#fans of the story would actually want

[rendevok]

Act I ~ The Prince

A tapestry for Let No One Sleep by @azalawa-scroggs on ao3

[giantkillerjack]

Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!

Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*

Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!

[mochii-derogatory]

ive been watching the dog motif show... why is no one talking about this guy. isaac lahey come home from france,,,, sweet boy,,,, we miss you,,,

[sigsfigs]

it's just the two of us, or that's what we swore

anyone else feeling a little crazy abt them? no? just me? alright

[katabay]

original thief series basso & garrett :)

ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels

there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.

anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[clottedscream]

drawing in the arcane art style is not easy, and is in fact! really tricky! anyways here's Vesp but if she was from Zaun instead of rural michigan. butch assassin who fucked their lip up in like a really silly and embarrassing way but they're also really bad at lying so rather than come up with a cooler story for her scar that makes her sound intimidating and not like a complete loser, they just cover it up

[statementlou]

Tbh i am not surprised that a person who openly talked about having drinking problems since 1d days, because of how crazy 1d worked has been agressive. What surprises me is people being surprised (they never seriously saw drunk person?). But i am also confused about this whole book. Apparently Maya said that that book is not fully bout Liam but compilation about her exes and some of the worst parts are not about him. But recently she said that the book is “ofc about him” so what is true then? Or did she meant it that ofc some parts are about him or that whole book is about him?

Sorry, just confused

I also am not surprised- we've learned so much more about the real stories of things and about the guys' actual lives over the last years, and the story that has unfolded around Liam has been totally consistent throughout if you've been following it, and so the information Maya is telling us is shocking and upsetting but not difficult to believe. I got an anon yesterday saying they were worried about getting similar revelations about the other boys, like "if Liam could be doing this we just don't know, any of them could", and while in a way that's always true I guess, anyone could be doing anything in private like... that doesn't really concern me. Because none of these Liam revelations are coming out of nowhere, there have been many MANY steps along the way leading us here if you've been watching, and he has talked openly about both his mental health struggles and his addiction issues. So to answer that anon... to find out something similar about Louis would in contrast contradict everything we know about him and no I'm not worried about it. Is he an abuser or a loose cannon, well that news would truly shock me to my core, I will be honest. But anyway as for the book I don't find it strange that she was nervous when it came out and treading lightly and later decided, fuck it. In the absolutely on point tiktok she dropped today (YES👏GIRL👏FUCKING TELL THEM👏) she even mentions attempts to keep her from publishing the book, presumably by Liam's team, that I am riveted by and cannot WAIT to hear more details about actually- like I said I don't find it at all strange that she was nervous and downplayed it a bit then. But if she says now that it's just about Liam, well, I would say it's been clear from the beginning that the book is their story. Maya herself brought up the parallel of songs being written about stuff and I think it's the same thing; it's true (she was in an abusive relationship that involved certain kinds of events) but maybe not 100% literal (I'm sure details were changed to make the story work, it's not like a word for word timeline of their interactions or whatever).

[cappycodeart]

Can we have some information on glitch simon au? 🥺🙏

HEHEHE ABSOLUTELY!! I have a lot of Itchy stuff on the back-burner I'd be happy to talk about while I doodle up new Winter stuff! :D I actually have MORE itchy art/lore than Winter lore surprisingly it's just... really scattered and needs a lot of explaining dhsghfdsja... but we'll disperse it in small chunks...

This is his current main ref (kinda wanna update it tho bc there's some things about it that I don't like anymore).

Aaaaaaand a little bit of info I can give on him:

After the events of the failed ritual, this Simon is no longer human, but he's also not aware of this. He's a cosmic entity behaving like a human-shaped portal. Very in-tune with time and space and super sensitive to it's changes and flows.

Is made of a VERY powerful energy and suffers from MMS again. However, because he clings to his sanity as an anchor, his usable magic is limited (needs magitech to access most of it).

He's not glitching 24/7, although it takes him effort to keep himself from glitching. Physical pain and mental/emotional stress will cause him to lose stability.

He can time-travel AND universe hop, but hasn't figured out how to control the destination. If he glitches too hard, he will go full portal mode and teleport into a random universe and a random time period (if you touch him, you will teleport with him).

Has "future memory" which functions similar to past memory. He can recall events (within his own timeline) that haven't happened as if they've already occurred. This memory isn't perfectly clear and he's NOT all knowing. Gets memories of the future mixed up with those of the past (I read the Enchiridon's page on Amok Time/Multiverse stuff and got a bit inspired).

And that's all the info I'll give for now! I'll definitely be sharing more about him / his story in the future. I just haven't drawn or written a lot of it out besides scattered doodles that might be hard to understand without full context. I have a little Betty scenario that will be posted soon, but in the meantime I hope this is satisfying!! :)

[fuckyeahchinesefashion]

chinese guzhuang fashion

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[tillywunderwing]

psst. hey. do you ever worry that you’re writing characters ‘ooc’ in fanfiction? well guess what. you’re not. that’s just your au now.

