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tome-wizzard · 2 days ago

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Zoomed in on his face, 21sr century schizoid grinch

#robert fripp #king crimson #prog rock #mellotron #guitar #cw: grinch #the grinch #christmas #christmascheer #dr seuss

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clouds-of-wings · 2 days ago

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Because Spotify doesn't really know that much about my listening habits and because I enjoyed writing this kind of post last year I'll once more make a post about my ACTUAL musical favourites this year. So here goes! Album time!

Grendels Sÿster: Abstieg in die Traumkammer (2024, heavy/folk metal) -- This was by far my favourite album of the year. It came out this August. First album by the band, and what a debut! The album has an English version too (which you can also find if you click the link), but I vastly prefer the German one. The lyrics are really excellent and they fit so, so well with the character of the German language. Musically I would say they sound like "early Týr with a female punk singer", the lyrics feature retellings and re-imaginings of various mythologies and mythological themes of the world, ranging from Norse to Greek to (on their EP) Hinduism or even Tolkien's Valar. They once called their genre NWONOEM (New Wave of Nerd-Oriented Epic Metal).

Other albums I liked, in no specific order:

Kornalyn: Intemporel III (2024, folk) -- Kornalyn has been at this for a few years. He's a French anarchist and folk musician who records modernized versions of traditional leftist & worker songs. He's versatile, he's talented, he's got spirit and a great voice. Worth checking out whether you're a comrade, a history enthusiast or a folk fan.

Alice Longyu Gao: Let's Hope Heteros Fail, Learn and Retire (2023, hyperpop) -- Okay, I'm versatile too. Or at least not so set in my ways that I can't appreciate different genres than I normally listen to. Alice's hyperpop songs have a chaotic artistic spirit that I find charming. In a way, some of her songs are pretty metal-ish too - they remind me a little of old SOAD songs. She's funny, she's innovative, she's a delight.

Stonefield: The Light of Lies (1990, prog rock) -- Some awesome prog rock from the 90s. The singer sounds like DIO. If you like the hammond organ, CLIK TEH LINK! If not, click it anyway, you may start to! When I tried to find out which year the album was from, I found their EP The Eyes of the Dawn (1989), which is also so fun.

Alvader: Hereniging (2024, folk metal) -- Hey you! Do you like Heidevolk? If you found this post through the folk metal tag I bet you do. In this case definitely listen to this band. It's made up of ex-members of Heidevolk and sounds a lot like the "original".

HammerFall: Avenge the Fallen (2024, power/heavy metal) -- What can I say about this one. It's HammerFall. It rules by default. It sounds like all their other albums. HammerFall are one of the few bands where that's a compliment.

molllust: In Deep Waters (2015, symphonic metal) -- There is no music I like better than symphonic metal that takes the "symphonic" part really, really seriously. molllust are one of the few bands that do. Between Janika Groß's gorgeous orchestrations and her operatic voice, this is one of the bands that give me hope for the genre. At first I actually found their older stuff too inaccessible, but after I listened to the newer and more straight-forward Mother Universe album a lot last year, In Deep Waters became a lot more approachable to me.

Wintersun: TIME II (2024, Extremely Delayed Technically Complete Symphonic Death Wish Metal) -- I still can't believe my eyes, or ears. Am I dreaming? Is this the real life? It's really out! And Nuclear Blast didn't even give it a digibook edition (I have the one of TIME I and thought I might have a matched set one day). Is this because their corporate overlords don't care about physical media or are they just so DONE with the album, and Jari in general, that they didn't make more of an effort out of spite?

Norrsinnt: Djupt inni skoga (2024, folk metal) -- Somewhere between heavy folk and very folky metal. A collection of songs the artist released individually over the past years, but the album only came out a short while ago. He fortunately seems to have decided against using an AI image as cover art in the end, so I don't feel bad listing this album here. Oh, there are albums that I found this year and liked musically which I'm not listing for this reason, definitely! I'm glad this one isn't among them, because I've known all these songs for years and I'm quite fond of them, and of the power and originality of the vision behind this project.

Nightwish: Yesterwynde (2024, symphonic metal) -- I didn't expect too much from this album, but ended up really liking it! My favourite parts are, of course, the orchestral passages. I like how Nightwish are still capable of evolution, new paths, instead of being stuck in the 2000s. And, after all, what could be a more fitting topic for music that's as larger than life as symphonic metal than just the totality of existence, the universe, the human equation, the meaning of it all?

Romuvos: Spirits (2024, folk) -- Pagan Folk, immersive, meditative, dark. I don't have much to say about this, other than that I have listened to it a lot this year.

KAMIJO: ??? (????, symphonic power metal) -- I usually only have albums on this list because I'm old-fashioned like that, but that's really unfair to Kamijo, who's my top artist of the year on Spotify and whose greatest songs are spread out across a multitude of single bonus tracks and short EPs. So I will link his song TEMPLE and say doumo arigato gozaimasu, vampire prince rockstar-san, nay, -sama!

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I also continued my exploration of the world of opera. Since I think I'm beginning to know my taste, there were a lot of works I started and didn't finish, but some I liked very much. My favourite was L'elisir d'amore (1832), which I watched in two different versions and listened to all summer. It's a rather light-hearted one, but the music is nevertheless dramatic, it's fast, it's powerful and... somehow rich. And it's just pretty, I'm not immune to the charms of the easily lovable Italian opera, or of Rolando Villazon and his musical and comedic talent. I'd definitely recommend this recording even to people who have never watched an opera before.

I also really liked Eugene Onegin (1879, can't find the recording now) - much more tragic than the one above, few operas I've watched had a better plot, I read the novel it's based on afterwards - as well as a whimsical 1979 recording of L'incoronazione di Poppea (1643) and a gorgeous staging of Atys (1676, only French subs here, sry). Baroque opera is superior to the later stuff according to me. The beautiful music, the melancholic observations on life in the libretto, the way the operas always seem to reach for the divine, beyond the limits of mundane human existence - it strives for perfection, and my ears think it comes close.

And that's my musical breakdown of the year :)