#forgive the ramble

[petalouda85]

On the last day of my writing month. Haven’t done any writing yet but it has been another successful month, despite its many challenges.

I just had a thought while taking care of some things (because I always need distractions when adulting).

I’ve been writing this book series for about a year now. Draft 1 of Book 1 done and nearing 20k words for Draft 1 of Book 2. I’m like 99% sure I’ll share this story at some point (just not sure how yet). It’s definitely been a labor of love and a lot of frustration at times. But then I found myself thinking…

If I end up posting this, my character could become someone’s favorite character.

There could be art for this one day. Playlists, fanfics, moodboards, POV shorts, etc.

This is could become someone’s favorite story 😳😳😳

That last one feels illegal.

And to think it all started because I decided to start watching Critical Role’s Mighty Nein Campaign 😂 So if you want something to blame for this insanity, blame Critical Role 😂

[moodymisty]

Hey! How're you doing? I hope you've been able to get some good down time :) If it's ok, I have a bit of a...writing query? How do you know which tense is best to use? I realised that I have a habit of "tense hopping" and that's why I get in a fluster when I write. Is present tense better for writing fics or is this just personal preference? (This is why I draw more than write, I am very rusty with my grammar skills lol, I'll make sure to post some tastefully horny art the ppl will approve of)

(I never know if I should answer these queries public or private, I'll answer public just in case anyone else wants to hear my deranged writing tips)

Uggghhh I'm massively guilty of this as well, especially around like a year ago when I started writing again. I had to go back and revise one of my old posted fics recently because I wrote half in present and half in past.

Putting all this under a readmore because I rambled XD

TL;DR: There really isn't a 'best tense' or anything you can apply, since they can all work. It's largely personal preference, unless you really want the reader to feel a specific way.

Generally however, if I follow one character specifically, I like to use present. Which is why many reader inserts are written in it since we're following 'ourselves' as we do things. It also seems to help readers connect more with what a character is feeling or doing in that exact moment. Present also helps if you're someone (like myself) who likes describing small or mundane details. Like how someone's hand moves, how the pins on their bag jingle. An example ↘

It isn’t as if Crosshair is exactly a stranger to watching people, given he’s someone who is far fonder of scoping out a situation from afar. But ‘scoping out the situation’ implies he’s at some point going to jump into the lake, to take a swim; He’s not, and what he’s doing seems to tread more into the lines of leering, than anything else. It makes him furious at himself for not being able to do something so simple, but no matter how much he tries, he can’t seem to get himself to do much beyond just thinking about you. It’s not like he even can get himself to stop doing that either, as he sits in front of the Marauder with his rifle in his lap. Crosshair wonders if the way your body moves is intentional; The way your hips sway, turning on a heel scurrying from task to task like you’re simply floating on air. There’s just something about you; You’re only updating a maintenance report for one of the reg starfighters to keep it on schedule, and he can barely keep his eyes on the maintenance he normally does religiously. You must be finishing up with it, because the next time he looks up you’re walking this way, waving hello to all of them. There’s not been a day since you met them where you haven’t at least tried to spare them even the tiniest moment of your time.

Meanwhile past tense is usually better the longer your work gets, or works where you're not focusing on anything or anyone super deeply. 'Past tense' also tends to be easier for people to read, and you get more flexibility with how you format the writing. For instance if you're skipping time, it's easier on readers to flow into the idea that an amount of time has passed with past tense wording. Example ↘

“It’s… Cleaner in here?” It’s not clean by any means, but stuff was off the floor, which was a major accomplishment. “Yeah, had to clean it up before we haul it back to Coruscant.” Hunter walked by Echo as he spoke, the rest not far behind. Echo closed the gangplank behind him, and gently crossed his arms as he watched Tech diligently wrap up a cable that has been laying there ever since Echo had first stepped foot in this ship. Having walked into the cockpit, he put a hand on Hunter’s seat as he looked out the viewport, before he spotted the outside of the hanger they’re currently landed in. Tech was fiddling on his datapad for a moment before they took off, having crossed his legs one way before he then swapped to the opposite. “Before? What’s the big occasion? Not that I’m complaining.” Hunter gave a small smile.