“they would not say that” yes they would, my au version of this character would totally say that

“ummmm this character’s powers don’t work like that” but they do. in my au

“these characters would never canonically be dating” buddy oh boy i cannot wait to tell you what fanfiction writers have been doing since the advent of their craft!! anything goes in my au!!!

the medium is inherently transformative do whatever you want forever ok ly byye

[fallloverfic]

I love singNsong again reminding people in Side Story that Dokja wanted other people to read TWSA (he wrote reviews and comments! It was his first wish), and he only stopped bothering because people harassed him for it. He didn't gate-keep the story. When he's avoiding talking to Sangah about it at the beginning of ORV, it's because he knows what happens when he tells people about the story, not because he's gate-keeping it from her. He notes he's not proud of his hobby (likely because he's been bullied all through his life, including for reading the thing he loves): he finds it embarrassing to talk about, and better respects her studying Spanish in her free time (learning another language is a generally accepted thing in society). He assumes she won't care or will look at him funny (or worse) for when she learns about the novel he's into.

Basically anyone writing "let's gatekeep ORV" posts because of the anime announcement or because they dislike the manhwa or some other weirdness, y'all are the villains in the scenario.

The literal climax of the story is about sharing ORV with as many people as possible. What story were y'all reading?

[epickiya722]

I'm calling it and I hope I'm wrong about it.

If Gege drops a backstory for Sukuna, folks are still going to be like "well, it's not the backstory I want for him".

[seraheart]

I kinda wish that the DetCo canon would do more with the fact that the relationship (I don't mean this in the shipping sense) between Conan and Haibara has been, or at least logically should have been, really strained for a long time.

Originally, they had this development where Haibara was really messed up, overly cautious and trying to force her maladaptive survival psychological issues onto other people, and generally not good at positive interactions. Then, slowly, Conan and the others started gaining her trust (not entirely though), and also her general mental health improved (never completely though).

But then it turned around, and started getting significantly worse. Haibara isn't really in a healing arc anymore. If Aoyama still took her seriously as a character (which, to be fair, I don't think is the case), she would be in a retraumatization arc. Conan and his allies are limiting Haibara's agency, invading her privacy, dismissing her concerns about all this, and pretending that this isn't happening while she can obviously tell that it is happening.

I think the really obvious turning point was the Mystery Train arc. Haibara even called Conan and Agasa out on it and stated that she wouldn't forgive if she were to be treated like that again. Instead of taking her hurt seriously, they just told her she should "be thankful", and dismissed her hurt as "tsundere", refusing to take her trauma seriously after using it and using her as a mere chess piece in their plans (and Akai even triggering her more by gloating about it).

Since then, Haibara has been trapped under the constant, violating supervision of these people who have demonstrated that they don't respect her, and also refuse to acknowledge that the problem even exists. It's not a situation where her recover arc could realistically continue. By all logic, she should be spiraling, getting worse again.

And maybe this is on purpose; Aoyama definitely didn't plan the manga to get this long when he introduced Haibara, and originally the slow-burn of her recovery was a good way to postpone a scenario where Haibara could actually trust Conan enough to give him the kind of information that would lead to the finale arc. But... eventually, even with the extreme slow burn of DetCo, Haibara's recovery arc and relationship development with Conan would have gotten to the point where her continued withholding of crucial information would no longer make sense... and, I guess, rather than start concluding the story at a humanly reasonable rate, Aoyama just opted to nuke Haibara's whole recovery arc and character and relationship development (not only with Conan but also Agasa).

Which could have been tragic but realistic (albeit kind of a major downer out of tune with the manga's usual tone, and upsetting to anyone who had been invested in the slow-burn mental health improvement arc), but then Aoyama can't even be arsed to take it seriously, and is now just pretending that the situation with Haibara and her relationships with Conan and Agasa are still "normal" instead of FUBAR.

It's regrettable and really shows how much everyone dragging out this franchise to milk it for more money just... doesn't actually care about the story anymore, hasn't in a long time. They'll eventually just kill central, fan-favorite, long-running story arcs rather than actually letting them conclude or evolve in a satisfying manner if that would mean risking their precious status quo (which has warped beyond all recognition anyway, so I'm not sure why they bother).

[lord-squiggletits]

Part of why I hate this fandom's take on Autobots vs Decepticons is ppl (mainly 'con fans honestly) who can't have any nuance of the situation whatsoever and love to write plots like "oh the humans are racist and abusive towards Cybertronians so this is how Megatron is right" no actually I don't think colonialism/imperialism and racism are justified so long as you can point the finger and say "they were the aggressors first" or "their hands are no cleaner than ours bc their society sucks too" sorry. Please come up with better sociopolitical narratives in your war story.

[headfullof-ideas]

In a bit of a writing funk, but still hyperfixated on my HTTYD/The Deep fanfic that I’ve been writing for the sole audience of myself, but have been recently thinking about actually posting the story to Ao3. But as I’m in a funk for the writing aspect of it, I’ve decided to actually get some drawing for it done, especially since I’ve made a bunch of OC’s to broaden the cast of the story itself. Most of them have names pulled from the books themselves, though most aren’t a thing like their book counterparts. I just needed names and the books had plenty. HOWEVER. I’ve been drawing, and decided to share a WIP of what I’m working on currently

It’s very clearly not done, but it should be by the end of the week.