#focused; character development
Explore tagged Tumblr posts
Text
Mika's tunic is one that his mother, Marja, made for him. She made all of his clothing or took clothes from larger scaled dolls in human settlements and typically kept it hidden under a tree in the forest they both used to reside in before the incident.
Mika is actually very fussy about clothing and doesn't like bathes either. Sometimes when he was still with his mother, she would have to use food, toys, or promises of playing for him to actually stay clean.
When he was with his mother, his hair was notably more true to his actual texture being very soft, fluffy, and thick akin to an actual fox kit. Now without her his hair looks very shaggy and unkempt, without her to cut it as well it grew way past what's expected as well and is nearly the same length as himself (his hair grows incredibly fast).
#mika; focused#focused; character development#since i am waiting to do mika drafts#here's some fun facts about mika#this also explains why sometimes i draw him#either he's a lil fancy boy or like his mom runs a cottagecore blog or just literally have a cloth wrapped around him#there are no in between only three options
2 notes
·
View notes
Text
i will never forgive them for not focusing more on Snotlout in this scene
#thats his dragon!!!#at the very least he should be where ruffnut is!#not all the way in the corner#where you can barely even see his face#AUGH#you CAN NOT tell me that man wouldnt be screaming and fighting to get to his dragon#what is up with this lackluster reaction???#and why are we focusing on astrid???#why is astrid having a bigger reaction than snotlout to HIS DRAGON being taken???#im especially upset cause this clip feels so similair to the first time snotlout met hookfang#that could have been such a fantastic parallel#and they wasted it#it would have been so easy to implement too!!#just put him where Astrid or ruffnut is#and let him react#it wouldn’t detract from the story#it wouldn’t have to take any extra amount of time#and it would actually develop and ground his character beyond comic relief#snotface snotlout#httyd rtte#httyd snotlout#snotlout#httyd#rtte snotlout#snotlout jorgenson#snotlout snotlout oi oi oi
551 notes
·
View notes
Text
i literally do not care about big emergencies on abc's 911. i want to see my characters talk to each other and have stories that are parallels to small, everyday (everyday for first responders) emergencies
#why must everything be such a big ass event#okay yes it makes sense for a season premiere (tsunami my beloved <33)#and they sometimes slay at the end of a season (sniper arc <33)#but god other than that i literally do not care!!!!#bc they are bad#im not even sorry but the ebola 2.0 story is just not interesting to me#i would never rewatch it even if it gave us buck athena doing crime and chobby moments that make me scream and my beautiful boy ravi#like i care about the characters!!!!!#idgaf about anything else tbh#thats why i watch this show bc i love (almost) every character on this show and i want to learn more about them and see them in situations#so many recent episodes have zero rewatchability to me bc tim is out here trying to do some crazy ass thing that ends up not being executed#well or sacrifices character development#and like man what are you doing???#making episode long arcs that are still focused on the mains and not just doing shit for the sake of doing shit is possible and has been#done on 911 before#pls#tim pls i want my characters to have satisfying development and arcs i dont need to see a 4 minute long helicopter chase or your poorly#written versions of movies you like#either start cooking up good mass events again (see: earthquake tsunami sniper) or just stopppp doing them pls#sorry i saw tims interview where he said there's gonna be another mass casualty event at the end of 8 and i just know its not gonna be it#like some of these episodes this man has been writing have so few good character moments/interactions that im like.#why did i even watch the episode i could have gotten all i wanted from gifs on tumbler dot com and wouldnt have had to watch 40 minutes of#poorly written everything else#anyway i love everyone who works on 911 abc (excluding tim) they are beautiful and hardworking and put up with that bald mans delusionals#and ofc i love all my beautiful mains you are the reason i watch this show i cannot imagine 911 without my beloved firefam
506 notes
·
View notes
Text
Like one of the reasons I'm so entranced by daring is a character is how he's so self-centered but sooooo unapologetically kind and earnest to other people. He acts with a frankly egregious sense of grandeur that is definitely in part an act an act, yes, but he's willing to admit his mistakes so easily. He's so quick to accept and forgive and it's so clear the happiness of other people is something he deeply values. Prince Charmings are raised to be grand heroes with zero fear, but at their core they're about helping others and being there for them. Daring might not be a destined prince charming anymore, but he exemplifies the core aspect of kindness for kindness's sake without ever asking for anything in return. There's something poetic about it. He couldn't save someone when acting as Prince Charming, but when he was just being himself, genuinely just trying to help someone in danger, he did save them. Daring has a bleeding heart and hides it under the illusion of self-importance. I don't believe that it's all an act, I think he does very much love himself (even if it can get unhealthy) but it's so clear he loves other people just as much. There's a reason he's the gold standard of prince Charmings, and it's not his brevity or combat skills.
