#flaws outweigh the good

[quinsixtridrupled-k]

(Player) First Impressions on MultiVersus

Click below for full thoughts

So, yesterday, I finally was able to try out MultiVersus for the first time. Unfortunately, the beta release for it wasn't available in my region so I wasn't able to cash in on the free returning player Premium Battle Pass rewards.

When the first gameplay showcases were revealed, it looked... questionable, to say the least. Movement looked sluggish and floaty, HUD elements looked overly minimalistic and provided very little visual clarity, the voice mixing sounded a bit off...

All this in mind, what little interest I had in the game before then essentially faded. Even at the prospect of its upcoming launch earlier this May, I was still skeptical about it - to tell the truth, I only decided to download it for a certain reason I won't be able to explain until further notice, and small lingering curiosity. So I installed it on Steam, played it and...

It felt and played exactly as I feared it would...

First, let's talk attacks: instead of Smash's typical Neutral/Tilt and Smash attacks for grounded normals, most grounded attacks are chargeable, and a single combo attack that is performed by using a forward tilt input (I'm pretty sure these can be changed into the regular Smash styled inputs through control settings).

When it comes to specials, certain characters have different moves depending if they're in the ground or in the air. Now these, I don't have much of a problem with on paper... but they're very slow. And worse still, inputting them doesn't feel snappy, or responsive at all.

Made even, even worse is the aerial controls, which is already sluggish by itself but any momentum gained while performing a horizontal aerial puts you to a halt. As a result, combat is unintuitive and janky in a game feel sense, which, for a platform fighter, shouldn't be the case.

In terms of characters... it's a free to play game, you know what to expect - characters have to be unlocked through sinking time into grinding sessions, which if you aren't a fan of the controls like with my experience, would feel tedious. You only get 1-2 free, permanent characters as of the launch update, that being Shaggy and Banana Guard (as the second day daily login reward).

The rest are shuffled between four characters on a weekly basis. Now, this is clearly a way to get you to sink some money into in-game currency but it is what it is for a free to play game. But... it wouldn't be so bad if you could at least try out the rest of characters in the training mode (which was in the beta), but you can't.

Apparently this is a "glitch", but that sort of thing should at the very least get ironed out before launch... unless it's just a convenient excuse because WB wanted more money and had Player First take it out. With the backlash, I would expect them to add it again soon.

Speaking of, there's very little variety in modes. Most of it would come from the Rifts, functioning as a series of fights with challenges and conditions that when met accordingly on victory, will net you greater rewards. To keep it short, I don't find these satisfying at all with the current physics so they all feel like a chore, and some conditions must be met with certain characters and their traits (ex: complete with a villainous character, or an Adventure Time character, etc.), which, if you're just starting out, would leave you severely behind on the rewards.

All in all, this... isn't a very enjoyable game for me, especially in first impressions. More power to those who enjoy it, but it's not for me. At most, I'll play up until I can get Tom & Jerry, try them out for a bit and leave it at that.

There's still a lot of flaws for this game, I just can't be bothered to tackle them all save for the main ones.

I can at least give credit to the honestly good concepts, mainly in the aesthetics, animation and moveset designs. Tom & Jerry being the standout as their design is interesting and creative from a gameplay perspective and faithful to their source material.

The soundtrack could use more variety than grand, orchestral compositions though. Something a little more fast paced, please?

[sealrock]

if there's anything that the smash or pass meme taught me, it's that I'm too asexual to consider someone's physical attractiveness as a deciding factor because I accidentally left out the actual point of the game (the romantic and sexual details) orz

[well-dressedwords]

Still screaming to myself over LBFaD

Siming tells Xiao Lanhua only love is not fate. And she tells Dongfang Qingcang that only he can defy Xiao Lanhua’s fate... BECAUSE HE’S THE ONLY ONE WHO LOVES HER MORE THAN HIS OWN LIFE! 

I knew that subconsciously he was the one willing to make the sacrifice to keep her from sacrificing herself, but the whole “defying destiny” piece doesn’t just happen because you want to change things. Changheng clearly wants to change it, but as usual fails to be bull-headed enough, or capable of thinking outside the box enough to do something to make it happen (poor guy, just hasn’t learned how to deal with things the way Dongfang Qingcang does). 

Changing fate requires the action to come from a place of deep, self-sacrificing love. (And honestly, being a little insane about the person you’re doing it for.)

That is also why Xiao Lanhua could interfere with Changheng’s fate in the beginning, even though her love was not of the romantic kind (as it turns out). And possibly why Danyin had influence to make their “second” wedding come true? Because her love for Changheng and her desire to save him at the cost of her own chance with him was, in a roundabout way, also love that required her sacrifice - though in her case, it wasn’t her life she laid down. 

Anyway, the consistency of the world-building continues to amaze me.

[donutcats]

I just finished watching the finale of king the land and I can say with full confidence that it was the best romcom I’ve ever seen and it will be going on a list of my all time favorites.

