#feminized labour
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so a lot of ideological tradwives pursue the line of argument that feminism denigrates traditionally womens work (i.e. housekeeping, childrearing) by suggesting that feminists want to push all women to do "men's work" and dismiss the value of mothers and homemakers.
setting aside the obvious untruth of this- feminists have always been the strongest fighters for recognising the worth of womens work- its interesting when juxtaposed with the tradwife line that retiring from paid employment and settling into domestic life is relaxing, natural, and suitable for womens more delicate selves. they suggest that feminism pushes women to run themselves ragged rather than living a relaxed existence at home, cared for by their husbands.
but this itself is rooted in the devaluing of domestic labour, because it understands it as easy, simple, and fundamentally Not Real Work. its an important part of the tradwife project to glorify homemaking while also denying its difficulty, to promise women they will be valued in their domestic role while stripping away recognition of that value. its not an original observation that tradwife influencers often live in massive sparkling homes clearly cared for by domestic servants while they show off their hobbies, but its important to note this is not only a way to attract viewers to an idealised vision but also a systematic tactic to devalue the real worth of domestic labour
#feminism#to be clear homemaking and childrearing is incredibly valuable! and we should recognise it as the difficult labour it is#not glorify it as relaxing
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i went to a leftist festival last month and there was a panel dedicated to prostitution, why abolition is the only road to go for leftists and how to help and support prostituted women exiting the trade, and i keep thinking about that union organizer who said, "we hear more and more that 'sex work is work', but if that were true, then there'd be professional trainings leading to a qualification for prostitution, then there'd be prostitution diplomas, then high schoolers could send applications to follow those trainings and become prostitutes. but we all know that all these things don't exist, and if they did exist we would all recognize them for what they are: a grooming business encouraging pedophilia and violence against women and girls." and what she said later; "trade unions that argue that 'sex work is work' never engage in legal battles against pimps or brothel owners. they don't even recognize that pimps are the bosses of the prostitution market. "sex workers' trade unions" don't fight pimps because sex workers' unions don't represent the alleged "workers" (prostituted women), they represent the bosses: pimps."
and that made me think of what Kajsa Ekis Ekman said about the trade unions that consider prostitution to be work and prostituted women to be workers: they offer trainings about condom use and spend millions of dollars funding "worker peer education" about "safe sex".
So one again, it's prostituted women who are held responsible for the spreading and the prevention of STDs - not the johns, not the pimps. the prostituted women, many of them victims of sex trafficking. "As human trafficking expert Malka Marcovich has pointed out, this means a return to nineteenth-century ideals of hygiene, where the onus was “primarily on the women to take responsibility for the health of ‘the customer’, so diseases would not be spread to their families” (2007, p. 347)."
It's quite obvious to any trade union organizer that prostitution is not work and the sex trade can't be organized as a trade union. a few months ago, the biggest unions in my country (which included the traditional left-wing trade unions as well as students' unions) issued a paper condemning the 'sex work is work' narrative and the pimp lobbies got so mad about that because they know their strategy isn't working because leftists know what left-wing politics look like and they know women's liberation doesn't come from prostitution. Now it's interesting that the biggest voices of the "sex work is work" movement come from the USA, where the anticapitalist left doesn't exist. American liberals love to pass reactionary politics as revolutionary but not because they are stupid in their own country does it mean they should influence the actually left-wing labour movement in other countries, right?
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it's so weird with these leftist "sex work is real work" people like why do you even care what is real work? who are you trying to impress, the capital?
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Here's something I'm sure you find infuriating;
"I'm not into politics. I don't really know, I'm just not a political person."
We know that this IS being political! It means you condone everything - you don't think anything is worth fighting for, you're fine with the status quo as long as it benefits you vaguely. It's the mindset of someone so aggressively individualist, that the suffering of others is simply not a concern - since the system can't be broken, if they're alright. The kind of people to vote for a fascist if it'll mean that their taxes are lower next year. To stand by and watch oppression is insidious. Not even watch - to Celebrate oppression as long as it's against the "savages" and "beasts." Mass mistreatment still exists beyond the gulf surrounding apathetic suburbia.