#DARING THE CHARACTER YOU ARE.....#AND THE WAY HE KEEPS CARING AND KEEPS LOVING DESPITE THE WORLD DENYING HIM TIME AND TIME AGAIN#THE WAY HE HOLDS NO GRUDGE TOWARDS DARLING THE WAY HE HOLDS NO GRUDGE AGAINST FAYBELLE THE WAY HE CARES!!!!!#Daring is genuinely so emotionally strong and I love him for it#He's so big brother <33#Ever after high#Eah#Daring charming#Daring charming eah#When I'm in an 'unconditional love' competition and my opponent is daring charming#Not to mention that to live a life predetermined to the servitude of others means you need to develop a strong sense of self to cope#How are you going to survive being a narrative tool if you don't uphold your personhood yourself cause nobody else will#Which is why his breakdown in the mirror realm was so poignant to me#For the first time in his life he existed outside the context of other people's perception of him and had to reconcile with a sense of self#So focused on his image that to exist outside of it was as much a death sentence as an imprisonment#To be handcuffed while your life purpose is being bereft from you as you can do nothing but watch#To be imprisoned in the only tool of your personhood as if you're a mockery of everything you tried to be#Wouldn't you break down? Wouldn't you falter and collapse under the weight of contextless existence? Wouldn't you?#Minty talk about daring without bringing up the mirror realm once challenge level impossible
172 notes
·
View notes
Text
Murderhelion the fictional relationship of all time because im equally terrified that theyre going to turn it into a romance subplot in the tv show as I am that they're going to chicken out and make it a normal friendship. Both possibilities equally bad. Please dear tv exec overlords do not try and translate those two robots clusterfuck of a relationship into a normative social category PLEASE let them stay weird.
#i actually am sliiightly more worried about them like. metaphorically no-homoing it#because i feel like taking emphasis away from mb and arts relationship indicates that theyre focusing on the greycris storyline more#which scares me about whether they intend to make it to network effect#i feel like the two stopping points for the show based on the books as they are would be exit strategy or network effect#and network effect is wayyyy more complicated and brings in a ton of new characters and totally abandons#90% of the previous plot threads#so i can see why they might pick the tidier ending with exit strategy#but like. exit strategy might conclude presaux's arc but /murderbots/ plot arc doesnt see any resolution until network effect#so if they backburner art and mbs relationship its like. are they prioritizing the action adventure stuff over mbs development yk#i would rather see explicitly romantic art and mb than defanged platonic art and mb solely because it would be confirmation#theyre gonna try and make it to network effect#but i dont love either one. let them stay weird PLEASEEEE#murderhelion
98 notes
·
View notes
Text
people gotta stop talking about how it’s actually totally okay and fine if amy isn’t in this movie because she wouldn’t have anything to add/because it’s about shadow anyway/whatever.
