#finally i get to play as fucked up evil character
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vpyre · 1 day ago
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So. Finally finished Veilguard. Here are my thoughts immediately post-ending in case anyone cares what I think lol
(Putting under a cut cus spoilers and also lots of words)
The final cutscene where I convinced Solas to bind the Veil to himself right before the wrap up epilogue thingy had me cheering and flailing around in my seat and actually tearing up a bit, but after, it set in that I didn’t really feel like I connected to most of the companions and it felt like their stories made no actual impact on anything. And it somehow felt like Rook didn’t impact them much at all either, even though you make some pretty big choices for them. They didn’t really have the depth of the companions in the other games or the strength of the bond the other game’s companions had with their protagonist. Rook felt very separate.
The whole game felt very low stakes and like there wasn’t actually any chance anything could go wrong. While I know there’s a bad ending, it’s really hard to get compared to the other games. You’d have to not be a completionist and completely ignore a large amount of side quests.
It felt a lot like all the choices I made were sort of inconsequential and took me to the same places regardless of what I could have chosen. It’s like the game holds your hand and treats you like you’re a child who needs to be guided through the whole process with failsafe after failsafe. It’s like it didn’t trust the player to just PLAY and feel the consequences. I want there to be consequences!! I want what kind of people the companions turn out to be to directly affect the story!! Like, the fact that most of their big choices don’t really have a right or wrong answer rubs me the wrong way. It feels like Emmrich choosing lichdom should have more tangible consequences than just losing Manfred, for example.
I want characters that struggle with morality and whether or not doing An Evil Thing is worth the cost. I want characters that are kind of assholes at the beginning for various reasons and who develop and improve (or get worse!!) as the story goes on. They were all WAY too nice to each other fsjdkfjdjchfjd. I miss Dorian and Vivienne bitching at each other. I miss when Anders told Fenris to kill himself. I miss when Morrigan and Alistair couldn’t get through a sentence without insulting each other at least twice </3
I also really, REALLY, REALLY wish there was more romance content or that there had been more acknowledgment of the romance in the epilogue than just one line without much to it, because GOD what it did actually give me was SO GOOD. I want MORE of that. And people say Emmrich’s is the most fleshed-out and finished romance. Yikes…
I seriously loved every scene with him and will fight anyone who says it isn’t a gorgeous romance, but all it did was leave me wanting MORE. It felt like there should have been MORE. I wish there’d been a celebration scene at the end at the very least. Give me a chance to give Emmrich a victory kiss PLEASEEEE!!! To be fair though, I think BG3, DAI, and DAI’s Trespasser DLC spoiled me SO rotten in that regard lmao.
Like, this game was SO GOOD and I loved every second, don’t get me wrong, it just felt like something crucial was missing to make it a full and impactful experience. There was SO MUCH potential and it makes me really sad to know that it genuinely, actually could have been even better than it was. It could’ve had me sobbing at my desk, but it just BARELY missed that mark. It felt rushed almost, which is fucking CRAZY considering that it was in development limbo for TEN FUCKING YEARS, but fucking EA was breathing down the dev’s necks and meddling and fucking with things, so I guess this is what we get 🫠
And what we did get was damn good, but- and I’ll say this over and over until the fucking cows come home- it felt like something was MISSING. It felt like there should be MORE. There was this sense of dissatisfaction with the whole thing that the other games didn’t give me in the slightest.
The writing was genuinely so good too!!! The story was fantastic!!! But the execution and some of the dialogue and the missed opportunities for connection between player and companions and the way the companions AND the player felt disembodied and separate from the rest of the world and each other just made the whole thing kinda unsatisfying. As a whole: great game! I had a ton of fun! I just wish there had been MORE.
Anyway, takeaway from Veilguard endgame: I fucking HATE capitalism!
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I AM NOW DOING A PLAYTHROUGH OF BALDUR'S GATE 3 AS GORTASH
SIC SEMPER TYRANNIS LITTLE MAN, GET UNO REVERSED ON, IDIOT
Basically what if Gortash got tadpoled and betrayed instead?
I am so brainrotted and I am already writing the fucking fic of this premise.
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mayasaura · 2 years ago
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Going into Alecto, I think it's important to expect that the series won't conclude with a clear lesson. Either about morality—what makes a good person, evil getting their just desserts, ect—or a thesis on decolonization. It's not that kind of story.
Deep down, this series is two drunk girls bearing their souls in a dark corner of the bar. An hours-long conversation that wheels wildly through pop culture, past trauma, theoretical physics, dreams and aspirations, global warming, hairstyling, friends, family, gender, personal insecurities, world history, favorite foods. It has a lot to say, and a lot of it profound, but it's not trying to teach anything. At the end of the night, the point was how fucking cool that girl was, and the potent electric potential for something lgbt to happen
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dykedvonte · 3 months ago
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wanted to say I appreciate your nuanced takes on MW and especially Curly. i don't get the claim that the fandom is full of Curly apologists when majority (esp yt and tiktok) say he's worse than Jimmy. Yes there's commentary about bro culture defending people, he def messed up in trying to placate Jimmy (tbh "we'll fix this" sounded more like trying to keep someone prone to outbursts like Jim calm and not hurt Anya/himself) but I don't think he did nothing to help Anya, since she continued to confide in him and he had less than a week to resolve it before the crash (I also don't get everyone saying he knew for ages when it seems like Anya told him that same week). I get Jimmy's a pos but saying stuff like Curly should've known he'd crash the ship or that Jim had a criminal record he ignored, reducing them to obviously horrible villain and willfully ignorant sidekick feels like a disservice to the game. If your best friend turned out to be horrible, what would you do in a confined space in the span of a few days to respond? I'd say some of the horror comes from trying to do good but ultimately failing, Curly's state after the crash is meant to be tragic horror not revenge/punishment
Thank you and this is what I want to get across.
A lot of information we have to supplement when it comes to how long things have been happening on this current ship. I think people try to add on to the horror and negligence by making things more obvious so it can feel like it was easier to avoid when, true to life, its not. Jimmy clearly didn't deserve or appreciate what Curly did for him in getting him the job, but do you think if Jimmy was that big of a menace on Earth he would've given him a position where he could have that level of power over people's lives? There's something in the fact he specifically chose to pick a position so close to himself where he could watch Jimmy.
I hate the bro code argument because that is a whole can of worms people really don't get. That sort of mentality is born from the general respect and preference of male matter over female ones. Curly is clearly not that guy, he is absent minded about the issue and inadvertently dismissive but he clearly believes Anya, he just can't understand what she's going through. It's an onslaught of information that no one really reacts right to. Additonally, the entire discussion of her assualt plays to heavy into the idea that there is fault outside of the perpertratior when it comes to SA. It's too close if she only did this or if Curly had protected her better but the fact of the matter is Jimmy did what he did. He did it before any of the conversations with Anya about it and it's why her behavior seemed to change so drastically in those last two days.
He has other conflicting thought and while his role as a Captain should've taken over, people act like it's not a very human thing to have such a toxic presence cloud your judgement. It is never easy to separate friend from coworker once that connection is formed, you want to help them, especially if they were friend first and for a long while like in this case. It's not right, but people act like it would be easy when the game clearly points out that no choice is easy to make, especially when you have to make it for more than one person. You have the weigh the consequences, look at all the options and make a plan. People can headcanon and decide how long things where happening, but if we look at what we were presented through the characters eyes, the only person given time to do that was Jimmy.
