#following directions in a book can be a little challenging. but i got it.
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orcelito · 8 months ago
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Crochet Update
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Last night vs right now. The current progress on the maybe-scarf. I might just run out of yarn before I reach actual scarf length, but I'm curious what the full length of one of these yarn balls is. Kinda just getting a feel for it & all.
I Also bought a little book that teaches some crochet basics, and spent some time going through some more stitch styles. The above scarf is made with single stitches, and the following...
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The half-double stitch
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The double stitch
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The treble stitch
Fuck the treble. The process for doing it was so different from the others, I Hated it. Maybe my hands being tired also doesn't help, but I am Grrrr at this one. Final product was okay at least.
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These 3 little bitches took me 2 hours to make. Ugh.
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blackknight-kai · 1 month ago
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Female reader getting eaten out by Wukong and Destined One (separate) while reading a NSFW book (they basically want to give her what that pile of pages and ink can’t😭♥️)
Love your blog, thank you for bearing with our fantasies, take all the time you need, don’t fret yourself over us🩶🥰🩶
LOL this fits really well with a fic I’ve been working on but I wont use that fic for this since I’m waaay not at that point in it.
That said! I think he’d be suuuuuuper into this. So let’s get cookin! N.S.F.W under the cut.
Destined One
- [ ] He finds out you read these smutty books and at first, AT FIRST, isn’t intimidated or jealous about it.
- [ ] That is until he can SMELL you.
- [ ] Smell you? Yes. He’s gonna smell how hot and bothered you get reading your books/scriptures (Modern or past either works here people have always had porn so…)
- [ ] See, thing is, he’s used to you smelling like that for HIM. Or regarding him.
- [ ] So when he keeps catching whiffs of you as you read or after you read hes gonna catch on really quick that while, yes, it’s fantasy and not in anyway a threat to him….he’s gonna see this as a direct challenge.
- [ ] Thats when he gets an idea, he grabs a book you had been recently reading and skims the pages. Wondering what it exactly is that has you smelling so delicious.
- [ ] Later when you come home / see him again he is ready for you. He’s going to show you that he’s better than any book that you clearly find interesting.
- [ ] He is going to have you lie down on your back and he’s going to have the book RIGHT there open and ready. Your job? Sit there and let him work. And also YOU have to read out loud what’s happening.
- [ ] He’d picked out the exact scene he wanted you to read, of course he got you simmering before starting, his hands touching your body sensually and he trails kisses from your lips down your body. Nipping and sucking as he goes. He wants to make sure you’re at least a little bit in the mood before you start reading, and once he can smell that you are..well….get reading Peaches.
- [ ] As you read hes going to nip and lick your thighs, gently squeezing them as well with his strong hands or caressing your body. Keeping you warm and interested.
- [ ] When you come to the spicier bits, well hes going to start acting out exactly what you’re reading. He’d picked out a scene where the main character is getting eaten out of course. And lucky for you, its a long drawn out scene.
- [ ] His tongue and lips will follow each word you read, not moving any faster or slower than what is exactly directed on the pages.
- [ ] He will definitely give little random movements though, just to keep you on your toes. Might plunge his tongue inside you or flick you clit with it. Might sudden shove his fingers in and fuck you with them hard and fast, curling them just right before pulling them out and going back to his sensual movements as directed from your book.
- [ ] If you stop to moan or get a little lost in the feeling of his mouth? He’s going to slow down and pointedly look at you as if to say, ‘Keep reading or I stop’.
- [ ] He’s going to make it so good for you too, since he knows your sensitive spots and what makes you tick.
- [ ] As the scene ends dont worry, he’s got another for you to read. Depending on what it is either he will continue his movements with his mouth OR he will start acting out THAT scene.
- [ ] If he keeps eating you out, well his goal is to make it so you cant focus on the pages.
- [ ] But as the act carries on, hes going to realize just how turned on you are, how sensitive you’ve become during this. Which in turn gets him revved up as hell.
- [ ] Especially when you tell him that you always envision the main characters as you and him in your stories.
- [ ] The next time you try this, maybe he finds another scene for you or you find one yourself. Either way, his going to view it not as a challenge anymore, but as a way to get you both a little extra hot and bothered.
- [ ] He also just might come up to you while youre reading, able to SMELL when you’ve come up to a smut scene. Maybe he will eat you out again, maybe he will fuck you - either way youre not allowed to stop reading.
Wukong
- [ ] Oh he’s thoroughly amused and interested in what has you smelling so damn delicious.
- [ ] Ever curious he snatches your book out of your hand and takes a look for himself.
- [ ] He’s gonna tease you, relentlessly about what you’ve been reading. Not in a bad way. He likes it.
- [ ] But he’s gonna wanna make you squirm at first.
- [ ] “Read it to me Peaches, let me help you.”
- [ ] He’s going to want to give you exactly what your body is slicking for and cant wait to start devouring you while you read.
- [ ] Wukong is going to GET IN THERE. Yes, he may follow what’s written on the pages but at the same time? He just wants to stimulate you and taste you, getting you off while you enjoy your little fantasy.
- [ ] His hands, mouth, and tail are going to be all over you - stimulating and keeping you locked in pleasure and feeling you up.
- [ ] For once, he’s gonna be quiet. At least when he’s not being cocky and mouthy as you have to pause in your reading.
- [ ] But dont pause too long, he wont allow that oh no. You have to keep reading.
- [ ] He wants you to hump up and grind on his mouth and face if youre on your back, if youre sitting on his face he will relish in you grinding down and fucking his face. He will hold you up dont worry.
- [ ] He just wants you to take what you need sometimes you know?
- [ ] He’s DEFINITELY going to seek you out when you’re reading, he wont hesitate to slide your legs open and get to work lapping at your juices and making you come on his mouth.
- [ ] Would absolutely make you read as he finger fucks you, whispering dirty shit in your ear and nipping or sucking on your neck. Pinching your nipples and maybe even getting his tail involved if it’s not being used to hold you up or in a position he wants you.
- [ ] He’s gonna have you on your hands and knees, book open on the floor below you so you can read as he fucks you to a scene youre reading out loud.
- [ ] Honestly, you’ve got him kinda hooked and so are you. Even if it’s NOT a spicy book theres a tension in the air a lot of the time and often you’re gonna find yourself being fondled and made to come while reading.
- [ ] Wukong see’s this as a useful tool to help you two get off even more. Sometimes it gives him inspiration too.
- [ ] If you tell him that you’re imagining him and you as the characters? Hooo boy is he gonna love that. He’s gonna make out with your pussy until you cant stop thinking about his mouth every time you read.
- [ ] Will lick you and pussy warm? Is that a term? Whatever, he could be down there licking you for ages as you read, not stimulating you enough to make you cum - well he might - but he will just suck on you and taste you for however long he feels like if you decide to read for a couple hours. You might come several times.
- [ ] He also might edge the hell out of you. He’s moody like that.
Both:
- [ ] Will transform his tongue, making it longer or thicker as needed to bring you the ultimate pleasure. Especially if youre reading a scene where the male lead has a long cock or a thick one. You’re going to get tongue fucked exactly as the character in your book is getting dicked down.
- [ ] Cheeky as hell and will switch things up at random.
- [ ] Addicted to this new type of play.
- [ ] Will crawl under the covers and go silent, allowing you to have your fantasy while reading as he licks your pussy and makes you come on his tongue or fingers (occasionally his tail) - but generally want you to read aloud to him.
- [ ] Might even read something on his own so he can surprise you with it later.
- [ ] Will read the book to you, his husky voice right in your ear as he fucks you to the words on the pages. (DO does this less often but its even better with his voice as its rough from disuse)
- [ ] Will willingly act out scenes from your books when NOT reading, he wants to fulfill your fantasies and doesnt mind indulging especially since HE can give you everything you read pretty much.
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pascaloverx · 4 months ago
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BORN TO DIE
Summary: In a tense political setting, a Targaryen bastard working as a prostitute is summoned by Prince Aemond to the Red Keep. Aemond wants her to approach his dragon, Vhagar, as a test of her worth. Although he plans for her to claim another dragon in the future, her immediate challenge is to survive Prince Aemond demands while trying to stay alive.
Author’s Note: This work is set in the world created by George R.R. Martin, as depicted in his book Fire & Blood, and none of the characters belong to me. The story will follow some events from the series House of the Dragon (2022), but with changes to fit the fanfiction narrative. Therefore, it will not adhere strictly to the series' storyline. This fanfiction is a work of fiction and may contain inappropriate language, adult content, and violence. Readers be warned. I hope you enjoy the story and interact with it. I apologize if there are any errors in the High Valyrian sections; I used a translator and am unsure of its accuracy. Thank you and happy reading.
AO3 LINK ONE
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PREVIEW
Walking through King's Landing is exhausting. Your life as a bastard has not been easy, especially with the struggle for the Iron Throne. Unsure of which direction to take, you have tried to be invisible to the Targaryens while working in a brothel to survive. This morning, you were summoned by a royal messenger on behalf of King Aegon II. You thought it was a joke, but soon realized you really had to go to the Red Keep. You are taken to whoever summoned you like a little mouse sneaking through the sewers until you reach the surface. Perhaps they don't want to publicize that a prostitute is being brought in for a private conversation with the ruler of the Seven Kingdoms.
"I heard that my presence here had been requested. But I didn't imagine I would be summoned by Prince Aemond," you say as you enter the room indicated by the messenger and come face to face with Aemond One-Eye. He looks a bit more intimidating in person, but in a way, it's not a bad kind of intimidating. Just surprising.
"Ao kostagon enter, bastard." Prince Aemond commands with a certain skill. But you are somewhat worried that he might know you are a Targaryen bastard. So pretending to be oblivious seems to be the wisest course of action for now.
"This is a lovely place. An extremely enchanting castle. However, if you summoned me here for a conversation in another language, I will be a nuisance to Your Highness. Since your request for my presence proves ineffective, perhaps I should leave immediately," you say, trying not to show any hint of fear. You are a prostitute, accustomed to pretending all sorts of things. As you hesitantly move toward the exit of the room, where you are alone with the Prince, he doesn't seem to fall for your ruse. He throws a dagger in your direction, which grazes the corner of your cheek before embedding itself in the door, which is closed.
"Do you intend to waste our time here? I know you speak High Valyrian, and honestly, I’m hating your attempt to deceive me, gundjabo." He speaks while watching you turn, somewhat irritated by his actions. However, the One-Eyed Prince seems very proud of his deed. He is speaking in High Valyrian to you, probably to test you, but you feel that if you do not meet his expectations, the dagger will find its final mark and you will die.
"If you know that I can speak and understand what you are saying in High Valyrian, Your Highness, tell me, what use would a prostitute be to you? Do you, by any chance, have some secret desire in your chambers that requires a different language?" You might lose your tongue for speaking this way to the Prince Regent, but anger got the better of your temper, causing you to suggest that he brought you to the Red Keep to exchange heated vows in High Valyrian, which is nothing but folly.
"Your mouth would be much better sealed forever. But I need you for a mission, so for once, be less of a deceitful prostitute and serve your King," Prince Aemond says as he moves across the room, seemingly trying to reach you. You, however, despite your nerves, manage to grasp the dagger embedded in the door. Now, he stands just a few steps away from you, while you hold the dagger that could have gravely wounded you.
"I think this is yours, Your Highness." Your eyes meet the Prince's gaze. One eye reveals a hint of surprise, perhaps even pride, confirming that you can speak High Valyrian. The other eye, covered forever, conceals something deeper—perhaps resentment, perhaps fear. He approaches slowly, as if analyzing your behavior; likely wary of being harmed. But swiftly, his hand moves over yours, pulling the dagger from your grip and into his own.
"Follow me," is all he says as he sheathes the dagger somewhere in his attire and opens the door. You don’t fully understand his intent, but you know you don’t want to provoke Prince Aemond's wrath. At least not in this way. You follow him quickly, while the Prince seems to be almost racing toward one of the castle’s exits. He mounts a horse with enviable precision. You watch him, still unsure of your role in his sudden departure from the castle. He adjusts his long hair and then extends a hand toward you. You stare at him for three seconds before hearing him grunt in your direction. Seemingly as impatient as possible, he nearly falls off the horse while trying to grasp your arm, but he manages to hold onto it after the first attempt—holding your arm, not falling off the horse.
"Where are we going, Your Highness?" you ask, feeling your hair whip in the wind, as you notice a few people—probably servants of King Aegon II—passing by as if you’re inconsequential. Another grunt from Prince Aemond makes it clear that if you don’t get on the horse, you might be risking your well-being.
"I intend to test you before revealing your purpose. Now I suggest you come with me, or I’ll be forced to find another bastard to replace you and order your death." Prince Aemond seems astonished by your reluctance, forcing you to follow his commands. But really, there’s no other option. You leap toward him, being propelled onto the back of his horse. He begins to gallop with astonishing speed, so fast that you’re compelled to wrap your arms around his waist. He gives a slight turn of his head, looking in your direction, which startles you and almost makes you fall off the horse. However, this seems to amuse Prince Aemond. Before you can react, it seems you’re arriving at a location. A place certainly surrounded by nature, which gives you a comforting feeling despite the unknown. That is, of course, until you notice a massive dragon ahead. He brought you here to become dragon food.
"As flattered as I am by the importance you place on feeding your dragon well, I must say that a prostitute who speaks High Valyrian will not be any more special than any other meal given to your dragon," you say as you dismount the horse, struggling a bit. Prince Aemond is too absorbed in admiring his dragon to notice your struggle to get off the horse.
"Vhagar is a female dragon. And keep your mouth shut for a moment. You’ll soon understand your purpose here," Prince Aemond says, drawing closer to Vhagar. She, with her head lowered, lifts it from amidst some branches and foliage to see who is approaching.
"She is quite impressive. But I don’t understand why I was brought here, Prince Aemond. Is there a reason I need to meet your dragon?" you say as you follow the Prince toward the dragon. Vhagar emits a somewhat shrill noise, making you stop for a moment to look at her.
"I’ve heard that my sister plans to raise an army of bastards. I thought I might at least try to have one bastard on my side. There is a dragon, which has been confirmed to be available to be claimed. I want you to claim it for me and fight alongside your King." Prince Aemond speaks with vigor, as if discussing a great triumph that is to come. You look at him reluctantly, struggling to accept such an absurd proposal.
"You brought me here to force me to interact with your dragon. So if I don’t pass this test, I’ll be eliminated one way or another," you say, looking at Prince Aemond with some anger. He remains indifferent to whether you live or die. He just wants to ensure that he isn’t wasting his time chasing an illusion.
"I'm glad you're not as stupid as you seem. Now, stop wasting our time and go on," he says, as impatient as ever, stopping midway between you and Vhagar. You let out a nervous laugh, not quite believing that this is how you're going to meet your end.
"Likyri, ȳdra daor sagon zūgagon." You speak with a certain precision as you approach Vhagar. It’s not as if your job is to claim her. But if she accepts you, you might be able to prove useful to the Prince. And if you’re useful to him, you’ll be useful to the King. You move your hand forward to signal Vhagar that you are there. You are a nobody to her, but you appear alongside her rider. You look into her eyes, trying to stay steady as the dragon raises part of her body in your direction. She seems to be still assessing who or what you are.
"Gīda, Vhagar. Ao ȳdra daor jorrāelagon naejot zūgagon nyke." You try to calm her, speaking in High Valyrian or at least the most you’ve learned. You’re somewhat terrified when you notice that your hand is on Vhagar. It seems she has allowed you to touch her, perhaps mistaking you for a previous rider. The reasons for the dragon allowing your touch may not be particularly relevant. What matters is that now you’re at risk of becoming dragon food, as Prince Aemond certainly seems very enthusiastic about the fact that you’ve touched, and are still touching, his dragon.
TO BE CONTINUED...
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aestheticaltcow · 3 months ago
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Hi
I read some of your stuff and really liked it and I was wondering
If you could do like a carmy x English major fic?
Like maybe a book store opens somewhere near the bear and it’s Natalie’s babies first birthday and he figures that kids like books and stuffed animals and he’s been too busy to get anything for the party cuz he’s helping Natalie by catering so she doesn’t have to worry about it
So he goes in and he meets reader and she recommends him something (like stellaluna or where the wild things are, like a classic kids book that carmy has somehow never heard of)
But then he thinks she’s really cute so he just keeps finding excuses to go in and talk to her and she starts like regularly recommending him books and everyone’s like “when the fuck did he learn how to read?”
No pressure just thought I’d ask, tysm!
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Written Romance
Carmy Berzatto x Reader
The Bear Masterlist
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 “What do you even get a one-year-old?” Marcus queried as he looked down at the pastel-fruit-decorated birthday invitation. Michelle Witaske-Berzatto’s Berry's first birthday was this upcoming Sunday, and of course, the entire Bear staff was invited.
Carmy shrugged, “Last time I babysat, she played with a paper towel roll for 45 minutes.” he chuckled, remembering his niece squealing as she threw it in the air as much as her chubby little arms could. While he had become one of Natalie’s go-to babysitters, his apartment lacked baby-friendly activities. He’d busted out a couple of his old stuffed animals from Donna’s garage, and he had a couple of soft blankets for her to sit on, but aside from that- he was the awkward uncle who didn’t know what to talk about with a baby. He did like reading about French cuisine with her, but Sugar argued she preferred the story books Donna and their Nona used to read them when they were little. Carmy insisted she was actually a huge Julia Child fan, but his opinion was written off.
Carmy was taking out the trash when he noticed a new bookstore had opened a few storefronts down. He paused before throwing the bags in the dumpster; he’d have to check it out on his break.
~
It had been a slow day in the bookshop, granted days like this were nice since you were behind on homework. You were on a hot streak with your writing when the welcome bell rang, signaling you had a customer. After mentally cursing their existence, you closed your laptop and looked up to see a handsome man. Black Dickie work pants, crisp white t-shirt, and Birkenstock clogs with a reusable tote bag on his shoulder. You bit your cheek as you watched this mystery man approach the counter. “Hey, how can I help you?” your voice cracked subtly enough for him not to notice- or at least not indicate he heard it crack.
“Do you have any children’s section and recommendations?” he asked hopefully. “Well, that depends,” you started as you walked around the counter. “How old is the kiddo?” you asked as you walked toward the back of the shop, motioning him to follow you. 
“She’s one.” Carmy answered, following you through a narrow hallway made up of two overstuffed bookshelves. You nodded, “Well, my nephew loved Stellaluna when he was little- so that’s my go-to.” 
Carmy nodded, “Okay.. any others? It’s her birthday, so wanna get her somethin’ fun.” he explained as you handed him a copy of Stellaluna, “Is this about bats?” he asked as he held up the book to you. You laughed and nodded, “It’s charming- it’s about embracing differences and how different people can be friends.”
You directed Carmy through the children’s section for about an hour. Carmy held a pile of colorful picture books and a copy of a fairy series you’d recommended for when Michelle got older. “You’re really into this, aren’t you?” Carmy asked as he set the pile of books on the counter. You nodded as you began ringing up his purchase, “I’m getting my Master’s in English Lit.”
Carmy smiled, “That’s cool.” 
“Thanks… what about you? Are you passionate about your work?” you challenged as you put each book in a paper bag. “Passion is a subjective experience… I’m a chef- I actually own The Bear.” he laughed, gesturing toward the exit. “Is it nearby? Sorry, I don’t go out to eat often.” you grimaced, hoping you hadn’t offended him. Carmy nodded, “It’s across the street a few doors down.” 
“I’ll check it out sometime.” you smiled, handing him his bag. Carmy nodded, “Sure thing. I’m Carmy, by the way.” 
“Y/N. I hope the little one likes her books.”
“I’ll be her favorite uncle for sure.” 
~
It took a few weeks for Natalie to notice, Carmy was happier. When she went to pick Michelle up she noticed an ever growing stack of children’s books, coloring books, and his not ratty old stuffed animals from Donna’s garage. Something was goin’ on… she just didn’t know what. 
“Is Carmy dating someone?” she asked Syd one night when they were alone in the office. She shrugged, “Honestly, I don’t want to know about his love life.” she laughed at the end. The sheer obscurity of Carmy having a girlfriend after the Claire saga was something Syd didn’t want to wrap her head around. “He’s been going to that bookshop a lot- if he is seeing someone, she probably works there.” Syd thought aloud as Natalie hit print on the document she’d been working on. 
“Hm. Interesting…”. “Natalie trailed off as she exited the office with the paperwork and a pen. She walked into the dining room to get Richie to sign off on an order. She watched him squeeze the bridge of his nose at the host stand. “Stressed?” Natalie commented as she set the documents in front of Richie. Yeah… where’s Carmy? I need to ask him about the menu for next week.” 
Natalie shrugged, “Not sure. He said he had to run an errand?” 
Richie shook his head, “I swear that child is tryin’ to get with this girl- mother fucker learned how to read to impress her. Marcus saw him reading some philosophy book in the office last night.” 
“Hm. I guess I’ll just have to ask him about it.”
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pitchsidestories · 1 year ago
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Arsenal Book Club || Katie McCabe x Reader
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masterlist I word count: 1897
With a satisfied smile Kim Little oversaw the little group of players who decided to stay after the Arsenal afternoon training to participate in the first meeting of the club’s book club: “Great, I think we’re complete now that means we can start.” “We’re more people than I expected.”, Leah Williamson admitted genuine. Next to her Lia Wälti had an amused smile on her lips: “Me too to be honest. Although some of us are more present than others.” The Swiss midfielder could not help but to nod into Noelle Maritz direction who was deep asleep using the stacked books as pillows.
Out of breath but with a huge grin on her face Katie McCabe crashed the peaceful scenery: “Hi guys, I hope you didn’t start without me.” “Katie, you were the last person I expected to come here!”, stunned Vivianne Miedema looked at one of her closest friends in the team. Playfully offended the irish woman asked:” What’s that supposed to mean?”  “I’ve never seen you reading.”, the Dutch striker replied laughing.
