#for comedic purposes of course

[i-merani]

I would explain that that's the point. There are no traditional properties of a cigarette and yet he still thinks about them. Can simple resemblance really be enough for the same experience? How far can we get from the original until it's forgotten? "C'est ne pas une pipe" or is it?

sometimes i think abt how if a man from 1942 saw me vaping on my little e-cigarette he would think i looked impossibly futuristic and also like a haunting allegory for humanity's progressive alienation from itself by technology. "where's the smoke? the fire? where's all the goddamned romance?" he'd demand, impassioned

[warpedpuppeteer]

There are 3 kinds of snupin fics. One where they talk about their past and it's super angsty, they work through it and date. One where they wave off the past, get angsty about other stuff and date. And then the third; bestiality.

[todayisafridaynight]

I’m fairly new to the fandom, but I do have a question if you can answer it! Why do people ship Daigo with Aoki / Masato? I tried looking to see if they’ve interacted before, but couldn’t find anything! Sorry for asking I’m just </3 dumb AND I LOVE YOUR ART OF THEM!!! Nerd looking ahhhhhh

hi ! welcome to the community i hope you're having a lovely time so far and ty for enjoyin my stuff :) no need for apologies it's a very fair question to have :]

i cant speak for everyone (all. ten people into masadai anyway) but Personally To Me i just think the idea of them together is very funny. thats quite literally it im afraid..

[morninkim]

Rise of the Mighty Morphin Power Rangers - "Mask of the Masked Rider"

Prince Dex of Edenoi was given the powers of the Masked Rider by his dying grandfather, King Lexian, following a devastating final assault on Edenoi's capital by the evil Count Dregon. With Edenoi's defenses crippled, Dregon set his sights on Earth. Dex soon followed, teaming up with the Power Rangers and forming a strong alliance with them, counting them as some of his first and closest friends.

Dex's past is riddled in tragedy, Edenoi having been under constant siege since before he was born. His planet made for an easy target, as most of the population were pacifists, save for the Masked Rider Warriors that stood guard against incursions. Sadly, they were all wiped out in Dregon's final attack, leaving only Dex and his Ectophase Activator as the last remnants of the Rider Warriors.

Around the Rangers, Dex says everything extremely deadpan, making it hard to tell whether or not he's joking, but he will soon clarify with an equally deadpan "That was a joke." or "Was that not funny?"

He comes into inadvertant conflict with Tommy as she starts to worry about him replacing her on the team, threatened by the "newer and cooler green guy". The two soon reconcile as Tommy apologises for projecting onto him, with Dex saying that, as someone who also had never had friends before now, it's understandable that she would be worried about losing them again.

[sysig]

Yandere x Yandere is an underused trope imho (Patreon)

[artstaeus3600]

You know I only like miscommunication when it's being used for comedic purposes like, for example 14 year old Billy Batson and 15 year old Danny Phantom accidentally get magically Married and both tell the other there identities because why not there stuck married till one of them stops exiting so they might as well make the best of it, and just don't tell anybody cause nobody asks ( nobody would know to ask anyway)

And it's been years since then that Captain Marvel (17 years old now) off hand says he has to go back for dinner with his husband (Danny, 18 years old, they're going on a date), and all of the Justice League league being surprised by this info, and of course they ask if they can meet his husband and Marvels like sure lemme ask him, and Danny agrees to go but only as Phantom (because secret identities) but also Phantom still looks like he's 14 back from when he died. So it's just weird to the Justice League and it's just so funny to me that they don't ask about the obvious age difference while also trying to subtly ask how they met! And then more confusion when Danny mentions stuff he did while he time traveled and then the justice league thinks he's thousands of years old but just looks like how he died (tho the person who asked that most definitely got the cold shoulder)(probably Batman)

[tadc-harlequin-au]

New Puppet Unlocked: Caine, The Puppetmaster!

Caine's character description:

For the longest time, Caine believed that he was the only Puppet left who hasn't gone insane, and has spent living in near complete and total isolation for it (if it weren't for Bubble, his robotic Butler Blimp), drowning himself in booze. That was, until Pomni suddenly arrived at his office out of nowhere and challenged him.

Her sudden appearance, her fierceness in battle and various other reasons, Caine sought to get Pomni to see the dire situation after a stalemate in their duel; That they're the last remnants of sane minds remaining in this forsaken lands and he needs her help for what must be done next, if they are to improve the world's conditions. Thankfully, the Harlequin was not actually cold-hearted, just hot-tempered.

Reinvigorated in his self-assigned purpose, The Puppetmaster now spends his time either indoctrinating reawakened Puppets and teaching them how to become "human" once more, tinkering/inventing new machines, having friendly debates or sparring with Pomni just to satisfy her urge to battle, and various other things.

Though, he still likes to drink.

Fun facts about Caine:

He is a massive drunkard.

He passes out in the most random places if he drinks too much. One of the most outrageous locations Pomni has found him in was at the chandelier on the main lounge, which even he can't remember how he got there.

Caine still acts boisterous and speaks mostly formally; though there are ways you can break his way of speech, the easiest way to do it is to surprise him.

He avoids using swears, says it's a gentleman's code. Though, some get past his mouth on a rare occasion.

He created Bubble out of loneliness, initially just wanting someone to talk to.

In a comedic parallel, he tends to limit Pomni's cravings for battle by holding her sword hostage as much as possible, of course to the Harlequin's frustration.

His second gold tooth on his bottom jaw was a result of his and Pomni's first meeting/duel. She ended up kicking him so hard in her rage, one teeth cracked in half and flew off.

He tends to look at everyone with a positive mindset and the want to see the best in them; although Jax seems to be a rare exception. Still, he lets the automaton be.

Most of his time is spent hanging around in his office. The only time you'll see him outside is if there's a task he needs to attend to, assembling Pomni back together in the cellar, another sparring match with the Harlequin, or when he talks to Z and/or Kingr, since they are both too big for the insides of the mansion.

Like almost every ADHD-person, he is prone to getting distracted easily.

He has a strict "no fighting in the premises" rule; instead, he tells them to literally take it outside (even if it means being on the neighboring lawn), as long as it's not on the INSIDE.

He keeps his shirt opened because he feels discomfort and suffocated when he buttons it up.

He doesn't like to talk about his past.

When asked what's his classification, he'll avoid and switch topics. His rare anger (but eerily-calm way of speech) comes out when you ask about it too much.

He does admit that his entire body was self-modified.

You can hear his arrival in a scene by the sounds of ball joints slightly cracking in place.

Aside from Pomni, he likes Kingr the most, finding the chess piece's presence calming. This has lead to jokes about a bromance happening between the two.

And just like Pomni as well, Caine fixes Kingr the most because the Helpful King tends to use himself as a shield for the Harlequin.

He's rarely seen without his cane.

He HEAVILY dislikes it when Pomni dies. When he is aware that Pomni is at the brink of death, he'll start panicking and telling her to go back and abandon the mission for now, through Bubble.

Quotes:

"Greetings! I am Caine, and I am here to help you. That's all you need to know."

"I think we can arrange that."

"This is not part of the plan!"

"No fighting! Take it outside."

"Perhaps we can reach to a sort of agreement..."

"Hmm... quite intriguing."

"Why, I must say, this is quite the predicament..."

"Will you be mindful of your own sake next time, pretty please?"

"... I don't-... think that's how-... you know what, do whatever you want."

"... Okay, you don't need to go that far."

"You know what this calls for? [...] A CELEBRATION! [...] BUBBLE, TO THE LIQUOR STORAGE"

"You know, I haven't really thought this through enough--"

"BUBBLE! Did you chew through my latest project again?!"

"Oy vey..."

"I am aware of the effect that alcohol has on me. And quite frankly, I don't care."

"Strange, where am I? Who am I? What are we, but mass-produced products catered to extending one's stay on a desolate, abandoned realm? Are we even human anymore, or are we machines that think we're human in order to save ourselves from the pain of a fake existence? Hm? Oh right, I haven't eaten my dinner."

"Must we really resort to this method?"

"Oh, I just fixed that!"

"Apologies, I blanked out for a second. What were we talking about?"

"Bubble here can help you out on your dilemma. Just don't listen to him for any advices. Personally, I think sometimes he can make you jump off a cliff."

"What do you mean "I need to stop drinking"? I'm perfectly fi- *passes out*"

"Am I aware that it is an unhealthy coping mechanism? Yes. Do I plan to stop? Not exactly, there aren't a lot of options left."

"That is outrageous! Me? With her? That's... It's... *sigh* I can't. She'd never."

"May I just say, for once, what the actual fuck."

[natalyarose]

𝒥𝓊𝓅𝒾𝓉𝑒𝓇 𝒩𝒶𝓀𝓈𝒽𝒶𝓉𝓇𝒶𝓈 & 𝒢𝑒𝓃𝒾𝑒𝓈 🧞✨💐✩

I've always thought Jupiter ruled Nakshatras (Punarvasu, Vishakha, & Purvabhadprada) to be veryy magical with their themes of limitlessness, expansion, sheer spiritual abundance & power. I'm not sure if it has been talked about before, but something that always comes to mind when I envision Jupiterian Nakshatras or meet heavily Jupiter influenced people, is the concept of genies.

Jupiter's abundance and endlessly giving nature is known to be a blessing and a curse. A Jupiterian can be the sweet, generous, selfless friend who is there when you need them; providing you endless support, refuge & material generosity.