Using italics, for instance like say using them when a character is thinking of a past interaction, can be helpful for if you NEED to swap tense briefly, but don't want to jolt the reader. Forming it more as we're watching the character in the present, think of the past. Rather than sending the reader themselves to the past. Golly I hope that makes sense. Here.

He remembers the way his legs were hanging off the side of his bunk, aching and in pain after a nightmare had woken him up from his sleep. He’d been sitting just like this for ages, staring off with his heart racing in his chest before you’d come over, sitting beside him. You were quiet for a bit, with Echo silently enjoying the feeling of company. And when you did finally speak, you were offering him even more of your time than you’d already given him. ‘I think I just need some sleep. But…’ He had glanced your way and saw the dim light shadowing the edges of your features, as you looked right at him. ‘Thank you.’ Your lips pressed against the corner of his mouth, eyes closed. When you pulled away, there was tiniest smile on your face. ‘Night, Echo.’

Apologies for the tangent, and again, this is all just my personal thoughts. I have no professional writing experience beyond middle school English class. I am but a humble fic writer. But I really hope it helps! And If I didn't answer your question (I have a tendency to go off the rails) Feel free to tell me!

(exclusive image of me writing)

[antennatoheaven]

[la-pheacienne]

I'm reading the lord of the rings and I'm once again amazed at how... good most characters are. Like, they are genuinely good people. They are a bunch of kindhearted, gracious, caring people, coming together under adverse circumstances and trying to figure things out and find a solution and support each other through it all. Like Frodo and Sam meet Faramir and Faramir is a bit suspicious at first and kind of implies Frodo may be a spy, and then when he hears his story and he's like Frodo, I pressed you so hard at first. Forgive me! It was unwise in such an hour and place. And this blows.my.mind. He wasn't even particularly mean or threatening to him in the beginning, he's just such a kind, considerate man, recognizing the kindness and honesty of another man. And they're all like that. Even Gollum starts slowly changing (for a short while) when he encounters Frodo because that's the thing about kindness and humility and grace, they are contagious. They transform people, even a creature like Gollum cannot be immune to that. Like, you may consider all this simple and basic and I get it but, hear me out. It is quite rare to see that in modern media and it is also pretty difficult to pull off in a way that is not corny and simplistic. It is mind blowing that you actually don't have to present the entire palette of human cruelty and vice in order to tell a compelling story, contrary to popular belief. Lotr does the exact opposite, and it is just beautiful and it warms my heart. Especially taking into consideration tolkien's pretty grim growing-up experience, him being a double orphan without a home, raised between an orphanage and a priest and having no family apart from his brother and then the war and then he almost dies and then he's poor as hell and then a second war and it all makes sense somehow. He writes to his wife who is also an orphan two days before the marriage "the next few years will bring us joy and content and love and sweetness such as could not be if we hadn't first been two homeless children and had found one another after long waiting" and, yes, yes! The love and sweetness just radiate from his work, the entire lotr series is a little radiant bubble of hope and love and grace that he imagined in his head to deal with a dismal reality and then he just gave that to the world, and isn't that what imagination and art is all about after all?

[hopelessfandomfreak]

it’s out of character for diego to not like being a father when he spent like all of season 3 proving to himself he could do it and showing what a good dad he would be and just unconditionally loving stanley and his unborn child. it’s out of character for lila to fall for five when she loves diego more than she’s ever loved anyone in her life, and she’s so devoted and loyal to her husband who she has children with and who has supported her and proved to her that she is a good person and she is worth loving.

it’s out of character for five to fall for his brother’s wife when he has never expressed interest in her in any way and is endlessly loyal to his family no matter what. he wouldn’t break that trust, even if he did develop feelings for lila, which is completely unexpected and out of character for someone who has not really shown any attraction to another human, least of all lila.

