#for people who are interested in that sort of thing anyway. and i'd like to think people who pay me money are at least a little

[alchemicourtesy]

HEYEY! glad to see more people into vat7k!!! Would you mind sharing more of the insight n what your perceptions of the characters are? I saw your post about Hugo n Var as well as the involvement with Nuru in the tags and was wondering!!! No pressure ofc <3 also love your art it's REALLY AWESOME !

hi! thank you so much :] im rlly glad ur interested... as new as i am to this story and world i'm still ironing out my own opinions and headcanons and ideas so everything is in a rough place atm but i'd love to talk about what i Do have right now ^^

i'm sort of operating under the idea of what this would look like if it were a tv show rather than a comic only for the sake of structure and me being able to visualize it haha. doesnt mean anything beyond that.

i love the idea of there being 7 kingdoms, 7 alchemic laws, and 7 "lessons" for the characters to learn and id probably divide it through 3 seasons with the last season focusing on either 2 or 1 (heavy emphasis on what would be the "library arc") and allocating the extra "arcs" to s1. but anyways

mainly i like the idea of like. each of the group getting a chance to shine an equal amount. obviously they'd all have something to gain from every lesson but imo id put a particular emphasis on them all getting 2 each to hammer home their development and experiences. i havent ironed out who learns what and its not like...an exact science rn so thats a work in progress

nuru is interesting to me in particular bc i think theres a notable position she is in being a princess and wanting to be hands on. for her character particularly i feel like its important she be able to learn how to care for her subjects and hone the skills she needs for the responsibility she has but also allowing herself to understand herself as a person and an individual without having to sacrifice her duty to her people and her community. too many times i see in media where a character has this huge responsibility and they have to learn to care about and understand Themselves first and while thats important i feel like its not always possible or feasible and also it's hard. it's rlly hard to grapple with both of those things at the same time. and nuru being a princess she Wants to help her people. she Wants to have the responsibility to care for them but she still must learn what that will look like for her specifically and how she can be that person she wants to be without phoning it in or anything.

with yong i saw it was mentioned he has a huge loving family that supports him and wants to see him succeed, but he's just sort of wild and unpredictable in ways i think varian can relate to from when he was younger. there's nothing really "wrong" with yong, but he has to understand and learn balance and control where he struggles with it and that he can be the person he wants to be but there has to be instances where he takes his time and understands that progress isnt linear. which gives varian a good place to act as an older brother figure obviously bc thats shit he himself learned in tts lol

varian's arc Kind of began and ended in tts so i just see vat7k as a way of expanding on stuff he already has learned yet not rlly like. rehashing stuff he should already know

hugo is a little trickier for me bc i think there are a Lot of similarities he shares narratively with eugene (which makes sense given that he was said to have been acquainted with eugene in the past, at least somewhat). they're similar but they're not the Same, so i wouldnt want hugo to just be repeating the same beats that eugene already learned. in my opinion hugo is smug and he thinks somewhat highly of himself, but hes not a bragger. hes not snarky nor will he actively antagonize the group. what reason would he have to? he wants them to like and trust him and i dont rlly see that happening if hes always being a jerk to them haha.

thats all i got for now i think but feel free to ask me abt more stuff if ur interested : )

[my-thoughts-and-junk]

thinking about dream daddy again and god brian makes me so mad

[mildmayfoxe]

decided i'm gonna start posting my monthly playlists on patreon again! i make em anyway, so why not! this time around, though, they're gonna be little doodle track lists with some lite thoughts on each track. y'all get this one as a freebie but only my good good friends my patreon backers will get more! 😉 more a bonus than a true reward, just something fun! :)

[sapsolais]

.

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[tourmelion]

:)

Did you ever draw martins superhero(?) origin story? I'd love to see that c:

[image ID: a digital comic featuring Martin Blackwood and Peter Lukas from the Magnus archives. Comic depicts martin entering a room with a coffee in his hand, calling out "mr.lukas?". He peeks his head around the door and says "Mr. Lukas?" Again. He begins saying "I have your coffee-" but trails off as he turns to see peter. He's overlooking a control panel and a large device that looks like a lighthouse with a ring in the centre. Inside the ring, a person is screaming and dissolving into fog until they disappear. Peter turns around and says "Ah! Martin". Martin yells at him "what the hell did I just watch?! I know this place is shady but-but you just killed a man! He's dead!". Peter says "look martin, I don't expect you to understand our work here, you're only an intern after all, but-". Martin cuts him off "BUT WHAT, PETER?!"

martin pauses, looks at the coffee in his hand and goes "actually what if I just-" before pouring it over the control panel as peter yells "NO!". The ring on the device begins to break apart with white lightning coming from it as peter yells "martin you bleeding idiot!". Martin says "uhh...peter, what did I do?". We then see the two men dissolving into fog as they're hit with a white beam. There's text in between them that reads: "Martin blackwood never considered himself a significant man. A lowly intern for peter Lukas at the Lukas co. Lab who had lied on his CV to get there, martin knew what it was like to be treated with indignity. And so, when he saw the Lukas family conducting their immoral experiments to harness the power of a pocket dimension they called "Forsaken", he used that spark of spite and his long neglected desire for justice, and made one small act of rebellion, sabotaging the Lukas' experiments- but at the cost of him becoming...the Forsaken man! With his powers of telepathy, invisibility, and using the Forsaken to travel, he defends the world from those who wish fear upon it!". End ID]

Sorry this is a bit late, but this ask finally motivated me to outline Martin's origin clearly so I wanted to do the best I could with it! I straight up forgot to draw a panel here but you can still follow along lmao. Anyways, hope you enjoy!

[teaboot]

Wait you had autism and still got along with the other kids and knew what was going on with them?? I was never able to do that! I still chose to do my own thing but would have been unable to answer those questions.

I mean I didn't really WANNA make friends for a super long time so it didn't really matter? And if anyone was outright mean I don't think I noticed till like 6th grade.

After 6th a few other kids liked to throw or kick things at my face or steal my art supplies or give me mean nicknames- I remember almost all the boys in my class one year started a thing where if I got within 4 feet of them they'd yell "[tea] GERMS!" and make a dramatic mad-dash escape, and that was kinda hurtful, but IDK how long that was a thing??

Anyhow I started asking them if they had a crush on me or if they were just stupid, and when they asked what I meant I'd just be like "well there's two reasons boys act stupid around girls. Either you have a crush on me, or you're just always this stupid"

And that invariably led to them yelling "I'm stupid, I'm stupid!" or telling me, "I'd rather say I'm stupid than say I like you!"

Which might have been hurtful if I wasn't growing into a mild superiority complex that assured me I was smarter than them, and nicer than them, and there was really no need to desire the approval of stupid, mean people.

(This was, of course, backed up by the fact that my father was one of those mean, stupid sorts of people, and I fully beleived if I could handle him, I could handle anyone my size, and so what if you dont like me? My own dad doesnt like me, am i supposed to value your opinion?)

Then by highschool I got hot, and if one of them started chatting me up I'd just be like "You wrote in my yearbook in 2002 that I was a huge loser. Why would I want to hang out with you"

And by THEN I'd met enough genuinely fun, interesting people who actually liked me that I was never around anyone who openly disliked me anyways.

Not until I started to realize I wasn't 100% a girl and cut my hair off- Then I started hearing other girls whispering to each other that I looked like a lesbian- gasp- which, again, was actually pretty funny, 'cause then I'd just tell them not to get their hopes up 'cause I wasn't available.

Then I graduated, and moved, and it turns out I'm actually kind of hot funny smart and successful, and whenever I fall into the deep deep pit of dumb ugly stupid imposter-syndrome, I remember that as mean as other kids were sometimes, their parents thought I was the best.

So anyways get fucked Gabe from ninth grade, your mom used to give me candy and bail me out of detention. I had the biggest fucking crush on your mom dude

[why-animals-do-the-thing]

Sorry if you've already covered this, but I was scrolling socials and saw that the San Antonio zoo got a large donation to expand their savanna habitat. The only thing that jarred me as I read through their expansion plans was apparently they're going to be outfitting some 'safari' vehicles so guests can be taken into the habitat to feed and interact with the animals (from within the vehicle). I was always under the impression that this kind of interaction wasn't necessarily good for either the humans or the animals-- is there a way it can be done ethically?? Anyway, I just thought it was interesting!

Ooo, okay, your question aligned with a thing I've been chewing on for a while, so let's talk ~ethics~ and ~philosophy~ aka this is gonna be a bit long. I do promise I'll answer your question, though!

The first thing I want to note is that you're really asking about two different things, which are almost always conflated these days when it comes to talking about animals: welfare (is the animal happy / healthy / safe) and ethics (is what's happening good / moral / acceptable). It's really important that we distinguish between the two, because welfare is an objective measure of physical and mental wellbeing, and ethics are a human construct that involves subjective interpretation.

