell the Doctor to give the perpetrators a second chance. To see the good in others even when it's difficult.
But now this creature that has killed many, is changing. It's growing aware, disturbed, and it's all because of her. She stops the doctor from killing it, but now the creature wants to die. It does not want to become like her. It does not want to become so human that it becomes aware of all it's done and how lonely it is.
For the first time, she is made to confront that her kindness might have just condemned someone to a more miserable end. That humanity is not something that every creature strives for, and that at times the kind decision comes with a price.
So she does what it asks, and orders it to die. Saving the Doctor from sullying his hands with more blood but at the price of her own becoming unclean. Are these the depths to which she would go to ensure the Doctor's wellbeing?
The next two episodes explore what happens when Rose underestimates her ability to make mistakes.
She's become more confident, taking along Adam to their next adventure because she believes she has a good judge of character. Plus he’s kind of pretty, so that’s a plus for her lol
She wants to be the impressive one now and share that wonder for the universe with someone else. To see what it looks like from the perspective of a new pair of eyes, because to her it has all become kind of normal.
The price of understanding the Doctor more, is that it comes at the price of her humanity. She will no longer be able to sustain her naivety towards how cruel the world can be. It will become harder to judge when she is viewing things in a rational human way, or through the eyes of someone that has grown desensitized to the chaos.
In retrospect, I don't think it's a coincidence she is wearing red here. She has now witnessed a death at her hands, and she is trying to regain control. To remember what it's like to view the world through the eyes of someone normal like Adam.
With time, she will grow to be a stranger amongst other humans. She will have a harder time relating to others because her understanding of the world far surpasses there’s. 
Oh but Adam is not like her. Because she assumes everyone is well intentioned, she fails to realize that he might hold ulterior motives. When he fails her, she realizes that she is also capable of making a bad call. That the Doctor is holding her to a standard and if she makes a mistake like Adam, she too can be left behind.
Father's day is where we finally see her make a misstep and it's one hell of a problem. Her initial goal was to be there for her father and comfort him in his final moments, but she realizes quickly that seeing it is far more disturbing than she had initially anticipated.
He's her father. Seeing him die once is bad enough, but twice? All while fully aware that she can easily prevent it? It's a temptation that is far too great to pass up. But quickly she realizes her mistake and she can't think rationally, she is far too emotional to reason with.
"but he's alive,"
"my entire planet died, my whole family. Do you think it never occurred to me to go back and save them?"
"but it's not like I've changed history, not much. I mean he's never gonna be a world leader. He's not gonna start world war 3 or anything"
"Rose there's a man alive in the world who wasn't alive before. An ordinary man. That's the most important thing in creation."
She overestimated what she understood about travelling in time. She realizes this, but her pride will not let her stand down. She wrongly uses his loneliness as a means of keeping him there, knowing that he would never actually leave her but alas he does. In doing so, granting her a once in a lifetime chance to get to know her father personally.
With this opportunity comes the realization that her father was not the man her mother told her about. 
Not successful nor heroic, but flawed like any other man.
She finds out that he and Jackie had a strained relationship, nothing like the perfect relationship her mother described. That he had had an affair and that they were not on the best terms when he died. Really, her mother was protecting her from the reality of the situation. All for the sake of giving her a father figure that would not disappoint her, even in death.
But on the flip side, she is also able to know the best parts of him. Now she has a reference of who he was at his best as well. She is able to have him recognize her as his daughter and when he realizes the extent of her mistake, he takes on the responsibility to right her wrong. So that his blood is not on her hands, and so that she will remember him as the proper father he would have been after he’s gone. 
Note that he does this for her, not because she wouldn't have eventually asked it of him, but because he doesn't want the guilt of his second death to be on her.
She apologizes of course, to the Doctor but not before he does the same. It is in this moment, that she realizes how much she means to him and in turn, how much he means to her. 
When viewing this scene, once should keep in mind that the episode draws many parallels between the Doctor and her father. At one point, it states that she considers the Doctor to be the most important man in her life. so when her father comes along, in misplaced anger she asserts that the Doctor did not want her father to live because it would threaten his importance to her.
The reason why I draw attention to this detail is because I believe this is the episode where she realizes she loves the Doctor romantically. 
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When her father touches her face as he recognises her as his daughter, she nestles into it like a little kid seeking comfort from a parent. Now that she knows what it feels like to have a proper father, she has a better understanding of what that kind of love feels like. 
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So when the Doctor does the same thing, she stares deeply into his eyes as if just realizing what he means to her. Her reaction to him is almost shy and stiff, very unlike her usual temperament.
I think this is the moment she realizes her feelings for the Doctor are not that of her trying to fill a void her father left, but of a different origin entirely. The reason I say this is because these two scenes, mirror each other down to the camera angle. With both shots, focusing on her reaction to the touch.
I don’t think it is a coincidence that earlier in the episode, she gets mad when her father assumes the Doctor is her boyfriend. She even expresses confusion on why people think they’re together, which wouldn’t really make much sense if she had felt romantic attraction to him prior to this moment.
This isn't to say that she purposefully projected such an image onto the Doctor, not at all. But I think it's this experience that finally gives a name to what she was feeling for him all along. Something that started off as platonic but eventually morphed into romantic love.
(I can’t believe that I just claimed Rose might have daddy issues but here it is. On the bright side though, this goes to prove that the Doctor fell for her first so do as you wish with that assertion lol)
Then Jack appears and finally, their attraction for one another becomes obvious to everyone but one another lol. This is where the whole dancing scene happens and I think you all know what they meant lol I don't have to make an in depth analysis about it. 
(But how curious that she suddenly starts being more blatant with her flirting, after Father’s Day? Just sayinnng)
I must stress now, because this will become critical later on, that Rose is naturally very flirty and touchy. She's like that with most people it seems, but she never really means anything by it. When Jack appears, she finds him attractive but when he starts getting too close she begins to feel uncomfortable. 
She even stops his advances at one point. She likes being liked, even plays into it, but she never acts on her attraction. It's a flaw of hers in the same way the 10th doctor likes being chased by beautiful women, but she's never unfaithful.
Okay so I'm going to say something really radical here, but Boomtown is when Rose and Mickey breakup. For good. Personally, I am not of the belief that they were together in season 2.
The reason why I say this is because the moment Mickey and Rose are left alone, all she can do is recount stories about the Doctor and how great their adventures are. It is here where we see what was pointed out to us previously: that she would eventually outgrow the outlook of those around her. She is no longer the Rose he knew, or fell for. She has grown more confident, happier, and can no longer relate to him. 
In other words, she has outgrown him.
It’s here where Mickey tells her that he is seeing someone else. 
