#fake analysis

[joycqt]

a sequence 🐱_n catverges to 🐱 if for every 🙀 > 0 there exists 😼 ∈ ℕ where 😹 >= 😼 implies | 🐱_😹 -🐱| < 🙀

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

[shellem15]

Thinking about how, out of all the betrayer gods, Asmodeus is perhaps the most incapable of changing. Of redemption. Of becoming better.

Because at least the others are honest. Honest about who they are. Honest about their love for their siblings. They know exactly what they are and what they are here to do, even if it is for ill. And that means they can be worked around. Can be changed.

Asmodeus, however, cannot do this. He is the god of lies. Even his truths are rotten. He cannot be honest. Not with others, not even with himself.

Do you think he knows what he even wants? He says he wants eternity to torment his siblings yet tries to kill them. He tries to kill them, yet (whether he realizes it or not) gives them just enough time to stop him. They are gods, after all. One round is all they need.

He says he hates his siblings yet told trist he loved her when in disguise. He didn't need to do that, she was already going to leave. It's the truth, but rotten.

You cannot change, you cannot become better, if you are not honest with yourself. And Asmodeus is the most dishonest of them all. It's no wonder he is always banished by the light of Pelor's truth. He cannot face it, so he runs and hides and lies.

Always burning, always lying, always turning away from the light. Never changing, never growing, never moving on from past hurts. Lashing out at those who try to help, a dagger in the side of his family.

It would be better to remove him. Kinder, for all of them. But he is their brother, eternal, and they cannot lose him. They will keep him, even if he kills them. And he will keep lying, stabbing, burning, because it is all he knows how to do.

[dansemacabre]

i’ve been thinking about “sixer, it would eat you alive” since i read it and. man. every layer you peel back makes it worse. im not a bill apologist but. shit

if you (1) take it at face value, it paints bill as an apologetic murderer in his single (and maybe sole) open moment of regret. he doesn’t let his walls down often- only with ford do we even get to see the remnant of his galaxy, see the “actual remorse” ford describes, get just a hint of his origins. but he does it, because he thinks ford should know.

if you (2) take it from ford’s point of view, as something he committed to journal three, like. wow. imagine being so committed to a being that you’d hunt down and kill the monster that destroyed his home, only to (assumably) figure out later that that being was the monster. the small moments of trust, the “good times”, are so key to manipulation. how long did ford hold onto that one shred of vulnerability? no wonder ford stayed for as long as he did. in his eyes, bill was a survivor. ford wanted to survive too.

(slight tw below for unreality- any time i mention our reality, i mean “our reality” as a narrative device used in the book of bill as a proxy for the idea of bill being in our reality, since he can’t actually be in our reality. all of this is a fictional theory about a show/book with fictional contents!)

but if you (3) remember that “even his lies are lies” and absolutely Nothing bill says should be trusted. Whoo boy. if i read tbob right the book itself is being created in the theraprism (even tho it shows up with the ciphertologists at some point? idk that’s a whole other post). it’s meant to show what the reader wants to see; it manifests in our reality as what the collective fandom wants to see. so if we want to see truth, if we want to see where bill ended up and who he actually is, there’s a non-zero chance that the whole interaction was a complete fabrication.

imagine bill, stuck in the actively harmful, probably earth-illegal theraprism, once again being forced to be “fixed” and molded into something more palatable, being forced to conform no matter how much it hurts. (i know natural uncontrollable mutation ≠ just so much murder and destruction and chaos, but. you can’t ignore the similarities. bill has obviously been thinking about those silly straws.)

he looks back on everything that went wrong, back on his relationship with ford, back through every dimension where he wins. would that one moment, that one truth amid centuries of lies, have saved him from purgatory? if he had just been open? shown his damage? maybe he did think of his parents, or his henchmaniacs (especially the oracle). people who he might have once opened up to. maybe he just wanted to open up to someone again.

so in his own weird way, stuck in a cell, he reshaped reality again. in this reality, for this fleeting moment, he had been someone worth believing. and ford had listened, hell, ford had wanted to help. looking back, knowing how he treated ford, knowing how ford ended up because of it, maybe bill would have said the most honest thing he’d ever told ford: i am the monster, i am not worth your time or belief, and i will eat you alive.

[superkirbylover]

peppino and noise character studies

in this essay i will explain why i am the only one to understand these characters

[mylittleredgirl]

i can't stop chewing on the MASH time loop situation. my star trek brain will not turn off. there is definitely some kind of temporal anomaly at play, but it's not really a time loop in the traditional sense.

effects carry over from loop to loop. they appear to age. the same wounded soldiers appear on the table three times, but the scars of past surgeries are still there. a character leaves or dies and is gone from the mash forever; their replacement arrives near the end of the war and is still there at the beginning. the dates overlap, yet their presence is sequential. the other characters remember all of them.

how far does this effect extend? if it's summer again at mash, is it summer in tokyo? is it summer in maine? if BJ is in korea two years before he arrived, who's in residency in california, marrying his wife, conceiving his child?

their family trees at home deform—different wives, different children, loved ones alternately dead and alive and never born. those inside are oblivious to what they've lost. hawkeye remembers trapper, but not his sister. what happens in korea persists; the world outside is a fragile suggestion. he tells a soldier that men at the front can't see the whole war, only the other guys dug in with them on their one little hill.

for a deep space nine fan this is irresistible. hawkeye says, wars end, but war is forever. kira asks, if the past has changed, why do i still remember it? sisko never left that ship. time itself is warped by trauma. it is not linear. you exist here. you choose to exist here.