[blushouyo]

EGO DEATH

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[ir-abelas-vhenan]

I've struggled to explain to people why I can't see Rook as actually helping any of the characters work through their problems in Veilguard, and I think perhaps the best way to put it is that in my playthrough, every single choice I made had me feeling like I was the unpopular kid in school learning for the first time that if I was quippy, I'd have an easier go of things.

There's a "first time trying stand up" energy Rook has that could be endearing in realistic doses, but it is the beginning and the end of their range in 90% of the conversations you can have. Should you drift from the purple drama mask options (I hesitate to call them the Hawke options because it feels like shoving a tiny replica into the shadow of a giant), the best you have are empty platitudes for how little you know the companions.

This fandom is so creative and so good at coming up with inventive and engaging details and additional storylines. But that's fun (at least for me) to do on top of already great games. Here, I feel like players have to do a LOT, and most of it comes from some strong reliance on being willing to self-insert or develop a strong backstory and additional context on the fly. As someone who wanted to fall into this world again and escape for a little while, taking on that work right out the gate instead of having the option to do it later was unfortunate.

I, personally, am garbage at comforting my friends. I too, tend to have a very "there there" way of handling stressful situations. But Rook's moments of comforting the companions aren't even truly played from that angle, either. It just comes across as robotic. From what I'm remembering, every conversation came across something like

"I am upset because plot point."

"Oh, yeah, plot points can be *insert joke* like that."

"Ha, yeah, I guess."

"Listen Companion, I just want to remind you that I'm your friend and that things are bad but you, a mostly infallible character, are going to be just fine."

"Thanks, Rook."

"It's what I'm here for."

And when there aren't enough in-game decisions to influence the actions your companions take or how they think of you so that they differ depending on the save file you're in, it just spirals into a formulaic copy and paste run for every playthrough unless you're doing heavy narrative lifting in what is supposed to heavy narrative game. I can't believe my Rook is anything special to these characters because there is no chance for you to make your Rook truly unique in a meaningful way as in other games. And I'm finding that I miss it so so much

[littlefankingdom]

I know y'all are not ready for it, but I'm this close 🤏 to hc Bruce having an eating disorder because of how strict Alfred is written about food in canon and fanon. Everyone is writing it as if it's a funny joke that the Batfam has to hide "unhealthy" snacks from him, but it's not. (Btw, just the "healthy" and "unhealthy" label are wrong and bad. Food is food.)

In the comics, Bruce will be offered a donut and think about how Alfred would disapprove and how it will harm his health, before accepting. And, sure, to live the life he lives, Bruce need to follow a particular diet. But it's just ONE donut, it cannot harm him. That's not a healthy mindset at all. The fact that Bruce, as a grown adult with kids, is thinking about Alfred's reaction to him eating a donut before accepting, vocalizing how it is against the rules, is alarming.

And maybe I would accept it, as a non-usamerican, if it was because of the toxic things they put in your food there (criminal what they make you eat), but it's never about that. No, it's about the calories and the heartburn, and "fast food and sugar" are bad, and "poor people food is bad" (Alfred's classicism is another point for another time). Alfred controls what the Wayne eat and he is very controlling about that, as the boys will also comment about Alfred disapproving something before eating it. This is some ED behavior, you shouldn't worry about food like this. And like, I'm split between being thankful neither Bruce or the kids enforce it to one another, but also being annoyed they need to remind others how "Alfred wouldn't approve" when they see them eating something not allowed.

Thinking about Dick and his cereals, especially that Nightwing (2016) page where he gets a Nightwing truck and it has a compartiment with a ton of cereals. It is a commun behavior in children who were restricted some type of food to over indulge in it once they are independent. If cereals were something Alfred was against because he finds it "unhealthy", Dick's extreme love for cereals is a red flag.

Me, talking about Bruce: The boy was mentally fucked up enough, you didn't have to give him an ED on top, Alfred!

[xxplastic-cubexx]

what kind of underwear do you think Erik and Charles wear (i'm not asking this to see them half naked) ((please believe me)) (((PLEASE)))

My Personal Belief is charles is a briefs guy while erik's a trunks guy. trunks/briefs kinda couple because i can

and idk just a lil bonus or somethin. as i do.

