#first world minstrel

[dailycharacteroption]

First World Minstrel (Bard Archetype)

(art by A-Faun on DeviantArt)

 One good thing about doing these archetypes and options alphabetically is that a lot of similarly-themed archetypes tend to end up in clusters. The bad part is that you quickly grow tired of the same theme both as a reader and a writer.

Thankfully, between fey and First World-themed archetypes, we had a little break in the middle, and now we’re to the last one for a while, but it’s a good one!

While we’ve previously covered bards that either are fey or learned their secrets, today we’re looking at an archetype for someone who has more been affected by the fey realms, rather than being a student of them.

Not to say that you can’t characterize a character with this archetype as someone who learned fey tricks, but I like the aesthetic the subject tries to paint.

Whether they were an ordinary person or already a bard, some people fall into the classic trap of being kidnapped or tricked into servitude by the fey. Some may have been treated as honored guests. Others as hapless victims that may not even have realized what happened to them Either way, they were brought to the First World and spent time there, and whether by escape or by the good graces of their host, they returned, though not the same as they left.

Those that develop bardic talents can channel that change into their performances, bringing a bit of the First World with them long after they have left. Exactly what they do with that power in the Material World, which simultaneously seems duller than they remember and treats them as strange, is up to them.

 One of the ways that the magic of these bards is altered is their tendency to summon monsters of nature rather than otherworldly origins, coloring the sort of aid they can call upon, including fey creatures.

They also have a greater understanding of the natural world and seem to empathetically be able to commune with wildlife.

Rather than bolstering the courage of their allies, the most notable change these minstrels exhibit is their ability to infuse one or more allies with a bit of the fey, granting them temporary abilities, such as supernatural resilience, short-range teleportation, invisibility, magical resistance, and so on. The more skilled they are, the more abilities they can grant, either to a single ally or spreading them about.

With another performance, they infuse a foe with bad luck similar to the aura of a pugwampi gremlin.

They are also well-versed in the tricks of nature and the fey, becoming naturally resistant to them. In fact, they might have just enough fey in them that it confuses spells and effects meant for mortals.

 If you’re looking for a bard that gets a handful of the defensive powers of a druid, you certain came to the right place. The ability to grant stronger abilities to allies, but only in limited amounts is a bit more specialized than a buff to attack and damage, but can be quite useful regardless. Also debuffing a single foe with unluck, while allowing for a save, can be a fun way to turn a strong monster on it’s head. You lose a little skill utility and defenses against musical and sonic effects, but otherwise you can build these bards much as you normally would, though if you decide to take any summoning spells at higher levels, consider the plant summons feat, which massively increases your array of potential natures allies.

 Despite gaining power from the First World, exactly how they feel about that and their power varies a lot by exactly what their experience with it was. Those brought there at a young age might remember it fondly or consider it their true home, though others may have longed for their families. Others might recall their time there as nightmares and terrifying experiences.

  It’s no surprise that the jungle planet has a strong connection to the first world, and in turn, that sometimes lashunta go missing in the fey realms, only to return different, like Akyasha, who ever since then has taken to running a fishing boat, as far out from the rainforests as possible. Still, those who sail with her notes she often stays up late and sings strange songs in the middle of the night.

 A mental proxy war exists in the coastal city of Mivan, where alghollthu masterminds seek to control the citizens, only to be thwarted by the fey Eldest known as the Conch Singer, who over the decades kidnapped many mortals and trained them in the ways to manipulate the mind with fairy magic, seeding them throughout the city and making things difficult for the underwater tyrants. Soon, they will send a plizeazoth, a brutish put powerful psychic monstrosity, to turn the tide.

 All can agree that there is something strange about Lila’s music, but it is nevertheless beautiful, always turning heads whatever tavern she plays at. However, those who know her better than the average patron may notice she never performs on the new moon, and instead wanders into the wilderness outside of town.

[yourplayersaidwhat]

My minstrel, Lark, is a 51-year-old woman whose backstory is that she did the whole get-married-have-kids thing and now all the kids are grown and out of the house she is off to see the world and have a good time. I chose her skills and attributes accordingly, and her main role to date has been party healer, cook, and Face for dealing with the locals. Today we have defeated the BBEG in our first dungeon, but at great cost - only the two fighters are still standing, and Lark has lost a finger! Fortunately she had a healing potion on her, which one of the fighters got down her, bringing her up to where she could heal everybody else enough to walk out of the dungeon on their own power. At that point I said: "Okay, somebody collect the head and we'll go back -"

Archer, who took no damage at all in the boss fight due to standing out of range to shoot: "What? No, hang on, there's doors we haven't opened yet -"

Lark: And they'll still be there tomorrow but today we are going straight back to camp. (I pick up dice.) OOC: I'm using the Mom Voice.

Archer: Oh, back to camp! I thought you meant back to town. No, if we're coming back down tomorrow to make sure we've cleaned it out that's fine.

GM: Yeah, backpedal fast, before she uses Power Word: Middle Name.

[lizardsfromspace]

The renaming of racist advertising mascots in 2020-2021 was greeted with like, okay, yeah they sucked but it's super late to do and that's not what anyone was marching in the streets over

Meanwhile MAGA types, who are OBSESSED with the sanctity of advertising bc their ideal world only ever existed in 1950s magazine ads for ham-flavored jello salads, have never shut up about them. They absolutely think that's what people were marching in the streets over. They started a myth that there was a real Aunt Jemima - that the woman hired to play her in public appearances, Nancy Green, actually created the brand and died "one of the first black millionaires" - when. No she's just a stock character from blackface minstrel shows. They're excitedly speculating that Trump winning & "defeating woke" will mean they'll have to bring back Aunt Jemima, Uncle Ben, and the Land-O'-Lakes Indian and like. I cannot imagine a more empty life than one where you attach very real and powerful feelings to the packaging of rice and butter and want to enshrine fascism in part so that they can put stereotypes from the 19th century back on them

[camille-lachenille]

I was thinking about how, in fanfictions and in the fandom in general, Elrond is often depicted as a pure Noldorin lord, if not a die hard Fëanorian. And while I do enjoy Fëanorian!Elrond, the more I think about it the more I am convinced Elrond is not the fëanorian one of the twins. Elros is. Elros who adopted seven eight pointed stars as the heraldic device of his whole dynasty, a symbol still used 6000 years after his death. Elros who had Quenya be the official language of Númenor. Elros who decided to leave Arda for an unknown fate after his death; not Everlasting Darkness but not the rebirth in the bliss of Valinor either. He choose to go to a place Elves aren’t supposed to go, just like Fëanor and his sons went back to Beleriand. Elros, the mortal man, who decided to forge his own path in the world.

And I am not saying Elrond didn’t, because Eru knows how much strength, patience and stubbornness Elrond must have to become who he is in LotR. But when I first re-read LotR after reading the Silm, he did not strike me as Fëanorian at all (except for the no oath swearing rule that seems to apply in Rvendell). In fact, Elrond, and all three of his children, are defined by being half-Elven. Elrond is so much at the same time they had to creat a whole new category for him. He is described as kind as summer in The Hobbit, but also old and wise, and his friendly banter with Bilbo in FotR show he is also merry and full of humour. Elrond is both Elf and Man despite his immortality, and this is made quite clear in the text.

But. If I had to link him to an Elven clan, I’d say Elrond is more Sinda than Noldor, and even that is up to debate. Rivendell, this enchanting valley hidden from evil thanks to his power, is like a kinder version of Doriath. Yet, the name of Last Homely House and Elrond’s boundless hospitality make me think of Sirion: Rivendell is a place where lost souls can find s home, where multiple cultures live along each other in friendship and peace.

In FotR, Elrond introduces himself as the son of Eärendil and Elwing, claiming both his lineages instead of giving only his father’s name as is tradition amongst the Elves. It may be a political move, or it may be a genuine wish to claim his duality, his otherness, or even both at the same time. But from what is shown of Elrond in LotR, he seems to lean heavily in the symbols and heritage from the Sindar side of his family, rather than the Noldor one. I already gave the comparison with Doriath, but it seems history repeats itself as Arwen, said to be Lúthien reborn, chooses a mortal life. Yet Elrond doesn’t make the same mistake as Thingol by locking his daughter in a tower and sending her suitor to a deathly quest. Yes, he asks Aragorn to first reclaim the throne of Gondor before marrying Arwen, but this isn’t a whim on his part or an impossible challenge. Aragorn becoming king means that Middle-Earth is free from the shadow if Sauron and Arwen will live in peace and happiness. Which sounds like a reasonable wish for a parent to me.

Anyways, I went on a tangent, what strikes me with Elrond is his multiple identity. Elrond certainly has habits or traits coming from his upbringing amongst the Fëanorians, and he loved Maglor despite everything. The fact he is a skilled Minstrel shows he did learn and cultivate skills taught by a Fëanorion, that he is not rejecting them. There is a passage at the end of RotK, in the Grey Havens chapter, where Elrond is described carrying a silver harp. Is this a last relic from Maglor? Possible.

But while Elros choose the path of mortality and showed clear Noldorin influences in the kingdom he built, Elrond is happy in his undefined zone he lives in. He is an Elf, he is a Man, he is Sinda and Noldo and heir to half a dozen lost cultures and two crowns. He is the warrior and the healer, the only one of his kind in Middle-Earth. And that is why I will never tire of this character and I love so much fanworks depicting him as nuanced and multiple yet always recognisable as Elrond.

[homartchi]

Join Lone Minstrel!

Lone Minstrel is a text-based roleplay discord server. The community is neurodivergent and lgbt+ friendly! There are several settings you can play in, known as ‘Sonnets’ within the Discord Server.

Lone minstrel currently has 3 Settings to play in, but can house up to 6 settings at a time! We allow any player to make a sonnet. So it is simply first come first serve

The Sonnets are as follows:

Drakentide:

In the lands of Lythera, there are only humans, and dragons. Dragons take up all fauna in this world, instead of cats you have Tatzelwurms, instead of turtles you have dragon turtles, Salamander heat human homes and mandrakes become a horrifying Draconic pest to any farmer. Then there are the Draken. These supersized dragons are by any regards people as humans are, but though careful propaganda they have been seen as devilish beasts that must be hunted down for the good of humanity. You can play as Human or Draken, and uncover the muddy history between Human and Dragon.

Ebbingway:

In October, in old abandoned houses, or deep within the woods. There is a door to a place separate from earth. This plane of existence follows the four seasons, each located in their specific little town. Ebbingway is the town of Autumn. Where one can encounter and play as any number of creatures. Skeletons. Vampires, horrible eldritch entities beyond comprehension? The choice is yours! But, despite the haunting, but quaint exterior, something does lurk under the surface, threatening to destroy the livelihoods of all that live there.

