#fathers day song
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kcmakhubele · 1 year ago
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Father’s Day - Understanding Fathers' Expectations for Father's Day
Introduction: On June 19, we take time to remember and appreciate our dads by celebrating Father’s Day. To best show our appreciation, we must first know what fathers want most on this day. This professional article seeks to explore the inner workings of paternal hopes and dreams by analysing the fundamentals of what makes Father’s Day meaningful. Understanding fathers’ wants and needs allows us…
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illumi-nati-png · 1 year ago
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And I'm askin' why lord
If this is how I die, lord
Why be left with no family and no friends?
Ooh
I've got no celebration
Just this consolation
Time eats all his children in the end
-The Ballad Of Jane Doe
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nelkcats · 2 years ago
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Darling Boy
"The monster's gone, he is on the run and your Daddy is here" Croc sing to the boy in his arms "Beautiful, Beautiful, Beautiful boy"
"You are not a monster, Dad" Danny said sadly "I know all of the people here told you so, but it is not true"
"Close your eyes, have no fear" Killer Croc continued singing
"That's not how the letter goes" Danny frown, only days ago he discovered he was "rescued" by the Fentons, who called Waylon (His Dad, he was his Dad) a monster (They called him a Monster too, why why why); Many years ago they were in a convention on Gotham and after seeing him and his dad walking on the streets they considered his biological father a monster, they stole him because they saw his "humanity" and wanted to "save him" (They stole that humanity too, THEY KILLED HIM, WHY)
"Before you cross the street, take my hand" Waylon couldn't stop singing, if he stopped he would realize this was all a dream, his boy would be out of his hands again (Like those scientists who keep screaming and pointing him with guns, stealing his kid, calling him uncapable of taking care of a human baby, screaming about him being a monster trying to kill his baby, but the cops arrested him and not them WHY WHY WHY)
"Dad please, look at me" Danny was going to cry (This was his father, his real father who just discovered cause his "adoptive" parents didn't have his papers) "please look at me, I am here"
"I can hardly wait" Waylon feeled the tears leaving his eyes, he hugged the kid closer, waiting for him to disappear "to see you come of age" he lost so many years (They stole his baby, They stole his baby, THEY STOLE HIS BABY, WHY IS NOBODY STOPPING THEM, PLEASE HELP)
"Papa, please" the halfa started crying, this was a mess, even if he didn't inherited the meta gen from Waylon ¿how could he tell his father he was half dead? That people see him like a monster? The only thing his Papa didn't want for him? (They stole him, they killed him, they called his Papa a monster, they called HIM a monster and now, ¿will he be able to broke his Papa heart again? ¿To tell him the truth?) "Please, I am here"
"Beautiful, Beautiful, Beautiful boy" Waylon whispered the last part "See you in the morning" he opened his eyes but his kid was still there (His baby was back, his baby was back, justice didn't work BUT HIS BABY WAS BACK)
"I'm here Papa, and I will not leave this time" the halfa snuggled into his father's arms, finally feeling safe, protected (Finally at home)
On the other side of the street, the bats looked at "Killer Croc" (That was not his name, Waylon Jones was good before justice failed him, was it their fault?) crying and hugging a child tightly, but without hurting him, it seemed that he was hiding him from the world (Could anyone blame him?) and they could not bring themselves to interfere
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daredevil-vagabond · 4 months ago
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If you bustas slippin', it's this .50 finna do the deal [KORDHELL]
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jugeullae · 5 months ago
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Close your eyes Have no fear The monster's gone He's on the run And your daddy's here
MOVING 무빙 (2023, Park Inje)
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romulus roy (succession) x mindless koЯn indulgence's - here to stay (remix) — brainrot presents:
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𓆩♡𓆪 photoset
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targarrus · 9 months ago
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raztrgu bi obleko vzel bi ves tvoj med
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shen-mu · 5 months ago
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Thinking about the zombie apocalypse au where Ramon protects his little sisters from this world using literally anything he can find (what can you actually find when the world is ending?) They play hide and seek when Ramon hears a horde nearby- One day, Em almost got bitten, but it's good that Sunny is always near..they immediately run towards their little home (if you even can call it a home) to tell Ramon about it. He can't cry in front of them, but that night he cried so hard. It's scary. They're just kids. They need, no...they must stay alive. A few days later, the girls heard someone outside and met with Bagi and Tubbo. They were...okay? Bagi saw their little heads poking out and was about to shoot them, but paused. 'Meu Deus....Tubbo, look, is that...?' 'Yeah, the kids, i get it. Bag let's go we need to hurry-' '....WAIT KIDS?' Ramon was shocked to see two adults in their bunker, but after they fed his sisters, he was… calm, but still suspicious of them....