He waited two months after the crash to appoint himself Captain. Every time a problem was brought up he immediately took action and refused to sit on it and find a better solution. I think it's important to look at the warped way Jimmy takes initiative where Curly didn't as it works as a good contrast of why you don't just run in to "fix" things. The quickest and easiest option may not be the safest or most beneficial. I think some thoughts on the game suffer from the black and white thinking the game doesn't operate on along with us being voyeurs. We see what exactly led to what but the characters don't. They don't have the hindsight and foresight we do and even ours is scrambled by the non-linear story telling.
Like it's hard to talk abuou those grey zones without sounding like an apologist because you're explaining why taking responsibility isn't easy. It's not and it's weird to act like it would be in a scenerio that led up to the events of the game knowing what we know. We see all these characters in such isolated moments with various things before, in between, after and even during we aren't privy too. The idea that Jimmy is worse than Curly heavily banks on the words Jimmy was saying to Jimmy before he crashed the ship. That whatever happened on the ship was his responsibility to bare, which is true due to his position. But, are they not still not responsible for taking the actions Curly then must bare?
Like i feel like people think that these are situation that become easier with age or when you are in a postion of authority and they aren't. You don't lose your biases or gain some sudden knowledge that makes it easier. It just becomes more tiring as you keep dealing with it. I would be first in line to say Curly fucked up and should've done more but the idea he knew how bad it could get or he really saw the worst in the people around him and ignored it pretty much ignores a huge aspect of his character and the game.
#i do believe Anya was a victum to Jimmy more than once before the crash but the game plays wit the sort of fear of waiting and stagnation#i believe the reason she decided to tell him was becasuse she finally broke down and tested to see if she was pregnant after one too many#signs and its why she went to hide the gun because she knew now that there was proof of what Jimmy did and was he would do anything to#cover it up and while she also didn't want the baby there was no sure fire way to safely induce a miscarriage or abortion cause shes smart#enough to know that hence her reading the illusion of choice and taking measures to protect herself#but in the hypothetical it was a one time occurence I think Jimmy would act like one single mistake shouldn't define him and Anya thinks#that if she did something sooner or said something sooner than she or Curly could've stopped all of it but that the hard thing taking actio#its so hard to be preventative to a person like they also have the autonomy to do things and no one on the ship is okay with actively takin#that away outside of Jimmy that its just a delicate issue and people act like it was a conscious choice not to help when he just helped#wrong he did wrong by not immediately punishing Jimmy but at the same time did he even fully get it yet? Jimmy immediately got into his hea#after like the sound design right before he confront him is telling like every track sort of gives you the feeling of the characters where#we cant see their thoughts because again the only two characters pov we get are Jimmy's and Curly's and even then we only get Curly's thru#the responsibilites he has to take like he is always tasked with something because thats his role but we rarely see him do something off hi#own volition cause hes a metaphorical cog in many of the machines the games comments on but he's not actively pulling a switch#also i think people latch on to the we can both be heros things too much when analyzing Curly because Curly very much is not happy being th#leader and current “hero” of the Tulpar he just wants out in a way that doesn't hurt and while he is still responsible for not doing more#the idea he could've easily nipped this in the butt acts like Jimmy was not a beast of his own and that he made Jimmy into the person he wa#vs the fact that Jimmy is a person on his own right that makes these choices others are forced to take responsibility for when he simply c#couldve not done evil shit like at the end of the day Curly is not perfect but not nearly or remotely as bad as Jimmy because for that hed#have to not care hed have to not have tried hed have to not try to take responsibility and he did just not in the right way but thats#subjective to the person and you can only realize you did fuck up after the results are before you and its tragic like this game is a#a tragedy no matter how you try and spin it. There's lessosn to be learnt but at the end of the day it telling the worst moments of peoples#lives and the certain inevitabilities that come with it#mouthwashing#mouthwashing game#curly mouthwashing#captain curly#nurse anya#anya mouthwashing#jimmy mouthwashing
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silver-horse · 3 months ago
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bioware really said "let's release it on halloween... it's so terrible... it's gonna scare the shit out of everyone...the perfect halloween"
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mokeonn · 7 months ago
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Currently I have so many bg3 saves bc I refuse to delete my old ones that will likely never be finished (first ever gameplays, not optimized, everytime I open one I get overwhelmed and stop), but also because I keep making new games with the specific purpose of romancing a certain companion, seeing special dialog, doing a specific style of run, or getting an achievement on steam.
#simon says#currently the 4 that I have right now are fun but I wanna do a new one bc I like making characters and being silly#so far I have:#sad bardlock that was originally going to be a no-romance 'everyone's worst ending' run but then I finally decided to romance shadowheart#since the two of them absolutely give off sad lesbian vibes and just seem to make eachother better#because a doom and gloom bardlock constantly saying 'that sounds lovely :)' to anything shar related quickly made Shadowheart happy#next up is big hulking non-lolthsworn drow who is a cleric of Mystra#because I want to see how a cleric of mystra works with Gale and so far it has SUCH fun interactions#... Jak'ith. my gith jack-of-all-trades romancing Lae'zel#i would be a liar if I didn't say doing a legit jack of all trades run as a gith romancing Lae'zel wasn't the most fun out of all my saves#the interactions are so fucking funny I love it#like I highly recommend a gith lae'zel romance because it's so much fun just bouncing back and forth in dialog#and I got REALLY into stealing after playing Jak'ith so I made a duegar thief who is gonna eventually be a druid#and im gonna make her an exclusively Halsin romance bc I saw some of the duegar dialog options with him and I thought it would be funny#since my last Wyll romance went south (i had hubris in honor mode and lost it all) and I have still yet to romance Karlach or Minthara#those 3 are on my list for characters to make and play bc I haven't explored those routes yet#i also want to try doing a true goody two shoes durge run and a true evil durge run#obviously the evil run will probably be the Minthara romance#also on this list I am ignoring Astarion bc I have romanced him twice now in my two old durge runs so unless I can think of something unique#then im not doing anything with him for a while#well except playing as him#i got an old playthrough with him I should continue bc I wanted to see what his origin stuff would be like in act 3#at some point I do want to origin run all the origin characters bc it sounds really cool#but I want to get a good idea of their character arcs before I do#also for the achievements:#Jak'ith is the jack of all trades no Withers help achievement#My bardlock is the busking 100 gold one#and I want to do a punch drunk build at some point#which would probably be a monk bc of the drunken master robes you can get#but yeah I will probably end up with like 8 or more saves in the end
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stairset · 1 year ago
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Watched the story for the new Suicide Squad game on Youtube and I gotta honest it was kinda complete dogshit. Like genuinely left a sour taste in my mouth when I was done.
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izzys-bluebell-woods · 1 year ago
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I feel like people have been quick to dismiss Mimzy's importance in Ep. 5
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I've been seeing a lot of Mimzy hate, mainly on Reddit, where people are genuinely REALLY hating on Mimzy because she was annoying, interrupted Hell's Greatest Dad, and served no purpose in the episode.