[tyblackthornsheadphones]

why does no one care? all the non jews i follow are posting like today is a normal day. i want to scream. i want to break down. THEY DIED BECAUSE OF YOU and you can’t even put the effort into reposting a “sorry there’s six more jews dead now oops” post

[cherrybomb107]

I’ve said it before and I’ll say it again: forgiveness, or the way it’s often presented, is harmful. That’s one more gripe I have with season two. The way it frames “forgiveness”(the idea that you are obligated to forgive someone lest you be “just as bad as they are” is problematic.)

Because for one, having Jinx apologize for killing Caitlyn’s mom and vow to stop the “cycle of violence” doesn’t make any sense. One, that’s just not something Jinx would ever say. Two, the idea that Jinx killing some Councilors is anywhere near the same thing as Caitlyn becoming a dictator is laughable at best, and insulting to my intelligence at worst. Three, Caitlyn never apologizes or faces any meaningful consequences for her actions! Losing an eye was nothing! She should’ve lost a hand at least and we should’ve seen her reflect on her actions and pledge to do better for Zaun!!! Not just fuck off and ride off into the sunset after everything she did! And lastly, the “cycle of violence” literally isn’t a cycle, it’s just one city oppressing the other for centuries and the other city deciding to fight back! This “cycle” doesn’t begin and end with Jinx and her attack on the Council, so framing it like Jinx is the one who has to take sole responsibility for fixing everything is nonsense.

“But Arcane was never about heroes and villains, everything is morally gray!” You sound dumb. This is obviously a story with overt themes of oppression and revolution. I’m not here to critique morality, I’m here to critique its framing. Why are certain characters “justified” in their heinous actions but others don’t get that luxury? That’s what I’m talking about. Moving on, the problem with “forgiveness” implies that it’s necessary, and the way people conflate forgiveness with letting someone have access to you after everything they did is the problem. You don’t have to forgive someone if you don’t want to. That doesn’t make you “bitter” nor does it mean you’re “holding a grudge”. There is a difference between forgiving someone and just removing yourself from the situation and becoming detached, imo. That’s what should’ve been done with Caitlyn and Jinx. No one in Zaun should’ve been shown dying for their oppressors because “teamwork” nor should Sevika have been shoved on the Council to push this idea of “unity”. Why would Sevika, a Zaunite who has never had and never will have any love for Piltover, be forced to cozy up with the Council? Why is the onus on her, as an oppressed person, to make nice with her oppressors? Why does the institution of Piltover, and people like Caitlyn who uphold that institution and wreak havoc on the underclass of Zaun, never have to answer for their crimes?

Answer: Because they(the writers) want to convince us that Jinx and Caitlyn, and by extension, Piltover and Zaun are “just as bad” as each other, and that both sides need to work together to heal. Only problem with that is, the Piltover/Zaun conflict was not presented that way in season one. I’m sure the writers want us to think it’s one city vs another, when that’s not the case at all. In reality, it’s one city OVER the other, and now they’re trying to convince us “both sides are bad”. While it’s true that there ARE problems on both sides, the problems in Zaun literally wouldn’t be problems if Piltover wasn’t an oppressive institution. Why were the chem barons able to amass power? Because the systems Piltover set up left Zaun behind and allowed power hungry people like Finn, Margo, Chross, and Smeech seize their opportunities for control. Why is there so much crime in Zaun? Again, because of Piltover. The class disparity that Piltover set up means the economic divide between the two cities is a chasm that grows wider and wider every day. People are forced to steal to eat. They join gangs out of necessity, not because they have to. Why did Jinx kill all those enforcers?