You’ve been quiet so far, holding the book club pick in your hands but you’d never miss a chance to mock Katie so you interfered into the conversation with a challenging grin: “You can read?” “You two are so rude. I’ll sit as far away from you as possible but at least I brought the most important thing with me.”, the brunette said, a mischievous look on her face. Her expression made Jen Beattie chuckle:“ Your book?” “No, the wine, Jen!”, the Irish midfielder rolled her eyes. She lived for the drama. “So that’s why you’re here.”, Beth Mead exclaimed delighted.
Innocently Katie looked around her teammates: “Is not that what book clubs are all about? Good company and wine?” “And talking about books, Katie.”, Leah reminded her. The Irish woman threw a cocky smile in the direction of the English defender:” Did you finish a book for once, Leah?” “Of course, I finished it.”, the vice-captain mumbled although her blushed cheeks were telling the truth that she didn’t. Her schedule was just too busy.
Already slightly frustrated about the fact that the evening did not go as planned, Kim groaned: ”Can we start now?” “Yes, please.”, Lia agreed motivated while trying to ignore Noelle’s snore who got louder with each minute that was passing by. Relived the captain sighed: ”Thanks. Wait, Manu that does not look like our book club pick?” “It’s, it’s just the German translation.”, the goalkeeper explained. Sceptical Leah glanced at the Austrian:” Why would you read it in German?” “That way I can understand it better.”, Manuela Zinsberger told them, her cheeks burning red.
Katie changed the topic, holding up a bottle of wine and gesturing towards some glasses; “So who of the ladies wants wine?“ Before anyone could answer, she flashed you a flirty grin; “Does the bookish missus want a glass?“ “Katie! We didn’t even start discussing the book!“, you admonished the midfielder but couldn’t suppress a smile. “So?“, she retorted. Rolling your eyes, you finally gave in, in hopes that this would shut her up; “Okay, fine. You can fill the glasses.“ “Was that so bad?“, she grinned, filling the glasses and handing the first one to you. To your surprise, she did let you have a conversation about the book for some time, during which she made a point to look extra bored. At some point, she got up and excused herself. Vivianne followed shortly after.
At the door to the bathroom, the dutch player stopped her; “Katie, you didn’t really come here for the books, right?“ Katie stood in front of the sink, washing her hands and gasped in feigned shock; “How did you find that out, Sherlock?“ “The way you look at her, Watson.“, Viv replied, arms crossed in front of her chest. The Irish midfielder shrugged unimpressed; “And? What if I say yes? Will you kick me out of your book club?“
A small smile appeared on Viviannes lips; “No. But do you want some advice?“ “No.“, Katie answered quickly which made her team mate frown in confusion. But then Viv just shrugged and stepped in Katies place to wash her hands; “Alright.“ “I can do that without your help.“ “I know but maybe you should try to her hobbies seriously.“, Viv suggested casually.Katie gestured around herself; “I do. That’s why I’m here.“ “That’s cute for your standards.“, Viv smirked. “Shut up, Miedema.“
The smile on the dutch players face only grew bigger, knowing she hit a nerve; “Let’s go back to the others.“ “I thought you wanted to wash your hands for the rest of the night.“, Katie nodded in the direction of the sink. Vivianne turned off the water; “Only until you admitted why you’re really here. Thankfully I can read you like a book.“ “No, you can only read books like a book.“, the Irish woman answered. Vivianne ignored the joke with a shake of her head; “False.“ “No, I don’t have text all over me.“ “You’re such an idiot.“,Viv replied with a mixture of annoyance and fondness before following Katie out of the bathroom.
The striker glanced curiously at the teammates when she was sitting down:” What did we miss guys?” Kim sighed frustrated:” We started to talk about Jen’s love life instead of our recent read.” “We didn’t even finish Leah’s excuses on why she was too busy to finish the book.”, Beth teased the blonde teammate. “She’s really a busy girl.”, you hummed. Immediately Leah started to defend herself while pouting:”I am! It’s not my fault.”
Innocently Katie turned to you:” Maybe you should tell us how do you make time for reading while having a busy schedule aswell.” “Or we could keep talking about Jen’s dating dilemma.”, you proposed the idea with a wink in the direction, of the older Scottish woman.  “Or we could finally start talking about the book”, Kim added already feeling her evening plan going of the rails tonight. Slowly you agreed:” Yes, that is an option too.” “Sounds boring.”, Katie mocked you two.
A big smile was on Beth’s lips as she nodded:“Honestly, especially because Jen’s dating stories are always so funny.”  “I give up. Katie, can you give me some more of your wine`”, the captain groaned, hiding her face in her hands. Motivated the Irish woman stood up:“I’ll gladly do that!” “Thanks. Cheers to you all .”, Kim mumbled with a defeated smile. A wide grin was on Katie’s face: “Cheers, captain!”
“Tell us some of them, please.”, Meado begged. Smirking the Scottish defender reassured her:“Yes, don’t worry I’ll.” Jen loved to tell the stories, everyone in the team knew that and they loved her art of storytelling. Playfully she scolded Katie and Kim:” Shut up you two. We’re trying to have a conversation.” “Tell them about your date last week.”, the captain demanded. Happily Jen shook her head:“No, I might see her again.”  “Wait, what?!”, Kim blurted out in surprise. The defender laughed because of her long time friend’s expression:“You heard me.” “Really?”  
“That’s more interesting than the book, right`”, Katie leaned over to you with a cheeky grin. You rolled her eyes because of her comment: “Oh please.” “You can’t tell me, it’s not true.”, the Irish woman said. A small smile was on your lips while admitting:” Maybe I do enjoy a little bit of gossip here and there.” “I know you would.”, the midfielder triumphed. “You know that gossipy books exist too?”, you tried to remind her. “And what should they gossip about?” Confidently you told her:” I’m sure I could find a read for you which you could not be able to put down.”
“I’m sure you won’t be able to.“, Katie answered, shaking her head with conviction. You raised her eyebrows at her; “I disagree. We don’t live too far away from each other so maybe you can come with me after the book club ended and I can give you your book. The one that was just waiting for you all this time and you didn’t even know it.“ “Okay, fine. I’ll come with you.“, she answered faster than you expected. “Alright.“ Jen interrupted you two, calling for attention once again; “Guys, could you stop talking for a second. I’m here telling you my story.“
“Oh, you know, we were about to leave anyway.“, Katie grinned and drained the rest of her wine. You smiled apologetically at Jen; “Katie can’t wait to hold her book recommendation in her hands.“ “Pretty sure it’s not the book she wants to hold in her hands.“, Noelle mumbled with a yawn. “Oi, Noelle, we thought you were asleep!“, Beth yelled out in surprise. The Swiss defender grimaced; “That’s impossible with you all constantly talking.“ “That’s not true. You were sleeping at least in the beginning.“, Lia chimed in. The two Swiss players started discussing while Jen continued telling her dating stories and Kim rubbed the bridge of her nose in annoyance while you left with Katie.
To your surprise, your Irish team mate got a lot less annoying on your way back to your flat. You opened the door for the two of you and led Katie into the kitchen; “You can wait here and I’ll get you your next read.“ “Okay, I’ll wait.“ “Got it!“, you called from the living room when you finally found the perfect book and returned to the kitchen with it. Katie turned the book over in her hands; “Thanks.“ “You’re welcome.“, you smiled brightly. “So…“, Katie started as she carefully put the book down on the kitchen table. “Yes?“ “Now that we’re alone…“ The smile disappeared from your face but instead you gave your team mate a curious look; “Was Noelle right? That you’d like to…“ You couldn’t bring yourself to finish the sentence as Katie bridged the distance between you two. “I’d like to kiss you actually.“, she answered, more earnestly than she had been all evening.
With a challenging look you leaned forward; “Then what are you waiting for?“ “For you to give me the go.“, she explained, her eyes sparkling with excitement. “Go on then.“ Without another word she pressed her lips on yours, kissing you passionately like it’s the only thing she wanted to do tonight.
When you woke up the next morning, you weren’t surprised to find Katie in your bed. You knew she stayed the night. What actually surprised you was the fact that she was reading in the book you gave her. “Wait. Am I still dreaming? Katie McCabe with a book in her hand?“ “It’s just for decoration. I’m trying to impress you.“, she replied fast but only reluctantly took her eyes off the page.
You smirked at that; “Yeah, it’s a pretty sight. But tell me is the model hungry?“ “Always.“, she laughed, so you got up, pulling an oversized shirt over your head and headed to the kitchen; “Breakfast will be ready soon.“ “I even get breakfast?“, the Irish midfielder asked in surprise. “Yes.“ “What a service.“, she teased.
You were just preparing the pancake better when you suddenly felt her strong arms around her waist; “I’m trying to cook here, McCabe.“ “Oh really?“, she laughed, her lips close to your ear. “Yes, or did you mean hungry in a different way?“, you asked. She replied by playfully biting the skin on your neck; “I meant it both ways.“
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occamstfs · 9 months ago
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How To Be A Father
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This was meant to be a shorter one but it seems to have gotten away from me, I hope you enjoy! I’ve got a special one coming later this week! Gonna do a little epistolary/diary multi TF to celebrate 500 Followers !! - Occam
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Franklin’s older brother, Jack, was a soon-to-be dad, he is terribly nervous about raising a kid, as anyone should be. Franklin was looking for some way he could show his support. His eyes scan the shelves of the local bookstore, sure that there must be something of use in the advice section. He has only just graduated university and remains in a sea of uncertainty but at the very least he could buy his brother some pittance of a self-help book.
There wasn’t exactly a sea of options available, many of them were clearly religious, some were on raising children in other cultures, one particularly gaudy one was a guide on rearing the perfect American citizen. Franklin prepared to throw in the towel and order a book to be delivered, before at the end of the aisle he saw a simple clear cover, upon which was written, “How To Be A Father.” It didn’t even have the author’s name on the front. Franklin couldn’t help but let his interest be piqued as he goes to pick it up.
As he does so it’s almost as if the lights of the store dim as the monochrome cover continues to call out to him. Before checking the contents he checks the back looking for any hint of what lies between the pages and finds another completely featureless page. At this point Franklin’s eyes would usually roll as he returns this obnoxious marketing mishap to the shelf, but instead his brows furrow. He simply must know what is inside. He rushes to open to the first page as his mind can only obsessively demand the contents of the book. 
He opens to the middle of the guide, stumbling on a photo of what may as well be the platonic ideal of man. Franklin’s stomach lurches in discomfort, his heart pangs knowing he could never be such a man, as the image in front of him. His eyes trace the jawline defined even through a dense beard. He hungers to be even a hundredth as masculine as the imagine in front of him. Franklin glances at the next page hoping for some recipe to be just like him, rubbing his hairless jaw as he turns eyes blurring as he reads the sentence:
"A Real Father Is Strong."
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He audibly grunts as he reads the sentence and holds that exemplar of man in his mind. He doesn’t dare desire to be a father, but strength. How could he not want that? He looks down the page hoping for work out tips but his eyes find no purchase as the words blur together. Nevertheless he stares at the smudges, willing them to give him answers, as the book begins to work its own will unto him.
Franklin has spent little time on his body. It has never been a priority for him, and yet now he wants strength? The book grows warm in his hands as his eyes roll back. He bites his lip as he feels the warmth begin to surge from the book into his arms. Veins begin to bulge in his hands as they continue up his arms. His hands grow calluses from day after day of lifting iron. His forearms burst forth growing to a size larger than his calves are currently. He feels his shirt soon grow tight around his biceps as muscle begins to bulge. Thick veins appear down the direct center of his arms as he is overcome with pleasure.
The strength does not stop flowing into him as his arms start to rip open his sleeves however. Just as soon as his massive biceps make room for themselves his chest begins to demand its own attention. Muscles that he didn’t even know he had cramp on his chest as pecs burst out of his chest shooting buttons down the aisle. Just after this he feels his back expand similarly giving him a wingspan he never dreamed he could achieve. His knees buckle as he feels the warmth force itself into his lower body. 
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He slams to the floor loudly as his growing limbs fall out from under him. Sensing challenge from the forearms his calves rip holes into his pants as they reach a size and definition of a bodybuilder and his thighs swiftly follow suit creating a tear from his waist down to his feet, fully exposing Franklin’s lower body as he struggles to stay conscious. Not to be out done he feels his feet begin to press against to press against the boundaries of his shoes, the tongue bulging out as he starts to hear the fabric tear before he’s interrupted-
“Um, Excuse me sir? Do you need help up?,” asks a clerk at the bookstore, seeing Franklin on the floor.
Franklin’s face blazed red at being caught in such a compromising position as he shoots up to standing. “I! So sorry I don’t-“ he struggles to explain what he thinks happened having fully lost himself in his growth. As he looks down at himself however he sees that although his clothes are fitting tighter, there are no rips to be seen. His nipples make themselves well apparent through the polo, but his sleeves remain untorn, and his pants hug his waist and ass but are clearly in one piece. There is also a massive bulge in his pants though it is thankfully not growing at the moment.
Franklin starts to make small talk with the clerk who checked on them but before getting very far he is thrown off guard as the clerk replies, “I don’t know sir”. Why the kid keeps calling him sir? Kid? Franklin is sure they’re about the same age the kid can’t be less than  twenty three? Well wait? Franklin isn’t twenty three either, that had to have been? Franklin feels his mind start to heat up as a massive headache starts to build. He stares down at his feet as the clerk once more grows concerned.  
The problem does not stay for long however as he sees the book he was so obsessed with is on the floor. That can’t be right! As he goes to pick it up he finds it is on a new page! Excited to learn what new wisdom lies in store he is greeted once more with an all too eye catching man. It’s a mirror selfie which should have no place in what is presumably an advice book. His body is absolutely shredded as he smirks from the page, but even more eye-catching is his massive cock.
Franklin does his best to look away from this clear attempt at softcore porn lest he have yet another issue growing out of his clothing. Unfortunately the text opposite the image is even less help to this end, Franklin can’t help himself but read:
"A Real Father Is Horny."
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If the power flowing into him from the book filled him with pleasure, it was truly nothing compared to the energy and desire burning through his veins now. The clerk's eyes widen as the sound of fabric stretching emanates from Franklin’s crotch before being immediately followed by the loud tear of a zipper bursting off. He quickly looks away before seeing whatever has apparently burst from Franklin's pants as he stares at the man in shock.
The embarrassment only heightens Franklin's ecstasy, his clothes caress his powerful body as he feels his balls pulse as he feels them shift into overdrive, begging Franklin for release as they fill his barely hanging on briefs. Briefly keeping his lust at bay he looks up to see the clerk still in front of him and chokes back a grunt of hunger. His body flexes to pounce before he hesitates, god, he looks like he could be my kid. But that would- That can’t be right. 
Before he can question any further he feels his balls grow even bluer as his cock begins to create rips in his underwear. Putting off his lust just long enough to avoid criminal charges he runs from the man who he could have sworn was his age, or his son’s age? His breath catches in his chest as he storms down the aisle. He feels his nipples scratch against his shirt as pre soaks through his increasingly torn briefs. He clenches his jaw to avoid moaning as he leaves a trail of sweat in his wake, barely making it inside the restroom and locking the door.
The cool air shocks his body as he holds his sweaty body against the door. Directly across from him is the mirror, seeing himself sets his hunger aflame higher than anybody can sustain. He sees his cock fully burst from his pants, sticking out straight from his crotch, the length he would’ve sworn his forearm was. Looking back to the mirror he flexes at himself and fully loses the ability to hold back. He moans as he cums without even touching his cock. His balls pulse as they continue producing five more loads to take the place of this one as he slides against the door, leaving a trail of sweat on the door as he moans and closes his eyes.
When he reopens them he finds himself in a thankfully different scene. There is no sign that he came all over the floor of a public restroom and he did not have a boner burst from his pants in front of that clerk. He’s been this horny his whole life, he knows how to handle himself. Fuck did he turn him on though. Franklin decides he needs to masturbate more, can’t be getting so horny for college hunks now that his son’s going to school. Fuck! He doesn’t have a son! Franklin knows something horrible is happening but before he can even start to make a connection he sees in front of him, precisely where he thought he came on the floor, his book. Lying open to a new page. He hasn’t the willpower to even feign resistance. He sees a powerful bear of a man. Franklin craves his power. He craves his virility. He needs to be more like him. He doesn’t even need to read the page opposite for it is already ingrained into him.
"A Real Father Is Mature."
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He burps as his tight abs quickly begin to soften and slightly bloat into what can only be described as a dad bod. He rubs his still growing stomach as his pubes inch above his waistline and shadow the whole of his torso.  His body loses definition though he of course exercises to stay tight and strong as any real father should. He feels his hairline then as dark arm hair inches up towards his shoulders. He smirks as he reaches up to scratch at his ever-present stubble. Exposing his hairier pit to the fresh air, he laughs as his mind is filled with thousands of jokes, each worse than the last. You could say he’s Armed for every occasion he laughs as he flexes at himself in the mirror, each chuckle sounding deeper than the last.
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Frank looks in the mirror ahead of him and feels and starts to chub up once more. He looks younger than he remembers being, although with each laugh at his own jokes his hair starts to grey and his forehead lines grow deeper. Each final change cementing him as a real father like the book suggests. He needs to go try these dad jokes out on an audience now. His son Jack would love to hear them.
Frank feels content looking at the book in front of him. This will be the perfect gift for his kid. This thing’ll make a dad out of anyone, lord knows it's worked wonders for him! Frank chuckles to himself, as his stubble grows out into a beard, thinking about whatever less-than-clever joke he’ll tell his son when he gives it to him as he heads out of the bookstore. He eyes the clerk that went to help him earlier as a hunger begins to build within Frank once more. The twink seems to be looking at a book on the shelf as if he’s never seen one before. He starts to reach out to its white cover as he thinks to himself, couldn’t hurt to see what’s inside.
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b1rds3ye · 1 year ago
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Task Force 141 but it's Battlefield's Bad Company - a unit of disgraced soldiers who are valued no higher than cannon fodder but who are also too skilled to simply get the boot. Despite being thrown at the most devastating threats, they are low on resources and lack respect from the rest of the military. No one bothers learning their names, they're not expected to last more than a week. But a small unit of them always manage to pull through.
Captain John Price says he only took up Bad Company because he was given an offer of early retirement if he survived leading the dredges of the military. In truth, he's gone off the books one too many times, his last mission had him temporarily A.W.O.L. as he pursued what he believed was right. If the military can't silence him with retirement, they'll silence him with Bad Company where they'll throw every mission under the sun at him until he inevitably falls. He doesn't comment on how his last official mission went, but if you ever bring up General Shepherd he says he has a special bullet reserved for that bastard.
No one knows exactly why Lieutenant Simon "Ghost" Riley got into Bad Company, he doesn't say. In fact, no one knows shit about him. All anyone knows is that he's a damn good soldier, the longest lasting in Bad Company - he transferred even earlier than Price. Simon says he willingly transferred here because he thrives with the freedom and informality compared to the standard military and no one dares comment on how utterly unhinged that sounds. Still, his personality seems to fit the story; he's not afraid to go off the beaten path to reach the mission objective which seems to have taken out everyone but him.
Sergeant Johnny "Soap" MacTavish is just a menace, but a crafty one which is a problem for the military. He enjoys being demolitions expert and one day got too bored and a little too curious. Destroying physical objects would be too obvious but he may or may not have infected the military system with a virus to see what sort of information he could extract. He learnt the hard and very expensive way that he has a knack for hacking. Perhaps that's why they transferred him to Bad Company, with trash-quality guns, outdated tech and precisely negative ammo, there's not much destruction he can wreak. Well, that was likely the thought process but Johnny's always loved a challenge.
Sergeant Kyle "Gaz" Garrick was framed - he presumes. He excels in all the drills, his performance is promising, he follows all the orders, and yet he's here. What he doesn't know is that he doesn't have the personality superiors desire. He questions too much, he's far too open minded, he can't be molded like other soldiers. He's stubborn - they transferred him because he filed one too many complaints of inefficient directives that could be boiled down into polite military speak of "screw you and your orders, I have a better way (P.S. may your tea always be lukewarm)". He's annoyed the big bad men at the round-table and now he's paying the price. Fortunately, those are the traits that thrive in Bad Company and the exact traits that prompted Price to take him under his wing.
And that just leaves you, the newest member on the brink of promotion to sergeant until you were transferred into Bad Company. You're jittery, you've heard of the nightmare that is Bad Company, how it contains the worst of the worst (and yes you are aware that it apparently includes you now). When you step off the helicopter, you repeat your simple goal - to survive this one mission with Bad Company so that you can go back to your squadron and get your damn promotion.
But as the mission progresses you find yourself getting closer to all the members of Bad Company. You look back fondly at the memory of Price forcing the rest of you to run back into gunfire to retrieve his stupid bucket hat, the same hat he plops on your head if you're ever too on edge. You can only feel thankful for Ghost's unconventional medical advice - you have to give it to him, this discount Bear Grylls has saved your life more times than you can count. You look forward to the new creative ways Soap will blow up an enemy cache, or watch as Gaz hilariously tries to mimic your direct superiors with an overly high-pitched voice as Price begrudgingly talks to them over comms.
And that's when you realise that there will be a day where the mission is inevitably over. And instead of looking forward to your transfer back, you find yourself wanting to risk your life every day with your beloved bunch of military misfits, the group of you against the rest of the world, than whatever stuffy perks come with being sergeant.
