#friends meet!

[morganbritton132]

The funniest thing Stranger Things could do is reveal that Steve’s parents are like, really liberal. They donate to AIDs research. They were arrested protesting the Vietnam War. They campaigned for Mondale. Steve tells them that Nancy broke up with him and they’re like, “Thank god, that family believes in Reaganomics.”

[canisalbus]

✦ Freshly ordained ✦

[miscellaneousrenaissant]

Can't wait for this week's episode

Bonus Guest Star:

[chloesimaginationthings]

Everyone “hates” Mike in the FNAF movie..

[noodles-and-tea]

also what about an inverse twins in time au where ford went back to the 60's and stan stayed in the 80's?

Oh this is super interesting

[maxgicalgirl]

Being a “Fun Fact !” kind of autistic is all fun and games until you get halfway through sharing an interesting tidbit and realize that it probably wasn’t appropriate to share in polite company and now you have to deal with the consequences :(

[ear-motif]

fanfic is so good bc the premise of some genres of fic are just inherently funny. I want these two grizzled crime drama protagonists to have some fucking fun for once, so they go to a water park. I dont care how i have to logic my way into them going there i dont care who has to drag them Theyre Going

[kamiraaah]

Meemaw Bucchi should meet meemaw Felmier, both grandsons are in the same sport team, imagine both of them on the stadium with a shirt of them and screaming at the top of their lungs to crush the enemy team!

Oh... Oh God... OH MY GOD......

I need to draw this!!!!!!!!

All I can think about is them fighting/scolding anyone who had the AUDACY to stop them or shout louder than them.

[veilofthorns]

[fiddlingford]

Gravity falls as onion headlines part II part I part III

[hairmetal666]

Steve wins the bat plush at a fair when he's seven. He doesn't care about bats, but it's the prize for making all five baskets in the basketball game, so he gets the little bat. Its eyes are a little crooked and one wing is slightly smaller than the other, but it being lopsided sort of makes it cuter.

He and his dad, they're supposed to be going on rides now, but his dad's pager keeps going off. He puts Steve next to a funnel cake stand, tells him not to move, and goes in search of a pay phone. Fifteen minutes pass, and Steve is bored under the flashing lights and tinkling music. He wants to play not sit and wait.

Eventually, he drifts back towards the midway, watches the people rushing by, searches for a sign of his dad's return. His attention is caught by another boy at the basketball booth. He has to be about Steve's age, with a mop of dark curls on top of his head and a jean jacket that's slightly too big, sleeves flopping over his hands as he lines up his shots.

This boy, he's terrible at basketball. Every shot is too high or too short or goes wide, but he's trying. Even from this distance, Steve can see how hard he's trying. He uses up his five balls, fishes into his jacket pocket for more money, and gets five more.

He misses every shot. This time, when he goes back for more money, he comes up empty. Steve thinks he sees his lip shaking.

A man, one in a leather jacket and boots that Steve thinks look mean, comes up to the boy, drops a heavy hand on his shoulder. He's too far away to hear the conversation, assumes the boy asks to play again and the man's response is a shaken head and a tight smile. They walk away from the games, right towards Steve, who slinks back to the side of the midway, not wanting to be caught staring.

"What was it you wanted? That stupid bat? Just another piece of trash you wanna bring in my house." Steve hears as they pass.

The boy nods, but keeps his eyes down and to the side.

He feels bad then. Felt bad before, but now he looks at his own bat, at its funny eyes and poorly attached wings, and wishes he could hand it over to the boy who really wants it. Steve almost does, then, makes to go after them, but his dad appears, dropping a hand to Steve's shoulder and saying, "ready to hit those rides?" And he knows the opportunity is gone, knows his dad will say it's too soft, not what men do.

Steve manages to lose himself for a while in the swirling lights and funhouse music and carnival rides, forget about the little bat in his back pocket and the boy who wanted one so desperately. But then his dad's pager goes off some more, he goes back to the pay phone, and Steve ducks into the low brick building that houses the bathrooms.

His eyes immediately land on the same boy from the basketball game. His eyes are red, face damp, obviously from tears, and Steve just--

"Here." He shoves the bat into the boy's chest.

For a second, the brownest eyes Steve's ever seen widen at him, before narrowing in a harsh glare, the boy's teeth barred.

"Why?" He snarls.

Steve thinks he may regret every choice that led him to this but he says, he says, "Because I want you to have it."

The boy blinks a few times, hand reaching out to gently pinch the bat's smallest wing. "You sure?"

Steve nods and the bat is slowly withdrawn from his grasp.

