#for the grains

[gongyussy]

deepthroating a gun without breaking eye contact...... he put his entire gongyussy into that | SQUID GAME 2

+ the video because the sound he makes when he puts the gun in his mouth? [redacted]

update: he improvised that. the man really said i'll go full slut.

[ckarlova]

It’s time for a new champion to rise…

[txtsfrmth-morgue]

Carbohydrates prevent the arrival of “the creature”, who is a total bitch.

[mothnether]

wanted you all to see this silly comic

[homosexual-canine]

Winners head cannons

Grain has permanent bruises on his body due to dying, so soon after the cactus fights.

Scott and Pearl feel phantom pain if they see the other person get hurt.

Martyn is obsessive with how he spends his time even tho he isn't on limited time anymore.

Scar is just a little insane due to being alone from the end of secret life and the start of real life.

Cleo gets motion sickness a lot.

Joel is open and treats the other winners like family (maybe not scott).

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[machasstation]

Drawing this scene from Gem's hermitcraft s10 episode 2 !!

Full credit @wormtime123 for gem's amazing design and IB @zhukzucraft for the composition 🫶🏻🫶🏻

[blurredblu]

I wonder when ppl will realise Sonic isn't a hyperactive or airhead dudebro but a soft romantic theatre kid who is (in fact!) shy *and* humble

[incorrectbatfam]

Ways to be a nuisance in our year of 2025

(from personal experience)

Get a small box. Write "take as you need" on the side. Fill it with period products. Put them in public bathrooms, including men's rooms.

Find a pothole. Paint a dick on it. Either your town will fix it or the public will enjoy your masterpiece.

Apps like No Thanks, Boycat, and Boycott X (my personal fave) let you scan items for boycotting shit. Money talks.

Red Cards contains all the rights that everyone, citizen or not, is entitled to in this country. They come in a bunch of different languages. Print them, give them out, leave them in places that need it, etc.

Don't be a snitch. Know someone undocumented? Someone traveling for reproductive or gender-affirming care? No the fuck you do not.

If someone asks your help doing #5, be their cover. If you live where they're fleeing from: no you don't know where they went, no they didn't tell you anything. If you live somewhere people are going to: that is now your cousin, friend from high school, camping buddy, etc.

Here is a fake person generator including phone, email, and address. Here is a free VPN for desktop and mobile. Spam the shit out of those ICE tiplines, trans bathroom reporting forms, etc. Here is a thing that lets you flood an email. Make their system useless.

If you're white, you have way more freedom when it comes to interacting with cops. Distract and divert.

See Nazi shit? Tear it up, kick it down, paint it over. See a Nazi? Rip into them. If you can't, record them, post it, send it to folks connected to them. Do not let them know peace.

If you protest: nondescript outfit with a change of clothes, cover scars and tattoos, leave behind devices that can track you, and either don't drive or park far away. Masks, goggles, and helmets highly suggested. Heavy duty gloves or tennis rackets for lobbing gas cans back. Fresh water or saline solution for tear gas and pepper spray. Have an exit route but also be prepared to hunker down or get arrested.

Nonprofit orgs are always looking for donations and volunteers, especially smaller local ones. There's a role for everyone, including admin stuff for folks who can't leave home. Reach out to them and ask what help they need. The people who aren't seen are just as important as the ones who are.

If you're taking someone to get an abortion, especially a place like Planned Parenthood that might have picketers, put something under your shirt and pretend you are the one who's pregnant to divert attention. Guys can do this too. Be their secret mpreg fantasy.

Cis folks: if your trans friend asks you to accompany them to a bathroom or locker room, do it. And if someone comes poking their nose in your business, pretend you're the one who's trans—again, taking the attention away from your friend.

It takes just a dozen emails or a few people showing up at local town hall or school board meetings to disrupt everything and steer the discussion.

If you have a job in the government or something adjacent, gum up the works. Let calls go to voicemail and don't return them for hours. Leave emails unanswered for a day or few. Don't work through lunch breaks even if it's busy. Take your PTO in its entirety, and leave something only you can do incomplete. Rearrange your priorities ("Sorry Janet, I can't look into who's hiring illegal immigrants, I gotta fix this printer first"). Create excuses to delay things—it needs to be double checked, it didn't pass inspection, it didn't contain some insignificant detail.

Gather some food or prep some meals for your local homeless folks. Make a portion for yourself too. That way if someone asks, you're simply sharing a meal with an old friend who happens to be down on their luck.

Get some Pride stickers/flags/posters and sprayable Gorilla Glue. Slap them on everything, including cars and businesses owned by conservatives. Make our presence constantly known.

[wolfchans]

[pawwlick]

This has been haunting my mind for weeks, now after drawing it I can finally be free.

[vyva-melinkolya]

first snow

[yuriinadress]

I'M GONNA BITE SOMEONE

Info

[t2ukky]

have you seen my son he is missing in daima

[mamath]

🐉 🌳 Happy New Year! 🌳 🐉 It's finally the Year of the Wood Dragon so here is a Royal Poinciana Kirin inspired by the big poinciana tree I can see from my window.

[honeyrosepetals]