#democrats#republicans#labour#conservatives#lib dems#196#marxist#marxism#communist#communism#marxism leninism#marxist feminism#apathy#apartheid#israel#palestine#apolitical#politics#political#uk politics#uk
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it's a little funny, because the endpoint of femininity is being the perfect partner to a man. that's literally what femininity is for. that's why it exists. the beauty industry's entire focus is catering to male desire. you aren't taught from day one to be demure just for the sake. it's because you're supposed to be the wife of some man. yet on this site, we can criticize and be sceptical about heels and plastic surgery, but not the end-goal of that career: romantic partnerships with men.
#nuance in the tags#i personally think that this depends on the power dynamics present in such relationships when it comes to things like labour or finances#however#given the socioeconomic position of most men compared to most women - while i don't think it's impossible to have a balanced and healthy#heterosexual partnership#i still maintain that it's unlikely#imma get crucified for this one regardless lol#separatism#radblr#radfem#radical feminism#feminism
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A 17 y/o girl was raped by a security guard in the basement of a college campus (PGC) in Lahore, Pakistan.
The school administration tried to cover up the crime to protect the reputation of their campus. They denied the incident and are now threatening the students to stay quiet otherwise they will be expelled.
Thousands of students are since protesting to seek justice for the girl.
About 23 campuses of the college have been destroyed by the students.
The rapist has been arrested according to the news but there’s another news circulating on the internet that the case has been closed by the police who claim that the girl's parents confirmed she only fell and broke her leg.
And the internet is once again replete with stupid morons praising the male students for taking part in the protests and calling them 'a hope for the future generation' however these boys are no different from the rapist security guard.
Female students of the campus have made several complaints against the male students and the guards before as well for harassing them but the administrators would always suppress the issue.
The girl/victim is currently in the hospital.
#stop sympathising with poor labour class men#all men are trash#pgc campus rape case#pakistan#lahore incident#yes all men#radblr#radical feminism#radical feminist community#radical feminist safe#radical feminist#feminism#radical feminists do interact#women
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Taylor Swift, "Would've, Should've, Could've" // Paris Paloma, "the fruits" // @cokegirl // Lilith Kerr (a.k.a., me), "girlhood"
#girlhood#feminine rage#feminism#my poetry#web weaving#poetry#taylor swift#midnights#would've could've should've#paris paloma#poetry webbing#word webbing#feminist#gender equality#intersectionality#female rage#feminine anger#female anger#labour paris paloma#paris paloma labour
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penance, for no battles can be won
sources: pinterest | pinterest | @jamespotterbbg on tumblr | pinterest | pinterest | the man - taylor swift | @/alexbertanades on twitter | labour - paris paloma
#feminism#labour paris paloma#the man#the man taylor swift#taylor swift#lover#lover taylor swift#web weaving#web weave#on women#on feminism#fuck the patriarchy#womens rights#intersectional feminism#intersectionality#gender equality#equality#sexism#gender roles#feminist art#feminist activism#this is what makes us girls#aesthetic#to be a woman is to perform#to be a woman#web weaves#webweaving#web weavings
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A newspaper in my country has interviewed Siddharth Kara, one of the experts on what's going on in the cobalt mines in Congo. I think it's very well explained and a must-read to get an overview of this huge human rights violation that is going on. So here I translate it to English, hoping it will reach more people.
Siddharth Kara: "Every time we buy a new mobile phone, we put our foot around the neck of a child in the Congo"
Interview with the author of Cobalt Red: How the Blood of the Congo Powers Our Lives
"The poorest people in the world, including tens of thousands of children, dig the earth in toxic and very dangerous conditions to find cobalt," says journalist and writer Siddharth Kara (Knoxville, Tennessee, USA, 1974). The rechargeable batteries of our mobile phones, tablets, laptops or electric vehicles need this mineral that thousands of children, men, women and elderly people extract from the Congolese mines in inhumane conditions. Kara went there because he had specialized in research on slavery, and in Congo he found a modernized form of slavery. "Time has passed, but the colonial mentality has not," he explains. Everything he saw there and what was explained to him is recounted in Cobalt Red: How the Blood of the Congo Powers Our Lives (a book that does not have a translation into Catalan, but which has now been translated into Spanish, by Capitán Swing). The photographs and videos illustrating this interview were taken by himself.