"No takesies-backsies?"

"It's yours."

The boy looks at the bat in awe, and Steve says, "see? It already looks happier with you."

The boy's beaming smile is cut-off by a voice calling from the door, "you in there,? I ain't got time to be waiting for your boohooing."

"Coming!" The boy carefully tucks the bat into an inner pocket of his jacket. "Thank you," he whispers, eyes big and glistening and happy, before he disappears out the door.

---

13 years later, give or take a few months, and Steve stands in the cracked shell of a bisected trailer, rummaging through what remains of a life well-lived, searching for anything whole. He's already found a few undamaged mugs and clean hats, but this room--it took a lot of damage. The brunt of it, really. Some sick sort of joke, after everything.

It's mostly rubble in here, scraps of fabric; slivers of notebook paper, magazine, poster; crumbled shards of vinyl and cassette plastic. A few times he comes across the disembodied limb of one of those dnd figures, and something weird happens to his throat.

In the far corner there's half of a dresser collapsed into itself, and he shuffles through the debris to see what he can find. There's something, soft and black, just the edge of it, peaking out from under half of a drawer face. He pulls it out, careful as can be and it's--it's a plush bat. It's a little dirty, but unharmed, though its eyes are a little wonky, and one wing is smaller than the other.

He holds it and he stares and he has to brace himself against the wall. It can't be--it's not the same one--but he remembers those big brown eyes and the curls and--

"Harrington," a warm, rich voice calls from what's left of the hallway. "You get lost in there?"

Eddie shuffles in, slow, careful with his crutches. And it--it took so long, months and months of convalesce and physical therapy, still physical therapy, but he's here. He's alive. He's perfect. And the something blooming between them, it's not spoken yet, but it's there, growing, and now, now--

"Oh my god, you found Lilith! I thought she was toast."

"Lilith?" He's still cradling the little lopsided bat in his hands, but moves closer to hand it over to Eddie.

"Yes, Lilith." Eddie takes the bat, presses it to his chest. "The first boy I ever loved gave her to me."

His heart turns over in his chest and when he swallows his throat clicks. Eddie doesn't notice, he's smiling softly at the bat, at Lilith, but then, "why are you looking at me like that?"

"First boy you ever loved?" He says. He thinks he sounds normal.

Somehow, Eddie's smile grows even softer. "Yeah. Roan County Fair, years ago. Tried to win her, but--" he clicks his tongue--"never had great hand-eye coordination. And then this kid just gave her to me out of nowhere. I used to think I was going to marry him."

"And now?"

Eddie laughs. "I grew up, Steve."

And for a second, he doesn't know what to say, but then, "I was right then, huh? That she'd be happier with you."

He stares at Steve, those same big brown eyes, wide and glistening. "Steve that was--Steve?" Eddie presses a hand over his mouth, overcome, before launching himself into Steve's arms. The crutches clatter to the floor, but Steve has him, will always have him, no matter what.

"I can't believe you kept her," Steve whispers.

"God, I carry her everywhere. She's Corroded Coffin's mascot, and you--Steve, I can't believe that was you."

"Surprise," he bumps Eddie's forehead with his.

They hold each other in the center of the destruction, but none of that matters right now, not when it feels like every moment since they very first met as children was leading them to this.

From the other half of the trailer, they hear footsteps, chattering, Wayne and Robin and Dustin, but Steve wants this to last a little longer.

"So, marriage...that still off the table?"

Eddie laughs softly, nuzzles his face against Steve's neck. "Are you kidding, sweetheart? No way I'm letting you go."

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[flwrkid14]

Love and Obsession: The Tim Drake Way

part 2

Everyone in the Batfamily knows Tim Drake has… issues with boundaries. They’ve spent years trying to teach him what’s appropriate and what’s—well—deeply unsettling and completely invasive. To be fair, he’s learned. Mostly. He doesn’t stalk his family anymore (much), and he no longer pulls up files on every single person they talk to (okay, maybe just sometimes). But it’s progress.

But then Tim starts dating Danny Fenton. And, oh boy, a few screws come loose.

It starts small, as always. Just little things. Tim’s a detective, after all—background checks are second nature. Danny’s living in Gotham, and Gotham isn’t safe. So, really, what’s the harm in knowing a little more about Danny’s friends? And his professors? And maybe also his classmates? It’s just standard protocol. Okay?

“Tim, you’ve run a full dossier on my entire biology class?” Danny asks one day, laughing as he flips through a file on the coffee table. Tim shrugs. “What if one of them is dangerous?” “Pretty sure the most dangerous thing in that class is the midterm.”