Proton Call:

Space is massive and unfathomable. It could be millennia and we would still never uncover all its mysteries. But damn is Discovery and Innovation Enterprise sure gonna try! You work for this company as one of many alien species, and perform many different jobs! Are you a lab worker? Testing on newly discovered species? Are you a field agent? Exploring foreign planets to learn (and survive) the flora and fauna within? Or are you a janitor? Cleaning up the messes when someone gets eaten by the two headed ferret? Up to you!

This project has been an act of love by me to make the things I want to make, and I hope that any who join can see the passion I have for this place.

Please join, and if you don’t want to, please spread the world, so we may brighten the day of someone who does.

[elfy-elf-imagines]

To Meet Under the Stars | Thranduil

▹ Pairing: Thranduil x Elf!Reader

▹ Genre: Fluff

▹ Words: ~3k

▹ Summary: In light of the stars, Thranduil finds himself entirely enchanted by a mysterious masked woman.

▹ Notes: I love masquerade balls, that is all. Unedited because we die as men.

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ

The light of starlight was something sacred to the elves. 

In the times of old, before the moon and sun had been created, Varda placed the stars in the sky, illuminating the world for the elves to see. For all other races, stars were just light that guided their way at night, but they were so much more for the elves. They held the promise of life unsullied by the evil of Morgoth. A beautiful display of glistening diamonds that held the light of creation. To honor the stars was to honor Varda herself.

Under the canopy of stars, the wood elves of Eryn Galen celebrated the first night of the autumn equinox. The moon was full and high in the sky as lords, ladies, and commoners alike gathered for the party. The echo of minstrels ensured there would be no corner of the kingdom not lit with joy. Dragonflies darted across ponds, and crickets hid in the forest, chirping to the beat of the lute. There were festivities all throughout the kingdom, but the main attraction was the masquerade ball held within the palace of King Thranduil. Only guests of high esteem were invited to dance under the lush canopy in the company of the royal family. 

And there you were, with summer in your hair and winter in your eyes. Dancing through the crowd, illuminated in the silver light of the moon, you were the vision of a goddess. A soft halo shone upon your silver-gold hair, pinned in an updo with stray pieces that cascaded down your back. Flowers in purple, blue, and silver hues were placed upon your head like a crown, creating the silhouette of a queen. A silver mask encrusted with enough jewels that it glittered under the light concealed the top half of your face, two holes allowing your eyes to glow in the dark. A grin born of pure ecstasy was outlined by the lipstick on your lips. 

No one could recall who you were nor when you’d arrived at the celebration. It was as if you were always there, lying in wait and dancing with the ghosts of the open-roof ballroom. A laugh rivaling the minstrels' songs hung in the air where you stood and followed your every sweeping move. 

From the high table, with a glass of wine precariously hanging in his hand, Thranduil watched you. He couldn’t help it. It was as if you were weaving some sort of spell, casting it upon all who watched, paralyzed by your song and enraptured by your dance. You were beautiful, quick as a whip, and light as a feather. Each step seemed calculated and purposeful, yet so loose it could only be natural.

Thranduil couldn’t recall ever meeting you, so certain he’d know your laugh even if he couldn’t see your face. His advisors tried to make idle conversation as Legolas spent his time with the other members of the guard, drinking and laughing. Thranduil couldn’t be bothered to even pretend to listen, intently focused on the way your summer blue dress flowed like water around you. It nearly felt sacrilegious to directly look at something so beautiful, like staring at the face of Varda herself. 

“It is a beautiful--” his advisor beside him began to speak, talking so slowly it made Thranduil’s lips curl in slight irritation that was hidden by the goblet he held. He watched as you threw your head back in laughter, finding amusement in whatever the elf lord you were speaking with said. It took all his willpower not to roll his eyes as he drank more sweet wine. 

The elf lord offered you his hand, which you gracefully accepted. Instead of dancing through the crowds alone, you twirled in the arms of another man. It made Thranduil’s stomach turn in a way it hadn’t for centuries. 

You and the elf lord you danced with would flit in and out of his vision, yet the merriment never left your expression, and when the face of your dance partner would face Thranduil, he could see just how enchanted the man was by you. His grip on the goblet tightened, knuckles turning white. 

The song seemed endless, drawing out the end of it for as long as possible. Part of Thranduil was tempted to bark at the minstrels to begin a new one in hopes you would once again be left alone, but he didn’t. A king needed to maintain his composure, even if everything inside was screaming not to. It seemed silly to be so taken by a woman whose face he couldn’t even see. 

“Have you tried one of these cakes yet? They’re quite--” 

“Galion.” Thranduil interrupted the man previously speaking, gaining the attention of his butler. The advisor that had been interrupted scowled yet said nothing else as Galion stepped closer to Thranduil. 

“Yes, my king.”

Thranduil pointed at you, Galion’s eyes following his finger. “Who is that?”

His eyes narrowed as Galion leaned closer to try and get a better look at you. Yet not a glint of recognition twinkled in his eyes. Did anyone here know who you were?

“I’m afraid I am unfamiliar with who she is. Would you like me to fetch her, my king?” Galion asked, his attention returned to Thranduil, whose eyes furrowed in mild annoyance. 

“That will not be necessary, Galion.” He waved his hand, and Galion returned to his previous seat. It would be easy to bring you to him, he was the king, after all, but he didn’t want your meeting with him to seem forced upon you. He already had enough of a reputation as a cold, unfeeling man; it wouldn’t do any good to give you a reason to believe them. 

The song ended, and you stepped away from your partner, lowering into a curtsey that he returned with a bow. Thranduil stood, the legs of his chair scraping on the floor; he didn’t bother giving a weak excuse for his exit. If he doesn't act soon, you might slip from his fingers. Thranduil took long strides down the platform and disappeared into the sea of elves. 

He pushed his way through the crowd, most too lost in the magic of the music to pay their king any mind. He could see you, dancing alone with your eyes shut. The grin on your face was wide, never wavering in the slightest. The distance separating him from you was dwindling, the anticipation making his palm sweaty. The crowd parted, and he could’ve pulled you into his arms if he wanted to. 

But as he opened his mouth, you disappeared into the crowd, so preoccupied you never saw him coming. Thranduil’s eyes narrowed, his misty eyes searching the crowd for you, but you were nowhere to be seen. Had you merely been a figment of his imagination conjured by the trickster spirits rumored to hide in his forest? Perhaps you had been, but Thranduil was determined to comb through the crowd hoping to see you again.

Then, a flit of blue brightened the corner of his eye. He turned, seeing you dart from dance partner to dance partner, now on the other end of the room. A cat-like grin appeared on the edges of his mouth; he’d found you. Once more, he pushed through the crowd, not moving his eyes from you for one second, afraid you’d disappear without a trace if he did.

The crowd would pulse, and you would get closer to him before suddenly spreading out towards the treeline. Thranduil would get close enough to smell your floral perfume, but you'd dart in another direction before he could take your delicate hands in his. He wasn’t entirely sure if it was on purpose; you probably hadn’t even noticed him. Your eyes never locked with his that never strayed from you.

But the gods seemed to smile upon him that night, and as the crowd came closer, Thranduil snatched your hand. Your body twisted to face him, the grin on your face never faltering. The perfume you wore was distinctly jasmine, vanilla, and something sweeter, tantalizing enough to bring him closer to you. His hand was rough in comparison to yours, much larger too. 

“May I have this dance, my lady?” His voice was velvet smooth. Thranduil stood out like a sore thumb as the only one in the crowd without a mask. 

“You may, my king,” you curtsied before placing your other hand on his shoulder as his hand found its place on your waist. Wasting no time, the two of you twisted and spun through the crowd in an airy waltz. You had the grace of a swan, maintaining a poised elegance with a child-like grin. Thranduil felt himself falling deeper into whatever spell you had cast. 

A witch, that’s what you had to be. There was no other explanation for the hammering of his heart or the delight your touch elicited. 

One step back, one step forward, one to the side, and repeat. Another spin, extra flourish added for flavor, and the movements continued. Neither of you spoke, eye to eye, unable to look away from one another. Thranduil found himself counting the flecks in your eyes, convinced they held a thousand little stars in them. 

Perhaps you hadn’t been an illusion placed to taunt him but a gift from the Valar themselves. 

All too soon, the song ended, and the dance was finished. As he watched you do before, you stepped back from Thranduil and lowered into a sweeping curtsey. He wanted to ask you to stay with him, not only for the night but the rest of eternity, but he found himself tongue-tied.

“It was an honor to dance with you, my king.” Your voice was soft and warm, like the spiced tea he would drink before bed. He wanted your name, to lift the mask you wore and lay his eyes upon your face entirely. He needed to see the face of the woman that would surely haunt his every dream. 

Thranduil blinked, and in the brief time, his eyes weren’t on you, you’d disappeared. He half expected for there to be stardust left where your feet had been, but the only proof you’d existed was the imprint of your heels in the grass. His eyes scanned the crowd, twisting his body and craning his head, yet you were nowhere to be seen. But this time, instead of seeing flashes of your dress or silver hair, you were nowhere to be seen. You’d disappeared entirely.

Thranduil stood in the crowd a moment longer, hoping for a glimpse of you before deciding to return to his seat at the table. Perhaps from the high crowd, he could ascertain where you were. Thranduil returned to his seat, acting as if he hadn’t suddenly rushed from the table to dance with you, ignoring the questioning glances from his advisors. His goblet of wine in hand, eyes on the crowd, Thranduil sunk into the music and lost himself in thought. All of them were plagued by you. 

And there he stayed as the hours ticked by, seemingly in a trance. No one at the table bothered to strike up a conversation with Thranduil anymore; it was like trying to converse with a brick wall. So they settled in silence, occasionally remarking about the party with the other guests. 

“My king,” Galion returned to his side. “The lady you danced with has stepped away to the gardens.” Galion’s tone was even as if he were merely commenting on the weather. Thranduil side-eyed him, noticing the tinge of mirth on Galion’s smile. Thranduil tilted his head to the side, then slowly nodded. 

“Perhaps I should ensure our guest is enjoying the festivities.” 

Thranduil stepped away from the table and followed the path toward the garden’s you just slipped into. He took long strides to reunite with you sooner. This time he was determined to get your name and to peek beneath the mask you wore. 

When he finally stepped into the garden, he saw your back turned to him, fingers dipped in the fountain's water. Your posture was relaxed, hair loose and flowing, no longer pinned in the updo it once was. It flowed like liquid silver, furthering his conspiracy that you were a celestial being born of the gods. Precariously hanging in your hand was the mask you’d been wearing, thumbs rubbing against the ribbon that tied it in your hair. The minstrels were now a distant hum, the flowing water, and the chirp of crickets the only song in the gardens.