Rose does become a little jealous here, making a comment about the girl's weight, but she quickly realizes it's not appropriate and takes it back. Instead, commenting that she's a nice girl. 
Now remember how I mentioned that at the core of their romantic relationship was a friendship, we see that here more than ever.
When he suggests they find a hotel, she reminds him that he has someone and then questions why he is even with Trisha if she’s not the girl he usually goes for. (They grew up together, so it makes sense why she would know what his type is). This doesn't seem as if she's asking because she's jealous but because she's confused on why he's settling for someone. 
She is concerned for his wellbeing.
To which he admits he is and that he can't move on because he is still in love with her. When he asks if he wants him to wait for her, she can't answer. Not because she is unsure of her answer, but because she knows what it is. Her heart is no longer his.
Her running at the sound of trouble and refusing to answer is the answer. It will never be him. She cannot promise him something that just isn't what she feels anymore. Him yelling that “of course it will always be the Doctor”, is him confirming it. That what they had, has ended. 
This is the moment they break up. Her seeking him out afterwards is not her trying to mend the romantic relationship they had, but the friendship.
But it is too late.
When she returns after the Slitheen crisis ends, he is no longer there. He will not wait for her anymore and when asked about his whereabouts, she concedes that he will not join them when they leave because he deserves better.
This is her acknowledging that she did wrong in having him wait. She cries because it ended in such a heartbreaking way, but not because it is no more.
She realizes she hurt him, and this guilt follow her into season 2.
The reason why I am so confident on this is because they’re never really all that affectionate after this. Yes they hold hands and hug, but that’s something she did with the Doctor long before they were together. They never share a kiss, and the only one that ever refers to their relationship as something more, is the Doctor.
(Who I must add, has his own motivations for doing so. Mainly out of jealousy, and because it creates a barrier between the Doctor and Rose's relationship. I swear, you can't trust these people lol)
That's why her attachment to him never really presents itself as an issue later. Weeell not until the Doctor inserts him as a means of putting a wedge between the two of them. But I am getting ahead of myself here.
Skipping to the final episode, Rose is tricked into leaving the Doctor and she is left to confront what life without him is like.
This is the girl who, at the thought of her father dying alone, almost broke the universe to grant him some companionship in his final moments. 
He is dying out there, somewhere she can't reach.
And in the meantime, she waits helplessly as the man she loves is trapped in the future, unable to do anything but mourn him.
For the first time, we are confronted with a version of Rose that is devoid of any hope. A sight so unfamiliar to both Mickey and Jackie, that they don’t know what to do or say to make it better. 
That does not stop them from trying, however.
It's here that Jackie is able to admit that she admires him for doing what he did. This confession is a big deal because it highlights the beginning of a major change in perspective for her. 
The reason why Jackie and the Doctor’s relationship is so strained to begin with, is because she feared that he would be the catalyst to Rose’s eventual departure. She projected her insecurities onto him, often portraying him as the type to endanger her daughter on purpose and the reason why her life was such chaos. Yet, in this moment she concedes that she was wrong, that the Doctor is more noble than she had initially given him credit for. 
He's not selfish like she initially presumed, but selfless; choosing to prioritize her safety, over his own loneliness.
When Rose questions what she is expected to do now, Mickey is offended. He cannot understand the extent of her feelings, so he resorts to the defensive. Claiming that she must a sense of superiority if she thinks she is not capable of assuming a normal life like anyone else. But just as was shown before, both him and Jackie are very flawed people. They have their agendas and so they impose what they think is best onto her, without considering their own biases.  
Because they care, they assume rather than listen ... but she's no longer the same Rose.
She is different. 
No longer naive and no longer fit to live a life that doesn't have him in it. Not solely out of love, but because she felt she was at her best there.
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"it was a better life, I don't mean all the traveling and... Seeing aliens and spaceships and things, that don't matter. The Doctor showed me a better way of living your life."
She criticizes Mickey for assuming the worst of her in that moment, as he has seen first hand the change she went through. That's why they broke up after all, because that change made her harder to hold onto.
With that change however, is the realization that living a normal life would mean to throw away all the growth she went through. 
To abandon her new sense of purpose, and lose that part of herself that refused to give up. The side of her that held onto hope, in spite of all odds being against her.
And finally, to give up would mean to lose the Doctor: the man that believed in her and never stopped.
When she says there's nothing left for her there, on earth, she means it. She would rather die than live a life without him in it. 
She's an emotional wreck at the thought of losing him but other than it just being a statement said in the heat of the moment, I find that she might also have a point.
Sure it's harsh, I won't deny it but really other than her mother, what is there to keep her there? 
Everyone, even ordinary people, leave home eventually. That is just reality. Her mother is there, yes, but one day she will die. Rose will be all that’s left, because not even Mickey will measure up to the Doctor and it is unfair to expect him to fill his place. 
She will be expected to live a life where not even one person understands her and in the process, forget the part of herself that she grew to love.
What they're asking of her is to give up on the part of the world that she has made her own. To hide the spark that made her into who she is, because that's how much the experience has become a part of her identity as a person.
It's selfish, but doesn't that apply to everyone? Who's happiness has not come at the expense of other people? By asking her to give up her life with the Doctor, are they not doing the same to her?
The reason why knowing that she met her father seemingly changes Jackie's mind is because the revelation is a confirmation that Rose has grown up. Her distress is not out of a naive love that Rose holds towards the Doctor, no, she is aware of the implications of what she is saying.
The reason why Jackie never told her the truth about her father is because at the time, she was a little girl who could not understand that her dad was not a perfect man. She meant to protect her innocence, even if it came at the expense of the truth.
But she realizes then, that she is not that little girl anymore. That before her stands a young woman, who no longer needs her protection. One who has accomplished impossible feats on her own merit, and grew not because of her, but in spite of her.
So when Rose tells her that she has found her place in the world, she means it.
Not to mention, the Doctor was able to give her a sense of comfort that not even she could give her. Granting her a sense of closure and thus cementing just how incredible of a life she is leaving behind. 
Jackie’s own fear of abandonment, is not enough to blind her to how important of a task this is to Rose.
This is why they help her in spite of it potentially meaning her death. Because to ask her to leave it all behind without trying, would be the equivalent of killing her. The version of herself that was forged from the experiences aboard the Tardis.
Season 2 is effectively what occurs when the reality of falling for a man indebted to the universe, starts to settle in.
His regeneration makes her confront the fact that he is unlike any human man. That the rules that define human relationships, will not apply to their own. With that in mind, she seemingly loses her footing amidst the chaotic revelation. 
She struggles to take control of the alien invasion, not because she doesn't know how, but because everything she knew to be true has changed. The foundation of all she stood for, has been broken and she has no idea what her place in all of it is.
