#feeling bitchy

[peppermintquartz]

I'm feeling bitchily critical today so. Let's get critical.

Reasons why Season 8 of 911 (so far) sucks:

Bobby and Athena are aimless

They have no house. The logical development is for them to look for one, one for their future. That is theirs. Where are the house hunting woes? The disageeements and compromises? Are they ever going to have a chance to find a place they both love? Or build one, even?

Athena's job description is all over the place

She's giving school talks. She's conducting traffic stops. She's escorting a prisoner across state lines. She is mentoring new officers. She's a goddamn Sergeant but what is her job scope? Every single thing requiring the presence of police, apparently!

Hen and Karen have little direction for growth

The Mara adoption issue could have brought out more of their relationship, developed them in terms of relying on each other through a difficult time. The storyline with Ortiz could have really delved into the struggles of the foster care system, and how Hen and Karen broke rules designed to protect the kids. (Seriously, if a child is removed from a foster family, it's logical not allowing the foster parents to meet the child that was removed for the safety of the child). Where was the appeal to Ortiz as a mother? Where was the struggle? Where is the tension between the Wilsons and the Hans? Instead there was a Deux Ex Gerrard. And I am not even gonna start on the whole "why didn't you take leave for Halloween" shit, that stuff should have been settled when Denny was a baby. What are their next steps? Same old same old?

Gerrard is a joke

An established bigot and racist returns. He could have been a great way to show how the 118 has grown beyond him and his bullying. Instead they're cowed by him, and lets him yell at Buck? Whatever happened to the "who cares" courage in Season 7? And he gets the reward of his dream job?

Eddie is still not healed

He emotionally cheated on his girlfriend with his dead wife's doppelganger. Has he even processed what that actually means? No! His son moved to Texas. Has he coped with the loneliness in his house? Who knows? Certainly not the audience, since we don't see him go to therapy or, hell, have a full breakdown! He confides in people who aren't his friends, let alone his so-called best friend! Bobby gave him a prayer book but we don't even hear Eddie rage at a God who keeps putting devastation and challenges in his way. What wa the point of the prayer book then? He just danced in his underwear and somehow that made him smile and now he's moving across the country and, what, giving up on his home and his job? Is that really healing, Edmundo Díaz? Or are you just running from the problem again?

Chimney has no internal or external motivation

He was providing for Mara for a few months. Was he stressed about it? Did he think about seeking a promotion for a higher salary? Also, he is an immigrant. Does that influence how he teaches Jee? Has he and Maddie, white suburban raised Maddie, ever discussed the potential problems Jee might face? Or whether they wanna include some Korean culture in Jee's education, since they gave her a Korean name? Does he ever think about any of these issues? Is he at all conflicted? What does Chimney want?

Maddie

She was the one who wanted to meet Tommy. Has she done so outside of the wedding? What was her opinion of him? Is Maddie content to stay in Dispatch in the exact same position? Has she any career ambition? And about Jee: does she never think about the Korean part of Jee? Connecting to her own culture? Learning Korean, maybe? That would have been interesting because perhaps she wants her daughter to connect to that part of her roots but Chimney doesn't, for his own reasons. Also, if she wants to have a second kid, why didn't she discuss it with Chimney outright before the pregnancy? Was she not taking the pill? Were they careless again? What would she do if Chimney didn't want a second child? Abort? Given how the first pregnancy was traumatic for the whole family, including her brother, this development is showing her to be pretty self-centered, frankly. I don't know this Maddie. She's not the same one that gave Buck her Jeep to escape, knowing that she'll be hurt by an abusive husband.

Brad

Why is airtime devoted to a character that is barely connected to the 118? What is the reason behind giving him so much focus? Is he supposed to quit acting and become a firefighter or something? What is the rationale for his existence?

.

.

And I haven't even touched on Buck or Tommy.

[beautifulheartandspirit]

Am i a bad, evil, rude, immature girl if i start texting PORN BLOGS this , because i felt real good sending it

I am a 21 possibly stupid girl sooo I’d love everyone’s opinion😂

[lordrahlprotects]

Your favourite albums are just echos of my favourite albums.

We are not the same.