He stopped a few steps from you, trying to find the words to say. It’d been so long since he’d been made to feel like a shy elfling, nervous about approaching his first crush. A king should be dignified and confident, but he felt all of that crumble in your presence. 

Your ears twitched as Thranduil shifted in his spot, head raising at the sudden intrusion. Slowly, you turned, unsure who to expect would intrude upon your solitude. But of all the people you imagined stepping into the garden, you never anticipated it would be the king. He nearly seemed awkward and unsure in his place, fingers smoothing wrinkles on his robes that weren’t there. 

Immediately you lowered into a curtsey, but the king didn’t acknowledge the movement. His eyes were wide and mouth slightly agape as he stared at you. As he looked upon your face, this must’ve been how the first elf to gaze upon the stars felt. The curves and lines of your face were soft and delicate, the vision of beauty. Your eyes seemed even brighter in the dim lighting, an unsure, shy smile curling on your lips.

“My king.”

He remained silent, too wonderstruck to speak. 

“If you require to be alone, I can--” You began to walk towards the exit, but as you passed Thranduil, his hand reached out and caught your arm. You turned to face him, uncertain. Thranduil’s hand trailed down your arm and intertwined with yours, a soft smile on his lips.

“Of all the people who desire my presence, yours is the one I desire most.”

You swallowed thickly, your mouth suddenly dry. You’d been close to the king only hours ago, sharing a dance with him. Yet the privacy of the gardens and the sweetness of his words, it all felt much more intimate. 

“Then I shall stay.”

Thranduil’s grin widened as he guided you further into the gardens. The flowers were vibrant and lush, a true testament to the skills of the elves. A canopy of trees diffused the moon's light, reflecting off the fountain and casting a spotlight on you. 

“I have a confession.” Thranduil suddenly stopped, eyes intently watching your face, noticing how your lips slightly parted and your eyes glowed with curiosity. “I have found myself quite enchanted with you, my lady. It seems foolish, not knowing your face until this moment and not having your name.”

“It’s Y/N, my king.” You interrupted, a charming smile curling your lips. The hammer of your heart matched the tempo with Thranduil’s. 

“Y/N.” He muttered your name quietly, your name on his lips making your stomach curl. Of all the ways you anticipated this night's end, strolling the garden with the king was not what you could’ve predicted in your wildest dreams.

“Y/N. If I may be so bold, I would like for this to not be the last time we meet. I desire more of your company.” 

Thranduil stepped closer, the heat he radiated warming your chilled skin. Gossebumnps followed where his hands touched, a shiver rushing down your spine. Subtly you pinched the back of your leg, convinced this was nothing more than a dream. Yet you didn’t wake; this moment was real. 

“If I may speak freely, my king?”

Thranduil nodded his head. “Please, you may call me Thranduil. No need for such formalities.”

You tipped your head at him as the smile on your face brightened. 

“If I may speak freely, Thranduil.” You corrected, with an almost mischievous lilt to your voice. “I would much desire more of your company as well. I have heard many rumors of your cold and detached demeanor. I’ve heard of how harsh you can be, yet I have seen nothing of that.”

“I’m glad the whispers of the court haven’t scared you away, my lady.” 

The smile on your face curled into a teasing smirk, eyes illuminating. “You’ll find it’ll take more than malicious rumors to scare me away.”

Thranduil's finger twirled around a lock of hair that framed your face. He seemed relaxed and more at ease than you'd have imagined. 

"A strong will and a fair face, Varda herself must've crafted you."  

His words made your face flush red, so deep it was seen in the dim lighting of the garden. 

"Pretty words you speak, my king; I'm eager to learn if your words match your heart." 

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ

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[tylermileslockett]

APOLLO

“Phoebus, of you even the swan sings with clear voice to the beating of his wings, as he alights upon the bank by the eddying river Peneus; and of you the sweet-tongued minstrel, holding his high-pitched lyre, always sings both first and last…And so hail to you, lord! I seek your favor with my song.”  (-Homeric Hymn, translated by H.G. Evelyn white)

APOLLO (uh-PAH-low), God of prophecy, oracles, music, art, protector of and disease of boys and men, and archery. Just as his twin sister Artemis is patron to women and girls, Apollo is both protector, and killer from disease of boys and men. In my Illustration the god holds his bow and arrows behind, while he strums the lyre gifted to him by trickster Hermes. Near the sun flies his ally and divine messenger, a white raven. The column on the right is capped with a cow, representing his sacred animal as a god of herds. The serpent Python sits dead at his feet, killed by Apollo’s arrow so that the god could take over the Delphi temple location. The temple complex sits beneath the god, while on the far right, thePythia (Apollo’s oracle priestess) sits upon a tripod, breathing the hallucinatory gasses seeping up from the earth to get her prophecies which she bestows upon visitors.

The laurel tree has associations with Apollo because the god, chasing a Naiad (water nymph) named Daphne call out to Gaia (mother earth) for help, who transformed the nymph into a laurel tree, which the god adopted as his sacred tree. In book 1 of the Iliad, Apollo supports the Trojans by raining down a plague on the Greeks, and later helping Paris to kill Achilles. Apollo’s cruelty is shown in Ovid’s mythical lyre contest with the inventor of the flute; a satyr named Marsyas. When Apollo suggested they play their instruments upside down, the satyr lost, and was flayed (skinned) alive as punishment for his hubris.

Support my book kickstarter "Lockett Illustrated: Greek Gods and Heroes" coming in early 2024.

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[bookshelf-in-progress]

The Beggar's Door: A Retelling of "King Thrushbeard"

Oh, yes, King Gregor had a temper, but in this case, it was more than justified. You see, the king had gone through all the expense of hosting an enormous ball so every eligible suitor on the continent could vie for the hand of Princess Dulcibella, and what do you think she did? Not smile and curtsey and thank them for the honor, that’s for sure. She rejected every man to his face! And not politely! The princess had a tongue like a whip, and she scourged those high and mighty men with every insult you can imagine before declaring she would have none of them as a husband. Some of them were on the verge of declaring war.

So none of us were surprised when King Gregor, in a towering rage, summoned Princess Dulcibella to the throne room the next morning.

Princess Dulcibella was a beautiful maid—fair and willowy—and she walked toward her father with as dainty a step and as innocent an air as any woman who ever lived, humming a traveling minstrel’s tune.

“Daughter,” the king declared. “I have brought you here to meet your husband.”

The princess stopped humming. “Tradition states that a crown princess may choose her own husband.”

“Tradition also states that if the princess refuses all her suitors, she is wed to the first man to come into the king’s presence.”

Princess Dulcibella’s lovely face paled. “You would not be so barbaric.”

“You have left me no other choice.” The king pointed to the grand doors through which the princess had entered—the only entrance that had been left unbarred. “Your husband—the man of my choosing—will enter through that door at the stroke of ten.”

Everyone knew who that would be—Baldric of Eldria, a brute and bore (and, some said, a usurper), but king of the wealthiest nation on the continent.

At his words, a door opened—but not the great door.

In a shadowed corner of the throne room, a forgotten, barely visible door swung open on rusted hinges.

The king whirled upon his chamberlain. “I said all the doors were to be barred!”

The chamberlain was deathly pale. “Tradition states that the beggar’s door can never be barred.”

An old tradition, the beggar’s door, one that said the poor must be able to approach their king for help in desperate need, or else the kingdom would fall. No one had used the door in generations—but the door had remained open.

Through that door came a ragged young man, tattered shoes on his feet and a lute on his back. With a smile, he bowed to the princess, as graceful as any courtier.

“My king and my lady,” he said. “If you can spare a coin for a starving minstrel, I would be glad to repay your kindness with a song.”

He had charm, that ragged clown, and probably a nice face somewhere under the layer of dirt.

Princess Dulcibella smiled upon him—men had crossed continents for that smile—and, in the sight of a stunned crowd in the throne room, the minstrel began to sing.

O, come away, my fine young maiden Though I’ve no place to call my own We’ll wander through the wooded valleys And make the wild world our home

You know the song, but you’ve never heard it as he sang it. He had a voice like love itself come to life—as if he’d come a-purpose for wooing. We all were spellbound. The princess was enchanted.

He sang a verse or ten, and when the song finally faded, the king was the first to remember the purpose of the day. For all the unexpected happenings, he hadn’t forgotten his rage. He’d lost his chance at an alliance, but his revenge upon an ungrateful daughter was still within reach.

“Minstrel,” he declared. “You’ve won more than a coin. According to tradition, you have my daughter as bride to wed.”

The priest emerged from behind the throne—intended for a far more royal wedding. In the sight of us all, the princess and the beggar were bound as man and wife.

“Now, be gone from my house!” the king declared. “You’re a beggar’s wife, now, and can have no place here.”

Dulcibella was stripped of her finery, but somehow she didn’t seem to mind.

The minstrel took her in his arms and carried her out the beggar’s door—gazing upon each other with as much devotion as if they were any ordinary pair of lovers.

With that, they disappeared. I’ve not seen either of them again.

But I’ve heard stories.

Dulcibella was clever, you see, and her maids tell stories of a minstrel who would sing near her window on moonlit nights.

Some say she told him of the beggar’s door.

Some even say that the minstrel was no minstrel at all, but young King Alaric, cast down from the throne of Eldria, living in exile until he can reclaim his throne.

I don’t know what to believe, but I like to believe she’s happy as a beggar’s wife, and I believe there’s no better woman to someday take a place as queen.

King Baldric had better take care.

[fictionadventurer]

Top ten fairytale retelling novels/novellas you've read.

I've already answered my top 10, so here's my shot at listing 11-20.

11. A Long, Long Sleep by Anna Sheehan: Would probably be higher on the list if I'd remembered it in time. Sci-fi story that's a very loose retelling of "Sleeping Beauty", but so rich and emotionally devastating.

12. Maid and Minstrel and The Beggar Prince by Kate Stradling: Putting both of her short "King Thrushbeard" retellings in one entry. The first is more of a "Beauty and the Beast" tale that makes both leads decent people caught up in a misunderstanding, but I appreciated how it (probably accidentally) made me see the Christ-imagery inherent in the original. The second gives King Thrushbeard some character flaws and a good arc, and has an excellent explanation for why the princess didn't want to marry any of her suitors.

13. Fairest by Gail Carson Levine: Snow White retelling set in the world of Ella Enchanted, and retains that book's creativity in adapting the fairy tale elements. Has an excellent full-cast audiobook.

14. The Stepsister and the Slipper by Nina Clare: Georgette-Heyer-esque Cinderella retelling. Very rushed ending, and not the kind of romance I'd advise anyone to pursue in real life, but very fun.