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pyrepostings · 9 months ago
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imagining a defiant interrogation whumpee who gets sick of saying "I'm not telling you" so they start going into what sounds initially to be them finally telling whumper what they want to know, but ends up being whumpee wasting time by just quoting a song.
#pyreprompts#whump prompt#I have a scene or two for Kevin specifically#'Why have I taken up arms against you you ask? Well#I was walking down by island bridge#Just rambling about- going as I please#That day was warm and there was such a gentle breeze#It was the month of April I believe#I strolled up by the monument then laid down in the grass#Then I heard a soldiers voice behind me. It said#Meet me at the pillar son meet me there at noon. I need you brave young Irishmen there's something we must do...#He said his name was Padraig Pearce and he just kept on calling me'#Meet me at the pillar is such a good song even if extremely call to action#But that's just been my vibe so youknow#Doesn't even have to be an interrogation really#'So what's with the red hair and green eyes combo? Isn't that a little on the nose for a fenian?'#'Well first off- it has been incredibly difficult to hide while trying to cross boarders you're right#Secondly that's just kinda what happens when you have a county cork mother and an ulsterman father.#It's just a horrid color problem I've been left with- this orange and green.'#I imagine Kevin specifically would take it as a challenge to 1. See how obscure a rebel song he can pull up and#2. See how long it takes for the other guy to notice not a word he is saying is actually true or relevant#The exact scenes I'm imaging are in a au idk if I'll ever actually post publicly#But I might write them as him messing around with Zander#I still need to post something with Zander maybe this will be it
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mlobsters · 1 year ago
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Do you have guilt in your heart for doing what you had to do?
digital painting, 17 hours - drawing video under the cut
after doing two more challenging/original effort/multiple references paintings, it was frankly a relief to just stick to the one reference on this one. best of the no thoughts head empty just draw
i love hamish linklater's face in midnight mass, so expressive. i knew i wanted to paint it at some point and wet and messy father paul jumped out at me
song: bug like an angel by mitski
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skialdi · 2 years ago
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Hush now, mo stóirín
Close your eyes and sleep
Waltzing the waves
Diving in the deep.
Oh won't you come with me
Where the ocean meets the sky
And as the clouds roll by
We'll sing the song of the sea.
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greendayauthority · 8 months ago
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“[Father to a Son] is heavy. I was only 22 years old when I became a dad and time has passed, and they’ve become the young men that they are now. I wanted a moment like Wake Me Up When September Ends, which is a song about my father, being a son. But the other side of the coin is me being a father to my sons and hoping that I did something good. I’m saying I’m going to ride shotgun as close to my sons as I possibly can, to try to do the best I can. And thankfully, I have a really, really, good relationship with both."
— Billie Joe Armstrong
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ghost-bison · 1 month ago
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i am rewatching doctor who series 1 with my sister (i'm on my 6th rewatch of eccleston lmao) and she noticed that the theme song in father's day sounded just like someday my prince will come from the sleeping beauty and that's pretty cool
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mirror-to-the-past · 2 months ago
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Owari-Hajimari ENG Lyrical Analysis
Heyo, I just finished TWEWY recently and have been pouring over the soundtrack and turning things over in my head. Thought this song particularly was interesting in terms of the game's themes and whatnot- it seems to be from Joshua's perspective, both in the subject matter and the context in where it first played in the game (pretty sure it was the first battle Neku has alongside Joshua when he first forms the pact with him). So, here's me taking a stab at this whole thing, and digging at potential insight in Joshua's character.