Whilst the previous two points are down to personal taste, I feel like considering Mimzy's role in this episode nonexistent, or that she just exists for fanservice here, is greatly overlooking what this episode is about. There are two focuses to the episode, one of course being Lucifer and his relationship with Charlie, but it's also the deepest look into Alastor's actual character that we've gotten so far, I'd say significantly more than the finale. We see two sides to Alastor that both Mimzy and Luficier bring out, and I wanted to kind of highlight my thoughts and what the episode was trying to show us about Alastor that we wouldn't have gotten if Mimzy wasn't there.
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Alastor's instant hostility towards Lucifer makes it incredibly clear that Alastor can't keep his cool all the time - his two biggest flaws is that he is power-hungry and incredibly petty. From what we know - and what is likely to be true considering Lucifer is shown to have no idea who he is - Alastor has never met Lucifer before this. If the theories that he belongs to Eve/Lilith in some way are true, there is reasonable ground to say that this immediate hatred towards him could be justified, maybe it was in some way Lucifer's fault that he's caught in this deal and this is his way of taking it out on him or trying to uphold his end of that deal.
But look how much his mask slips, look how annoyed and angry he is. If this was a font that he was doing to somehow make Lucifer intentionally mad at him for some sort of personal gain, he wouldn't have looked so murderous. Him just leaning down and hissing 'fuck you' right in his face was so shocking for the audience purely because no one has done that to him before, no one has pushed him so much.
This indicates that Alastor isn't just playing some sort of game, Lucifer genuinely got under his skin, because he is so obviously more powerful than Alastor and he HATES that. He hates being reminded that he's not the biggest meanest in Hell - this was explored more in his showdown in Adam, but at the time of this episode's release, this is the most flawed and 'human' Alastor has ever felt. He's dropped from this force of mysterious evil, to randomly picking a fight with the Devil himself because he was so catty about being shown up.
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As further reinforced with him snapping at Husk when he also reminded him he wasn't as all-powerful as he sees himself to be, Alastor will lash out at those who make him feel like he isn't the one in control and pulling the strings of everything - we finally see a hint of motivation for him sticking around at the hotel at all.
But then there's Mimzy.
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We immediately go from seeing Alastor at his worst, at his most aggravated and petty, to seeing him literally melt into a hug. The demon who, according to Viv herself, hates physical contact so much that he would distort and melt himself to get away from it. We so quickly go from being shocked that Alastor is behaving so spitefully to now having to take in Alastor being ecstatic to see someone who he considers to be a friend.
Having this be so directly after his massive tiff with Lucifer is so important. If this wasn't included in this episode, our only insight into the person Alastor actually is would be that he's an asshole. Picking fights with people just because he wants to stay on top, that its the thing he cares about the most. But Mimzy does come along, and we see that it isn't true at all - and its confusing, and that is so perfect.
You think you're getting somewhere with the person Alastor is, but you see that, hold on, there is actually a semblance of heart in there, here he is actually caring about someone. But what is so important about this being a relationship he shares with Mimzy, and something that couldn't at all be explored with, say, Rosie, is the kind of person Mimzy is.
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Mimzy double crossed Alastor. And, according to Husk, this is a somewhat regular occurace. We can see that Alastor is annoyed at her, and I think most of us were prepared for him to do something to her like he was doing to those loan sharks a few seconds before this confrontation.
But...he doesn't. Not at all, he doesn't even snap at her. Perhaps scold her a bit, but other than that, he is so nice to her and just politely tells her to leave and that is that. He does more shit to Lucifer, who literally hasn't done nothing but exist in his presence, than someone who just trampled all over his ego by using him, both as a shield and, well, somewhat emotionally.
In this episode, Alastor is shown to lash out. Easily. All you have to do is be more powerful than Alastor, and he won't like you - that's the impression you'd get from his scenes with Lucifer alone. But we have his scenes with Mimzy as well, and you're being told, hold on, no, that isn't quite correct, because he's not acting the same here. What has Alastor got to gain from letting Mimzy get off of this with no repercussions? Mimzy, someone who has probably sold her soul to someone else and has absolutely no power at all.
Nothing. He does it because Alastor cares about her.
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I don't think I would have considered his friendship with Rosie to be genuine at all if it wasn't for his friendship with Mimzy. Rosie is so powerful, and Alastor has so much to gain from being in close cahoots with her, but it's so clear that he doesn't care about that, but he sees her as an equal. If all we saw from Alastor in that episode was him lusting for power, it would render the way we see all his relationships with people to be of some gain to him somehow. ESPECIALLY Rosie and other Overlords like Zestial.
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This makes Alastor and Mimzy's relationship arguably one of the most interesting in the show. Someone who is so powerful and unpredictable, who hardly cares for anyone other than himself, caring about this absolute gremlin of a woman. He likes Mimzy purely because she's fun to be around, a sentiment you might expect from Alastor, with his stated reasoning for joining the hotel being to laugh at people, but he's in no way laughing at Mimzy. You can tell that he doesn't intimidate her at all, because she has the absolute balls to pull off the loan shark thing with him.
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Mimzy and Lucifer's interactions with Alastor has made him to be one, if not THE most interesting character in the show. Because you're exploring two contradictory sides of the same coin at once. One where he gets so worked up and angry over not having the power he sees himself as having, and one where he's visibly hurt that his long time friend used him. In one instance you have him pulling out all the stops to be as hostile as he could be to Lucifer without actually hurting him (even though he clearly wants to), and another where he has full range to hurt Mimzy as much as he wants to, but he doesn't.
Alastor cares about people. But also disregards people like playing cards. He is such a mixed bag, so far from being one note, and you wouldn't have gotten that insight without Mimzy.
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snapscube · 6 months ago
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I FINISHED TURNABOUT BIG TOP! Which means here is my updated autopsy report ranking for cases and characters!
Both have actually shifted around quite a bit so you may find it an interesting update. I'll explain some of my current thoughts on the new placements as well as my thoughts on 2-3 in general below a break if ur curious.
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Okay so first thing let's just address the elephant in the room: We have an all new category on the character ranking!! One that I sure wish I didn't have to include but unfortunately Big Top made some... very Interesting decisions with specific characters. It would be one thing if this content was featured and then addressed, but it was particularly off-putting and frustrating to me that everything was played entirely straight?? So yeah. New lowest of the low category for a couple freaks who are actively courting a 16 year old!!!! yayyyyyy
OTHERWISE, I do have to say.... I was really pleasantly surprised at 2-3 as a case. I can say now I completely understand people having a distaste for it especially in regards to the unsavory age gaps, but literally..... almost everything else in this case was well put together and generally on-par with the quality of the rest of the series? As an overall package I actually still find Turnabout Samurai infinitely more dull. Like, maybe it's just because the lead-up to actually playing it was so uniquely frustrating for me and forcibly lowered my expectations by a ton, but there was so much good shit in Big Top. Maya, in particular, is in top form during this case. She is so fucking funny. I loved almost every word that came out of her mouth and it really solidified her top spot in the character ranking for me at present. But past that, I think the second half of this case is EXTREMELY strong compared to its opening half. I'll admit during the first trial section I was getting kinda tired with it and finding it hard to care given how much I just do not root for Max, so I had tentatively placed it at bottom of C tier. But then once von Karma arrives in the investigation section and then Acro's storyline enters the equation I really think it finds its footing. I actually found the last few scenes of the trial very emotionally effective, especially Acro's breakdown at the witness stand and mentioning how he couldn't follow through with taking his own life to escape his crime due to his desire to see his brother wake up. Like... I legitimately teared up.