—Was it difficult to write this book? —Yes. Firstly, because of the specific difficulty of this area of the Congo: very dangerous, very militarized. There are armed militias. And for the local people there it is dangerous to talk to foreigners, because it can bring them consequences. It was difficult to get there, and then it was difficult to build trust with the people who worked there. I only managed it thanks to this trust, which we achieved little by little, until we were sure that we could do the research with guarantees and ethically.
—What drove you to the Congo cobalt mines? —I had been doing research on slavery since 2000. Around 2016, some African colleagues contacted me and said: “Siddharth, something terrible is happening in the cobalt mines of the Congo, maybe you should go there”. I had no idea what cobalt was. I thought it was a color used for painting. I didn't know it was used for rechargeable batteries. It took me a couple of years to grasp its importance. Then I started making contacts to travel there, and in the summer of 2018 I went there.
—And what did you find there? —The suffering and degradation I saw there were so intense that I decided to return there often to write a book. Hundreds of thousands of the world's poorest people, including tens of thousands of children, dig the earth in toxic and very dangerous conditions to find cobalt and put it into circulation, in a distribution chain that goes to the rechargeable devices and cars that people like you and me use every day. It was a human apocalypse, a total invasion of human rights and the dignity of the Congolese people.
—Could you describe what a mine like this is like, physically? How should we imagine it? —Those who are at the top of the economic chain of cobalt exploitation like to distort the truth, and use the term "artisanal mine". This way, they evoke a kind of picturesque activity, but on the ground it is a dangerous and degrading job. A mine of this kind is a mass of tunnels, pits and trenches filled with thousands of people who dig with shovels, pieces of metal or directly with their bare hands. They fill a sack with earth, stone and mud. Some children rinse it in toxic pools to separate the mud from the cobalt stones, which a whole family pours into another sack. It might take twelve hours to fill a forty-kilo sack or two. For each sack they get paid a few euros, very few, and that's how they live every day. They survive.
This video was filmed by Siddharth Kara: [you can watch the video in the interview link, freely available without any paywall, here]
—Is there any rational organization in these mines? Is there someone who decides who does what to optimize work? —Well, there is a whole gear designed so that the poor and the children of the Congo produce hundreds of thousands of tons of cobalt every year. There, work is usually divided by age and gender. Digging tunnels, which requires a lot of strength, is usually done by young men and teenagers. The digging of small pits and trenches that can be less meters deep is done by women and smaller children. Rinsing this toxic cobalt is usually done by the children. The merchant system to exploit these families and sell the cobalt they produce to the formal industrial mines is very well set up.
—What else do these people at the top of the chain invent? —Another fiction they invent is that there is a difference between industrial and artisanal mining, and that they only buy from the industrial one, where there is no child labor. Not true: all cobalt is mined by children. All the cobalt that the children and peasants extract goes straight to industrial mining. In addition, there is no way to separate what comes from a bulldozer and what comes from a child, once it all pours into the same place in the facility that does the industrial processing before this cobalt is sent out of the Congo.
—You explain that the situation is particularly abusive for women. —Yes. It is a lawless land, and violence is the norm. Women and girls always bear the brunt: they are victims of physical and sexual violence, and almost no one talks about it. It is a major tragedy: they are victims of sexual assaults that are committed in the mines themselves, while they collect the cobalt that we have in our mobile phones.
