#experiencing in that moment

[sodaf]

if we're going to be so real. the source of 90% of my problems is that i get horrifically jealous and I have bpd. but the cool thing is i can also invent reasons to stay upset even if it's only one person upsetting me and he hasn't even interacted with me in a way that would be valid for me to get upset at because i come up with problems that feel worse than they are in reality and in response I stay up until 3am and start spiraling

[mintaii]

is this anything

[crowiin]

welcome to the world

[jaydenism]

they really mafuyu'ed my mizuki huh

i think about this dialogue from the main story a lot. she knows.

[dirtytransmasc]

I'm just imagining Sevika charging into battle not knowing where her girls are. she hears whispers from the battlefield that Isha is dead and that Jinx is gone. taken. captured. surrendered. she doesn't want to accept either. she almost refuses. and it's in the back of her mind that she has to live so she can find her girls, and at the very least, remember them.

and she almost dies. she thinks that there might not be anyone to remember them. to find them.

and then she doesn't. she doesn't die. and one thing leads to another, and she's on the council. and....

she still doesn't know what happened to them.

and then Vi, the girl who, justifiably, hates her guts, comes back. and the look on her face all She needs to know Jinx is gone. but she can't accept it. she can't.

she demands to know what happened, in a clipped, gruff manner, not displaying much care, but her eyes are teary and her gut is churning.... and Vi just says they're gone.

and all Sevika can do is whisper "... both?"

and she doesn't wait for an answer. the face is enough. "how?".

the answer kills her.

she walks away. murmurs an apology over her shoulder.

she doesn't know what to do with the feeling in her chest. her fingers trace over the carving in her arm.

[divineandmajesticinone]

LOVE IN THE AIR: KOI NO YOKAN (2024) I EP. 4

[rhiangalaxy]

Shen Qingqiu is blowing up the System with his mind rn

[ID: A Scum Villain Comic. First image depicts Shen Qingqiu within the Water Prison, kneeling on the ground with his arms and wrists tied with immortal binding cables. He wears a nervous expression while the System screen next to him with a cheering kaomoji goes "Checking In." to which SQQ reponds "i'm bad". The next image depicts SQQ with now ripped robes holding his tied hands in front of him while Luo Binghe stands facing away from him in the foreground. LBH is holding his hands up to his face with a flustered expression whilst SQQ is looking at his back with a very confused expression and "???" next to him. A caption above them states "One Wife Plot Experience Later..." The final image is in a chibi style. SQQ glares at the system as it says with a smug look "Checking In" to which SQQ responds "i'm doing bad" End ID]

[crustycrackhead]

I got possessed dude, did a line of flour— some crazy shit anyways… Swampcat

Swampcat, Kremy Lecroux x Morning Frost

They both find each other interesting like anatomy wise, drastically different, some “lemme examine you 🤓☝️”

Kremy slowly blinks and Frost gets flustered… that’s the good shit to me man. Purring, Bellows… I SHOOT THEM TWO WITH MY AMERICAN GUN

[isda-bata]

“You Can Just Have It” part 1

Next

a little comic I’m working on that I originally posted to Insta but want to put here too.

[tubbytarchia]

Hey guys I think The Last Unicorn is such a Scott book

[a-scary-lack-of-common-sense]

I think you might have been a father to me, once.

You used to be more than just another man who hurt me in my life.

Reference pic!

[skyloftian-nutcase]

HE DID THE THING HE DID THE THING

LOVE that it’s Hyrule, YES, absolutely deserved

[secriden]

There's something so wondrously momentous about Style only saying his "I love you" now, when he realises that all the secrets he was keeping from Fadel are already laid bare.

He says this a significant time after Fadel has said his (and, in the context of the wider narrative, after Kant and Bison) and for the character we have seen as prone to glibness, exaggeration and flippancy with his words, that feels incredibly intentional.

Because this confession was the only truth Style had left to give.

Fadel is finally done playing his (poorly thought out) game, done with his (already cracking at the seams) charade, done with giving Style more opportunities to pull at his heartstrings with his earnestness lies.

Fadel is demanding the truth, and tells Style exactly what truth he wants to hear.

And the thing is, there is truth in this: Style's motivations at the start were wrapped up in a deception specifically targeting Fadel.

I know we, as a fandom, harp on about Style "doing all that for a car", but something I would like us all to revisit is what Kant actually says to Style when he first asks Style to "hit on" Fadel:

Kant: You need to help me. You know I don't usually feel this way about someone. And then shortly later, after Style refuses: Kant: Hey, hold on. (Kant grabs Style's hand.) What do I have to do to for you to help me out? Should I pay you?

(Please forgive my inability to gif and watch Style's reaction to this.) Style is visibly surprised and intrigued. Kant seems to be serious about this request, and I think Style decides to test just how important it is to Kant by asking for the one thing he knows Kant will not give up.

Just look the expressions on Style's face. We didn't have the context of knowing Style back then as well as we do now, but this is the look Style gets when he's throwing out a challenge (to Fadel), when he's trying to ferret out some new insight (from Fadel), when he wants to see how someone (Fadel) will react to whatever outlandish (provocative) thing he's said or done.

And when Kant agrees, Style even checks again if Kant is serious about going through with it -- and it's this that convinces Style of the sincerity of Kant's request.

Yes, the car was a factor, and yes Style also wanted revenge and to humble Fadel, but at the centre of Style's motivation has always been a plea for help from a friend.

In episode 1: Kant: Under one condition. You have to make him head over heels in love with you. Style: I'll do it. Not just for the car, but someone like him needs to be humbled by someone like me.