("Happy-go-lucky, yo, here I am
I'm not a yuppie or a puppie, yeah, hear me roar
Jinxes mean nothin' to me they're such a joke
Never can stop me 'cause I'm on my way
Minus and plus, got 'em plugged in the wrong way
And now minor keys are easier to hear
Regression and progression, I start to realize something true")
The speaker wants to be seen as a devil-may-care yet powerful individual, not someone who's a shallow, materialistic young person or a naïve person. They don't pay any mind towards the idea of "bad luck" or spirituality, tossing aside several societal ideas of 'fairness/luck' inherently in the universe; they just want to carve out their own path. They're a cynical person, they see more of the tragedy and sadness in the world than the good and positivity that they think most people ought to appreciate. They look at the world around them and see how society constantly oscillates between growing and advancing, then falling back into old behaviors.
("’How many bottles did you throw into the right bin?’
‘Did you wash them nice and clean?’
Geniuses invent machines and wealthy people invest more funds
My momma used to say start with what you can do today, yeah, not tomorrow
So I list it up, and set this up (listen up!)
My secret plan is based on this truth)
With the first two quotes, the song starts its thematic motifs on recycling which equates towards the idea of looping/being locked in a cycle. The quotes also reflect the procedural and orderly nature of what is required to do a thing that's good for the planet and society, in this case recycling. It takes consistent effort and deliberated action to do what is most beneficial for the world around them- a level of effort and precision that can seem tedious to expend. The speaker also illustrates the taxing nature of this “do-gooder” attitude of compliance and diligence with how the dedication of innovation is often reliant upon the wealthy to promote new products- reflecting how the speaker likely thinks that even with individual diligence and determination in as many places of one’s life as possible, we are strung along to the rhythm of the rich in terms of seeing significant results from our practices. The speaker’s mother, implied to be confronted with the speaker’s feelings of impotence in an unbending society, tells them that if they want things to change, they have to focus on the moment and not become overwhelmed with the bigger picture (“tomorrow”). The “list it up/set it up/secret plan based on this truth” is repeated in the song, demonstrating extreme significance for the development of the speaker’s core values- in response to all of these perceived struggles present in the world and the speaker’s society and an interpretation of the advice of their parent, they internalized a mindset/course of action that may be seen as unacceptable to others, hence the “secret” nature of their “plan.” The speaker copes with their struggles in an analytical and strategic way.
(“It's a small world, it's a small universe. Remember? We used to sing along to the song
Listen to what she says, we are the universe, OWARI-WA HAJIMARI, HAJIMARI-WA OWARI”)
The characterization of assumedly the universe’s “song” as feminine reflects a level of reverence, attachment, feelings of fickleness, or reliance, as is often seen in feminine personifications of inanimate concepts. The speaker then says “we are the universe,” which shows that these are also all traits that they may see in humanity itself. ‘Owari-wa hajimari,” and “Hajimari-wa Owari” translates to “The end is the beginning,” and “The beginning is the end,” respectively, echoing the cyclical viewpoint of the speaker when it comes to the idea of the universe’s progression- any movement is movement, for creation or destruction, but stagnation is what is against the will of the universe itself.
(“An original strategy is what I need. Contradicted world? I've had enough indeed.
Whatsoever, what is forever? I hear them say it, again and again
‘Recycle, reuse, and try to reduce.’ But in the first place, I refuse to confuse!
How many companies want to sell us more services and products? Can't we share?”)