The dark side of this inherently generous 'wish-fulfilling' nature of Jupiter Nakshatras, is the possibility that they enable dark behaviours in others & themselves. Always saying yes, always being available and endlessly giving to the wrong type of cause or person, can make you complicit in the crime so to speak, even if the intention is simply to give, or give chances (Punarvasu's themes of second chances, 'return to the light'). Jupiter Nakshatras entail hugeee lessons regarding purpose (Vishakha, 'the Star of Purpose') & being intentional and wise as to how you use your power and influence (the infamous test of character in Purvabhadrapada 'the man with two faces').

These Jupiterian themes have always made me think of genies- wish fulfilling creatures who are inherently unable to say no to the wishes uttered to them. Having to just sit and watch people wish for dreadful things and just go... 'as you wish'. Obviously in real life, there really is a choice not to feed into others' and ones own toxic patterns but with Jupiterians, the urge to give, to be constantly available to others, can almost feel like it's not a choice. It's energetically intertwined in their make-up.

I would love to gather more examples, but it's 3am here and this was a bit of a spur of the moment thing I had to get out haha- I looked into a few of the most prominent 'genie' roles in movies and as I suspected, every single one features an actor/actress with strong Jupiter influence.

Jeannie from 60s sitcom 'I dream of Jeannie' - actress, Barbara Eden has Punarvasu Ascendant

Kazaam from 90s comedic film 'Kazaam' - actor/basketball player Shaquille O'Neal has Purvabhadrapada Sun

Genie from Disney's Aladdin - played in the live action movie by Will Smith, Vishakha Moon.

This genie theme really makes me think of all of the Jupiterian Nakshatras, but Vishakha especially. A friend of mine who is a Vishakha stellium always tells me about how it is said that Vishakha has the ability to generate 'instant karma'. So Vishakha natives to an extent greater than other Nakshatras will receive the raw manifested result of their thoughts/actions veryy quickly. Much like a genie granting instant wishes.

I was going to mention also that the whole genie archetype also reminds me of Rohini a bit- the wish-fulfilling aspect, the element of fulfilling desires without shame/inhibition. It's a little different in nature, but Rohini Nakshatra's got a similar theme where the native is incredibly nurturing of who or what sets their heart on fire, sometimes to a fault. Rohini is capable of immense growth but can forgo morality/practicality for the sake of immersion in the process of creation & sparking joy. Rohini's philosophy is something along the lines of 'let go of judgement because judgement inhibits creation and disrupts purity'. This is very true, but of course as humans on the divided and dense Earthly plane, we know that having a sense of judgement & boundaries is also important.

That was very wordy, but hopefully y'all see what I'm getting at lol. Although I'm more inclined to associate Rohini with wise old wizard dudes with cool beards & mad but genius scientists lol.

Back to Jupiterians-

I believe that Jupiter Nakshatra's 'remedy' is to eventually realise that they are not a slave to their giving nature, and the power lies in them to decide, & give only to a person, dream, goal or cause that truly is aligned with their own soul's path. Break free from the shackles lol- with wisdom hopefully. Without that element of wisdom, Jupiter can run wild with that discovered power.

Jupiterians struggling with discernment is why Jupiter Nakshatras oppose Venusian Nakshatras (Bharani opposes Vishakha; Purvaphalguni opposes Purvabhadrapada; Purvashadha opposes Punarvasu). Venus masters the fine art of 'necessary cruelty' sometimes ya gotta rip out the weeds, warn off the pigeons and trim the rose bush to make your garden a beautiful, pleasant, luxurious place. Jupiter can struggle with this, instinctively wanting to be a safe space for everyone and everything.

Jupiter ruled Nakshatras also partially oppose Solar Nakshatras (Krittika, Uttaraphalguni & Uttarashadha) illustrating the Jupiterian struggle with putting oneself first. Solar Nakshatras keep their energy strong and vibrantly resounding at their core; wheras Jupiter Nakshatras are kinda messy with their energy (lol, not necessarily in a bad way)- they disperse their energy everywhere, giving & giving. Both Solar & Jupiter Nakshatras deal with themes of limitless reserves energy, but in opposite, contrasting ways.

There's so much I could write about Jupiterians, I love Jupiter energy very much. I really love all of the Nakshatras lol, I mean how could you not? Every Nakshatra holds teachings that are integral to making the world a better place 💕🪷

Thankyou for reading!

[reocidal]

when your parents told you to follow your dreams, they didn't quite expect you to want to be a florist. consequently, they were also unsure of what to say when you opened up a quaint little flower shop in the most peaceful corner of the city. but hey, at least the "dream" that you followed wasn't a 6'5" tattooed criminal on the run from the police! so by the time the income started really flowing in, you had garnered all their support.

nowadays, with no important occasions around, business had become kind of slow. that didn't stop you from enjoying your job every single day, however, and said enjoyment only seemed to increase as a certain silver-haired gentleman slowly became a more and more common sight at your store.

the first time you saw him was almost a year ago. you'd dropped a bunch of change on the ground, and when you'd finally finished gathering the stupid coins into your hands, you'd noticed — to your chagrin — that someone was waiting for you to finish, and probably had been waiting for a while.

you'd stammered out a bunch of nonsensical apologies without really looking at him, blinking in surprise when he started laughing. the man in front of you, while being much taller and larger than you in general, was doubled over, giggling like a child. as the two of you exchanged small talk, it became clear to you that while he was loud, bold, audacious even, bokuto kōtarō’s soul was undeniably sweet — almost as sweet as the scent of the flowers he'd bought for older sisters. speaking of which, that was absolutely adorable. when he left that day, you could only hope to see him again. because, as you watched him walk away, spiky black-and-silver hair growing more and more distant with each passing second, you realized that the small interaction you'd had with him had resulted in him unwittingly stealing your heart in broad daylight.

as much as you'd wanted him to return, you didn't even think it’d happen this soon — a week and a half later, not that you kept count. of course not. you also didn't purposely spend more time fixing up the bouquet he was purchasing today, a get-well-soon present for someone's mother, apparently. how cute.

that day, he left you blushing and giggling like a teenager with a crush. to be fair, he had called you pretty. and in your opinion, he was prettier. you didn't see him for almost a month afterwards, when you'd almost given up hope. he'd spent extra time talking to you that day, as if to make up for missed visits, even after you’d fixed up his bouquet and he'd paid. in the excitement of seeing him again, you'd forgotten to make the bouquet slower than usual. but as you (dejectedly) waited for him to leave, he leaned against the counter oh-so-handsomely, large hand dwarfing the flowers comedically while he chatted with you about every topic that came to mind.

after this, the visits became more spaced out, but they never quite stopped. and everything went perfectly fine. if “perfectly fine” meant you falling harder for bokuto every time you saw him, and if it meant akaashi growing tired of the endless amounts of flowers that were dumped on him every other week.

until one day, when everything changed. bokuto hadn't come to (see you) buy flowers that day, and you were feeling a little disappointed (read: a LOT) when you finally moved to close for the day. it was only then when you heard a breathless gasp of your name from behind you. turning around, you came face to face with none other than (the love of your life) bokuto kōtarō.

“hey?”

“hey, y/n, hi.” he ws uncharacteristically nervous, normal outgoing personality nowhere to be seen. “can you — can i buy some flowers?”

“oh, sure!” yeah, you'd been about to close the store, but you'd also do almost anything for this man. what was five extra minutes of work, if it gave you ten with bokuto? “what's the occasion?” you asked him — a staple of the conversations you'd had over the counter.

“g’na ask someone out,” he replied, looking away. your heart dropped.

“oh,” you replied, trying to keep your tone as neutral as possible — cry about it at home, not here. “what flowers do i put? and who's the lucky, um, person?”

"baby's breath, red carnations, and uh, red roses," he announced, crumpling up the note where all this is transcribed. but he ignored your question.

“cool,” you said, cringing at the sound your own voice. “here you go, it'll be $30.”

you couldn't bring yourself to look at him again, turning around to busy yourself with something, anything—

“y/n.”

you opened your mouth to respond, but he didn't let you.

“y/n, i think you're coolandcuteandprettyandawesomeandjustperfectwillyougooutwithmeplease.”

it took a moment for you to register what he just said. “bokuto, what?”

“i’m sorry!” he looked mortified, like he'd start crying any second. “i just really like you a lot! and the flowers are for you! i’msorrythiswasstupidi’mnevercomingback—”

“um,” you say. “um, it's okay, i— i like you too.” like was an understatement, but whatever.

and then he looked up at you with a stupidly huge, radiant grin on his face, eyes lit up with hope and love, and it was quite possibly one of the most beautiful sites you'd ever seen. “so you'll—?”

“yeah,” you replied, smiling so had your face hurt. “i’ll go out with you.”

y/n - 1

universe - 0

red carnations: deep love

red roses: i love you

baby's breath: everlasting love

© reocidal 2025 ; repost of a deleted fic !

[oimitocat]

IF I TOUCH YA… | OS

༘۠ anton x m!reader

༘۠ nonidol! au + swimmer!anton + swimmer!reader + rivals with benefits + angst + nsfw + shower sex + technically public sex

༘۠ a/n: i’m still new to riize, please spare me. i’m sorry if this suck, i’m literally trying to get back into my writing mojo. [i’m trying because shotaro and sungchan redebuted ;( ] angst cus i LOVE angst ;)

“DAMNIT!” you growl, slamming your fist against the shower door.

anton, anton, anton.

that’s the only thing— the only name bouncing around your head. the (beautiful) idiot beat you by a—

“SECOND. A FUCKING SECOND!” you fume, the hot water running down your back doesn’t help, the steam giving you comedic energy with your emotions.

it’s a reoccurring situation, you beat him one day, he beats you another day. yet this whole week he’s been beating you by mere seconds.