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Call of Duty Masterlist
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quibllyfish · 6 months ago
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Hello! I was wondering if you might like to write either a set of hcs or small Drabbles for (pre-established relationship) Satan x MC? In which MC is shy, sensitive, quiet, likes helping around, maybe comes off as a pushover at times, gets flustered very quickly, and gets startled easily (or you can add/remove any of these if you’d prefer!). So a lot of the brothers think that MC wouldn’t even bat an eye towards Satan, yet on an Asmo night, while playing truth or dare, Asmo asks MC about their opinion on Satan. MC answers very bashfully saying he’s really admirable, he seems gentle and sweet. I’m very curious to see what the brothers think! You can add in any brothers you like for this Asmo night!
Have a lovely day!
౨ৎ﹒Satan x Reader : Late Nights With Strays.𝝑𝝔
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﹕ An unlikely relationship begins to bloom between a lovely human and the avatar of wrath / 1102 word count
૮꒰ྀི∩´ ᵕ `∩꒱ྀིა:❝—I mightve went a little overboard with this ask, but I couldnt help it! I am a SUCKER for an opposites attract trope, okay? I will admit that I did take some creative liberties with the prompt. Please enjoy!! And BTW! I did not proofread this at all, I hope it's readable ꒱ . . ♡
From the first day you arrived in the devildom ALL of the brothers realized you had a bit of… A faint heart?
Despite your attempts to put on a brave face and take the reins of a challenging situation, it was a bit obvious you were way out of your comfort zone. Shaking hands, a wavering voice, averting eye contact; you weren't aware of any verbal agreements on the matter, but it was safe to assume the brothers collectively decided the best way to ease you into life in the devildom was to tone down their very.. vibrant personalities.. and try their best to hold themselves back for a bit.
This effort admittedly did include trying to minimize your interactions with Satan as much as possible.
It wasnt that he was bad!! No! Perhaps it was just that they didnt desire their sweet, skittish human to be forever traumatized from witnessing Satan attempt to rip another demon limb from limb.
Eventually, however, these attempts proved fruitless. Even though you were easily coaxed into following directions, it became obvious (and annoying) that you were being ushered from place to place, shielded from experiencing the full extent of this new realm. In a small act of rebellion, you stayed up until you were pretty sure the rest of the house was asleep.
Wandering through the home's many rooms, eventually you find your way out the front door. Something you see in the distance makes you genuinely question whether or not this is a dream; surely that's not a certain green-eyed demon attempting to coax a cat out of the house of lamentation's flower beds?
When Satan notices you approaching, he's instantly in the middle of contemplating whether he should turn tail and immediately leave or question why you're out so late. Before a decision can be made, you're sat down in the grass, tempting the feline by swaying a plucked flower in its line of vision. To his surprise, it not only entertains the hunt, but after one foul pounce it decides to find a comfortable perch atop your lap.
" It must be very lonely, being such a tough kitty and braving the devildom alone, " You coo, scritching the cat's chin, " You're not mean though, no, you're a big softie! "
Remembering Satan's standing behind you, you crane your head towards him, " Look! I made a new friend! "
Perhaps.. You had just made two.
After that night, going out after the sun fell past the horizon to spend time with strays (and Satan) became a regular occurance. The mystery of why so many feral cats began roaming the area of the HOL was baffling to most, but the two of you basked in knowing it most definitely was due to your habit of feeding them late night snacks. Each feline eventually got a name, many after book characters. These nights with strays eventually were followed by late night walks, and eventually the walks were followed by Satan reading aloud to you in the comforts of his room.
Sometimes—and these nights were your favorite—you would doze off, leaning your head on his shoulder as he read. Only to find yourself tucked snuggly into your own bed the next morning. Often there would be a note on your bedside table, summarizing where the story last left off. It might've just been a dream, but you could've swore he kissed your forehead while you were half asleep.
As for the other brothers, they were none the wiser of you two's after dark expeditions. This is why tonight's game of truth or dare became so interesting.
Each avatar of sin (excluding Lucifer, who had no patience for silly matters such as living room sleepovers) sat in a circle with you on the floor of the living room. The activity? Truth or dare. Giggles lingered over the hilarity of the last dare, as Mammon was forced to down a deadly concoction of every condiment inside the fridge mixed together. To be honest, it seemed to even rival the horrors of Solomon's cooking.
As the turn fell to Asmo, a giddy smile tugged at his lips. He twisted to face you, taking your hand in his own, " So! What will it be? Truth? Or, are you brave enough to pick dare? I pinky promise I'll go easy on you! "
Whilst you felt inclined to make Asmo's day by choosing the latter, you did not feel so inclined to subject yourself to any sort of embarrassment. Tapping a finger to your lips, you feigned being lost in thought.
" Hm.. I think... I'll pick truth! "
The avatar of lust let out a whine, " And I had the perfect dare too..! Well.. The truth can be just as entertaining! This'll be juicy- so, tell me… What do you think of Satan? "
For a moment, the entire room fell silent. To everyone else, this was an obvious attempt to stir up drama- perhaps, Satan, with a bruised ego, might storm out angrily. Or worse..
Mammon groaned, " Dont make em'- "
You tutted, interrupting your greedy guard dog before he could even finish that thought. Glancing in Satan's direction, you could tell he was eyeing you with curiosity. In a way, it might've been a bit entertaining for him; like you both were in on an inside joke that his brothers were none the wiser to.
" Satan is, " you smile, looking down at your hands, " Well! He's- how do I put this.. I think getting to know him has been one of my favorite parts of moving here. "
The room, quite literally, was too stunned to speak, but the sparkle of interest in Asmo's eyes told you he wanted to know more.
" That might sound silly! But I honestly think- you know, and I dont wanna embarrass you, Satan- but you're really sweet! And… And you always try to make sure I feel comfortable and safe when we spend time together! Honestly, I think the devildom feels more like home whenever we hang out? Thats- geez, that's a dorky thing to say, "
Before everyone can erupt with complaints, Asmodeus squeals like a school girl, " This is SO cute! Awwwhh! My favorite human- and my little brother! Friends! So so unexpected, but so so cute! How did I not notice?? "
You're instantly pulled into a hug as Asmo gushes about how adorable you are, but you swear that you saw out of the corner of your eye- Satan's flushed face, adorned with a soft smile.
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muffinsin · 10 months ago
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Hey muffin. A lot of people tend to write the sisters as Cat like. With the purring and tendencies. I know you've mentioned it before. Along those lines how do you think they would react, if at all, to a laser pointer? I saw an image of this somewhere and was wondering what you thought.
Absolutely! HC them as cats is funny
*I need this meme of Alcina throwing the canon table*
(Post mentioned about purring and cat tendencies : here)
Let’s get into it! :)
Masterlists
Bela
She sees the red laser dot immediately, and immediately her head turns in its direction
You see her study it, almost. Maybe, to deem if it’s worth her time
Bela is the type to attempt to play it cool, really
Yes, she has this urge to catch it, but doesn’t want to make it obvious
As the laser pointer dot is moved to her bed, she will, slowly and elegantly, move over to sit on it
If it’s moved to a wall, she will get up and stand next to it, but not pay the dot any mind at all
In fact, she will do her best to seem uninterested in the shiny thing
And it does appear to others like she isn’t interested at all, until…
SLAP
Her hand slaps over the dot, with her sharp nails out and digging into the wall
Of course, she dislikes this feeling
She jumps and swarms, higher than you’ve ever seen, and pulls her nails back out, just to immediately tackle and cover the dot again
When you move it, she lifts her hand, confused how her prey got away
She keeps following the dot, and tries to slap her slap over it again, slow, steady movements
Bela has a bit of a fragile ego at times
Allow her to catch the dot and only continue a while after, or she will deem it as
“Stupid, below her, not worth it anyway” and ignore it entirely while she pouts
You might want to be careful, too
Bela- she has her eyes on the dot, yes. However…
She will figure out where it’s coming from
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Cassandra
A toy? A toy!
She is already chasing after it the second the sees it
Doesn’t matter what is in the way, either
Chairs? She’ll knock them over trying to catch the stupid little, glowy dot
Tables? She flings herself across them
Curtains are pulled down and walls are scratched
Vases are shattered and decoration flies about the place when Cassandra mindlessly jumps into them
Cassandra already likes glowing things. This is the best, though
Cassandra, despite not as much as her younger sister, can be very energetic at times
And very stubborn
She won’t rest until she has the damn dot
When she clasps her hands over it and it disappears, she tilts her head in confusion
She isn’t quite sure what the laser pointer is or does, but knows she wants that dot
She runs into walls and slips on the floor, but keeps chasing the damn dot
You’ll need to move it fast, and everywhere
Cassandra wants this challenge
She attempts to bite the air to catch it, to no avail
Only once has the laser pointer almost been taken from you
When you played as usual and kept aiming it, and spotted Bela sitting in the corner, reading her book
You aren’t sure why you couldn’t help but aim the enticing red dot right at her forehead
Of course, Cassandra tackled her sister to get the dot
With her sister holding her up by the collar of her dress and Cassandra hanging unusually calmly- merely pouting- the laser pointer was snatched from you
Cassandra claims she’s killed the dot
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Daniela
Ah, Daniela. It seems, she has endless energy
Luckily, this is a good way of letting most of it, if not all, out
Daniela immediately chases after the dot
Immediately. Its attack on sight
Like her sister, she doesn’t care what she knocks over or destroys in the process
She’s having her fun, and Alcina could never be angry with her anyway! At least never for long
Daniela can be occupied for hours, merely to chase the little dot
She loves when it’s high in the air and she needs to jump and swarm to get it
Unlike her sisters, she attempts to bite it rather than catch it with her hands, most of the time
When she does so and the dot disappears, as her head covers it, she immediately whines
She doesn’t know, it’s now merely at the back of her head because she’s covering it
When she turns around and crosses her eyes upon finding the dot on the tip of her nose, you aren’t fast enough to react
With her hands slapping against her own nose, you only hear a whine and a long, drawn out “Ouwwwwww!”
You are demanded to kiss it better
After this, the hunt goes on
It keeps going for hours and hours, with Daniela laughing and giggling nearly constantly, bouncing about the room like a little ball trying to catch the laser pointer dot
When you notice her energy slowly drain, you move the laser pointer less drastically
With a bite into the air again, you turn it off. Daniela is sure, she’s caught it, and makes a comment about it tasting like a mouse
At last, she flops down on top of you, snuggling and dozing off, demanding head scratches and plenty of kisses for her job well done
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thisapplepielife · 10 months ago
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Written for the @steddiemicrofic February challenge.
So Here Is Us
February Prompt: Edge | Word Count: 509 | Rating: T | CW: Post-Apocalyptic, Pre-Existing Injury | Tags: Canon Divergence Post-S4, Hurt/Comfort, End of the World, Survival, Just the Two of Us, The World is Bleak, But We're Together
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Steve's been walking forever. 
He was goddamn certain there was a town nearby, and now he's scared. Scared he's made a mistake. Scared Eddie can't survive him being wrong.
Steve studies landmarks, memorizing his way back to the abandoned building. Back to Eddie. He repeats the directions he's been making up in his head:
Straight towards the burned out car, past the tall tree, turn at mile marker 365…
With no map, he repeats these markers, over and over, making sure he'll be able to find Eddie again, because if he doesn't, they'll both be dead. Eddie from infection; Steve from the insanity of finally being truly alone.
Eddie had looked at him, his expressive brown eyes shining with pain and fever, and begged Steve not to go. Begged Steve not to leave him. Steve hadn't wanted to, had scrubbed his hand over his face, pinching his nose, terrified, and trying not to show it.
But, Eddie can't walk anymore.
So, Steve had to leave him somewhere safe, stashed away from monsters, despite every instinct in his body telling him no, don't because you don't split up. That's rule number one. But, Eddie's got an infected demobat bite on his side, with lines of red shooting upwards, towards his heart. He's balancing on the edge of trouble, real trouble.
Steve's scared to death if he doesn't find antibiotics that Eddie won't survive the next few days. And if Eddie goes…
Eddie can't go, can't leave Steve all alone out here, on the raggedy edge.
Civilization is gone, decimated by Vecna, and yet, somehow they've survived. And Steve needs them to keep surviving. Needs Eddie to keep surviving.
"How will you find me again?" Eddie had asked, sweat dripping down his temples, as he tried to hold back the shiver that wanted to break free.
Steve had held Eddie's overheated face in his dirty hands, and pressed his dry lips to Eddie's, "I'll always find you again."
Now, when Steve finally sees the abandoned small-town pharmacy, he wants to cry. The sign says Steve's Pharmacy, and he wonders if he's dead. If this is a nightmare Vecna's trapped him in. 
No. He doesn't have time for a crisis. Eddie doesn't have time for Steve to have a crisis. The door to the pharmacy is standing wide open, already ransacked. 
But the pull-down gate over the pharmacy hasn't been breached, somehow, and behind the locked metal barrier are shelves full of pill bottles.
Steve digs in his backpack, gets his bolt cutters, and goes to work. It's hard, nearly impossible, and his hands are blistered and throbbing by the time he's made a hole large enough to squeeze through. 
There's a drug reference book on the counter, laid open, abandoned, and Steve reads. Finds the matching bottles, stuffing his backpack full. Taking everything he can carry. 
Taking the book, too. They'll need it again, he's certain.
Back on the abandoned street, he starts repeating as he walks:
Turn at mile marker 365, past the tall tree, towards the burned out car…
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Notes: This was set in the same little universe as my fic for the November prompt, Miles to Go, was. Can be read alone, or continued there, if you're so inclined.
Title is from a quote from Serenity: "This job goes south, there well may not be another. So here is us, on the raggedy edge."
Picture is from The Walking Dead. I was like, "I need an abandoned pharmacy, like the one that was in that early ep of The Walking Dead. Maybe I can find a screenshot." I did, and but I definitely did not remember it was called Steve's Pharmacy. Hilarious. That was just a gift from the universe, lol.
If you want to write your own, or see more entries for this challenge, pop on over to @steddiemicrofic and follow along with the fun! ❤️
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sweetladyjustice · 3 months ago
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This is a repost, because I think my visibility settings were preventing it from ending up in the tags.
Here's a little something for @bloodweaveweek Day 1: Firsts.
Life got away from me (I blame Dragon Age) so my BW Week responses will just be updates from stuff I'd written for a Discord creativity challenge during March. This was going to be a part of a longer fic I wanted to write, but I've since changed direction.
Be warned: sappy, soft, and really self-indulgent! Takes place three years post-game.
~~~
Their life was simple. 
The sun was setting over the water, casting brilliant reds and pinks across the horizon. A carafe of good wine sat on the table between them. Astarion was sprawled on the chaise, facing the setting sun and sitting up just enough to sip his wine, reading the weekly gossip rag. He was particularly curious about the love triangle that had caused near-blows at last month’s soiree at a minor lordling’s manor. He and Gale had been invited to the soiree, but declined as Karlach and Tav had been passing through Waterdeep on their latest adventure. Now Astarion was regretting not having gone, even if it had meant missing out on an evening with his friends. He hummed and turned the page, eagerly continuing the story.
Gale sat across from him in a wicker chair, an ancient book about some kind of esoteric magic balanced on his lap. Occasionally, he asked Astarion for an opinion on spell techniques. Astarion mostly answered in grunts and shrugs, more focused on his own reading. 
Life was very boring. But Astarion loved it. 
Gale broke the companionable silence.
“Do you want to do anything special for your birthday?”
“Gale, I love you, but I do not understand a word of what you’re reading from that dusty old book. Wait.” Astarion dropped his reading as Gale’s words finally registered. “My what?”
“Your birthday! It’s in three days.” He winked at Astarion. Winked. Astarion scrunched his face into a frown as Gale continued. “And, if I may point out, it’s a significant one!”
Astarion sat up and topped off his goblet of wine. He reached for the carafe and poured himself another generous glass. He would probably need it for wherever this conversation was going. “Significant how? And how did you know? I didn’t even know my birthday. Not until this very moment, anyway.” 
“It was etched onto your headstone,” Gale answered, as if it was the most obvious thing in all the realms.
“Oh, right,” Astarion responded. Then he flashed Gale a wicked grin. “I don’t remember what my headstone said, but I remember what we did on my headstone.” 
Gale ignored him and pressed on. “Per the dates, you were 39 years old when you were turned. The ‘clock’, so to speak, restarted on aging for you after we returned the Crown.” Astarion pursed his lips at the mention of aging, but Gale didn’t notice. “This is your first birthday since your mortality was restored. Do you know what that means?”
He wracked his brain, trying to think of human birthday customs. “Ah! Yes I do. You will be taking me out to a very expensive dinner followed by a night of mind-blowing sex?” 
“Well, yes, we will certainly be doing that,” Gale said, with an almost dismissive wave of his hand. “But what I mean is, you’re turning 40!”
Astarion blinked, then laughed. “Oh, I’m older than that. I was born in 12-something, and it’s…” he paused, thinking. “It’s 1494.”
“It’s 1495.”
“Oh. It’s 1495. That means I’m actually…” he paused again. “Well, it means I’m actually much older than 40.” He shrugged. “But if you don’t want to count all those undead years, I can accept that.” He took another sip of his wine. “While I won’t say no to being spoiled, I’m curious. Why is this so important?”
“Forty is a milestone birthday!” Gale spread his hands in the air in a ta-da motion. 
A long pause hung heavy in the air as Astarion tried his damnedest not to giggle at his husband.
“For humans, maybe.” He tapped the point of one ear. “I’m an elf.” 
“Ah, but you’re married to a human.” Gale leaned forward, reaching across the table to take Astarion’s hand. “So please, indulge your very human husband and allow me to make a big deal out of this?”
“Fine. Expensive dinner, lots of sex.”
“That’s all?”
Astarion nodded. “That’s all. This whole birthday thing,” he waved his hand in front of his face with a flourish, “is entirely new to me. Let’s start simple. Wine me and dine me.”
Gale smiled, resplendent, and released Astarion’s hand. He leaned back into his chair and opened his book. “Now, I would like your opinion on an original illusion spell technique that I am developing for my more advanced students.”
“Ask away, darling.”
~~~
Astarion’s birthday dawned bright and clear, like most days in Waterdeep did. He roused from a light doze and slipped from Gale’s arms, creeping his way to the washroom so as not to wake his husband. 
Astarion studied himself in the mirror. Forty. He looked just as he had yesterday at 39. Same high cheekbones, same light splash of freckles across the same prominent nose, same beauty mark under his left eye. He still had a shallow dimple in his chin and a small scar next to his mouth. And the same ocean-blue eyes stared back from the glass. An unbidden memory flooded into his mind.
“I would rather be a spawn for eternity than be indebted to you.”
“You owe me nothing, Astarion.”
“Then why did you bring me here? Fix him like you promised!”
“I already have. The orb is gone. Gale was as obstinate as you are, and he insisted I give you a boon for your part in reforging the Crown. On that, he and I agree.”
“Why? Since when have you been charitable?”
“It is not charity. It is my obligation. I witnessed the great pain you endured retrieving the netherstones from the Chionthar. I would not have the Crown were it not for your help.”
“I didn’t do that for you. I did it for Gale.”
“Then consider this my obligation to him, if you must.”
There was a flash of purple-silver light, blinding him momentarily. Just as suddenly as he had been snatched away, he was back in the tower’s library, heart pounding and lungs filling with gasping breaths, entire body tingling. A pair of arms circled his waist, holding him steady. Gale’s face swam into view, eyes wide, staring at Astarion in awe. 
Astarion sighed. Whether it was a wistful sigh or frustrated sigh, he wasn’t sure. He still didn’t quite believe he did anything to deserve the gift of mortality, but over the last several months, he’d stopped questioning Mystra’s motivations. Or, perhaps, he’d grown to trust Gale even more deeply than he already had. It had been Gale that had advocated to Mystra on his behalf. There must have been some lingering fondness there on her part for her to agree to his demands. As he pondered, Astarion craned his neck and brushed his fingers over the fading scars, the last remaining hint of what he used to be. 
He pushed his doubts away and gazed back at himself in the mirror, this time indulging in a bit of vanity. He grinned, reveling in the way the corners of his eyes creased. And no fangs, of course. He finished washing up, tousled his hair, and crept downstairs to the kitchen. 
As soon as he reached the bottom of the stairs, he felt a woosh of air ruffle his hair and heard the flutter of feathers. 
“Happy birthday, Mister Dekarios!”
Astarion ducked, nearly bopped in the head by the tressym zooming excitedly around the kitchen. 
“Ah, thank you, Tara. And good morning to you.”
Tara made a few more tight circles in the air before settling on the kitchen table. Astarion gave her a few scratches behind the ears on his way to the coffee pot. She had warmed up to him surprisingly quickly when he and Gale arrived in Waterdeep. He had been certain that his presence would be tolerated at best, outright rejected at worst. However, within days, Tara could be found perched on his shoulders or settled in his lap in front of the fire. Even more surprisingly, Morena Dekarios had welcomed him with open arms. She was a warm and caring person, just like her son. Astarion wondered if she made a big deal out of Gale’s birthdays when he was young.
Astarion turned back to the tressym as the coffee brewed. “Tara, do all humans get so excited about birthdays?” 
“Oh, yes, humans very much enjoy celebrating the people they love. Why, I recall Morena fretting over what to do for Gale’s 30th birthday. He was so wrapped up with that goddess at the time, and completely disregarded Morena’s invitation!” She stomped her little paw on the table. “Oh, what an awful day that was. Poor Morena was so heartbroken.”
“Right, that.” He didn’t want to think anymore about Mystra today. Astarion scratched absent-mindedly at his chest. Sometimes, he couldn’t believe that his kind, loving husband was once a callous man obsessed with his proximity to power. He made a mental note to bring up the 30th birthday incident (as gently as he was capable of being) with Morena next time they had lunch.
A rather depressing thought popped into Astarion’s head. “Tara, Gale wants to celebrate my birthday tonight. Do you think he might be doing this out of guilt for the 30th birthday thing?” 