[choppedcowboydinosaur]

I've been reading more discourse posts about The Boys tv show. It really does seem like seasons 3 & 4 are very flawed. It's sad but makes me kind of glad I didn't catch up with season 3. Apparently, this show has become a shitshow. It seems like lack of progression is a big problem with this show. Also, season 4's handling of male sexual assault with how poorly Hughie's assault was handled. It seems to fancy itself as having high minded ideas but fucking up the execution. Also, I keep hearing the gore has gotten old and has lost all shock value. I'm not surprised since when you over rely on being edgy with gore it will eventually lose its impact over time. Overall, it seems like the showrunners got full of themselves and the show became a caricature of itself.

I've noticed how Tumblr of all places has a more nuanced analysis than Youtube were everyone is just arguing past each other. Hopefully, this nuance spreads to other parts of internet like Twitter where they are forced to acknowledge the flaws of the show.

[pinkytoothlesso11]

Hi Pinky

Do you think that Merlin is a good Person Despite him being a Jerk?

i don't hate him but i do think he's Kinda of a Jerk i hated what he did to Jim While i do Like Troll Jim but there is a lot of Toxicity created form it. and i do Prefer him as a human.

so Despite that do you think that Merlin is a good Person with Misunderstood Morals or that he's is a bad Person?

I wouldn't say he's a good person... He's a complected, morally grey individual who is trying to strive for the greater good.

He's more aware of the bigger picture, and that's not necessarily a bad thing. He finds a more firmer and harsher method of training is what yields results, which is why he has to grudgingly admit Strickler's training methods are better at teaching Jim. Or as he says, "the changeling tried to teach you, but you're too young to listen" or something. Don't wholly agree with THAT though.

How he turned Jim into a troll was wrong, yes. But remember he had to, otherwise he'd have created a time paradox as Wizards demonstrates as Jim went back in time as a half-troll.

He doesn't have misunderstood morals so much as morals that aren't concerned with a single individual, but rather a collective. He's not good or bad, he's both and neither. He's interesting as a character because he subverts the usual depiction of Merlin as the kind and good mentor and doesn't stick to the black and white. It makes him fun to write belive it or not!

[forcebookish]

at a point in my fandom life where if someone says "it's not perfect but--" my instant response is yes it is

[wp100]

maybe there should be a term that's like a sister term to 'plot armour', called 'plot power'

because how the hell did sylvanas even have the power to take the helm of domination off of bolvars head. 'plot power'. She can't die, and she has to be more powerful than the goddamned Lich King. So she took his helmet and disenchanted it right in front of him. IN FRONT OF US

[oveliagirlhaditright]

-randomly sees a screenshot of jamie and lily from the city of bones movie, where they seem to embody jace and clary, and am once again sad that we didn't get a city of ashes movie-

[getvalentined]

Every time someone says they watched Akira and didn't like it I want to grab them and physically shove them into the pages of the manga.

Every time someone says they watched Akira and it was the best work of fiction they've ever experienced I also want to grab them and physically shove them into the pages of the manga.

Basically what I'm saying here is that regardless of how high or low your opinion of the film is, the manga is indescribably better. The film is phenomenal, I'm not saying it's not, but the narrative it presents pales to the level of bleached onionskin in comparison to the manga.

[ttngummybear]

I want to get back on tiktok like a dog wants to chew a stitched incision right now

[sadlazzle]

sister friede is an OBJECTIVELY great fight but im PISSED cause i don’t rlly like ds3 so it’s kinda taken some appreciation away frm it. im mad im very seriously mad at this game for making me feel like this

[zaczenemiji]

Hi there! It's me...again. Hope your doing okay.

I was thinking about a new request about Kenji Sato x Fem! Reader based on the song "Please, Please, Please" from Sabrina Carpenter. Reader is a singer just like her so and has a relationship with Ken but she thinks that some things aren't doing good, but she also has him wrapped around her finger. Like the part with "I beg you, don't embarrass me, mother******". It can be angst but also fluffy and spice (Only if you want to but no smut) It can end in a happy ending.

The rest is up to you because I know you'll do a great job. No need to rush so take your time.

Don’t Prove ‘Em Right

Kenji Sato x Singer!Reader

Word Count: 1,358

Genre/Warnings: Angst (light), Character Development, Drama, Emotional, Redemption

Author’s Note: I went with a bit of angst 🤧

MASTERLIST

“You could do better.”

This was one thing you’ve always heard since you started dating men as a singer. Throughout your career, you were either cheated on, abandoned, or used in a way that they just rode your fame.

Other times, fans would ship you with another singer or celebrity or whoever famous and you’d give it a try for them but the ending is the always same: you two were just pretending for public entertainment and there was never love at all.

Your perception of love blurred the longer you got in the singing industry. You sang about it, wrote songs about it, but you’ve never really experienced it for a significant amount of time or for a significant depth.

That was until you met Kenji.

Despite his fame, he seemed down-to-earth and genuinely interested in getting to know you. He took you to his baseball games and introduced you to his teammates. In return, you invited him to your recording sessions.

Kenji was always supportive, and always encouraging. He seemed genuinely proud of your achievements and was always there for you. Despite his busy schedule, he shows up at your gigs and concerts and cheers you on from the front row.