“n/n…” his soft voice comes out from outside the shower stall.

“what.” you grunt, angrily scrubbing the shampoo in your hair.

you know he’s standing outside, fidgeting. what you don’t know is how fast his heart is racing, how anxious he is at the sound of you being so angry. he knows you’re competitive, he is too, yet he had always hoped it wouldn’t affect the friendship or companionship he was trying to have with you.

“the hell do you want, lee?”

he takes a deep breath, glancing back at the shower room door. almost everyone had left, except the coach which said he’ll go to his office and watch his anime.

“are you going to sulk like a sore loser or go home de-stressed?”

he jolts when your door flies open with a slam. you’re glaring at him but his eyes fly down, below your hips. he’s not hiding anything, why would he? he came inside the shower room with purpose, no towel on with purpose.

“so that wasn’t a one time thing?” you question, raising a brow.

he hesitates, looking around and playing innocent. “did you want it to?”

he gasps when you yank him by the wrist. he’s genuinely surprised at how fast you accepted the invitation, he thought you’d put up more of a fight but no, clearly you wanted your vengeance. he almost pushes you away, but your lips on his is just a beautiful feeling. this is the only time you actually give him something other than a glare or competitive comments. he’s all bark no bite, this is exactly how you two tangoed the first time, except that time you only took a blowjob from him.

left his throat sore and his tongue felt heavy during the entirety of the next day, the ghost of your dick in his mouth there.

he’s not a virgin, by no means, but he’s never done something this crazy. fucking in the shower room? what if someone forgot their shampoo or something and tries to come in? what if their coach decided to do his job and actually check up on you two for once?

you grip his hips, pushing him against the stall wall, the water still running. your lips are over his neck, nipping and kissing. he gets lost in that sensation, his hands coming up to mess with your wet hair.

your body is hot, the water burning your skin. he’s not a hot shower person, so apart from him already feeling sweaty in your hands, the steam isn’t helping with his libido. he tugs at your hair when you trail down his chest and stomach. his hips twitch forward as you go lower. he’s so hard it’s embarrassing.

“don’t look at me as if i’d help you with it.”

and you embarrass him. of course you do.

“you clean?” you ask as you come back up and eye his plush, wet lips.

his eyes are naturally doe, you almost find it cute. (who are you kidding, it absolutely is. you wanna to destroy him, corrupt him so bad).

“yeah,” his voice is always soft, yet you fell in love with how hoarse and raspy you can make it sound.

“fine, let me show you how much you piss me off,” you growl, placing your hands behind his thighs and swooping him up in one swift movement.

you grunt, forgetting how tall and built this boy is. he cling to you out of fear, his heart racing. this is new to him and doing it with you just brings out a rush he never new he’d experience. yet, despite the arousal and sexual hunger, he eyes you with a hint of perplexion. are you joking? you don’t actually get pissed off at him, right? but of what? him beating you lately or his existence in general?

he can’t ponder about it for more than a mere second before your fingers spread his cheeks apart. he hooks his ankles behind you, securing himself in your hold as you push in. you make a small, almost silent noise when your tip pushes the moist gland.

“h-hold on, grab me right,” he gasps as his arms wrap around your neck again.

“this isn’t easy, idiot,” you huff, “you’re not exactly small or light.”

he closes his eyes when some water drips from the top of his head. yet, when he feels you thrust he snaps them open and gasps.

“fuck, you’re so warm,” you grunt, pulling him down by the hips to slam into him.

it’s taking everything in you to hoist him up and move him. a hardcore arm workout, but one you know you’ll enjoy. you place a soft kiss, contrasting your brutal movements, onto his wet skin, making him moan— his neck is sensitive to kisses. especially with how wet and hot yours are.

from the rush in the moment, you build the pace and stamina to fuck him into the wall. his arms tighten around you, his airy moans echoing softly. he’s trying to be silent just in case, or at least you think. is he always this soft voiced? you grin— could you make him get loud?

you pull out entirely before slamming back inside. his breath hitches and his eyes snap open again.

“ah- oh fuck-!” he squeaks as you slam him down onto you.

his dick flops uselessly between the two of you. your fingers dig into the softness of his flesh in his ass, nails digging into him. you’ll leave marks, he knows it. yet, that’s what he’s hoping for, because where you’ll look at him nasty for doing the drills perfectly or getting praised for his renewed charts , he’ll know those marks happened when you looked at him with something other than hate.

you aim like you’re on a mission, which you are. the wet sound of skin against skin bounces around the shower walls. the running water isn’t loud enough anymore— you’re grunting as you chase your high and anton is letting out high pitched whines.

he presses his cheek against the side of your face. you feel so good, he can feel you splitting him open. he can feel the warmth of your dick inside his equally warm walls.

“y-y/n, you feel so good,” he pants out. “guess you’re good at something.”

fuck. that literally pissed you off. like, maybe not exactly in a way where his words irked you, but in the sense that it drove you to keep proving him right since he clearly wants to be right.

he grunts and moans when you get brutal. you’re growling and digging your nails into his skin.

“ah, ah,” his thighs twitch around your waist, a clear sign he’s getting close and sensitive.

you let out heavy breaths, a gruttal moan leaves your throat as you feel your climax building.

“imagine coach comes in here and sees his best swimmer getting fucked like a slut,” you cackle between your grunts. you feels his hole clench around you and you can’t help but feel amused at that. “you wanna get caught being a slut? what would the school think?” his breathing turns more erratic, “what would your daddy think?”

“fuck- y/n stop,” he tries but you just feel so good slamming into him that he just sounds stupid.

“the district stars fucking in the shower rooms, what a header,” you grin as you push your hips flush into his reddened ass cheeks, spilling deep into him.

he shudders, your warm seed sending him over the edge. he can’t even bask in the post-orgasm for a second because you pull out and set him back on his feet. you feel the pull in your shoulder blades, this is going to be embedded in your muscles for a while. yet you don’t find yourself showing any shred of care for him when you notice how wobbly his legs are.

“just watch, i’ll make sure you become a good fuck more than a good swimmer, lee.” you grunt, stepping out of the shower stall while glaring at him.

his heart aches, but he just throws you a lazy, lustful smile. because he knows that as long as he beats you, you’ll take out your anger on him.

and that would mean he’ll mean something to you. one way or another.

[david-talks-sw]

Debunking more myths in the GFFA: the Jedi and the clones.

I wrote a post debunking the various myths about how "the Jedi condone slavery", a while ago. Something I had omitted (because it's such a big topic) was the following two statements that concern the clone troopers' relations with the Jedi:

"The clones were genetically bred to have accelerated growth, so they're technically child soldiers."

"The clones were slaves of the Jedi."

Both the above statements are inaccurate, let's explore why. 

"The clones were child soldiers"

Let's get the easy one out of the way first, because it's a logic that cuts both ways. If age is our only determination of the maturity of a Star Wars character, then Grogu is not a baby. He is aged 50, and is thus a middle-aged man.

Who cruelly eats the babies of a woman...

... and knowingly tortures animals for his own sadistic pleasure.

Of course, I'm kidding. Grogu's none of the above things.

The narrative frames him as a cute baby who does innocent baby stuff. Him eating the eggs is played off as comedic, as is him lifting with the frog. To this day, some fans still call him "Baby Yoda".

Conversely, despite the clones being 10/14-years-old, their actions, behaviors, way of thinking, sense of humor, morals etc, are all those of an adult.

Like, Ahsoka is technically older than Rex in this scene.

The scene doesn't portray them as peers, though. This isn't written as "a teen and a tween talking". No, Rex looks, acts and behaves like a grown-up and is thus framed as such by the narrative.

You can make the argument "they're child soldiers", but (unless you're doing so in bad faith) you'd also have to argue that "Grogu's an adult".

"The clones were the Jedi's slaves"

Nope. For all intents and purposes, they're in the same boat as the Jedi, who George Lucas stated multiple times had been drafted to fight in the war.

Again: both the Jedi (monk/diplomats untrained for fighting on a battlefield) and clones (literally bred en masse only to fight) are being forced to fight by Palpatine and the Senate.

Though, on paper, the clones were commissioned by Jedi Master Sifo-Dyas, it was actually done by the Sith (who either manipulated or assassinated Sifo-Dyas then stole his identity, depending on the continuity you choose to adhere to). The rest of the Jedi had no idea these clones were being created.

So while the clones are slaves... they're not owned by the Jedi.

They're the army of the Republic, they belong to the Senate. This isn't exactly a scoop, they refer to the clones as something to purchase...

... and manufacture.

As far as the Senate’s concerned, clones are property, like droids. 

Like there's a whole subplot in The Bad Batch about this very point: after the war, the clones are decommissioned and left out to dry because they literally have no rights, they served their purpose.

The only trooper to ever canonically blame the Jedi for the clones' enslavement is Slick, who the narrative frames as having been bribed and manipulated by Asajj Ventress into betraying his comrades.

Also, the only canonical Jedi shown to ever be mean, dismissive or mistreating the clones in any way, is Pong Krell.

And it's eventually revealed he’s in fact a full-on traitor, hence why the story frames him as an antagonistic dick from the moment he's introduced. He doesn’t represent the Jedi in any way.