[akanemnon]

It could get worse and it DID get worse

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[itneverendshere]

trying to behave, but i'm feelin' some type of way - r.c drabble.

request: rafe x bitchy!pogue reader pleaseeeee!!!! he just hates that he wants her soo fucking bad and she finds it hilarioussss warnings: it gets steamy but no smut!; slutshaming; mean!rafe.

you’re out of place here, which is exactly why you’re here, tannyhill.

fuck them. fuck him.

every high-strung kook princess with their perfectly manicured nails gives you a quick once-over, nostrils flaring when they catch the sight of your scuffed-up boots. not that you care. it’s not like you’re trying to impress anyone.

and why should you? you’re only here for the free booze, it’s not your fault this place is such a bore. always all pearls, pastels, and the scent of white wine and privilege. who the fuck drank white whine at a party? but the real reason you’re here, the whole damn reason, is staring straight at you from across the room.

rafe cameron. ugh and yum.

he’s leaning against the bar, muscles taut under that fitted navy polo like he was born to flex, with a scowl as always. it’s always that look—the one that’s aimed solely at you, every time he sees you. it’s practically a tradition by now. you show up somewhere, he glares.

there’s a tightness in his shoulders, something tells you he’s going to snap eventually, maybe it’s because you’ve been pushing buttons lately. maybe it’s because he’s got his daddy’s expectations hanging over his head like a guillotine.

or maybe it’s just because he wants you, and that little inconvenient truth pisses him off to no end.

you flash him a slow, lazy grin, shifting your hips as you grab a beer from the cooler. when you catch the way his eyes drag over you, lingering on your exposed skin, your stomach hums with satisfaction.

let him look. let him stew in it.

“country club,” you call sweetly, raising your bottle in a mock toast, the light catching on the condensation like it’s winking at him. “how’s it going?”

his jaw ticks, his lips pressing into a thin, flat line. “you shouldn’t be here.”

“and yet, here i am,” you sing-song back, taking a slow, pointed sip. you’re feeling reckless tonight. he’s dangerous, sure. but he’s also predictable. you know exactly how to make it worse.  “aww, what’s wrong?”

you know exactly this’ll go. he’ll insult you, you’ll insult him back, and then—

his eyes narrow dangerously, that vein in his temple ticking. “what the fuck are you wearing?”

you blink innocently, glancing down at yourself. “clothes, obviously. why? does it bother you?”

“yeah,” he snaps, eyes raking over you again, lingering on the swell of your chest, the sliver of skin peeking out above your waistband. “aren’t you tired of slutting yourself around?”

your lips curl into a smirk, the slow burn of satisfaction warming your chest. this is exactly what you were hoping for.

“slutting myself around?” you echo, voice teasing. “didn’t know you were keeping tabs.” you cock your head, letting your gaze linger on his flushed cheeks, the way his nostrils flare, and that slight clench of his fists by his side.

he’s seething—looks ready to burst into flames right here in front of the bar. good.

he’s always been like this with you. short fuse, especially when it comes to what you’re wearing, how you look, where you go. but you’re onto him. you know what it’s really about.

“you must really be obsessed with me,” you continue, “it’s kinda weird, don’t you think?” you take another sip, slow and deliberate, licking your lips as you meet his glare. he steps closer, crowding into your space, his chest brushing against your shoulder. you should back up, or at least pretend to care, but you just tilt your head, looking up at him with a smug little grin. “what’s wrong?” you murmur, “feeling a little tense?

“fuck off,” he grits out, stepping back like he’s burned. but it’s too late. you’ve got him now.

you cock your head, giving him a slow, taunting smile. “why? afraid you’ll get hard in front of your little friends?”

his eyes darken, jaw clenched so hard you wonder if it hurts. “i swear to god—”

“what?” you interrupt, teeth flashing. “you gonna hit me? break another one of your daddy’s toys?” you wave your hand around the pristine room, the glittering chandelier, the polished bar. “go on, then. show everyone what a psycho you are.”

“you think i won’t?” 

“yeah, i think you won’t,” you say softly, staring right into those burning blue eyes of his. “because you’re all bark and no bite.”

“you wanna see bite?” he murmurs, voice dripping venom. “i’ll show you fucking bite.”

then his hand snaps out, wrapping around your upper arm, and before you can react, he’s yanking you out of the room, down a hallway that’s all shadowed corners. you stumble, cursing under your breath, but he doesn’t stop until you’re both crashing through a side door into some empty back corridor.

“jesus, cameron, take a fucking xanax—” you start, wrenching your arm free.

for a second, you think you’ve gone too far. his whole body goes still, and something flares in his gaze—something unhinged and a little bit terrifying. but instead of snapping, instead of throwing a punch, he leans in, so close you can feel the heat of him against your skin.

you’re shoved against the wall, hard, his body caging yours in, his hands braced on either side of your head. you freeze, breath hitching. he’s close—too close—and it’s too hot and too much and—

“shut up,” he growls.

you should tell him to fuck off. you should knee him in the balls. you should do anything but feel the way you do right now—flushed, breathless, and…too horny for your own good. 