15. Soot and Slipper by Kate Stradling: Cinderella retelling with an excellent twist, adorable characters, and a convoluted ending.

16. Before Midnight by Cameron Dokey: Short and basic Cinderella retelling that gets on the list because I have extremely fond autumnal associations with this book.

17. Unseen Beauty by Amity Thompson: A "Beauty and the Beast" retelling from the point-of-view of one of the invisible servants. Since I'd had that idea for years before finding this, I was thrilled to find that this story does a pretty good job with it.

18. Exile by Loren G. Warnemuende: The first book in a trilogy that retells "Maid Maleen". I haven't finished the series yet, so maybe it's unfair to put it on here, but I loved the section of the story that takes place in the tower, so I couldn't leave it off the list.

19. The Seventh Raven by David Elliot: A retelling of "The Seven Ravens" that does a decent job of retelling the fairy tale, but I mostly love it as a very well-structured novel-in-verse that structures each POV character's poems with their own poetic form.

20. The Tales of Ambia by Allison Tebo: Fun, slightly Wodehouse-ish retellings that are a breath of fresh air in the romantasy-dominated world of indie retellings

Honorable Mentions:

The Lunar Chronicles by Marissa Meyer: Objectively as stories, these should be pretty high up on the list. It had great characters and adapted the fairy tale elements in some amazing ways. But I'm not a fan of a lot of the worldbuilding elements here, so I couldn't bring myself to rank it above some of my beloved, but more-flawed indie retellings.

With Blossoms Gold by Hayden Wand and Sweet Remembrance by Emily Ann Putzke: Both contained in Once: Six Historical Fairy Tale Retellings. The first is "Rapunzel" set in Renaissance Italy with an agoraphobic Rapunzel, and the second is a beautifully devastating retelling of "The Little Match Girl" set during WWII. I haven't read these in a long time, but I remember them both being very good.

Masque by W.R. Gingell: An excellent "Beauty and the Beast" retelling with a very lively Beauty, a Beast who works as a police detective instead of brooding in a castle, and some clever adaptations of the fairy tale elements. Unfortunately, I've decided a couple elements of the magic go beyond what I'm comfortable with, so I couldn't put it on the list, but I had to give it credit.

[theladyofbloodshed]

Chapter 1

Notes: This is set after the canon events of ACOSF when Nesta and Cassian go to the Prison. Instead of opening the wards to the cells, she ends up in Lunathion. Bryce doesn't exist in this universe and no magic language beans are required.

Nesta could not do more than twitch her fingertips as an invisible, oppressive weight bore into her, like it’d flatten her into dust upon the starry ground of the strange chamber in the Prison.

Let go, she silently bade the Harp, gritting her teeth, fingers brushing over the nearest string. Free me, you blasted thing.

A beautiful, haughty voice answered, full of music so lovely it broke her heart to hear it. I do not appreciate your tone.

With that the Harp pushed into her harder, and Nesta roared silently. Her nail scraped over the string again. Let me go!

Gone was Cassian’s voice. He was kept out by the wards, witnessing it all.

Shall I open a door for you, then?

Yes! Damn you, yes!

It has been a long while, sister, since I played. I shall need time to remember the right combinations…

Don’t play games. Nesta chilled at the word it had used. Sister. Like she and this thing were one and the same.

The small strings are for games—light movement and leaping—but the longer, the final ones … Such deep wonders and horrors we could strum into being. Such great and monstrous magic I wrought with my last minstrel. Shall I show you?

No. Just let me out.

As you wish. Pluck the first string, then.

Nesta didn’t hesitate as her fingertip curled over the first string, grasping and then releasing it. A musical laugh filled her mind, but the weight lifted. Vanished.

And then everything swirled around her like she was being sucked down a plughole into a vast emptiness. The stars on the floor span, turning white with their speed.

Nesta clung to the Harp as wind whipped her face. She was falling – but into what, she didn’t know. It reminded her of the Cauldon, that endless dark, the never-ending cold. Nesta drifted through space and time until she plummeted downwards.

Her body hit stone, taking the wind out of her.

Nesta blinked, trying to right herself. The lights around her were blurred but there was noise – chatter and distant music.

A bright light came towards her. A long, blaring sound pierced her ears. There was a screech and the light stopped feet from her body curled on the stone.

‘What the fuck,’ came a female voice.

Something slammed and footsteps sounded. ‘Are you alright? I nearly hit you. You landed in the middle of the road.’

‘Move back. Official 33rd business,’ a male voice said.  

Nesta was shaking. The bright lights were still in her eyes. Her hip and leg throbbed from the landing.

‘She’s armed, Hunt,’ somebody said.

The male who’d spoken gave a wearied sigh. ‘Ten minutes left of our shift and a fae has to leap in front of a car.’ He stepped closer to her. ‘Hands up. Don’t reach for the sword.’

Something silver and metallic was pointed at her by his hands. The male was fae. Or, looked it. He had wings similar to the Peregryn that she’d met in the Dawn Court with beautiful, grey feathers. Across his brow was a tattoo. Sable hair hung to his shoulders. The other male was slightly shorter with white feathers and fair hair.

Neither was dressed like anybody she’d seen before. Their clothes reminded her slightly of Illyrian leathers but the materials were different.

Nesta looked around, now that her eyes had adjusted to the light. Nobody was dressed in familiar clothing. People had small rectangles in their hands bearing lights and sounds. The fair haired male tutted and started moving them off, saying she was not a spectacle.

‘I’m going to need you to slide that sword over to me in its sheath. Do you understand?’

Where was she? This wasn’t Prythian.

Where are we?

The Harp refused to respond to her, going mute in this strange, new world.

‘Hey,’ the male with grey wings said, not unkindly. ‘Slide it over now.’

Slowly, Nesta reached for Ataraxia and pushed it across the smooth stone towards him. He kept his metal object pointed at her as he bent down and slung her sword over a shoulder.

‘Now your instrument.’

The other male had returned and collected that. He turned it from side to side, examining it. The first handed the sword to him. ‘Fly those to Vik. Get her to run her tests on them. I’ll bring her in.’

***

Ten minutes. That was all they had left after seven days straight. Hunt was looking forward to a glorious day off but Logan had said they should walk back to the 33rd rather than fly. If they flew, they still likely would have seen a female fall from the sky, but they could have pretended it didn’t happen and finished their shift on time. Now, it meant hours of questioning plus paperwork for what he guessed was an undocumented fae who’d rocked up in Lunathion.

The female in question seemed compliant thus far. Hunt hadn’t cuffed her. She was a skinny thing that couldn’t overpower him. From the spike of her ears, she was fae, not human. After basic questioning, they’d likely call in the captain of the aux from the fae side – and Hunt planned to be in his bed by then. Technically, this female had done nothing wrong except fall from the sky with a sword and nearly be hit by a car. It was strange enough though that Micah would demand their heads if they hadn’t brought her in. He was off in the north, summoned by the Asteri. Peace for once.

‘Where are you taking me?’

He kept his hand clasped around her upper arm as they walked. ‘To the 33rd.’

She frowned. ‘The 33rd what?’

Hunt glanced at her. ‘Legion.’

How had she never heard of the 33rd? Who the hell was this?

‘Are you fae?’

She must have hit her head hard. Hunt ushered her along, surveying her for obvious injuries as they went. ‘No. Malakim. Definitely not fae.’

Her silver eyes stared at him then at the ground, processing something. A med-witch would need to see her to remove her concussion.

Hunt led her to one of their interrogation rooms. The white walls looked yellow beneath the lights and she shielded her eyes from it. It was protocol to at least chain her to the table to prevent her from running, but from the bewildered expression on her face, Hunt couldn’t do it.

‘Do you want a coffee?’

‘Coffee?’

‘I’ll get you a coffee,’ he said, offering a tight smile as he backed out of the room.

He met Isaiah in the corridor.

‘Viktoria’s already working on the items. Both are definitely imbued with magic,’ he said by way of greeting. ‘Logan’s filled me in. Fell from the sky?’

‘Yup. Literally.’ Hunt pressed the coffee cup into his hand. ‘I don’t think she knows what coffee is so good luck.’

Isaiah gave a short laugh. ‘Do you think she’s one of the Avallen Fae?’

‘I have no fucking clue where she is from. Another planet by the looks of things.’  

Naomi was waiting behind the interrogation room, computer at the ready. Hunt waited behind the screen of glass too as Isaiah introduced himself and put the cup of coffee in front of her. From the thin frame, Hunt should have grabbed her a snack too. She wore leathers like she was about to do battle. The sword would explain that too – but not the instrument. It seemed to be a common theme that swords were toted by pricks in Lunathion, however this female seemed not too bad so far.

‘What’s your name?’

‘Nesta.’

‘A last name?’

‘Archeron.’

Naomi’s fingers flew over the keyboard. ‘Not a single Archeron in history. Or a Nesta.’

‘I don’t think she’s lying,’ Hunt murmured. It would be a strange name to make up. Better if she gave a common one.

Isaiah spoke gently. ‘What house are you aligned with, Nesta?’

Nesta blinked a few times then, ‘Uh. The House of Wind.’

There was another click of keys beside him then Naomi drew a blank again.

‘What can your magic do?’

‘I don’t have magic.’

‘Why do you have a magical Harp?’

‘I’m a bard.’

The delivery was so flat from Nesta that Hunt couldn’t help but snort with laughter.

Isaiah’s wings flexed at the table. ‘Will you play for me?’

Nesta inspected her nails. ‘I don’t play for free.’

‘What’s the sword for?’

‘When people don’t pay me,’ she quipped.

This female had woken up and found her dry sense of humour then. Hunt examined her through the glass. She didn’t look like the fae of Lunathion. The majority had the same colouring as the king – red hair, tanned skin. Others were brown-haired. The prince was a rarity with black hair, but not unheard of. It tended to be the Avallen fae who were blonde. She certainly fitted the description for now with a limited knowledge of technology; she’d stared at everybody’s cell-phones with utmost confusion. But even Avallen fae knew how to use technology when they left their misty isles.

‘Which king did you pledge allegiance to?’

At that, Nesta gave a harsh laugh. ‘None of them and I never will.’

‘Who is the king of Avallen?’

‘Fionn,’ she said, brandishing her hands in the air with disinterest.

‘Danaan is here,’ a voice said over the intercom. ‘Sending him down.’

Ruhn Danaan was captain of the fae auxiliary unit and exemplified what it meant to be a fae prick. One day, he’d also be their king. And Hunt could not stand him.

He swaggered in, tongue flicking against his lip-ring. ‘This better be good, Athalar.’

Hunt gestured to Nesta Archeron currently stonewalling Isaiah as he attempted to interrogate her on her origins.