We know this because the other Jedi we’ve been shown are always prioritizing their clones’ lives over theirs, if given the chance.

Finally, if we wanna get even more specific... as Commander-in-Chief of the Grand Army of the Republic (GAR), the clones belong to Palpatine. 

Palpatine who is a Sith Lord. 

Palpatine who arranged for the creation of the clones and had them all injected with a chip that would activate upon hearing a code-word...

... and forced them to murder their Jedi without hesitation or remorse.

When you bear all that  ⬆️  in mind and when you read this quote by George Lucas...

"The Jedi won't lead droids. Their whole basis is connecting with the life force. They'd just say, 'That's not the way we operate. We don't function with non-life-forms.” So if there is to be a Republic army, it would have to be an army of humans."    - The Star Wars Archives: 1999-2005, 2020  

... narratively-speaking, everything falls into place.

Sidious knows that:

If he orchestrates a war designed to thin the Jedi's numbers, corrupt their values and plunge the galaxy into chaos...

If he wants to draft the Jedi - peace-keeping diplomats who’d never willingly join the fray - to fight in his war...

... then the only way they won't resist the draft and abstain from fighting is if they think joining the conflict will save lives.

So he creates a set of cruel, sadistic villains for them to face, opponents who will target innocent civilians at every turn...

... and instead of lifeless droids, he prepares for the Jedi an army of men... living, mortal people who, despite being well-trained, will be completely out of their league when facing the likes of Dooku...

... Ventress...

... Grievous...

... Savage Opress...

... or the defoliator, a tank that annihilates organic matter.

Thus, in order to save as many clone and civilian lives, the Jedi join the fray despite knowing that doing so will corrupt their values. 

And as the war rages on, a bond of respect is formed between the two groups.

Clearly, the Jedi don't like the fact that the Republic is using the clones to fight a war, but for that matter, they don't like being in a war, in fact they advocated against it.

However, it's happening regardless of their issues with the idea or personal philosophies. Said The Clone Wars writer Henry Gilroy:

"I’d rather not get into the Jedi’s philosophical issues about an army of living beings created to fight, but the Jedi are in a tough spot themselves, being peacekeepers turned warriors trying to save the Republic."

And bear in mind, the Jedi are basically space psychics, the clones are living beings that they can individually feel in the Force... 

... so the Jedi feel every death but need to move on, regardless, only being able to mourn the troopers at the end of every battle.

We see this in the Legends continuity too, by the way.

(that is, when the writers actually try to engage with the narrative)

Also, if you ask the clones, they’re grateful the Jedi have their backs.

When Depa Billaba voices her concerns about how the war is impacting the Jedi's principles, troopers Grey and Styles are quick to make it clear how grateful they all are for the Jedi's involvement:

So the clones aren't the Jedi's slaves. If anything, they're both slaves of the Republic (considering how low the Jedi's status actually is in the hierarchy).

Only I'd argue the clones have it much, much worse. 

The Senate sees the Jedi as "ugh, the holier-than-thou space-monk lapdogs who work for us"... but a Jedi has the option to give up that responsibility. They can leave the Order, no fuss or stigma. 

A clone trooper cannot leave the GAR! If they do, they’re marked for treason and execution. Again, they’re not perceived as “people”.

And it doesn’t help that the Kaminoans, the clones’ very creators, see the troopers as products/units/merchandise. A notion that the Jedi are quick to correct whenever they get the chance.

How The Clone Wars writers describe the clones' relationship with the Jedi.

George Lucas hasn’t spoken much about this subject aside from the quote from further up. But to be fair... the Prequels aren’t about the clones’ dynamic with the Jedi, so it makes sense that he wouldn’t talk on that subject so much.

He did mention that part of The Clone Wars’ perks is that he could:

“Do stories about some of the individual clones and get to know them.”

But that’s as far as it gets. 

So for this part, I'm just gonna let Dave Filoni, showrunner of The Clone Wars and the upcoming series Ahsoka, and TCW writer Henry Gilroy - both of whom worked closely with Lucas - take the wheel. They make themselves pretty clear on how the clone/Jedi dynamic is meant to be viewed. 

Here’s Henry Gilroy:

"In my mind, the Jedi see the clones as individuals, living beings that have the same right to life as any other being, but understand that they have a job to do."

"The clones see the Jedi as their commanding officers on one hand, but also, at least subconsciously, they look to them for clues to social/moral behavior."    

"Some clones may find themselves getting philosophical leadership from the Jedi that helps them answer some of the deeper questions of life."    

"We thought this was a great opportunity to show how the Jedi interact with clones. Specifically, Yoda in a teaching role of the clones, who were socially new, who kind of grew up— who were created to fight, and he really broadened their horizons and helped them realize there was a great big universe out there that was bigger than just fighting and killing."    

And here’s Dave Filoni’s comments:

"I truly believe that the Jedi try to humanize their clones and make them more individual, as Henry says."    

"I think we saw that in Revenge of the Sith, when the Clones were colorful and named under the Jedi Generals, and then in the final shots of the film with Palpatine and Vader near the new Death Star, the ships are grey, the color and life is sucked out. The Stormtroopers are only numbers and identified by black and white armor or uniforms in A New Hope." 

"The soldiers have become disposable to the Emperor."    

"That is something the Jedi would never do."    

"Yoda teaching the clones much like he taught Luke. ‘Cause that was kind of natural for [the Jedi], a natural instinct to take to these clones like they’re students."    

None of the above quotes from two different writers of The Clone Wars, who had many interactions with George Lucas, frame the Jedi and the clones’ relationship in a negative way. 

How much more proof do we need that "the clones were slaves of the Jedi” isn’t the intended narrative?

My point being that while the clones' ordeal is indeed horrible, the Jedi have nothing to do with it. The narrative of The Clone Wars always frames it as the fault of the Sith, the Senate and the Kaminoans.

If you go by the intended narrative, the Jedi were the clones' teachers and brothers-in-arms. The clones and the Jedi were not just comrades.

They were friends.

[wonderjanga]

Rewrite of the Shazam! Movie

I… personally disliked the Shazam movie. It could’ve been better in my opinion. So, this is how I think the movie should’ve gone.

So… let’s just get to it.

It’s 1944 during the height of World War II. People are abuzz with wanting to learn all the newest updates on the war. Whiz Radio is a Fawcett owned company on the verge of bankruptcy due to its lack of popularity.

The movie opens with Billy running from a couple men. In his hands are a couple of canned food items, bread, and other things. The opening credits would simply be Billy running past a wall plastered with posters advertising the new position open at Whiz. Every time a person would run in front of the wall, the credit would change to another person. So like Billy would run and the opening director’s name would appear, one of the men running after him would pass in front of the wall and the screen writer’s name would appear, etc. There can be like ten dudes for comedic effect.

During this entire chase, Billy would be nameless, the only things he’d be called are brat, thief, etc by the men. He eventually lose them in an alleyway and retreat to whatever hobbit hole he’s staying in. On his trudge back home he’d pass by a mansion, Ebenezer’s mansion, because remember he stole Billy’s inheritance. He’d stop and stare and we’d get a whole flashback of him learning how his parents and sister died, his uncle kicking him out, and so on. This is where we’d actually learn Billy’s name. After this, he’d continue his trudge back home and that scene would end with him walking into his apartment and closing the door with the camera getting the door shut in it’s face.

The next scene would start with Billy opening the door and heading out. We’d see a little bit of Billy’s day such as him taking on odd jobs and such for cash. But, when he’s on his way back home, he hears a whisper and looks over to see… his dad? We don’t actually get to see his dad‘s face. It’s just fuzzy. He waves to him and walks off with Billy following after.

Billy: “Dad?”

Billy’s Dad(?): *doesn’t answer and keeps walking*

Billy: “Dad?” *sounds more urgent*

Billy’s Dad(?) leads to the train station. They get a cute little moment of waiting by the tracks together were fuzzy C.C. offers his hand which Billy takes as they get on the train. As soon as they get on the train, Billy’s dad disappears and Billy’s left alone.

Then, fast forward the usual thing. The Wizard tells him that he’s worthy and pure hearted, and that he should be the Champion of Magic and to light the brazier if he ever needs him. Like usual he dies from getting crushed by the rock.

We see Billy stuck with no idea of what to do with his Marvel form. But, he gets his idea to be a superhero when he’s walking out of the train station and passes by a war propaganda poster with Bulletman and Spy Smasher on it. We get a quick little monologue about how they’re both amazing heroes and Billy even drops a little detail about how he used to have Bulletman’s action figure. This is when one Billy decides that he wants to be like them. A hero who can spread joy through saving others. Someone with a greater purpose. Someone who is more than Billy Batson. (Place emphasis on the self-deprecation of how he wants to be more) The scene ends there with the camera facing Billy’s back as he stares at the poster.

The next scene opens with Captain Marvel’s back to the camera. It’s now been two weeks and Billy is now officially Captain Marvel. We get a little scene of him, stopping a purse snatcher like it’s nothing. Right after him stopping the snatcher is when Sivana’s finally introduced. He’s also Danny DeVito because I say so. Anyways, since the movie is meant to be lighthearted, Sivana acts much like a cartoon supervillain. He has this robot suit and they duke it out before Marvel beats him and takes him to jail.

Of course, Sivana breaks out, but while he’s breaking out, Billy is at the Whiz Radio trying to get the job because he needs money. We get a little scene of Mr. Morris interviewing Billy.