When she realizes that he is still him, her acceptance comes with the acknowledgment that their circumstances have changed. That she will have to accept those alien aspects of himself, and redefine her prior assertions of what a life with him would mean in the long run. Because now more than ever, the love between the two of them is stronger than ever. But neither is willing to sacrifice the greater good for it.
Something I need people to understand is that the reason why their relationship doesn't become anything more than a friendship, until Tentoo, is because both are aware that his duty is something he can't abandon. It's a conscious decision on both their parts, not just on Tens.
We see this time and time again when Ten is made to confront the possibility of her death. She is not immune to the misfortune of the world and she knows this. But just because she's aware of this, doesn't mean that she lets it stunt the enjoyment of her life.
This is where their perspectives drastically differ. On one hand you have ten who recognizes that he is not human. The world is cruel and to give in to his love for her would mean losing her eventually. This is why after he is confronted with Sarah Jane, he can't bring himself to describe why she is different. 
Why she is his exception.
So he brings along Mickey to act as a buffer. This is why Rose seemingly disagrees with his idea to bring him along. Her and Mickey are just friends. He still has feelings for Rose, she knows, and to involve him is to give him the impression that he still has a chance. Again, it's not out of jealousy. If it were, she wouldn’t have been so keen on bringing along Sarah Jane Smith after this adventure or Mickey in season 1.
At the price of his comfort, he cruelly doesn’t consider Mickey’s perspective. 
She makes this clear later on when he asks why he was tempted to explore Pete’s world.
“Mickey’s mum just couldn’t cope. His dad hung around for a while, but then just sort of wandered off.He was brought up by his gran. She was such a great woman. God, she used to slap him! But then she died. She tripped and fell down the stairs. It’s about five years ago now. I was still in school.”
“I never knew”
“Well, you never asked.”
“You never said.”
It is his inability, ironically, to not think beyond his best interests that has a tendency to hurt those around him.
The funny thing is, the episode where she is supposed to act jealous and petty is actually the episode where we explore why Rose is such a great match for the Doctor. Because even though Madame de Pompadour belittles her importance to the Doctor and seems to be the main focus of his affectons, Rose still does what she can to save her.
This is who she is. 
Yes, she can be emotional at times but when it really matters, she can put those feelings aside to do what is right. This is something that we see develop in her since season 1. It shows that she is aware of the duty the Doctor has to protect time itself, and it's here that we see her take an active part in it herself.
When Mickey taunts her out of jealousy of their relationship, asserting that the Doctor's intentions are not as pure as she thinks they are, she is quick to defend him. Because she understands that he is not someone that intentionally hurts others. No, he is flawed and his duties are too important to be held to a human standard.
That isn't to say that she is immune to falling victim to the same dark assumptions.
(We see this plainly in the prior episode too, where Mickey's taunts begin to get to her and she assumes the Doctor doesn't value his companions)
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It hurts her. You can see that, in the way that she stares longingly into the distance. Coming to terms with the implication of having been left behind, and her role in his life. She will never be his priority. Not when he is the only one left, to ensure that the world won’t plummet in the absence of his own people. 
It is this reasoning that allows her to look beyond herself and reach out to him when he is grieving the loss of Reinette. To ask him if he’s alright, even if its at the cost of her own feelings.
“I’m always alright.”
It is here that she realizes how much he is holding back. How much the constant death is weighing over him. And so, she gives him the space he needs in the meantime. Displaying that strength she has, at the cost of seeing the Doctor at his weakest.
I think this is why in the next episode, when they are trapped in an alternate universe, Ten is seemingly afraid that he might lose her. I mean, to an extent that seems almost overblown but, it makes sense if one infers it's because of how he acted in the prior episode.
 Not only because he seemingly put a wedge between the two of them, but also because more than ever she is aware that his duty is to the universe and not to her. He realizes the extent to which he has taken her love and loyalty for granted. 
How more than ever she is aware that whatever is between the two of them, will never be.
(Personally I see this as his punishment for being so careless in his actions in the prior episodes. Till this day, I still can't watch that episode without feeling so bad for Rose)
His fear is a reflection of his own insecurity: that alien side of him that is incapable of understanding why Rose would choose him above all else.
Rose is not one that would ever hold it against him, however. For the sake of blaming himself, he underestimates the depths of her awareness to the situation they're both in.
She loves him unconditionally. She doesn't expect him to drop his duty. No, more than ever she is aware of the toll it takes on him, from a second hand perspective. 
This is why in Doomsday when Jackie criticizes her for becoming too alien, and for not settling down, she stresses that she will never have a normal life because the Doctor never will. It was never the traveling that made her stay, it was him. The thought of him facing the world alone, to revert back into a miserable version of himself because he has no one to ground him, is a reality she can't live with.
(not to mention, her becoming too desensitized to the life she lives is a problem that can be traced back to season 1 as well. Showing that this is very much a real thing that can happen if she doesn't maintain something that grounds her to the human world)
So she takes it upon herself to be there for him when he hasn't asked. This is incredibly selfless and consistent to her character since season 1.
So when she seeks out Pete, she's not really doing it with the intention of staying. She's curious to see who her father is in a universe where he seemingly lives. Because to her, he is her father regardless of whether or not the body he is in is the original. This universe's versions of the people in her life does not make them any less valid simply because they're slightly different, at the core of them is the people she loves. 
In every universe is a version of the person she loves that when prompted, will save her. This is seen in how it's seemingly these two versions of her parents that do something to help her even at their own expense. With this Pete, being the one to save her before she gets sucked into the void and this Jackie, being the one to save them both from an immediate conversion
(Hint hint, this is the attitude that prompts her to accept Tentoo and it's also a big part of her journey in the Rose Tyler dimension cannon audios.)
This is also the episode where her friendship with Mickey essentially ends for the time being. Seeing how much the Doctor and Rose have grown to love one another gives him the courage to leave. To find that part of the world that is his, even if it means putting a pause on his friendship with Rose. It hurts her to see him go, goes to show you how close they are, but Rose understands that this is something he has to do. That he, just like she did with the Doctor, has to put himself first.
This is why in their final moments together they don't kiss. It parallels her first departure, but without the affirmation that they're going to continue their romantic relationship.
In the kiss they do share earlier, it is one sided.  Initiated by Mickey and one that Rose doesn't seem responsive to, doesn't even close her eyes. It comes unnaturally to the two of them, as if to show how their relationship has changed.
Rose does not share the same outlook that the Doctor does. It's because of this, that their perspectives have a tendency to clash when they're in danger. 