He had a way of making you feel special like you were the most important person in his world. It was easy to overlook the occasional outbursts, the moments of impulsiveness that seemed to come with his fiery temperament.

You told yourself that everyone had flaws, and Kenji's good qualities far outweighed his bad ones.

You believed in him and in the future you could build together. Despite the red lights and the stop signs, you held on to the belief that this time, this love was right.

But as time went on, the cracks in Kenji's facade began to show. His temper flared more frequently, and his impulsive decisions started to take a toll on your relationship.

You made excuses for him and justified his actions to your friends and family. You told them he’s different.

But they told you that with the way he’s behaving, you’ll just end up in the dumps again—that he’s going to cheat on you, hurt you, leave you, and the ending will be the same…

“You could do better.”

Heartbreak is one thing, but your ego is another. You couldn’t afford your name dominating the headlines again. And for what reason? Another breakup.

You loved him deeply, but the constant cycle of highs and lows was exhausting. You wanted to believe that he could change, that he could be the man you fell in love with.

But the more you tried to fix things, the more you realized that some things were beyond your control.

You sat in front of your vanity doing your makeup nicely. You glanced at the clock. Kenji would be here any minute to pick you up now. Tonight is your big night. It’s an afterparty to celebrate the release of your new single.

Your boyfriend had a reputation for causing a scene. It wasn't entirely his fault—he was passionate but it sometimes translated into impulsiveness. Tonight, of all nights, you needed him to be on his best behavior.

As if on cue, the doorbell rang. Kenji stood there, looking dashing in a tailored suit, a grin spreading across his face as he saw you.

"Wow, you look stunning," he said, pulling you in for a quick kiss.

"Thanks," you replied, forcing a smile. "You sure you wanna come?"

"Of course," he replied with a confidence that both reassured and worried you. “I’m always here for you.”

You arrived at the venue in no time. Celebrities, reporters, and fans filled the room, all eager to celebrate your success. You and Kenji mingled with the crowd, exchanging pleasantries and accepting congratulations.

But as the night went on, Kenji's behavior started to shift. The drinks were flowing, and while you had stuck to soda water, Kenji had not.

You watched with growing anxiety as he laughed a little too loudly, and gestured a little too wildly. The conversations around you started to feel like a backdrop to a ticking time bomb.

You pulled him aside. "Kenji, please," you whispered urgently. "Just... take it easy, okay?"

He frowned, a mix of confusion and irritation crossing his features. "What? I'm just having a good time."

"I know," you said, forcing another smile. “Just... for me, okay?"

He sighed but nodded and for a while, it seemed like he was keeping his promise. He stuck by your side, an arm around your waist, engaging in polite conversation with your friends and family.

However, you left him one moment and then the next, he was talking to one of the reporters. The latter walked away, a smirk on his face. Kenji turned to you, his face flushed with anger.

"Can you believe that guy?" he spat. "He had the nerve to ask about the last game. Said I sucked."

"Kenji," you said softly, trying to calm him down. You placed your hand on his chest. "It's not worth it."

"But—"

"Please, Kenji. Just... let it go."

He looked at you, the anger in his eyes slowly fading. He took a deep breath and nodded. "For you," he said quietly.

But the reprieve was short-lived. You caught sight of him at the bar, raising his voice at someone who had apparently made a snide comment.

The situation escalated quickly, and before you knew it, Kenji had thrown a punch, causing a commotion that drew everyone's attention.

Your heart sank as security rushed in to break up the fight. You could feel all eyes on you, whispers spreading through the crowd.

You felt a sense of dejà vu as this wasn't the first time Kenji let his emotions get the best of him, and you were able to hold it together as you’ve always done, but then you heard the one thing you hated.

“She could’ve done better.”

Without a word, you grabbed your things and stormed out of the venue, the tears you had been holding back finally spilling over.

Not long after, Kenji arrived at your house, disheveled and remorseful. "(Y/n), I'm so sorry," he began, reaching out to you. "I didn't mean to ruin everything."

You stepped back, keeping a distance between you. "Kenji, this can't keep happening. You promised me you would behave tonight!” You said in between sobs. “This was supposed to be my night, and you turned it into a disaster.”

You sat on your couch, your legs feeling too tired to keep you up. "I can't keep making excuses for you,” you continued. “I can't keep sacrificing my career for your mistakes."

Kenji fell silent, his shoulders slumping in defeat. He’s scared. He knew what those words meant. At that moment, he felt like the sky was crashing on him.

"I don't want to lose you, (y/n)," he said quietly, tears falling down. "I love you, and I know I've been screwing up. But I'm willing to do everything to make things right. Therapy, anger management, whatever it takes."

You stared at him, your heart aching with a mix of love and doubt. "Kenji, this isn't just about tonight,” you said. “This has been happening for a while now.“

“Please, (y/n),” he begged, his voice trembling as he knelt in front of you, embracing your legs as he rested his head on your lap. “I want to be the man you deserve. Please, give me one more chance."

Over the next few weeks, Kenji followed through on his promise. He made genuine efforts to address his issues.

He went out of his way to apologize to your friends and family for his behavior at the party, taking full responsibility for his actions.