And FURTHERMORE.... von Karma. Oh my god. I don't know if I'm picking up on anything here, nor do I want to know until I maybe see it for myself, but something about her conduct in the final trial really spoke to me. I feel like a surface read makes it apparent that she's just as frustrated as she is because she's losing the case to Wright again, and I do think that's a huge factor still to her reaction... but I don't know, I felt something else with her. Particularly when it came to her reaction towards Acro's attempted murder of Regina. I felt like she came across as PARTICULARLY disgusted towards that revelation and towards her own client in a way that subtly humanized her and had me just CHUCKLING AND CHORTLING in evil anticipation towards potential character arcs. I really hope I've grasped onto something here because... I love her so much. I love the idea that in spite of her reputation we're still gonna get to see this spark of humanity light up. AHHHHH.
Okay. Anyway. In summary:
I understand why people have a distaste for Big Top now, but it does not change the fact that I desperately wish I had been given the chance to experience the story myself going into it without that baggage. It genuinely did not help my experience in the slightest to just have that cloud of expectation over it and it is generally irritating that I couldn't even bring up that I was playing it without people jokingly apologizing to me or telling me that I wouldn't be able to handle it or whatever. Really not a great vibe.
As a case, it has a couple MAJOR, GLARING points of discomfort but I'm still really glad I gave it a chance and was able to find a lot of good in it anyway. It inspired me to unfortunately lower some of my other rankings because this is what I kind of consider a more middle-of-the-road quality for the series now. Solid B tier. I have played much worse.
Maya Fey is a god damn treasure.
As for some of the other character shifts, particularly in relation to some of the characters who got bumped from S to A rank, that's less because I decided I like them less now than I did when I first ranked them and more that I decided my initial interpretation of my feelings was incongruent in some cases. Like, for example I LOVE Mia I really do she's great, but in no way at this current time is she on the same level as Maya or Lana for me. So I just needed to adjust the ratios a bit.
Anyway, I'll be back eventually with posts about the next case and the last one of AA2! :3 I hear it's pretttyyy long but pretttyyy damn GOOD. Can't wait.
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undreaming-fanfiction · 1 year ago
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I am massively busy with work and finalizing my Big Bang, but this idea just won't leave...
Steve and Eddie are both actors. They're in their mid thirties, well established, but they never starred together in anything. Steve tends to be cast in the same type, the dumb but pretty love interest, Eddie has lots of indie and disturbing movies under his belt. But this time, they both landed something big.
They get cast in the new Batman movie.
Steve is, of course, Batman. He insists on doing his own stunts. He refuses to get dehydrated for his shirtless scenes because he knows how damaging it is to both young men and women alike, he's not going to contribute to shitty expectations. The director (Dustin, duh!) sees something in him other directors never have - a potential for depth, for internal turmoil. He gives Steve the chance to prove himself as an actor and Steve pounces on it.
He's still very hot.
Eddie is cast as the Joker. He is a fan of the comics and scoffs at how absurd and deranged the character is becoming. He gets hired because he immediately says he doesn't think the character needs to rely on cheap tricks and shock value to be terrifying. Cutting off his face? Not cool. He suggests to play the Joker according to one of the older comics he has - one where the Joker is actually absolutely sane, but hides it to never be held accountable for his actions. The only person who ever saw through his ruse was Dr. Harleen Quinzel. Joker took care of that issue very quickly.
The chemistry between Steve and Eddie on screen is insane. They go toe to toe, it's impossible to look away when they interact. Eddie utilizes his bright smile to the maximum, tweaking it just right within moments so it becomes unsettling. The first time he laughs, Steve gets goosebumps.
Steve encompasses Bruce's loneliness so well Eddie's heart breaks for him. Dustin finds him in the trailer, giving himself gentle slaps over the face and muttering "you're evil, damn it, you don't want to comfort the Bat!!".
Batgirl (Robin) and Harley Quinn (Chrissy) find their slow descent into love hilarious. They all become good friends on the set.
Hopper, an acting veteran who plays Commissioner Gordon, grasps Steve's shoulder after an intense fight scene and mutters: "Good job, Steve, but maybe don't stare at his lips so much?"
Robin doesn't give him the same courtesy and once Dustin yells "Cut!", she screeches: "NOW KISS!"
The movie is a hit. People love the cast and the story, some of the OG fans complain as they always do, but the ratings are great, there are many interviews, panels, all of that.
And of course, there's gossip about Steve and Eddie being a thing, which enrages the macho Batman fanbase. Their Batman isn't gay!
But the rumors quickly disappear after an award ceremony where Eddie is nominated for the best supporting actor. He wins, of course. And as he gets up to accept the small statue and deliver a speech with enough "fuck"s to give the censor a headache, he drags Steve up and kisses him in front of the whole world.
A week later, Steve and Eddie are together in front of a camera again, answering questions in an interview.
The host asks: "What do you say to those fans that are disappointed, who say that their Batman isn't gay?"
Steve just snorts, pulls Eddie closer and answers: "They're right. Their Batman isn't gay. But he's definitely bi."
Also the comic story I'm mentioning exits and is short but fantastic. 10/10 recommend.
Oh also. The first spark happens when Steve sees Eddie's hair and blurts out: "Please tell me they're not making you cut it shorter. It's too gorgeous for that."
Also because people were asking about the comics - it's Batman Black and White - Case Study and it can be found on Tumblr HERE
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slut4hee · 5 months ago
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Never Have I Ever, Fell In Love With A Psycho | S.JY Teaser
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{Paring: Ghostface Jake x Blk Cheerleader Fem! Reader
Release date: Tba
{Synopsis: You are the Star Cheerleader of Woodsboro University, Highly favored by your professors and well loved by your peers. You’re known for being a kind hearted soul, who volunteers to help host the charity events at your school and playing your role as the notorious team captain of the cheer squad. So what could you have possibly done to become Ghostface’s target?
{Genre: smut, serial killer themes, angst, Jake is batshit crazy, college au, 18+ so (mdni).
{Warnings: explicit scenes, rough sex, oral (m&r receiving), unprotected sex, breeding kink, cum eating, knife play, dirty talk, fingering, pet names, mentions of murder, possessive behavior, obsession (Jake), stalking, character death (not reader or Jake), Jealousy, one sided love at first (Jake), profanities, kidnapping.
🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮
Your heart pounds out of your chest rapidly as tears and your now ruined eyeliner runs down your face. You sprint through the hallways of the school running for dear life, hoping and praying that whatever fucked up nightmare this was you will wake up from it soon. You can hear their eerie dark voice and evil menacing laugh behind you causing the hairs on the back of your neck to stand up.
Your vision is blurred from the tears that won’t stop falling from your eyelids, fear consumes you whole as you hear the footsteps getting closer and closer to you. Your breathing is ragged, your heart feels like it’s gonna explode any minute from the adrenaline that’s rushing through your veins.
