#for me it’s an execution thing

[jaredthebc]

Do you ever think about how almost all of N’s Pokémon throughout the first games were one offs he released after he battled you, how he cared about them all deeply enough that he thought it would be selfish to have them battle more than necessary. And do you ever think about how this is the case with all his Pokémon EXCEPT his Klinklang in the final battle at the league, where the second to last battle he had a Klink and this Klinklang is very likely that same Pokémon? Do you think this was a visual representation of his mindset wavering from a fixed point? How that Klink refused to leave him right away and he couldn’t bring himself to force them to leave because his mind is in so many different directions? He can keep them around just a little longer until he becomes champion, it won’t be long, he can bend things some so long as he doesn’t fully stray from his path…right?

Or is that just me am I the only one willing to be insane about Klinklang of all Pokémon

[essektheylyss]

"must a story have conflict?" yes. hope this helps <3

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[abyssalzones]

put me to work

[voice crack] hey guys I remembered how to draw

[milktrician]

(what the. who threw a wife plot device in the middle of a peak lord meeting)

i thought about this bit at the end of the airplane extras the other day. bro why are you looking at your coworkers like that rn

[fincherly]

my gf was looking through wesker's wiki page (as you do) and sent me this

and i lost my shit bc it just seems like they're looking at him like girls look at a weird bug

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[gojoest]

from crown prince gojo satoru who used to follow you around like a puppy when you were kids, insisting that you should only play with him and nobody else and threw tantrums when you didn’t listen, to emperor gojo satoru who personally tortures and executes any man that asks for your hand . . . be it for a dance during a ball or marriage

[originalartblog]

[Storm Bringer]

“In fact, I was against using Adam for such a frivolous investigation from the very start,” Dr. Wollstonecraft began in a huff as she crossed her arms again. “The government is always like this. They send a mechanical detective, then blow him up once they’re done to keep any secret information from getting out. [..] I suppose this is the government’s way of saying we ought to neglect science in favor of human life!”

Dr. Wollstonecraft, ma'am, I think your ethically-dubious opinions on science are better saved for other audiences.

Dr. Wollstonecraft (aka Mary Shelley) based on @videogamelover99's design!

[weirdplutoprince]

Autistic? Me? 18 - Do Things

[queenoffoliage]

Your honor, he was indeed spinning

[lazylittledragon]

isn't it weird how if you get up at 7 or 8, do your work all day, then have free time and go to bed at 11 that's absolutely fine

but if i said i get up at 10, do fun stuff in the morning then work in the evening and go to bed late, i could be called lazy, nevermind that i'm getting just as much or MORE work done as i would in a traditional work day

[queenlucythevaliant]

clean your sword

i. Peter had thought many times about dying for his brother, killing for his sisters, as all oldest children do.

ii. He'd imagined it a hundred times: how if his mother and father were ever killed, he'd get some low-skill job and make sure Lucy's clothes still fit her as she grew. How he'd make fists and fight dirty if Susan was ever threatened. What he'd do if Edmund ever had to flee the country on a dark, windswept night.

iii. Yet when he heard Susan's horn that day, he still froze. Only for an instant, he thought, "this can't be my job, right?"

iv. The blood on his sword shone red when it was all over. When he wiped it on the grass, the stain it left was almost black.

v. They'd put Susan in his arms when he was two years old. Peter didn't remember it, but he knew he'd been waiting for her till then. He wasn't a real person until he was a brother.

vi. And when they walked back to the pavilion, Rhindon bumping Peter's hip, all he could say to his sisters was, "I'm sorry I didn't come faster."

vii. The High King was almost obsessive in the way he cared for Rhindon. When he grew older and required weapons larger than those made for a child, he obsessed over them too.

viii. He told the others, in no uncertain terms, that if it ever came to it in battle, they were to leave him and live. As their brother and high king, he commanded it.

ix. The first time Edmund risked himself for Peter's sake, Peter didn't speak to him for a week.

x. He was oiling his sword when Edmund found him. "See, the thing is, Peter, being brothers goes both ways. If you can love me enough to die for me, than I get to love you just the same."

xi. Peter agreed with him then, to avoid the argument. He was sick of not talking to his brother. Yet privately, he knew that Edmund was wrong. That sacrifice was Peter's special prerogative, as the first-born.

xii. Back in England, his mother noticed that Peter had become more fastidious. She didn't notice that his protective streak has grown - and maybe it hadn't, really.

xiii. It was uncanny, how Peter would always show up just when his siblings needed him. He'd round a corner, and there was Lucy stamping her feet and scowling at a bully. There was Susan, crying, and now his knuckles were bloody.

xiv. He cleaned the blood off in the sink so carefully. The water ran red for a second, and it almost seemed black.

xv. When Caspian asked for the High King's advice, looking so very young, Peter jerked his chin towards the sword a Caspian's hip. "Be ready to use that," he said. "Keep it clean, and close."

xvi. Susan forgot Narnia and she forgot Aslan. Yet selfishly, Peter still hoped that she would never forget how quickly he came when she called.