Slowly but surely, he’s coming back to being the man you fell in love with. He made sure you wouldn’t be the one doing better because he was becoming better himself.

One afternoon, you had lunch with your friends. They asked about how things are now going between you and Kenji. You gave them a smile, a genuine one since after the party.

“He became better.”

Taglist is open! Comment if u wanna be tagged on future Kenji oneshots

@flowerloves @eternallyvenus @puppyminnnie @wattpadsuckssohard @sakura-onesan @reggies-eyeliner @buggs-1 @miffysoo @spencerrxids @stupidbutsmart @marimargirlies @mixvchelle

[hug-your-face]

Insight today while washing the lettuce and thinking of my friend who doesn't want to vote.

They are an otherwise intelligent, responsible, generous person, who appears to be socially conscious. They have worked hard and long for their position in their profession. They express concern for the planet. They get twitchy if you use too many paper towels.

But they don’t want to vote for Biden for reasons, and quote "doesn't like the whole system where the parties take turns swinging things back and forth" unquote.

I have been dumbstruck at their attitude for about two months now. I've been thrashing back and forth trying to reconcile this person I love with their attitude:

If you care abt the planet enough to conserve paper towels, don’t you care enough to stop a Repub administration from raping the land?

If you don’t like how things can swing back and forth, don't you want an administration that's going to work to shore up, rather than dismantle, more lasting democratic systems of governance?

If you understand the value of the long game, why are you only satisfied with instant results from a single election rather than viewing that election as a single move in an ongoing process?

The insight came to me as I used an extra set of paper towels to dry my lettuce:

These people are not motivated by outcomes. They are motivated by how their choices make them FEEL.

Not how the outcomes of their choices will make them feel. But how the action associated with their choices makes them feel.

In terms of outcomes for the environment, saving paper towels doesn't do shit compared to pushing for restrictions on oil companies. But using half a paper towel is an instant dopamine hit: "Ahhh, I am caring for Mother Earth. I care. I am a good person. Ahh yes that's the stuff."

This model fits for voting too. We know that The Only Votes That Count Are Those Cast. We know that Dems Go Where The Votes Are Not Where The Votes Aren't. We know that voting in every election, every time, in numbers, is a very low-effort way to contribute to moving the Overton window farther left.

But in the moment, for people who are motivated by how their action associated with their choice makes them feel... the absolute best move for their dopamine supply is to abstain: "I am NOT supporting an old fart; I am NOT supporting genocide; I am Challenging The System; I am a good person. Ahh yes, that's the stuff."

At the time, when I challenged my friend on their position, they held up their hands and said "look, I'm not saying I have any answers, I'm just saying I don’t like how the system works."

They didn't like how participating in the system made them FEEL in the moment.

For those of us who think this is madness, hey, we aren't off the hook entirely. We are basing our choices and actions off of outcomes, true. But there's probably a feeling/dopamine component in there too. "I am holding my nose and voting Blue; I am doing my part to actually affect the future even if I hate some things abt my choice; I am a good person. Ahh yes, that's the stuff."

So maybe the difference isn't in the motivation (my feelings and self-image) but in what motivates us (my action vs the outcome of my action).

I don't have an answer to the question at this time and this post is already long enough. But I'll think on it. And I invite you to do so as well:

For these people (who seem to be a sizable part of the population), how to outweigh the choice where their action preserves their self-image, doesn't cost them dopamine for having to take a "bad" action, and maybe even gives them a happy boost for "not being part of a flawed system?"

For these people, how to help them connect more to the outcome?

Off the cuff, I can't think of any means other than cognitive-behavioral therapy. :/

EDIT: Apparently there's a term for this and it's called Emotivism -- ethics isn't abt effects but abt feelings.

[dittydipity]

going INSANE. what is he thinking. why did he say this. why does he do all of this. i am thinking so hard.

we know he's seeking arceus to recreate the world bc in his eyes the world is cruel and unjust and it needs to be destroyed and remade. he's set himself on a mission to create the better reality he's envisioned for his whole life.

but everything else he does. the way he spends his time on pasio making people smile with togepi. even if he justifies it as something purely transactional to get more customers, we know he doesn't really take his merchant job seriously. the way he loves his pokemon so much that they will pop out of their pokeball to excitedly tell whoever will listen how much they love volo back. him trying to capture these moments of happiness tangibly because they never last long and can be wiped away any second.

he still hangs onto hope so much despite what's implied to have happened to him. in spite of all the anger and bitterness that's festered in him, he doesn't really want to destroy everything as he says.

it all started with a wish for the world to be a better place, for the good in the world to outweigh all the cruelty. he's still trying to spread what happiness he can.

but at the same time his past drags behind him and reminds him that he can't afford to trust in the goodness of the world.

that self-assigned mission to usurp arceus's power and rewrite everything.. to him, it's his duty now. he has to do it for himself and, as he rationalizes to himself, for the world.

so he ignores the flaws and holes he finds in his own reasoning. he can't help but seek out the brightness and happiness and goodness that does exist in the world, yet he has to dismiss it to justify his goals.