—You refer to all of this as a new episode of slavery. It is not the first time that the Congo has a decisive material for Western economic development. It happened with uranium for nuclear bombs, for example. History repeats itself. —Exactly. It is important for people to understand that we are not witnessing an isolated case, but the latest episode in a long, very long, history of looting of the Congo, a very resource-rich country, dating back to the colonial period. The first automobile revolution required rubber for tires. The Congo had one of the largest rubber tree rainforests in the world. King Leopold [of Belgium] deployed a mercenary army of criminals and terrorists to enslave the population and make them work to get it. This inspired Joseph Conrad's novel Heart of Darkness. The Congo also has abundant reserves of gold, diamonds, nickel, lithium and other metals and minerals that make components for electronic devices…
—These mercenaries deployed by King Leopold, are they still there today, in one way or another? —Yes. On the ground there are militias, or the army, or private security forces that the mining companies hire and that, sometimes, in addition to monitoring, do the work of recruiting children. Under the threat of an occupation, they force an entire town to dig. It's atrocious: we live in an age of supposed moral progress, where everyone shares the same human rights, and yet our global economic order has its knee on the necks of the children and the poor of the Congo, with this huge demand for cobalt that has to fuel the rechargeable economy.
—Has no Western country or international body done anything to stop it? —No. No western country, no government, no big business has lifted a finger to address this tragedy. They talk about maintaining human rights standards in their supply chains, they talk about environmental sustainability, but it's only talk. That is why it is very important that journalists and researchers set foot on the land of the Congo and listen to what the Congolese have to say: that no one protects their rights or their dignity, that they are erasing the environment, that mining it is not done in a sustainable way and the whole countryside is polluted and destroyed by the mining operations. It is enough to walk ten minutes around a mine to see it.
—Does the same happen in all mines? Large Western companies that use cobalt often claim that theirs comes from artisanal mines that meet standards. —Have they gone there? There is no decent mine in the Congo. It does not exist. I'll be happy to take any CEO of any tech company to their mines, where their cobalt comes from. We'll stand there, watching them extract it, and take a selfie with it. Everyone will realize that what is seen behind us is not decent. You will see destruction, millions of trees felled, installations that emit toxic gases that fall on the surrounding towns, on the children, on the animals, on the food. There is no decent mine in the Congo. And they know it. But who will believe the voice of a Congolese if they can drown it out with proclamations of human rights while they continue to make money without measure?
—Can you explain the role China plays in all of this? You say that it controls the supply chain. —Yes. China controls about 70% of mining production in the Congo. Why do we accept China saying its mines are decent, if they don't even protect the human rights of their own people? Why do we accept a technology company or a car manufacturer saying, "My Chinese partners say they protect human rights there, and that's enough for me"? Why do we accept it?
—Why do you say that a certain transition to green energy is absolute hypocrisy? —When the calls in favor of this transition consist of proposing to consumers that they buy electric vehicles instead of gasoline cars, this is hypocrisy. Because the cobalt and other elements that are used for the batteries of these cars are extracted using methods that are catastrophic for the environment. While in one part of the world we say we want to save the environment and leave a greener planet to our children, in another we are destroying both the planet and the future of their children. How can you save only part of the planet, turning the rest into a toxic dump? How can we give a green planet only to our children, while we let other people's children die? This is hypocritical.
—It is a reflection of the domination that the global north maintains over the south. —We have never given Congo the opportunity to benefit from its own resources. It is a colonial mentality: time has passed, but the colonial mentality has not. It is the same type of colonial plunder from a century and a half ago. It is colonial to say: "Look, we need this, they have it, we take it from them in any way and, when we no longer need it, we leave a catastrophe behind us". There are companies that, recently, have started to pretend that they are becoming aware of this and promised that they would try to use batteries that did not have cobalt, but in reality they said: "Well, we've been caught, we'll look for another mechanism". And they do nothing to solve the catastrophe. Even if we no longer needed cobalt tomorrow, we would have to repair the destruction we have caused these past fifteen years.
—It's the big companies who should be required to react, but what do you think a Western consumer who has gotten upset reading you could do? —The first step to progress in the conquest of human rights is always to make injustice known. Contribute to make everyone knows. Most people are good and, in their hearts, want no part of injustice. It is the few who move based on avarice and greed who pollute the rest of humanity. Outreach and awareness is the first step because it will inevitably activate a lot of people. Change always starts like this. In the case of cobalt, the second step is to think about our consumption habits. Every twelve months, the technology company I bought my phone from offers me a new one. Do I really need it? Every time we buy a new mobile phone, we put our foot on the neck of a child in the Congo. Better think twice, then.