A useful but highly oversimplified example of this is the bothering of cats for online videos. Pestering a cat to get a funny reaction once in a while may not impact their overall welfare. Welfare is the cumulative impact of an animal's experiences, which means that single acute moments may not weight heavily on the entire balance. If the cat is healthy, fed well, enriched, and has a good and positive bond with their humans, those momentary irritations for videos might not matter much. That doesn't mean that you or I, as viewers, might not still find bothering an animal for internet clout ethical. We can believe that humans shouldn't ever unnecessarily put their pet through negative experiences, and we can think that doing so just because it brings the human money or fame is distasteful. But! We have to recognize that as used in this example, those ethical stances aren't inherently tied to the animal's welfare state. Many people I know who dislike cat-bothering don't care if the animal has good welfare outside of that situation - they don't like that the situation occurs at all, ever.

So, back to your question. You're wanting to know if it's okay for a zoo to have a drive-through aspect of an exhibit where people get to feed the animals. You're asking if it's safe for the humans and for the animals (which is a welfare question) and if that type of interaction is ethical. I could just tell you that of course it's fine, San Antonio is an AZA zoo and their accreditation only allows them to do "good things" but that's now how it works here (nor is it the reality of accreditation).

The safety aspect is one I'm not worried about. It's actually a pretty common thing for reputable facilities to do some sort of vehicle tour in savanna habitats, whether in the guest's vehicle (safari parks) or on a hay-ride type vehicle (zoos). Many of those allow guests to feed out specific parts of their animals' diets. Offhand, I know Tampa and Fossil Rim both have feeding tours like this in a staff-driven vehicle. It's not specified from the zoo's press release, but I can guarantee you that guests will not be driving those vehicles - which means the interactions will be proctored by staff and what people are feeding out will be carefully regulated. The habitat is going to have rhino, giraffe, zebra, ostrich, and antelope/gazelle, and I'd guess that the drive-through is going to stick to those latter two and maybe additional species. Those are animals where a car is an appropriate safety barrier.

As to if it's ethical to do? It's spiny question, because it depends very directly on the ethical perspectives of the person you're asking. I think it's fine - you may not. Let's break down the different things that come into consideration on the ethical side, and my responses:

"The zoo is commercially exploiting animals by letting people pay to get closer." If the issue is that people paying to get closer to animals is using them for money, well, that's the business model of a zoo (non-profit or not, they still need revenue to operate). So IMHO it's not like it's "less ethical" than anything else the zoo is doing, using that framing.

"Zoo animals should be allowed to be wild and undisturbed by guests driving in their habitats." Zoo animals aren't wild, and their entire lives revolve around humans and the human work schedule. As long as a vehicle entering the habitat doesn't have a negative welfare impact (e.g. they're not scared of it), it's not very different from the rest of the routine of managed care.

"Feeding zoo animals will encourage people to try to feed wild animals." Thanks to obnoxiously viral content creators, people are going to try to feed wild animals no matter what. Doing it in a proctored situation where a staff member can try to do some education at the same time is probably the best possible scenario.

"People just do those tours to get close to cool animals." People are always going to want to touch the animals. If being able to pay for a tour keeps them from jumping the fence to try to pet a rhino, great.

There's one more that I want to talk about separately, because I think it's where a lot of confusion gets generated. It's this idea that "Humans shouldn't be interacting with animals at all, any interaction is unethical and bad for the animals." This is a welfare crossover, but not one actually informed by welfare science in a captive situation. And I think it's because the internet lacks nuance. Yes, it is absolutely correct to say that with wild animals, you should never ever try to feed a deer out of your car (or similar). It is incredibly harmful to those animals on both an acute and chronic timeline. But thanks to the rage-bait algorithms on social media and people endlessly justifying doing stupid, dangerous, bad things (and getting pushback for it), there's been a lot of bleed between the public's understanding of what wild animal welfare is and what captive animal welfare is. Combine that with the reality that captive animal welfare cannot be assessed or diagnosed from a single context-less clip, and that people with strong beliefs and no practical experience with the field/species/individual will pass judgement loudly to their audiences...

The result is almost a reflexive believe in many sectors of the internet that any human-animal interaction that isn't couched as a "rescue" is inherently unethical, for reasons people often can't articulate. Which is why, I think, so often people want to support certain aspects of captive animal management but feel guilty for doing so. I see this a lot in the questions the blogs gets, and I'm glad people feel comfortable asking, because it's important to think through not just the individual instances but the patterns leading us to question them.

So yes, I'd say that a staff-led experience in a vehicle chosen for safety is an ethical way to proctor an interaction between guests and certain savanna species. It will vary by facility - I'm always more wary about guests driving, although many drive-through safaris are fine - and by setup. I think what San Antonio is doing will be fine, though, and will be interested to see / hear about the setup when they start up.

If you've got a question about ethical captive management, I'm always happy to talk about it - but I'd invite you to poke around in your head a little and send me not just your question in the ask, but your thinking about why or why not something might be concerning. It's great practice for understanding why you relate to animal ethics the way you do, and where those beliefs come from.

[angel-of-the-moons]

I'd adore seeing something with Eddie and Venom being your big fuck off bodyguards at the Halloween party, bonus points if the costume is just venom!

Spooky Scary... Slime-Monsters?

Eddie x Venom x Fem!Reader

TW/CW: None!!

Dividers by @saradika-graphics

They met you in an alley, one night. The rich inheritor to some firm or another, cornered by a bunch of no-good (tasty) thugs.

Contrary to most people, you didn't run when Venom beat the shit out of, and promptly ate the heads off of your assailants. You were... Surprisingly open-minded? Eddie found that Venom liked you, and he'd be lying if your understanding of their situation wasn't refreshing. It was nice having someone other than his ex, or Ms. Chen to talk to about this sort of thing.

But when you hit them up to be a bodyguard to a freakin' Halloween party, of all places? He was hesitant, at first. But rent and groceries were kind of expensive... And you were offering quite a bit.

So, they took the offer. They met you, once again, in an alley.

The ground shook softly as Venom landed nearby. His maw stretched into an eerie grin as you gasped in shock before realizing just who it was.

"Oh! You're here!" You sighed with a relived smile, adjusting the little witch hat on your head, "I was starting to get worried."

"Yes, well... we wanted a snack so we grabbed some... fast-food on the way in." Venom replied with his deep, rumbly voice.

"Please tell me you cleaned up before you came here." You replied, scrunching your nose rather cutely.

"Of course, we aren't savages." Venom snorted, crossing his arms over his broad chest and staring down at you; almost offended you would suggest he wouldn't clean himself of the evidence.

"Oh... Well, good." You said in reply, "Did you guys pick out a costume?"

Venom frowned--pouted, really, before rocking his head from side to side. "Eddie said costumes are dumb."

The way he stretched out the last word reminded you of a petulant child mocking their parent, and it made you smile.

"So... I guess you're going as you?" You suggested.

Venom's opalescent eyes widened for a moment, like he hadn't thought of that. As he opened his mouth, a part of his face peeled back and Eddie's own face appeared; and he did not look thrilled.

"No--"

"Yes!"

You couldn't help the giggle that came from your lips as they argued back and forth. But eventually, the symbiote wins out in the end.

And so, that's how you walk into the club, arm-in-arm with Venom.

It shocked people, to say the least, but in some cases, when people got too close, Eddie and Venom were great at pretending he was some sort of expensive, animatronic suit. A few people even stopped for some photos!

The party was a droll thing at first, slow and boring, even for a rented nightclub. But a lot of these people were friend of your parents--very few really knew how to actually have fun. Even the younger people they paid to be with for the evening seemed bored out of their skulls.

That was, until Venom had hopped on stage. He had managed to load the DJ performing into playing something a little more lively--to "get the blood pumping". Apparently, nobody but you got the morbid joke.

His ploy worked, and people began to go down to the dance floor. Well... the ones young enough to avoid breaking a hip, anyways. The older ones complained about the music tastes, but your parents, the hosts of the party, clapped Venom on the shoulder and thanked him for saving the evening.

As you all sat down to enjoy cocktails, you explained that you'd hired him as your bodyguard. When asked what had happened to your primary one, you explained that after he left you alone long enough to get robbed the night you first met Venom, you decided it was a good change of pace and protection. Your parents wholeheartedly agreed.

However, neither of you were prepared for when your dad shook Venom's hand and asked the dreaded question:

"So... Are you interested in dating our daughter?"

You wanted to die on the spot.