Danny doesn’t think much of it. He’s a little flattered, even. Tim’s protective. It’s sweet.

But Tim’s mind doesn’t stop there. Danny’s too handsome. Too charming. What if someone tries to hurt him? What if someone tries to take him away? It’s not obsessive—it’s just concern. So, a tracker on Danny’s phone? Necessary. Cameras in his apartment? Standard. Monitoring his sleeping patterns and hangout spots? Logical.

Tim tells himself it’s love. And maybe a little insecurity.

“You have a tracker on his phone?” Dick asks, trying not to sound alarmed. Tim nods, like it’s the most normal thing in the world. “Of course. What if something happens to him?” “And the cameras?” “Safety.” “The background checks on his professors?” “Gotham U isn’t exactly known for its stellar staff, Dick.”

It doesn’t stop there. Tim knows everything. Danny’s eating habits, his favorite places to go when he’s stressed, his childhood allergies. Tim’s mapped out Danny’s entire life. He knows about Danny’s ghost powers too—of course he does. He’s Tim Drake. The moment he realized Danny was Phantom, it just… clicked.

Danny being half-ghost? That’s just one more reason to worry. Tim’s up late at night, watching for any signs of ectoplasmic interference. He tracks the energy spikes. He monitors Danny’s fights.

He doesn’t think Danny knows. He’s terrified of what will happen if he finds out.

But then he does.

One evening, Danny walks into Tim’s apartment and casually drops a folder on the table. Tim’s heart stops.

“What’s this?” Danny asks, raising an eyebrow. Tim swallows hard. “I… it’s just…” “You’ve been tracking me?” Danny opens the file, glancing through pages of surveillance reports, background checks, even analysis of his ectoplasmic energy. Tim feels like his world is about to shatter.

“I… I can explain,” Tim says, his voice tight. “I’m just… worried about you. You’re in danger all the time, and I—” Danny walks over, cupping Tim’s face in his hands. Tim braces for the worst.

But Danny just smiles. “Can I put a tracker on you too?”

Tim blinks. “What?” Danny kisses his cheek. “If you’re watching my back, it’s only fair I watch yours. I need to make sure you’re safe too.”

Tim stares at him, speechless. Danny doesn’t look scared. Or angry. He looks… fond. Like Tim’s obsessive tendencies aren’t a problem at all.

“I’ve never had someone care about me this much,” Danny says softly. “I trust you with my life, Tim. This? This just proves how serious you are.”

Tim thinks he’s just fallen deeper in love.

-------------------

The Batfamily? They’re worried.

Jason corners Tim in the cave. “Okay, so let me get this straight. You’ve got cameras in his apartment. You’ve mapped out his entire life. You’ve got a tracker on him and a heartbeat monitor. And he’s… fine with it?” Tim nods, a dreamy smile on his face. “Yeah. He even wants to put a tracker on me.” “That’s not… healthy, Tim,” Dick says carefully. “That’s—” “It’s mutual,” Tim interrupts. “We’re protecting each other.”

Bruce pinches the bridge of his nose. “Tim, this isn’t how relationships are supposed to work.” Tim shrugs. “It’s how ours works.”

Damian watches the whole thing with narrowed eyes. “This is deeply unsettling,” he mutters.

They try to talk to Danny. Intervention style. They invite him over, sit him down, and gently (or not so gently) try to explain that Tim’s behavior isn’t normal.

Danny just laughs. “You guys do know I’m half-ghost, right?” “That doesn’t mean—” Dick starts. “I spent my entire life being hunted by ghost hunters. I’ve had worse invasions of privacy.” Danny smiles. “Tim cares. He keeps me safe. That’s all I need.”

The bats don't quite know what to say.

-------------------

Tim and Danny, two slightly unhinged souls who think mutual surveillance is the ultimate act of love.

The bats? They’re just trying to keep up.

(“At least they’re happy?” Barbara offers weakly. Bruce sighs. “For now.”)

Gotham’s version of love was never going to be normal. But this? This is a whole new level.

[valictini]

I’ve already said it, I’ll say it again, Mal du Pays is such a visceral and clever word to describe Siffrin’s Sadness. When I first saw it in game it genuinely made me pause like. Yes, it translates to homesickness. But it has the literal word for country in it. “Country sickness”. For a guy whose core problem is that his childhood, his culture, his country is missing. One could argue it’s a twisted pun. I’m obsessed with it.

[chloesimaginationthings]

FNAF Vanny and Michael if they met as teens