She doesn’t let the moments they have together be weighed down by the knowledge that their time together is limited. No, it is that knowledge that helps her be more outright with her affections towards him. Carrying the strength and hope they both need to continue finding the joy in living in the present. 
We see this presented explicitly, when they realize they're stuck on Krop Tor.
"Can you build another Tardis?
"They were grown, not built. And with my whole planet gone, we're kind of stuck."
"Well it could be worse. This lot said they'd give us a lift."
"Then what?"
"I don't know. Find a planet. Get a job. You live a life same as the rest of the universe.
The Doctor can't handle the thought of Rose dying. You see this, in the manner that he is so quick to give up hope once he has accepted their potential doom. 
It goes to show that the strength and peppy attitude he has, is nothing more than a mask. That deep inside, he is afraid and struggling to hold it back.
This is where we seemingly see how he really is, how he really feels. 
How hesitant he is at accepting that there's a way out. 
How quickly he reverts back to cynicism when he isn't reminded that there's still something to fight for.
Rose understands this. 
It's because of this, that she resorts to humor. Telling him about the potential outcomes of their current situation, that won't end in death. That even as they wait for their inevitable end, they can still enjoy their final moments together.
It's in that moment, where they're both vulnerable that she admits she sees herself sharing a life with him. Something that seemingly stuns him back to the present, and causes him to put his walls up.
This must be terrifying to him. 
To have someone understand him so well, that he is caught off guard by how quickly she is able to bypass any prior barriers.
"I promised Jackie I would always take you back home"
"Everyone leaves home in the end"
"Not to end up stuck here."
"Yeah but stuck with you, that's not so bad."
"Yeah?"
"Yes"
It's her ability to not take his reluctance to voice his feelings personally, that causes him to smile. Because it's the moment he realizes that she sees him for who he is, and understands.
It's her capability to see what he means to say that prompts her to kiss his helmet right before he goes. It is what gives them the strength to watch one another as he drops below the surface with Ida.
In other words, it is what gives her the confidence to reaffirm what he means to her even if he can't express it back.
"Oh she knows"
That is why he doesn't see the need to voice how much he loves her right before he drops to the unknown. In a leap of faith, he realizes that really the only belief he really holds is in Rose Tyler. That he will have another opportunity to voice his feelings, away from imminent death.
Rose also devotes all her belief in him, and willingly shoots at the glass in an attempt to survive for his sake.
Beyond all reason, it's this complete devotion to one another that causes them to overcome the challenges that stand in their way. It is what motivates them to assume that the other is alive, even when the odds are against them.
It's this faith, that gives them the strength to continue living once they're separated…only to then reunite in season 4.
(Where another parallel can be found, in how they both seemingly always end up running towards one another. They both hold on to the one person they know will never fail them.)
"Love and Monsters" demonstrates the extent of Jackie's loneliness. She is a single mother who fills the void her husband left with casual relationships. Her daughter is the only real constant part of her life and the fact that she was "left behind" by her Pete is what causes her to harden and see the world very critically. 
It explains why she had such a hard time understanding Rose and her manner of thinking, because it goes against what she craves: security.
This is why she struggled to let her go, but now the Doctor is essentially her family too, and so her loyalty extends to him too. The Tylers are exceptionally loyal, they love unashamedly and they lend a hand to anyone who needs it: Mickey and the Doctor. They may clash often, but that loyalty is what allows them to hold on to one another in spite of their flaws as people. 
They're the ultimate ride or dies.
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Jackie and Rose are very alike in this way, this is why they often fight. Their love for the people in their lives is so intense, that they have trouble separating that love from their decisions. It is what gives them the strength to stay by the side of their loved ones, even if it means sacrificing their own needs.
But something that I think people overblow is the reason why Jackie tells her that she's becoming someone unlike herself.
The reason why Rose's life was able to be relatively stable, unlike some companions who came after her, is because she makes an effort to maintain both her human life and her life in the stars. They're intricately intertwined, much like how Donna is also able to maintain her foundation in spite of the memory loss.
The Doctor really isn't her whole life if you think about it. She is not being forced to stay by his side and she does take the time to spend time with family outside of their adventure. 
She chooses to concentrate on their relationship but she has the choice to divide time for others as well.
There is another aspect of her, that I feel like too many people might misunderstand.
She doesn't think of herself as the Doctor's replacement. Her role by his side does not conflate her self importance, she is more than aware that ultimately she is not him. That she, is not granted the same liberties that he has to put her life on the line. 
She knows she is not the Doctor. And she, is comfortable with embracing her role as his companion. She wishes to share his responsibility, not take it over.
This is why she is able to maintain this human aspect of herself for so long. She's still compassionate and understanding, because the tough call is not on her hands most of the time. If it was, she would have gradually lost that part of herself in season 1. But nonetheless it becomes a possible outcome if she's not careful, just like her mother warned.
When she is clinging for her life in Doomsday, something I don't see enough people point out is how truly selfless Rose was at this moment to let go of her hold, for the good of humanity. She reaches for the lever, knowing that there is a good chance she will die, this is why she takes the time to look at him while she desperately holds on.
She wants the last person she sees to be the man she loves; to find the courage to do what is right at the cost of her own life. It was not done out of recklessness.
This is why they are perfect for one another. Because they both understand that they are not the center of the universe, that ultimately, the duty they now share comes first.
This is explored further in the Dimension Cannon audios, that gives context to the development she goes through that leads to her reappearance in season 4.
Her reasons for using the dimension cannon are more complex than they appear at first glance. Her sole reason for finding him is not only because of the love she feels for him, but because she also has to put a stop to the mass destruction of every universe. 
I see way too many people use her reasoning for coming back as evidence that she has this weird obsession with the Doctor, and that's just not true. 
She seeks him out because she has to. 
If she gets to stay with him afterwards, that's just a plus.
(from here on out, I will give out some direct spoilers on said audios to provide more context to the development we see in show. Skip to after the 2nd row of asterisks if you don’t wish to be spoiled)
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It is in the realm of the audios, that Rose is entrusted to travel to parallel worlds without the prior knowledge of knowing where she will end up. Every universe is doomed, and she has to find allies in the parallel versions of the people she loves to pick up on details required to find her original world.
There is no such thing as a parallel Doctor. So she must figure out a way to get back to him and warn him, without his help.
Now I must stress, these audios get dark really fast. 
They do not hold back on showing just how awful this duty is, and how it comes at the expense of her humanity and moral code.
At times, she has to manipulate these parallel versions of her friends and family into helping her. To use them, up until she is forced to leave and in doing so, condemning them to a long and painful death.
 Over and over again. 
Imagine what that does to a person? 
To see the people you love, realize that you can't save them. To leave them behind, while hearing them plead for their lives to be saved.