[beatingdrumspouringwine]

Advice for beginner Hellenists

This isn't necessarily a post where I include a list of Gods, epithets, resources, and offerings for said Gods, but rather, hopefully soothing the worries of those of us who are starting the journey into the religion. As someone who was once in a religion that made other religions sound like something absolutely terrifying, my journey into Hellenism was once which was also... pretty terrifying, and this fear was mostly just from my own mind.

Anyways, my list of Advice:

You can literally just start praying. If you want to get more formal, you can absolutely get more formal, but you very much don't have to. I've definitely had my first prayers to some Gods be "hello, [God or Goddess's name], I want to worship You! Please lead me in my journey. Thanks!" I can promise you, the Gods are much kinder and more understanding than any of us fully know.

You can also just start worshiping in general. I feel like I've seen on occasion people worried about the Gods not "calling" to them. This is definitely not something that needs to happen pre-worship. If you find them interesting enough to pray to, then that in and of itself is enough.

In a similar vein, I wouldn't be too concerned about the idea of "signs". I feel like there's a tendency for folks to be incredibly worried about everything when first starting out - the behavior of a candle, the sighting of an animal, a strange dream, all can suddenly seem to take on jarring significance. But I can promise you, the Gods don't constantly give out signs, and frequently, these strange occurrences can be attributed to the mundane. When something comes from the Gods, you will know, trust me!

You don't have to worry too much about the idea of cleanliness, be it spiritual or physical. Khernips are cool, and I'd definitely recommend integrating them into your practice sooner or later. Hygiene is cool too! But if I'm being honest, we in the modern day are far more physically clean, and a lot less likely to regularly encounter the type of pollution that would have been encountered in ancient Greece.

The Gods will be at varying distances over the course of your worship. Sometimes, They will feel close, joyfully, burningly so. And sometimes, They will feel far, and prayers may even feel a bit futile. Both of those are perfectly okay, and neither of those will be permanent.

And, once again in a similar vein, you will likely not find yourself having constant, close mystical experiences with the Gods (i.e., conversations, visions, etc.). These experiences are rare and far between, and I would advise that you not make them a central part of your worship. They will come when the Gods deem you're ready for them, and you definitely won't be expecting it. Focus on the little things!

My final thing (for now) is that you also shouldn't put undue pressure on yourself to be doing some sort of big offering to the Gods. If that's what you can afford, that's great! But if not, fresh water, a small wildflower that you came across and picked*, or a small bit of a meal also count as a good offering!

And with that, my (much longer than I was previously planning on) list of things for beginners to keep in mind! A lot of this list is made up of things which I picked up along the way, and a lot of it is also made from my own personal hindsight being 20/20. I hope this is helpful to someone, and that it maybe soothes some of the (incredibly common) worries which so often accompany those who are venturing into the world of Hellenic polytheism!

[huggywuggysuppy]

once you finish Empires S1 i'd like to hear your thoughts about esmp1!gem. she's genuinely one of my favorite characters to analyse because she is so nuanced and interesting in so many ways anywhere you look at her. her twisted determination to achieve peace at ANY cost, her rigid thinking and neurodivergency, her relation with symbols like her tower or the end and the moon, or her genuine wish to be a good person and so many other things. there's so much that is impossible to grasp at first (<- <- me, lesbian who is really normal about her favorite gem)

She's right.

Essentially, Gem understands the role a wizard PLAYS in a story. She's never the cause of something, but she sure amplifies both the problems and the solutions. She's morally gray, she's playing both sides, but nobody ever challenges her on that because of course Gem's helping the heroes too -- they need artifacts! She's a plot device, a questgiver, a weapon. She's the voice of reason, the straight man in any comedy duo, yet makes the same questionable decisions as anyone. She's experimenting, she's out of her comfort zone, she's having the time of her life. Wizard Gem is, ultimately, a real wizard.

That's the short answer anyhow. Longer analysis, well, I'm so glad you asked. I can't talk about character without diving into the content creator metanarrative (feature not a bug) so let's get into the noodles! What about Wizard Gem makes her so fantastic?

Wizard Gem is a catalyst.

From the beginning, Gem is mixing up dynamics and forcing new inspiration by opposing what's static. The way the rest of the Wither Rose Alliance sort of? Molds? Around her. How Sausage and fWhip are beefing until the day she alliances with Pearl and suddenly the four are besties. How she adds moral nuance to the villain side, both by mixing relations with the hero side, and just by insisting the Wither Rose are seeking peace, really, they're trying their best! This stops things from being so cut and dry and basic. Instead of Xornoth's vain forces against the heroic bumbling fish people (with the plant and animal empires in between), there's all sorts of messiness and drama. And Gem's aware of this, of how she's changing things, and so the effect is amplified.

On a CC level, even her origins are experimental. Gem was originally planning a more naturey plant wizard, but since Shubble, Katherine, AND Pearl, were plant based (& arguably Joey too) she adapted into amethyst and rocks. And it turned out amazing! That foundation of experimenting made it easier to take larger risks both content and character wise. All the empires folk enjoyed the lore centric storytelling: only getting deeper into it through the season, but Gem especially paved the way for embracing rp and outfits and items and fun.

But back to C! As the Wither Rose alliance progresses, terrorizing the server included, Gem maintains her peace loving stance. Taking on the role as fWhip's (and later Sausage)'s PR managers is genuinely so important to me. She never really stops them from doing bad things, but she's always discouraging them and talking them down one or two degrees. Ultimately loyal to her alliance, she's also taking responsibility for the consequences. Helping out Jimmy behind the scenes to lessen the blow, both for him but also herself.

At her core, Wizard Gem wants peace.

For herself and friends at least. Unfortunately, the Crystal Cliffs aren't in a bubble, so she keeps having to save the world anyway. She dreads conflict at best and fears it at worst. Her concerns are her kingdom, her neighbors, whatever magic / building she's invested in right now, and maybe a light shenanigan here or there. She'll help fWhip get out of trouble because they really do love each other, he's always helping her out too in his own ways (ex: making her stuff,) and she'll protect the realm so the problems stay far away from their doorsteps. When things do eventually fall into her lap, she definitely deals with them. Just... not 100%. Enough that they stop breaking the peace for now.

Let's be honest, Wizard Gem is firmly in denial. She's down for burying the corruption and letting it claim whole towers of her base. Often she'll just accept whatever another player brings to her: buying Scott and Katherines plush, whatever weird scams Lizzie tries on her, etc. When Scott gives her the Elsa curse, she hangs out in the nether, takes Shrub’s dodgy Xornoth cure, and stubbornly "it's fine"-s her way through avoiding a real solution until fWhip drags her to Katherine. It's telling that her (short-lived) corrupted evil version is more confident, while others become hyper or angry. This isn't laziness: it's fear. She doesn't want to step on any toes and start any conflicts. You can see it in how she talks to Jimmy and fWhip: giving them what they need not to win, but to end things.

This is how Gem maintains the story role of a wizard: she's always trying to stop things, so she's never starting new things, only making them better or worse. But how does Gem get away with it? She's simultaneously one of the most invested players in the lore, yet playing a character who'd rather be anywhere else. That dichotomy is entertaining, sure, but there's something else here.

Wizard Gem is loyal, curious, and moral. Just... not obviously.

Gem is unfathomably loyal. While she plays both sides, she's always standing alongside her allies in battle and all her actions are ensuring they're safe. She may be exasperated, yet treats her immediate alliance members with kindness. How fWhip drags her into things, but he never asks her to, it's always Gem CHOOSING to follow him because what else is she gonna do? Let him do it himself? How Sausage makes her laugh with his absurdity, even when they're fighting. How she's always a little uncomfortable, even in her great empire, except in the quiet simple moments with her allies between schemes.

(Still can’t believe roseblings isn’t canon. Like fWhip’s line about how he blew up relations with Scott because he messed with Gem, "it's okay fWhip I'm fine now," their tones, ohhhh devious work. They don't need to be canon, nonfamilial platonic relationships and all that, but STILL. I'm only human.)

Gem's also invested in magic and learning more about it, and she learns to trust and share that with others. The Crystal Cliffs Academy demonstrates growth: from solving problems herself when they’re too big to ignore, to actually addressing things at the source. Explicitly, the goal is to strengthen other empires magic knowledge so less crises happen. That’s preventative instead of reactionary. Even choosing the Ocean Queen as her first student is intentional: not an ally, causes a lot of medium scale ruckuses, in text Gem sensed her using transformation magic that wasn’t hers and wanted to guide Lizzie towards at least controlling it. Start of season Gem would’ve just kept handling any crises herself.

Essentially, Gem is trying SO HARD to be good. As anon said, she has a sort of rigid thinking (again, fun contrast between CC experimental and C rigidity) that creates this fantastic mix where she's staying true to the Wither Rose because she loves them and wants to keep them safe as their friend, but also trying to act for the greater good as a wizard, even though she'd rather focus on her own things. It's not a stable point of view, and is constantly challenged, creating the amazing series of events that we get to see unfold.