Mr. Morris: “Now, do you have any experience reporting? In the slightest?”

Billy: *in the fanciest clothes he could find, aka his red and yellow sweater with his jeans* “Ah… no. But I tell stories to the other homeless kids and they like them. So, I was kinda hoping that would be enough….?”

Yeah, Billy was not Mr. Morris‘s first choice. So instead, Mr. Morris makes a deal that if Billy can turn in Sivana, he’d give the kid the job, not that he believed the kid could catch a Supervillain. After this interaction, Billy leaves bummed that he probably isn’t gonna get it because he thought Sivana was just a one off thing and was still in jail. Eventually, though he finds out, he broke out.

So Marvel goes around looking for Sivana only to realize that this time it won’t be so easy to catch him. Somehow, Sivana upgraded from that one incident with Marvel. This results in Marvel running around, actually having to gather information as both Billy and Marvel, both through spying as a little kid, and intimidating goons as a grown man. Every time he can uncover a little bit of information we get shown in a notepad with facts on it and as the information gathering goes on, it gets filled with more and more notes and even little drawings and scribbles too. I would also like to see Billy scratchy handwriting, and Marvel‘s beautiful handwriting, alternating.

Unfortunately, when Billy is spying on some more goons, he accidentally gets caught and tied to a chair. This is where he meets Sivana face-to-face as Billy instead of Marvel.

Sivana: “That imbecile sent a kid? Gosh.” *rolls his eyes*

So, yes, he gets trash talked straight to his face and then alone in the in the room. This is when Billy discovers that he doesn’t need Marvel to be great. He gets his Miles Morales moment and lightnings the binds off of him, rips off the gag covering his mouth and says his magic word. Billy leaves as Marvel and as Sivana is wrecking havoc, he gets sent a video from a security camera in the room of Billy transforming.

Sivana: “It was that little brat the whole time?! The sneaky little thing was right under my nose!”

He throws a bit of a temper tantrum, and Marvel finally shows up to throw hands. They have their big battle, they somehow end up in a secluded area, Marvel finally beat him, and drags him to the Whiz building as Billy. The scene ends with Billy walking into Mr. Morris‘s office with Sivana knocked out. He has the biggest widest smile on his face. He looks the happiest he’s ever been in this movie. This scene ends like the first one with closing the door on the camera, but with Billy proclaiming that they have to talk business.

The end.

As for the end credits, after they play, we get a tiny little tidbit at the end that’s supposed to take place two years later and it's of Sivana working on a something with his back faced towards the camera while in the background, we hear Billy on the radio reporting on something. The camera then proceeds to slowly pan over him until it’s looking directly down on him and you can see in nice big bold letters: Suspendium.

Yup. The Suspendium bomb.

Boom. Perfect cliffhanger. I’m out. Deuces. I’m going to sleep now.

[deception-united]

Let's talk about grumpy x sunshine tropes.

Arguably one of the most well-loved tropes in media, for good reason. The dynamic where one character is perpetually cynical, stoic, or irritable while the other is warm, cheerful, and outgoing often makes for good banter and conflict, and it's satisfying to watch the grumpy character's reluctance develop into the relationship as they warm up to the other. But it's important to do it well. Here are some tips.

The Appeal

What makes this trope work?

Contrast = Chemistry

The clashing personalities creates tension as well as opportunities for banter, which adds to the chemistry between the characters; and their differences and areas of disagreement force them both to grow and adapt for the sake of the other.

Vulnerability

As their relationship develops, you'll often see the sunshine character helping the grumpy character to confront their emotional walls, whether by pushing them or when they come down on their own over time as they grow closer to each other. This also leads to the grumpy character softening around the sunshine character.

Humour

This whole dynamic naturally comes with its own comedic situations—whether that be witty retorts, misunderstandings, or the sunshine character's relentless attempts to brighten the grumpy character up.

Dos and Don'ts

Do:

Give them depth. Have reasons for their respective personalities, motivations, goals, who they avoid, how they act around new people—the grumpy character's personality, for example, aside from just being a part of their character, might also have elements that stem from past trauma or a fear of vulnerability, amongst other things. Avoid making them one-dimensional, like just making the grumpy character a jerk and the sunshine character obnoxiously naïve.

Show mutual growth. As their relationship develops, both characters should influence the other in various ways. An obvious example of this would be the sunshine character learning boundaries or resilience, and the grumpy character being able to open up more.

Balance their dynamic. Make the relationship feel like partnership rather than a one-sided emotional rescue mission. Both characters should be contributing to and benefiting from the relationship.

Build it up gradually. A slow burn typically works best with this trope. Let their relationship develop over time, give them reasons to connect and bond and grow. This will make the eventual payoff more satisfying for the reader.

Have balance. Make each character complement the other without dominating the narrative. They should feel like a team rather than one character "fixing" the other.

Create situations that force interaction. Whether they’re co-workers, roommates, or trapped together somewhere, proximity is key to fostering their dynamic, essentially forcing it when their personalities naturally go against each other.

Don't:

Make the sunshine character a doormat. Don't let them exist solely for the purpose of catering to the grumpy character's needs and pushing them for growth—give them agency, independence, and their own goals and motivations.

Have one-sided growth. It’s not just about the sunshine character "fixing" the grumpy character; both should influence and challenge each other.

Overuse miscommunication. Misunderstandings happen in relationships, and likely more when the characters' personalities contrast so drastically, but constant misunderstandings and miscommunication can frustrate readers. Try to use it more sparingly and don't drag out the resolution for conflict that is petty or largely unimportant to the overall plot.

Make the dynamic toxic. Unless this is your intention, of course, but if you're trying to develop a healthy and lovable romance, keep in mind that grumpy doesn't mean cruel. The grumpy character might have certain reservations or personality quirks, but being stoic or unapproachable doesn't inherently equate to being emotionally abusive.

Oversimplify the sunshine character. Cheerful and outgoing shouldn't automatically mean being naïve or oblivious. The sunshine character should be complex in their own right, and capable of experiencing a range of emotions, both positive and negative.

Make the sunshine character too overbearing. A sunshine character who ignores boundaries or forces positivity onto the grump can come across as irritating and socially inept rather than endearing.

Overdone?

Some things are overdone and everyone's tired of them; others are overdone because no one gets tired of them. So:

Overdone, unfortunately:

Unexplained 180: The grumpy character changes overnight with no believable arc.

"You’re the only one who gets me": While sweet in moderation, it can feel contrived if the sunshine character magically understands the grump without effort.

Damsel in distress: Turning the sunshine character into a helpless figure who needs constant saving undermines their strength.

Overdone, but please continue:

Forced proximity: Setups like this are cliché but effective when done well, and fun to read.

Grumpy protects sunshine: The grumpy character reluctantly stepping up to shield the sunshine character is not only adorable but leads to deeper emotional connections.

Soft spot: The grumpy character's’s hidden affection for the sunshine character always lands well if subtle.

Happy writing! ❤

Previous

[sevensoulmates]

Buddie 7x06 Meta

HURRAH! It's not a four-parter this time!! Just a one-parter! It's a Madney/Chim-centric episode (which by the way I loved) but the buddie we got was AMAZING! I'm so excited for the rest of the season. We're just gonna dive right in!

First, I want to say that with the hindsight of this episode, we now know that the bachelor party was not ACTUALLY something that needed to happen, narrative-wise. It didn't actually contribute anything to the Chim plot, as that would've happened with or without buddie going crazy in the hotel room. So, all of the Bachelor Party was written purely for the purpose of watching Buck and Eddie have a good time. Maybe for comedic relief, maybe for the purposes of furthering their story at a later point in the series. Time will tell.

First, I've seen other people point out that Buck expected Eddie to be early (even though he's the first person there) because he wanted Eddie to help him set up for Chim's party. To Buck, Eddie is the person who helps him with everything. This is Buck's idea, yes, but Eddie is the proverbial co-host in this married dynamic. So Eddie being "late" feels more like Buck being disappointed his partner wasn't there to help him behind the scenes to make everything perfect. It really does make the whole scene feel like Buck-and-Eddie (the bro-in-laws) throwing the party. So of course Eddie's breaking the unspoken rules by being late.

I love how Eddie walks in completely ready to be fawned over by Buck with their couple's outfit. It's hilarious to me because 1.) Tommy was planning on coming, Buck could've told Eddie he wanted to do a couple outfits with Tommy instead?, and 2.) Eddie was fishing for compliments and it just makes me giggle. If Buck wasn't so stressed out over this bachelor party, he likely would've reacted how Eddie wanted and given him a bunch of compliments on his look. It was jaw-dropping. If most of us (the audience) were blown away seeing Eddie in a pink suit for the first time in the bts (to the point where most of us were like "no way he's in character, this has to be Ryan's wardrobe choice"), I know that the other characters were too. It's not Eddie's typical wardrobe choice. In fact, it's such an out-of-character fashion choice for him, that it's unlikely that Eddie just had this lying around in his closet to throw on. He probably had to go and buy a suit like this just for the occasion. Eddie had to put in a lot of effort to do this couple's costume with Buck, and he did it all happily and enthusiastically. We'll come back to this in just a second because...

CLIPBOARD BUCK IS BACK! sans clipboard but you get my drift. I love how this visually connects Buck to his sister and harkens back to a lovely Buddie moment "This is Eddie's house, I'm not really a guest" back in season 3. This time around, we have Eddie assuming he would get special husband privileges and is pouty when Buck doesn't allow it.