“Oh no! I assure you, this has nothing to do with guilt. He apologized to Morena years ago. He wants to celebrate you, his love. Human lives are short, dear. Every year is special to them.”
“Hmm, yes, I think about that far too often.” He sighed and picked up the two mugs of coffee and made for the stairs. “Thank you, Tara. I’ll indulge him with this birthday business.” 
Tara tsked when she saw the mugs in his hands. “Gale should be bringing you coffee! It’s your birthday! You’re supposed to be relaxing! He should be spoiling you! Oh that lazy boy, I will be giving him an earful later!”
~~~
As promised, Gale took Astarion out to an expensive dinner with even more expensive wine. The walk home felt excruciatingly long, as Gale had also promised mind-blowing sex. A promise on which, of course, he delivered. And delivered. And delivered again.
Hours later, they were lounging in their bed, sweaty and sated. Astarion’s heart was thudding in his chest, still a novel sensation nearly a year after it had beat back to life. Gale’s head was pillowed on his chest. Astarion drew lazy circles with his fingers along his husband’s shoulder. 
But despite his contentment, he couldn’t stop thinking of his conversation with Tara that morning. I’ll have to do something nice for Gale’s next birthday, he reasoned. 
Then it dawned on him. He was missing a major piece of information about his husband. 
“Shit.”
“Mmm?” Gale had been drifting off. He rubbed his face sleepily on Astarion’s chest. “Everything alright, Astarion?”
“I have a question. And before I ask you, my darling, my love, I want you to know that I love and cherish you very much. Every moment with you makes up for centuries of torture and torment. I cannot imagine my life without you.” 
Before he could continue, Gale stiffened and lifted his head off of Astarion’s chest, looking him in the eye. He looked… suspicious. 
Astarion cleared his throat. “Well, I was thinking. If humans like birthdays so much, perhaps we should make it a habit of celebrating them, and I thought I should do something for your next birthday. Something nice. And nice still isn’t really my thing, so I would need help from your mother and Tara, and then I realized…”
“You don’t know when my birthday is, do you?” 
Astarion blushed red to the tips of his ears and shook his head. 
“Astarion!” Gale pushed himself onto his elbows to glare at his husband. “Do you even know how old I am?”
Astarion paused. “Forty two?”
“Forty two?” Gale’s voice came out much higher than usual.
“Not 42?”
“I’m only 38!” 
Astarion gave Gale a sheepish grin. “Well, you don’t look a day over 35, my dear.”
Gale frowned and huffed, but leaned forward and gave Astarion a soft kiss on the lips. He settled back down, and Astarion knew he was listening to his heartbeat. He pulled the blankets up over them both and pressed a kiss to Gale’s gray-streaked hair. 
“Happy birthday, my love,” Gale whispered. His breathing grew slow and heavy. Astarion grinned and as he slipped into a trance, he thought to himself, May it be the first of many. 
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ihni · 2 years ago
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(Got stuck writing a longer fic, so thought I'd challenge myself to write something shorter. Asked @callieb to open a random book and read me a word to use as a prompt, and the word was "taxi")
~~~
Steve sighed deeply as he slowed the BMW into a crawl, rolling down the driver’s side window so he could try to talk some sense into the drunk blond who was stumbling down the middle of the road, going in entirely the wrong direction.
“Where are you going?”
Billy must have heard the car coming because he didn’t seem surprised at the sudden voice. He didn’t even look up as he threw his arm out and pointed loosely at the road in front of them. “Going to my boyfr … going … going to my girlfriend’s house.”
Fighting back a smile, Steve cleared his throat. “Really? Where does she live?”
“Lo … loss. Loss Nora. That’s … that’s her name.”
“Her name is Nora?”
“No!” Billy exclaimed in drunk exasperation, gesturing wildly with his arms and almost toppling over. After righting himself, he finally turned to the car. “She lives in Nora. Her name is –“ He saw who was driving, and his face split in a big grin. “– Steve! Hey!”
“Hey,” Steve said, smiling, as Billy ambled up to the car and all but fell in through the window to pat clumsily at Steve’s face. “So you were at Maddy’s party, huh?” Frowning, Billy seemed to be thinking hard before nodding. “Got a bit drunk, did you?”
Billy let out a non-committal grunt and leaned heavily on the car door. “Got keg king.”
“Really,” Steve deadpanned. “I never would have guessed.”
“But I didn’t get … a crown. Or maybe I lost it.” He stuck out his bottom lip, which wobbled precariously. “Lost Steve.”
That made Steve snort, despite everything. “What a coincidence, because I lost someone at the party too.”
Billy’s eyes widened. “Who?”
“My boyfriend,” Steve said, pointedly. “Who can’t handle his liquor after that time when his little sister shot him full of some weird tranquilizer.”
Billy squinted at him, before saying, slowly, “I … have a sister.”
“You do,” Steve confirmed. When no other reaction was forthcoming, he added, “Anyway, my boyfriend apparently forgot that I was his designated driver tonight, and instead chose to try to walk home. In the complete wrong direction, I might add.” He watched how blue eyes tried to process this information, and waited patiently for some kind of reaction.
“Desi… dess … de– driver?”
“Designated driver, yes.”
“De–”
”Taxi. I’m his taxi.”
Billy’s eyes lit up at that. “Can you drive me … to my boyf– girlfriend Steve’s house?”
Steve laughed. “That, I can. Come on in.”
What followed was a brief chaotic minute where Billy first tried to climb in through the open window, before Steve convinced him to go around the car instead. He even opened the passenger’s side door for him.
When Billy dropped down in the seat, he sighed happily and turned his head so he was watching Steve with a dopey smile on his face. “You’re so pretty.”
Steve, who was busy trying to fasten his boyfriend’s seatbelt, snorted. “You keep saying that. Keep it up, and someday I’ll believe you.” His reply was a hand on his head, patting him awkwardly and then fingers carding through his hair, messing it up.
“Pretty.”
“Okay then. Wanna go home?”
A grimace. “No.”
“I mean, do you wanna go to my place?”
“Yeah.” Billy leaned towards him until he could put his head on Steve’s shoulder, almost falling out of his seatbelt but with one arm still stuck under it. He closed his eyes and inhaled deeply, his hose buried in Steve’s jacket. “Drive me to Steve’s house, taxi-man.”
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batsplat · 4 months ago
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if you were to direct a motogp movie (or make a one season of television) what season or rivalry would you make it about? and more interesting what artistic liberties would you take? it doesn’t have to be a straight up biopic bc imo those are often boring, instead it could be something like velvet goldmine (1998) aka fictional characters whose real life counterparts are pretty obvious, veering in like rpf territory. anyways👀
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did you know. one time this guy put a curse on this other guy. and he never won a race again
anyway, look, I do feel like by this point that's the BORING answer from me, but obviously it's where my mind first went. I'm not sure I'd actually want it out there in film form because by now it's badly enough remembered that it's like, my cute little niche story, and I think there's something fun about the Wider World even within the motogp fandom not exactly getting how bonkers the whole thing was. (I know other humans have canonically watched motogp 2004 but I swear even journalists have forgotten some key key details and it's kinda annoying but also fun.) bold words from someone who's been blogging about it!! weird gatekeep-y instinct. but basically my job here is done as far as outreach is concerned - I wrote a very long post, now I get asks about it twice a week that allow me to think about it some more with the four other people who care, perfect balance. that rivalry doesn't need to go mainstream!! the whole point of it is that it's kinda cruel but narratively pleasing that it's gone under the radar, because it's another sign valentino won. but obviously, I cannot literally make a film about this, so the hypothetical repercussions I think maybe we can put aside for a moment here
okay I came back to this bit of the post after I increasingly got into of the spirit of coming up with dumb ideas, but it did make me flesh out what I'd even WANT from something like that. I'm with you anon, a lot of biopics are boring!! if you want to just know what happened, please just literally go and 'watch the races' and 'read books' like what are we actually getting here. you kinda want to give it a purpose for existing, right, a way of portraying real/mildly fictionalised events in a manner that is also taking some kind of stance on the material AND is doing stuff you can't do 'in real life'. thing is, look, you could make 2006 into a film, and I'm sure it'd be perfectly nice because it's fundamentally a solid underdog story (well, inherently winning a title with repsol honda is NOT being an underdog but you can write it that way), but also what are you doing beyond just telling people what happened? I feel like that generally about single seasons, they're not really doing anything for me. I was also turning around the biaggi/valentino rivalry in my head in part because that's the one valentino gave as his answer for 'rivalry he would turn into a film' (marc big wet eyes sitting right next to him), but like. a film about that rivalry from valentino's pov is fundamentally not something I'm interested in. you have all these isolated very memorable moments that make it work as a rivalry, like you can absolutely spin them into a dramatic yarn that goes through the genesis of their conflict to middle finger gate to punching gate to assen + donington + sachsenring + phillip island 2001 and it's basically *insert rousing music* successful coming of age. at most you can lean into the fact valentino became successful at being a dick. like idk it's fine but also what's the point? valentino is challenged in a sports context by biaggi, he's challenged because he realises his words have consequence and the press actually reports the words he says to journalists (the horror), but he is fundamentally not challenged on a personal level. that's the entire point, right? it's the ultimate comfort zone rivalry - biaggi is a dick who it is quite easy to hate and also reacts poorly to valentino's initial provocation. the animosity escalates and it is inherently fun to beat him. valentino is mean to him, but it's not like he even really crosses any lines to beat him. like you can make it into a film, and if you twisted the material a little bit you could make it satisfying, but I don't want to!
now the way the writing process of this post worked was that I was going to breeze through a bunch of non-sete/valentino rivalries and explain why I think some of them don't work for our purposes here, but then I ended up writing myself into changing my mind. so my take on the biaggi rivalry is that actually, you CAN make it work but it has to be from biaggi's perspective. basically, I think you've got to amadeus it (a web weave I have been thinking of making at some point btw). so,,, it's a meditation on talent and how unfair it all is, maybe minus the bit where salieri poisons amadeus (I know that doesn't happen in the film) or dresses up as amadeus' father to, y'know, make him write a requiem on his death bed. and it's not amadeus in that HERE, the clown prince gets a happy ending! but it's more like, in thematic terms, I think you have to zero in on this bit. biaggi didn't have parents who shoved him on a bike when he was three years old, he didn't have parents who were invested in his motorcycling career (or even necessarily particularly invested in him), he started the sport late and discovered that, yes, he did have a prodigious amount of skill in it - but one that he started honing far later than valentino did. he approached his career with a sort of grim resolve, surly and irascible and not interested in making friends with any of his competitors but very, very good. he goes away from the race track and dates all these models, he irritates fellow riders, he's not part of the gang and he's happy about it. he's very successful! four 250cc titles, wins his first ever race in 500cc at a time when doohan was very much winning everything. he's also just like,,,, an interesting and spiky enough character it's not hard to make him come alive
but then of course you have this gradual emergence of the amadeus character, the one who challenges his established position in the court of,, well... motorcycle racing, and also as the guy italians rooted for! and valentino's obviously, y'know, in so many ways the exact opposite from biaggi, and he's super young and cheerful and lively and is doing all his silly celebrations and is being a bit camp and goofy and treats motorcycle racing as a party (you really want to lean into the culture clash here, like in amadeus it's because you have stuffy austrian court vibes but here it's because everyone is having their bones broken every two minutes and just how... kinda grim a lot of motorcycle racing was). and he's also this innocent! yes, he insults biaggi, and yes, in retrospect we know valentino is kinda evil, but at the time he was a kid with a big mouth who was a little taken aback by how that biaggi feud sort of escalated beyond what he'd actually intended it to do! and biaggi just, hates him. and I think, sorry to the real man max biaggi here, but you've got to play with how once they're actually competing with each other, it's miserable how there's just this unbreachable gulf in talent. like, whatever biaggi does he cannot win! he isn't going to defeat valentino over the course of a full season! which is depressing and horrible and CRUEL, because there's this inevitability to the whole thing... and also! because valentino doesn't DESERVE it. and you don't have to go full salieri pleading with god to explain how god could give this CLOWN all this talent, but it's kinda the same vibe! how is it valentino, who is constantly just having a laff and canonically maybe wasn't the biggest gym-goer in the paddock and is just generally seen as, y'know, a bit of a dandy, this foppish clown who everyone loves and who doesn't have to work hard to be good - how is he the one who is winning so much!! it's miserable and unjust... and I think how you portray this is that you really emphasise the kinda, repetitive nature of the defeat. like, I think you probably want to make this into a non-linear narrative where all this biaggi backstory is communicated somehow but you don't just start it when he was born or whatever - you start it in 2001 when they're competing for a title and already hate each other. and then you heavy on the time loop vibes. the whole cinematic language and all that other shit should emphasise how all these weekends are structured in exactly the same way and if you're losing to this one guy, all these different weekends can start feeling the same. it bleeds into each other, it feels inescapable, you're trapped in this narrative you can't change... worst of all, you even return to the same places again and again - like play with that! biaggi keeps coming back to where they had the fist fight, to where valentino first insulted him all those years back. you play up the disorientation and the misery of it all, plus biaggi canonically gives us all this kinda messy freudian shit to play with like how he was dating 'valentina' and his relationship with her was falling apart because of how miserable valentino was making him. it's all there!!
ANYWAYS the way you conclude this story is!! welkom 2004!! so again we can artistic license this a little bit and, uh, ignore sete (though I do also think it's fun if you lean into biaggi being displaced as a rival and staring at them being friendly and happy with each other from the outside) - but the key bit is that valentino is finally making the big error. biaggi wasn't winning titles on a yamaha, since he left yamaha has gotten worse, now valentino is making this big mistake out of his own hubris. language of cinema that shit and make everything brighter and more hopeful.... the time loop is finally over, biaggi has escaped, this year will be different!!!! everyone in his circle agrees, valentino is fucked. step off the plane at welkom (pre season testing didn't happen in this universe) and it's literal dawn of a new day... staring out at the sun and finally, biaggi can move on, can live a new and different life. anyway. obviously we all know what's coming next - you have this big dramatic climactic race where biaggi throws himself at valentino again and again and again and he comes so close to winning it... but he doesn't. and you have valentino living his best life, being delighted, but the film is focusing on how like,,, we're bleaching the joy back out of biaggi's life, how actually he's returning to what he already knew. and it ends on the podium, with the camera focusing on biaggi on that fucking second step or zooming in or whatever (idk how cinema works) and it just finishes on this shot of biaggi dead-eyed in a bleak world, trapped again for eternity aka until the end of the 2005 season. done!! I'm not sure this is quite what valentino had in mind, but. well. that's how I'd do it
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this is from the pushkin play from 1832 not the 1984 film but like. low key pushkin already kinda nailed the essence of sports rivalries in the 1830s and we just have to acknowledge that sometimes
right. so the casey rivalry is where I'm going to go completely off the wall. skip this bit to get to the slightly saner stuff. this is also one I fully admit to sometimes playing around with in my mind anyway, but. uh. I'm gonna be taking this one in just. well. places. I do have a vision here but I also don't quite know how to explain it in a way that doesn't make me sound like I've lost my mind, but well if you're still reading this then that's on you. so lemme get this out of the way: the classic sports biopic formula would work well with casey. if I had to point to a single rider I would sports biopic-ify, it's casey. so you have all this kinda,, obvious adversity that's easy to get across, and it's a narrative you can follow chronologically without too much trouble. you've got all the childhood stuff, the australian racing club not letting him join them, the move to britain, the rising through the ranks, it's also this very biopic-friendly 'nobody ever believed in him apart from like three people' stuff. and the premier class is also narratively satisfying, from the rocky rookie season to the kinda shock success to then all the lows of 2008 and 2009 and the physical ailments and the anxiety and then the switch to honda and the title and then him deciding to retire... that's all good stuff! you can absolutely biopic-ify it! gun to my head and sure, I can walk you through exactly what bits of his life I'd focus on and put in what order and so on, and I think ultimately you could make a very good sports biopic from that
[some mild gore to follow in this next section]
but also. thing is. that's fine. it's just not where I want to go here, because again I feel like at that point you can also pick up his autobiography and just read it - because what you're basically doing here is just filming that. and I get how this stuff works, you're bringing the story to a wider audience, you can show stuff in a different way in that medium etc etc, and that's all great but also I don't care about bringing stuff to a wider audience. I care about doing fun stuff in my brain. so what I'd actually do here is just, basically, go in the exact opposite direction and ditch all the realism. genuinely, ditch the live action stuff, we're going animated - what I'm interested in here is stuff where we need to be able to fully suspend our disbelief and lean into some surreal shit. I'm not going to bury the lede here: my idea is that you take that thing where casey said he hated how ducati was ruining the bike by letting valentino's yellow encroach on it and, basically,, just go all in on that bit. like come on, that is so singularly visually evocative, it truly captures a lot of what's going on thematically in that rivalry. (see also x and x for the most relevant casey posts.) casey sees valentino as the malevolent force, this infection! he associates him strongly with a specific colour, one that can be sickly or unnatural or just... evil. malignant, malicious, malevolent, all the m words. to casey, valentino is a personification of everything that is wrong with the sport. valentino is literally the walking manifestation for so many of his issues, from the dangerous riding to the lack of respect to the lying to the cult of personality to the obsession with image and the media to the backroom games to the politics to the injustice of how different riders are treated differently, like!! he's literally all of that! this is a topic for another post, but this plays out in a lot of kinda, weird and funky ways where it's a two way street and sometimes when casey talks about motogp you go 'actually I think that's just valentino?' (btw he also does this about 'europe' right I don't think those are europeans you hate casey that's literally just valentino) and sometimes when he talks about valentino it's kinda? this feels like it's about a little more than the bloke himself? and basically, right, I think you need to take this to its natural conclusion where casey used to admire him and look up to him and want to emulate him on track and then gets disillusioned when valentino's worshippers turn against casey and casey is the one to bring valentino down to earth and... listen, I think you need to play around with valentino being a literal god. and I think you need to have casey stab him to cover up the yellow on the ducati with blood
okay. look. the idea here, right, is that we're basically making the subtext text, and just digging into that process of 'bringing valentino back to earth', of taking on a god and having the audacity to succeed, and also treating valentino as this sort of. infection in his own mind. the bike is literally being infected!! casey may have left the ducati but he STILL has some fidelity and love for this project, those were his people he worked with, and now valentino is coming in and just twisting everything around himself!! but also I think how this functions is that, okay, so you have all this normal stuff that's the actual 'plot' in the 'real world', but the ISSUE with the real world is that there's a lot of stuff that just. isn't possible there. like the thing casey wants in that rivalry but is never going to have is... a captive audience. a big problem casey has in that rivalry is that he doesn't get the chance to actually say a lot of stuff to valentino. he starts using the media more and more and plays the game on valentino's level, but there's still this disconnect where mr straight talking is the valentino rival who valentino never really blanks or freezes out like... there's a disconnect! there's valentino the person, who casey never quite figures out how to just straight up hate, and then there's valentino the character, the racer, the rider, the god who casey DESPISES. but when they're doing small talk at pressers and podiums, casey doesn't get to talk to that version of valentino! he just talks to valentino the person, who obviously isn't literally a different person but is also not going to explain to casey where he's coming from, is he, and also isn't someone who casey can explain to where HE is coming from. and that gulf... it does bother casey. I don't think he can quite verbalise why either, but there's just... this creeping tension. I think it'd be easier for casey if valentino really were more of a caricature, just kinda a dick in all walks of life. and there's just these canonical hints of that... the way casey talks about how he's sure valentino as a guy is fine, but he never knew valentino like that, the whole 'I'd like to go with valentino for dinner to tell him where I was coming from in that rivalry' thing, like!! it's there
so basically EYE think what you should be doing is using the wonders of storytelling to actually. embrace that element. and just leave realism behind now and again. valentino is a god, he is literally worshipped, he's part of this pantheon that casey is trekking to reach. casey is brave enough to take him on in combat, he is the first one who is truly able to draw blood. he sees how valentino isn't just a god of joy or battles or speed or the SUN or any of that other stuff - he's a disease, an illness, a god who is also a false prophet... the worship never quite goes away, because who ever truly gets rid of their valentino rossi complex, but casey eventually is given the chance to face a chained valentino and kinda,,, ritualistically publicly humiliate him using the ducati as both this sick thing that has to be 'cured' and this symbol of valentino's failure. I'm sorry, visual language goes brr here, like chain him up, do weirdly eroticised torture idc!! (psst psst valentino's fucked up shoulder also extremely goes brr here, casey low key a teensy bit weird about valentino's injuries? his thing after the 2010 leg break where he goes 'why's everyone making such a big deal about this other people break their limbs too' and then after 2011 jerez immediately asking whether valentino's shoulder is okay in just a very obviously passive aggressive way. literally he opens with that, valentino isn't using it as an excuse or anything, for some reason it's already on casey's mind and I would politely contest it was out of genuine concern for valentino's wellbeing!! it's just kinda? I'm so compelled by it? I suppose it is kinda about how valentino's suffering gets taken more seriously than his own? how those absences are received differently by the motogp world? idk I find this fun because casey does know this is one thing valentino can't really be blamed for himself, so it just slips out a bit? but yeah, casey + valentino's injuries, nobody's talking about it but I sure will, let casey get weird and mean and a teensy bit sadistic about valentino's injuries in an artistic manner.) crucially I like animation as a medium here because I think it's easier to lean into surrealism when you don't have to hand hold the audience so much through the suspension of realism, also there's just some imagery you can do in cooler ways through animation where in live action it may just look. weird. (I think you can also do one of those things where you have a live action film with only those specific bits animated but also... why? it just feels like in live action you need more 'justifications' for things, like am I saying casey is having some weird hallucinations and is losing his mind? no I just want to have weird vision sequences ffs.) the colour stuff!! valentino/casey is big on the colour coding as a rivalry, to the extent casey is even, y'know, drawing attention to it in the literal text!! yellow and red are banger colours, valentino is big on imagery himself with all his sun + moon motifs, it's kind of all there to make the easy next step to kinda zany surreal imagery. ritualistic stabbing works better in animation, you can kinda get the blood to like. drip down and overwhelm the yellow illness that's slithered out across the bike
and. AND of course what this entire set up allows you to do is.... give them an opportunity to talk. they can't talk in real life! casey CAN'T give him his real thoughts on anything, and fundamentally valentino can't either. they're opponents. they're strangers who chat sometimes. it's not just that they aren't friends, it's that fundamentally they cannot be friends - because their ability to do their actual jobs depends on a certain level of professional distance. valentino of course does have a decent read on casey, and vice versa, because when you're figuring out how to defeat someone then (if you're valentino) you're looking to play the rider too. valentino's entire approach depends on focusing in on his rivals and attempting to throw them off, to make them unravel. he's watching casey closely!! the entire journey of casey's first three seasons in the premier class essentially becomes like, this god of their world focusing in on him. figuring him out. trying to gnaw away at him. obviously, animation also allows you to go big on the panopticon-y imagery which is kinda fundamental to their rivalry, because of their fundamentally oppositional stances to 'performing' for the ever present cameras where there IS a little bit of common ground in they have both struggled with it. but valentino isn't going to ever say that to casey! casey isn't going to open up to valentino! so if you give them,, you know, a different arena to express themselves, where casey actually has this external figure to talk to (as he's like, cutting him open I guess) whereas valentino actually is put in a position where he's allowed to respond, where he can taunt casey a little bit, where he can interrogate casey's approach and also the similarities between the two of them and how casey has been forced to become a little more like valentino to challenge him... because the thing is, right, valentino is so big on message discipline with his rivals and has completely stopped talking about that rivalry post mid 2013 that, first of all, you have this complete imbalance in who's been telling this story for the past decade, but second of all you kinda don't have a sense of what valentino would respond? idk!! I think this is mainly fun as a thought exercise for me specifically but also I do think it's kinda, digging into some of the bits that make this narratively work as a rivalry, how valentino in this rivalry is actually just kinda... removed. like he's not really emotional about it!! at most he's a bit bitchy, but even that just feels about The Game. it's the most extreme in this regard followed by jorge - but with valentino's other feuds you kinda... see a bit more an unguarded moment, see something a little more real there. the casey rivalry feels so uncomfortable precisely because valentino is a little... inhuman in this one. I mean, if you want to have valentino as some kind of cross between a deity and a monster in any of his feuds, this is the one. casey's just an obstacle to him. idk don't you think casey kinda wants to chain valentino down and stab him and make him see casey a little more... well, I think he should want it and I think it'd be fun to see and get them to talk to each other. ugh and also all the implications of making the faith vs non-believer elements more literal... casey the heretic!!!