[katabay]

PAGLUIB

way back in like. march?? I took a stab at writing some kind of kabitserye type of story but it was a mess: it kept veering off into murder mystery drama territory because I was reading a lot of murder mystery novels around then and it Wasn't Good because I hadn't tried writing mysteries, let alone murder mysteries, before lmao

I did write a handful of short mystery stories since then, so next year I might take a stab at this idea again now that I'm no longer jumping head first into a genre pool I don't know how to swim in :)

[imminent-danger-came]

One detail I've noticed is that Wukong's outfit is different before and after Tripitaka places the circlet on him (and Wukong was notably unwilling to be chained):

Which is distinctly different than every other iteration of this scene we've been shown:

Other retellings of this moment have Wukong kneeling in servitude...when the reality is he was kneeling after being subdued—continuing lmk's tradition of biased/false narratives (like what was done with the multiple explanations of the samadhi fire). I think it's interesting to see the ways in which Wukong's past was made easier to swallow as time went on (or if you were Azure and didn't want to believe that Wukong had been changed by his journey lol)

[getsuuna]

I can't stress enough how this Fandom can be fxcking stupid so I'll take advantage of it to make a brief analysis

TikTok is back at it with being extremely gullible

people seriously believe this is Koyoharu Gotōge's official account. a quick glance would debunk it immediately, but if we wanna look into details there are mainly 3 things that are really obvious and they all piss me off SO bad:

1) they posted fanart. literal fanart, without consent, of course, and without any credits, badly cropped and filtered too. I couldn't see signatures in most of them, but I recognized some art styles and overall it's easy to spot non-official art when you also follow Ufotable's official account. from which, by the way, this fake account takes all of the content they post, then they write a silly and pseudo-cool caption and that's literally it. what's the point? one of the captions said something that quite fucking literally made me want to scream, joking about Shinobu possibly being Tengen's 4th wife because there was a pic in which their VAs were standing close....what. Gotōge would never say that???

2) they reply to fans, which isn't bad per se but let's be SO fr...and it's not even the worst part.

3) said replies include misinformation. saw them saying Masachika would be reincarnated as Sanemi's son or stepson (what the fuck) AND that Sanemi and Kanae would've been canon if Kanae didn't die, which, I'm sorry, is the fakest fucking thing I've ever read despite being a common misbelief.

I don't want to digress too much into this but imagine you're an author, you have the power over your characters and you decide to add a couple that will be doomed inevitably...you would make it canon, if it was supposed to be. you would AT LEAST make said crush remotely relevant in AT LEAST one of the two characters' arc...which it isn't. in ANY of the canon universes. the Academy is right there, the Timeskip is right there, both had Kanae alive and both don't make SaneKana canon, not even remotely. HEAVY ON THE TIMESKIP in which ObaMitsu are married, but they're canon in all the verses...Mitsuri had an actual impact on Obanai's character and even when there's silly trivia about him in databooks or even in the manga it always somehow involves Mitsuri, something that we did NOT see with Sanemi and Kanae.

now, as much as I would talk *endlessly* about this, I don't want to sound hateful to shippers, but it pisses me off that a Gotōge-wannabe is reinforcing the toxic shippers' delusions.

I would've lost my shit even if they said the same thing about my fav fanon ships, because it's FAKE.

if the author wanted them canon, they would be. there's no "if" nor "but", there was no excuse.

they clearly and luckily wanted to leave it to open interpretation

as an OC creator if I want a couple canon I simply write them in a way in which would make them canon in at least one AU 😭🙏🏻 tf

this being said please don't fall for such weird ass stuff 💔

[kingofthewilderwest]

Those leaked images look like ass, y'alls.

They're matching everything exactly to what it looked like in the movie. The result is everything looks very, very fake. The final product should have more refined visuals (we ain't done editing). But I don't see how we're going to take those shots and de-ass-ify them.

The movie's whimsical designs don't translate to a brick-by-brick recreation. You aren't selling me that people made an arena like that. You'd be better on live sets that lie closer to reality than forcing a pastiche of the movie's over-the-top whimsy.

Part of HTTYD's charm (to the delight of the animators!) was getting things scruffy, dirty, lived-in, imperfect. I was talking with @hcsp1 today and I agree with what he said: "It looks like a cool cosplay image, not a big budget studio film." The arena pic feel like a hyper-edited, visually-scrubbed Photoshop rather than a lived-in world.

If you're going to match visuals exactly, it highlights how redundant and pointless it'd be to make that live action.