#congo#human rights#electric vehicles#electric cars#colonialism#labour rights#china#environmentalism#rape culture#feminism#slavery#africa#cobalt#labor rights#anti racism#free congo#siddharth kara#childrens rights#history#💬
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Amazing article in The Times today
Particularly interesting if you're into UK Politics.
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I just find it very interesting that all the labour classed as lesser (most often seen as "women's labour") becomes indispensable in moments of crisis. It's just interesting to see how quickly people turn to that labour and then discard it in moments of peace or prosperity, devaluing it until another crisis hits.
#politics#feminism#yes this is me reflecting upon the knitting and war video#it's interesting how a 'feminine' craft like knitting became recognized only in tangent to the violence of war#my feelings about this are complex but i think textile craft is a good example of what i mean#because textiles are revolutionary to humanity - just like the discovery of fire. and yet it is so often devalued#especially when it comes to profit over human welfare#look the textile artist to even stauncher hater of capitalism pipeline is real and i'm barreling down it faster than the speed of light#complex feelings on this but this is my general thesis i guess#(context: i was watching a video about knitting and how it supported war efforts in wwi and wwii)#(and while i did know a lot about the topic in that it was a huge part of war support propaganda it was still interesting)#i feel like that video encapsulated a lot of angst i have about crafting labour especially#and also by 'interesting' i actually mean infuriating and stupid
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me on eid: religions and by extension religious festivities are inherently misogynistic and i refuse to partake in any religious celebration.
liberals: you feminazi islamophobic bitch bet you don’t say it about your hindu festivals.
me on christmas: religions and by extension religious festivities are inherently misogynistic and i refuse to partake in any religious celebration. + i went to a catholic school and all my worst experiences and memories are linked to that hell hole.
liberals: you casteist (most christians in india are dalits who converted) bitch bet you don’t say that about your brahmin festivals.
me on diwali: religions and by extension religious festivities are inherently misogynistic and i refuse to partake in any religious celebration.
liberals and conservatives together: you feminazi bitch bet you don’t say this about muslim and christian festivals.
#seriously though wtf#also women disproportionately burdened with organising festivities#magic of festivals = women’s unpaid labour#text posts#desi tumblr#anti religion#radblr#radical feminism#radical feminist safe#feminism#radical feminists do interact#terfblr#radical feminist community#terfsafe
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I was so impressed with your toe-to-toe comment on the French philosophy anon. So happy to have found you, omg! I heard Taylor called her ttpd set as the "female rage musical." I take it she knows the impact of the song Labour by Paris Paloma which has been dubbed as the female rage anthem. So naturally, here is the 34 year old culture vulture, can't-have-any-ideas-of-her-own that is Taylor Swift hopping there wanting to get the attention away from it when that song is quite phenomenal. One song compared to her 31 diss tracks that's nothing to me, at least, but the excessive sentimentality of an infantile woman in her 30s. It's gross the confessions she's put on that album. And even her own fans are comparing her to Olivia Rodrigo. That's she's copying everything about her - song, outfits, the "female rage" theme just to mock her. Somehow, Swift thinks it would do her a world of good. People are catching on to her antics which are absolutely disgusting, btw. I'm hoping one day you write about all these completely ridiculous gross things she's done using her own lyrics. You know what I mean? I hope someone write about her nasty lyrics and that it completely destroys her.
Thank you ha, I'm glad you found something meaningful in that post. I will not lie, that Anon actually hurt my feelings for a second (I got over it by writing my response), but I was upset at being so misunderstood. I'm not out here levying unreasonable criticism at Taylor Swift. All will be based on reality, or interpretation of her own lyrics. I’m defs out to get her though- in the most legitimate way possible- and maybe someday I will publish for real on her. I have a couple of criticisms that I will not be putting on my blog- because I want to say it on a bigger platform. : )
I do see a lot of harmful things in her music that I have been resisting the urge to write about for YEARS! Even back in 2009, listening to "Love Story" I remember thinking to myself, oh this is nothing like what Shakespeare meant and it's also a weird appeal to the patriarchy through the "I talked to your Dad/ Go Pick out a white dress." It's so clear that she's just reduplicating mainstream attitudes on romantic relationships by using Christian Conservative social standards of needing the father's permission to ask the girl's hand in marriage. She obviously wanted to attract the Christian- Conservative fan- base with that song, and that's exactly what happened. Her marketing is tied to the phrases she places inside her songs in a way that is extremely calculating. She, Afterall, learned from the best at attracting mainstream, Christian, conservative fans, Toby Keith (hate that fascist, white nationalist freak). (WHoops, that was mean- oh well, he’s dead anyway). (and if he wanted me to be nice- he shouldn't have been a fascist).