They’re hot on your tail, you can hear them everywhere around you, from behind you, and in your head completely taking over your brain cells. Finally barging into a empty classroom you lock the door shut.
You spot a storage closet making your way into it, you place your hand over your mouth trying to ground yourself from making any noise while trying to control your breathing. You hear what sounds like the sound of metal dragging against the wall piercing through your eardrums.
The waterworks continues as you try to calm yourself down, fighting the urge to scream out loud because you’re so damn terrified. Your heart sinks to your stomach when you hear the door to the classroom slam open.
You hear footsteps walking slowly across the perfectly polished vinyl floors. A knife can be heard being slowly dragged against the desk causing a horrible sound to echo throughout the classroom causing your breath to hitch.
Your eyes go wide when you realize you given yourself away and you pray to god you wake up from this shitty nightmare as soon as possible. The footsteps grow closer to the storage closet as you peak out the little opening of the closet door.
A figure can be seen wearing a black hooded robe, a white skull like mask, and black gloves. You’re full on going into a state of panic when you recognize the masked person from the news and pictures and posters that’s been posted all around campus.
You heard the masked killer goes by Ghostface and he’s known for being a very heartless brutal serial killer. he’s killed 20 people so far and your heart sinks knowing you will mark the 21st person he murders if he was to kill you.
Just as you are processing the information in your head the door to the closet door swings open and you’re met with none other then Ghostface himself. Your heart feels like it’s not beating anymore as time seems to stop.
You don’t move a muscle, completely frozen and paralyzed from the fear and anxiety that’s coursing through your veins. The masked person slightly tilts their head to the side almost like they’re studying your every move.
Finally building up enough strength to speak you decide to do what anyone would do in this situation, beg for their life to spared.
“P-Please don’t kill me, I haven’t done anything wrong to you please I don’t want to die I’ll do anything you want just please don’t murder me” you plead from the bottom of your heart, hoping Ghostface will let you go. The masked figure doesn’t say a word but just stares at you. His breathing coming in steady and calm causing a gut wrenching chill to run down your spine.
suddenly the masked figure starts to chuckle lowly almost mockingly as they bring the cold metal knife to your chin gently lifting your face being careful to not cut through your pretty brown skin and finally they speak.
“Oh Y/n baby, how could you think so little of me? You think I would hurt the most precious thing I hold dearly to me? Do you think I would harm you my darling love, I’m so disappointed in you my love I thought you would’ve known better” the masked figure leans closer to your face, you can feel his hot breath on your neck as he whispers in your ear.
“You mean the world to me my sweet baby, I could never harm you I will kill myself before I lay a finger on you my dear” they hum reassuringly, tucking one of your braids behind your ear.
“W-Who are you! I-I don’t even know who you are how could you possibly be in love with me” you managed to blurt out despite of being scared for your life. Your eyes widened when the masked figure slowly removes their mask, revealing none other than Jake Sim, the top student in your physics class, the guy who never really speaks to anyone, the guy who sits in the back distant from everyone, the guy who nobody would have thought would be committing these horrible murders.
“What’s wrong baby girl? Surprised to see me” Jake smirks at you with an evil unhinged smile, the fear consumes you still, but the flutter in your stomach and the way your heart skips a beat has you questioning your sanity and now you find yourself asking yourself are you just as insane as him?
To be continued…
A/n: eeeee I’m so excited to write this story, I’m so down bad for Ghostface Jake so I know I’m gonna be creaming nonstop while writhing this 😭 but guys I hope you enjoy the teaser because i literally suck at writing them. Please feel free to reblog, share, comment, and like muah 💋.
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hxmocrastic · 1 year ago
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𝐘𝐚𝐧𝐝𝐞𝐫𝐞 𝐋𝐮𝐤𝐞 𝐂𝐚𝐬𝐭𝐞𝐥𝐥𝐚𝐧 | HCS
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Pairing ; {📺+📖} Luke Castellan x GN!Reader
Warnings ; Yandere, Stalking, Gaslighting, Fear of Abandonment, Imminent Kidnapping, Manipulation, Inferiority Complex, Emotional Abuse. ALL CHARACTERS AGED UP 18+
A/N ; Sorry I didn't respond directly to you anon, I accidentally posted this before it was finished and couldn't edit it 💀 But Enjoy!!
Luke is a Gaslighting, Guilt tripping, Boyfailure personified.
At first he takes up his signature friendly act and introduces himself to you first. He even offers to show you around camp !
To him, you're just so adorable. He loves how docile & compliant you are, how your sweet little chin nod's at his every word. You're just so fucking addicting, As soon as he saw you he knew he had to have you.
In order to get you alone & helpless, He'll start spreading false rumors of your parentage, Just to swoop in and shoo those pesky campers away. See? He's such a good boyfriend ! Why won't you look at him?
He'll even get you into some weaving classes, After all a sword is way too dangerous for someone like you. Don't worry about it! He knows what's best for you !
Luke will gladly take his time in wooing you. Slowly implanting little seeds in that cute little head of yours, Whispering things underneath his breath, Increasing physical contact, Even sending you gifts.
The last encounter he had with his father was a scar that will never heal, and a reminder that the gods see him and his siblings as nothing but cattle awaiting the slaughter.
Underestimated, Undermined, Luke always feels he has to go the extra mile prove himself. He thinks that in the eyes of his father he's worthless but in yours he has a purpose, He's a hero.
He'll do anything to keep up that facade, As he only wishes for you to see him in a glorified light. Isn't that what demigods fight for?? Glory,? It only makes sense that you'd love him too !
But truth is, Although he may sustain his benevolent friendly facade, He sees other's as emerging rivals. Whether it be in 'love' or Competition, He views them as competition.
All his life he'd felt powerless & helpless to the evils that robbed him of his childhood. Like his life wasn't his own, How he was always at the mercy of others whether it be the fates, monsters, or the gods themselves. He's never felt real control.
But at camp he feels like he has some control, some authority of his own. And not just of his own life but of other's too. He's finally at the other end of the stick.
Luke loves the power he has over the camp, how the girls & boys of Aphrodite cabin silently fawn at the slightest glance of his figure.
How his stare alone can send clarisse and her cabin trudging to the steps of their cabin like wet dogs. The power excites him.
But your arrival was different. He would've thought it'd be enough to constantly receive the admiration from camp but he desires more from you.
Luke doesn't just want you to favor him, He wants you to obey him. To hang on his every word. He wants you to worship him, To give him the adoration he would never receive from his bastard father.
This is where it gets dangerous. Once the Luke you knew to be a sweet and protective head counselor, He starts becoming a lot more domineering and unreasonably aggressive. And whenever you asks about, He slips back into his loving demeanor and reassures you softly that everything's alright, You're just seeing things that's all!
But you could've sworn you saw him scowling at your friends. Maybe you were just going crazy, it'd be the only reasonable explanation right? Who'd believe you if you said you heard Luke castellan speaking with another voice, right?
For your own safety, You stay quiet. You abide him and start slipping on a facade of your own. Just play along and you will be fine...
He's your hero, your knight in golden armor, Depend on him and solely on him why would you need anybody else?? Love him and only him, and just maybe your cabin mates will be safe. (Not)
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j4gm · 1 year ago
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SPOILERS!!! REFERENCES AND EASTER EGGS IN F&C ep. 2: SIMON PETRIKOV
Let me know if I missed anything!