Also, Wizard Gem is straight up cool.

Regarding imagery, Wizard Gem has a distinct style that’s so fun to build and draw and write about. She's magical and otherworldly (dragons, the end) but also ethereal and magnificent on a human scale (towers, the moon.) Amethyst itself is inherently unique: something about forming deep under pressure, growing slow and beautiful, sought after as thrones and paths alike. These aesthetics have infinite storytelling potential, and look cute doing it.

And all these things are carried into Gem’s imagery as a whole! Losing her eye to and getting corrupted by the end portal in Life Series, building dragons and towers and villages all across her mc worlds, often using the moon in builds like her hc10 lighthouse. She’s solidly the moon in shinyduo sun/moon dynamic (while they both employ sun/moon all the time, Pearl builds and lores solidly more sun, let alone their comedy dynamic.) Even the struggle between embracing/chasing excellence versus holding herself back out of fear: that's Gem in every world! Emp1 is combining a lot of Gem's themes into one single character. And turns out she's really awesome!

This character wholeness lets Gem maintain her signature exasperated excellence over the other players. Like PVP prowess and building skill, she's an expert here too, and delightful to watch and interact with. Wizard Gem is amplifying everything, trying to keep her loved ones safe, learning that she needs to make peace herself, all while staying true to her beautiful masterful self.

Finally, CC!Gem is delighted to roleplay like this.

Every time she turns to the camera to give disclaimers and talk about her character, there's an infectious joy and "I can't believe this is my job." She often compares it to D&D, which ohh the parasocial brainrot is taking so normally, but also there's an unapologeticness to it. If you don't like her character / the roleplay / etc, stop watching, whatever, this is fun for the rest of us. Her and other CCs have talked about the crippling pushback from playing antagonistic characters -- and there's no shortage of that in emp1, she has to put disclaimers on the RP portions! But unlike Life Series where she's constantly fighting demons (it's own post, really) Wizard Gem is having too much fun to care. I think that's why emp1 hits different, at least for us Gem girlies. She's taking this seriously, and she's having the time of her life.

I originally posted about Worldhopper/Watcher Gem because that adds an extra layer of spice to her in all series, but it's still really awesome by itself. Summoning the dragons from ANOTHER WORLD? Hello?? Don't think I missed her using the nether portal to change skins either. Giggling during convos with Xornoth, undaunted by the Empires Crown, the list goes on. One day someone will assemble all her characters into the same room to compare notes and that someone will either be me or Geminitay herself.

In short, Empires S1 Gem is a Wizard. She's a catalyst, she ultimately wants peace, she's loyal curious and moral, she's straight up cool, and she's having fun. And isn't that just the most magical joy of all?

Anyway, accepting empires fic recommendations in reblogs / directly into my inbox. What a privilege to get to watch so much great art. Thank you for reading!

[jmdbjk]

Jungkook telling it like it is...

He did tell Spotify that he'd use the blanket they gave him. Just not the way they probably thought he would: Jungkook's glossy black marble floor shows his bare feet prints on it and he used his Spotify blanket to clean the floor. He says he'll have to always wear socks or slippers. I can see him leaving a pile of toe socks at the door just for him to put on when he's in that room...

He says he briefly and unseriously considered quitting the business to be a full time cook. (JK, you can't do that, you have to make enough money to pay for the utilities and property taxes on your new fortress...) But that's his introvert kicking in, the routine, the comfort zone, the way his job holds his interest enough to make him want to keep doing it. But he is aware and he knows this about himself and knows he has to return to his "spot" as he called it.

He seems to accept the fact his place of residence is going to be known by the fans just like many other aspects of his life such as details of his military service. He seems to take it in stride but he also sets boundaries by asking fans to not come to his house and do not send packages, not only to his house but to his army base. He explains why, that he cannot accept them and that packages containing food are restricted. He clearly instructs to send letters to the company.

How do people know where he lives? Here's the answer, or at least part of it:

We all know if you spend time on Youtube the algorithm will feed you videos and channels similar to what you've watched. If you are restrained enough to limit your viewing to only BangtanTV I applaud you. But if you watch anything else, youtube will serve you similar. We all know that through the anecdotes of Armys talking about being flooded with edited, slo-mo shipping videos.

Personally, I like watching youtube channels that show walking tours of Seoul. The city captured my attention and I've learned so much about it. But because of this interest I have in Seoul and Korea, more "walking tour" and Korean travel type channels are suggested to me. Some are better than others. Some are actually run by K-Army. I am very interested in K-Armys' perspective about life in Seoul so I watch. We get to see the birthday cafe events and such that I'm probably never going to experience.

Inevitably one of these channels is going to walk by the members' homes... because they are Army and can. Streets are public. And this is how other people find out where the members live. The videos show that none of the homes are accessible. They are all behind walls and gates. None of the videos show hoards of fans congregated in front of the homes. The only place you ever see that is in front of the Hybe building.

Yes, it is controversial knowing these things but it is also one of those things that is almost unavoidable. What do I do with the information I gain by watching? Nothing. I satisfy my curiosity and move on.

Jungkook knows we are curious. He knows with his position in life there are things he cannot control and he's aware of it. It's pointless for him to pretend he isn't aware of this. That's why he sets boundaries. And he's very kind about it when he does set boundaries.

Are there bad actors out there who will take advantage of the knowledge? Of course. But that's on them. Are there people who will post every detail they learn? Of course. That's how the information spreads to other social media platforms.

Anyway... the Weverse translations are sort of skimming over what he says. There's a little bit of nuance being left out sometimes.

The Weverse English subs say "We'd sing it every day while taking showers." But Jungkook more accurately said: "We always sing together while taking a shower." (begins at 1:00:00)

The Weverse English subs say "Recently, with Jimin, now during our clean up time I finished up in the kitchen and came back up we talked a lot about music and we'd always be humming (he hums) and I'd go far away and sing songs (he gestures away from him). I'll try to practice more when I have time." But more accurately he said: "So these days I'm with Jimin and now when its personal maintenance time I go upstairs after finishing kitchen work. We talk a lot about singing and we're humming along to each other all the time (he hums) like that and we go far away and sing and stuff (he gestures away from him). I'll practice more in my spare time." (begins at 36:48)

The Weverse English subs say "I've been doing well with Jimin in my military life. I've been well." More accurately he said: "I'm/we are working hard and doing well in military life together with Jiminie-hyung. I'm doing well." (at 8:18)

He showed us his entertainment room, he clearly states he can't show us the upstairs but he does not give a reason why but as he talks he explains he has not "organized" his house. Maybe he won't show it because he doesn't want to or maybe he won't show it because in his opinion, its a mess right now. Regardless, its his choice what he wants to show us and we are privileged when he does so. I'd bet that at some point, we'll see his kitchen because he's Jungkook.

He talked about his job as a cook in the Army. He said he prepares many Korean dishes and they are either boiled or braised. He mentions that they cannot grill food. He says its not easy making large amounts of food. He says he does his best to make them tasty. I've noticed on the timeline the accounts that post military menus that on most days, meals include stews and soups so he is definitely learning how to cook a wide variety of dishes.

He sang about 30 songs including several off Golden. He sounded really good singing Standing Next to You, in fact, his off the cuff live singing of all the songs from his album was pretty exquisite even if he didn't sing most of the songs to the end.

He spoke with a slight reverence regarding only singing BTS songs with the rest of the members. It gave me the impression he knows it will be a special moment for them as well as us.

He picked at his lip, bit his cuticles, touched his lips, scratched his head under his beanie and yawned many times before finally telling us good night. Until we see you again soon, Kookie! Be safe and keep practicing with Jimin!

[systlin]

Interesting thing I've found working with Odin: I've been trying to update my concept of "hospitality" because these days wanderers don't come right to your door. I've mostly been giving way more food and money to homeless people in my area (there's been an economic downturn so there's more than there used to be). Anyway I saw one of them the other night rugged up in a bunch of blankets, stopped to chat a bit, gave him some cash, he asked my name and then straight up told me his name was Odin. I'd already been feeling like he'd been more responsive since I started doing this (often I'd run into homeless people I could help the next time I went out after invoking him for something) but that fucking shook me lol.

Ahhh, yep.

You have to sort of update things for the 21'st century, and you've done the math.

Who would a poor, ragged wanderer be today, in our cities?

You've figured it out. And figured out 'be kind to those who need it most'.

[mysteryshoptls]

SSR Leona Kingscholar - Nightmare Suit Vignette

"What makes a qualified king"

[Halloween Town – Town Hall]

Leona: You want to hear more about the Halloween we celebrate back home? We've already come up with enough ideas for you.