She takes this duty on, under the pretense that her familiarity with the Doctor makes her the most ideal candidate for the job. She embarks on her first trip, thinking that this might be the closest thing she has to being on another adventure and that in the process, she could save some worlds in his absence.
But it's in fulfilling the role as the universe's protector that she realizes just what she signed up for. She becomes the Doctor's replacement, in the same way Jack Harkness takes on Torchwood and partakes in the duty to protect the earth. 
Yet what makes her different from those two, is that she is mortal. She doesn't have the tools they have at her disposal nor the wisdom that they have gained over the span of their extended lives.
No, she can die.
She cannot save anyone.
And there truly is nothing to guarantee that she will succeed. 
We see her struggle to maintain her distance, to not promise a way out to the people she encounters because there is none. She is no hero, she is their angel of death.
In an act of defiance to the death that will follow her, on her first trip, she saves an alternate version of Clive and takes him under her wing. Only to come to the realization that one life is not enough to make up for all the millions that died under her watch.
It is because of this that she opts to not embark on said missions alone anymore. Instead, she takes her own Pete, Jackie, and Clive only to find that they too struggle to maintain their distance. If not for them, then who will ground her?
It's in one of these solo missions, that she crumbles under the weight of the responsibility that she adopted. 
In a twist of fate, she is imprisoned inside a red phone box. Trapped inside with no means of escaping, and no real guarantee that she will find a means of leaving before the world goes to shit.
It is in this moment, where she is left to wallow in her situation, that we see her break down. She admits this to her mother, who can hear her through the intercom.
"I can't"
"Rose you're scaring me, just get out. Find a way"
"I'm locked inside a police box."
"What? A Tardis?"
"No Mum, a real one. A red one, all musty on the inside."
"Well you gotta get out."
“I know.”
I'll skip ahead, but I felt this was necessary to include to show how dire the situation is.
"I'm sorry.”
“Rose?”
 “It’s the same mom. Same doors, same noise, same light through the windows-I think they’re a bit smaller. If I half close my eyes, i’m there..but it’s not, i’m not. I’m not him. I’m not a time lord. No psychic paper. No sonic, No centuries of knowledge. Only one heart..”
“Sweetheart, I know it hurts but you gotta get it together.”
“How?”
“I don’t know, pick a lock or something?”
“How did he do it?”
“Sheer cheek, most of the time”
“He lit up every room he was in, they always listen to him! He walked through hell like it was a walk in the park.”
Because now she realizes how important it was for him to remain strong, to smile in the face of danger. Before it was easy to assume that she understood everything there was about how he looked at the world. The size of the burden, and what it meant to share it.
But now she’s in his shoes and the truth is starting to settle in. Jackie says this in response, as a means of putting things into perspective for Rose.
“If the universe needs the Doctor, then the universe needs Rose Tyler to find the Doctor. I’m so proud of you but you need to stay alive. One heart. One life, you got that?”
Rose never sought to replace him, we see that here in the manner that she can't handle being in his shoes. She is starting to develop that very same cynicism that he once had and is beginning to feel a sense of inferiority.
This is why she needs someone with her, much like how the Doctor needs a companion. This is a duty that he has to share with someone, not alone.
Jackie believes in her strength, because she knows that she has it in her to prevail. Rose and the Doctor are not the same, but nonetheless she is now the closest thing he has to an equal. And she has to learn to handle this new responsibility through her own means, not by what the Doctor believes is right.
(This is as far as I will share because there's still one audio left in the series and it has yet to come out, so I will hold on to my final conclusions until then. In the meantime though, I urge you all to check them out. They are absolutely worth it!)
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But with this in mind, the hardened version of Rose we see in season 4 makes more sense. It's why the thought of having an alternate Donna die doesn't really dissuade her into using her, and why she is so unlike the Rose Tyler we knew. 
She has matured.
This is reflected in her clothing: the overly practical nature of her outfit and her leather jacket. It purposefully parallels the outfit her first Doctor wore at his lowest point. The version of himself that was overwhelmed by the responsibility he held to uphold what his people once did.
I believe it's this new understanding of his perspective that stops her from putting a name to the nature of their relationship to Donna. She assumes they're together, but Rose neither agrees nor denies her assumption. 
Because she can't make that decision on his behalf, not when he has so much at stake.
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It is this new attitude that also seemingly makes her more distant. Less forgiving towards the Dalek threat and less inclined for a peaceful confrontation because she understands that sacrifices must be made for the greater good. It's why she serves as his support system throughout all the chaos, she knows now how overwhelming it is.
Yet that part of her that seeks to comfort those she loves is still there. We see this in the way that when the Doctor is struck, she does not waste time wallowing in all that she has done to get to him. No, she puts aside her feelings and tells him how much she missed him. Tells him she's been busy, as a means of not burdening him with all that she has done to get to him.
(Just as an additional tidbit, I don't know why people use these small bouts of jealousy she briefly displays in the first half of this two parter to justify why they believe Rose wouldn't get along with other companions. She canonically does lol She even compliments Martha and is seen to be on good terms with both Donna and Sarah Jane? Her initial jealousy stemmed from disappointment in being left out. It's not enough to warrant the impression that she is a jealous person all the time.)
With all this in mind, it also offers an additional reason as to why she ultimately ends up choosing Tentoo.
Her final decision is not done on a whim, no, it's her being exposed to the constant dread of a life in his shoes, that puts things into perspective.
She cannot continue chasing after him.
When she is returned to that beach, she comes to the realization that the Doctor is going to decide what is best for her, again. 
In the time they have spent apart, he hasn't changed his outlook on his prior decision. He is still firm in his belief that she is better off living without him (the timelord version), so much so that he does not ask for her input.
It's because of this that she decides to not back down. To not let him think that he can get away with deciding on her behalf because she's not the same woman she was all those years ago. 
Given that it's her life, it is she who needs to make the final call.
Notice that what she asks, when deciding what path to choose, is for clarification on what he meant to say on their initial separation.
The reason why this is important is because the man she knew, would never say it out loud. Only the one capable of changing and giving into that love, would ever do such a thing.
And that version of him is Tentoo.
He is human, but most importantly, his duty to the universe is the same as her own. Indirect. The original Time lord self can continue handling things in his absence so he's got nothing stopping him from enjoying a life by her side. One that can either be mundane or filled with adventure, but it will be spent with one another.
The choice was obvious.
(Notice that this is not the first time she is asked to make this choice. The first time being with Mickey, where she seemingly chooses the life of thrills over her relationship with him, over love. Now that she knows what both paths entail, this time she prioritizes love and chooses Tentoo. 
