#find your feet

[flowers-roses]

[mellosghosts]

this is how their little brains work methinks

[the-muppet-joker]

I think I suffer from internalized Muppetphobia

[greenlaut]

son of adam

[teganorsara]

Ali Ahn as Eidra Park and Ato Essandoh as Stuart Heyford in

THE DIPLOMAT 1.06

[anghraine]

Fun fact: Imrahil of Dol Amroth is only ever described in LOTR as Denethor and Faramir's "kinsman", with no distinction ever made between how he's related to Denethor vs to Faramir. It's only later, when Faramir briefly thinks of his long-dead mother, that she is called "Finduilas of Amroth" and we can deduce that the family connection was likely between Denethor's wife and Imrahil, making him an in-law of Denethor but blood relative of Faramir. We're still not told exactly how Imrahil and Finduilas were related, though.

I always had the impression of a certain degree of tension between Imrahil and Denethor, and also of Imrahil being particularly concerned for Faramir, but his exact relationships with them are quite vague in the narrative. A lot of the names, dates, and family connections among the members of the house of Dol Amroth that we now accept as a matter of course are mainly from a separate document published in Peoples of Middle-earth that explains the most probable origin story for the house of Dol Amroth and has an attached family tree. IIRC the entire existence of Faramir and Éowyn's son Elboron is based on his inclusion in the Dol Amroth family tree in POME and he's never referenced in LOTR (and possibly not in anything else, actually?).

Tolkien definitely did imagine Imrahil and Finduilas as siblings regardless (e.g. I think he mentions it when observing that Denethor's natural beardlessness as an Elrosian Dúnadan would be reinforced in Boromir and Faramir by their additional Elvish heritage through Imrahil's sister), but he didn't actually say it in LOTR.

I do think it's important, though, because it's with this later information that Imrahil taking charge of Faramir's fallen body is conclusively revealed to not be simply a prince rescuing a vague "kinsman" of political/military importance, but specifically a man carrying his dead sister's last surviving child from a battlefield.

(No wonder he and Éomer bonded so much, honestly!)

[uncanny-tranny]

To those of you who feel lost because you never imagined being around on earth for this long: I see you. You are doing amazing - spectacular, honestly, and I mean that in the most beauiful way. I know how hard it is to feel like this, just know that it can be okay. Please be gentle with yourself. It's okay to feel lost - it's okay to be lost. There doesn't have to be a set "plan" for your life, just be here with us.

[leidensygdom]

Artfight mods consider my profile picture to be the height of body horror :/ (has 7 eyes. apparently 6 is the maximum of eyes they allow. let's not talk about how the random character function is almost unusable because you will land into extreme untagged fetish characters every other roll, but hey, priorities)

[dilfmas]

i feel like people forget that characters don’t always just like. fall in love instantly. like they can have genuine feelings and not be IN LOVE yet. like there are layers. no, neither kant or bison are IN LOVE with each other yet. that doesn’t make the feelings they do have any less real? it doesn’t make it less painful for kant to realize he’s actively falling for someone he also has to betray or for bison to know how suspicious kant is and also be actively falling for him. same goes for style and fadel, like no i don’t think either of them are IN LOVE yet… it doesn’t mean they’re not still interested? it doesn’t mean their feelings aren’t genuine, that they aren’t enjoying each others company? there IS a middle ground believe it or not. you have to fall in order to be in love - these characters are still in the falling stage

[kendallroygf]

btw this is probably one of the most insane and telling scenes in regards to stewy nd kendall. like the stewy-marcia interaction first off. the way it’s so clearly paralleling kenstewy with logan and marcia. stewy and marcia literally watch their respective persons in silence. also important to note that stewy was one of the first ppl to greet logan when he arrived probably bc he knew that one of the first things logan was going to do was approach kendall and he wanted to get in there first to gauge the situation + logan. but stewy’s concern for kendall in regards to what could happen when he’s in close proximity to logan is so clear and almost synonymous with marcia’s own concern/love for logan at this point. like it seems intentional that they were shown to be like. logan and kendall’s respective partners here

[kazumahashimoto]

you're colder than i remember

[gd-dollopole]

I can’t stop thinking about a poisoned Arthur, who’s not sick with just any poison. Maybe he’s hit by someone with magic and he has no collateral effects, except that of his body slowly dying.

It doesn’t matter if takes years or months or weeks or days, Arthur knows that one day, he will die. He does not get weaker or unable to do things, he just dissipates, and he knows the moment when he’ll be forever gone.

Everybody knows.

Although, there is a cure to his poisoned body, the only one, but Arthur refuses to take it.

Because if he cures himself of the deadly poison, the price to pay is too high:

he will forever forget the person he loves the most, and will never be able to love them again. His memory will be wiped out each time it comes back.

And Arthur doesn’t want to forget Merlin.

Arthur would rather die in the knowledge that he loves him and has known him, than live a life without Merlin by his side, and without his love and care.

[themintman]

My opinions on some ships and characters 😼😼😼

Ill explain some stuff in the tags if yall are curious hehe ALSO IN THE REBLOGS. TUMBLR SILENCED ME 😔💔

Template by @stervil !!!

[gay-robot-boyfriends]

I PLUGGED MY SCANNER! Some of these are from today others are from months ago!

[livstarlight]

Wakanda Forever is really the culmination of everything about a storytelling project I could love. Emotion, complexity, thought, reflection, self-grow.

We have the clash between two extraordinary cultures that the moment they dare to venture outside their borders are constantly challenged and pressed, and that costant pression puts them against each other when in reality they are more similar than you could ever think. But the world has dictated they shouldn’t be allowed to thrive, to be themselves, and that puts them even more at odds. Until they start seeing how the things that connect them are more than what separate them.

Every character has its own role and arc, with light and dark at the same time, but there are these two... who are so amazing they aren't just product of their people. They are so different, but so viscerally similar and connected by circumstances and experiences, even if they elaborate them in a very different manner, who might as well be mirrors of each other. The good and the bad. And the way they manage to balance being a beacon of their own cultures and their own characters with all that computes... strenghts and struggles... Wow. It's so well done it’s incredible, breathtaking, ENORMOUS. (Ryan Coogler you fucking genius)

But at the center of everything this is a movie which revolves around grief, about who we are in the end, how everything affects our life and how we grow from and with it. It's a story with a heart so big it trascends.

How. How could I not love everything about this story. How could I not spend every hour, minute, moment of the day to think about it. Relish in it. And talk about it non-stop to everyone willing (and not) to listen.

[whaliiwatching]

turn your back on spiderhood and become a limpet today!