BUT at the same time, he's not getting on Buck's case too much about it beyond the initial pouting. He may not know why Buck's so insistent on throwing a party, but he knows it's what Buck wants, so he moves on, and even watches with somewhat amusement when clipboard Buck gets turned on Ravi for doing the same thing later.

I also want to point out that Eddie has never once, ever, been upset with, annoyed by, or irritated with Buck when he's in Clipboard Buck mode. Most of the time, Eddie either finds it amusing cute, or is just generally accepting of it. This is no exception, however, this later devolves into Buck and Eddie going absolutely wild. This further exemplifies how Buck and Eddie accept and support each other, even when the other is being lowkey stupid (everything they do at the bachelor party) or unreasonable (clipboard Buck). It's all very much partner in crime coded.

Framing. Jesus Christ the FRAMING. Tommy walks in and not even two seconds into the interaction, the camera frames Eddie FRONT AND CENTER between them, watching Buck and then watching Tommy. Buck and Tommy hug and when they pull back, there's Eddie watching them with an odd look on his face. I'm not going to go so far as to call this jealousy/pettiness, but it is odd. There's an intimate physical moment between Buck and Tommy, and then Eddie, who constantly haunts their narrative, is just there. And he's actually objecting to Tommy's presence there. Not in a mean or hostile way, but just a second ago he was high-fiving Tommy, welcoming him in, but once the physical special relationship between Buck and Tommy is established, Eddie starts to bristle a little bit.

This entire exchange is just odd. Eddie knows that Tommy is friends with Chim. He has every right to be there for Chim alone. He's also aware that Buck now has a closer relationship with Tommy, and Buck's the only one who wants this bachelor party, so it should be obvious that Tommy would come. And yet...Eddie is questioning Tommy's presence there. He's reducing Tommy to Buck's "date", not Eddie's friend or Chim's friend, or someone who's slowly integrating into the group. No, it only becomes a problem when Tommy is there as "Buck's date".

This is then proven by Tommy, who's actually known Chimney longer than either Buck or Eddie have known him. He has all the right to be invited. But what's especially interesting is Buck's face when Eddie starts expressing objections to Tommy's presence. He looks shocked, a little worried, loss for words. Like he's worried Eddie is disapproving of them. It could be worry lingering from last episode, where Buck was afraid of his queerness pushing Eddie away. It also showcases a bit of awkwardness between Tommy and Eddie too. Eddie has been established as enjoying spending time with Tommy, and now he's hesitant to have Tommy in spaces with Buck as a romantic partner. It demonstrates that maybe Eddie isn't as comfortable with Buck and Tommy together as he led Buck/the audience to believe. But where is that uncomfortablity stemming from? That's yet to be determined canonically.

Buck then goes on the deny that Tommy is his date (for the bachelor party) and insists that Tommy is only his date officially tomorrow at the wedding. I personally don't understand why Buck would need to clarify that Tommy isn't his date to the bachelor party. If they're dates for one, it's usually assumed they're dates for the other, especially given how close the events are. I get that Buck wants to make the night about Chimney, but it can be about Chimney and still have Tommy there as a date.

This is also an interesting line that I've pondered over. Because while it's true that taking Tommy as a date anywhere would be hard launching both Buck's queerness and his relationship with Tommy, which could draw attention away from Madney and to Buck, but it also shouldn't be that big of a deal (and is proven at the end of the episode too). If the wedding had gone to plan originally, then Buck and Tommy going together wouldn't have had to have drawn too much attention. He could've told Chim, Hen, his parents + everyone separately before the ceremony even began. It didn't have to be such a huge deal, so I was wondering why Eddie brings out the usual phrase the show tends to use when they want to remind Buck that not everything is about him. But Buck wasn't trying to make it about him. Eddie should know this. As much as Buck has had issues in the past of taking things far too personally, and believing things to be more about him than they actually are, that's not what is happening here.

I actually think Eddie saying this line is more revealing of Eddie's feelings than it is about Buck making it about him again. It's revealing that Buck, his relationship with Tommy, and Buck's queerness are a big deal to Eddie, enough so that he believes it will draw a lot of attention. And maybe Eddie's not as cool with the idea of everyone knowing about Buck and Tommy as he tells himself. I want to reiterate that I don't believe any of this stems from legit homophobia towards Buck and/or Tommy, but more so a discomfort Eddie harbors about Buck's queerness, what it means for Eddie, and what Buck being with Tommy takes away from Eddie. All of this is unconscious, confusing, and frustrating for Eddie, and therefore what comes out of Eddie's mouth is a barb at Buck's expense. And it's why his reaction to BuckTommy at the end of the episode is kind of muted but mostly positive. He's confused.

Buck had told Tommy previously that it was an 80s theme party and asked him to dress up. This brings me back to my previous point that Buck could've asked Tommy to dress up with him. Instead, Buck and Eddie are framed as the literal "couple" here visually, and Tommy is framed as the odd one out. Not only that, but what he is wearing is a Henley, which as most of us know, is a staple of Eddie's wardrobe. (General author's note: I don't usually harp on about wardrobe choices in the show because that's not my specialty but I will here because it is a textual part of the plot).

We've previously established in the last few episodes that Tommy is a narrative mirror to Eddie. Tommy's meant to be like Eddie in almost every way, same interests, similar personality types, etc. He's even paralleling Eddie here by dressing the same way Eddie normally dresses. But it's being juxtaposed by Eddie standing right beside him (once again Eddie is framed in the middle throughout this entire exchange with Buck/Tommy when Eddie very easily could've just stepped off to the side to let them have some privacy). EDDIE is dressed way differently than he usually is in a bright pink suit, going out of his way to make Buck happy even if it brings him out of his comfort zone wardrobe-wise. And in contrast, Tommy did not take the time to dress up, even though he knew Buck wanted him to. I'm not saying that this makes Tommy a bad person, or inconsiderate of Buck, but it's just one of those little things. One of those forethought things that Tommy just isn't aware of because he's only been dating Buck for a few weeks at this point.

Others have pointed out that Tommy would've had to change out of his clothes and into his uniform regardless if he was on standby, so why couldn't he have at least just added a little bit of 80s flair to his current outfit? It wouldn't have been any more time-consuming. Maybe it would've put Tommy out of his own comfort-zone, or maybe he would've been a bit embarrassed, but that's the kind of thing that one might reasonably risk in order to make their partner happy.

Tommy isn't aware that by not dressing up, he's hurting Buck's feelings. That's just one of those things he wouldn't know about Buck because he does not have the lived experience of what Buck needs emotionally from his partners. Eddie, on the other hand, has years of experience with Buck and knows that if he really wanted to he could be just like everyone else who didn't dress up and that Buck would put on a face of being fine with it, but deep down inside, it would make Buck feel ignored and hurt. Eddie doesn't want to ignore Buck, and as we've seen from his last line about "making it about you", Eddie can't ignore Buck. So even if it means pushing himself out of his comfort zone, Eddie's going to show up in full costume, ready and enthusiastic to be with Buck.

All of this is being done for a purpose. It's to show us that while Buck and Tommy are still learning and developing their relationship, something is off, specifically in comparison to Eddie. The show is purposely framing Eddie as a better partner to Buck than Tommy is being in the current moment. Which is kind of unfair, if you think about it. If the show was setting Tommy up to be Buck's newest love and future endgame, they would instead be giving them opportunities to grow together, to get to know each other. Instead, the show is telling us in every subtly way it can that hey, wouldn't Buck fit so much better with Eddie instead? It's contradictory and doesn't further the plot if BuckTommy growth was the purpose. These bachelor party scenes as plot devices only work if the purpose is to show the audience that something isn't fitting with Buck and Tommy, but whatever that missing piece is, it does fit with Buck and Eddie.

Tommy then doesn't understand that they're supposed to be dressed up as the Miami Vice characters. He instead assumes The Wedding Singer (1998). First, I want to say that this is the 2nd Adam Sandler/Drew Barrymore romcom that's been mentioned in canon in relation to Buck (the first being 50 First Dates in the season 5 finale) and as a huge fan of those movies, I'm fangirling. Second, it aligns with Tommy's s2 characterization where he loves romcoms (Love, Actually, and now The Wedding Singer). Third, it's an interesting choice from the writers here to pick The Wedding Singer as the movie that springs to Tommy's mind. There are plenty of 80s movies with bright colors that could've been name-dropped. They instead purposely went for a movie about the 80s but made in the late 90s, for the express purpose of having Eddie point out that Tommy's wrong. This is all very subtle, but it definitely does feel like Eddie is trying to lowkey one-up Tommy. But why would he feel the need to do this?

I've seen others point this out as well, but The Wedding Singer is about two people who are engaged to other people who are very obviously not right for them, though they might try to convince themselves differently. I rewatched the movie yesterday morning and I found it very enlightening. Adam Sandler's character is very much in love with Drew Barrymore's character, and almost tells her to leave her fiance for him, but in the end, he assumes incorrectly that she's happy with the other guy, and leaves them be. Drew Barrymore's character was ready to settle with someone she didn't fully love for security, and the only reason she doesn't tell Adam Sandler's character the truth is because she thinks he's still in love with his ex. It's all very miscommunication-y, but at the same time, it's reflective of Buck and Eddie's characters currently too given that neither of them really knows what they're looking for, they're just seeking a feeling, and may or may not be finding it in their current respective partners. But in the end, even after all the miscommunications, there's a HEA in The Wedding Singer.