there's some obvious stuff here you'd have to figure out, like 'how do you make this work as a narrative even to people who aren't familiar with casey stoner at all' and 'who the fuck do you think the target audience is here' and 'you do know this is not the kind of thing that would ever be made, right, go back to the casey stoner sports biopic like a sane person' but!! I do think it's material you can make work if you're just,,, efficient and smart in how you're actually telling the 'real life' version of the rivalry. also in my head this is. idk. an animated limited series not a film, which then brings in other stuff like 'episodic structure' because I'm fundamentally opposed to tv shows that think they're films. and look, I'm not going to write an entire film script treatment here, I just think a good writer can figure this stuff out. blood on the ducati is the framing device for everything else, simple. lots of animated floating eyes I reckon, first casey is watching valentino and then valentino is watching casey and the whole world is watching them... and it does bleed into real life just a little, where you're wondering whether casey is actually imagining/dreaming this stuff or valentino is or if they both know it somehow... you can get away with more ambiguity in animation. anyway, if you do want more thoughts on this one specifically for whatever reason, let me know because this one I do actually have more on
also laguna 2008 is a bit tortoise and the hare coded if you really think about it
[end of gore]
so. on to jorge. hm. the thing about jorge is that he was kinda writing a coming of age film in his own head, so like - yes, that's what you do go for? you can play it straight and follow how jorge has cast his rivals, or you can pin the whole narrative on the fact that jorge has cast them - the kinda artificiality of the narrative, the way jorge is this storyteller who isn't being recognised as much as he thinks he should be, isnt adequately appreciated. the way there's this three way discourse between what jorge thinks the story is and what the public thinks the story is and actual. you know. reality. I think this is a bit more light-hearted, like you know how the best stories about teenagers take their emotions seriously but also let them be kinda silly? because young people are silly! jorge was silly! he's got a lot of CHARM because he's so cocky and naive and full on and intense and awkward and kinda off-putting and tactless and a bit all over the place and so painfully, painfully young, like he's a good protagonist because that's a KID. but also, obviously there's also a lot of extremely not light-hearted bits of his story - everything about his father, his manager... idk this one's another one where, I don't just want to make it a generic sports biopic, and I'm trying to figure out the clear narrative arc here? I mean, you can point to the end of 2010 and really lean into him choosing victory on-track over popularity off it. the problem with 2010 is that it does not work as a dramatic season, yeah sure with the magic of biopics you can hack at it to shit but also. idk. what are we getting out of it. I think for narrative purposes you want to maybe narrow in, and end it at the end of 2008, with the switching of the numbers this kind of moment of emancipation? but also! this feels like we're straying a bit too far away from the fun sports elements and I don't want to REALLY suggest all the ways in which you could mine jorge's personal trauma in a jokey tumblr post, so I'm gonna move on from this one
the problem is 2015 just straight up doesn't work as a jorge-centric narrative, except in a very kinda comic way that leans into how absurd his role in that season was. 2012 as a season is a bit... y'know, it's fine. okay it's mostly terrible, but that's fine too. but it doesn't have a great narrative hook. which kinda leads you to the problem that I do think the valentino rivalry is more... juicy from jorge's pov, because for valentino, jorge is just kinda? an obstacle? idk he's more normal about it, it's just his job to destroy the guy, you know how it is. but also 2009 does work better narratively from valentino's pov, like it's the build up to catalunya specifically you can dramaticise... idk though, I do love catalunya but my heart isn't really in this exercise because I think valentino isn't really being... challenged here? it's a title fight where he's fundamentally using a set of tools he's already perfected, to beat a guy he doesn't really give a shit about. when the italian press is down on him pre catalunya, it doesn't spark any genuine self-doubt - it's just a handy source of extra motivation. there's no epic highs or lows that season, not real ones. and yes I know I was talking about making valentino who gets stabbed repeatedly to cover up an infection a moment ago, but that reflected real EMOTIONAL truths!! I'm committed to thematic fidelity more than I am to literal fidelity
genuinely I think the best way to tackle jorge is with the jorge/dani parallel journeys... what, film? tv show? maybe show actually - you don't have one coherent narrative Statement per se but you're constantly charting those journeys in reference to each other, really rooting it in their respective points of views, no neutral detached cinematic language like I want everything to be very much written to be from their eyes!! going from one to the other and back again. and you're charting these different journeys, right, and how they both captured different flavours of like... emotional successes and failures. I think it's actually about failure, yeah, about having to accept there's something you can't have and might never be able to get - whether that's universal love or a premier class title or whatever - but Actually, that might not be the end of the world. and during this process, they go from being enemies to tentative friends!! guys who realise they can maybe actually understand each other better than they thought!! this real moment of interpersonal connection. you have all these media narratives and the managers and so on and the fact they're competitors as these built in reasons why they've just been pitted against each other from the start... but y'know, again, it is also just a bit about maturing, about being able to set that aside, about making your peace with defeat and failure as an element of growing up. you can't win everything, maybe there's something you really really really want and you're just not going to get it, but at the end of the day it's kinda... yeah. self-acceptance. idk this is the nice one
so with marc you can go several different ways here I guess, and again he's also perfectly decent sports biopic material, probably second to casey in that category like yeah sure do the comeback story. but also, we do already have a very good self-produced documentary about what he thinks the narratives of his career are? idk this is also just a personal taste thing, I'll leave him to doing all the injury stuff himself, I don't have much to add there. we'll get to the obvious one in a second, but I was trying to figure out if there were other places I massively felt like you need the cinematic touch. and, again, the 2013 season is obviously very exciting!! but also, you have it covered in.,,,, multiple documentaries, I don't feel I have a take their either? his rivalries with dani and jorge aren't really substantive enough to sustain a bit of cinema. dovi... I mean, what are you saying there? what's the arc? I feel like if I tackled dovi, I'd go somewhere else and really go all in with the ducati stuff, and make it a bit more... you know, stark, stripped back, basically just the emotional component of how much he gave to that project and how he managed to beat away one rival after the next and how it all ended up falling apart in a kind of anti-climactic way? he's also good sports biopic material, but in a way I think the marc rivalry is the bit of his story I have the least to say on. so eg, 2017 is a dramatic season, but he's also kinda fine after it? he always knew it was a long shot, he tried his best and he got really close and then he lost. you can't amadeus it because dovi isn't (fictional) salieri. basically, I think what I'm saying here is that dovi is too well-adjusted to feature in this post. though I'd totally watch a film about his 250cc seasons, like it's a bit annoying because HE is the underdog who loses both title fights to jorge, but it'd still be kinda fun idk. I wouldn't really know what to do with the material but if someone made the film I'd absolutely watch it
right then. the thing about sepang 2015 is... yeah, sure, of course you can do it, it already exists as a narrative but... yeah, what are you adding!! idk I always think when you're adapting something, you kinda need to have a reason for it? I mean, what are you doing that's not already there in the footage? idk maybe this is just a sign of having been a fan of this sport for one too many years but to me the idea of sepang 2015 can get a bit boring (or maybe just repetitive) where I need a new TAKE on it to really get into the idea of fictionalising it. like where's the auteur's touch y'know, what can I still add to this!! but it also needs to WORK for someone who is new to the story, which kinda just makes you want to tell the story straight.... y'know the story is strong enough and COMPLICATED enough to stand on its own and it IS good but I don't really have anything interesting to say beyond 'yeah sure that'e be neat'. I can't tell you why, but I also don't think the casey approach quite works here? the idea of providing a framing device with which valentino and marc can actually talk to each other... eh. don't like that. hm. okay wait actually I just turned it around in my head for... a while and I think I've got an idea to make the worst motorcycle racing film of all time. so, my central stupid film-making gimmick here is just. centring the fact we're completely reliant on a few guys and what they're telling us in making up our minds, and our removal from that story and the imperfection of their perceptions and so on. so I think you kinda make a point of... not actually showing the motorcycle racing? like, you always show it by showing other people watching it, you're showing the tv screen rather than the actual racing. even in the cinematic medium, you're centring the theatrical aspects, where you drill it down to just a few characters. valentino. marc. uccio. marc's fuck ass manager. maybe a crew chief or two. keep it limited though, all the others are kept at a distance - you're constantly focusing in on the same few characters. and very early on you basically just like... get them to fourth wall break by telling you, the viewer, with their actual words how racing works for them, what meaning they take out of it - and again it's this remove because we're never allowed to actually feel the racing for ourselves (no helmet cams), and it sets up that as the tragedy unfolds, again and again we're just hearing from them what happened. it's all zoomed in on how claustrophobic the entire situation is, like doing the race direction room after the sepang 2015 is perfect for that kind of thing, and crucially they're only ever addressing the audience because they can't address each other. but fourth wall breaks also obviously draw attention to artificiality! I realise they are very much like, lame gimmick central, but also are these men not inherently about lame gimmicks... idk it's basically the same story but at least it feels like a kinda interesting way of telling it. kinda trite, but cinema allows you to get to the point and let valentino actually play with the camera... so literally take it into his own hands and lead it around and tell the story from his point of view. and you can play with how they do both change in what stories they think they're telling, how they're constantly revising their own stories, how their stories completely clash with each other... like. make them literal narrators. that's my pitch
so. one interesting pattern that has come up with my approaches to these rivalries is that with the exception maybe of the 2015 stuff, I feel like I'm more naturally inclined to treat valentino as a narrative device and centre his rivals. a big part of this is that valentino is a fantastic narrative device. he's kinda. this looming presence in every narrative in this sport where you can just sort of use him as a sort of way to poke away at all these other riders. the monster everyone loves who you are trapped with. BOO!! he's gonna eat you! which is fun! but ALSO, crucially, several of these rivalries aren't that emotionally challenging for him!! again, with casey right, he wants to beat him, but he's not having a crisis of faith over losing to casey. he thinks casey is annoying, he wants to beat him because he wants to win. valentino is casey's foil, but casey is not valentino's. valentino makes for an excellent personal antagonist to casey, but the reverse just isn't true. casey isn't forcing valentino to reexamine his approach except 'ramping up the levels of being a dick on-track' - like, yes, that's a serious competitive challenge, but also valentino is very comfortable in his own skin in that rivalry. sure, you could have valentino have some kind of massive revelation about the casey rivalry, but like. he doesn't in canon. he changes his behaviour towards casey in pretty predictable ways depending on what the relationship demands from his perspective at any given time. there's nothing more there
now, obviously you know where I'm going here. there IS a rivalry where you can make the argument he changes as a result of it, there IS a rivalry that tips him over the line and makes him to do stuff he hadn't done before that, there IS a rivalry that happens to coincide with a period of his competitive life that challenges him both personally and professionally. now, look, I have already talked about the sete rivalry. you know what I think about this rivalry - and if you don't, I really already have told the story here and here and here and here and also here. I think this works perfectly well as a narrative in its own right, and it's one you can tell from either perspective... but you kinda need both. I think again you probably naturally lean towards starting it from sete's perspective and that first proper meeting (I mean, idk if it is their first actual meeting, but it's the logical obvious place you start this story) with sete giving valentino advice during his first 500cc test and valentino just, y'know, ignoring him and being a cocky shit and then crashing. so you get to see sete being kinda exasperated by the whole thing. also, obviously ibiza is like, a key framing device here, like it's the most obvious in-your-face way of tracking their relationship with each other. I don't actually know how often they partied there together, but it must have been at least twice and if the commentators are to be believed it must have included 2003. artistic license and you can add one or two more times, but mainly you want to focus in on 2003 onwards right. so you've got this 2002 one where it's, y'know, high point of their friendship and in the name of narrative efficiency, you establish here that sete is looking to make the honda switch. the emphasis is on how valentino has been winning everything but on the flip side you're getting the first insight into his discontent. and there's a bit of a vibe of, what could you possibly have to complain about? like you are winning so much? so it's late one night where they've had this slightly unguarded alcohol-fuelled moment of genuine vulnerability but in the end it's actually characterised by how... unsubstantial the link between them is, because they wouldn't talk about this kind of thing with each other and they might both be similar in some ways but also don't gettttttt each other. it means you can return there as a location in 2003, where you've just had sachsenring and valentino's dramatic loss but they're still partying together and it's like. obviously In The Air that not everything is quite right... their relationship is already gradually altered and twisted because you're introducing this element of actual stakes and competition (obviously in 2004 they do NOT spend that time together, as far as we know anyway, and you can show them being very much not together at ibiza as a very obvious Oooh Things Will Fall Apart and maybe already haveeee)
and I do think basically I've already said what I think the themes here are,,,, several times by this point, so I'm not going to belabour the point. I think all of this fundamentally works as a narrative with like, minimal massaging and rearranging of the elements for dramatic effect. it's all there already, everything from sete's arc with the [insert non-tasteless way of covering a real life tragedy that fundamentally alters the course of sete's career] and how that leads to sete becoming the challenger and how he does want to win and his eventual downfall. with valentino, you have the element of liberation and self-discovery and... well, growing into your own but also kinda having the narrative drawing attention to how 'growing into your own' can involve becoming a fully realised character who is essentially quite cruel? you have this kind of... build up, right, towards this moment of revelation, where you lay bare who these two people actually ARE at sepang 2004, and then again at jerez 2005. valentino has gone his own way, he has freed himself from the chains of honda, he has embraced individualism and the chance to define himself and his own legacy and stand on his own two feet and not rely on the strongest bike or all this stuff within honda where they chose him as their flag bearer, for better or for worse... like he comes to his own here! he takes the step from 'great rider' to 'legend' because he gets to this dramatic moment of stepping into the unknown, he takes this massive risk that could have cost him so much, and it ends up elevating him. but it also puts him under duress, and in that moment he reveals himself - whatever sete did or did not do at qatar 2004, EVEN IF sete did all that shit, what you are left with is valentino vowing to ruin this man. valentino uses sete to make himself 'better', to fuel himself as a competitor. valentino turns sete into a tool in his own story. and again, thematically you've got all this stuff about how sete was managing the image of the rivalry and how valentino took advantage of that - how sete needed it to remain respectful and valentino was completely willing to abandon that. like, you have two protagonists who really are similar in quite a few ways, who think they have this shared understanding with each other, but when it comes down to it? they end up being super painfully different
now I can go on about this and how to play it straight, basically, you can just do that rivalry and I think it'd be cool and fun and very easy to arrange in a good narrative way. BUT I've kind of already. done that. like I don't want to suggest a film that is basically a nicer version of my tumblr posts. so I want to take this in a slightly different direction, and I think what we need to consider with this rivalry is this: what if you made the curse literal? basically, what's always kinda charmed me about this rivalry is that the curse should not work and all the misfortune that befalls sete after that is so comical that it's kinda... what do you do with that? and the answer is you just lean all the way in. my pitch is this: what if valentino sells his soul to the devil?
so, you know faust, right, and you know the bit at the start of goethe's faust where god and mephistopheles are basically making a wager over how corruptible this one human is. and faust is like... he's kinda disillusioned, he feels that everything he's dedicated his life to in academia is fundamentally hollow, gets very close to committing suicide. and faust has gone a bit new age-y, gotten into all this mystical shit and he's got this pentagram that ends up preventing mephistopheles from leaving his presence in their first meeting... and basically what the devil can give him is like, the chance to attain some true pleasure, and for that faust is willing to bet everything - so if faust can just have that, then maybe eternal damnation is worth it. and look, I'm not going to summarise the entire plot of faust here and it does go off the wall a bit with all the gretchen stuff, but the point is you have this version of the devil who is fundamentally a cynic and is attempting to win an argument with god by making this human succumb to his own nihilism. and what faust basically does is like, abandon his normal life where he's trying to live by normal virtues and goes off on this journey with the devil. and there's this little moment where mephistopheles,,, pretends to be faust and takes on the role of an academic adviser (you know how it is) and seduces this random student away from the word of god and sends him down a wretched path, which ends with this bit:
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like, a big part of faust's tragedy is supposed to be about... well, hubris, of the relationship of god to man, of no longer being afraid of the devil... and obviously, this is all framed very much in terms of religion, but at the end of the day it's also about, you know, having purpose - faust is living a life that no longer has any meaning to him, all of his knowledge and studies now no longer fill the void inside himself. his nihilism opens the door for mephistopheles, and is what makes him willing to accept the devil's terms. now, and I am so very sorry to goethe here, I think we have some material we can use here to explore the valentino/sete rivalry. obviously, you can't do a one-to-one, you need to get rid of some of like, the depression and all that - there were times when valentino was feeling 'a bit low' in 2003, but not 'faust thinking everything he'd done in his entire life was pointless' low, yeah? also, unless you want to do a real long view here and even then it can't really be justified, there obviously isn't really a 'tragedy' here from valentino's perspective. like, he wins! this isn't valentino's tragedy, it's sete's! I was being a bit facetious when I said he was 'selling his soul to the devil', and you can kinda parse mephistopheles' motivations in different ways depending on what flavour and what interpretation of him you're dealing with here. you don't 'damn' valentino, you essentially just turn him into a tool of the devil!