Jack Skellington: Well, you guys have so many fresh ideas. I want you to teach me everything you know, without skipping a thing.

Epel: Without skipping a thing… Hmm, was there anything else?

Epel: Oh yeah, don't the people in this town wear any costumes for Halloween?

Jack Skellington: Costumes?

Epel: Yes! We dress up like mummies, werewolves, vampires and other sorts of monsters to scare people.

Riddle: When it comes to scaring… I don't think any of that would be any different for the residents here.

Epel: Oh, right… Hmmm, I'm sorry, I can't think of anything better.

Jack Skellington: No, you're fine. Basically, you're saying that you dress differently than you normally do, right? That also sounds interesting.

Jack Skellington: Might not be too bad to have big ears, a tail, sharp fangs and claws to become a werewolf.

Epel: Jack-san… a werewolf?

Leona: Kekek, I can see that making things even more confusing.

Leona: Regardless, it's much too early to be talking about next Halloween.

Jack Skellington: Too early? Not at all.

Jack Skellington: Once this year's Halloween is over, we only have 364 days until next Halloween.

Riddle: Indeed. I agree in that it may not be too early. Even this time, we are all working on a tight schedule…

Riddle: If you were to create a rough plan now, there'll be more time for preparations next year.

Leona: I get what you're saying. But there's no saying whether our Halloween will even be successful.

Leona: We haven't even finished the prep for this coming Halloween.

Leona: I think it'd be best for us to give our brains and bodies a rest to make sure we can even prepare everything properly.

Jack Skellington: Yeah, it's important to take breaks. But once this Halloween is over, you guys are going back to your own world, right?

Jack Skellington: And during the day, we're all so busy with preparations. I want to hear all your stories while I can.

Leona: Your eagerness to learn is astounding. If that's the case, then there's someone else who can help you better.

Leona: Hey, Idia.

Idia: Eeek!? D-Don't just pan the camera over to me… Why me, anyway…?

Leona: "Why"? Well, obviously because you're the Housewarden of the dorm Ignihyde, which adheres to the diligent spirit of the Lord of the Underworld.

Jack Skellington: The Lord of the Underworld? That sounds fascinating. Idia-kun, tell me more.

Idia: T-T-T-Tell you more? More what? I mean, s-sure, I know all his lore, but I don't want to give a presentation, or anything…!

Epel: Right, since Jack-san is the King of Halloween… That means he'd be considered the Lord of this town, right?

Leona: You can't judge someone just by their title. A king is only as good as what actions they take.

Leona: Although I'm pretty interested in what exactly the King of Halloween is expected to do, too.

Jack Skellington: What I do? Well, of course, that's to make Halloween as frightening as possible.

Idia: I-I mean, since you're the King of Halloween, you just gotta hype up Halloween, right? I guess…

Riddle: In order to make Halloween as frightening as possible, what exactly do you do?

Jack Skellington: Let me think. I'd drive a cart…

Epel: You drive…?

Jack Skellington: Or take walks in the cemetery with Zero…

Idia: And walk your dog…?

Jack Skellington: And I'll also read, or do experiments.

Riddle: Reading is one thing, but what sort of experiments does one need to do on Halloween…?

Jack Skellington: And finally… It's also my job to look over the townsfolk's proposals that the mayor has gathered.

Leona: Ah, there we go, finally something that sounds appropriate.

Leona: But you're telling me that the king goes through everyone's proposals personally? I bet there's a more efficient way to do it.

Jack Skellington: No, not at all. I need to take everyone's ideas and bring them together to make the best Halloween ever.

Jack Skellington: Wait, yeah, that's it. The king is someone who can bring everyone together.

Epel: I see. So, that's why you're the King of Halloween.

Idia: Ugh… There's no way I'd ever be able to bring everyone together like that…

Riddle: I cannot allow you to wallow like that. It is a Housewarden's job to keep the students together.

Leona: Hey, now, Riddle, don't bully the guy. That's way too much to ask of that gloomy kid.

Leona: But, huh, never expected bringing everyone together to be considered what makes a qualified king here. Guess it's much easier to decide a king here in this town than in other places.

[Halloween Town – Center]

Mayor: Now, now, everyone work quickly! We must hurry to finish making all the decorations!

Jack Skellington: Mayor! I've brought all the finished decorations.

Mayor: Oho, these have been made splendidly! I'll get these up on the gate now.

Leona: …I thought I'd take a break around here, but it looks like I should look somewhere else.

Leona: I'm exhausted from all the troubles I've had to deal with. I can just leave the rest of the preparations to the townsfolk… Hm?

Grim: OUTTA THE WAY, GET OUT OF MY WAAAY!

1. Grim, stop! 2. Someone please catch him!

[Mayor's face changes to sad]

Jack Skellington: Mayor, look out!

Mayor: AAAAAAAA HE'S GONNA CRASH RIGHT INTO MEEEEE!!!!

Mayor: H-Huh…? I'm not hurt…

Grim: MYAAAAAH! DON'T PICK ME UP BY MY SCRUFFFF!

Leona: Shut up, stop fussing. Geez, it's just one thing after another with you.

Leona: What did this furball do this time?

1. He ruined a bunch of the decorations…

Leona: So, that's the reason why he's got so many things stuck in his fur after running away without looking where he was going, huh. Leona: There's spider webs, bat wings, and… is this a fish bone? How many decorations did you destroy?

2. He snuck a bunch of the candy…

Leona: There's a lot of crumbs all over Grim's face. …I understand what happened. Leona: You got caught stuffing your face, and just ran away without looking where you were going, huh.

Grim: Humph! Blame the decorations for being in the way!!

Jack Skellington: …

Grim: How dare all these things stick to my beautiful fur… I'll throw off all these weird decorations!!

Grim: HEY, LEONA, LET GO OF ME ALREADY!! LET GO, LET GO, LET GOOOOO!

Jack Skellington: GRAAAAAAAAAH!!

Grim: Eeep!?

Grim: I-I was just joking! And now that my tummy's happy, I'll totally help with the prep now!

Jack Skellington: Then make sure you put the decorations back where they came from. And apologize to everyone you caused problems for.

Grim: Fine…

Jack Skellington: Good. Halloween is right around the corner, you know.

Grim: His bones streeeetched, and he had such sharp teeth just now… That version of Jack was super scary.

Leona: Hey, [Yuu]. Go see Trey and Jamil right now, and tell them everything that happened.

Leona: Since it's those guys, I'm sure they already planned for any sort of possible trouble, but…

Leona: If Grim really did eat so much he's full, then there's no way we'll have enough to eat.

Leona: After you talk to them, do whatever Trey and Jamil tell you to. Got it?

1. I understand. 2. Yessir, right away!

Grim: Gweh!? Hey, [Yuu], don't you grab me by my scruff too!

[Grim and Yuu leave]

Leona: What's left is… Those decorations, huh.

Mayor: That's right. We need to finish decorating the gate as quickly as we can. I'll call the closest people and...

Leona: Hey, now, you planning on having everyone stand in a line and take turns going up and down the ladder to set everything up, or something?

Leona: Just have someone call over the witches.

Leona: These are all light. If they carry them up on their brooms and put up the decorations, it'll be over in less than 30 minutes.

Mayor: Eeeh!? But I'm having the witches do a different task.

Leona: Then have someone else do whatever it is they're doing. Halloween is right around the corner, right?

Leona: Do you all even have time to be lax about all this?

Leona: Pretty sure now's the time you want to start thinking about who should do what to get everything done in the shortest amount of time possible.

Jack Skellington: Yeah, I think you're right, Leona-kun. If we're looking for someone to trade jobs with the witches… I think that guy over there should work.

Jack Skellington: We'll tell the witches to come to the town center and have them do this task.

Mayor: We're going with what Leona-kun says, hm… Then, can I ask you to help on a few other things?

Mayor: You see, we're actually facing delays on this task and that one…

Leona: Haah… I just wanted to rest for a bit.

Leona: But it'd be bad if I just let it be and Halloween is a big failure, since I won't be able to go back home.

Leona: Fine. I'll just do a little bit more work, then.

[Mayor's face changes to glad]

[Halloween Town – Center]

[rabble, rabble]

Halloween Town Resident A: Jack, we've finished with our tasks.

Halloween Town Resident B: We're done, too. Oh, and it sounds like there'll be enough candy made in time, too.

Jack Skellington: That's great! Thanks, everyone.

Leona: …Looks like we somehow made it. Now all we can do is hope Halloween goes off without a hitch.

???: For my part, I apologize for all the troubles I caused.