I could be wrong regarding the cove because they're blurry images, but: the color, lighting, and differences in graininess / resolution / definition / whatever-word-goes-here between the foreground and background make it feel like a cheap greenscreen. Also: the foreground is ass, and the background is ass.

Toothless is an example of "try so hard to be 'realistic' that we render it ugly." Guess what word I'm going to use to describe how I feel about the model? Looks like ass.

A person can't make an accurate analysis on something with so little data. But. Something something something ass ass ass. My takeaway is this looks like ass.

I still want folks to know I'm not following live action news and don't anticipate answering questions on it; I'd prefer to see and know as little of it as possible. But I am voluntarily providing my opinion here. ;) And my opinion is... [dramatic drumroll with the most glorious of winks] (ﾉ◕ヮ◕)ﾉ*:･ﾟ (ﾉ◕ヮ◕)ﾉ*:･ﾟ (ﾉ◕ヮ◕)ﾉ*:･ﾟ ......ASS! ∘* ✧･ﾟ

[canonically47]

i cannot ever get over gi-hun actually. the fact that he chooses to believe in the good of humanity even after witnessing what he has, and that he joins the games AGAIN with (mathematically) even LESS chances of survival JUST because he wants to save people, people who DON'T CARE, people who are SELFISH and who continuously betray and hurt him just fucking KILLS ME. a very big critique from many people (and i've noticed, especially men) about the second season and gi-hun's character is that he is stupid. they find him to be stupid that he has this weak spot for an uncaring crowd, that he comes back to the games to save people who wouldn't think of him twice, instead of going to his daughter. they think that him caring and despising a system this deeply is a sign of weakness and stupidity.

but if anything, i find it admirable. maybe i can't bring myself to hate him because i think i'd do the same thing. i watch him on-screen and think, "yeah, i would do that too", every single mistake, every single thing, i get him. and he may look stupid to some but i think if anything, he's just too caught up in an ideal world in which people care, but i find it admirable that this is his personality even after witnessing the previous games. he still has hope, they haven't wiped it away from him. comparing him to in-ho is like night and day, because in-ho was broken by the games and came back to perpetuate that same hurtful system, while gi-hun was broken by the games and came back to break the people that created the system, and the system itself.

he speaks to me, as an individual who clings to hope until his very last breath, who can never seem to learn from his mistakes because he is so stubborn, he wants to prove that humanity could, and should, have hope and that it's worth to fight for it, not to just leave for a different continent and forget about it. that's what draws me to him, this endless fight in him, i can't find him stupid because he's so desperate to change things. and he never gives up even after his friends die before him.

idk i just am really unwell about gi-hun. i think people treat him too harshly. i'm unsure how well this is worded, but what i really want to say is that i don't think he should be perfect and immediately learn from every single mistake he has ever made. the fact that he is this broken given his past, even before the games he's set up as this really caring and traumatized individual, and that they double down on his same characteristics that make him so incredibly real... he's just really special to me. i really admire the way he is written and i think he's a really good representation of people who fight for a change even when it all seems lost. he's just that kind of guy that doesn't, couldn't, will never give up. and i really love that.

[dekusleftsock]

I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.

I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.

I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.

There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:

A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.

B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.

And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.

This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.

But yk. That didn’t happen. At all. Nowhere close even.

The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).

To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)

And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.

Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.

I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.

Izuku is not controlling too much, he’s expressing just enough.

I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.

In fact, I’ll even say that this moment right here?

ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)

Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.

Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this

And this

Aand this

That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.

[demacianpuppet]

Okay, I'm not going to much that has happened with the last episode yet, but it feels like I'm the only one who is incredible critical about the utopia Viktor has created.

Because every person who was treated by Viktor had a complete personality change. Like, just look at how Salo was behaving. Even if someone magically cured you, this is not normal. Not consider the whole mind-control/hive mind thing we seem to be going on.

Also, when Viktor was killed, it affected everyone who was healed by him. Their life energies seem to be connected.

There is a reason why we haven't seen Jayce POV why he is suddenly so hellbent on stoping Hextech. Jayce was ready to break every law to save Viktor, only to have a complete change of heart an Act later?

No, where is clearly more going on.

[rabbits-of-negative-euphoria]

you can tell Shawn is faking his general cluelessness by how badly he freaked out when he couldn't remember the events of the retirement party in Last Night Gus

[ellisbian]

just making a remind how bakugou avoids kirishima who tries to reach him because he was worried bakugou felt tired and he wanted to help, here you may think bakugou hate touching and being touched and it’s true in a way but as soon as izuku grabs his arm, making puppy eyes he doesn’t even try to pull izuku out of him. and even if he acts all tough saying to deku he has just to be the cane he lets izuku grabbing and hanging on him.

i don’t want to make this post being about the evidence or not of the bakudeku, just wanted to focus on how katsuki accepts izuku’s help even if it may not seem, he’s just a fake hater who tries to convince himself and others he hates deku but there’s another truth .

[alwaysbewoke]

honestly, FUCK ISRAEL!!