That shouldn’t be the question. The real question is: Why does “Jinx”(as in, the persona Powder adopted to feel strong) even exist? Answer, once again, because of Piltover! Jinx is an oppressed person with severe mental health and self esteem issues that have been exacerbated as a result of the crooked system of Piltover. She saw her parents get killed by enforcers(militarized police force that carries out the will of the powers that be and is responsible for harassing, brutalizing, and over policing Zaun) right in front of her before she was even in the double digits. She was then adopted by Vander, but she had to struggle her whole life. Zaun doesn’t even have air to BREATHE unless Piltover decides they deserve it. And thanks to Caitlyn, we get to see how even THAT gets weaponized when Zaun steps out of line. So if they don’t have access to clean air, it’s safe to say that they also don’t have access to the same quality food, water, shelter, clothing, economic, educational, or medical services that Piltovans do, just by virtue of living in Zaun. So you take a severely mentally ill little girl, systematically oppress her, and then clutch your pearls when she becomes violent and lashes out? Label her a “psycho” and a “monster” for killing cops, gang members, and politicians while Caitlyn gets a happily ever after after everything she did? I thought “both sides” were “just as bad”. So why is Jinx the only one who meaningfully suffers? Why does Zaun as a whole always have to pay the price?

Lack of commitment. “Terrorist” is a loaded word that’s been weaponized against marginalized people for ages now. It’s another one to add to the list: angry, crazy, mad, belligerent, monster, savage, animal, etc. All these dehumanizing words are leveled at folks who get tired of taking shit lying down. I’ve never thought that Jinx was a “monster” for killing cops, Councilors, or politicians. Never will. But the show clearly WANTS me to, as well as simultaneously wanting to see Caitlyn’s actions a certain way. I’ve already made a post about why comparing or trying to equalize Caitlyn’s actions and Jinx’s actions is disingenuous and intellectually dishonest imo. Think of it like a bully vs bullied type of thing. There’s this kid and his asshole friends who gets to bully you for weeks, months, or even years and face no repercussions. Then, one day you get fed up, and start fighting back. Whether that be with words, feet, fists, or what have you. If you go down, you go down swinging. When the dust settles, BOTH of y’all are getting disciplined(detention, suspended, expelled, not allowed to go on trips, etc) for “fighting”. And there’s a very good chance one of you will be punished much more harshly than the other. Even though you started fighting back. BACK being the operative word. Every single time this kid pushed, hit, kicked, punched, started rumors about, and isolated you, nothing was done. The one time you start fighting BACK, both of y’all get in trouble because the school has a “zero tolerance policy”.

But you know that’s not true. It can’t be. You’ve been telling the teachers, guidance counselors, and vice principal about what’s been going on. But nothing was done about it. Or if it was, you were the one who was told to move seats. Or switch to a different classroom. Or just ignore them. Or “maybe they’re lashing out cause they have problems going on at home.” It was nothing but excuses when you were getting pushed around. Now when you fight back it’s a problem. Now take that metaphor and apply it to Caitlyn and Jinx. Caitlyn is like that fat rich asshole with parents on the PTA who make hefty donations to the school. Jinx is like the scrawny little nobody who has no one to stick up for them. Piltover is the school system. Caitlyn’s privilege isolated her from any meaningful consequences, while Jinx’s lack of privilege guaranteed she’d face hefty consequences, much more than Caitlyn ever would.

Jinx has lost: her birth parents as a result of state sanctioned violence, her adoptive brothers, her sister, her best friend, her adoptive father, Silco, her sister again, her adoptive father again, her new friend, her sense of self, her life(possibly) and she has to deal with being an oppressed person who struggles with mental health issues on top of all that. Caitlyn has lost: her mother, and her eye. That’s it. She’s never forced to give anything up. She never had to reckon with the reality of what it means to be not just a Piltie, but a Kiramman, and a dictator on top of that. We never see her be genuinely remorseful about her horrible actions in Zaun. Nor does she try to apologize to the people in Zaun or meaningfully make amends. No, Caitlyn gets to live in that big shiny house of hers with her father and girlfriend and the months she spent co-signing martial law will never be addressed. To bring it back to the bully vs bullied comparison, this means that Jinx would have been expelled for fighting back, while Caitlyn gets ISS(in school suspension). “Both sides are bad” yeah well you clearly believe one side is worse! And it’s not the correct one!