With the growth she underwent throughout her seasons, she realizes that it's not the adventure she wants, it's the Doctor. This is her, finally making the decision that fits this version of herself that understands that love is what she needs)
But it's with this in mind that she questions what the fate of the time lord Doctor would be if she stays. That is why she says "it's still not right, the Doctor is still you."
Because she personally knows what his role entails. She was barely able to handle it on her own with the help of her family, who is to say that he won't crash and burn when he is alone?
The Doctor is not only his name, but his promise to strive for the greater good. In other words, the role he plays for the universe. She doesn't mean that they're not the same man. No, she means to point out that the price of her happiness will come at his expense. 
That the time lord version, no matter what she chooses, will forever be tied to the responsibility of handling the universe.
"And I am him"
With this, Ten assures her that he too, in a way, will get his happy ending. Because by choosing Tentoo, he guarantees that this version of himself, his tenth incarnation, will not suffer the same fate that he will. A new man will not walk away in his shoes, no, this version of himself will spend the rest of his life loving the woman that he was made to love. To have the one adventure he can never have.
It does not come without pain of course. That is why he can’t bare to see the two together, and turns his back on them. Realizing then and there, that there is no longer a place in the life she will live from here on out.
When she kisses Tentoo, it is both a way of imparting that final sense of gratitude to the time lord version of himself (who allowed for this to happen), and it is also to signify the beginning of a new life she will spend with Tentoo. 
Tentoo is the Doctor, he harbors those same desires that the time lord version of himself has. He is human, which grants him the freedom to choose what path he wants and that path is none other than hers.
It would make absolutely no sense to have her resent him or even believe he isn't the Doctor. 
This is the girl who was able to love multiple versions of her father and mother. That through her solo adventures was reminded that at the core of individuals, are traits that remain regardless of their circumstances.
Why would she not love him too?
A detail I love is that when she hears the Tardis dematerialize, her first instinct is to stop and see it go. 
She is not running to stop him, that much is obvious, because she stops long before she even reaches it.
No, she just stands there and looks at it. 
Just like she would have done had she had the chance to see the earth go on her first trip. This is her goodbye, her affirming that he will be remembered and his importance in her life.
That is why Tentoo joins her, silently taking her hand as if to assure her that he is still there.That he understands that this, is her way of saying goodbye to his other self. But don’t fret, it won’t be long before they too will have their own adventures amongst the stars.
That being said, God forbid he finds out that Jackie joined her on her dimension cannon adventures, he would freak lmao
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lakesbian ¡ 2 years ago
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so i blinked & accidentally wrote 2.4k words of alec analysis, content warning for extended discussion of child sexual abuse
i am actually like. genuinely surprised by how common of an alec opinion it is that people would probably feel more negatively about him if we had a chapter from the perspective of one of his victims or if we had more details on his life prior to the undersiders, because the idea goes directly counter to one of the core Things you have to get if you want to understand alec: much like taylor, you should take absolutely fucking nothing he says about himself at face value, because--also much like taylor--he is Absolutely Fucking Terrible at understanding himself!
and speaking of taylor, she is also absolutely fucking terrible at understanding alec. nearly all of the commentary we get on alec is from taylor’s point of view, and she’s frankly incredibly ungenerous towards him.
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her very first thought about his childhood mentally classifies him as not being one of heartbreaker’s victims, and the pity she’s offering him wears out pretty quickly when he doesn’t speak about the abuse in terms she finds palatable--while she does secondarily recognize that living with heartbreaker impacted him on some level, she regards him primarily as someone who does Bad Things because he’s a Bad Coldhearted Person.
she and alec are fairly similar--they’re both people who have been abused, people who are remarkably desensitized to violence because they’ve been abused, they’re both people who have ended up on the same villain team where they regularly commit terrible acts of violence, and they’re both people who are terminally oblivious to their own emotions while they commit those acts of violence. their actions are both similarly horrifying from an outside viewpoint, but by sectioning alec’s actions off in her mind as being horrifying because he’s ontologically a bad person w/ no interiority or justifiable reasoning for his actions, she doesn’t have to face that her own actions are horrifying regardless of how she justifies them to herself. neat little compartmentalization trick! alec stabbed that guy to death with a fork because he’s a Bad Person, but when she used triumph as a bargaining chip by filling his lungs with bugs, it was for Understandable and Interiority-Having reasons, so she’s fine.
what this means is that nearly all of the commentary we get on alec is from the perspective of someone who has a very strong psychological incentive to avoid being fair to alec.
much of what taylor thinks about alec is blatantly irrational and wrong, and the fact that he (similarly emotionally oblivious wrt himself + probably entirely unaware she feels this way about him) never directly confronts her misconceptions means that we spend the entire book being told “hey, here are the reasons you should think alec sucks” without any alternate viewpoints to consider. i think that if we saw the worst things pre-undersiders alec did without the repressed way undersider alec describes them or taylor’s biased perspective obscuring what actually happened, most people would feel Really Fucking Bad for him!
even in the very first discussion of his childhood, it’s clear that taylor’s reading of the events is wrong--aside from the fact that she’s not classifying the kids as victims (girl what), there’s these lines from alec:
“[He] pushed my limits, made me do stuff that was dangerous, stuff that was hard on my conscience.”
“I had convinced myself I didn’t care about the people I was hurting or about this guy I’d just killed, and maybe I didn’t. Maybe I don’t, still. Dunno.“
taylor’s response to this is:
“He’d been made to do it, he’d been in fucked up circumstances with no real moral compass to go by, still a kid. The way he described it, though, it didn’t sit well with me. Cold blooded murder.“
that is not how he described it. 
1. he outright says that what he was forced to do was “hard on his conscience”
2. he outright says that he “had convinced himself he didn’t care about the people he was hurting,” i.e he was a 10-13yo child being forced into extreme violence by his ridiculously abusive father & he naturally repressed his emotional reaction to it because there’s no other way to feasibly psychologically cope with feeling the full brunt of the emotions that induces. he’s not a Cold Blooded Bitch, he was a kid desperately convincing himself he didn’t care because he couldn’t care if he was going to survive.