Something else of mention was how in the movie, Adam Sandler's character was asked how he knew that things weren't working out with his ex and he said something along the lines of "It was the little things. Like, one time we were going to the Grand Canyon, and I had never been there before and she had, and instead of letting me take the window seat in order to see the beauty of it from above, she took the window seat for herself." This reminded me of this scene with Tommy, where it's just the little things that aren't fitting between him and Buck. I will come back to the topic of BuckTommy and misalignment later.

There have been many posts discussing how Crockett and Tubbs are another one of those "manly" buddy-cop pairings who were very queer-coded best friends who obviously never got together. Many people believed Crockett to be bi-coded as well. What's interesting to me is that this marks the second/third time in the last two episodes where they argued about who is the bi-coded character. I just find it interesting meta-textually when you think about the fact that fans used to argue incessantly (still do honestly) about whether Buck or Eddie could be queer and now that Buck is confirmed to be queer, people argue that Eddie can't be queer now. Additionally (I don't watch Miami Vice but I looked at a lot of the pictures) it seems that visually, Eddie should be aware that he is dressed as Tubbs, since most of pictures of them feature Crockett in blue/green semi-casual and Tubbs in pink/elevated suits. Visually, their roles should be obvious to anyone who is familiar with the show. Just like how Buck's queerness is now obvious. But now, the argument is well, there's an argument to be made that Eddie could be Crockett, and subtextually, also queer.

The narrative continues to hint with every single episode that passes that it's very likely Eddie will discover his own queerness at some point in the show. Just like there's no need for Buck and Eddie to argue over who gets to be Crockett, they can both be Crockett for christ's sake, they're both gonna end up queer. Of that I am certain.

So not only was Eddie totally down to clown with Buck at this karaoke bachelor party, but he was the one who suggested the couple's costume. We see more instances of Eddie not trying to tell Buck "hey, Chim said he didn't want a party, so don't do it", instead he goes along with it and finds a way to be even more enthusiastic about it. And I don't think that that was just because Eddie really wanted to party. I think it was because Eddie realizes that Buck must be wanting to do this for a reason. Possibly Buck might be doing this because he wants to show Chimney just how supportive he is of him and Maddie, maybe it's because Buck never got to be too involved with Maddie's last wedding because Doug hated him. Maybe this is his way of trying to make up again for his actions in season 5 when Maddie left and Buck didn't tell Chim. Or hell, maybe it's just now hitting Buck that he's going to have a brother, for real now, after realizing all he lost with Daniel, and wants to make this day special for Chim to showcase his appreciation of their brotherhood.

Buck is obviously overcompensating for something, and Chim and the rest of the gang don't realize why the bachelor party is so important to Buck. Hell, Eddie might not know entirely either, but he does sense that there is something more than just "I want to party" going on with Buck and this bachelor party. And so, as always, he is ride or die for Buck.

Then, when everyone else gets up to leave karaoke, Eddie doesn't even get up. He doesn't make it look like he's also considering leaving either. He doesn't check his watch or phone or make it seem like it's a burden or an inconvenience to be there or like there's somewhere else he'd rather be.

Once again, this scene with Tommy and Buck is framed with Eddie clearly in the picture, to show how he's just chilling, drinking, and ready to stick it out with Buck regardless of what happens. And then Tommy is the last one to finally leave and disappoint Buck that night.

And now I want to bring it back to BuckTommy, misalignment, and the ever-present Screaming Universe. If this was real life, it would just be a coincidence, but it's not. This is scripted fiction and everything is done with a purpose. What purpose did the writers have to get rid of Tommy but keep Eddie around to party with Buck all night long? If the writers wanted, they could've had Tommy stick around, more so to show a juxtaposition between the three of them hanging out. Or the writers could've had Eddie leave, and Tommy stay. It would've served the same purpose. Tommy still could've left the next morning for work and come back sooty for the kiss. Instead, the story/universe wanted Tommy to leave and this undeniably creates a micro-conflict between Buck and Tommy. It's undeniable that Buck is disappointed that Tommy's leaving and that he didn't really seem all that enthused to be there in the first place. Tommy then leaves, he's gone for the majority of the episode and comes back at the end. This is now a pattern for the third time in a row.

In Tommy's introduction episode 7x04, he and Buck have a moment at the beginning of the episode, a conflict between Buck and Tommy is introduced, Tommy is there a couple times throughout but he and Buck do not have any one-on-one scenes again until the end where their "miscommunication" is resolved by their kiss. In 7x05, they have their date at the beginning where weirdness happens and Tommy ends it, is gone the rest of the episode, until he returns at the end for Buck to make up with and rekindle. And now in 7x06, Tommy is there at the beginning, there's a misconnection, Tommy leaves for the rest of the episode, and they reconnect at the very end.

That's three whole instances of conflict with BuckTommy all written in a very similar way back to back to back. All of these conflicts revolve around the theme of misalignment and not knowing what they want personally nor what the other person wants. All of this harkens back to that first little moment with Buck and Tommy in 7x03 where Buck pats Tommy's arm, Tommy reaches to connect their hands and misses. I predicted that this would be a metaphor for the rest of their relationship, and so far I've been right. Because it seems like no matter how hard both of them try, they aren't quite connecting, not to the fullest. There is always a conflict that pops up that pulls them apart every single episode and they have to find ways to resolve this at the end. Again, if this was irl it'd be a different story, but as part of a narrative where they're not only trying to showcase Buck's first-ever queer relationship but also strongly comparing it to his "platonic" relationship with Eddie, it feels pointed and poignant. Buck and Tommy's constant misalignment feels like the "universe" trying to tell them something but they're not yet at the point of understanding what.

I highly doubt Buck would've wanted to party with a bunch of strangers if he wasn't feeling so disappointed by both Tommy and Chim. Eddie too, I'm wondering why he didn't want to go home or go be with Chris and visit his family. Or maybe go and see if maybe Marisol wanted to hang out. In fact, Marisol not being in this episode at all, or even mentioned, after the last episode is telling as well.

Many people have pointed out that the karaoke scene parallels Maddie and Chim, and this is even more pointed when the song that is playing when Maddie and Chim get married is Island in the Stream which is the song they first sang karaoke to. Buck and Eddie we know sing "What I Like About You" by the New Romantics, which Oliver, Ryan, and Tim all described as the best song for them to sing to/with each other at this point in time. I still think of it as canon even though we didn't hear it (I get why, they had little time and also licensing is expensive). This song is a romantic song, that's undeniable, and it also makes me think of Shrek and Fiona so it's double iconic. It's also an interesting choice in the moment where Buck is at a low emotional point, and Eddie chooses to stick around with him, indulge with him, and have fun together. It really is a great moment to show how not only are they there for each other in serious and emotional moments, but they also just enjoy spending time with each other, and would choose to spend time with each other any time they can.

Now I wanna talk about just how close physically Buck and Eddie get in this episode. For a lot of us, it's kind of whiplash because while Buck and Eddie have hugged and touched before, never so much in this way, or this much, or this intimately. Buck has his arm around Eddie's neck, their faces closer than they've probably ever been before? Buck is literally whispering into Eddie's ear ("keep on whispering in my ear, tell me all the things that I wanna hear because it's true, that's what I like about you") pulling Eddie into his chest. Eddie's leaning his entire upper body onto Buck, resting most of his weight on Buck. They're pressed together thigh to thigh, leaning their knees on each other. All of this demonstrates not just an emotional closeness, but a physical closeness (thank you, ABC, fuck u Fox), and not only that but an intimate physical closeness. All of this coming right after an episode where Buck came out. I love this because it shows a lack of Eddie being weirded out by being physically close to a queer man as a (seemingly) straight man. But it's also just so telling because Buck and Eddie have not been this physically close before....like ever...in this show. And now they are at the turning point of Buck's queerness being made textual and Eddie's queerness being STRONG subtext? Oh my goodness it's such strong storytelling.

This might be reading into it, and I acknowledge that, but this dialogue exchange felt to me less like they were talking about all the nameless people who were around them and more so like they were talking about each other. These are strangers, they don't know Chim, let alone love him. Neither do these people know/love Buck or Eddie. Instead, this conversation reads to me more like Buck talking about how Chim should be here because his friends (Buck, Eddie, Hen, etc) love him, and Eddie agrees. Looking even deeper, given that Chim didn't show up and the rest of their friends left them for the night, this feels more like Buck and Eddie talking about themselves. Because why is Eddie here? There's no reason for Eddie to be here partying it up except for the fact that he loves Buck and he wants to make him happy and enjoys spending time with him. This exchange is Buck recognizing that, and Eddie agreeing that he really, really does love Buck. And that's why their shenanigans continue as they all move on to Chim's hotel room.

They could've given up/left once Chim's door was locked, but Eddie encourages Buck to keep on going. Touching Buck like how Eddie loves to touch Buck, in the way that's most appropriate for them, on the shoulder like this. Then he kicks the door in and when Buck is ready to go wake Chim up to party, Eddie's like "Eh let him sleep", because, for Eddie, he doesn't really need Chimney around to have fun. Despite what they were just saying about bringing the party to Chimney so that Chimeny could feel the love too, Eddie's perfectly content just partying it up with Buck and only Buck.

These three clips in the bachelor party montage....I'm just gonna be frank with you, they're so obviously meant to look sexual. So CONTENT WARNING**** for me about to talk about sexual positions and such.