... all this to try and explain to myself why volo's asking all these questions and making all these comments that seem to go against what we'd expect given his ulterior motive and plans. and it's like he's asking the few friends he has to remember him as the one who seeks joy, even when he does the worst to fulfill his dreams

[ma1dita]

forever falling: luke castellan & his four great loves

a 'partners in crime' installment - luke castellan x dionysus!reader

words: 4.3k

summary: (post-TLT) The one where he falls from grace and still thinks of you. (the four great loves of Luke Castellan’s life and how it will end up killing him) (Luke Castellan x fem!Dionysus!reader)

a/n: i held myself hostage in my car outside the gym until i got this right this morning — listened to forwards, beckon, rebound by adrienne lenker while writing this, thank you for your patience and happy september!

edited, doing taglist when i get back from the gym lmao

—

Falling to his death is taking a lot longer than Luke Castellan thought it would.

For a man with a multitude of regrets, he finds that he can count his biggest ones off the four bloodied fingers that stain his peripherals with every bump and tumble down the jagged rocks of Mount Tamalpais.

What a waste of a life.

Everything he’s ever tried to accomplish has come to this final, humiliating moment of being at someone else’s mercy. Life is so unfair, he thinks, to give everything for love and have it kick you off the side of a fucking mountain that reeks of eucalyptus and regret. Sure, it was wrong to steal the master bolt, to turn his back on camp, poison Thalia’s tree, have his little sister hold up the sky, try to kill Percy Jackson every so often, and cause all this chaos… (I mean you know how this goes) but the pros outweigh the cons here! Promise.

Luke was so sure that they would all see reason—that he was doing this all out of love, no matter how convoluted and backwards his way is compared to theirs, even if he’d never admit that. Change is supposed to be uncomfortable and war was never meant to be pretty. It wasn’t supposed to end like this, really. The gods weren’t meant to win.

But at the end of it all, love must be his greatest weakness. It has to be.

The Fates should be slicing through the fibers of his lifespan by now, ripping through the embroidered memories in his mind. Nothing of his is his own anymore—not his life, nor his love.

Love, if he’s learned anything in the two wretched decades that Hermes himself has cursed his existence with— hurts like a motherfucker. That, or Thalia was definitely wearing steel-toed boots when she kicked his ass off the cliff. He’s given his life for love, dedicating himself to the greater good of protecting his loved ones, and no one, not even the gods could stand in the way of that. A method to his madness or his undeniable naivety, he still can’t tell, but it's gotten him falling deep into an abyss at the hands of a bunch of kids who continually undo his plans to change the world.

Maybe love is little deaths then, and maybe Luke Castellan loves too hard.

There has never been a single moment in his life where he hasn’t gone down fighting—he never lets anything go, holding what’s important to him so close to his chest that it suffocates. Luke believes that after everything he’s been through, he was never meant for mediocrity—not even when it comes to love. Maybe his death would mean something then— maybe that is his glory. To love someone to death, even if it was wrong— if this is his end, maybe his death will bring peace he knows his love never could.

Four names run through his mind like most things do, intense and fleeting. His final thoughts as he plunges toward the earth are his last act of prayer. If the gods have never listened before, well, these thoughts are all he has to comfort him; they feel heavy behind his lips the further he falls.

Could the Fates be wrong?

His fatal flaw manifests itself into the names of four women he knows he could never deserve in this lifetime, but he’d die trying. He is, dying. This fall from grace is proof enough that he was never meant to be a hero. Excessive wrath bleeds from his being until all that’s left is love, and he’s ashamed of it.

Gods, he’s such a fucking loser.

Luke’s neck cracks against stone at the bottom of the cliff, white hot pain crawling up his spine with only one remaining thought clanging around in his brain—he should’ve never fucking come back to San Francisco.

And while we’re talking about regrets—Luke recognizes that the one thing he’s never had control of is love.

So he lets go, feeling the weight of his body crumple against the downhill slope of Mount Tamalpais like a puppet cut from its strings without a single cry of pain because Luke Castellan finally comes to accept the loves and losses of his life. His landing feels softer now, rolling to a stop like the waves on Westport Beach. Then he sinks into the earth with a bated sigh and it feels like gentle hands of loves that once believed in him.

Luke closes his eyes before his world spirals into black—because if these few moments are all he has left, he’d like to take this time to remember them.

MAY CASTELLAN [storgē - στοργή]

Luke Castellan was born into this world half-mortal, half-god, but 100% May Castellan’s son. From the moment he came into this world, he was fully her own. Hermes was a factor, yes—but the manifestation of a demigod is wholly that of the mortal parent in every aspect visible to the naked eye. Blood runs alongside ichor in his veins, but Luke is all hers in every way that matters—from the slope of his nose, his dark velvet curls, and the honey-molten warmth of his eyes. And they were happy together, once upon a time, even if it was mostly just the two of them.

The gods make their half-mortal children in the likeness and image of their human love since their own forms are ever changing. There is nothing permanent about being immortal—leaving their partners with babies that look like them but are vulnerable to the Mist. And when you love a god, the only tangible reminder left behind is one that goes where you cannot follow. Things most can’t understand— speedy baby steps padding down the hall, tiny hands unlocking the pantry door, and a motor mouth able to transmit meaning through toddler gibberish.