‘Don’t know her,’ he said with a shrug. ‘Wish I did.’

‘Is she one of the Avallen fae?’

‘No idea,’ replied Ruhn in a blasé tone. Hunt could stink alcohol on him. Likely the prince had been with his little pals doing what they did best and partying until dawn.

Sensing his frustrations, Naomi stepped in. ‘She fell from the sky. There’s no record of her family name in the history of Midgard. Nesta isn’t aligned to any house, seemingly has no knowledge of Lunathion. She cannot name either fae king – but did mention Fionn. She came with a sword imbued with magic – and a Harp.’

Ruhn finally took notice. He leaned closer to the glass, nose almost touching it. ‘Her eyes are silver.’

‘A fascinating conclusion, Danaan.’

‘Let me talk to her.’  

It was Isaiah’s call so he allowed the prince into the interrogation room, claiming that not only was he fae royalty which gave Ruhn a pass to do what he liked in the city, but also a member of the aux. When he entered, Nesta knew him. Her eyes went wide then she stared down at her lap, murmuring something to herself.

‘Hi,’ said Ruhn who turned the chair around and leant his chest against the back. ‘Your coffee’s going cold.’

Nesta raised the cup to her mouth to take a sip then promptly spat it back out. ‘That’s vile.’

‘Need sugar?’

She folded her arms across her body. Anybody else would have called for their lawyer now or asked what they were being charged with. The thought hadn’t crossed her mind. Nesta seemed more interested in the security camera and even the lights above her head.

‘Are you high fae?’ she asked Ruhn.

‘I’m fae,’ he said. ‘Vanir. What other Vanir do you know?’

Nesta swallowed. Eventually, she suggested, ‘Illyrians?’

Ruhn gave an encouraging nod and lied that he knew them. Beside Hunt, Naomi was doing her best to search for the term.

‘Who else?’

‘Peregryns.’

‘Yeah. Peregryns.’ Ruhn gave another nod. ‘Those big birds that brought you to the 33rd. What are they?’

‘Malakim.’

Which she only knew because Hunt had told her.

‘What’s Sabine?’

‘I don’t know her,’ she replied.

Well, shit. She definitely was not from Lunathion because everybody knew Sabine, unfortunately. Naomi’s laptop made a pinging sound. ‘Toxicology report. Nothing in her system. Not even a drop of alcohol. Definitely no drugs.’

On arrival, the on-duty med-witch had given her a once over but had not found any major injuries beyond a few bruises from her heavy landing.

Isaiah drummed his fingers on his watch face. ‘We can’t hold her for anything. By rights, we’ve held her longer than necessary with nothing to charge her for.’

‘She’s clearly not from here.’

‘I know,’ he said. ‘But I’m reluctant to call Micah back until we have full specs on the items that she brought with her.’

‘We can keep those for a week,’ said Naomi.

Ruhn emerged from the room, shaking his head. He ran a hand through his long, black hair. ‘She’s fae. Definitely. No idea where she’s from though.’ Ruhn pulled out his cell.

‘Calling daddy?’

He threw Hunt a grin. ‘Not a chance. I’ll keep her at mine.’

‘No,’ said Hunt with a snort. ‘Do you think we’ll hand over a disorientated female to you and your little pals?’

‘Careful with what you’re insinuating, angel.’

Isaiah cleared his throat. ‘Until we know more, Nesta Archeron is a free citizen of Lunathion, not under anyone’s jurisdiction.’

‘She’s fae,’ Ruhn insisted. ‘She answers to my father.’

‘You didn’t hear her, Danaan,’ Hunt said, fighting the grin from his face. ‘She’s pledged allegiance to no king and never will.’

‘Hunt, discharge her. Ruhn, I wonder if you could take a look at the sword,’ asked Isaiah, guiding the prince out of the room.

Hunt cared little for the fae but he wasn’t going to send a lone female who had no clue where she was to the Ruhn Danaan home for parties and orgies. He took up Ruhn’s vacated seat, also sitting backwards on it at the table. Nesta watched him closely.

‘How do you know Ruhn?’

‘I don’t,’ she replied, voice clipped.

‘You looked like you did.’

Nesta furrowed her brow. ‘I thought he was somebody else.’

Hunt nodded his head towards the cup. ‘You didn’t like my coffee?’

‘It was foul.’

‘Oof. No offence taken.’ He began writing out her discharge forms, explaining them to her as he wrote. It would go under a section two; the 33rd reserved the right to question any citizen at any time without reason or without consequence. Anybody from Lunathion would have kicked up a fuss over how long they’d been held for. This one had no cell, no purse, no identification, literally nothing on her person so she likely didn’t know her rights. ‘You can collect your items in a week.’

That was if they found nothing they could charge her for.

‘A week? I need the Harp.’

‘Playing in a tavern?’

Hunt glanced up at her then jerked back. Her eyes were swirling. They looked as if silver flames were trapped within, writhing to get to the surface.  

‘You’re free to go, Nesta. I’ll see you out.’

The walk out of the Comitium was just as interesting. The most inane technology snagged her attention. At the coffee machine, she came to a halt to stare at it in wonder then in the waiting room, her eyes catalogued the television screens, jaw hanging open.

‘Don’t worry. You won’t miss Fangs and Bangs.’

Nesta opened her mouth to say something then the phone rang in the office. That also hooked her attention. She was child-like in her wonder as a malakh answered the phone.

‘That device allows you to communicate?’

Hunt touched two fingers to her forehead. The temperature seemed fine. ‘Try and see a med-witch. Have them check you over for concussion.’

He held the door open for her as she stumbled off into the blackness, just as perplexed as she’d been when they’d found her in the road.

Nesta wasn’t Hunt’s duty. His shift should have ended two hours ago. He was a slave, but a slave who could be off-duty – especially when Micah was out of town. Yet, he couldn’t stop the sense of dread from clawing in his chest as he watched Nesta amble aimlessly into the night.

This female would cause him a headache.

 ***

Seven days.

Nesta needed to survive seven days with only the clothes on her back in this strange city. There were worse places that she could have arrived to. The dungeon had not truly been a dungeon. It lacked the prowling beasts of the Hewn City. The only issue had been how bright the lights were. They hadn’t been the faelights that Rhysand conjured.

There were more lights hanging from towering metal poles on the smooth roads. There were still many out in the darkness but not all of them were fae. Some were like animals with cloven hooves instead of feet or caprine horns that jutted out from their hair.

Nesta didn’t know what to make of it.

She’d left Cassian calling her name in the Prison. Now she was in Lunathion. Wherever that was.

The city was so noisy.

Nesta needed space to think and to breathe so she fought her way out of the densest areas of the city towards a massive river. The sounds of it calmed her. She crossed over it, into the darker area where it felt more peaceful. Nesta sucked in breaths, thinking of Gwyn and her teachings to focus on the inhales and exhales and nothing else. That was easier said than done in a foreign land with no allies, no weapons, and no way back to Velaris.

Something was moving across the bridge towards her.

It made her skin prickle.

It wasn’t walking. It was gliding.

Her hand reached over her shoulder for the pommel of her sword and remembered it had been taken.

The creature made a low, gurling sound from the back of its throat then reached out a grey hand stripped of flesh in places.

Nesta backed up a step, but more were behind her, moving in that same eerie way without a sound.

The air went static.

A bolt of lightning hit the ground which forced one of the creatures to retreat.

The male who’d chaperoned her to the Comitium landed between her and the bulk of the creatures. Lightning wreathed his hands. His hair rose from the static.

‘You will not feast this night.’

Hunt jerked his chin at her, summoning Nesta to him. An arm clamped around her shoulders then he pushed off from the floor. As they lifted off, his other arm swooped beneath the back of her knees.

The motion was surprisingly fluid. Nesta did what she always did if Cassian flew her and put her arms around his neck for support.

‘What were they?’

‘Reapers,’ he replied. ‘I’m guessing you don’t have them where you come from.’

‘We have creatures just as foul.’

‘Yeah. Well, maybe don’t go for a midnight meeting with the Under-king if you want to see the dawn, Nesta.’ Hunt flew them a short distance then landed back amongst the lights on poles. He kept one hand clasped around her wrist like she might run while pulling one of the metal rectangles from his pocket. It displayed numbers that he tapped. His thumb moved down the screen, the words it showed flew by too quick for Nesta to read. ‘It’s Athalar. As you said, she’s one of your kind. She needs to be put up in a hotel.’ A pause. ‘Near the Dead Gate. I’ve flown her near Jesiba Roga’s house of horrors, but she’ll end up wandering through the meat market if I leave her.’ Hunt gave a mirthless laugh. ‘Either a hotel or the barracks with me, but not a chance I’m leaving her in your custody.’

Hunt slid the device into his back pocket. ‘The prince of pricks is booking you a hotel for the night. You hungry?’

The malakh lifted her into the air again to cross the city. They returned to the huge building where he had first taken her but did not stay long. Nesta was told to wait in the corridor outside a room while Hunt retrieved a bag of items. They stopped off at a restaurant along the way while he waited for news from the prince of pricks, whoever that was.

‘Noodles,’ he said, gesturing to the flimsy packaging.

Nesta stared down at them. They reminded her of yellow strings but there were chunks of meat and vegetables amongst them and a sweet-smelling sauce that made her ravenous. Hunt paid for it all, including the drink that was filled with bubbles.

‘Not a fan of coffee, but you like soda,’ he said between mouthfuls.

‘It is so sweet.’

‘Yeah because it’s all sugar.’

Nesta slurped it down, not caring if the ice hurt her teeth.

Hunt pulled the device – a cell phone – from his pocket. ‘Danaan came through. Let’s go.’

The lodgings were nice. One of those moving portrait boxes was hung on the wall and Hunt pressed a button on another rectangle to make it work. He pressed a few more buttons, the portraits changing rapidly.

‘Here we go. Fangs and Bangs, as promised.’

There was a half-naked female on the screen lounging on a long chair near a body of water. A male, equally as bare and bronze, was discussing their relationship beside her.

‘What do all of those buttons do?’

Hunt shrugged one shoulder. ‘Nobody knows. That’s volume. Channel up and down. On and off.’

‘It controls it?’

‘Yes. A remote. Where the hell did you come from Nesta?’

Nesta said nothing. She couldn’t bear to think of the people she had left behind. There was no guarantee that the Harp would be returned to her or it would even let her pluck a string to return to Velaris.

‘Bathroom’s through there. This is a key card. You press it to that black panel on the door handle to get in but try not to leave tonight, alright. I don’t want to retrieve your body from the Istros in the morning.’ Hunt blew out a breath. ‘Get some sleep. I’ll be by in the morning.’