It's so obvious, and I really figured everyone else was also aware of the ways in which Swift interpolates patriarchal standards in her music. I have many more examples- I could write a whole essay on it.
Apparently, everyone thought she was a feminist? Bro, she became a "feminist" if only to evade criticism and capitalize on mainstream pop-feminist trends. She's not a real feminist. Her use of “feminism” to evade critique ties directly into her other marketing strategy of telling the world “I’m so innocent and young” all the time.
Also, her co-opting of the phrase Female Rage has made me angry, exceptionally angry. I saw that she's trying to trademark the phrase. I am incensed. I will post about it soon.
I wish Swift would stop co-opting legitimate terms and pulling only the most shallow- self-centered conception of the term out to use in her mediocre music. She’s like if Pinterest was a person- and I’m tired of it.
Paris Paloma’s “Labour” is amazing, because guess what- it actually speaks about the experience of women under patriarchal standards in a way that respects the seriousness of the topic. I absolutely believe that Swift saw how viral that song went and decided she needed to cash in on that too.
And she is totally copying Olivia Rodrigo. Can you imagine being 34 and trying to act 20? I would die of embarrassment. But it's so obvious that it's getting weird.
I have much more to say on this topic- sincerely I could write a book on the conceptual point of “Female Rage” in media. I have thousands of examples, and I’ve been studying this stuff for years. I will, however, ramble on no longer. Thank you for your kind words- and I hope you enjoy my upcoming writings.
#anti taylor swift#anti swifties#anti capitalist#ex swiftie#taylor swift critical#fuck taylor swift#TTPD#paris paloma#labour#female rage#mad woman#feminism#feminist#olivia rodrigo
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Bitch - Meredith Brooks / Burn Your Village - Kiki Rockwell / labour - Paris Paloma
#meredith brooks#burn your village#kiki rockwell#labour#paris paloma#music#lyrics#feminism#parallels#web weaving#comparatives
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obsessed with paris paloma's entire discography, but one that stood out to me was "last woman on earth" from the cacophony album.
I've heard so many takes on the 'man or bear' discourse, and this piece of art is my favorite response. it speaks of a woman whose dying wish is to finally be respected.
I've heard of so many cases where men have violated even the deceased. this song feels like an outcry from the daughters of those victims.
she says she'd rather be with the bears, be burned, or be scattered in the oceans—anything rather than be buried in a grave where men can still find her. she'll get tattoos so her body will be considered 'ruined,' because only then will they leave her alone.
she says if you love her, wait for her body to turn blue and decay, so she'll finally be undesirable again. so that even in death, her body is still hers.
this is rage. this is girlhood. give my girl paris paloma the audience she deserves.
#paris paloma#feminism#man or bear#cacophony#last woman on earth#labour#song recommendation#poetry#girlblogging#girlhood#feminist poetry#feminist poem
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radical facts - short feminist facts
#patriarchy
Women's unpaid Labour
Worldwide, women and girls perform 12.5 billion hours of unpaid labor every day. This work adds $10.8 trillion to the economy every year.
With this unpaid "shadow-labour" alone, women contribute as much as 6.6 percent to the global GDP.
It exceeds the combined revenue of the 50 largest companies on last year’s , including Walmart, Apple and Amazon.
(Data via Oxfam & ILO)
#radicalfacts#feminist facts#patriarchy#systemic inequality#women's rights#exploitation of women#women's work#women's labour#unpaid labor#feminism#we need feminism
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