does this scene mean nothing to you
youtube
#sonic the hedgehog#sonic 3#sonic movie 3#shadow the hedgehog#amy rose#i guess if you got your sa2 lore from sonic x then this wouldn’t be on your radar#but chris didn’t convince shadow to join the light. amy did. she’s mufasa in the stars and none of you even care!!!!!!#obviously this scene in particular isn’t amy-focused it’s shadow-focused#so she’s not getting any development on her own#but it does show a lot about her as a character#and she also had to join sonic team and get to the ark.#AND RESCUE SONIC FROM PRISON. BASICALLY BY HERSELF#Youtube
220 notes
·
View notes
Text
God forbid you ever criticize the lack of consequences Bakugou experiences in MHA, or suddenly you’ll find dozens of Bakugou stans pouring into your mentions to make a speech about how cruel you are for forcing him to eat cement. They’ll act as though “consequences” inherently involves throwing him into the dungeon or putting him in detention for 100 years and then moan about how him facing consequences would only perpetuate a cycle of abuse/discrimination.
Listen, it’s not really that much of a consequence if the “consequence” in question isn’t directly connected to his current or past bad behaviour. “Oh but his scars!” “When he died that one time!” “His guilt for getting kidnapped” None of those are related to his bullying, and in my opinion, that makes them insufficient as consequences in an arc about changing for the better.
The consequences I would actually like to see could be as simple as: Izuku feels sad/mad because of what he went through, or certain characters reflect on how Bakugou’s past impacts their perception of him. More introspection on the victim’s end is needed, Bakugou doesn’t necessarily need to be pilloried for the arc to be satisfying.
#No#listing off every bad thing that has ever happened to Bakugou doesn’t prove that he faced consequences for being a bully#What these types truly want is the most digestible redemption arc they can possible imagine. Where the bully character is let off the hook#in every way while the victim’s side of the story is overshadowed by the narrative focusing so much on the bully’s side#Also don’t you dare try to *But Izuku doesn’t hold a grudge!!! why do you want him to pray on Bakuchan’s downfall?#me.#Izuku isn’t a real person and his feelings on the matter are dictated by an author who clearly prioritizes Bakugou’s emotional development#and introspective over Izuku’s (who is reduced to the awful position of constantly approaching his for#bully with: *You’re doing great sweetie!* as opposed to actually reflecting on how the bullying affected him for the worse#anti bakugou#anti bakugo katsuki#anti horikoshi#anti bakudeku#mha critical#mha fandom critical#fandom discourse#MHA salt#anti mha fandom#my hero academia
401 notes
·
View notes
Text
i have a problem
really long rambling in tags
#ive always liked him but i was in denial about it until i read the myspace stuff#it was then i realized i wasnt a fool for liking the stereotypical character#because he was rather prominent back in the day#he was one of the only when pizzas attack debutants important enough to be named. he had a myspace account.#in the development of pizzeria he was almost going to have something that people assume was similar to the blue ribbons#but as the focused shifted to gamerias his entire thing kind of became The Food Guy#to the point where theres a joke on the official blog posts about cupcakeria and donuteria of him wanting to order 4 cupcakes and 6 donuts#which is double the maximum amount#i don't really hate that hes The Food Guy (because i relate)#but some people are really mean spirited about it.#and i always used to think#there was no way to justify how upset that made me#because that was just how he is in the games. it was “true”#but like... some people think that's all he is and its not true at all#even if the gamerias make it seem like it is#god if i had a nickel for every time i liked a stereotypical character who had interesting details about them that no one knew about#bc most of the fandom refused to see them as anything but that stereotype#id have two nickels#i would like it to stay at that amount. anyways. id like to tag this properly now#papa louie#flipline studios#flipline big pauly#bluebay art
263 notes
·
View notes
Note
who do u think has the weakest storyline in prsk?
i actually do have an answer for this but i value my life so i'm gonna not say anything. i did a whole thread on this on my twitter recently if you somehow manage to find my account
#asks#vague comment: there's actually 2 i struggle to chose between honestly i think one is a common pick for this question#one suffers from repetitive event stories and development and another thing that gives them away#and one suffers from not having had much character development compared to other characters with very plot-focused events#i don't think they're bad by any means no main character in this game is badly written but i think the writers need to Do Something Else
53 notes
·
View notes
Text
If you're someone who devalues your creative ideas as unoriginal or boring, I think it's important to recognize that they may feel that way to you exactly because you're in your own head and you think your own thoughts. What might seem like a not very creative premise or idea to you could be something someone else would have never considered.