[catsushinyakajima]

Why Lance is fire and Keith is water

A big mischaracterization of Lance is that he's not a fiery guy, when in fact his personality resembles fire in so many ways. He's hot-headed, far more than Keith, and that's something that's easily missed because Keith is such a reactive guy. Majority of the fights between Keith and Lance are started by Lance. Lance is also quick to always call out bullshit. He's very passionate about what he does and he always has something to say.

Lance has a temper and I think its so crucial to his character and his dynamic with Keith because without it, their relationship becomes a lot more mellow. Most of the time Keith is just standing like an NPC and Lance will get irritated by that and have something to say, hence causing a fight. Lance has the fire, always has, and it simply reflects on Keith.

I'd like to second this point by saying Keith's personality resembles water. Not that he's completely chill and passive, although he can be. But he's extremely turbulent and malleable. If Lance will start a fight he'll match the energy-he'll shape himself into a fighter. Keith has always been moving around from place to place and he's always had to mold himself into what's most suitable for survival, the same way water clings to a glass. He's got a lot of emotional conflicts within him. The fact that Keith's characterization is very similar to water is also alluded to in the fact that Lance is very drawn to both the ocean (water!) and Keith alike. He can't stop pursuing either.

Now I'm not saying that Lance and Keith are opposites when I call them fire and water because I don't think they're opposites at all. Both can grow/spread to great lengths, both carry a storm, and both can also be kind and gentle and necessary to live (ex: a fire provides warmth and water provides sustenance). Water can fuel fire, the same way Keith grows Lance's fire. Fire can also make water steam and boil, the same way Lance makes Keith react. If the water is greater than the fire, the fire will fizzle out; but if the fire is greater than the water, the water will evaporate. They'd have to be on equal levels for this cause-effect relationship to work. And Lance and Keith have always been on equal level (despite any internal insecurities). They always been neck to neck.

Keith and Lance had great characters that could've been explored more. Regardless of if you ship them or not, they had the potential to be very well written foil characters. Unfortunately that didn't happen :(.

[clever-and-unique-name]

A simplified version of the thing I feel like goes on in my brain.

Blank version under the readmore if you want to be a bit silly+introspective with your own "settings"

[the-big-nope]

See my issue is, it’s not that the gods are flawed or people being angry at them that’s the issue (the stuff that’s been revealed about the pantheon has been wonderfully juicy and HAS been hinted at in the previous campaigns), it’s that in-universe the question of what’s to be done about it is tangled up in the Predathos issue and the machinations of an imperialist, mass murdering wizard. It’s one thing to have a reckoning about the gods and their actions, and another to present “Well, what if we busted an elder evil of all-consuming hunger out of the moon about it, which is what the evil wizard that has committed mass murder was planning to do anyway” as the primary solution. So it’s no so much the new nuance of the situation that’s irritating, it’s that the characters just seem to be going about it in a stupid way.

when i think about the criticism that C3's god's plot doesn't work because there was no indication the gods were worth questioning in previous campaigns, i think about-well, first i think about the fact that this isn't true. criticism of the Matron's actions with Vax exist within the text of C1 itself, and even then Ioun suggests that the best course of actions for the gods might be leaving Exandria to the mortals. we learn of what happened in Aeor in C2. we spend quite a bit of time there!

i also think about Matt saying during his fireside that considering Ludinus, his motivations and perspective, made him start to rethink his own opinion on the gods. and that Abubakar made him rethink things even more. imo he was right to follow that instinct, but it's no surprise that part of the audience didn't follow in turn and are now frustrated at where we've ended up. i remember when we were introduced to Hearthdell, and the angel of the Dawnfather showed up, and how a few people went beyond being upset at the Hells in-story to taking umbrage with Matt for the scenario he set up, for what it might have said about the Dawnfather. i mean shit, the angel appearing filled me with a sense of dread too!, even if only because it made it clear that the Hells didn't have real allies on either side of this fight.

it's been almost 10 years. longer, even, when you include the Exandria that existed prior to CR. of course an artist, and his opinion on the world he created, is going to change in that timespan. not even just Matt, but much of the cast as well! in TLOVM they've started to go back and more overtly set the stage for C3's themes and story in a way they can't with the actual C1. that's all part of the beauty of telling a story for so long and in so many forms.

admittedly for me it's a little like idk, i am now the fan being serviced, skill issue on y'all's part. but i do get that realizing something you loved so long is heading in a different direction than you are is a devastating experience. i don't think that's a good reason for it not to change though!