3. yeah, he says “maybe i don’t [care], dunno.” this is because the 3+ years he spent learning to cram every emotional response he had to his abuse into a box & then solder-iron that box shut do not magically disappear the second he escapes from his father. it’s not at all unreasonable that taylor (also 15 and horribly emotionally repressed) misses this, but the “maybe” and “dunno” are indicators that he genuinely can’t tell whether or not he cares! as imp points out after he dies, it’s not that his emotions aren’t there at all, it’s that he has no ability to read them--much like taylor, he’s great at convincing himself of things regarding his feelings and then genuinely believing those things. he’s fifteen and has been out of his abusive home for all of 2.5 years--he’s not capable of grasping the full impacts that the abuse had on his psyche, and the way he describes everything from a detached perspective and waffles about on allowing himself interiority is a natural result of that.
if we saw this or any of the other murders alec was forced to commit as they were happening, we would not be feeling less generous towards him, we would be thinking “i want to beat heartbreaker to death with his own bones, because this is an evil thing to do to a child.”
okay, that’s the murder out of the way. now onto the significantly more controversial aspect of what alec did as a 10-13yo.
taylor generally regards alec as a special type of ontologically real & distinct class of person called a rapist. many people in the fandom share her viewpoint on that one. and, like, objectively true--he is a rapist, he raped people. but applying “rapist” as a descriptor meaning “evil piece of shit who sucks, but i guess he gets some leeway since he was a kid, but he still sucks and is bad and probably a sociopath” is massively flattening the circumstances under which he committed sexual violence & severely underestimating how it impacted his psyche.
taylor--and again, most other people in the fandom--tend to unilaterally go “gross and fucked up, he sucks, moving on” during bits where alec discusses that aspect of his childhood. but if we actually pause to read between the lines for the details and then address the actual context (which alec is not capable of doing, because 1. emotional repression to hell and back and 2. it was, as he said, normal to him), it becomes very clear that it’s unjustifiable to slap the “Sucks + Evil Predator” label on him and then move on feeling comforted by the straightforward moral judgement.
“’Sure,’ Alec drawled. In a more normal voice, he said, ‘But what I’m saying is he wouldn’t mind. Now, it’s been a little while, but there was a time when I had someone in my bed every night.’
‘When you were with Heartbreaker,’ I said. From the look of disgust on Aisha’s face, and what I imagined was a similar expression on my own, I suspected we were on the same page. At least on this one thing.
‘Sure. Cape groupies, my dad’s girls, people I used my powers on toward the end.’
There wasn’t even a trace of guilt or shame on his expression, no regret in his tone. He just looked bored.
He went on, ‘What I’m saying is that I’m speaking from experience.  Having someone cuddled up beside you, even if it’s a little bit of a pain in the ass, having that body contact isn’t so bad. Especially when you’ve had a bad day.’”
like, okay. let’s unpack all the implications there.
1. alec is bringing up this whole topic as an attempt at empathy--aisha is effectively saying “i’m pissy at taylor for being intimate w/ brian while he’s experiencing the worst pain of his life” and alec is effectively responding with “i support them, because when i was in similar circumstances, physical intimacy made me feel better.” it is extremely notable that he’s implicitly comparing brian’s “bad day” (getting fucking bonesawed!) to his own “bad day” (living with his dad)!
2. alec grew up in Emotional Neglect & Abuse: The Household. this is established in buzz 7.1--he recounts that there was zero attention paid to him & the other kids except for when heartbreaker was terrifying the shit out of them for either a perceived slight or in an attempt to force a trigger event. he also grew up in Sexual Abuse: The Household. as detailed in one WoG, the heartbroken were a massive group hiding out in significantly less massive houses--6-8 people sharing a room was common. alec was constantly in close quarters to normalized sexual abuse from the ages of zero to thirteen, e.g the memory mentioned in his interlude where he starts crying over not being given the TV remote and a sweaty, wearing-nothing-but-briefs heartbreaker stomps out of the bedroom to terrify alec for interrupting what was, very presumably, a marathon of sexual assault. exposing children to abuse happening in their environment is a form of abuse itself. there’s also the WoG in which this is mentioned:
“Look at it this way - at the age that many boys are raising an eyebrow at boobs, family members were saying 'hey, here are all the boobs you could want...’ Interested in dick? ... Dad's not that into it but a sister can hook you up. At an age when many are just figuring out enough of the world to ask 'what's heroin?' or 'what's weed?' he was given heroin and weed and everything else that was theoretically obtainable and told to only indulge if it was someone else's body. At an age when many are saying 'sex must be awesome' he was given free reign.”
which is sexual abuse! it is in fact exceedingly sexually abusive for alec’s father & older siblings to go “hey, 10-13yo son/little brother, i notice you are Hitting Puberty! here’s a fucking tidal wave of sex and drugs, have at it.” he didn’t magically get the idea to commit acts of physical violence w/o grooming & coercion from his family, and the same goes for the sexual violence. it’s not a hard extrapolation to make that after 10 years of isolation and abuse he leaps on the chance for physical intimacy, for something that actually makes him feel good when good is a feeling he’s never really gotten to have before--and how would he have a frame of reference for this being bad when his childhood was one long march of his own autonomy being violated + constantly seeing other peoples autonomy violated?
alec did not leave the house as a kid. alec Wasn’t Even Thirteen. the people he assaulted were victims, but he’s inarguably not the person with primary culpability for the assault--that would be the family members significantly older than alec who directly groomed him into hypersexual behavior, kidnapped + brainwashed victims also significantly older than alec, shoved them at alec, and said “have at it, buddy.” (which he, considering it to be normal and desperate for any positive attention or emotion, immediately adopted as a coping mechanism.) it would be absurd not to regard alec as a victim in this circumstance as well, and the fact that the way he was victimized led to him hurting people doesn’t change that. he was a chronically abused and manipulated preteen--he couldn’t issue meaningful consent or exercise any real autonomy in his decision-making. his lack of emotional reaction to casually sharing the story isn’t a moral failure, it’s an indicator of how badly the abuse skewed his perception of what’s normal.
and despite All Of That, taylor’s immediate reaction is to judge his lack of guilt, shame, or regret. which isn’t a wholly irrational reaction from her by any means--it makes complete sense given who she is and what information she has. but it does mean that the judgement we’re given on alec in this moment is nearly entirely detached from the material reality of what happened & how that reality should reasonably be regarded.