But before Luke even knew what love was, his mother made sure he knew hers was stuck to his being—like peanut butter and jelly on the roof of his mouth from all the sandwiches she made. His clothes used to smell like chamomile from her morning brew and his fingers were often stained blue from Kool-Aid powder. May would always let him mix, even if she had to pretend to not see him sipping from the big spoon in the pitcher. Loving a trickster meant she knew how to raise one.

His mother’s love was sugar sweet. It was in the cookies she baked, the kisses she’d press against his broken skin, and in the confectionery words she’d whisper to him before bedtime. As the years passed by, May would end up repeating herself and the ‘i love yous’ were more for her instead of him—like a mantra she needed to remind herself of who she was. But Luke always understood. When her voice would fail and tears would replace it, Luke learned to wipe away what his father left behind for him to take care of.

His identical chocolate irises watched hers turn to emerald, and it was then he knew that too much sugar could make everything rot.

THALIA GRACE [eros-ἔρως]

There was always this intensity whenever he was with Thalia Grace, the daughter of Zeus. And she made sure he always knew it—a static spark igniting between the two of them as soon as their eyes met in the streets of Charleston. Like him, Thalia always made sure to get what she wanted, two north poles of a magnet bullheading through life to get what they’re owed. By that same evening, they were elbow-deep in the golden dust of a dragon that had come home to find two bushy-browed little freaks with arrogance quadruple their size.

Luke and Thalia were a match made in hell—one always trying to outdo the other to get the upper hand when it comes to control. And at 12 years old, it was the first time Luke had ever had anyone fight by his side. But they were both short fuses and she always set him alight—a glint of her father rushing through her glare so hot that it burned blue. He would do anything to keep her attention on him since grabbing devotion by force is all he’s ever known. Moving quickly and being in her face was the only way to remind his mother of her affection so he assumed the same would go with her. That, and he couldn’t help being extra fidgety— being a son of Hermes meant he couldn’t sit still for long.

Though with Thalia’s growing annoyance of Luke, it was established that their dependence on each other was one of necessity to survive the odds stacked against them. She was repelled by what made them so similar, hubris that blinded them from wanting to figure out the difference between surviving and living. There was a poison of hate in their love for one another. A shame in wanting a love that understood the attraction that linked them so early on in life, however innocent.

Both were too alike and were burned the same.

They burned each other. A type of selflessness and selfishness that battled each other for balance, so close but so far away.

There was always something about Thalia that blistered at his confidence. A forbidden part of her he couldn’t bear. It’s why he spit words of acid instead of encouragement once he realized the Furies wanted her the most when they were running for their lives, Luke was always the fastest runner anyway—dragging little Annabeth up Half-Blood Hill and by the time he realized he’d left her for dead she became a hero (he admits now that he could’ve run circles and saved her too; he just didn’t want to).

Thalia Grace gave everything for this love. But she sure as hell never trusted him to do the same for her.

The spark they shared was snuffed out that day. And Luke continued to burn without her.

ANNABETH CHASE [philia- ϕιλία]

Luke Castellan had never been chosen for anything before. Growing up in the mortal world, he was used to watching families eat together through restaurant windows and children playing in parks that he would pass by, taking slower turns around the block so he could imagine what it felt like to be wanted. Luke was never once beckoned to take part, but he accepted long ago that he didn’t really belong anywhere.

It was nice to think about though.

The daughter of Athena doesn’t remember it anymore, something so trivial in that big brain of much more important thoughts—but when she reached her hand out to him instead of Thalia (after almost breaking his skull in with a rusty hammer), it meant everything to him. The kid thought he was a monster at first sight, and she still chose him after everything.

Annabeth Chase grew up idolizing him and he thrived because of it.

Like ambrosia, Luke was strengthened by her faith and it made him feel powerful. Having the daughter of Athena in his life was like being awarded a gold medal. He loved Annabeth like she was his biggest prize, gleaming on a shelf for him to admire when he was feeling down about himself. Both him and Thalia raised her with pride; with little to no material possessions, they learned to make something out of nothing—and they made it golden. He chased that feeling and it made him greedy for her affection—she announced his place in this world of cruelty. The harsh hands of fate were gilded by Midas himself as long as he had Annabeth. And she put him on a pedestal too—an unattainable goal in her mind that the highest form of glory was to be like her older brother and best friend.

Luke Castellan was finally good at something, and he had the proof to show for it in the shape of a small girl with inquisitive eyes. With her, all of his answers were right. To choose each other and be reciprocated with equal fervor helped him idealize what it felt like to win in life.

However Annabeth was not just his best student, but a prodigy that learned to outplay the trickster. An intellect like hers was never meant to corrode in a dusty, dark corner.

YOU [agape- ἀγάπη]

Plato wrote that humans were once created whole— with four arms, four legs, and two faces fused back-to-back for the entirety of their mortal existence. They were at peace, and how could you not be?