Piltover is an oppressive, classist, ableist, and brutal institution. Caitlyn was the head of this institution for months after she experienced a fraction of what Zaunites have experienced for centuries. At the end of the day, Caitlyn’s actions were brushed aside and she got her happy ending, though it wasn’t deserved whatsoever. Meanwhile Jinx, Sevika, Ekko, Isha, countless other Zaunites, and Zaun as a whole did nothing but suffer their whole lives and now they have nothing to show for it. “Both sides are bad” but the bad that the institution is responsible for is never called out, while the bad that the oppressed people did is blown out of proportion and they are severely punished for it.

And yes, I know I’m talking about a mainstream television show with white/non black people in the writers room. I knew I was never gonna get the pro revolution story I wanted to see, and I’ve made peace with that. But, if they wanted to have a “both sides” narrative so bad, then they should’ve stuck with it. BOTH SIDES should have equally suffered and had to reckon with their wrongdoings. The responsibility for doing so shouldn’t have solely been on the shoulders of the minority group. THAT’S the crux of the issue. I was always gonna think “forgiveness” was the coward’s way out. But they never show Piltover apologizing. Only Zaun does, and that’s not right.

[starsaparilla]

benny-coded idk

[sky-scribbles]

When I think about Gale and Mystra, I'm reminded of the Greek myth of the moon goddess who fell in love with a shepherd and asked Zeus to place him in an enchanted sleep, so that he would never change. So he would be beautiful and hers forever.

There are different versions of the myth, but this is the one I knew as a kid - and it always made me so fucking sad. And now I see why, because Selene loves Endymion - and her love takes his life from him. A god could not love Endymion as a mortal loves a mortal; she wants his presence to gaze on, to soak in, his body to hold. Perhaps he's a balm to her immortal existence; perhaps his beauty is an inspiration to her - but she does not want him, not all of him, not really. She doesn't want his sheep flock, the evenings where his fingers burn from the cold. She doesn't want his voice, or the lines and experience he'll gather as he ages. She doesn't want to live a life alongisde his.

Selene would say she loves Endymion, and perhaps, yes, Mystra would say she loved Gale. But how can a god love a mortal in a way that a mortal can recognise as love? You soak up his company, you laugh with him, you value his mind and his talent and his deftness with words. His presence is a spot of bright difference in your endless existence. But will you change with him? Will you be vulnerable with him? Will you look him in the eye, as an equal? Will you stroke his cat and put a blanket over his shoulder when he falls asleep reading, make soup for him when he's sick? Would you love him as a person, not a treasure? You can't.

Gale wanted to be loved with a devotion to match his own. Mystra wanted him to live in the enchanted sleep of being hers, something to smile at and hold but never, never to live beside. And she knew - she must have known - how unequal their desires were. She kept him anyway, until she didn't. Until he woke up.

A god's love ruins mortals.

[pallanophblargh]

Wake up, new cryptid just dropped!

It’s true that I’ve had to reimagine my day to day life since we got her, but I can’t imagine how we got this lucky. We thought we would have to work to earn her love, but from the moment she entered our house it’s been a cuddlefest, one I couldn’t possibly deny. There are hurdles she will be facing to be sure (and she will still need to meet the cats face to face) but I’m so happy to see this happy lil cheese every day. Welcome home Raclette!

(The couches will always be hers, even if it means she does try to smush whatever I’m working on at the time!)

[pedrasacorn]

Jason knows how to read people extremely well, so he’s the type to clock your crush on him immediately, and then gaslight himself out of it—actually he doesn’t even let himself consciously acknowledge it

God also imagine how intense the eye contact would be when he catches you looking, when he finally acknowledges your feelings, and he holds your gaze because he knows—and you’re so beautiful—and you hold his gaze because you want to know—and he’s so beautiful

It’s difficult to get Jason’s undivided attention, because he mentally splits his focus everywhere, to make sure nothing can catch him off guard.

His intense focus on you means nothing—not even his safety or comfort—matters enough in this moment to deter him from looking at you