“do you always have to be so fucking dramatic?” you huff, placing your hand in chest in a futile attempt to push him away. you know he can break you in half if he wants to. 

he doesn’t move of course, just stares at you, chest heaving like he’s just run a marathon. he’s got that crazed look in his eyes that should make you run for the hills, and yet you stay put.

and then, suddenly, his mouth is on yours, demanding and angry.

it’s not a kiss—it’s a punishment. his teeth nip at your bottom lip, his tongue sliding against yours with a harshness that steals your breath. you gasp, your hands coming up to shove him away again, but somehow they get tangled in his hair instead, gripping the soft strands as he presses closer, closer— it’s a disaster. you’re a disaster. because you don’t pull away. 

you kiss him back like an idiot, just as desperate, your nails digging into his scalp as you pour all your frustration into the kiss. why does he have to be this hot? in your books, kooks aren't allowed to be hotter than a 5. unfortunately, rafe is a solid eleven.

he tastes like mint and rage, and it shouldn’t feel this good, but it does. god, it does. he breaks away, panting, glaring down at you like you’re dirt under his shoes. “you drive me fucking insane, y’ know that?”

“good,” you gasp, licking your lips. “you deserve it.”

he laughs, a low, harsh sound. “you’re such a fucking bitch.”

“and you’re a spoiled, narcissistic asshole,” you snap back, shoving at his chest. he doesn’t even flinch, just glares harder, and it sends a thrill through your entire body. you’d never seen him like this, so unguarded and it was weirdly intoxicating. 

“i should ruin you,” he murmurs, almost like he’s talking to himself. his hand comes up, fingers brushing your jaw, trailing down your throat. “make you beg.”

you keep your expression defiant. “you think you can?”

rafe smirks, slow and dangerous, and it makes something burst in your belly. “i know i can.”

his hand slides lower, fingertips brushing the hem of your top, and your breath catches. you should stop this again. you should slap him, kick him, do anything but let him keep touching you like that, but you don’t. you just stare up at him, heart racing.

“show me then.”

and then his hands are on you, yanking you forward, spinning you around. you gasp, palms slapping against the wall as he presses up behind you, his body solid against yours.

“you’re a fucking brat,” he growls, his mouth right against your ear. one of his hands comes up, fingers tangling in your hair, pulling just enough to make your back arch.

“and you’re obsessed with me,” you shoot back breathlessly, tilting your head to meet his gaze over your shoulder.

rafe’s grip tightens in your hair, hard enough to sting, and his lips brush your earlobe, “obsessed?” he repeats, like he can’t believe you had the fucking audacity to say it. “don’t flatter yourself, baby.”

but you feel the way his body presses against yours. your panties might be drenched but this man is just as hard. he’s close to you—so fucking close—you feel every ridge of him, and despite every insult he’s ever thrown your way, despite how much he claims to hate you, he’s here. the way he’s breathing tells you exactly what you need to know. 

you twist against him, pushing back just enough to test his restraint. “then why are you so worked up, huh?”

“i think you’re confusing us.”

“sure,” you laugh, even as his hands move down your sides, his fingernails digging into your hips. “that’s why you dragged me out here, right? because you’re just so indifferent?”

his chest brushes against your back with every ragged breath. he’s losing it. you’re making him lose it. and fuck, that feels good.

“i could ruin you,” he whispers again, like he’s trying to convince himself. his hand skim up your ribs, thumb grazing the underside of your tit, and your senses kicks into overdrive. “one word from me, and you’re done.”

“you’re all talk cameron,” you challenge, arching your back slightly, giving him more room to touch you.

you shouldn’t want this—you shouldn’t need this—but you can’t stop. 

his mouth is on your neck, hot and open, teeth scraping against your skin in a way that sends a shudder from your head to your toes.

“fuck you,” he growls against your throat, the words almost lost in the heat of his mouth. “i’m not playin’ your games.”

you bite back a moan, fingers curling against the cold wall. “you’re already playing.”

“you’re so fucking—” he cuts himself off, breathing harshly through his nose. “fuck, i hate you.”

“no, you don’t,” you turn your head just enough to catch his eye. his gaze is wild, and you smirk, taunting him with your lips just inches from his. “you wish you did.”

you know you’re pushing your luck, but then again, when haven’t you?