Leona: Yeah, seriously. You can't possibly imagine the amount of extra work I had to do all because of your tantrum.

Skully: However, ever since you took charge, Leona-san, it seems as though all preparations were completed smoothly.

Skully: Vil-san looked over all the completed delicate needlework, and Idia-san provided so much help with difficult calculations…

Skully: I heard you took everyone's strengths and thoughtfully allocated tasks accordingly.

Leona: I didn't do nothing "thoughtfully." I just gave them stuff I didn't want to do.

Skully: Oh, you are most humble. Yes, even Trey-san and Jamil-san were especially thankful for your consideration.

Skully: Because you see, they were lacking in sweets in a greater number than Jamil-san had initially thought.

Skully: He said, if you had not sent [Yuu]-san to inform them…

Skully: We would have been forced to have a desolate Halloween without candy.

Leona: Heh, well, sorry for makin' him work harder, then.

Skully: …You keep a good eye on everything around you. Not only did you look after your schoolmates, but also the townsfolk.

Skully: You were able to get everyone to work together, despite only having met them only a few days ago… Your skill is a sight to behold.

Jack Skellington: That's right!

Skully: Jack-sama!

Jack Skellington: As everyone finished their tasks, they'd all report to me afterwards, you see.

Jack Skellington: When I told them everything was all thanks to Leona-kun's improvement efforts, everyone was so pleased.

Dr. Finkelstein: That's right. Leona's got quite the head on his shoulders. He's a rather capable young man.

Mayor: Absolutely. Whenever we consulted him, he'd always have an idea ready, and once we implemented it, it always went well.

Sally: It was amazing how he didn't even need to leave the town center, and could figure out the situation and give the right instructions right away…

Skully: He never lifted a finger, and yet he was able to expertly give commands… Heheh, sounds like Leona-san is a king to me.

Skully: Perhaps it could be said, then… That this Halloween came to be thanks to two great kings.

Jack Skellington: Yes, it's just as Skully-kun says. Because a king is someone who can bring everyone together.

Mayor: I agree, you guys are so skilled in keeping everyone on task!

Sally: Both of you have amazing leadership skills.

Dr. Finkelstein: Indeed, we've received great inspiration from all of your original ideas.

Skully: Isn't it amazing, Leona-san? Not only are you receiving high praise from the illustrious Jack-sama, but also from all those who admire him…

Leona: Well, whatever, thanks for all the accolades.

Leona: Just hearing all of you say all that is making me feel idiotic for even putting so much thought into everything.

Leona: If someone is recognized as a king by all those who need and admire them…

Leona: I guess that person really becomes their "king," then.

[Savanaclaw Dorm – Lounge]

Savanaclaw Student A: And that's how we do Halloween at Night Raven College. That was epic!

Savanaclaw Student B: I had just as much fun prepping as I did enjoying the events. Man, I can't believe Halloween's over already.

Jack: What are those guys doing…? They should be getting ready for Spelldrive practice.

Ruggie: Guess they're just sufferin' from what we call the Halloween Blues. Y'see it every year. There's always freshmen who're burned out after.

Ruggie: I mean, I totally get the same "we did it!" feeling, sure. But if they keep lounging around like that…

Leona: Hey, you. How long do all of you plan to laze around?

Savanaclaw Student A/B: AH, HOUSEWARDEN LEONA!

Leona: It's almost time for Spelldrive practice to start… You guys must be feeling pretty good to not even be changed yet, huh.

Leona: If you've learned the applied magic needed to change your clothes right here, right now, why don't all you freshmen show me what you can do?

Savanaclaw Student A/B: S-Sorry! We'll go change right now and head towards the Spelldrive field!

Leona: Geez, they're just one pain after another…

Jack: They were all just laying around… But as soon as they saw Leona-senpai, they straightened right out.

Ruggie: Didja see how stiff they were when they shot up straight? …Well, I guess when a lion glares atcha, anyone'd fall in line.

Ruggie: See, that's why when Leona-san's around, everyone's at attention… It's like the whole dorm is in peak condition.

Ruggie: That's Leona-san, for ya. Our king is the best of the best!

Leona: What, I'm a king just 'cause I scolded some of our cubs? That's a pretty cheap price for a throne.

Leona: If you're gonna try to butter me up, try making a little more sense.

Jack: It's not just idle flattery. Just like Ruggie-senpai says, you're our…

Leona: Yeah, yeah, whatever, thanks.

Leona: …Leave the stupid chatter out of it. Time to head to the Spelldrive field.

Requested by @farfalla049 and @raven-at-the-writing-desk

[russellsppttemplates]

Never letting you go (Max Verstappen)

There was nothing stopping you and Max now

Note: english is not my first language. This is the first Max big piece to sort of introduce their arc, let me know what you think! ✨️

Thank you so much to everyone who likes and reblogs, your feedback is appreciated 🤍 and I'm taking requests so if you have any ideas or concepts you want to share, feel free to do so as I'll try to get to them the best I can!

my masterlist

Tw: mentions Jos forbidding Max and reader of dating, curse words

Tag list: @myloverjk-blog

"What do you mean you're going to the Grand Prix?", you quirked your brow as your friend Cara sipped her coffee, "I thought you said you'd never be caught dead one of those", you chuckled.

"Matthew's company got a bunch of passes because they got a deal with one of the sponsors - I think? - I don't know much about it, all I know is that he brought three home because he thought you'd like to join us", she offered.

You never hid how much you enjoyed watching Formula One, even if watching it, especially in the last couple of years, often brought emotionally heavy memories back.

"That's nice, count me in! What type of passes are they?", you questioned, taking a bite from the cake on your plate.

"I don't know, he was talking all about them and I must admit I zoned out", she admitted, "but he said they were really good! He was very surprised at what the passes had, but his boss is very cheap so I don't know how great they actually are considering the possible comparison", she smiled as you nodded, "count me in, though. It's been a while since I stepped foot on one of them", you recalled.

The last race you attended was when Max was in Formula Three still. The paddock was so big and crowded with so many people, you doubted you'd bump into him. It wouldn't do you any good, would it?

"How did you get hospitality passes?", you gasped as Matthew handed you the lanyard, "they've invested a lot of money so I guess the sponsors didn't mind loosening the belt", he shrugged, putting his own around his neck after scanning it.

"Thank you for this, by the way", you flashed him a smile, "no worries, Y/N, the only way I could convince her to come was if you joined us, and I don't mind actually spending the weekend with someone who also knows a little about the sport", he chuckled as Cara laced her arms with her fiancé, "I'm glad he has you to talk to as well, there's only so much feigned interest I can muster up", she rolled her eyes.

Scuderia Alpha Tauri had been Toro Rosso, but despite the name change, as soon as you walked in, some faces were still familiar from the pictures you got sent from Max on gia first season with them.

"Why did you get interested in Formula One anyway?", Matthew asked you while you sipped on a latte, "I always loved the idea of the cars going very very fast, and then when I actually had the knowledge to understand how they worked, they really intrigued me", you offered, "I also had a friend who was very into it, so he also escalated my interest in it".

"He didn't pull you enough to work on motor sport though?", Matt wondered.

"I didn't enjoy the competitiveness of all of it", you admitted, "it's very strict, and if you want to be successful, it takes the good things away - your family, your friends", you opened your heart to him, thankfully noticing it and sorting the heartfelt confession seemingly about a job, "they travel a lot and they're really competitive that is, I'd never be able to do that for a job", you smiled, hoping you saved yourself from further questions.

"That's why you did mechanical engineering, then?", he asked, "for the most part, yes", you replied, "Oh, they're starting free practice", you smiled, looking over to the track from the balcony seats.

Sophie walked into the RedBull hospitality, looking for her family. Because it was Monaco, they felt safe enough to bring the Lio and Luka to the paddock, knowing they would be close to home in case things didn't go well as planned.

"Grandma!", the oldest boy called her from his spot on his father's lap, his brother sleeping on his mother's chest.

"Hey, my dears", she greeted, "You won't believe who I found on my way here", Sophie began, "I'm surprised Max didn't tell me he invited Y/N. It's a shame she isn't here with us, though", she commented.

The first indicator of surprise should be the way the blond woman looked at her mother, "what do you mean Y/N is here?", she whisper-yelled.

"I just saw her in the Alpha Tauri hospitality, I was walking with Helmut and he was headed there, that's when I noticed her. Max didn't tell you?", she quirked an eyebrow just as her son sat down next to them.

"What didn't I tell who?", Max spoke, setting his plate of food down on the table.

"Why didn't you tell us you invited Y/N for this weekend?", Victoria was the first to scold him, hitting his arm in a sisterly manner, "and in Alpha Tauri of all places? I'm sure they would've bent the rules a little and give you a pass so she could be a RedBull guest!".