so, this is how this works out in my head: the devil works more broadly as the manifestation of competitive impulses, the kind of 'how far would you go to win' question as a bloke who shows up and literally talks to the characters about it (magic of cinema). he's also engaging with valentino feeling like his victories no longer having meaning, with being disconnected from honda and from the entire culture there and just feeling like he's going through the motions. there's this element of like... opening the door to what is essentially a journey of self-actualisation, bringing him closer to being a 'god' but also allowing him to fully come into his own and become himself. to win on his own terms. I reckon ibiza is my preferred narrative device where the devil talks both to sete and valentino there (separately), first literally as a mysterious stranger and then... maybe not? he's talking to them at times of their lives when they're not at ibiza and it's not happening there in the physical world and they both end up kinda having to confront they're dealing with some potentially malevolent supernatural entity. but the important elements of the devil is that a) he's not going to do anything the humans don't actually ask for themselves, and b) everyone knows he's following his own agenda and you should be careful of the requests you make of him. so it's kinda like... essentially, the backdrop of this rivalry unfolding is they're constantly being challenged to decide what lines they're willing to cross. which culminates at qatar... and maybe you do have sete making like. a teensy mistake. a teensy error in judgement, one that is both real and deliberate but he could not have known would get that reaction and instantly regrets. and valentino, who is I think inherently sceptical of the devil coming to offer to help him and maybe does crank out the pentagrams (remember, the whole point of faust is that he was too arrogant to be scared of the devil, or one of the points anyway), in a moment of fury does decide - no, actually. I will take that step. I will curse sete. now the thing is, dramatically this is a teensy bit tricky because when you're talking about being damned by the devil, usually the consequences are a bit more severe than 'not winning a motorcycle race again' (yes, you can get into how sete did also seem genuinely cursed after that, cf his ambulance/bus crash situation, but again we are flirting with being in poor taste in this tumblr post). but the thing is, right, you have to lean into the silliness here! qatar 2004 is inherently silly, a CURSE is inherently silly, like real life is already silly here! you have to engage with the people where they are, and for these athletes all this shit is so heightened that the emotions are full on. like, valentino would've sold that guy to the devil! and to him not winning another race is basically the worst thing that can happen
so, obviously, you get to do the actual curse stuff. curses are inherently campy fun, the devil doing curses is campy fun, getting valentino rossi to crank out the pentagrams is inherently campy fun. you get to play around with this, right, like you know that bit in the brno 2005 race commentary where the commentators are talking about how valentino might as well have a little radio to talk into sete's helmet to remind him of how sete had fucked up at the sachsenring. OBVIOUSLY obviously obviously it is just so... idk scrunchy and fun to have this idea of valentino becoming a malevolent enough force to literally do that.... like damn the commentators did kinda eat with that?? ughhhhhh do you ever think about sete leading the qatar 2005 race for most of the way???? like that's SO fucked up because you literally have articles from about the race going 'hey maybe sete can break his curse' and then the commentators are talking about curses having one year expiration dates but obviously they!! do not!!!!! there's one race where sete goes off track and the commentators are talking about how valentino will surely have smiled into his helmet like that's so fucked!! it's so fucked!! but idk I think basically you have all this creeping curse-y stuff and devil stuff and then you get this twist and then it just becomes misery zone for sete until you sort of. compress the timeline and have him retire without getting into what happened at the end of 2006. and valentino just relishing in all his very worst emotions. and you've got sete who was the better man after jerez 2005, who took the high ground again and again and again and it did NOTHING for him.... and then he's cursed and his career is finished and the devil has had his fun getting mixed in with mid noughties motogp. and now obviously this is inherently kinda dumb and corny and silly but it's the devil!! mephistopheles to me is allowed to get up to dumb shit sometimes, let him have some fun!! idk I like curses being literal idc
I think the obvious critique here is 'this doesn't really feel like it gets the message of faust'. which, yes, is true - and obviously the way narratives are structured, a satisfying resolution isn't 'well selling your soul kinda slaps, actually'. and my statement to respond to this argument is as follows:
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this is essentially canonically what happened. valentino DID do something kinda evil and it DID work out 100% for him and it DID kinda slap. at least when you add in the devil, you're making explicit the bit where it is a little bit bad. also, is sports not inherently about selling your soul for success... the story of valentino and sete is essentially about how we are twisted by competition, how pretending that we don't wish ill to our opponents is inherently dishonest. it is about lifting a facade for something that is already inherently there in the souls of men. this is obviously inherently a deeply cynical stance, but this is also a deeply cynical story beyond all the fun battles and camp dramatics. the devil is a cynic and he is basically the point of view character of goethe's faust - he's the one who is positioned closest to the audience. sports is all about living out some of humanity's worst instincts in a relatively low stakes setting, which means we get a free pass to have fun with a deeply cynical story that goes 'maybe selling your soul to the devil is fine, actually'
do I stand by this stance? not really, but the whole fun of storytelling is that sometimes you can just be kinda mean. I think goethe would get it... you can tell which character he enjoyed writing the most
the OTHER way you can do this is centre everything around qatar 2004 as like,,, the mystery box element...... okay look I have now made two posts that go WAY too deep on the 'what really happened' element but I do loveeeeee the whole thing like I would just make a film about that very end of the season and we show it from all these different angles as different characters narrate what happened... like fuck all the riders I want to hear from whichever mechanic used the scooter... the gresini mechanic who gave evidence to race direction.... various honda higher ups the crew chiefs like this is jb vs juan martinez it's war!!! obviously you still have the same emotional/thematic hooks as the general rivalry does but idk I would have a LOT of fun figuring out how to structure that, I loveeee mysteries... maybe I'd write it as a mockumentary yeah..... this one's just fun
anyway. a lot of stuff going on in this post, huh! you can probably tell I didn't edit this much. my classic tell when I edit my tumblr posts is I remember how 'paragraphs' work. unfortunately all I have energy for are like. a bunch of rants about things in my brain. I think when tumblr tells you that you've reached the maximum number of characters per paragraph and you need to figure out where to put a break, it's probably a bad thing? on the whole, my stance is I don't have anything AGAINST mildly fictionalised versions, but for me I'm always more of a.... well I want to take advantage of the full specificity of the events as they happened or just come up with a completely original story. kind of person. I know this ask probably wasn't looking for my 'what if you bled out valentino as he's strung up above a red motorcycle' vision but yeah. with a lot of biopics I'm always a bit 'well you could just read about this couldn't you' like I need stuff to take some kind of a stance on the material it's using... all my stuff takes a stance. that's all I've got. obviously all these stances mean that basically none of these things could ever be made. and I know what I said above but if they called me up to write the casey stoner biopic script treatment, I would also do that. if you've actually read to this point, give me a shout - you're a real one and I love you
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phoenixkaptain · 4 months ago
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I totally get what people mean about Splinter of the Mind’s Eye and it’s weirdly offputting tone, but at the same exact time it reads to me as old-timey fanfiction because like- it’s just. Comparing Luke and Leia. Their similarities and differences. They walk differently. They think about things differently. But they also have a strain of sameness to them. A strain of logic or way of thinking that they both follow. It’s so…
Like it’s trying really hard to be like romantic or something, the whole book is, but instead they just act like. Obi-Wan and Anakin.
The best proof I can give of this is two scenes in the first chapter. And I’ll explain the context because honestly the context is fucking hilarious. They both just crash landed on the moon right before the moon they were aiming for. They’re in separate ships. They got separated (they find each other within the same chapter). Luke is with Artoo and Leia is with Threepio (Leia is talking to Threepio in the quote).
“No rock is as soft as water and no water so soft as a swamp, he reflected, trying to cheer himself.”
““Relax. There can’t be anything out there,” she nodded toward the densest growth, “that would find you digestible.””
Just. Luke Optimism crashing into a swamp and being like “well, at least it isn’t a bunch of rocks.” Leia Realism over there comforting Threepio. But also, more proof withing the first chapter:
“There was a loud crashing, off to her right this time. Swinging around in the seat she instinctively fired off a burst through the cracked port and was rewarded with the odor of burnt, wet vegetable matter. The muzzle of the pistol remained focused on the carbonized spot. Hopefully, she’d hit the thing. Fortunately, she hadn’t.
“It’s me!” a voice shouted, sounding more than a little shaky. She’d barely missed him.”
Yes, Leia just shot at Luke. Yes, Leia feels pretty bad because first she made them both crashland into a swamp and second she just tried to murder him.
“Briskly scrambling over the side, she let herself drop to the ground, planted her feet, took two steps in the direction of the distant beacon… and began to sink…”
“Covered from the ribs down in a packing of green-gray mud and pieces of what looked like dried straw, the Princess appeared decidedly unregal. She pushed futilely at the mud, which was drying rapidly to the consistency of thin concrete. She said nothing, and Luke knew anything he might venture would not be terribly well-received.”
They are so cute.
“Once she spotted him peering hard at a dank copse. “Nervous?” It was part question, part challenge.
“You bet I’m nervous,” he shot back. “I’m nervous and frightened and I wish to hell we were on Circarpous right now. Anywhere on Circarpous, instead of trudging through this swamp on foot.”
Turning serious, the Princess told him, “One learns to accept whatsver events life has in store with the best possible spirits.” She stared straight ahead.
“That just what I’m doing,” Luke confessed, “accepting them in the best possible spirits—nervousness and fear.”
“Well, you needn’t look at me as if this is all my fault.”
“Did I imply that? Did I say that?” Luke countered, a touch more tightly than he intended. She glanced sharply at him and he cursed his inability to conceal his feelings. He would have been, he decided, a rotten card-player. Or politician.
“No, but you as much as…” she began hotly.”
Don’t look at me like this situation that I have already admitted to myself is my fault is my fault - Leia
They are. Obi-Wan and Anakin. Wow.
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ddarker-dreams · 2 years ago
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Us and Them.
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Daryl Dixon x F Reader.
Tags: Not SFW, follow up to Hierarchy of Needs, takes place from Daryl's POV. Simping o'clock. Some typical TWD horror elements. Word count: 11.5k.
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It takes a great deal to crack Daryl’s focus. 
The life he’s led up until this point necessitated the fact. To ensure he’d hit his mark or continue tracking the elusive fauna hiding in the thickets, he needed to block the rest of the world out and hone in on his objective. This tendency bled into the other aspects of his day-to-day existence as well. It’s made him notoriously reliable, a reality he doesn’t take pride in, for he’s just doing what he thinks anyone should do. Shaking this cornerstone of his identity is no easy task. 
Unless you’re thrown into the mix, that is. 
Then it’s as if every functioning brain cell he has decides to jump ship in favor of seeking you out, no matter how detrimental it may be to him. Truth be told, he can’t even bring himself to mind half the time. You’re a distraction he’d hold the door open for. That being said, as much as he’d love to entertain thoughts of you 24/7, it’s an unrealistic dream. There’s work to be done and he can’t take up residence in la-la land. He’ll be forcibly evicted most of the time, should he not leave of his own volition. 
His present predicament does well to remind him of this. 
“You with me, Daryl?” 
Rick’s voice is a scythe cutting through the overgrown verdure of his mind. Daryl grunts, probably agreeing to something he should’ve been paying closer attention to. It’s too late for him to play it off, he can tell by Rick’s expression alone. He’s giving that raised eyebrow, head tilted look you once theorized to be the byproduct of being a sheriff for years. Officer Friendly’s changed a lot since they first met, but that look has remained reliably consistent. 
“That so? Mind telling me what I just said then?” Rick challenges. 
Daryl doesn’t even bother to entertain the charade. He knows when to cut his losses. “Sorry. Wasn’t listening.” 
“Mhm,” Rick nods his head in the direction Daryl’s been staring. “Let me guess. It got anything to do with our social butterfly over there?” 
Daryl doesn’t know why Rick’s asking when he likely already knows the answer to the question. Indeed, Daryl’s been keeping an eye on you while Rick discussed various happenings. You were reading Frankenstein beneath a gazebo for a whopping five minutes before an interloper made himself known. One of Deanna’s sons — Daryl can barely tell them apart, they leave so little of an impression — decided to strike up a conversation with you. The complete and utter disregard for your personal time has him fuming. You’ve been so busy shadowing Deanna that you’ve barely had a moment’s respite, you deserve to read your damn book in peace. 
He knows you’ve been working yourself to the bone. Alexandria is important to you, you’ve been doing everything possible to guarantee a future for your tight-knit group here. It helps that Deanna’s taken a shine to you; the opportunities this granted have been paramount. You’re slowly winning over the skeptical residents and explaining away any errant behavior from your group. Whatever tale you're spinning, he figures it must be working. He can at least walk around without being gawked at. Regardless, you confided to him that there's still much to do. Tensions are brewing faster than you can reconcile them. 
“Hardly see ‘er no more,” Daryl scoffs. “Yuppies are takin’ up all her damn time.” 
Rick gives a thoughtful hum. “It’s good, what she’s doing. Building up trust. Might help us if things are headed the way I think they are.” 
What was no doubt intended to lift Daryl’s spirits does the opposite, plunging them down into a deeper depth. He feels he’s deceiving you somehow by not mentioning Rick and Carol’s ‘backup plan’ should the Alexandria inhabitants prove beyond help. He also knows you loathe feeling used — a vulnerable confession owing to a drink too many — and that’s what this feels like. Using the good graces you’ve painstakingly established for an ulterior motive. 
Daryl keeps quiet. Fortunately, Rick is quick to catch on and changes the subject. 
“You know,” he starts, looking away from you to focus on Daryl, “I’ve noticed something’s different between you two. Ever since the night of that welcoming party.” 
Daryl assumes a poker face. He knew he should expect this line of questioning at some point, because things did change between you, in a way that exceeded his wildest dreams. Still, the way Rick’s sizing him up makes him feel like a teenager being greeted by your dad at the front door before your first date. He doesn’t know how to deal with this shit. The only person close to Daryl in terms of their protectiveness over you is Rick. Is this some type of test? That can’t be right; Rick’s been trying to convince him to shoot his shot with you since the prison. He probably just wants to know everything’s fine. Ever the worrier, holding the weight of the world on his shoulders. 
“She, uh,” Daryl focuses on his scuffed boots, before finally managing to look Rick in the eye. “She knows.”
Rick’s countenance betrays his disbelief. “You told her?” 
Well, it’d be more accurate to say you told him by kissing him silly and putting his many doubts to rest, but he isn’t about to go around announcing that. He’ll hold this near and dear to his heart. 
“Yeah.” 
“And?” Rick presses, borderline impatient for the information Daryl’s so stingy on handing over. “What’d she say?” 
Daryl can’t stop his lips from quirking into a closed-mouth smile. “Feels the same.” 
Unlike Daryl, Rick doesn’t bother trying to hide his grin. “What’d I tell you, huh? That’s— that’s great. I’m happy for you. For both of you. It’s about time you both stopped dancing around things.” 
Daryl wants to grumble over Rick giving him a hard time, but he can’t bring himself to, because the man’s right. While it may not have been love back at the quarry, even then he thought you were the prettiest damn woman he’d ever had the blessing to lay eyes on. His attachment to you only grew from there. By his estimation, that’d place it somewhere around two years of having the hots for you without ever making a serious move. While he doesn’t regret the time dedicated to deepening your friendship, it would’ve saved him a lot of grief if he knew you reciprocated his affections. He’d lost track of the nights spent tossing and turning, contemplating just how out of his league you are. 
“While we’re on the subject, Glenn’s got some condoms on him, should you need any.” 
Daryl coughs into his hand to hide the wicked blush rising to his cheeks. “The hell, man?” 
“Just sayin’,” Rick puts his hands up in defense. “It’s best to be proactive. Sometimes you look at the girl like you’re ready to pounce.” 
He fights back a groan at the new ammunition Rick has to tease him with. It is good knowledge to have, though, so he makes a note of it. You had only slept together once on that fateful night roughly two weeks ago. Daryl was mistaken in thinking getting a taste of you would calm the raging flames of desire that burn him from the inside out. If anything, it’s as if they’ve been doused with gasoline. Every little thing you do nearly drives him mad with need. When you chew on your bottom lip in contemplation, bend over to grab something, or make those cute little noises when you stretch, the list goes on and on. You’re making it a damn challenge to think with his head and not his dick. 
How can he not, when he’s experienced how exhilarating it is to become one with the person he loves most? The sights and sounds of that night play on a loop in his mind constantly. The teasing banter, the taste of chocolate on your lips, the mind-numbing pleasure that exceeds anything he’d felt in his life… it’s got to be a special kind of torture to know he can have that with you, if he only he could get you alone. He swears every force in the universe is working against him. You’re living in a house packed like sardines, your schedules don’t line up (he’s an early riser, you love ‘your beauty sleep’), and you’ve been busy as a bee. 
In your benevolence, you’ve treated him to some fleeting kisses and hugs, which, while he treasures those more than the air in his lungs, can’t satisfy the excruciating need he has for your body. He has to stop himself from undressing you with his eyes the few times of day you’re around. You’re just so gorgeous, so exuberant, lighting up the room in the way only you can and leaving a cold emptiness inside him when you’re gone. 
He used to harp on lovesick fools for gushing over their ‘other half’, but now he gets it, he truly does. Going without you for any length of time is a unique agony that twists his guts into a knot. 
Glancing back over your way, his blood freezes over at the sight he’s greeted with. 
The prick had the audacity to put his hand on your lower back while Daryl was preoccupied. His eye twitches and his nostrils flare, hands balling into fists by his side. Rick senses the change in demeanor and follows Daryl’s line of sight to identify the reason, instantly piecing together the problem. Right before Daryl can charge over and rip the asshole’s slimy hand off you, Rick steps in, motioning for him to slow down. 
“Hey, hey, look at me—” 
“He’s fuckin’ touching her,” Daryl seethes, barely able to hear anything over the sound of his heart thumping in his ears. “She’s uncomfortable, I’m gonna—” 
This time, it’s Rick who interrupts him. “I get it, I really do, but we can’t afford to go makin’ a scene over something like this. [First] wouldn’t want that. You know she wouldn’t. So let’s take a moment and calm down.” 
“The hell do you know ‘bout what she wants?” Daryl challenges, his voice raising enough to attract some nearby attention. He juts his shoulder out of the way when Rick tries to lay his hand on it. “We both know why you’re letting ‘er play nice.” 
Rick’s eyebrows furrow, hurt at the insinuation. “Daryl…” 
He turns on his heel and storms off. 
Rick calls out to him a few more times, but he makes a point of ignoring him, along with the stares his outburst garnered. A quiet, reasonable voice whispers to him that he’s blowing things out of proportion. This sensible counsel is overpowered by his Dixon blood yelling otherwise. He’s always been quick to default to anger, it’s an emotion he can make the most sense of when everything’s confusing. Rage is all-consuming and familiar. It gives him an easy target to release his pent-up negative emotions. 
There’s just too much for him to work through. The gnawing insecurity, that in this stable environment, you could do so much better than him and he wouldn't have the slightest clue how to stop it. He’s not a smooth talker, can’t excuse confidence in spades. Hell, he couldn’t even confess to you first, you had to come to him. Who in their right mind would want a man like that? A man like him? 
His jaw feels like it could snap from how hard he’s grinding his teeth together. 
When he gets back to the group’s shared residence, he slings his crossbow into place and makes for Alexandria’s gates. He’s got to get away from here before he pulls an even dumber stunt he’ll surely regret later. The lone guard stationed there looks about ready to give him a difficult time until he sees the grave expression on Daryl’s face. That’s enough for him to wordlessly grant passage to the outside world. 
Daryl opts for using his knife to take out the walkers prowling past the entrance. Adrenaline pumps throughout his body as the blade breaches a skull, then another, the bodies sagging to the ground with a satisfying thump. He cleans the gore off his knife and sets out for the woods, grateful to leave the oppressive community he’ll never fully fit into behind him. 
Out here, he’s in his element. Weaving in and out of paths he’s already started to memorize, hearing the coos of mourning doves and shrill chirps of cardinals. He isn’t meant to fraternize with some hoity-toity folks who still think carrying a gun around inside the walls is excessive. His previous anger simmers down into frustration with each step he takes. In his haste, he hadn’t grabbed that many arrows. He knows he shouldn’t be out here for long. 
However, the alternative is just as undesirable. He’ll man up and give Rick the apology he’s owed, but there’s no doubt his stunt today hurt what you’ve been trying to build. The folks wearing their polo shirts and khakis will probably go back to staring at him like he’s some sort of bogeyman come to life. He scoffs quietly to himself at the thought, bending over to inspect some fresh-looking tracks in the dirt. A deer must’ve come through here not long ago. Snagging a catch like that would do wonders for lifting his dampened mood. It’s tangible proof that he belongs, that he isn’t some freak like his brother would have him believe. 
It’s strange to care about what he’s gone his entire life ignoring. When you have a reputation like the Dixon’s did in the town he grew up in, ostracization was to be expected. He’d lost count of the times he’d have to bail Merle’s ass out of the county jail only for the process to start back up a few months down the line. They might as well have kept a parking spot with his name written on it, as often as he stopped by the place. The stares, the whispers. They followed him everywhere he went. He learned to stop caring, he didn’t really have any better alternatives. 
He thinks of you — how quick you are to fit in — how wide the chasm is that separates you. It’s been a while since he’s had to grapple with these misgivings, the farm must’ve been the last time. Daryl knows it’s shameful, but he likes when he’s the one providing for you. Not so he could lord it over you, he wouldn’t dream of that. It’s more so how it justifies him being in your orbit. Solidifies his place by your side. 
No one else can take it if it’s carved out in his shape. 
The sun begins its lull in the sky. Shades of brilliant amber and gold trickle in through the interstices of the trees overhead, cascading like embers. Daryl mulls over what you might be doing now as he gulps down water from his canteen. Are you having dinner with Reg and Deanna? Or are you back at home, encouraging Judith to eat her veggies and trying to convince Carl there are more things to read than comics? Have you noticed his absence? Or are you too preoccupied to realize he’s gone? 
His heart plummets down to his stomach.
Daryl crouches over, inspecting some flowers that have been chewed down to the stem. It’s still glistening with saliva. A deer’s doing, no doubt. This paired with the tracks he’s been following promises that he’s getting closer. Any other day, personal qualms would be the last thing on his mind when he’s about to land a deer, but you’re an apparition that won’t stop haunting him. He misses you. He sees you every day, yet it isn’t enough. He misses hearing your lame jokes that you laugh at (and he laughs at too, occasionally), the weird thoughts that occupy your pretty little head (seriously, who ponders over the origin of the phrase ‘elephant in the room’?), arguing over if Back in Black or The Dark Side of the Moon is the better album (he caught you humming Time to Judith once, trying to indoctrinate her early, no doubt). 
He misses you so badly it makes him physically ache. 
The crackling of foliage ahead temporarily releases him from his bitter rumination. 
He fastens his crossbow into place, mindful of his every step. He makes his way through a clearing. It’s the scent he notices first, the miasma of rot. Then there’s the sound of flies buzzing and wet, vicious squelching. Ripping and tearing. Daryl knows what he’s destined to see before he even lays eyes on it. A group of voracious walkers gorge themselves upon the fallen deer, too preoccupied with devouring the viscera to notice his presence. Rigor mortis hadn’t even set in yet, he’d just barely missed his window. 
It’s one of those days, he supposes. 
The trek back to Alexandria is noticeably devoid of thought. He gladly welcomes the reprieve, wanting nothing more than for his head to hit the pillow so he can sleep today’s events off. Alexandria’s walls loom in front of him soon enough. He calls over to be let back in. Without delay, the gate creaks to the side, revealing the last figure he expected to be greeted with upon his return. 
You. 