Despite the day she had endured, the sight of the bed with tightly-pulled white sheets was calling to her. As soon as she hit that pillow, Nesta would be out.

Hunt rummaged in the bag that he’d collected from the Comitium. There were soft, grey pants and a white top. ‘For you to sleep in. There are slits on the back for my wings, but it will be comfier than those,’ he said, pointing to her leathers. ‘I don’t know how you breathe in that.’

‘Thank you, Hunt,’ replied Nesta, clutching the clothes to her body.

‘Tomorrow, we will talk. Off the record. About you.’ He swept his hair from his face. ‘I want to help but I can’t if you’re not honest with me. Sleep well.’   

[minstrel-in-the-gallery]

Why YOU should get into jethro Tull!!

You’ll never run out of things to listen to, with over 200 songs and 23 studio albums!

Each album has a slightly different genre to the last, you can go from blues to prog to folk to hard rock!

Every single member is so darn cute 😭 that’s like an added extra bonus

They’re pretty too 🥰

They have about 1,034,264 line up changes, so you never run out of new musicians to obsess over!

You gain a new friend (me!) and a close knit community on tumblr of regular Tull posters (again, me!)

No one else knows them, yet somehow they were one of the top ranking bands in the 70s. Flex on your family and friends with your cool knowledge! For example, did you know Jethro Tull is in fact not a the lead band member, but rather the name of the band? Cool stuff right 😎

1979 😐

They have amazing musicianship! They’re insanely talented, and absolutely blow your socks off in live performances. Give “Bursting out”, their live album from 1978 a listen, or chuck on a concert from YouTube!

Where should I start?

Well, that depends on you! Because each album is so different, it can be hard to choose. Here are a few helping notes to consider

The 70s were their peak era, any album from this time is gold! Songs from the wood, Heavy Horses and Stormwatch are known as the folk trio. Thick as a Brick and A Passion Play are proggy concept albums. Aqualung is super rocking, Minstrel is acoustic and This Was is blues. Venturing into the 80s and beyond may not be wise for the first time, unless you really like your synth.

Whose who? What’s all this I hear about lineups?

Jethro Tull went through a lot of personnel. Some names you might keep hearing are

Ian Anderson. He’s the main guy, and he’s on every album. Does the flute, singing and weird faces

Martin Barre. Guitarist for almost every album except the first! (And the last 2 but we don’t talk about that.) literal cutest person in the world. His middle name is Lancelot, for crying out loud

Barriemore Barlow. Drummer from ‘72-‘79, insanely talented, loves his short shorts and singlets (in red). Was favoured as a replacement for Bonham in Zeppelin.

John Evan. Piano player, half insane half beautiful mermaid person thing??? His fursona is a rabbit and has a habit of chucking stoves out the windows.

Basically, you can’t go wrong! Enjoy this train wreck of a band <3 (and if I don’t see any Tull dedicated blogs popping up in the next 24 hours I’m hitting someone over the head with my flute)

[adventuresofalgy]

The warm September air was full of tantalising aromas, which combined to create an intoxicating perfume that nothing bottled by a human could ever hope to reproduce.

Algy flew over to a small rock where some late heather was still blooming, and took a big, deep breath. He could smell the heather, and the bog myrtle too, but strongest of all in the autumn sunshine was the fragrance of the wild thyme.

Algy just couldn't help himself. He opened his beak as wide as he could and started to sing one of the most famous and popular of the Scottish/Irish folk songs, which is so well known that at any concert in the Celtic countries where it is performed, the entire audience invariably join in. All together now…

Will ye go lassie, go? And we'll all go together To pluck wild mountain thyme All around the blooming heather Will ye go lassie, go?

[This is the chorus of the traditional Scottish and Irish folk song known as Wild mountain thyme or Will ye go, lassie, go? which was made famous world wide by recordings from the mid 20th century onward, but whose origins go back in both Scotland and Ireland to previous centuries.]

There are many recorded versions of this song by people both famous and unknown, but Algy hopes you will enjoy this one, which builds up to quite a climax from a quiet opening. This is an Irish version, but the singing, the instruments, and the scenery in the video would not be very much different here in Scotland:

Footnote for those interested, from Wikipedia:

"Wild Mountain Thyme" (also known as "Purple Heather" and "Will Ye Go, Lassie, Go?") is a Scottish/Irish folk song. The lyrics and melody are a variant of the song "The Braes of Balquhither" by Scottish poet Robert Tannahill (1774–1810) and Scottish composer Robert Archibald Smith (1780–1829), but were adapted by Belfast musician Francis McPeake (1885–1971) into "Wild Mountain Thyme" and first recorded by his family in the 1950s. While Francis McPeake holds the copyright to the song, it is generally believed that rather than writing the song, he arranged an existing travelling folk version and popularised the song as his father's. Tannahill's original song, first published in Robert Archibald Smith's Scottish Minstrel (1821–24), is about the hills (braes) around Balquhidder near Lochearnhead. Tannahill collected and adapted traditional songs, and "The Braes of Balquhither" may have been based on the traditional song "The Braes o' Bowhether".

[knight-of-the-graces]

Hey, um… with the whole “Bluejay!Jason” concept… has anybody ever considered it as an Inkheart reference instead of just a play off his name?

Follow me here, and sorry in advance, this turned into a ramble.

In the second book of the Inkheart trilogy, Inkspell, one of the main protagonists adopts a Robin Hood-esque approach to defeating the tyrant king, and adopts the name of ‘The Bluejay’ from famous folk legends and songs written by a beloved poet and often sung by travelling minstrels. He’s -Inkspell spoilers ahead, though this book is unironically older than I am- known for toppling said tyrant’s throne through the binding of a magic book (a recurring theme throughout the series, if you’ve never read it, which you should). He’s a champion among the Motley Folk, who were that world’s equivalent to a travelling circus and also regularly aid him in his quest to topple the Adderhead (the tyrant king mentioned above), and sought to help the poor and downtrodden. The Bluejay is aided and abetted by his family and friends, which include a shapeshifting wife, a daughter with the ability to make anything she reads come true, a fire-dancer who can speak to the flames, and a knife-throwing 'circus' prince with a black bear companion. (They're not called the Motley Folk for no reason, people!)

Now, consider for a moment: Little Jason Todd, in the local library, absolutely devouring the Inkheart series. It's everything a little kid could dream of in a fantasy book! And there's three of these fat books, what more could you possibly want? And he has an excuse to sit in a warm, safe building for a few hours.

Now imagine, Inkspell becomes his comfort book. Of course it does- every kid had one, and I can't imagine an orphan who grew up alone on the streets of Gotham picking anything other than a story about a strange man helping the opressed and downtrodden in a land he grows to call his own with the help of his family- and The Bluejay is an excellent father to his daughter, too, of course Jason pictured himself as part of that family, as whisked away into that world.

And of course, the rest of the series is wonderful too -Inkheart is where it all began, after all, and Inkdeath is the final triumph over evil!-, but Inkspell is a story about becoming. About learning to be more than you were born as- after all, if Mo the simple bookbinder could become the hero The Bluejay, what could Jason the street orphan become?

Maybe, instead of discovering this book in a library, he found it in the trash. And maybe he wondered, as he read it, why anyone would ever want to throw away the tale of Mo the Blujay, of Meggie the Silvertongue, of Resa the brave swift, of Dustfinger the loyal Fire-Dancer? (And maybe the last one took a while to get there, but he did get there! Eventually! And maybe Jason can understand why it took Dustfinger so long to truly come to trust someone again, because trust is a terribly dangerous thing to give to someone, because you can never really know what they'll do with it.) Maybe he read it through without knowing anything about Capricorn or The Shadow or why they feared the man named Basta, because they hadn't thrown away the first book, only the second. Maybe he wept for the death of Dustfinger, at the very end, because he didn't know that Death wouldn't keep him, because they hadn't thrown away the third book.

Maybe Inkspell found its place among his most treasured possessions. Maybe, when he met Batman and Bruce Wayne in one night and his life changed forever, Inkspell came with him, with its familiar story and characters and world and sorrows.

Maybe one of the first things Bruce did, upon seeing Jason reading that same battered old paperback, was to order Inkheart and Inkdeath and leave them in his room. Maybe that was when Jason started to realize that he wasn't going to leave forever.

(Maybe Jason and Dick would play Motley Folk together, because Dick was in the circus and could most certainly throw knives, even if it gave Bruce a heart attack every time he saw it.)

And maybe, after he could no longer have Robin, he remembered that old paperback book, that old story and that old world, and he thought of a new name for himself.

Bluejay, he thought, as he picked up the book that had been his constant companion for so many years. I'll be The Bluejay.

(I don't really know what this is. I saw some Bluejay!Jason art the other day and just started thinking of the Inkheart trilogy and the fact that Jason would absolutely have read it and probably loved it. And then it spiralled.)

[hanzajesthanza]

oh man, i'm clearing off my desktop and i found this .txt from when i had reached a breaking point of annoyance about the fandom (mostly netflix, sorry about that show) constantly referring to jaskier as "bard" ...

this bothered me because, as i recalled, he is most often referenced as "poet" or "troubadour," whenever mentioned by his profession. especially for what he calls himself, what others who esteem him well (e.g., geralt) call him, or what the narration calls him.

(then there's also the titles of lesser frequency, like "musician," "minstrel," "singer," "poetaster," "rhymester," but these are less frequent, e.g., geralt bof 5 "a poetaster with a lute," regis ttos 3 "our minstrel," rience boe 1 "nasty rhymester" ... rience sucks, but he was right about that one, you gotta admit).

asides from the fact that dandelion seems to self-identify with "poet and musician," (eternal flame i) i just find "bard" so generic, like it's just a catch-all term for someone in a fantasy setting that sings, like the d&d class. it doesn't actually reflect the full roles of his profession: that he writes, he is connected with the concept of poetry and writing, and as such, aspects of his character can be considered a satire of writers. and that his poetic personality runs contrary to geralt's banal realism.

so, in my annoyance i used went and counted all the times in the last wish that he is referenced by his profession (i apparently only cared enough about this to do the first book). i noted what word was used and who said it.

anyways guess what. my hypothesis was right 😎 coming in at over half his mentions by profession, he is called "poet." so hah! he is a poet, i remembered correctly.

(fwiw, this is using the english translation, and just calling to attention that it might have been different in polish. after all - i recall from the lost in translation series something interesting about "poetaster" in a little sacrifice, drouhard almost calls him this, like "one who strings rhymes together" (edit: got it: "He was originally going for “wierszokleta,” or roughly “one who carelessly puts rhymes together.”))