Max thought he heard incorrectly. Y/N, his Y/N was in the paddock, in the sister team of the one he now drove for.

"I, I didn't offer her anything", Max said, his brother in-law looking at him weirdly as well, "I don't know how or why she is here, but I had nothing to do with it. We haven't spoken in a while", he mumbled. A while, three years, same thing, he supposes.

"Well, I just saw her. You should go say hi, I'm sure she would love to but she can't exactly find you where she is, it has to be the other way around", Sophie offered.

"What makes you believe she would?", Max questioned, both himself and his mother and sister.

"Because the way you never forgot her, she never forgot you", Victoria sterned, "don't you think she deserves your attention? She was in it for the long run, Max, and maybe she has moved on, maybe even has someone", the thought alone made Max loose his cool, "but she was your friend, the person you trusted most in the world and you let her slip".

"Don't sugar coat it, please", Max sarcastically replied.

"It's true, Max, and you know it", Sophie said, sensing her son didn't want to talk about the topic, but not allowing him to leave the table without a piece of her mind as well.

Max needed to put on his suit again, ready for qualifying, walking along the corridor until he found his door.

"Hey, before you go", Victoria called her brother as he was about to go into his driver's room, "Lio is really fussy, so we're just going back to your place, I'm sorry", she said.

"It's fine, whatever you feel the most comfortable with", he said, waving at his nephews and brother in-law.

"We will be supporting you from home, then", she said, kissing his cheek, "And Max? I know you're not used to it, but follow your heart", she smiled.

"Can I do that now?", he softly bit back, smiling and blushing at his words.

"What's stopping you?", Victoria said as she walked back to her family.

"Who is that?", Jos asked as Max asked him if he could invite you over for dinner before the season began.

The conversations with Toro Rosso were getting serious and the opportunity for a seat in Formula One was right there, up for him to grab if he worked enough.

"She's my friend, you know Y/N", Max tried to reason with his father.

"For this to work, Max, I think you need to distance yourself from home", Jos advised, ignoring his mention of you and carrying on with his lecture, "I'm talking no parties, no trips to come and see friends and family - I really think those are just getting in the way between you and the career you deserve".

The statement was clear, and Max knew better than to question it.

"I've spoken to your mother - she wasn't the biggest fan -, but you really need to focus on this", Jos reiterated, "no friends, much less girlfriends", he chuckled.

The dinner ended up being just Jos, Max and Victoria, the thought of having you there quickly erased in his head.

When Max met up with you before he left for the season, he was antsy. Just a week before, you had stolen innocent kisses from eachother's lips and revelled in the feeling of being in eachother's embrace without a care in the world. And it felt good, so good, like the piece that was missing in Max's life finally completed the puzzle.

"Hey", you greeted, kissing the corner of his lips and allowing him to pull you down to sit on the sofa.

"I spoke to my dad, I'm leaving in a few days", Max said, "there's some testing they want me to do still", he mumbled, lacing your fingers in his.

"And where do we end up?", you asked the million euro question. Truthfully, you entertained the thought. Even though being away from Max for most of the year would be a challenge, the love you felt for him was too big, too great for you to forgo that challenge. You were his and he would be yours.

"It's not going to work, Y/N. I need to focus on racing", he stated blankly despite how much it hurt him to utter those words out to you as the conversation with his father resonated with him.

"Max your focus is getting a Formula One seat", his father sterned, "do you know how hard it is? How much effort and work you have to put in? There can't be any distractions!"

"But Y/N isn't a distraction!", Max reasoned. If anything, you were the one keeping him humble and with both feet on the ground at all times. You cared for him, not because of his racing, who he was or who he could become, but because you loved eachother.

You'd never do anything to ruin his career, Max thought as he worked up the courage to tell you all of it. He couldn't get distracted, not now. He couldn't afford making mistakes because he had a girlfriend back at home waiting on him.

Your understanding, however, wasn't aligned with his expectations. He hoped you'd fight, at least, but you swalled your tears and nodded, "okay, Max. I hope you get your seat, you deserve it so much, I know it will happen".

Max put in on pole, leaving you to smile and snap a picture of the moment, wondering if you'd have the courage to send it to him.

"So, does this mean it's over?", Cara asked, "Because I could do with going home, actually", she nudged.

"Let's go, then!", you smiled, putting your phone in your bag and looking for the way out, ending up following the other guests into the paddock.

"Y/N, dear!", you heard someone call your name, and on cue, you looked for the voice despite the fact that it wad unlikely someone recognised you there.

Sophie didn't age, you thought, as you looked at the source of the voice that called you.

"I'm not going to hold you up, guys, you can go!", you smiled, waving at Matthew and Cara once you assured them you would be fine.

"I'm sorry, Sophie - they're my friends, and he was the one who got the passes from his office", you apologised for leaving her to wait a little for you.

"It's alright, dear. It's been so long since I've seen you", she nudged, "I'm sure Max would love to see you, too!", she jumped straight in.

"Would he, though?", you squinted your eyes.

"He would, Y/N", Sophie said earnestly, "I saw you this morning - at Alpha Tauri -, and he knows you're here", she smiled, "I'm assuming you're watching the race, too. Pay him a visit, okay?", she rubbed your shoulder and left a kiss on your cheek, "He's also my ride home, so I need to go look for him! Bye, Y/N!".

Race day meant rush everywhere, so you got to the paddock just in time before everyone rushed inside, finding the perfect spot to watch the race.

"I need to take this call, one second", you said to Cara, recognising Max's contact on your phone.

"Y/N, hi! I didn't think you'd pick up actually", you could hear the nervousness on his voice, "thanks for the picture, by the way, it was very... nice".

"It's no problem really, I thought it would be a good memory to keep", you smiled, "are you ready for the race? Or do you want me to give you a pep talk?", you chuckled. Back in the day, whenever he didn't feel too confident about a race, you had the power to help him out his head in the right place and bring his winning mentality to light.

"I'm fine, actually", he smiled, "I- I was wondering if you'd like to meet up later", he gulped, "I'd like to talk to you, but it's difficult until the race finishes, and then debriefs and media and all that".

"Sure, text me when you're done then", you stated boldly, "have a good race Max, you know I'm supporting you".

"Even if you're with Alpha Tauri?", he joked.

"I never stopped supporting you, it's not going to be a guest pass that's going to change it", you said as he bid you goodbye, ending the call and finding your friends.

When Max won, you clapped unashamedly as everyone else seemed to join you in your excitement, and after the race celebrations were done with, you waited patiently for the text to get to your phone.

"So you're staying back?", Cara asked, "I am, I'm meeting a friend", you explained. At her curious stare, you furthered, "do you remember the guy I told you about when you tried to set up that double date?", she nodded, "yes, the guy you were friends with, and when you both wanted to take a step forward, he had this big shot as his dream career and his father wouldn't allow him to date anyone", she said as she realized, "my goodness, he's here? Y/N, go for it!", she encouraged, "I know you still have feelings for him, who knows? Maybe this is your chance to reconnect", she rubbed your shoulder.

After you bid goodbye to Cara and Matthew, a text go through to your phone.

From: Max

Mum is waiting for you at the door :)

Approaching the hospitality, you quickly spotted Sophie, "c'mon in, dear! Max wanted me to get you myself, he was afraid no one would ler you in", she chuckled, guiding you through until you were in their dining area.

"Y/N!", Max beamed, setting down the crayons he was drawing with at the table with Luka and walking up to you.

"Hey everyone!", you waved at Victoria, putting a pin the two little boys' curious stares as they looked at you so you could hug Max.

"Congratulations, Max, I knew you could do it", you whispered into his skin, his arms hugging you so tightly against him.

"Thank you, Y/N", he spoke, "I missed you so much, I missed this so much", he squeezed you one more time before allowing you to greet the rest of his family.

"This is Tom, and that's Lio and Luka", Victoria said after she hugged you tighlty, "say hi, guys!", she encouraged as the two little copies of Max waved back at you.

"We're going to head home, it was great seeing you, Y/N!", Sophie announced, "I'm sure we'll see eachother a lot more from now on", Victoria complimented, helping her husband pack up the kids' belongings and toys so they could retire to Max's apartment.

"I was wondering if you wanted to have dinner sometime this week", he jumped straight forward, "I'm having dinner with the team today and then the rest of the grid want to go to the club, so I wouldn't be able to spend that much time with you, and I want to be able to just focus on you", he smiled.

"That's fine by me, I appreciate the thought", you smiled as he led you to one of the tables, asking one of the caffé staff for something to drink for the two of you.

“Listen, I think, I think we found each again for a reason", he began boldly, not sure if this was the way to go after not having spoken to you in a couple of years. Still, it wasn't a lie.