You stand a few paces ahead, relief visible on your features when you establish eye contact. You’re wearing a yellow gingham blouse, white denim jeans, and those sneakers from what he’d consider the best day of his life. Your hair that you’ve been complaining is too long is tied up in a high ponytail, revealing that neck he longs to smother in kisses again. You’re so fucking radiant it should be illegal. Intelligent thought flies out the window, though luckily for him, you almost never run out of things to say. 
“Are you alright?” Is what you decide upon, your voice sweeter than candy. He’d eat it up if he could. 
He nods, his body recalling how to do basic motor functions after a sizable delay. You secure the gate behind you, muttering some gratitude to the guard Daryl scowled into submission earlier, then jog to catch up with him. He swears he could distinguish the sounds of your footsteps in his sleep. As much as he’d love to, he doesn’t look at you, choosing to fixate on the road ahead. After the events of the day, he doesn't trust himself not to pull anything stupid. 
“Daryl, hello hello,” you say with a singsong lilt, “You do notice me, right? I’m not that short.” 
“Tired, s’all,” he murmurs. 
“Have you not been sleeping well?” 
He shrugs. “Guess not.” 
There’s a beat of silence. Unable to bear it, he turns toward you, immediately noting the uncharacteristic frown on your features. A deep pang resonates inside him at the sight. He knows he’s worrying you, causing extra strife you most certainly don’t deserve to deal with, but he can’t think straight. The culmination of two weeks’ worth of navigating foreign feelings he’s never experienced before is taking a toll on him. You mentioned having an ex-boyfriend to Maggie in the past — a notion he’s hardly surprised by, considering you got him of all people falling head over heels — so this must be familiar territory for you. 
“When I asked if you were fine earlier, I didn’t just mean physically,” you nudge him playfully with your elbow, although your expression is serious. “Is something up?” 
“Jesus, I’m fine, woman,” Daryl huffs. The tone he takes has you pursing your lips. He no longer hears your footsteps struggling to keep up, you must’ve stopped. He does too. Turning himself to face you is no easy task, yet he somehow manages. What remains of the sunset basks your features in a gentle glow. He can make out each fleck of color in your iris’, finding the distinct splash of color to be his favorite. You have every right to be annoyed with him, you should be, honestly — and still, there are no traces of irritation. That alone melts his heart. 
You’re just looking at him, trying to piece together what’s brought him to this point. You never assume the worst of him, you never have. Instead, you choose to carefully comb through the information available to understand what he barely understands himself. This is one of your strengths he’s always admired. 
When he once asked you why you gave others the benefit of the doubt, you compared it to his tracking process. 
“There’s more going on than what’s visible at first glance, right?” You reasoned. “You have to stop, slow down. Take time to inspect things a little closer. If you don’t, you risk missing what’s truly important.” 
Waves of guilt crash over him like the roaring ocean upon the shore. You’re so good — the epitome of everything worth preserving in this decaying world. 
“... ‘m sorry,” Daryl swallows thickly. “Just… bad day, is all.”
Your visage softens. “Hey, it’s okay.” 
He flinches. You’re far too quick to forgive. 
“Nah, it ain’t. I shouldn’t take it out on ya.” 
“Would you like to talk about it?” You offer, still refusing to hold Daryl’s shortcomings over his head. “I, um, actually had something I wanted to show you. It’s somewhere quiet. It’d just be us there.” 
He parts his lips, ready to reinforce the fact you should be upset with him, when he sees your smile. This is the kind you’ve only ever graced him with. There’s this innate understanding in your eyes, a compassion to the curve of your lips. A look of pure love. He’s committed every facet of you he can to memory, he knows no one else is the recipient of this specific tenderness. It’s reserved solely for him. 
There’s a gravitational pull around you that draws him close and refuses to let him go. 
“You sure?” 
“Yeah. Positive.” 
You hold your hand out. 
He hesitates, wondering if he deserves to take it. 
When he does, the way your smile grows tells him he made the right choice. 
It’s him following you now. There’s a pep in your step, he can feel the excitement radiating off of you. A few Alexandrians he hasn’t bothered learning the names of yet give a wave upon spotting you, an act you gladly reciprocate. You haven’t the slightest ounce of shame about the rugged man trailing behind you. An insecure part of him that stubbornly refuses to die suggested that as you integrate into the community, you might leave him behind. Find a man that fits in here rather than sticking out like a sore thumb as he does. 
He couldn’t have been more wrong. 
The guilt returns, slithering its tendrils around his person and preparing to bite down hard. He’s been weaving falsehoods about you because of his own problems. You aren’t that type of person. He needs to get out of his own head and accept that maybe, just maybe, this’ll be his shot at happiness. The concept is so surreal that his body has been rejecting it like it were a foreign invader. He doesn’t want to fall prey to his natural tendencies anymore, he has to fight it. 
He imagines it’ll be a slow and tedious process, uprooting the thorny vines he’s grown to protect himself. You’re worth the effort, reckons. You always have been. 
Suburbia surrounds you on both sides. This must be another residential area of Alexandria, one that is vacant from what he can tell. You pause in front of one of the homes, nestled toward the end of the street. It’s the picture-perfect representation of the upper-middle-class ideal. A two-story high house styled like the others, with beige siding and a light gray roof. After letting him take it in for a second, you pull a set of keys from your back pocket, then grin. 
“I bought us a house,” you twirl the jingling keys on your pointer finger. “My credit wasn’t the best, and we’ll probably have to do a reverse mortgage in a decade, but it’s ours.” 
Daryl squints, trying to deduce how much of what you’re saying is in jest. 
“I’ve been working with Deanna to get our group more settled in, since this looks permanent. We finished ironing out the details today, and, uh, yeah. We get a house all for ourselves.” 
Your voice grows smaller toward the end of your sentence, almost tentative. You’re gauging him just as much as he is you. 
“Ya wanna,” he takes a moment to find the right words, “Ya wanna live with me?” 
You shrink into yourself. “I do. O-Only if you want to, of course! If this is weird, or, I’m uh, being too forward, then just— oof!” 
You’re never given the chance to finish your sheepish ramblings, for he lifts you in the air, spinning you once then wrapping you in a tight embrace. You give him a breathless laugh and return his affection in kind. He nuzzles his nose into your neck, breathing in the familiar scent of cocoa butter and shea. In any other circumstance, he’d shy away from such a bold display in public, but he’s too damn ecstatic to care. Let anyone who happens by watch. See for themselves that you’re his and he’d sooner keel over than let you go. 
“I take it that’s a yes, then?” You hum as he carefully puts you down, treating you like you were made of glass. 
“Yeah,” he reassures. He huffs in amusement at the stars that are practically glittering in your eyes. “Guess that means the others’ll know ‘bout us.” 
You’re quick to fall back into your usual demeanor, now that you know he wasn’t put off. “Are you embarrassed of me, Mr. Dixon?” 
He rolls his eyes at your theatrics, replying lightheartedly, “Stop.” 
“I hate to break it to you, but I’m pretty sure the others already know,” you say. “Well, some of them, at least. Women have a sixth sense for these things.” 
Daryl raises an eyebrow. 
“Oh, don’t worry about it. I mostly plead the fifth. Rosita and Maggie keep smirking at me though. I think we developed some sort of witch coven-level bond while out on the road.” 
He lets out a ‘pfft’ at the phraseology that’s so distinctly you. He’s always loved hearing you talk, he swears you could make an instruction manual on how to set up a dresser entertaining. Aside from how unfairly pretty you are, your mannerisms are what caught his eye. You have this way of creating a comfortable atmosphere. Back at the quarry, you stubbornly worked to peel back his layers, one at a time. You somehow knew what conversations to broach and which to steer clear of. Before he knew what was happening, you became his favorite person to spend time with, and he actively sought you out; ignoring Merle’s disparaging remarks along the way. 
The rest is history, as they say. 
You both walk up to the porch, taking in every last detail. The spacious front yard, bushes that Daryl makes a mental note to trim later, and the little stone pathway which leads up to the steps. A soft breeze passes through, encouraging the rustle of towering tree branches. The scent of daisies and honeysuckle wafts in the cool evening air and he deeply inhales nature’s aromatic perfume. You trace the porch’s white pillar with your fingertips, seemingly entranced, disbelief written over your features. 
“From a prison cell to this,” you shake your head. “I’m not dreaming, am I?” 
“Nah. You ain’t.” 
You point at the closed garage. “You can park your bike there, turn it into a workshop or something.”  
Next, the empty garden. 
“And— and we can plant carrots, peas, zucchini… maybe find a blueberry bush. Flowers too. Oh, I love hydrangeas, they can be tricky though. We should also plant a fruit tree. What about apple? Yeah, let’s do that. The kids’ll love it. Apple pie, apple cider… did you know Carl’s never had apple cider? How is that even possible?” 
There’s a glossy tint to your eyes as you ramble on, so taken by the idea of a future that you don’t know what to do with yourself. He has to fight against a lump threatening to form in his throat. Daryl hugs you from behind, holding you against him as if you’d disappear like sand through his fingers should he let go. You feel so good in his arms. So right.
“We have to make this work, Daryl,” your voice is tight. “We have to. No matter what.” 
This serious declaration takes him back weeks prior, to the day your fates became permanently intertwined. You’ve been pushing yourself to fulfill what you said then and now. He’s sure you’d much rather spend time with your group, your family, but you’ve been building the groundwork for a future. The very same groundwork he’s been undermining by plotting outside the walls with Rick and Carol, well-intentioned as it may be. 
“I gotta tell ya something,” he murmurs, placing a chaste kiss atop your head. Your hair smells heavenly. “Has to do with earlier.” 
After feeling you nod, he continues, albeit hesitantly. 
“Me, Rick n’ Carol have been talking. ‘Bout Alexandria. What we should do here. They’re thinkin’ we might hafta take over, if worse comes to worst. These people… they’re weak. Don’t know a damn thing ‘bout what’s happenin’ outside them walls.” 
He loosens his grip as you twist around to face him. Once again, he braces himself for heavy rebuke; a confirmation that you’ll be as upset as he imagined upon learning about this. You place both your hands on the railing behind you while looking up, your head tilting to the side. 
“I already knew about that.” 
Daryl knits his eyebrows together, incredulous. “You— what?” 
“Not the specifics, maybe, but I got the gist of things,” you confirm. This further reinforces his belief that you’re perceptive to a freaky degree. “I mean… I get where you guys are coming from. What we’ve been through… what we’ve seen… God… I never let myself think about it for long. I can’t. I push that shit down as deep as it’ll go. Lock it up and throw away the key.” 
You sigh and give him a weary smile that tugs on his heartstrings. “I’m not going to say that you’re in the wrong, because honestly, I haven’t the faintest clue. I wish I did, but I don’t. All I know is that it doesn’t hurt to try. What’s that adage Rick is so fond of…? Ah, yes, let’s ‘see what we see’. If you do, and still think they’re a lost cause, then… I’ll trust your judgment. I always have. Always will, too. There’s no one I trust more in this world than you, Daryl. Not even myself.” 
You’ve stolen the air from his lungs and words from his mouth, it’s like he’s been sucker-punched. He tries and fails to string together a coherent sentence. It shouldn’t be too difficult, the assembly of vowels and consonants, yet every word in the English language slips his mind. He’s long since held the belief that you’re an angel incarnate — you might as well be, given your beauty — but thinking that way is ultimately doing you a disservice. 
You’re scared, you’re confused, you’re human. Blood pumps through your heart, not ichor. 
Daryl takes your pretty face into his hands, wishing he could smooth away the lines of worry. “I’ll try. Promise.” 
You kiss his inner palm. “That’s all I could ask for.” 
“What you said… ‘bout not trustin’ yourself…” he trails off, almost wincing at hearing the words spoken aloud again, “You should. Trust yourself, I mean. You're smart. Crafty. Made some damn good calls I never woulda thought to.” 
“Are you buttering me up, Daryl?” You teasingly suggest. “Flattery will get you everywhere with me.” 
He grunts. There you go with your tendency to keep things light-hearted when they get uncomfortably personal again. 
“... Really, though, thank you,” the inflection of your voice reverts back to sincere in record time. You almost give him whiplash with the ease in which you shift moods. “We probably should’ve had this talk sooner, right?” 
“Yeah.” 
“I’m sorry ‘bout that. I wanted… wanted to surprise you, and I got so swept up in that, I missed what’s really important.” 
Daryl feels his lips twitching into a smile at your subconscious elision — Carol once pointed out that you sometimes talk like him, and vice versa. She said you guys hang out together so often, it’s to be expected. He’s picked up your favorite idioms and rubbed off his tendency to curse on you, even if you don’t do it anywhere near as often as him. To think that two years ago, his preppy princess went from having the cleanest mouth around to dropping expletives without batting an eyelash. 
“‘S fine. Still don’t think ya did anything wrong.” 
“You’re a bit biased, don’t you think?” 
“Mm. Maybe.” 
You laugh at his candidness. “It just occurred to me that all our best conversations happen on porches. Is that why you lived out on the porch for our first few days here?” 
“Nah. Had to keep ya safe,” Daryl runs the pad of his thumb over your cheekbones. “Can’t let anything happen to ya, butterfly.” 
You preen at the personal touch to your infamous nickname, evidently liking it as much as he does. “I told you, I’m more of a caterpillar for the time being.” 
He snorts. “Coulda fooled me.” 
“Hm… a cocoon, then? Agree to disagree?” 
“Ain’t calling ya a fuckin’ cocoon, woman.” 
“Oh, but if it’s your voice saying it, I’ll get all hot and bothered,” you lean forward, pressing the swell of your chest against his. He swears he can feel his blood rushing south. “You could make anything sound good. Even… hm… let me think… the word foible.” 
Daryl scrunches up his nose. “The hell? That’s a word?” 
“Sure is. It might be the only one that hasn’t found its way into Eugene’s impressive lexicon yet.” 
“You couldn’t pay me ‘nough to say that.” 
“It’s a good thing the economy is in shambles then,” you wink. Then you stifle a laugh with your hand. “Huh. I really need to get better at flirting. I’m rusty… way out of practice. Mind helping me out with that, Dixon? If not, Maggie’s gonna get stuck dealing with the brunt of it.” 
The look he gives has you showing your palms in surrender. “I told you! It’s witch coven level stuff between us now. I’m waiting with bated breath for someone to suggest a blood oath.” 
“Don’t need no practice, all ya do is flirt with me, damn vixen.” 
He pinches your cheek, content to see how they’ve filled back out after two weeks of eating regularly. 
“Took you long enough to notice.” 
You guide his hands to your hips and he’s more than happy to place them there. Next, you secure your arms around his neck, then start swaying side to side. Everything about you is so magnetic. God, that expression is nearly lethal. You’re gazing up at him through lidded eyes, worrying your lower lip beneath your teeth. He feels his cock twitching to life. You barely need to do a damn thing and he’s ready to fall to the ground and worship you. 
Daryl has to fight off a debauched noise as you stand on your tiptoes, your tongue poking out to coat your lips in an enticing sheen. He feels your hot breath fan against his face and tightens his grip on you to keep himself steady. You pause, content to stay where you are, so close to where he wants you yet cruelly far away. You breathe in one another’s air for a few, agonizing seconds, your noses touching. Then you’re moving again. Right when he thinks he’s going to be treated to your taste, frustration boils within when you kiss the corner of his mouth instead. He could take whatever he wants from you — his immense strength speaks to that — yet there’s something so undeniably charming about letting you think you’re in control. 
He figures he can play along a while longer. 
“Do me a favor, sweetheart,” you whisper, the huskiness of your voice causing goosebumps to erupt all over his skin, “Grab what’s in my back left pocket.” 
Curious, he does just that. His fingers come into contact with a plastic serrated edge. He knows what it is before he even pulls it out. 
“This time, I can’t say I didn’t plan things in advance,” you take pride in admitting. 
He frowns. “Just have these on you?” 
Despite knowing it’s entirely unreasonable, he can’t suppress a sting of jealousy. He silently hopes you haven’t been carrying these things around for long. Not if you wanted to use them with someone else. 
“Mhm. I had some at the farm, then the prison,” if you notice how his expression darkens, you don’t mention it. “There’s this guy who caught my eye, you see, a very handsome one. I’ve wanted him to have his way with me for ages. Couldn’t work up the courage to admit that for the life of me, though. Until very recently.” 
He mentally sighs at the reassurance no one’s gotten to touch you while he was stuck silently yearning from afar. There were a few panic-inducing moments that drove him crazier than he’d ever admit, due largely in part to your friendly personality. You’re touchy-feely with those you care about. While he reaped the benefits of this, it’s a double-edged sword. You hug your friends, fall asleep on their shoulder, and dote over them at every chance. He once mistakenly snapped one of his arrows in half when he saw you run and jump to embrace Rick. 
Daryl knew it was wrong to feel possessive over a grown woman who he wasn’t in a romantic relationship with, yet his heart refused to listen to his brain. People were drawn in by your wit and charm, there wasn’t much to do about it. It wasn’t like he could station himself by your side every waking hour to scare off any asshole who thought they had a shot at you. 
… He has considered the idea, though. 
“That right?” He asks, maintaining eye contact while his hands go to give your ass a squeeze. He’s never felt the most confident when it came to flirting, yet you make him feel wanted, like you’re into him as much as he’s into you. 
“Right as rain,” you give him those doe eyes that make him weak in the knees. “It made me have to settle for the next best thing.” 
Daryl’s entirely under your spell and he wouldn’t want it any other way. “What’d that be, princess?” 
He bites back a knowing smirk at the way you shiver, your eyes glazing over with lust. Learning your little thing for hearing him call you princess was a piece of knowledge he fully intended on making good use of. 
“My hands,” you murmur. He knew what you were implying, but hearing you say it out loud almost makes him lose his fucking mind. “I’d think about how strong he was, how good he’d make me feel. I was always scheming, y’know. Wearing short shorts, low cut shirts. Think it may have caught his attention?” 
Oh, so that’s how it was, huh? He’d always get caught between feeling grateful for seeing so much of you and possessive when he realized everyone else got the same privilege. A few men and women back at the prison let their eyes linger far longer than he would’ve preferred. He’d spend balmy nights tucked away on his lonesome, wrestling his belt and pants down so he could relieve himself to the thought of you. Guilt would rear its head when he saw you the next day, running over to excitedly greet him, oblivious to how he objectified you in his mind hours prior. 
It comes as a mild relief to know that was what you intended. 
“Don’t needta think. Know for a fact it did.” 
You pout, upping his urge to kiss you by a hundred percent. “Are you sure? He hasn’t tried to touch me lately. It’s starting to hurt my feelings.” 
“Hard to touch a woman who ain’t there,” Daryl huffs, indignant. 
“Well, I’m here now,” you reassure. “Maybe you should make the best of it, hm?” 
You don’t need to tell him twice. 
He snatches the keys and wastes no time unlocking the front door, motioning for you to go in first. He enters immediately after. The lock is redone in anticipation of what’ll come next, you’ll both be needing your privacy. Daryl loves your little group, would die for them in a heartbeat, but he’s been waiting what feels like eons to get you alone again. He’s surprised with the amount of self-control he’s exercising, the urge to rip your clothes off and take you against the closest available surface is overwhelming. You bring out this animalistic side to him he never knew existed. 
You start making your way upstairs after leaving your shoes by the door. From this angle, he’s treated to a lovely angle of your hips and shapely ass. His nerves are set aflame by the mere thought of seeing you bare again. He damn near sprints to catch up with you, not caring to hide his desperation in the slightest. He scoops you up bridal style along the way — he really might have a thing for manhandling you, although he’s never rough — the ease in which he can maneuver your body just feels right. Satisfies what little ego he has when it comes to romantic endeavors. 
“I never have to use my legs when you’re around,” you giggle. 
“That’s the goal.” 
In more ways than one, he hopes. 
Daryl brings you into the first bedroom he sees. You’re gently laid down atop the plush comforter, while he gets to work ridding himself of his clothes. The condom from earlier is placed on the bed’s edge. He pulls his angel wing vest over his head, kicks off his boots, then his jeans. The weight of your gaze on him is tangible, you look at him as if he were a piece of art. He’s unsure if he should feel embarrassed or prideful by your unabashed staring. A blush dusts his cheeks when he catches you rubbing your thighs together, causing him to lean toward the former.
He freezes when he gets to his black button-up shirt. The last time you were intimate, it was dark enough that he didn’t feel entirely exposed. As much as he loves seeing you painted in warm hues of orange and red, that means he’ll be fully visible too. Every inch of his body and its testament to a life of hardships. You’d seen the scars on his back when tending to his injuries back on the farm, yet you didn’t dare to make a comment. The way he flinched and shrunk away told you everything you needed to know. 
Sensing his hesitation, you stand to your feet and approach him. Your fingers settle on the top button, though you make no movement past that. He can practically hear the cogs turning in your head. 
“If you don’t want—”
“I do,” he cuts you off, knowing what you intend to say. “I trust ya. Just…”
“Just…?” 
He shrugs, the tips of his ears burning. “Want ya to like what ya see.”
“Oh, darling,” you croon, the unexpected pet name makes his blush infinitely stronger, “Maggie used to call me out for drooling over you when you wore those sleeveless shirts. Made me wish I had a pair of opera glasses. You’re handsome. Unbelievably so.”
He doesn’t know what to say, caught in a swirl of embarrassment and delight over the praise you wholeheartedly offer. 
You undo the first button, then stop, looking up to check with him again. When he nods, you keep going, revealing the skin that closely hugs his defined muscles. You don’t recoil in disgust or give him pity-filled glances when spotting his scars, instead, you look mesmerized. He can hear your breathing pick up and see the way your pupils dilate. 
Daryl thought he was too old to get butterflies in his stomach, but there’s nothing you’re better at than revealing parts of himself he didn’t know existed. 