I don't have to tell you that although Buck and Eddie are technically partying with a bunch of other people, none of them are actually important. They're NPCs there to give Buck and Eddie an excuse to do all of this stuff with each other. So everything they do in this scene is more so a reflection of their relationship with each other, as well as their metaphorical queerness than it is about just general partying.

We know (due to bts) that at some point Eddie was leaning over to pour alcohol into Buck's mouth. It looks like Buck is leaning back on the couch in his most favorite/frequent canonical sex position (girl on top/riding) that we've seen in the past. This time with his mouth wide open with a phallic symbol pouring a liquid directly into his mouth. It looks like a blowjob/cum shot. Then we have Eddie with his clothes being pulled off and torn away. From the bts, we know that Buck is behind him and helps the girls pull off his sleeves. Other than the obvious "ripping each other's clothes off" metaphor, there's also the "orgasmic" look on Eddie's face as well. Others have also discussed how Eddie appears to be recreating the "crucifixion pose" /Jesus on the cross with his arms out like that in a reference to his catholic guilt arc and how before he's very much let that guilt control him and now in this scene with his close being ripped off, it can also be a metaphor for Eddie's eventually freedom from compulsory heterosexuality and guilt.

The last still with both Buck and Eddie vigorously shaking champagne bottles near the crotches (mimicking mutual masturbation) and then both of the champagne bottles "explode" mimicking both of them reaching a mutual climax, which then cuts immediately to both of them waking up the next morning. It's very very obviously a metaphorical gay sex scene.

Separately from that, I want to discuss this specific still, with both Buck and Eddie in between 2 very clear-as-day drag queens. This inclusion elevates the scene subtly yet very clearly to represent both Buck AND Eddie in proximity to queerness/the queer community. It further cements the queerness of this entire montage scene.

Finally, to conclude the bachelor party scenes, I just want to reiterate, that Buck and Eddie could've figured out Chim was missing any which way. They could've gone over the next morning w/o partying there. Buck could've gone by himself, etc. There were many ways the "Chim is missing" plot could've been done without needing to go this route for Buck/Eddie. Which means that this plot was not for any necessary reason other than to bring Buck and Eddie together.

Then while they're going on their chase to find Chimney, Buck and Eddie are paired up together the entire time, working together as a team, once again looking more like an established couple than anything else.

Then, as if fitting with the BuckTommy "beginning and ending only" episode pattern, Tommy comes back only at the very end of the episode, and he and Buck kiss, transferring soot onto Buck's face and providing a very quick and easy way to come out to all the rest of the people who haven't yet known about Buck. Most people look surprised, others smug (Henren, we'll get to them) and Eddie gives an interesting close-lipped smile. This moment in and of itself isn't very loud. His face is purposely vague here (hats off to Ryan, king of microexpressions). Of course, Eddie's going to look happy for them, he's not going to look jealous. But his smile could be brighter, his eyes could be warmer. There's again just something off about his expression there. I think it's confusing for a reason, because Eddie too is confused about everything he's feeling.

Hen is incredibly smart, so I'm not surprised that she clocked Buck's queerness a while ago. Her telling Karen this, and Karen's agreement means that this is something they likely discussed in private as well. In my opinion, if she was able to clock Buck, there's no way she hasn't also clocked Eddie. She just isn't saying anything because she's a respectful and empathetic person.

Hen wasn't really there for most of Buck's Tommy-arc, but she WAS front and center for all of Eddie's "performance anxiety" around dating women. Trust me, when Eddie figures it out and he and Buck finally get together, Henren will say something along these lines again, I'm certain of it.

And that's the end of this episode! It was such an emotional ride! I loved everything they did with Maddie and Chimney, and the Buddie plot was so fun! I had a blast, and I'm so excited for next week! I get the feeling the latter half of the season is gonna dive deeper into Eddie's storylines. Yay!

[livzees]

Introducing...

My first ever smg4 au called the RivalryAu!

What's this au about? Well, this au is very different from canon. There was no Puzzle Park, Puzzlevision or any of the movies Puzzles has made.

Incoming pitch...

In this au, Puzzles owns a rivalling company for the spotlight in entertainment, competing against Smg4 and his crew. Who will take the spotlight? Who will make the most entertaining piece of media that will win over the audience? Tune in for more...

Onto the two main characters' infos! (and their designs!)

SMG4

-Took up film-making to expand his YouTube audience

-Has his friends to help out

-Thrives to make the most entertaining videos alongside in making movies

-Is aware of Puzzlevision studios, doesn't like that he has a competitor in his line of work

-Quantity over quality

-Pushes out comedic movies, focusing on the funny factor than having a proper story

-Still has his usual persona, likes to be himself

-Has a big audience that loves his content

MR PUZZLES

-Owns a company called Puzzlevision studios

-All of his workers are clones of himself (they do the bts stuff for the company)

-His actors are people Mr Puzzles hired that fit his standards

-Always tries to one up himself to Smg4 and really dislikes Smg4's work

-Quality over quantity

-Works on professional standard movies, focuses on the plot and story rather than comedic purposes

-Keeps up a professional boss persona to everyone (except for one individual)

-Has a big audience that loves his movies

Of course, this is still an early idea, which I will definitely continue expanding upon. Just wanted to share with you guys what I've been cooking up!

[hainuwelle]

The third man theory

Note: This theory takes as starting point Aurora's Fun theory. It states that the invention in which Gaster fell was a new version of a warp door that would have allowed the monsters of the underground to escape to a timeline in which the war against the humans never happened. If this experiment were to work, it would have allowed for a happier ending than the True Pacifist one, because more accidents and deaths would have been prevented.

Sadly, Gaster's experiments went wrong and he was scattered "across time and space". The only other time in Undertale this expression is used is when we call Papyrus in Sans's room, the one that gets us lost in a seemingly endless darkness when we enter it, with a door that suspiciously looks like Mystery Man's grey door and Deltarune's warp doors. This key expression used by Papyrus tells us Gaster's creation and untimely demise should have something to do with these doors.

If this theory is correct, the invention in which Gaster fell would have been under our nose the whole time.

With the FUN theory video in mind, something about Mr. Elegance's dialogues caught my eye.

Evidence 1 - Mr. Elegance, if we didn't previously talk to Jigsaw Joe:

Evidence 2 - Mr. Elegance if we previously talked to Jigsaw Joe:

For a flaming teleportation door one would assume to be magical, the vocabulary used to talk about it sure sounds mechanical and mundanely machine-like : « Fix up », « working on it », « got this door workin’ », « it might break », « fixed that door », « it should work without any issues ». Intriguingly, it looks old, and yet, it is new to the Darkners, who have never seen it before. Is it really Darkner technology?

Of course, to an experienced Undertale player, it looks familiar, similar to the one to Sans's room.

This brings us to my question: Why did Toby Fox add these two different Mr. Elegance dialogues about this door? What purpose do they serve?

It can't be to alert the player that they could malfunction if we haven’t previously talked to Jigsaw Joe, since they always work properly regardless. It’s not like this triggers a side quest asking you to talk to the puzzle man if you don't want a 1/6 chance of the door teleporting you into the void. And they don't serve a comedic purpose either. There is no joke, no punchline. So why warn us about the breaking hazard, if the warp doors never break in the first place ? Why specify that 3 people are needed to get them to work smoothly?

Because this isn’t really about the Scarlet Forest shortcut. The door might not break in the game, but it might have broken somewhere else. This is really about what went wrong with Gaster's experiments.

Time to bring in evidence 3:

First, let's note that this tweet isn't exactly talking about the same situation as in evidence 1 : Mr. Elegance talks about a door that two people got to work and that might break, while Toby Fox talks about a machine that's already broken and that two people could never repair.

However, evidence 2 tells us that when three of them worked on it, the machine should work without a problem. So if we assume that these dialogues are really about the creation that led to Gaster’s demise, this means that the reason things went wrong is because one person was missing.

Two people worked on the machine instead of three, which led to Gaster's disappearance. Yet, we know that two people were trying to repair the machine once it was broken. This means that after Gaster's disappearance, the missing person came back.

Now let's imagine that Gaster formed a trio with two other colleagues that we'll name X and Y. The Royal Scientist is working on a door-shaped machine that would free the monsters from their imprisonment. As the fate of the Underground lies in his hands, a lot of pressure is resting upon his shoulders. The role that X and Y had in this creation is unknown. Gaster could have even built it on his own. But thanks to Entry n°17, we know that shared his experiments with two other people. And thanks to the Japanese translation, we know he was rather close to them.

After the construction of the machine, Gaster and X try to get it to work, but without Y. Maybe they walked away from the experiment, maybe the other two didn't trust them enough, we don't know.

Despite this, they manage to make it work with just the two of them. However, what Mr. Elegance predicts happens, and something goes wrong. Two people just wasn't enough to assure that the machine would work properly. It's too unstable. It malfunctions. Gaster falls inside, is shattered across time and space, and the machine breaks.

Now let's come back to the end of Toby Fox's tweet. ”Neither of them could fix the machine, no matter how hard they tried. No one can." Notice that "neither of them" means precisely two people.

After the incident, Y comes back, but Gaster disappeared. The trio is now a duo. Y and X do everything they can to repair the machine, but can't. No one can. Because Gaster, the person necessary to its reparation, is no more.

If this theory is right, what are X and Y’s identities? And why was Y absent during the creation of the shortcut door machine? A lot of questions have yet to be answered...