The speaker is at odds with the idea of maintaining the status quo and the level of dissonance that comes from the public at large as a result. “I’ve had enough indeed. Whatsoever, what is forever” flowing thought, in that the ideas bleed together [I’ve had enough indeed, whatsoever/Whatsoever, what is forever?], with the “whatsoever” being the emphasized focal point of the two phrases. This “whatsoever,” meaning “at all,” reflecting an entirety or generalized feeling, or meaning “whatever,” expressing apathy in a longstanding, archaic manner, is the key point here, showing both chronic fatigue at the tug-and-pull/paradoxical system the speaker is in, alongside a presented apathy about it. The speaker is tired of what they view as trivialities born from the idea of individual responsibility for one’s own well-being and the well-being of their society [expressed once again through the recycling metaphor], using double wordplay in response to the recycling metaphor: “recycle, reuse, reduce,” responded to with “refuse” = waste. This shows how the speaker wants to exit the system, highlighted by how they put blame on those behind production and consumerism for pushing the narrative of individual responsibility upon the populace, while they remain the ones primarily in control of the thrum of waste vs. reuse. The speaker wants a collective responsibility to be acknowledged, where no single person is an island to each other, and no person ‘higher on the ladder,’ so to speak, gets to decide the rules of how the common person ought to live their life.
(“How about talking about something different, because all I got is fake, play money
Jigsaw puzzle I can't find the last piece, maybe I swallowed it when I was a kid
My daddy used to say, ‘Keep your eyes on reality and kid don't you forget to enjoy it’
So I list it up and I set this up (listen up!)
My secret plan is based on this truth”)
This verse focuses on trivializing consumerism and asking questions about emotional wholeness with motifs of childishness/childhood, respectively. The speaker feels helpless discussing the inner working of society especially on a class-based critique basis, because they feel the concept of economy and materialism is all illusory anyway, feeling more occupied by how they feel a sort of deep-running gap in themselves and their self-concept that is implied to have persisted since childhood. The ‘jigsaw-puzzle’ in this case symbolizes the speaker, the ‘last piece’ symbolizes the dissatisfaction the speaker has towards society and life in general, and they blame something deep within themselves for this feeling of emptiness, hence the loaded responsibility behind the ‘maybe I swallowed it when I was a kid.’ The speaker’s father must have born witness to these feelings and beliefs, seemingly more in favor of materialism and against internal emotional introspection in comparison to his child. ‘Keep your eyes on reality,’ has the father likely telling the speaker that should care more about things like the aforementioned ‘play money,’ and ‘don’t you forget to enjoy it’ has the father telling the speaker to set their feelings of emotional emptiness to the side, and focus more on the pleasures of life to fill that gap. With the final two lines, the speaker shows that they internalized their father’s words in accordance with their aforementioned strategy on how to approach the dissatisfaction of life.
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mousmoula · 10 months ago
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HAPPY SAVIORS DAY TO EVERYONE CELEBRATING
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mooblybloom · 5 months ago
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I was reading a Robin x beast Boy fanfic because I recently found out I actually really like the ship cause it's kind of adorable but anyway off topic
And I thought of a very sad headcanon which makes no sense because the thing I'm reading is very fluffy
The fluffy inspiration
But anyway the head cannon
Garfield Logan or beast Boy has frequent nightmares due to this he has insomnia The little time he does get sleep it's constantly plagued with images of the past and anxieties of the future in these bouts of nightmarish fever he shifts into any animal to defend himself within the dream but it happens in real life and he finds himself swinging at the walls of his room in the Titan Tower and every time he wakes up he sees the scratches and thinks about how it would worry the team so he finds himself repairing the drywall with spackle in the sometimes late night or maybe even early light of the morning but the drywall looks out of place so he paints the wall over, covers it in murals of twisting vines and pretty flowers and all kinds of things some are sloppy and some are elegant but it fits his personality perfectly so whenever there's a new doodle on his walls it means there is a new scratch that has been repaired not that the team knows that. So from his team's point of view he just really likes art and has a knack for painting but from his point of view it's hastily covering up secrets so he can keep the fragile sense of calm in the tower
And wow you guys I did not mean to be so wax poetic about this shit this was supposed to be a simple little headcanon it was not it is full of trauma
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