Tangentially related, it's important to recognize that there's no entirely original idea. And any great piece of art builds off of others. So originality in a lot of ways isn't really something entirely novel or new. A lot of times it's just working with the existing pieces of things you particularly enjoy and connecting them together until it creates something that is yours.
#things i say to myself as i develop my comic plots#i have had a crazy complex about not feeling creative on the same level as other artists my whole life#maybe it's less about focusing on creativity and originality#and more about just putting together something with pieces you enjoy#i was helping someone design a character the other day#and i made a bunch of comments kinda devaluing myself because i tend to base stories and character designs in the mundane#rather than something more fantastical or outwardly more creative#and gang my friend scolded me about it 😂 i got a little slap on the wrist about it#fuck i guess I'll start valuing my ideas i guess
74 notes
·
View notes
Text
Mika has features that are linked to the idea of him being a changeling (which he originally was based on being, before I established a bigger family system).
He is meant to look purposely uncanny to humans as he looks like a failed attempt of a fox and a child mixed together as if the glamour meant to disguise him failed. In my drawings of him, his eyes are incredibly round and bright (which is adorable, but he has some big ol eyes for a normal child) and though he doesn't smile wide his teeth are very sharp with claws hands, and feet.
He is incredibly small for his age as he is only a foot tall, for comparison an average newborn is around 1 and a half. Yet he claims to be 3 years old, making him a toddler. It would be believable for someone to believe he is a newborn just to hear him talk short, but clearly coherent sentences and get shocked.
Even for a 3-year-old, the boy seems to be kind of advanced for someone his age. A common way to know you have a fairy child and not a normal one is for them to display behavior way too advanced such small baby or child such as playing an instrument or dancing in secrecy (though Mika openly does things such as foraging berries for himself, dancing, and actually being able to sing with skill). The only difference is his mentality and emotional maturity are still similar to a 3-year-old, he only shows having talents and skills that are advanced
2 notes
·
View notes
Text
so, found the draft I was looking for and it kinda talked around what I had in mind here but the gist is that I struggle to find bee and puppycat as a show "relaxing", and that's not necessarily a bad thing. because bee herself is a serial procrastinator and the show falls in line with that. she faces consequences ofc (her string of jobs, for one) but she never really *changes* that aspect of herself. avoidance and procrastination go hand in hand.
I think it's pretty well shown in the mariokart-esque episode where the whole deal is mr cup wants to "win" the race without cheating but essentially sabotages himself as soon as he gets close. the idea of "winning"/change can be scary.
and isn't that ultimately the same as what bee is doing time and again? finding fun pursuits, doing adventures/tasks for rewards. but studiously avoiding certain topics both on a conscious and subconsious level. because isn't that too much to confront?
bee's lackadaisical but there's an underlying anxiety to it all that never leaves.
#the tags on my og draft were just like 'bee adhd' bc there's all this and then yk the state of her living place#but ye what I'm saying is I don't find it /relaxing/ bc to me bee is stuck in the avoidance/procrastination spiral#and that may come off as lazy or chill but there's always this ominous backdrop to it all. and on a meta level#that's yk the main plot lurking in the background but w/n the show itself it's got a few layers to it#much of the time bee /does/ just think she's chilling or focused on fulfilling her immediate tasks. so she puts off other stuff#+ then it builds and builds. anyway full disclosure I've not rewatched in years so this is my potentially misremembered ramblings.#bee and puppycat#anyway I /like/ that in this aspect she's seemingly been stuck here for years. it's weird to say when yk usually development is good#but this is such a core character trait that I'm glad it's not just resolved in an ep and then we're done with it.