“you have no fucking clue what i wish,” he growls, each word dripping with so much frustration it makes you laugh.

it comes out like a soft, mocking sound. “ooh, i think i do. you wish i’d shut up. wish i’d disappear. but you really wish you didn’t get hard every time ’m around.”

his jaw ticks, that telltale sign that you’re getting to him. god, he hates you. you can see it in his clenched teeth, his furrowed brows. he hates that he wants a pogue and you find it hilarious.

“don’t flatter yourself pogue,” he snaps, but his voice is strained. his hands tighten on your hips, fingers biting into your skin just shy of painful.

you push back against him just a little harder again, feeling the rigid line of his cock pressed against your ass.

“yeah?” your voice turns breathy. “then why do i feel that?” you grind your hips subtly, just to punctuate the point, and the low sound that rumbles out of him is almost worth the risk of provoking him further.

“because you’re a fucking tease,” he mutters, voice harsh and low in your ear. “you show up, looking like you want it—”

“and so what if i do?”

it’s a dare. he’s holding you, like he can’t decide if he wants to strangle you or fuck you senseless, perhaps both. you know you’ve crossed some invisible line.

“you’re gonna regret this,” he murmurs.

“maybe,” you shoot back, unflinching. “but that’s the thing, rafe.” you twist, just enough to look at him over your shoulder, “i think you’re more scared of what you might regret.”

instead of shoving you away, instead of storming off, he does the one thing you didn’t expect. he laughs.

it’s that crazy sound he makes before he does something reckless every time, the kind that makes people run away. it’s such a humorless sound, it should scare the living shit out of you as he leans in, lips brushing against your neck. “don’t say i didn’t warn you.”

before you can answer, one hand slides up to cup your jaw, tilting your head back so you’re forced to meet his eyes. they’re wild, almost feral, just like you expected.

“tell me to stop,” he whispers, his thumb brushing your lower lip, the touch so gentle it’s almost jarring. “go on, say it.”

you swallow hard, pulse hammering in your throat. you should say it. but you don’t want to.

“make me.” you know he hears you—feels you—because the corner of his mouth lifts in a slow, taunting smirk.

“yeah?” he drawls, thumb slipping from your lip to trace along your jawline, his touch featherlight and maddening. “you sure?”

“prove me wrong. or are you scared?”

“you think ’m fucking scared of you? think i can’t handle a little mouthy brat like you?”

he’s goading you, pushing you like he always does, and every word you had prepared dies on your lips 

“i’d loooove to see you try.”

“oh, you will.”

[the-kaedageist]

As a proud connoisseur of bitchy Essek since the year of our lord 2020, I'm so glad to see him thriving. He's two seconds from rolling his eyes at every moment. He cattily argued with his partner's ex in the back of a smut shop. He hasn't been filled in on half of what he needs to know while traveling with these chucklefucks. He wears his sleep mask while camping. He's back in the location of his honeymoon playing babysitter. At some point, he's going to have to verbally identify an Aeorian beast as a sex monster. Every day, Essek Thelyss wakes up.

[wistfulwatcher]

CRAZY EX-GIRLFRIEND APPRECIATION WEEK | day one, favorite character: heather davis

[itwasmagic]

I am what I am 'cause you trained me.       ☆ reblogs are encouraged!

[atoriv-art]

older designs for my specialest guy

[saltpepperbeard]

is this anything

[veliseraptor]

sometimes I think people think "narrative parallels" means "exactly the same" and like...that's not the point, actually, the point with narrative parallels is that they're variations on a theme that are meant to illuminate something about each variation. a narrative parallel that is just a precise reiteration of another thing isn't saying anything. it's just redundant.

[chittychittyyangyang]

Look, with the show getting a new home and the rise of people being needlessly shitty about it, I've been very liberal with the block button. I'm just so tired after a decade of this, and even IF you're new to the show (none of these people are) there are many critiques that have been talked about to death that have been fixed, apologized for, or were never in good faith to begin with.

Yes, we know the faunus race allegory was poorly done. The writers have outright said it. It was overly ambitious for their limited experience and the time constraints of the show. No, Jaune isn't a self insert, and Miles hasn't even written his character since volume 2? Either way, for most of the runtime now. Ruby has the most screen time and speaking lines (almost like she's the leader of the titular characters). Adam was never "retconned", even in the Black trailer he didn't care about casualties, and Blake outright calls him a monster in Volume 2. No, Ironwood becoming a dictator willing to do anything necessary didn't come out of nowhere. He brought his military to a peaceful event in Volume 2, which is actively called out, and it's called into question if he even has a heart. It's also brought up of why Atlas (and more specifically Ironwood) would want robot fighters with souls. For Adam and Ironwood, your inability to read media isn't bad writing, it's just annoying.