"Define found, considering we've been iving in the same city for nearly a year", you smiled, "although you don't spend much time here anyway, so I guess that's a nice enough excuse", you teased, your foot tapping his shin playfully under the table.

"So, Monaco, hm?", Max started, "I didn't expect you to live here out of all places", he nudged, wanting to know more about your move but afraid he was stepping in vulnerable territory.

"I did it because of my earnings for sure. I've got to save as much as I can on tax on the fortune I make as a female engineer", you sternly said as he looked the most surprised you'd ever seen him, "I'm joking - not all of us move to Monaco so our million euro salaries have better taxes", you teased.

"Why did you do it, then?", he asked, smiling at how familiar it all seemed. Just like old times, he thought.

"The company I work for was the one that needed the tax benefits", you clicked your tongue, "and they wanted people to move here. Only one of my colleagues moved here with her whole family, as they expected, so they ended up calling the ones that weren't attached to anything or anyone in particular, and I was one of them", you shrugged your shoulders, "I moved to a new country with a different language, the only people I knew were my work colleagues, so I had no one to complain about them to, but I make it work - at least I like to think I do", you smiled.

Not attached to anyone, he recalled, humming at your response, "it's not such a bad place to live, right? Granted I don't spend much time year, but still enough to appreciate it", Max spoke.

"How about you, Mr World Champion", you nudged, "how does it feel?".

"Obviously it's great, and everything that I worked for", he added, knowing the underlying topic in the conversation, "I get to drive fast cars and I travel the world, there's not much left for it to be the complete dream", he said, gingerly touching your fingers over the table and accepting your hold when you laced them together.

Conversation was flowing easily until one of the employees told Max that he would have to go and get ready for the dinner, meaning you would have to part ways.

"Does Tuesday work for you? I'm not sure how well I'll be tomorrow", he chuckled, "yes, that's fine by me, just text me the address and the time", you smiled, getting up and kissing his cheek, "have a good time, Max, but be careful with the alcohol, I'd hate to have to pick you up again", you reminded him of the time he got way too drunk and he insisted he would only go home if you came to pick him up.

.

Dinner was great and Max invited you back to his place, hoping you'd be able to talk properly about the elephant in the room in a more private and comfortable place.

"You're struggling there, aren't you? Even with your itty bitty small hands?", Max teased as your pinky just about stretched enough for you to not lose everything by dumping the contents of your bag on the sidewalk.

As you and Max left the restaurant, you fiddled with your wallet in your bag, hoping to keep the card the waiter gave you safe for the next time you wanted to visit the place.

"I do not have itty bitty small hands!", you argued, shaking your bag a little to make sure everything was safely in place.

"We need to have the same starting line - like", you rearranged them so your wrists would be touching. Still, it didn't make much of a difference on your end. It looked like it even highlighted a few more differences, "yours is much bigger, I give up", you giggled.

"See?", Max said as he held your hand out against his, "these are the size of fairy hands! Tinkerbell probably has bigger hands than yours!", he exclaimed as you noticed how much bigger his hand was compared to yours. His fingers were a little bit thicker than yours and his palm covered all of your hand almost completely.

Now or never, Max thought as he laced your fingers in his once you let your arms drop and rest by your side. His thumb rubbed your skin and warmed you up, "was this your plan all along?", you wondered, feeling the bravery around you two and choosing to act on it.

"Lacing my hand in yours or proving to you that my biggest mistake was letting you go all of those years ago?", Max stated as he looked deeply into your eyes.

"We should talk about this inside", you bit your lip, allowing him to guide you through the apartment complex he lived in.

His living room was decorated in classy tones, probably with the help of him mother and sister, as you sat down on the sofa and face eachother.

"I know I apologised at the time, but I'm still sorry, Y/N", Max said, "at the time it was the dream and I didn't have much room for my own decisions. Still, I should've fought", he concluded.

"You didn't blatantly acknowledge it and decided we couldn't be together, Max", you conforted despite the hurt you felt at the time, "it hurt, - like a bitch actually -, but not because you were following your dream. I never wanted to pull you back and get in the way of your achievements", you gulped, "but I would be lying if I said I wouldn't like to give this a go, to give us a chance", you smiled.

"I know I have crazy schedules - I am barely here during the season -, but you were always the one I thought about. When I first raced in F1, when I got my first podium, my first win, my bad races - I wanted you there", he admitted, blue eyes looking into yours, "I can't promise that it will be easy, but I'll never risk you or our relationship, that's non negotiable", he stated.

Moving closer to him, you cupped his cheek with your palm, the slight stubble tickling your skin, "I'm in, Max", you smiled, taking the plunge and kissing his mouth, lips moving in sync as his hands pulled you into his lap.

The blissful moment was interrupted by a meow, Jimmy and Sassy walking into the living room, "Oh, guys", Max held you close to him as the cats sniffled you, "this is Jimmy and Sassy, my cats, took then long enough to leave the guest bedroom", he smiled as you tried to pet them, "cute, they seem nice enough - for cats anyway".

[lilia-calderus-pet-goat]

Found-Family headcanons for a³'s coven of chaos, part 1: (because they all deserved more time with each other)

(part 2, here.)

(part 3, here.)

Agatha learned spanish for Rio, obviously—and spices up her dialogue with Spanish phrases out of habit. I assume she also knows other languages, being alive for as long as she has.

But I'd also like to think that language-learning gradually becomes something they all surprise each other with. And this is definitely super self-indulgent, because I'm always ecstatic when my native English-speaker friends are interested in learning my language.

For example, I definitely think Billy would ask Alice to teach him korean—and she'd be really excited for that. Not to mention, I feel like Billy just has the vibe of someone who'd be interested in learning different languages. (and korean in particular I think he'd definitely find interesting.)

I also definitely think Jen would try learning Sicilian for Lilia, considering the effort she makes to understand her and keep her comfortable towards the end. Lilia would be so moved, because she probably hasn't spoken to anyone in her mother-tongue in centuries. Like, it's literally considered an endanged language. (“Currently considered a “vulnerable” language by UNESCO, Sicilian faces increasing pressure from standard Italian, though it remains stronger than nearly all other Italian language varieties.”)

Mrs. Davis loves making food for all of them, always trying to diversify her cooking to suit their appetites, their cultures, the things each of them can eat, etc. It's a lot, but she doesn't mind!! She's a grandma!! She loves feeding people—and she missed having someone to cook for.

She grows her greens all by herself, too. Rio occasionally helps her with weeding and stuff. Mrs. Davis is freaked out by her rancid vibes at first, but ends up saying she's a “very sweet girl,” to which everyone responds by staring at her horrified.

Mrs. Davis would also definitely make a chore chart for everyone, but it never works out for a NUMBER of reasons.

First or all, Agatha always skips her turn with cleaning, saying that “she forgot.” She knows that either Billy or Sharon will just take care of it anyways. (Jen refuses to do any of Agatha's chores. “She can either do it by herself or drown in her own garbage-”)

Lilia always gets distracted and leaves her chores unfinished. She can only ever remember laundry, for some reason—she does everyone's laundry. But other than that, jeez. My girl is messy and that's okay. She has her very own unique way of finding where she puts her stuff, but others would merely call it chaos. Jen always picks up after her—and Lilia always huffs and puffs about how, “well now I can't find anything!”

Alice is the sort of person who accidentally creates messes everywhere, then stuffs everything wherever she finds. In drawers, under beds, you name it. Very, “out of sight, out of mind.” Like, she probably has “a chair” where she throws all her clothes.

Billy is very responsible, always abiding to the chore chart and oftentimes doing Agatha's chores too.

Jen is a total neat freak. She wants everything to be organised and under control—and she needs everything to smell nice.

She always makes the others scented candles. Agatha claims they're “useless garbage,” but uses them anyways.

Jen is also the one who usually keeps track of the bills and expenses, since she earns the most through her, “real job.”

Lilia is the sort of person to get lost in the mall, or even just the super-market. Alice has needed to look for her more than once.

Agatha loves crushing Jen's videos by appearing in the background and doing whatever bullshit she feels like.

Alice and Billy are everyone's mediators. Whenever someone gets in an argument, they're the ones who force them to work it out.

Alice is very protective of Sharon and Lilia, because she has mommy issues. Agatha has the opposite sort of mommy issues—but Sharon and Lilia treat them both like they're their kids.

The first time Billy brought Eddie to meet his coven, they literally put him through trials to decide whether he's worthy to date their son. Eddie is surprised he's been coven-approved.

“These women are insane, Billy—but then again, so am I for sticking around anyways.”

Eddie is very tired. His favourite coven members are Jen and Alice, who he considers the most normal. I REALLY think he'd fuck with Jen, because they're both so done with everyone else.