30 notes
·
View notes
Text
ofmd season 1: "hurt people hurt people" mostly from the perspective of Stede, who copes with his trauma through avoidance, hurting himself by hurting those around him
ofmd season 2: "hurt people hurt people" mostly from the perspective of Ed, who copes with his trauma through violence, hurting himself by hurting those around him
both seasons have subplots about healing and growth, about finding love, about what to do with those parts of yourself that are drowning you, and what NOT to do with them, and those storylines and themes help support the main ones, seen through the eyes of our protagonists.
in particular, the parallel deaths in the last episodes of each season (Badminton dying in front of Stede, Izzy dying in front of Ed) have distinct thematic beats as well, in different moments of the main characters' storylines, but are still connected in a similar way: both Badminton and Izzy represent the external voices and pressures that have etched themselves in Ed and Stede and have forced them to hide their true selves in order to survive. in Stede's case, the pressure and bullying was always kind of detached, an overwhelming indifference and casual hatred, while for Ed, the pressure and bullying was always up close and personal, given to him by the very people who claimed to appreciate him. that's why Badminton is a villain we don't care much about, and Izzy is a character that was much more fleshed out by the end, because sometimes the call comes from inside the house, and I thought it was nice the team tried to incorporate some of those nuances into the storyline to help develop the main themes.
#some of my initial thoughts#the effects of these deaths are different because our characters have been growing all along so there are different purposes to them#i wish we had had more episodes to develop some things so it didn't feel so crunched but i see it i see what they've done#but mostly i really love how this season was largely focused on Ed (beloved)#and what his journey is all about#tv#ofmd#our flag means death#ofmd s2 spoilers#wendy watches
446 notes
·
View notes
Text
PBs first instinct is to get STP out of harm's way... keep in mind STP is made of glass so it means something to me that PB could push her out of the way without even chipping her
#adventure time#princess bubblegum#bonnibel bubblegum#see thru princess#though i do think if stps crack wasn't important to her character development#they could've done some angst here with PB accidentally chipping STP and blaming herself#though im kinda glad they didn't#i like that obsidian isn't only focused on pb and marcy#stp and glass boy have good arcs too#gif
37 notes
·
View notes
Text
Rewatching season one reminded me that Taissa Turner was such strong, complex, well written character in both timelines and highlights how the writers failed her in season three. Taissa in the adult timeline had one of the most interesting stories, running for office which brought her trauma back up and restarted her battle with her primal self that took over during the campaign. Tai is shown to be ambitious but seems genuinely want to make change and genuinely tries to be a good wife and mother until it’s revealed that her other self is traumatising her son and sacrificing the family pet to win the election. Tai’s refusal to get help, despite her wife’s insistence and despite the fact they’ve had to put her young son in therapy because of his own trauma highlights the harm that not addressing your past and your trauma can cause yourself and the people around you. Something that is a major theme of the adult timeline, where everyone is still stuck in their teenage mindset and (unintentionally) hurting others because of their inability to self reflect.
Taissa is also shown to be a fundamentally good person. Taissa pays probably hundreds of thousands sending Nat to the best rehab, something she had no obligation to do but she knows what Nat went through out there, she knows Nat took on the burden of Javi’s death, Ben’s death, failing to get them rescued before Mari, Hannah and at least three others died out there - Tai also had a role in these traumas (suggesting the hunt, prosecuting Ben, choosing to stay) and I feel like her continuously helping Nat when the world had written her off as a lost cause s her way of taking accountability. Her conversation with Shauna in the car is very telling. In the teen timeline, it’s Tai that insists on going to the lake, being the first to take action and show leadership skills in the wilderness, it’s Tai that figures out Shauna is pregnant and supports her autonomy, Tai is the first to take action to look for rescue and if it wasn’t for her shadow self taking over I feel like Tai would have been a good option because she was already the first to take on the leadership role after the crash.