Poet Voice of Reason 2, Narration Voice of Reason 5, Nenneke Voice of Reason 5, Geralt Voice of Reason, Narration Voice of Reason, Narration Voice of Reason, Narration Voice of Reason, Narration Voice of Reason, Narration Edge of the World i, Narration Edge of the World i, Narration Edge of the World i, Geralt Edge of the World i, Dandelion Edge of the World i, Narration Edge of the World ii, Narration Edge of the World ii, Narration Edge of the World iii, Narration Edge of the World iii, Narration Edge of the World iii, Narration Edge of the World iv, Narration Edge of the World iv, Narration Edge of the World vi, Narration Edge of the World vi, Narration Edge of the World vi, Narration Edge of the World vi, Narration Edge of the World vii, Narration The Last Wish i, Narration The Last Wish i, Narration The Last Wish i, Narration The Last Wish i, Narration The Last Wish i, Narration The Last Wish i, Narration The Last Wish i, Narration The Last Wish ii, Narration The Last Wish ii, Errdil The Last Wish iii, Geralt The Last Wish v, Narration The Last Wish v, Narration The Last Wish vii, Narration The Last Wish vii, Narration Voice of Reason 7, Narration Voice of Reason 7, Narration Troubadour Voice of Reason 2, Narration Voice of Reason 5, Narration Edge of the World i, Narration Edge of the World iii, Narration Edge of the World vi, Narration Edge of the World vi, Narration Edge of the World vii, Narration Edge of the World vii, Narration The Last Wish i, Narration The Last Wish i, Narration The Last Wish ii, Errdil The Last Wish ii, Chireadan The Last Wish v, Narration The Last Wish vii, Yennefer Voice of Reason 7, Narration Bard Voice of Reason 5, Narration Edge of the World i, Narration Edge of the World ii, Narration Edge of the World iii, Narration Edge of the World iii, Narration Edge of the World iv, Narration Edge of the World vii, Narration The Last Wish i, Narration The Last Wish i, Narration The Last Wish vii, Narration The Last Wish vii, Narration The Last Wish vii, Narration Musician Edge of the World vi, Toruviel Edge of the World vi, Toruviel The Last Wish iii, Geralt Lutenist Edge of the World vi, Toruviel

just to say that jaskier IN THE BOOKS is a poet. n*tflix jaskier is a bard. this is a trifle in the broader sense of things, yet another element which distinguishes the characters and everything else between canons

[prythianpages]

Give 'Em Hell | Part One

beron's daughter OC x eventually Azriel

Masterlist

Summary: Beron is celebrating his son's first name day when he learns about a threat to his desired line of succession. His true firstborn.

Warnings: mentions of child loss

A/N: This is the villain origin story of Beron's daughter. I plan for this to be a short series but I also don't really have this planned out well like my other series lol, I'm kind of just going with vibes for this one. After listening to The Buttress's 'Brutus' this came to mind so it will be inspired by Julius Caesar's story and revolve mainly around Saoirse and Eris, who are siblings. Azriel will join later on in the series as the first 2-3 parts will focus on reader and the Vanserras.

In the heart of the Autumn Court’s grand palace, the air hummed with vibrant festivities. It was a day of great joy, a celebration for the name day of the High Lord’s firstborn son and heir. The halls were adorned with tapestries of blazing amber and crimson leaves, their intricate designs catching the radiance of the fiery torches that lined the corridor.

Flickering candles and enchanting crystal orbs dangled from the vaulted ceilings, casting a warm, golden glow upon the gathering below. The joyful chatter of courtiers and nobles mingled with the melodic tunes of minstrels performing lively songs. Excitement surged through the crowd as they anticipated the official naming of the new prince, the air crackling with a promise of a prosperous future for the court and its people.

The grand doors opened and the High Lord of Autumn, Beron Vanserra, was the first to emerge. His wife and Lady of the Autumn Court, Aurelia, followed behind him. In her arm, was the autumn court’s new bundle of joy. A beautiful and healthy baby boy with hair as red as hers and amber eyes as bright and earthly as hers.

As they walked forward, the crowd dispersed, bowing their heads in respect. They curiously sneaked a peak at the boy, filled with anxious excitement to catch a glimpse. Lady Aurelia tightened her hold on her babe protectively. It had been a year since the announcement of his arrival and she had feared losing this babe as she had with her first. Her firstborn had befallen to a strange illness and she sadly did not survive past her first week into the world.

But this time, things were different. The child was born a male and healthy. He was fiercely monitored and protected. The securing of an heir to a High Lord of Prythian was one of great matters.

High Lord Beron sat himself on the throne, his dark brown eyes cold and fierce as Lady Aurelia stood beside him, her amber eyes were timid and wary. They were husband and wife but not equals. Never equals.

“I give thanks to all.” Beron’s voice was deep and powerful, echoing throughout the grand hall. “For gathering to celebrate my first born son. My heir. Eris.”

“Eris,” a murmur swept through the crowd like a breeze, the name mingling with the crackling excitement of the gathered court.

With a graceful motion of his hand, the lively melody swelled, encouraging some to sway and twirl to the music. High Lord Beron gestured for his son and Lady Aurelia hesitantly passed the small child into his arms.  He placed Eris on his lap, embracing the young heir, and together they observed the vibrant dance of the Autumn court from his throne.

A cloaked figure approached the throne, bowing his head as he reached the foot of the steps.

“Soothsayer.” High Lord Beron acknowledged with a solemn nod, allowing the figure to rise back up. He never bothered to learn his name, despite the Soothsayer being a part of his court for decades. “To what do I owe this pleasure?”

“I’ve come to enlighten you, my lord.” The Soothsayer replied, his voice possessing an air of icy calm. Lady Aurelia, who remained by her husband’s side, tensed.

High Lord Beron’s brow furrowed, a scowl etched onto his face. He did not believe in prophecies. They were nothing but nonsense to him. But something in him prodded him to entertain the man’s presence. The Soothsayer had, afterall, predicted the accurate arrival of his son.

The Soothsayer’s gaze fixed upon the child on his High Lord’s lap and a smile graced his face. “Eris shall grow to wield unparalleled strength.”

Beron gave a disgruntled hum, finding little amusement in the Soothsayer’s words. The notion that his son would grow strong seemed more a matter of course than a profound prophecy. Eris, as the heir to the Autumn Court, was destined for greatness. 

The Soothsayer’s demeanor shifted dramatically. His eyes rolled back, their irises disappearing into a haunting white void as he surrendered to the profundity of the prophecy. 

“The Vanserra line will be fruitful and flourishing as Autumn’s greatest harvest, for they are born with the greatest fire in their veins. But it will not last. Not all will thrive as some will die. Two will soon become three until there are finally eight but one will not be true to you and only one shall come to be. It is the one that possesses the phoenix's heart that the Mother will favor. She shall reign, the true firstborn.”

Beron’s eyes widened for a faltering moment before he rose sharply to his feet, handing the child that had begun to grow restless back to his wife. His gaze blazed with fury, taking the Soothsayer’s words as a threat. Tendrils of flame escaped from his finger tips, rushing to wrap around the Soothsayer’s neck to silence him.

But the Soothsayer did not falter, despite the burning ring around his neck.

“She will emerge from the ashes that aim to entomb her, ever lingering near. A course that cannot be averted. Beware… the ides of March.”

Beron’s eyes continued to rage, the fire in them burning ardently, as the fire around the Soothsayer’s neck tightened. It tightened and tightened, suffocating the male and burned through his flesh. He didn’t stop until the Soothsayer’s head dropped to the floor in a sickening thump, his body following along shortly.

Lady Aurelia let out a cry in shock, her hand flying to her son’s head, shielding him from the grotesque scene. The couples that had been dancing and swaying to the music came to an abrupt halt, eyes widening at the dead body before the throne to the Autumn Court but the music continued to play.

High Lord Beron finally peeled his heated gaze from the dead male, eyes darting around the room. “Did I say to stop?”

Not wanting to meet the Soothsayer’s fate, the crowd began to dance again, compelled by fear. Beron then turned to his guards as the Soothsayer’s words repeated themselves in his head and sunk in, bringing forth a familiar ache in his chest. One he had thought he had destroyed years ago.

His mind was consumed by memories from his past as he gave hushed and urgent orders to his most trusted men. 

For the rest of the night, the High Lord of the Autumn court maintained a scowl and an air of fierce composure. The flames that danced restlessly from his fingertips betrayed the inner turmoil he harbored. He did not rest, until days later, when his men finally returned.

High Lord Beron was sharing a quiet breakfast with his wife and son when he turned to address his men.  “Is it done?”

“Yes, my High Lord.” One of his men replied with a bow. The men behind followed.  “Not a single survivor left.”

Beron’s lips curled into a wicked smirk that sent chills up Lady Aurerlia’s spine while little Eris shifted in her lap.

“Good.”

**

Grief is the price one pays for love. It’s more than missing someone. It’s an overwhelming sensation, one that often takes a piece of you with it, leaving one with a gaping hole in their chest.

 It starts with denial, you pretend that the loss is not real until the pain that it carries becomes too much and anger floods in. The “what ifs” and “if only” nearly drown you as you bargain, wanting to postpone the sadness, the confusion. And then it’s peaceful in the deep and quiet depression. The arms of the ocean of grief’s depression carry you in until acceptance comes along like a bittersweet lullaby with a small sliver of hope–a life ring that may pull you out of grief’s cold depths.

But Saoirse’s mother never reached the final stage.

Instead, her mother slowly disappeared into the unrelenting depressing grip of grief. The depths of it were so deep no hand or life ring could reach. All for love.

Saoirse vowed to never fall in love. How could she when it was love that drove her mother so mad she lost her sanity?

Saoirse shuffled through the vast meadow. It was a canvas of autumnal hues, serene and enchanting, resplendent with vibrant flowers. Golden, russet and crimson blossoms swayed gently in the breeze, their petals swirling among the tall, amber grasses. Sunlight dappled through the tree branches, casting a warm golden glow. She picked out the prettiest of the flowers, making sure to grab her mother’s favorites–red chrysanthemums–before carefully wrapping them into a beautiful bouquet held together with a thin cloth and ivory ribbon.

When Saoirse entered the comforts of her small, humble home, she was greeted with the enticing scent of apple and cinnamon and the warmth of the roaring fireplace in the living space. She found her mother sitting in a rocking chair close to the fireplace, facing the window. A blanket had been gently draped over her lap, her fingers fidgeting over the warm fabric.

“Happy birthday, mother.” Saoirse greeted with a faint, fragile smile.

She approached her mother, placing a soft kiss on her forehead and the bouquet of flowers in her lap. Her mother’s shaky fingers clung onto the bouquet but her green eyes were distant.