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First of all the title sequence is fucking cool. I don't want to speculate about the various things we see in it, like the apartment getting blown up or the Fern tree growing into its 1000+ version, because I'm sure the show will get round to all that!
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The first scene was an awesome reintroduction to the post-apocalypse, showing us the dynamic between Simon and Marcy. The button popping off Marcy's dungarees was a reference to young Marcy's first appearance, Memory of a Memory, when she removed one of the buttons herself to fix Hambo's eye.
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Simon was show playing a live set at Dirt Beer Guy's tavern in Obsidian. It seems they've gotten to know each other quite well over the past twelve years. Dirt Beer Guy asks Simon if he's read his new book draft, about a character called Joe Milkshake who was first mentioned in the episode Root Beer Guy.
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Despite the fact we saw Jake in the trailers, Finn and T.V. pretty much confirm in this scene that Jake is dead, and has presumably been dead since before Obsidian. I guess Bronwyn wasn't the only Jake descendant who Finn took on as an apprentice, but T.V. doesn't seem all that into it. The Finn and Jake we saw in the trailer are likely from an alternate universe that we have yet to see.
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Finn uses his weed whacker to cut through these bushes. A nice way of showing he's fully recovered from his Fern guilt. The focus here is very much on Simon's problems instead of Finn's.
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Finn parts with Simon to go and visit Huntress Wizard. The nature of their relationship remains ambiguous and I expect it to stay that way.
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Simon has the Island Lady from The Party's Over Isla de Señorita in his phone. I guess they reconnected after he became Simon again. He also has Abracadaniel. I always liked Ice King's friendship with Abracadaniel and the rest of the Order of Giuseppe so I hope they're still friends!
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Cute Bubbline scene. Back in the episode Bonnibel Bubblegum, Mr. Creampuff suggested he and PB get matching tattoos. Now she's (trying to) do the same with the girl she's chosen rather than some guy who was chosen for her! Also Marceline is using the same phone she's been seen with in a few previous episodes, including Go With Me and Be Sweet.
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I think the flying human city is called Up-Ton.
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Choose Goose! He keeps coming back! And he's evil now! People were joking about him being the antagonist of Fionna and Cake after that weird post-credits scene in Wizard City and the fact he was in hell in Together Again. I wasn't expecting that to actually come true. Glob knows why he's hanging out in a cage in Simon's house.
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The pattern of GOLB's eyes is reflected in Simon's glasses during the ritual. He is doing the same dance that Betty was doing to summon GOLB in the finale.
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Among the objects in Simon's GOLB shrine are the Farmworld Enchiridion, the flying carpet that Simon stole from Ash and was later frequently used by Betty, the crocodile clips that Betty used for her magic rituals, two effigies of GOLB, and what looks to be the shell of the snail who was seen throughout the original series.
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In this credits sequence, Fionna and cake are dreaming about the mask being worn by the bear than Finn slew, and a butterfly with a smiley face on it. Perhaps symbolising Finn?
Tune in next week for episodes 3 and 4!
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starvingnarcissistmusic · 12 days ago
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I should really make a non music blog so that people who like my music don’t get bombarded by random unrelated stuff but this is like tangentially related sort of so whatever
God I just love Mal Du Pays. I am always a sucker for “the enemy is you / the enemy is a manifestation of some part of you” trope in any media but MDP has by far gotta be one of the best applications of it I’ve ever seen.
I mean even just the design of it is brilliant. Obviously inverting a characters colors to get the evil / darker version isn’t anything new for this trope, but ISAT is unique in that you have quite literally been STARING AT MDP THE WHOLE GAME, every single time you die and every single time you loop back. Turning the non diegetic game over screen into a diegetic encounter is incredibly clever and immediately gives MDP that sense of crushing pressure that makes it so memorable.
Also literally any game where the game over music is later established as the motif of a character automatically just wins me over by default. It’s such an effective tool in immediately conveying just what MDP is, even before any of the dialogue starts. It’s the end of this journey. It’s the pain of a home you’ve never known. It’s an entire universe collapsing in on you at once. It’s the end. It’s the end. It’s the end.
And I think, it’s a little Fucked Up, that Siffrin’s sadness looks identical to him. Every other sadness we see in the game is very distinctly not human in appearance, incredibly abstract and inhuman pretty much all around the board. But Mal Du Pays? The sadness of our main character? Pretty much the same. Literally a color swap. I think that’s incredibly telling. A being born of Siffrin’s grief and pain and agony, and the form it takes is his own silhouette.
Thematically, it’s very On The Nose that Siffrin’s worst enemy is simply himself, but at the same time, it’s exactly what you expect. I remember getting to MDP for the first time, seeing Siffrin walk through the void and just… knowing what would come next. Of course it would be another him. For Siffrin, his hell is himself. This nightmarish half-life, devoid of a past and with nothing but a quickly collapsing future, his worst impulses and fears and agonies and pains personified, and all it looks like is his shadow. Of course, what else could be here, at his lowest of lows, but a reflection? Of course there would be nothing here but you. It’s always only ever been you. Mal Du Pays is a mirror. A mirror that hates you like you do, that loathes you like you loathe yourself. In the worst, most monstrous way possible, it tells you exactly what you’ve been telling yourself your whole journey. And so you believe it, let it sink its words into your skin and bury you in the misery. Because maybe then, maybe when you finally give in, it won’t hurt anymore.
(A cold comfort is still, however little it may be, a comfort.)
And then you’re saved. The King is defeated, your friends came back for you, you manage to come up for air again. But it’s not enough. It’s never enough. Everything is still coming to an end. You’re still going to be all alone. And so, you sink again.
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Notice how Bigfrin doesn’t have a face in this panel? This is Siffrin at their most self destructive, most desperate, lower than lower than low. And in a way, I think that by quite literally looking like the Sadness they nearly created, they’re symbolically drawing a parallel there. Siffrin fully embraces what Mal Du Pays represented, to the point that their new form looks just like it. Even if they didn’t manifest MDP, they are just as horrible. After all, the mirror goes both ways. Mal Du Pays looks just like Siffrin, but that also means that Siffrin looks just like Mal Du Pays. And maybe, in Siffrin’s head, they’re one and the same. Maybe they’ve always been.
Oh god it’s 1 in the morning. I did not mean to make this that long lmao w h o o p s
uhhhhhh in summary tldr mdp is very good isat is also very good play isat
(also if you want more MDP content, I sort of wrote a whole song about it. So listen to that if you’d like. Im goin to bed)
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blamebrampton · 6 months ago
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Books talk to each other. Mostly because practically every writer is also a voracious reader, but also because books arise out of times and places and we share a lot of our worlds these days. So it’s unsurprising that several novels I have hugely enjoyed over the past few years share the theme of the antiheroine who is past all giving of the fucks. Naomi Novik’s powerful dark sorceress kept on her own tight leash in the Scholomance books was a joy to follow; Xiran Jay Zhao’s Iron Widow slashed her way into my heart and now Sarah Rees Brennan’s Long Live Evil has added to a list of beloved antiheroines that probably started for me with Becky Sharp in Vanity Fair.