With your soulmate at your side, you could face anything, even the gods. And eventually Zeus felt threatened by their power, in knowing that humans could be invincible against any pain, suffering, and doubt as long as their soul was physically and intimately tied with their other half. So he separated humans from their soulmates in a snap of a finger. It was just another thing that jealousy would take away from humankind by immortal beings that would never understand what it means to live with an ending.

There’s a misconception that love is being together in our original state until the gods took it away. But in fact, it was written to be that love is the desire to become whole with someone else, in addition to yourself. Love is the choice to spend your life trying to find your other half—as we are destined to roam until we have someone to share the rest of our time. Humans have long accepted that we don’t know when the end will come—but the act of searching for our person to share it with, that is love.

Love is the ultimate sacrifice to meet your partner wherever they’re at, to make a home out of the rubble of your past and still choose it anyway knowing that the both of you will go hand in hand into the future. It isn’t glory like he’d convinced himself in the past; it’s not accomplishing some heroic feat worth the recognition of the gods—he knows by now that he couldn’t give a single shit about them. The answer had always been right in front of him, unwavering against the test of time with fluttering amethyst eyes and laughter that renders him senseless.

Why go through all that trouble? one might ask. But that is also his answer.

Fate had never cut him loose— tumbling down Mount Tamalpais was one of the many proofs of that, and with nothing else to do, Luke comes to the conclusion that loving you is a lifelong commitment he made to make more time with you.

Shitty deal, he thinks, trying to beat Kronos at his own domain without anyone’s help must have been a waste for it all to end so pathetically.

But loving you was a choice he made every day, even in your absence. It’s his reminder and solemn vow that loving you could never be a waste. Luke laments not being able to take you to meet his mother, or giving you the white house with the big bay windows, but by giving up his life, honor, and whatever glory is still attached to the name Luke Castellan— it must be worth it as long as you’re living the life you deserve.

Even if it means he’s not part of it, he hopes you’re still searching for him too.

—

In the end, even as he falls to his death, he finds himself calling out to his father for the last time. His plea reaches deaf ears of course—but he isn’t begging anymore. Luke Castellan thanks his father for the first and last time in his life and embraces his losses if it meant that he mattered. If not to the gods, then to his mother. To Annabeth. Thalia, even for a short moment, and you.

Especially to you.

Unwavering and without question, to live to the fullest is to have been by your side walking through the woods of Camp Half-Blood and hearing the sound of your cackles through the air, sending animals scattering from something he said.

Because to be loved despite everything he has done, everything he will do— Luke thinks he must be the luckiest man to have ever lived.

Death blankets the weary traveler, and time is an unflinching hand pulling him through a rip in reality. He’s gone in the blink of an eye, falling in reverse to where he needs to be next.

Somewhere, Atropos raises her scissors away from the indelible strand of his life force as she takes a breath and sits back, her sisters unable to do anything else but watch. This boy was becoming more trouble than what even the gods knew he was worth.

Luke Castellan must be lucky, indeed.

—-

Ding.

450, 451, 452, 453…

A wet cough from a satyr next to you disrupts the silence in the elevator up to Olympus; you give him a sideways glance that makes him shift closer to the door with what you hope is a blush and not a fever. It’s warm and stuffy in this 3x4 crystalline box that shoots towards the heavens, and a bit crowded for a weeknight—though you suppose it is the Winter Solstice.

You haven’t been back here since your ex-boyfriend stole the master bolt.

There’s a moment where you wonder if the Fates have ever found your predicament funny, but then the satyr sneezes with a boom.

537, 538, 539, 540…

It’s almost dusk now as clouds roll through the night sky and into the distance. Frost lines the metal frame of the elevator shaft and if you’re flying at the speed of light, it doesn’t seem to be a problem. But this trip is taking much longer than you thought it would for a decision you made on a whim.

You still have a final to take in the morning, and Annabeth wasn’t answering your calls—then her location on Find My iPhone sprung from San Francisco to the middle of Manhattan from the span of your trip on the Long Island Railroad.

Something was up. The sense of something important trickled down your spine like second nature. Can’t this thing go any faster?

It was second nature for you by now to know when something was up, especially with the trio. You’d always make the time for them. Besides, your life has been a little too quiet lately. Being an adult demigod does that; there’s no monsters that bump in the night anymore, just the ones in your head and the ones that make you take finals three days before Christmas.

…600.

Ding.

Weaving through what seems to be a celebration fit for the gods, your glove-clad hands push through the sea of minor godlings, heroes, and Olympians. Aphrodite sends you a wink that makes you feel hot to the touch before you realize Hestia’s eyes are also on you, the both of them clearly whispering about your treacherous love life. You shove your gloves and scarf into your jacket pocket. Bowing your head lightly in greeting, you keep walking further into the grand hall.

It seemed you were always a hot topic up here on Olympus. Great.

The music is so loud you can feel it in your chest, thumping away to the accelerated beat of your heart and by the time you grab a glass of ambrosia-spiked champagne to help with the lump in your throat, you hear the sound of your name in the midst of all the chaos.