“You took my heart when you left. Without your sweet kiss, my soul is lost…”

Saoirse’s smile fell and she felt her heart ache. She hated seeing her mother like this.

“She’s been like this all day.” A weathered voice chimed in solemnly.

“My city’s in ruins.”

Saoirse turned, her gaze landing on her sweet grandmother. The woman who had sacrificed everything to run to her daughter’s aid all those years ago. The woman who rose shortly after her high status fell, working hard to provide for her and her daughter. The woman, who when she found out her daughter was pregnant, delicately took care of her, raising Saoirse as if she were her own. Her eyes, usually warm and sweet, were green pools of sympathy as Saoirse’s mother’s voice faded into the background.

“Come on, rise up. Come on, rise up.”

“Dinner’s almost ready.” Her grandmother said, inkling her head toward the kitchen. “I made apple pie for dessert.”

**

They ate dinner in silence. With the help of her grandmother, Saoirse had guided her mother to the small dining table, just big enough for the three of them. Her mother continued to sing, green eyes still vacant as she was tormented by her memories. She had fallen into another bad episode, where the memories ran through an endless loop in her head. The song falling from her lips was her only solace.

“My city’s in ruins.”

Silver lined Saoirse’s eyes, making her dark brown eyes glisten. Eyes that she unfortunately inherited from her father, if she could even call him that. She was grateful it was the only trait they shared.

Saoirse hated the male that helped bring her to this cruel world with a burning passion. Everything was his fault. Why her sweet grandmother’s hands were calloused, roughened by the hard labor she was forced into. Why her mother was drowning in her depressive, almost vegetative state, refusing to heal from all the damage that had been done. All the damage he had done.

Saoirse had also fallen victim to the torturous depths of grief, mourning the loss of the mother she never got to know. Similar to her mother, she found herself stuck but it was not grief's depression that suffocated her. It was the ardent flames of anger. They ran so deep they flooded her veins, igniting her with a terrifying desire to burn everything to the ground.

“Sersh.”

Saoirse snapped out of her thoughts, eyes finding her grandmother, who glanced down at the table. “Shit, sorry.” She muttered.

 “Come on, rise up. Come on, rise up.”

As she drew back her heated hands, a shiver of discomfort ran through her. The scent of singed wood tickled her nostrils and the once pristine table bore the mark of her growing abilities, its surface marred by a thin layer of char.  Her grandmother’s soft chuckle met an abrupt halt. 

Their heads swiveled to Saoirse’s mother, whose voice had ceased mid-song. With a shared look of concern, both Saoirse and her grandmother called out to her simultaneously. 

“Margot?”

“Mother?”

Silence hung in the air after Saoirse’s call to her mother was met with no response. Her mother, Margot, remained wordless. Her emerald eyes widening in sheer disbelief and lips pressed into a taut line. She appeared as though she had seen a ghost.

The silence was suddenly interrupted by a blood-curdling scream. A scream that did not originate from within the house, a scream that elicited a tumult of more anguished sounds, echoing chaos.

Saoirse leaped to her feet in a panicked rush, rushing out the door in urgency. Her eyes scanned the landscape of their small village, her eyes widening with dread at the horrifying sight that unfolded before her.

The village, the place she had called home all her life, was engulfed in an all-consuming blaze, flames licking at everything in sight. More screams sent her heart racing. She didn’t know what to do, where to go, who to help first.

She found her neighbor, who desperately carried a bucket of water, and ran to him. “What is going on?”

“I don’t know.” He answered, his voice frantic. “They say it’s a wildfire from the drought but it started in the granaries. Get your grandmother and mother and run.”

Saoirse nodded as she turned around in haste, making her way back to her home. The flames danced freely in the village, their fierce, unwavering embrace swallowing everything in their path. The once-charming cottages, adorned with vibrant fall flower boxes, now stood cloaked in orange and red. She held her hands up toward the flames, beckoning her powers to ignite. Perhaps, she could manipulate the flames to turn away from the village.

Nothing happened and it was then that a terrifying realization dawned on her. This was no ordinary fire. It was fire sparked from magic. Saoirse willed her legs to run faster as plumes of smoke twisted upward, smudging the sky with a toxic charcoal hue.

The air grew thick with the smoke and somber chorus of crackling flames. Villagers, gripped by fear and despair, dashed frantically. Like her neighbor, they hauled buckets of water in a futile attempt to quell the unrelenting blaze.

She was almost home when she heard a sudden and loud sequence of snapping. A massive tree limb plunged directly in her path, sending her stumbling and crashing into the fallen leaves below. Panic surged as a terrified scream escaped from her lips, watching in horror as the tree she once climbed as a child splintered and fractured. It’s trunk plummeted, crashing over her house with a resounding, earth-shaking roar.

“Nana!” She cried, crawling to her burning house.

The smoke burned her lungs as she rose to her feet. She hurried to the door of her house but there was fire everywhere, keeping her from entering. Her hands extended once more, a desperate attempt to summon her powers. She could feel a trickle of blood run down from her nose at the exertion. Nothing.

With another desperate cry, she kicked at the door, not caring if the flames engulfed her. “Nana!”

She could hear the faint sound of coughing. “Saoirse!”

“Nana,” she almost cried in relief but no matter how much she kicked and threw herself against the door, it would not budge.

“It’s alright, my sweet Sersh.”

Tears welled up in her eyes. No. She refused to accept this.

“No, it’s not! I need to get you two out of there.”

She continued to kick and scratch at the door desperately. Blood trickled from her hands. "Please," she begged. To the Cauldron, to the Mother. Anyone. "Please."

But there was no answer. Only silence. A deathly stillness that enveloped around her, choking her just as the flames threatened to.

Her shoulders slumped and she collapsed against the door. Her vision blurred from all the smoke and tears. The fire’s glowing fingers reached out hungrily as it continued to sear over. More trees collapsed. The once tranquil village was now a chaotic scene of devastation. Saoirse let her eyes close as she gave up. Broken sobs wracked her body. 

She wanted the flames to swallow her whole.

**

Saoirse did not know how much time had passed but the sounds of the roaring fire gradually came to stop. She sharply sucked in a breath, regretting it as it burned her lungs and brought her into a coughing fit.  She had curled into herself and was no longer leaning against the door to her home.

When Saoirse finally opened her eyes, she realized it was because there was no longer a door. There was no longer a home. She was met with the devastated landscape of the village. Her home, it now held only desolation.

She was the only living body among the piles of ashes and splintered bones. They covered the ground like a blanket, a silent witness to the fire’s destruction. Her clothes had burnt off, leaving her skin to be tainted by the stains of ash and smoke. Tears were caked onto her face.

Despite the intense heat that had engulfed her entire village and burned through her clothes, she remained unscratched…untouched by the flames that ravaged everything around her ruthlessly.

The flames had flickered in a strange familiarity. This was no wildfire as she had confirmed earlier. This fire had burned and blazed through the village with a purpose. To destroy her.

She knew her existence would not be a welcomed one. It had never been a matter of if but when. This could not be a coincidence, not when the High Lord’s son recently celebrated his first name day and was christened as Autumn’s heir…

Her father had found her. This fire was meant for her, to burn her alive and silence her forever. But she did not burn. The fire inside her blazed brighter than the inferno that had been sent to her.

All she had wanted was to live her life in secrecy and peace with her grandmother and mother at her side but now...

The two people she cared and loved the most were dead, taken from her. She lost everything...because of him.

She felt a heat surge through her body. Her skin, her veins, her bones. A spark of light burst forth from her chest, right where her roaring heart was. There was a tiny, defiant glow there. A stark contrast amid the gray surroundings.  

Come on, rise up, the spark beckoned her and then her legs were moving before she could process the command.

She emerged from the ashes, standing tall amidst the lingering smoke. Her mouth held the taste of sorrow, intertwined with the metallic tang of blood. Her once dark brown eyes now burned a vibrant gold, flickering with an inner flame.

From the glowing ember within her chest, wisps of fire snaked out, coiling around her shoulders and forming fiery wings, a vivid and brilliant display of life and rebirth. Each beat of them stirred the ashes around her in a magical whirlwind. 

She was a phoenix, a breathtaking manifestation of flame and ash, and she was burning with an insatiable thirst for revenge. 

A/N: the song reader's mother was singing was my city of ruins by bruce springsteen. I picked it bc I really liked the lyrics and while it's a worship song, I did find it was fitting to her mother's and beron's story. Adult Eris along with Lucien and the other brothers will make appearances in the next parts.

[musingsinmiddleearth]

In my mind, seven memorials form a neat line, silent and solemn. For these were not of good people, but of those whose hearts had been turned to malice (though not of their design), yet their actions won great glory and forever affected the courses of the world. And on their stony surface, the following words are written.

First: alone of his kin took no part in the abandonment of his friends and his people. Endured torment at the designs of the Great Foe. Reconciled his people afterwards in the name of goodwill. Nonetheless partook in murder, menace, and conspiracy to steal in the name of his oath. Believed himself deserving of death for his crimes and was so killed for it. Maedhros the Tall.

Second: a singer, set forth his voice to uplift the hearts of others and to record the peril of his people for posterity and lament. Put down a treasonous leader in fair battle. Nonetheless partook in murder, menace, and conspiracy to steal in the name of his oath, alongside his older brother. Found peace in heartache and in weariness thereafter. Maglor the Minstrel.

Third: he studied of birds and beasts and the nature of their languages. Conspired to overthrow a King to whom he swore loyalty for his own ends. Sought to force marriage upon another in the pursuit of power. Commanded cruel treatment of the defenceless and was slain for it. Celegorm the Fair.

Fourth: adjudged as lesser those less fair upon the eyes than he. Offered refuge and protection in generosity to those in need among his own lands. Was betrayed in this endeavour. Accounted as the quickest to wrath of his siblings. Slain in assault upon his own kind. Caranthir the Dark.

Fifth: sided against a problem husband in the pursuit of a fleeing wife. Conspired (with his brother) to overthrow a King to whom he swore loyalty for his own ends. Attempted abduction and then murder of a Princess from her love. Slain in assault upon his own kind. Curufin the Crafty.

Sixth: of whom little and less is written, alongside his twin brother. Took in the people of his brothers for a time when their own lands were laid to ruin. In distance and in peace took on perhaps less of the evil of his siblings. Nonetheless partook in murder, menace, and conspiracy to steal in the name of his oath, and was so slain in the doing of this. Amrod the Twin.

Seventh: of whom little and less is written, alongside his twin brother. Took in the people of his brothers for a time when their own lands were laid to ruin. In distance and in peace took on perhaps less of the evil of his siblings. Nonetheless partook in murder, menace, and conspiracy to steal in the name of his oath, and was so slain in the doing of this. Amras the Twin.