Now looking back on season three Tai seems to have taken more of a backseat in the teen timeline and I partially blame the ten episode format for this because we needed to dedicate more time to developing Mari and Akilah and it’s a large ensemble cast, particularly in the teen timeline which is sharing these 10 hours with the adult timeline. We still could’ve had more of Tai’s friendship with Shauna as Shauna progressively got worse , we could have had Tai showing concern for Akilah given that they became friendly and there was solidarity between them due to them being two of the only black girls (which the actresses had to ask to be included in the story). Adult Tai’s story is a bit more complicated. I understand that other Tai had taken over and this is why her character revolves around Van all season but there should’ve been more focus on how this impacted Tai, she was trapped in her own body and mind, Taissa herself is not actually getting to be with Van, losing her son, her career. We don’t get any storyline about Tai or Van as individuals outside of their relationship with each other. We also don’t get anymore answers on who or what other Tai or really understand what happened there, I suspect both Tai’s merged when Tai ate Van’s heart, which was not just an act of love but an attempt at breaking the dissociative barrier that prevents Tai from remembering everything that happened out there. As for the mystery that is other Tai it doesn’t seem like the writers understand what really went on with Tai themselves other than the fact that they confirmed she does not have DID (because it would be an offensive, inaccurate portrayal)
I’ve also noticed that Tai has started to be treated as more of a villain by part of the fandom as of late, when earlier in the show she was definitely shown to be a good person that looked out for the people she cares about but also had a ruthless side. Other Tai, a character we still don’t fully understand thanks to the writing, isn’t a representative of who Tai is as person nor she an “evil” alter ego given that she seems to protect Tai and genuinely loves Van. Taissa Turner is another complex, tragic character who I really hope the writing improves on next season.
#s4 needs to go back to focusing on the character development non romantic relationships and being a character study on trauma#as I’ve said repeatedly removing taissas family and career goals from the story was a mistake#taissa turner#yellowjackets#tawny cypress#this is just my late night ramblings sorry if I’m not making sense
27 notes
·
View notes
Text
I know we (rightfully) give Attack of the Clones a lot of grief for Obi-Wan just being able to show up unannounced and for him to just be given the literal biggest state secrets possibly of the entire war, in addition to how this cloning operation has been going on for like a decade without anyone knowing anything or any documentation crossing Mace Windu’s desk, but considering Sifo Dyas or Dooku or whoever was able to somehow erase an entire planet from (allegedly) every known bit of data collection or documentation, it could be argued that maybe Dyas and Dooku were just master forgers and had fake correspondence and reports going between them and the Kaminoans for over a decade now.
It’s not that far of a leap to say they got their hands on some heavily encrypted software on some very expensive computers and were able to imitate different speech patterns and documents and handwriting and official stamps or even holograms and holocalls. As far as the Kaminoans know, all of their contacts are fully aware and in the know about this clone army (because as far as they know, Sifo Dyas is alive and had to have been in communication recently)— When Obi-Wan shows up, it just happened to be at the exact time Dooku was the one supposed to be there in person himself that day. The Kaminoans did greet him as Master Jedi and said he was expected.
Obviously that could have only worked in the movie if Dooku had shown up and we saw him having to keep his cool/sneak around when some other Kaminoans tell him his “assistant” has already arrived, would you like us to escort you to him?
Internally Dooku’s thinking “WHOMST??” but externally he’s keeping his chill while searching the Force for whoever else might be— is that OBI-WAN KENOBI??
It’s soooooo tasty for Qui-Gon’s master and Qui-Gon’s apprentice to meet under these circumstances. Both of them know the other shouldn’t be there right now. They’re both having to play it cool in front of the Kaminoans, and this is even besides the fact Kenobi was there to find the bounty hunter assassin in the first place.