But in agreeing to help Kant, Style really was damning Fadel to play the fool because Fadel's feelings (his heart) was a commodity that Style was fully willing to play with back then.

And there are aspects of truth here too. When Kant tells Style about Fadel (and Bison) being hitmen, Style decides he's done and wants out. Kant reasons that it's more dangerous for Style to break up with Fadel now, because it would look suspicious, but crucially this isn't enough to convince Style.

So Kant, once again, makes the plea to friendship and to his need for Style specifically, and it is this that causes Style to finally cave.

But in doing so, the things that Style agrees to are:

Kant: Work with me. Help me get more information about them. Once we get that, it's done. Captain puts them in jail, and we walk free.

So while Style may not be directly working with the police, he is working with Kant who he knows is working with the police. By proxy, Style is involved with the police, but in front of the empty pool, he makes it clear to Fadel just what that involvement actually entailed:

Style: Kant asked me to take you out so you could leave him alone and he could freely investigate. Fadel: What did he get out of it? Style: I don't know! That ain't my business! All I was asked of is to take you out.

And this, too, actually is true! Since finding out, Style has literally not discovered a single thing that could be remotely useful to the police investigation:

He's found out that Fadel likes to gym at night. He's found out that Fadel uses tenderloin in his burgers. That he runs in the morning before going to the market. That he attends a grief support group.

But these were all things Kant also already knew and could have given the police if it were in any way useful for the investigation.

Even his attempts to get Fadel to confess to his "other job" (something the police also already know) were clearly in service of wanting to save Fadel and/or convince him to give up the life of crime in the hopes that Fadel wouldn't have to be sent away from Style to prison.

But the truths are tangled up in misunderstandings and Fadel's own assumptions now; and also further tainted again by Bison's own hurt over Kant's betrayal. And Fadel literally cannot see -- because his eyes are filled with tears [see: @thisautistic's gifset + my tags] (good grief, Joong, the actor you are) -- the honesty Style is bleeding from the marrow of his bones.

Because the truth is that along the way Style has also found out that Fadel is a good older brother. That Fadel is still hurting and bleeding inside because his parents were murdered. That Fadel wears his favourite bands' make up in secret because he cannot bear the thought of other's judgement. He's found out that Fadel misses Style, wants Style, and hates himself for it. That Fadel is afraid to love. That Fadel is acutely aware of his own darkness and cannot comprehend an existence that would not involve someone (Style) rejecting it. That Fadel does not believe that 100% trust is possible, but that he will get himself drunk so that he can offer Style as much vulnerability as he can physically make himself give.

Because the things that Style did find out were all the ways Fadel's heart is soft and tender and precious and worthy worthy worthy of all the love Style has to give.

And Style will stand firm on this truth because this is the only thing he has left to give Fadel.

Because Fadel knows, now, all the ways Style was unworthy of his trust, but crucially has not figured out the most important truth:

Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. -- Quoted from my meta post on the "One day, I'll be your 100%" line.

And as I alluded to in the tags on @yinwaring's insightful post: Style fully embodies the belief he espouses; because even in the face of a gun to his head and Fadel threatening to kill him if he will not admit that this, too, is a lie, Style refuses to give Fadel anymore dishonesty.

And this is because Style knows that the truth matters; now more than ever.

Because Style has had days to grapple with his worry after Fadel's disappearance. Style has had a week's worth of checking the diner only to face the regret he feels about not handling things differently. Style has had to recognise the terror of thinking he had lost something he never even knew he wanted in the first place.

And while Fadel had his realisation back in episode 4, Style never had to face this until Fadel vanished from his life and left a gaping hole in the shape of the absence of Fadel's smile.

So if this is what it takes, if this is the penance that Fadel demands of him, then it is a price Style is most happy to pay.

Because Fadel does not realise is that Style, too, now knows what it means to lose a love worth fighting for.

And in the war Fadel now feels compelled to wage against Style (because, yes, that's definitely still going on), the one damning thing Fadel has failed to recognised is that his only true weapon was leaving Style behind.

Which is why Style has already won. Not because Fadel's walls have crumpled again or because they don't still have a ton of things to talk through and work out (they really, really do), but because Style has already been stripped bare (and I mean this literally, like we all recognise THAT was the reason why Dunk is only in boxer shorts in that scene, right?? Like, I know we were joking about it, but seriously, that was so very intentional and a visual representation of Style being both stripped and, most importantly, freed from the lies he felt compelled to tell Fadel) and this means he has nothing holding him back.

And Fadel can wield his gun and his words and his anger and his hurt, but Style will die on the hill of the truth that he knew and understood and chose to love Fadel anyway, and saved this last confession for when he knew he could tell Fadel the truth without any lingering deception; and when the time is right, when Fadel is finally ready, Style will be there to welcome him back with open arms and, without any hesitation, an open heart.

[lindseymcdonaldseyelashes]

Leverage 4x11- "The Experimental Job"

[napping-sapphic]

I just want to fall in love with someone who makes me feel safe like even when we’re angry or sad or upset i just want to know that both of us are still going to be okay

[melverie]

Just remembered that Satan in the "A World of Our Very Own" devilgram says that he believes he was "born in order to meet MC" and it always sounded incredibly cheesy to me but then I thought about it a little more and--

Originally, Satan was just a small glimmer inside Lucifer's consciousness until Lucifer's wrath reached its peak with Lilith's death which, in turn, resulted in Satan's birth

MC is a direct descendant of Lilith after she was reborn as human

If it weren't for Lilith's death, neither of them would be here

Both of their existences are directly intertwined with one another, so in a way Satan's right

They have always been destined to be a part of each other's lives