3. i think i’m literally the only person i’ve ever seen point this out--the first category of person he lists off as having slept with is “cape groupies.” as in, fans of capes. 
what kind of person do we suppose would be a fan of heartbreaker’s cult? what kind of person would have a thing for heartbreaker’s sexual abuse and mind control cult? the fact that he specifically mentions “cape groupies” means these were people who liked the heartbroken and were picked up by it voluntarily--what kind of person would want to sleep with one of heartbreaker’s barely-pubescent superpowered children?
yeah, that one sounds less like alec committing rape and more like heartbreaker providing access to his children to pedophiles w/ a Thing for the powers involved, presumably because it was a fantastic honeypot for people he could drain for money or otherwise use as a resource (which was his primary method of staying undercover & getting by). which alec parses as normal enough to casually slip into a random sentence.
alec’s childhood was not a lengthy tour of him committing sexual violence because he sucked, it was him being sexually abused, and a portion of that abuse included him being groomed to perpetuate it onto others. because that’s one of the Core Things about his character: he was a victim of grooming to perpetuate a cycle of abuse, he ran away from it at an impressively young age, and he spent the rest of his life making stumbling attempts to jerry-rig a distinct system of ethics & decision-making so that he wouldn’t be like his father.
no, the abuse he experienced & the way he responded to it wasn’t straight-forward or palatable. he’s not a stereotypical or idealized Good Victim--none of the traumatized teens in worm are. the specifics of what happened to him & what he did as a result are uncomfortable. he participated in hurting other people very badly. he still doesn’t really understand everything that was wrong with what happened. he doesn’t open himself up for pity or add caveats when discussing it to make it clear that he’s viewing his childhood the Right Way. he doesn’t feel or talk about it the way he’s “supposed” to. he doesn’t understand why or care that it upsets and disgusts people. the abuse left him with low to no empathy, and he’s not ashamed about admitting that.
and absolutely none of that changes that he’s still undeniably a victim, and if we saw any of the things that happened to him from the perspective of anyone involved, if we saw the abuse he experienced without the normalized lens he views it through or the villainizing lens taylor views it through--everyone would probably feel really fucking bad for him.
or in other words: alec vasil is a little boy whose life fucking sucks, and we all have to be nice to him, okay?
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vickyvicarious ¡ 5 months ago
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Oh man, this chapter was rough for Henry to the point of it being kind of funny. Every two lines he kept trying to flirt but Margaret was just not picking up what he was putting down. Honestly, it's pretty impressive how every single move he makes is immediately countered/shut down by either Margaret herself or the narrative. It's made clear again and again and again that they are not a match:
“Did not I say that I should?” asked he, in a lower tone than that in which he had spoken. -> Henry tries on a meaningful voice, Margaret not only doesn't respond in kind at all but also leaves the room shortly afterwards.
They were a dull list of words, but somehow he liked looking at them. He put them down with a sigh. -> No Margaret here but the narrative itself hinting at them being unsuited, with Henry mostly bored despite his infatuation, and also disappointed in her family's humble status.
He was pleased with everything; delighted with Margaret’s idea of going out sketching together; would not have Mr. Hale disturbed for the world, with the prospect of so soon meeting him at dinner. -> He's all for his solo time with her, but she only came up with it as a ploy to let her mom get the food ready in peace.
When they sit down to sketch, Henry scooches them close together with the excuse of a puddle. Almost immediately, Margaret is getting up to go and talk to someone.
He drew her and says he really likes the sketch. She walks away. This is maybe the most potentially promising moment from his perspective, because she's blushing and he's watching her closely to try and figure out if it's a good blush or bad one. But even here we get an immediate negative, because he's not sure she heard and he regrets saying it because it wasn't planned.
“I should say that a likeness you very much wish to take you would always succeed in,” said Mr. Lennox. “I have great faith in the power of will. I think myself I have succeeded pretty well in yours.” -> Henry says I really wanted to take your likeness but Margaret just keeps picking flowers without seeming to pick up on the line. This leads to another potentially positive moment partially spoiled by his own thoughts, as he seems a little frustrated at her not understanding him even as he's helping her with the flowers and getting matching ones for himself. They also physically part right after when she goes inside.
Margaret leaves to go get the pears for dessert. Henry suggests everyone follow, and watches her while she's getting them together. He's out of sync with both Margaret herself (off doing her own thing getting the food her father wants without thought for him) and her family (making her mother feel awkwardly forced by politeness to go eat outside, proposing a way of eating the pears her father isn't into). Nothing huge but the fact that it keeps happening over and over...
They go for a walk and he tries to praise her home and life. She immediately tries again to be more realistic about it and complains about him having 'scorned' her fondness for her home previously.
The second he starts to propose, the trainwreck gets rapid-fire and worse all around. He gets hesitant and Margaret wishes she were anywhere else. He takes her hand and it's described as "forcing" her stay and listen; he has to try to retain his grip as she tries to pull her hand free. Any "fluttering at her heart" is despite herself and she despises it. He's not pleased that she likes her home because it means she isn't listening to him kindly. He loves her almost in spite of himself. She doesn't think of him as anything but a friend.
He wants to ask her if she loves someone but can't. She wants to shut him down more harshly but restrains herself. He feels snubbed and bitter. She feels guilty and annoyed (both at him and at herself for feeling bad for him when he isn't reacting well to the refusal).
Afterwards they both wish he could just leave. She's sad and pensive. He's acting witty in a cold and snobby kind of way and it rubs everyone wrong.
When he makes one last appeal before leaving, we don't see her reaction. But the jumble of negative is there in his speech: first, she was very firm that she didn't want anything more with him, but he's refusing to give up hope. Second, even as he says he loves her more, he also says he might hate her, both for the "disdain" with which she met his proposal.
There isn't a single potential romantic moment between them that isn't soured in one way or another. Also, this line:
“It was irresistible. You can’t know how strong a temptation it was. I hardly dare tell you how much I shall like this sketch.” He was not quite sure whether she heard this latter sentence before she went to the brook to wash her palette. She came back rather flushed, but looking perfectly innocent and unconscious. He was glad of it, for the speech had slipped from him unawares—a rare thing in the case of a man who premeditated his actions so much as Henry Lennox.
That feels like a huge character moment for him. He plans things out, he isn't spontaneous and he isn't comfortable with the vulnerability that comes with being so. He clearly planned this visit and this proposal, and came armed with plenty of practiced flirtations that would work on the type of women he's used to. Margaret seems pretty uninterested in playing those types of games (at least that I can judge so far; maybe it's mostly just with him), and seems more of a straight shooter.
They both censor themselves around one another. Margaret's willful ignorance of his flirting, his regret of unplanned flirting... During the proposal, he cuts off his request about if she loves someone else and she struggles to phrase her denial of ever liking him and her displeasure at this conversation in a way that isn't harsh.
Quite simply, their personalities aren't a match any more than their financial/home situations are. Romantically, at least. Honestly, he doesn't seem like a terrible guy (with the caveat that I really hope he is more respectful of her not liking him back in the future) and I would like to see them rebuild/continue a friendship. But it's made so very clear in this chapter that they will not be getting together.
(Also, on a meta level, if his feelings are at proposal attempt level this early in the story, the outlook isn't great. We're going to see more of a development throughout the book in any romance. The chapter title feels like a cheeky nod to that as well as to possibly the fact that Margaret will need time to fall for anyone. The quote at the beginning also makes a point of not using "courtship's flatteries" but those are Henry's technique.)
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