“I didn’t think you… were still as active in the Order,” Obi-Wan says slowly and diplomatically, knowing for a FACT that Dooku left the Order a long time ago.
“I… retired from active service,” Dooku says, equally diplomatically. “I act as a… consultant from time to time.”
“It’s soooo funny how I’ve never heard anything about that or this clone army the Jedi ordered,” Obi-Wan says, making direct eye contact with Dooku and probably trying to read his mind (to no avail). “The one they ordered ten years ago before there was ever any thought of the Jedi being actively involved on the frontlines of what isn’t a declared war. What would the Jedi want with a military in the first place?”
“How old are you, young one?” Dooku deflects in that fake kindly condescending grandfatherly voice. “How long have you been on the Council— Oh you’re just a Kniiiiight, that’s right, okay I see. How interesting. How much information are you actually privilege to, Obi-Wan?”
And this is all happening even before Obi-Wan Nancy Drew’d his way to Jango Fett’s private quarters!
Obi-Wan KNOWS he can’t go rogue right now when he’s that far from his ship on a city surrounded by an ocean and a literal army of clones soldiers (of that one super efficient bounty hunter, whenever it is he finds that out) all apparently under the command (?) of someone who definitely definitely super should not be speaking or doing or ordering anything under the name of the Jedi Order.
Count Dooku (who he doesn’t even know is a Sith yet) could very easily accuse him of being an impostor and have him detained or attacked or killed on sight. Zam Wessel was already established to be a shapeshifter in this movie, so it’s not outside the realm of possibility for Obi-Wan to not be who he says he is (which is kinda true?? since he WASN’T the Jedi ambassador for the Temple there to pick up his to-go order of a quarter-million identical men, with a million more on the way??). The Kaminoans might not even know much else about Jedi and Sith aesthetics besides “Wears robes” so if Dooku pulled a red lightsaber it might not even faze them, since he’d be able to provide more information and correspondence proving he’s the ‘actual’ Jedi anyway
Like can you imagine a fight breaking out not just between Kenobi and Jango, but a team-up of Jango and Dooku against Kenobi? That would have jumpstarted some of this clone army business a lot earlier in the movie and actually addressed what should have been the biggest conspiracy, coverup, and militaristic move of the MILLENNIUM
#AND— OH NO WHAT’S THIS?!#IT’S A PREQUEL POST WITH A STEEL CHAIR#Obi-Wan Kenobi#Attack of the Clones#Long post#Count Dooku#the clones#prequel trilogy#Star Wars prequel trilogy#I can’t remember my tags#Star Wars AU#Basically my biggest opinion of the prequel trilogy is really that if it was supposed to be about the clone wars#They should have already set all of the movies in the Clone Wars#I think we could have gotten a more effective and evocative story with Anakin and Amidala and Kenobi AND people most prominently involved#Without needing to see how the three of them ended up becoming The Main Characters#Like if you really wanted me to care about Order 66 you need to have made all of these characters and moving parts more prevalent in the nar#*narrative#You still could have developed the biggest character traits of each of them and had the events that lead to Anakin’s betrayal happen#and in that more focused narrative we would have actually felt the tragedy and horror that Order 66 should have evoked#for the entire audience#Not just the people who had seen several seasons of a supplementary cartoon#Your story’s got to be able to stand on its own legs#Watching RotS doesn’t give me anything to care about when it comes to the clones or their relationships with the Jedi or even all the other#Jedi who are killed too. Like besides Anakin marching on the temple and us seeing the implication that he just kills a bunch of children#We don’t actually have any established material within the movies to makes us care about the Jedi and the clones and the war itself#The war just feels like a backdrop instead of the driving action#anyway I don’t actually have a concise fix-it suggestion for the prequel trilogy like I did with TPM#… yet#I just like the thought of Kenobi and Dooku accidentally crossing paths and kicking off the action sooner#Better than a bunch of boring hallway talks
35 notes
·
View notes