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Coincidentally, when considering how to describe Long Live Evil without significant spoilers, I realised that it shared several major themes with Vanity Fair. Young woman unfairly treated by fate decides to embrace her slut era to survive a war zone – both very accurate and wildly inaccurate for both. LLE opens with main character Rae in a hospital bed, teasing her sister about a book series they both adore. Rae is taking refuge in the story they have shared over years because it is one of the few things they have left: she is losing her fight against cancer and has been losing parts of her life, family and memory as that fight has progressed.
My personal hospital experiences have all been to do with major traumas rather than illness, which I vastly prefer because if you don’t die in the first couple of days, you usually start mending and you can immediately make plans to make the best of whatever you’ve broken. Rees Brennan, however, famously wrote a very funny, very horrible, ‘Kids, you won’t believe what shenanigans your girl’s been up to now, it’s only stage four Hodgkins lymphoma!’ post on her Tumblr or LJ (someone who has been hit in the head with taxis fewer times than me will doubtless factcheck that in the notes) about seven or eight years ago and then faced the very serious business of trying to live. The hospital scenes are painfully authentic, as are the stories of people who have left Rae as she slipped further out of everyday life.
For Rees Brennan, a loving family and peer group were there to hold her as close as they could. For Rae, only her beloved little sister, Alice, and Time of Iron, their favourite fantasy series, remain. They read the books together, remember adventures cosplaying and watching the musical, they wonder about the final instalment; for Rae it’s a joy she can still share (even if she doesn’t remember as much as she should), for Alice, it’s her two greatest loves. When a strange woman offers a door into the world of the book and a possible magical cure to Rae, she wants it as much as she disbelieves it.
Stepping into Eyam, the land of Time of Iron, Rae finds herself in the body of a villain doomed to die the next day. No worries! She’s thought and fought her way out of worse scraps than this in her past as a head cheerleader, let alone while battling cancer. She can use her knowledge of the plot to change things! If only she remembered more of the books…
Portal fantasies are common enough, but not all play by the same rules. This isn’t Narnia, where the magical world is more real than our own, for Rae, the world of the book is nothing more a tool to get her hands on the cure. She doesn’t need to care about any of these people, they’re not real. Most of them speak in a formal language that relies on the conventions of fantasy literature (there is an ongoing, warm-hearted skewering of all Game of Thrones-esque texts running through both the story and the in-text ‘quotes’ from Time of Iron) and half the characters are known more by their descriptions rather than their names. So she will play the Beauty Dipped in Blood, with her questionable morals, impractical clothes and centre-of-balance-distorting boobs for the weeks that will pass until the cure is available. Whoever she has to shuffle in the plot to secure a place beside that cure, she will shuffle. While she’s not out to kill anyone, it’s not as though they were ever really alive. Not like her. If she has to be the villain to survive, she will be an impeccable one. The people will cheer evil on!
Obviously, little goes to plan. Rae’s illness has taught her cruelty, but she hasn’t forgotten what it is to be kind. Even as she manipulates her role into ongoing main character, she realises that’s not how anyone gets a happy ending. That’s not how she can live with herself. As she comes to think of the other people in the story as real, they become more so, both in how we read them and in how they impact the story. Rae remembers what it is like to make friends, which she never meant to, but, oh, the luxury after years of watching people slip away!
As in previous novel In Other Lands, Rees Brennan has a long list of fantasy tropes to embrace and undermine, and her deft touch with humour is as evident as ever here, but her publishers call this her first adult novel and there is a shift in tone from her previous works. Anger is more real and lasting. Consequences are more significant. Understanding is reached for, even if it’s bitter. One of my favourite things is that she lets her female characters rage, but never judges those who can’t, whether because they’re too powerless or just too tired, and her male characters are allowed to be people if they choose to be — which all but the most vainglorious do.
I hadn’t paid much attention beyond checking the release date for the book, so didn’t realise it was the first in a series. For me, it worked perfectly as a standalone novel, even with the unended threads, which would have perfectly balanced Rae’s unfinished life. That said, I am very happy to know we will spend more time with these characters in the future. I want more. I do want to know if there is a hope for Rae, if this is the fever dream of a fading life, if this is the story Alice has told to ease her sister from the world or something else. There are a dozen characters I hope for, at least three happy endings that would bring joy. But don’t wait for the next books: sink your teeth into this one and believe what it says about the importance of listening to stories rather than just falling in love with characters. Though if you find yourself cheering on Rae, or her servant Emer, the elusive Eric, Horrible Hortensia or almost any of the others, I am the last person who will judge you.
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hollaforlyla · 1 year ago
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Hey love, hope your all right. So Hoe about dazai with an s/o who always acts cheery and all childish like him in order to hide their immense trauma. So whenever someone scolds Them bit too loud reader flinches but again brushes it off?? ❤️
SRRY IS THIS TOO LIKE ANGSTY I RLLY AM CRAVING FOR HURT TO COMFORT RN----
You don't have to do it BTW ^^
"it's okay... to not feel happy all the time."
taglist : @justcallmesakira @riiwrites @silverbladexyz @atlasnessie
warnings : angst to comfort, lowercase writing, cursing, mention of past abuse, evil exes(heheh scott pilgrim), kunikida is SOOOO out of character holy shiiitttt (╥﹏╥) not proofread, sorry!!
HAII BABEEEE!!! consider your cravings feed!! i'm actually like this irl omg is that why i'm so excited to write this???? hope you enjoy
i love dazai so much :( my back hurts from slouchinggg i'll have back problems by the time i'm fricking twenty!!!!
osamu dazai x gn reader
dazai
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HEADCANONS ₊˚ෆ
you are so cute.
almost everyday is a new adventure for him when he's with you.
he's the first thing you see in the morning.
he opens his eyes and your all in his face like; "hi, sisters!!" and he literally shrieks, but don't tell anybody.
you start tickle fights with him all the time when you seem to be in an upset mood or just want to hear him laugh, but can you ever win?
he will play along with you because too be honest; he is just as childish as you are from time to time. ESPECIALLY when he's with you!!
you grab his arm a lot and jump up and down when something really gets you excited.
once, kunikida agreed to use his card to buy you some ice cream at the fair and you grabbed onto dazai's arm and almost slapped him in the face with his own hand.
he's never really understood why you get so like that over something so childish.
be glad it's not fyodor; SHEESH.
until, one evening.
you screwed up on a mission with atsushi; too which caused kunikida to throw his anger out on you. all the two of you were ordered to do, was to steal the documents you were ordered to retrieve in order to take down this small organization of scary gifted (not the port guys; •⤙•)
atsushi had to save you from a sudden attack, injuring him in the process, having no other choice but to retreat.
yosano treated him up right away.
atsushi noticed the way your arms would flinch up to your face each time kunikida would raise his voice, but honestly kunikida was just ranting about how stupid it was for you to get distracted over such a childish thing like a stray kitten.
he gave kunikida a look, saying to calm down and just go rage somewhere else without having you in the room.
after that you mentioned none of this to dazai; however atsushi thought telling him the way you reacted would be the right thing to do as both your friends.
SCENARIO ₊˚ෆ
"HOW can you be so careless, y/n?!"
it was almost like you felt a knife stab through your rib.
over and over for the past couple minutes kunikida has been going off about you getting distracted on the mission you and your weretiger friend, atsushi nakajima, were assigned on.