A gentle hand grasps your shoulder then, and it’s Percy Jackson adorning a cup of punch and brand new wispy white tendrils that hang across his face. There’s a story that should follow, but he gapes at you like a fish out of water. Looking up at him (this boy grows like a weed!), both of your confused faces mirror each other as you sidle out words he’s still able to hear over the music, “What’s the celebration for? And why have none of you been answering my calls?”

The son of Poseidon swallows hard, until the smell of salt and sea foam surrounds you and you find yourself staring at the god of the sea himself, standing alongside him. With a smile soft like rippling water, he gently says, “I’ll leave you two to it. And I’ll call your father and stepmother over. Good to see you,” Poseidon says your name as he takes his exit. You hoped it was a good thing then, that he knew you.

Percy wondered why he was always left to make the difficult decisions.

He almost sounds like his father when he speaks, calling for your attention again as he clears his throat.

“Listen, I need to tell you something, and I think we should…”

Shaking your head, your eyes are scanning across the room, meeting Annabeth’s as she drops the hand of the minor god she’s dancing with and makes her way over to you. From the other side of the room, Poseidon pushes your father in your direction as he juggles two golden goblets in each hand, led by his wife as they almost float towards you.

“Whatever it is, spit it out Perce. Your audience is growing by the minute.”

“Hey princess, whatcha doing here? Don’t you have a test tomorrow?” You dad grins, nudging your shoulder and handing you one of the goblets. Ariadne presses a kiss against your temple and you smile, taking a sip before hearing Annabeth’s converse squeak to a stop next to you.

“Someone better tell me what’s going on right now,” your eye twitches and then you see Annabeth’s new strands of silver that frame her face as she grabs your arm and nestles against it.

“I…um…” the sandy-haired boy begins, and then your dad groans and you elbow him hard, wine spilling from his lips as his wife giggles like the sound of tinkling bells and you’re about to strangle the teenager on the marble tile he’s planted on.

“Luke’s…”

“Dead.”

Percy’s worried voice intermingles with a new one you haven’t heard before, like a crackling sound that leaves a metallic taste in your mouth, and then a girl shows her face—black eyeliner and silver jewelry clinking against each other as she looks into your eyes and blue meets purple.

So you start laughing. Cackling even, as your head nods slightly, and after they’ve given you a moment to compose yourself you take a big gulp of the drink in your right hand to then chase it with the one on your left.

“You’ve gotta be kidding me. He’s not dead,” you insist, and everyone looks at you like you’re insane, even your father, the god of insanity himself. Ariadne’s hand caresses the nape of your neck as she whispers, “Maybe we should take a seat outside, darling…”

“No…No! I mean it,” you say almost incredulously, a hiccup slipping past your lips when you take in too much air. “That motherfucker doesn’t have the audacity to die and if he did, I would know.”

“This is how we’re letting you know,” Annie murmurs, before Percy sighs and his shoulders fall heavy with what seems to be the weight of the world, “She’s right. He’s not dead.”

A myriad of responses blur in the space around you, all going hazy as you blink and stay focused on Percy.

“It’d be too easy…” you murmur, nodding again like you’re convincing yourself of the fact. Annabeth rubs circles into your forearm and you realize you haven’t breathed since the daughter of Zeus made her entrance, “I’d know if he was dead.”

Thalia Grace looks you up and down thoughtfully, “So you’re the collateral damage.”

“Thalia!”

Annabeth exclaims, her hand tightening around yours and you know deep down she’s rejoicing at the news of Luke’s survival. But for yourself, you were unsure if you felt the same, almost chuckling at the irony of almost all of Luke’s favorite people in the same room as the gods he swore to overthrow, “That’s me. You were a tree the last time I saw you.”

“That’s me. I kicked him off a cliff, thought it would’ve done the job, but he’s always been too stubborn.”

A smile spreads across both your faces. You think about Luke interrupting your date last month by barging into your apartment and how that was tough enough to explain to your roommate, much less if you tried to tell your parents and best friends in the middle of a Christmas party.

You make the choice to keep Luke’s visits a secret. It doesn’t come as difficult as you thought it would.

Hermes bumps into your little group, eyes focused on his caduceus as it pings with different messages. The rest of you go quiet, mirth dimming despite the smile on the messenger god’s face and the kids take that as their cue to exit.

“What’s happening? A group like this, and with you making an appearance,” he nods in your direction, “Must be something special.” He nudges your dad, and you’ve forgotten that they’ve been best friends for millenia.

“Your kid’s not dead. You’d know that if you were nosy in the right places,” Dionysus says through a gulp of wine, turning and walking away nonchalantly, making you smile. Hermes looks at you with his face a mix of shock and appreciation, though you’ve done nothing to earn it. He follows your father with a gust of wind billowing behind his traveling feet.

Those two are more trouble than you and Luke were.

Biting your cheek, you turn to Ariadne and scoff, “So…. Do you think I should tell my dad that the other campers snuck into the party half an hour ago?”

Your stepmother laughs, her eyes following her love across the ballroom, choosing to let everyone enjoy the Winter Solstice for once.

—

“When does a war end? When can I say your name and have it mean only your name and not what you left behind?” - Ocean Vuong