At best case, these are people new who don't know it's been talked about to death (though given the show is over 10 years old do you think you're adding anything new to some of these topics?). Worst, it's people being shitty because they focus so much of their self on hating things and not just enjoying what they like. Either way, I'm too old and tired, and the world is bad enough without bad faith "critiques" about something I love.

[littlexdeaths]

so this seems to be a common issue i keep having with new blogs on here so i’ll just say this.

if you don’t want to get blocked by your favorite content creators:

1. have your age listed in your bio or pinned post.

2. don’t have a blank blog— that right there tells me you don’t want to support any kind of creator on this platform which really fucking sucks.

there’s a lot of people coming over from tik tok and insta that don’t realize this but tumblr does NOT function like either of those sites!!

LIKES MEAN NOTHING.

reblogs are what keep posts alive, it doesn’t matter how many followers you have. a lot or a little, a reblog will get a post seen by someone but continued likes will kill a post.

also reblogging and reposting are not the same thing.

reposting something from a creator would mean you copied/saved their work and made a whole new post from your blog with that material. WHICH IS A BIG FAT NO NO !!

a reblog keeps the credit to the original poster and you can add something to it, or nothing at all. you don’t even have to add tags if you don’t want to.

content creators on this app are tired. we do this shit for free and for fun, the very least you can do is learn how this website operates and reblog their content.

[silverwhittlingknife]

The Bats Are Fighting (Distaff Edition)

some conflicts I enjoy:

Babs is pretty hostile/judgy toward Helena at first & is bitterly upset and hurt when Helena starts wearing a Bat costume - apparently a Batgirl costume - without asking her. Later on, Bruce chases Helena out of the costume, and Babs gives Cass the Batgirl costume with her explicit blessing. Helena and Cass never have a rivalry over this exactly, but I don't think they ever really get along, either

Babs and Helena eventually make up when Babs lets Helena join the Birds of Prey but it's rocky in the beginning - Babs dislikes Helena's methods and doesn't entirely trust her; Helena resents being kept on the outside

Steph is super-impressed by Cass and tries to get her to like her and they eventually get close, but Cass has a pretty low opinion of Steph-as-a-vigilante and doesn't hesitate to boss her around or knock her out, and she's super-hurt by Steph lying to her about what's going on during War Games (probably not unrelated: Cass is the only Bat to blame Steph instead of Bruce after Steph dies)

Babs and Cass get very close but also have tensions because Babs wants Cass to have the 'normal' life that Babs thinks she should've tried harder to have when she was younger, and Cass isn't entirely comfortable with this pressure, plus - this one I think is a bit more well-known - Babs spends a lot of time tutoring Cass and looking after her (awww), BUT ALSO in a tense moment she gets really nasty and harsh about Cass's reluctance to learn to read and calls her "stupid"

Dinah finds Steph REALLY annoying and wants her to stop tagging around after her... until she finds out about Steph's miserable home life, and then she appears like an avenging angel and kicks Steph's dad and his cronies out of the house

Babs decides to work with a guy who tortured Dinah because she thinks he's capable of redemption and Dinah is NOT HAPPY about it

Just generally, Steph and Helena are very much outsiders who don't get brought into the "core" Batfam and who aren't trusted with info like Bruce's secret identity. By contrast, Babs is an insider almost from Day 1 - she may have conflicts with Bruce, but she's also got his absolute trust - and Dinah is as insider as it gets, with a mom who was also Black Canary and a stint on the JLA

other general characterization notes that cause Conflict (TM):

Babs is pretty much a classic Bat - she's got a ton of control issues and she's an instinctively secretive workaholic

Helena is an adult who will kill people if she damn well feels it's necessary and she doesn't appreciate being lectured about it

Steph is a defensive teenage outsider with a bucketload of family problems - deadbeat evil dad! addict mom! - and when she's upset she's got a reckless self-destructive streak

Cass is very much like Bruce in that 1) she is wildly super mega good at fighting, 2) she's an instinctive loner who's comically bad at people AND YET she can nevertheless effortlessly manage to head off to a foreign country for a weekend and have a passionately-felt mutual love affair with some random criminal or something, and then that person dies & she goes home like nothing happened, 3) she cares about other people but completely sucks at communication & when in doubt will just go silent & take off or refuse to have conversations, 4) because she hates talking sometimes she'll just knock you out or hit you so that she won't have to do it, 5) she will spend an entire year planning to have a fight to the death with someone for Reasons and tell no one about it because why would she tell someone

anyway they're all terrible <3

[aq2003]

sieeezzzzzzze the crownnnn

[wistfulwatcher]