"i thought you would be perfect for this job because of how focused you were on all our other missions. WHAT HAPPENED?"
you gulped on your spit, your arms shalking from the once again booming voice come from kunikida.
it was a simple mistake-
"SIMPLE??"
atsushi side eyed you to see how you were holding as he was just awkwardly standing beside you as kunikida continued to just shout at you.
he would noticed your lips tremble ever so slightly, you head held down low as your fingers played with the fabric of your pants as you plucked up the courage to finally speak; "i'm sorry, kunikida. i didn't mean to screw up-"
"we'll, you wouldn't have to be sorry if you had just DONE YOUR JOB!"
your eyes were fixated on the floor still as you took in a deep breath, "jesus, i knew you were childish, but y/n what the fuck!?"
he swore.
atushsi was also getting a bit uncomfortable at kunikida's screaming session.
"atsushi got hurt on this mission, y/n, because you!"
without another word, you ran past atsushi who reached out t grab you back, however kunikida told him to let you go as he sat at his desk, removing his glasses, rubbing the bridge is nose.
with a frown he watched as you ran, looking at the carpeted floor to notice some tear stains following the exit.
you ran.
and ran, and ran, and ran.
into on coming traffic, past strangers who complained when you accidently bumped into them, and to yours and dazai's apartment.
there you were now. standing in the lobby of the apartment, the security guard awkwardly looking at you as you entered the elevator that has opened after a couple of seconds of waiting.
you used the mirror to look at yourself in as you quickly tried to wipe the tears away from your face, and maybe any makeup you may have had on? does it matter, it all melted away anyways!
your floor arrived, and the ding from the elevator dinged as you exit it and slowly walk toward the door of your home.
you fumbled for your keys that were in your pocket, even after all that running and bumping you did to get here, hands shaking with fear.
kunikida's voice echoed through your head; "are you really that childish? he never seemed to care...why does he have to shout?? there's no need for it, no? and even atsushi was there, double the embarrassment!!"
"'donna!?"
dazai's voice rang through your head as you looked up at him at the door step. oh, right, you unlocked the door but have yet to open it, causing osamu to do it for you.
"i thought you were at work, your shift doesn't end till..oh, well you still have 35 minutes?"
you pushed the thoughts in your head in the back of your mind, and gave him the biggest smile you could muster and hugged him, giggling and spinning around until you reached inside.
"don't worry, i just felt like coming home early to see my handsome and amazing boyfriend, who promised me ice cream waffles when i did get home!"
dazai chuckled, grabbing you by the waist and using his foot to close the door, managing to keep you in the air with one hand as he quickly used the other one to lock the door behind the two of you.
"well, i can tell someone's been excited all day?" you giggled, although your throat hurts from crying so much on the way here, dazai hadn't had seem to notice.
or so you think.
he placed you on the couch, gently kissing your lips before slowly pulling away. your eyes were still closed as he did and a smile on your face.
"feel free to choose whatever you like, my dear~" he taps the remote for the tv on your head and hands it to you; "well thank you kindly, my...man?"
he smiled at your cute comeback, causing you both to giggle as he walked to the kitchen.
you could hear him to rattle around with the toaster and opening and closing of fridges and freezers, probably for the ice cream.
when he was out of sight, you checked to feel anymore tears on your eyes and sniffled softly, not knowing dazai had already figured everything out.
"so, how was my sweethearts day, today? make any new friends?"
you chuckled, knowing he meant about the stray kittens you always seem to run to.
"it was alright, what about yours?" you tried to change the focus onto him, but he was smarter then that.
"mm, boring without my angel. day-off's are so sad without you," you heard the sound of the waffle popping out of the toaster, "didn't you have that mission today with atsushi? tell me, how did that go?
he expected the sudden silence that had filled the room. he scooped vanilla ice-cream into a small bowl for you; and only you, as he hummed.
"'donna, don't go quiet now. talk to me..."
you felt the tears roll back again. it was that voice that made you all emotional again. it was so soft and gentle, almost as if he's whispering into your when he's on the opposite of the room.
you took a shaky deep breath in as you stopped clicking the buttons on the remote, you stared at it, your hands shaking once again as you tried to control your crying.
dazai had a blank face was he added whip cream to top of the dish, and finally emerged from the kitchen...his eyes immediately on your figure which was seated on the couch, right where he left you, however your cute and childish personality wasn't.
he slowly walked over to you, his eyes drifting away from you to place the bowl on the table in front of you. you looked down to take a look at the dish; it was a waffle and ice cream scooped into it, like it's own bowl, and whip cream on the sides to give it the mountain shape, "you can do more then stare at it, ya'know?" he smiled, sitting beside you suddenly and wrapped an arm around your shoulder.
you felt yourself suddenly start crying; to which he pouts at; "it was first mission, darling, there will always be more-"
"IT'S NOT ABOUT ME FAILING IT!"
he looked at you like wide eyes and nod; "something more?"
you sighed loudly and hugged yourself, "it's just-" you kept stuttering due to your lack of breath from your sobbing,
"take your time, it's alright." he gently scratches your scalp to sooth you.
"kunikida...gohot so mahad...he...he yelled, he swore at him, he got close to my face...ahand the..thehe thoughts..ihi..ihi could only thihink abouhut my ex...whoho would do the sahame when i screhw something uhup.."
although you kept sniffling and breathing hard through, dazai understood each and every word.
his hands moved to rub the back of your neck, as his other held your hand tightly as you cuddled into him, your tears staining his dress shirt.
"ihi...just got schahared...ihi just whanted to...to have you...buhut i didn't want to bohother you with my prohoblems.."
dazai couldn't believe was he was hearing.
you, giving him problems about your mental health? what are you, MAD?? no, just insecure. which he understood completely.
"may i?" he asks, taking your cheeks in his one palm, making you look at him. not knowing what you agreeing to, he suddenly pulls you in for a tender, soft kiss.
you almost forgot what his kisses felt like, all the memories of your ex made you almost forget you have found somebody new, who will never, ever, want to hurt you without having any sense of what he's talking about.
moments later, he pulled away, placing his forehead to yours's as tears spilled from your eyes; however these were the tears that brought joy and happiness to your relationship.
he was never good with the words of comfort, however this is the reason why he is learning to be better, for you.
"there are bad, bad people in this world, and sometimes they change, some don't. i would know, but that doesn't mean everyone has such an evil heart. like you.." he chuckled, poking your chest, "you have such a pure heart, only the kindest of souls could ever have a chance to ever get close to it and open up to it. kunikida is just a grumpy man, when things don't go as planned he just goes.."
dazai circled his finger by his temple, causing that adorable smile to appear on your face.
"oh, there's that smiiile~" he laughed as he suddenly dig his long fingers into your soft sides, causing you to squeal and laugh immediately, "theres that smile, yeaah, awh~ your so cute, i could just eat you up-"
"DAHAZAI!"
you screeched when he nibbles on your neck, now tickling your upper ribs as well.
all those nasty thoughts that were in the back of your mind, dazai has a way of taking them and tossing them out the window and making sure you go to sleep with that cute smile on your face every night.
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