You smooth your palms over his pecs. “I really am going to start drooling.” 
He huffs and shrugs off his shirt, leaving him in nothing but his boxers. “Lay your ass back down, girl.”
You give a dorky double thumbs up and do just that. 
He joins you not long after, both his arms caging you against the bed. 
Daryl nods toward your still-clothed body and quirks his head to the side. 
“What? You don’t wanna be the one to undress me? I’m sure you’ve thought about it.” You provoke. His hands almost start trembling from the sheer excitement the prospect stirs up in him. You’re such a coquettish little thing, playing dirty whenever you’re presented with the choice. He’d be lying if he said he didn’t love it, though. You know how to rile him up. 
“Once or twice,” he replies, nimble fingers finding the hem of your shirt and lifting. You raise an eyebrow, challenging his purposefully low estimation. He gives a throaty chuckle, soothing your ire by kissing you on the forehead. “A day.” 
You look pleased with the revelation. “There. Much better.” 
He greedily takes in every inch of skin that’s revealed to him as he lifts your shirt. Heaven itself couldn’t compare to the beauty that is your body, he almost forgets how to breathe when he sees the start of your chest. His heartbeat rises in a crescendo as he slowly pulls the fabric upward. Finally, he gets an unobstructed view of your tits, wrapped up nice and pretty in a black bra. He wets his lips and bites back a groan. His large, calloused hands immediately set to work on kneading the supple flesh. There’s nothing he loves the feel of more.
“Ya really did plan this,” Daryl has to stop himself from rutting against the bed like an animal, the desperation you instill in him is unreal. “Wanted to drive me fuckin’ crazy, huh?” 
“Maybe a little.” 
He pinches your nipples then, earning a gasp so lovely from you that a guttural growl leaves his throat. He’s just as obsessed with your voice as you are with his. There’s a sweetness to it that tickles his ears just right. Whether you’re laughing, moaning, or simply saying his name in that way only you can, there’s this lilt that has him hooked. Nicotine be damned, you’re an addiction that surpasses all else. 
His fingers make their way to your back, undoing the clasp of your bra. “A little, hm?” 
You nod after a moment’s hesitation. 
“Ya never were a good liar,” Daryl muses. He’s always found this positively adorable about you. Once he taught you the rules of poker and you joined in on some game nights, it became clear that wasn’t your area of expertise. You’d squirm in your seat, glare or beam at your cards, your intentions practically announced for the whole world by your transparent body language. He’d lost count of the number of times he had to bite back a smile when watching you. 
He wraps his mouth around your nipple, alternating between suckling and licking it with his tongue. If given the chance, he’d sit here and do this for ages.  
“Is that— mm— a bad thing?” 
He pulls back from his important task long enough to reply, “Nah. Love that ‘bout ya.” 
While he contents himself by playing with your tits, you grow adorably impatient, wriggling in an attempt to get some friction where you want it most. He grabs your hips and holds you still to stop your indulgence, eliciting an irritated huff from you. He hadn’t anticipated this brattier side of you, but there’s something about it that gets him going. Electricity crackles between you, filling the atmosphere with thick tension.  
“There somethin’ you want, girl?” He teases, attention flittering between the coat of his saliva on your chest and the depraved curve of your countenance. He can feel precum leaking from his tip when you try to grind on him again, your frustration fucking delicious. 
Your eyes widen when he pulls away, much to his amusement. “Asked ya a question, butterfly. You best be answerin’ it.” 
“What do you think I want, Daryl?” The little whine you accentuate your words with works wonders on him. 
He shrugs, playing ignorant. “Dunno. A nap, maybe. Ya act all pissy if ya don’t get your eight hours.” 
“I told you, my beauty sleep is important,” you huff, directing a halfhearted glare his way. He exhales sharply, betraying his bemusement. You’re about as intimidating as a bunny rabbit to him. “Admittedly, while the prospect of a nap is tempting, I’d rather you fuck me until my brain is scrambled.” 
This vulgar side of you is a damn treat he’ll never tire of devouring. 
“That so, princess?” 
“Cross my heart.” 
“Take them pants off then.” 
You oblige without protest. You hook your thumb on the waistband, maintaining smoldering eye contact as you drag it down oh so slowly. He palms at his hardened length while you put on your little show, the throb of his cock close to constant. His eyes nearly bulge out of their sockets when he spots your panties. They’re the same shade of black as your bra, the fabric next to scant, hugging your curves tightly. He can see the outline of your folds against it, your wetness seeping through. His tongue slips out to moisten his lips when he remembers how amazing you tasted. He’s brought back to the blissful experience, the softness of your thighs around his face, how you wriggled and squirmed so delightfully for him… 
“My eyes are up here, Mister,” you hum. Normally, he’d have a clever remark ready to match you, but he’s completely at a loss. You’ve rendered him speechless. 
You were wearing this all day, just for his viewing pleasure? 
Maybe there is a God after all — some higher power has got to be smiling down on him. You could make a zealot out of the most impious man. 
By the time he manages to break from his reverie, your pants have been tossed aside. It’s you who approaches first, crawling over to where he sits still as a statue, looking up at him through your eyelashes. His Adam's apple bobs as he swallows thickly, completely and utterly smitten by you. Your breath hitches in your throat when you notice the prominent outline of his cock against his boxers. If that visceral reaction does something for his ego, he’ll never admit it. 
You settle onto his lap like it’s where you belong most — he’d argue until he was blue that it is — both of you releasing a content noise at finally having contact where you want it most. Your lips are on his in a feverish kiss. His hands start at the dimples on your back, then move down, cupping your ass and encouraging you to grind against him. You use his shoulders as leverage to better control your movements. He groans when your fingernails dig into his flesh, and you take the opportunity to sneak your tongue into his mouth, getting drunk on the taste of one another. Today, you taste like lemonade. The tart flavor is best when sampled from you. 
His mouth smothers your whimpers and soft moans of his name. When you pull back, he’s initially disappointed, until he realizes this grants him the perfect view of each twist of your face. You appear hazy with pleasure, your bare chest heaving and glossy lips parted. There’s a telltale tensing in your thighs that catches him off guard. 
“You gettin’ off on this?” Daryl asks, his voice heady with lust. “Grindin’ on me, making all them sweet lil noises?”
“Yes,” you whimper, your shame long forgotten. Not that you ever have much when it comes to him. 
This is better than anything he’d concocted in his wildest fantasies. You wanting him as much as he wants you, chasing after your high without reservation. He faithfully does his part to help you along. He follows the rhythm you set, his eyes never leaving your face, deriving unmatched satisfaction from knowing he’s the reason you’re like this. It’s him who knows how to fire you up and cool you down, him who you’re humping against like depravity is your natural element. 
You’re gripping him tighter, nails digging deep. He savors the slight ache, intending to wear your marks like a badge of honor. 
“That’s it,” he encourages, his voice raspy. “C’mon. Show me how good ya feel. Wanna see it.” 
You’re nothing if not obedient, once in a blue moon. 
You come undone, throwing your head back, your eyes squeezed shut as you savor your release. He fixates upon the muscles of your neck, on display like a canvas ready to receive his designs. His lips hover over your racing pulse, the stubble of his beard against your skin prompting a fit of giggles. He mouths at your skin, humming low in appreciation at the saltiness coating it. You sure do get yourself all worked up over him. Knowing that does things for him, stokes the flames of an already raging fire. 
“God, I’m obsessed with you, Daryl Dixon,” you confess, moving your head aside so he can have better access to your neck. “You’re all I think about. We’re just— we were made for one another, weren’t we? You’re my best friend, my — I don’t know — does boyfriend sound kinda silly at this point, or is it just me?” 
Love blooms in his chest, temporarily overpowering his lust. Or perhaps the two are mixing to form an entirely new color. “I’ll be whatever ya like, so long as I get to see that again.” 
“Even my…?” You cut yourself off, and he pulls back, finding himself unable to read your countenance. That’s an exceedingly rare occurrence. 
“Your…?” He prompts, the both of you whispering like you’re exchanging precious secrets. 
“No, it’s—” you suck in a deep breath and shake your head. “Ahem. Too soon for that.” 
You try to distract him by pawing at his waistband. It is a clever move on your part, but he musters up the willpower to stop thinking with his dick for a few seconds. 
“Nah. Ya ain’t doin’ that. Finish the damn sentence, woman.” 
This is a rabbit hole he wants to explore. His intuition offers a suggestion that’d fill in the blank, yet he shrugs it off, scoffing internally. There’s no way you possibly meant that, his brain just isn’t working properly. No, a pretty thing like you couldn’t possibly want to marry an asshole redneck like him— 
“Marriage is off the table until we at least go on one date. Your treat. I’m ordering appetizers and a dessert, too.” 
Only you would essentially propose to him while throwing in a joke for good measure. Yeah, that’s the love of his life alright. A hot mess. Heavy emphasis on hot. Somewhat lighter emphasis on mess. 
“... Orgasm felt that good, huh?” 
You swat at his chest. “Shut up, I’m sleep deprived and not thinking clearly.” 
Daryl notices that you’re looking everywhere but at his face, embarrassment prominent. He props himself up some so that you’re able to pull his boxers off, his dick springing out of its restraints. There are about a million things he wants to say to you, some teasing, some entirely genuine, but when you wrap your soft hands around the base of his cock, he blanks. He pants your name as you start pumping him. Pearls of cum are quick to coat his length, making the process even easier for you. 
You bend forward, your tongue licking up everything that oozes from his flushed tip. Then your mouth starts taking him in. The warm wetness feels divine and he keens. The noise surprises you both, encouraging you to keep going. You hollow out your cheeks, then start sucking, all the while jerking off what isn’t in your mouth yet. Caving into instinct, his hands fly to either side of your head. He helps ease you up and down his length. 
Daryl wonders if he’s dreaming — he doesn’t want to pinch himself to find out, just in case that’d wake him up. 
The fact a girl as stunning as you is sucking his dick with unbridled enthusiasm simply doesn’t compute. His peak is growing more and more imminent. The tightness of your mouth, how you’re moaning against him like you’re the one being pleasured; it’s too much in the best of ways. He was already worked up to a frenzy after witnessing you come from grinding on him. 
Briefly, he entertains the thought of what it’d be like if he released his load in your mouth. He’d make sure you swallowed every last drop. Knowing you, however, you’d probably do so without his prompting, swallowing while looking him straight in the eye. You know what you do to him. That you have him wrapped around your pretty little finger. You know it and love it, maybe almost as much as he does. 
Daryl utilizes every last ounce of self-control in his body and pulls you off his weeping cock. 
A trail of saliva connects your lips to his tip, a sight he intends to burn into his memory forever. 
“Hey, I was enjoying myself,” you complain with an exaggerated sigh. 
“Me too.”
He reaches over to grab the condom from earlier. Ripping into it with his teeth, he rolls the plastic over his sensitive cock. Once it’s on, his hands go to your shoulder, gently pushing so that you’ll lay down for him. You pique his interest by shaking your head. You must have plans of your own, for you reclaim your spot on his lap. He’s plenty content to accommodate this apparent desire of yours and leans back. 
You line him up with one hand and tenderly cup his cheek with the other. 
Slowly, you sink down onto him, lulling your head back while you do so. He helps hold your hips in place so you can adjust to him at your pace. Instinct begs him to rut up into your accommodating warmth, but he values your comfort more than his own carnality. Your eyelashes flutter shut whereas he keeps himself trained on you. When you’re halfway down, he kisses your inner wrist, grateful for the pulse beneath your skin. 
“You’re takin’ me in well,” he praises. If there were ever a man capable of penning hymns dedicated to you, it’d be him. “Just like that. Nice n’ easy.”
A high-pitched whine leaves your lips when he’s fully inside you. 
“That’s it, good girl.”
You reopen your eyes, granting him the sight of what’s become his favorite color ever since he met you. 
“You’re spoiling me with all these compliments.” 
Your hands run over his jaw, then the tensing tendons of his neck, finally settling on his sun-kissed shoulders. 
“Ya deserve it,” Daryl murmurs. “Beautiful woman.”
Dizzying pleasure thrums throughout him when your walls clench, his words hitting your sweet spot. Sweat coats both your bodies in a light sheen. You rotate your hips, allowing him to stretch you out, the slight friction far from enough yet tantalizing nonetheless. Finally, after what feels like an excruciating wait, you lift yourself off him and come back down. The decadent pleasure builds and builds with each repeat of the motion. He’s close, painfully so, but letting you take what you want from him is given top priority. The sinful sounds pouring from your lips with increasing urgency hint that you might not last long either. 
Calloused fingers work to rub messy circles against your clit. This added layer of stimulation has you moaning incoherently near his ear, half-legible sentiments tumbling out. 
“Feels so good,” you whimper, almost delirious. “I wanna be yours. Please.” 
You’re growing increasingly erratic as your second high looms on the horizon. The telltale tensing of your muscles has him picking up momentum. One hand guides you up and down his cock, the other pleasuring you where you need it most. Your declaration envelops him, making him feel impossibly warmer. How you vacillate between uttering the naughtiest and sweetest things is a mystery to him he won’t bother solving. All he knows is that his adoration for you won’t ever stop growing, no; this is where a new chapter of it begins. 
“You are. Always ‘ave been.” 
Daryl knew it couldn’t have just been his imagination, the once-in-a-lifetime connection that formed soon after your paths crossed. It strung you both together. Whenever one wandered too far from the other, the rope would go taut, forcing you to stumble back where you belonged. 
Your walls tighten around him and you snap, back arching, pressing those perfect tits against his chest. 
He grunts at the sensation of you coming on his cock, thrusting upward to meet your stuttering hips. He loses himself in the aroma of sex and you. You go partially limp when you’ve come down from your high, which allows him to maneuver your body with greater ease. The release he denied himself minutes prior threatens to consume him once again. How could it not, when he got to witness your blissed-out face, hear the sounds of your gratification? 
Daryl’s hands latch into the soft flesh of your waist hard. He slams into you a few more times, the sound of skin slapping skin reverberating throughout the room. His cum spurts out into the condom’s plastic confines, filling you with his warmth. He faintly registers that you’re lavishing his neck in sloppy kisses as he basks in his high. 
Both your chests heave as you pant, greedily taking in the air you willingly deprived yourselves of during the act. 
Your shaky fingers comb through the mess that is his bangs. Daryl lets you do as you please, too busy admiring every inch of your face to care about anything else. You press a chaste kiss against his forehead, then his nose, and finally, his awaiting lips. He chases after yours when you pull away, an action that makes you laugh. He huffs at the return of your brattiness. When he sees how wide you’re smiling, however, it becomes difficult for him to maintain his disgruntled facade. Your joy is contagious. 
“Plannin’ on stayin’ there all night?” He nods at the junction where your bodies remain connected. His cock has gone soft and you’ve made no sign of getting off him yet, not that he’s complaining. He knows you’re real fussy about cleanliness (a concept that eludes his understanding, since it’s the damn apocalypse), so he’s pleasantly surprised you haven’t run off to wipe yourself down. 
“Would you be opposed if I said yes?” 
“‘Course not.” 
However much you’d both love to live in this little slice of reality, you know it isn’t meant to last. People will come looking if you’re both gone too long. He sighs when you climb off him, already missing the feeling of being inside you. You both get to work on making yourselves presentable, you more so than him. You smooth out the wrinkles in your clothes and fight with your hair while he perches himself on the side of the bed, lost in thought. 
“Did ya mean it?” Daryl breaks the silence. 
“Hm?” You glance over your shoulder, blinking rapidly. “Mean what?” 
He fights the urge to roll his eyes at you for acting innocent; you’re too smart to not know what he’s talking about. 
Although, when he struggles to get the two-syllable word out himself, he can sympathize with your efforts. 
“... Marriage,” he drawls, heat flooding across his face. He feels better when he sees you’re similarly embarrassed. You pad quietly against the hardwood floor (he’s always marveled over how silent your footsteps are, perfect for joining him on hunts), and sit beside him. Your arms come to wrap around his bicep. Taking a deep breath, you rest your head on his shoulder, as you’ve done multiple times prior. On the road especially. 
He pulls you in closer and lays his head against yours.
“It kinda feels like we already are,” you admit. He can hear the fond smile in your voice. “You’re my home. The person I depend on most, someone I can’t do without.” 
Your grip on him tightens. “However much life ahead of me I have… I want to spend it with you. If that’s alright.” 
Daryl feels so light he thinks he might be floating. 
There’s an underlying melancholy — the uncertainty which comes as a consequence to the world you now inhabit — yet you never let that stay the focus. You always find ways to plant seeds of tentative hope in what appears to be corrupt soil. Maybe it’s for the reason you said earlier, that you can’t let yourself dwell on the bad in fear of what it’d reduce you to, but he can’t bring himself to mind should that be the case. 
What matters is that you shine bright to illuminate him when he thinks darkness is all he’ll ever know. 
“‘If that’s alright’?” He repeats, incredulous. “I ain’t ever lettin’ ya go, butterfly.” 
You relax, knowing Daryl’s nothing if not a man of his word.
“You’d really wanna be my husband?” 
He looks at you like you have three heads. “Shouldn’t I be askin’ why the hell you wanna be my wife?” 
“Because I have good taste. Also, I’m secretly aiming for your assets. We’re not getting a prenup just for that reason alone.” 
Daryl snorts and shakes his head. Assets, this woman says. As if he had any in this world or the last. 
“Fine by me,” he kisses your temple. “You know I’d give ya anything ya asked for.” 
“... Even your crossbow?” 
“Last I recall, ya could only hold it for ‘bout ten minutes ‘fore complainin’ your ‘muscles were shriveling up.’”
“You make it look so easy!” You complain, lightly hitting him on the chest. He smirks at the roundabout compliment. Your fingers linger, splaying out and making their way over to where his heart steadily beats. “Hm… can I have this, then?” 
“Already do.” 
He’s certain you’re well aware of the fact. After all, you are his freakishly perceptive woman. 
Regardless, no matter how many times you may ask, he’ll gladly remind you, each and every time. 
Ah, the things you do for the ones you love. 
“We should probably head back to HQ before Rick sends a search party out for us, huh?” 
Daryl’s muscles go taut at the mention of Rick. You wriggle free from beneath his arm so you can examine his face, inquisitive as ever.  
“Didn’t part on the best terms with ‘im,” Daryl reveals. He takes another moment to collect his thoughts. “Kinda what started this whole thing today. Saw that Monroe kid touchin’ ya, it got me all riled up. Was aboutta make a scene til Rick stepped in. He said… said ya wouldn’t ‘ave wanted that. Thought ‘bout how he was letting ya cozy up to the folks ‘ere, knowin’ full well he planned on usin’ it to his advantage. I dunno. Made me see red.”
Your eyes hold an indescribable softness for him. “Thank you.” 
“For what? Makin’ an ass of myself?” He scoffs. 
“Always having my best interest in mind,” your way of wording things always sounds better. “It’s okay, though. Like I said earlier, I get why Rick’s doing what he’s doing, even if I don’t fully agree. Ultimately, we’re all on the same team.” 
Daryl shakes his head. “... You’re too forgivin’, butterfly.” 
You shrug. “Hafta be with family. Holding onto things never does any good in the long run. Which is why I’m sure it’ll be fine, once you talk with him.” 
He doubts he’ll have a lengthy heart-to-heart like whatever you’re envisioning, but he keeps the thought to himself. 
“Let’s get going, okay?” You stand and start pulling on his hands. He gets up with some reluctance, not entirely willing to leave this little world where just you and him exist. “Carol made this delicious lemonade, it’s to die for. Metaphorically.” 
He gives a crooked grin. “Yeah, I know.” 
“Oh? How’s that?” 
Daryl tugs you back to him in a mess of surprised exclamations and tumbling limbs. He secures you on his lap, fully intending to savor you a little while longer. It doesn’t take you long to relax. Not when he’s the one touching you. 
“Ya already gave me a taste.”
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thegreatpapaya666 · 16 days ago
Text
vent post
tw: self harm, suicide, abusive parents
hiya, sorry guys, but I’m prolly not gonna be active for a while. I almost attempted suicide a few days ago, and starting to self harm again sounds really good right now. Which is super upsetting because I’ve been clean for a while, but now I’m in a really bad place again. my parents are being assholes (like usual) and I’m not allowed to have like any electronics for the next while for absolutely no plausible reason at all. My mom said it’s because I’m not mature because I don’t follow her directions as much as I should, and she thinks I’m always “challenging her authority.” But I probably have autism (we’re waiting for the ados results) and following directions is hard for me, and she has absolutely no empathy for her child with a mental disability? and tumblr was already a secret from my parents, but now that they’ve taken my computer away, I can’t be on tumblr as much, if at all. I’m writing this from my dads ipad im sneaking behind his back. they took my art supplies, school chromebook (I’m not allowed to do homework), a couple books I’ve been reading, and my personal computer. plus the only app I’m allowed to have on my phone that doesn’t come with it is Spotify, cuz I have a bark phone (it’s a parental control thingy for 8 year olds). I also am not allowed to leave my room unless it’s to use the bathroom or eat. I almost attempted suicide on Friday because I snuck out of my house to go sit on the curb of my really busy street. I even have suicide notes written for all my friends, my girlfriend, and my little sister. I got in really big trouble and my parents are really pissed at me for it. they also might make me stop going to therapy bc my therapist doesn’t like them. If anyone has any suggestions for things I can do to occupy my time or ways to feel better, I’d love to hear it. I’m really sad and lonely and scared and I just wanna hang out with my friends and be a normal teenager. I had the third overstimulation meltdown of the day about an hour ago, and my mom yelled at me until I was screaming cause the world was just too loud and bright and horrible. thank you sm for reading and again, if you have any ideas for me to make my life a little better, I’d appreciate it so so so much. stay safe y’all <3
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