#excerpt: Rebirth

[feral-ballad]

Erika L. Sánchez, from Lessons on Expulsion: Poems; “Amá”

[Text ID: “In One Hundred Years of Solitude, / Márquez wrote that we are birthed / by our mothers only once, but life obligates / us to give birth / to ourselves over and over.”]

[sang-i-fetge]

List of Jason Todd/Red Hood's weapons/gadgets/touys

Note: This is mostly from comics written by Winick, as I refuse to acknowledge most of n52. Feel free to add more, though!

Note2: This post was originally formatted in a different way, as I foolishly forgot about the image limit.

Blades

1— His iconic dagger!

Can cut through stone, and most of Batman's gear. It's been heavily debated what kind of knife it is; wether a kris, a parrying dagger, or a third secret thing.

2— The blades he gives Mia to defend herself!

I'm not sure what kind of blade they are, they vaguely look like wakizashis? Their size varies from panel to panel so idk😔

3— The katana for the 'duel' with Oliver!

4— And to link with the next section, the exploding katana!

Yes, it's a katana that explodes. Jason baits Oliver into holding it.

Explosives

— First of all, he blows up many many things and it's not specified what exactly he uses. So the unspecified explosives that only appear as a cool fireball panel get a bullet point.

5— The jumble of explosives in the Final Confrontation™️, we can see some dynamite, C4...

6— Bomb in a crate

7— Small bomb. Not lethal!

8— Bigger bomb. Yes lethal.

9— Continuing with this absolute icon: the bomb under the Batmobile (should I capitalize that?)

10— Small Rocket, used against Brick

11— Grenade?

12— Small, cylinder-shaped explosives. Detonated upon impact?

13— Small explosive that attaches to flat surfaces, used against Dr Freeze

14— Grenade.

15— Molotov Cocktail

16— Enough C4 to destroy a whole building, modded so it explodes if its temperature reaches one point, countering Batman's method of freezing bombs.

17— My absolute favorite, the exploding helmet!

Even if it's listed under 'explosives', it's also an important piece of technology in the Red Hood's arsenal.

Firearms

18, 19— The guns in the wall from Annual #25, there's surely more.

20— Machine guns hidden in crates!

21— Machine guns hidden in cars!

22— Rocket launcher, used against Black Mask

23— Even more hidden machine guns! This time in an electricity pole.

24— Machine gun (also hidden, but surprisingly not attached to anything)

25— Handgun👍

26— AK-47, you know the panel from where it's from

27— Submachine guns, I think 🙂

28— When out of ammo he uses his guns as blunt weapons, which I wanted to note

Tasers

29— The nazi-killing taser

30— The reason for the creation of this post! The grapple line taser! Attach it to a grapple line and it will shock whoever is connected to it. Noticed it in a reread of utrh and needed people to see it

31— Bonus: the bat-symbol taser. Iconic enough to be here.

Tech & Surveillance

32— Monitor and microphone?

33, 34— cameras :)

35— thing to see the feed of the cameras

36, 37— phones :)

38— his little tech den in #650

39, 40— computers :)

41— whatever this thing is

42— The surveillance device that looks like he taped a canon camera to his face

43— Wiretaps!

44— Bugs!

He also has his evil lair in B&R2009 bugged.

Miscellaneous

45— Does his crowbar count

46— smoke bomb!!

47— Injectable adrenaline. He just has that in his utility belt.

48— His batmobile-evade suit.

49— Is saying his belt buckle mean

50— Unspecified poison! Goodbye Egon

51— This thing that attaches to its target and launches them off

Not pictured:

The fancy weapon dressing he gives onyx to patch up the shoulder wound he inflicted (I forgot to screenshot 💔)

Also, he has this whole hq-ish thing in Annual #25

(Edit: That rectangle in the gun wall kinda looks like an anti-drone gun now that I think abt it)

It has a murder board, which I think is cute.

[graeaenotgrey]

My lover says I don’t how to be loved

I disagree with him vehemently

He says I can only love when I’m broken

He says I never feel loved unless I’m broken

I laugh in his face, call him delusional

But sometimes I sit and wonder if he’s right.

©️Graeae

[polaris-australis]

just remembered that template that was going around forever ago for turning your project into a fake netflix series and i’m so tempted to dig it up and try to do it for my wip. like i have no idea how it would work esp with the amount of like. blood. and other imagery in it. but i think it’d be fine. hannibal exists so why not

[howifeltabouthim]

I wanted to get rid of myself so there could be room for other selves.

Catherine Lacey, from Biography of X

[booksandboba]

Rebirth of the Supreme Celestial Being

[pen-and-umbra]

The second episode of the Remake, FF7 Rebirth, has proven to be a terrific experience thus far. SE obviously made a few big decisions here and there.

It is seemingly implied now that Jenova wasn't "brain-dead", and it is hinted that Sephiroth was addled during his breakdown.

It all begins with a strategically placed cut, when Sephiroth touches the door bearing the name Jenova and instructs "Cloud" to close the valve. The scene is merely functional for new fans, yet leaves a vacant space that Crisis Core players will quickly fill in with the inferred arrival of Genesis. Smart move that, leaving the interpretation to the player. Whether Genesis exists inside the Remake's continuity or not, the moment reads differently to each fan. Quite frankly, I was half-expecting “Cloud” to come across a banora apple, rolling on the floor, but I suppose that would be telling.

What's remarkable is that they give Sephiroth almost identical symptoms to those that Cloud has in the remake. Glitches and odd headaches superimpose themselves nicely over the original Crisis Core scene. And, as much as I loathe Tyler Hoechlin's acting in the game, he lends a tangible sense of rage to Sephiroth's disparaging remarks about Hojo and his experiments. You can hear the hatred, a touch of pity, and disgust directed at Hojo's work and the creatures he tortured. In Crisis Core, he refers to the test subjects as “abominations” with the same touch of bitterness.

Back to the point: glitches, pupil dilations, and headaches are visual cues for Jenovaroth's influence or proximity, as shown in the first part of the Remake. However, at this point, Sephiroth is still sane — cracking, but still himself — so the only agent who can exert influence on him is, well, Jenova.

Now, a widely established fan hypothesis maintained that Jenova was brain-dead or comatose. Bodily functions sustained, but brain activity plateaued. Rebirth, however, strangely suggests otherwise.

When "Cloud" returns to Sephiroth in the manor's basement for the second time, Sephiroth recites an excerpt from a journal purportedly written by Professor Gast: 

“The specimen, found in a strata dating back two thousand years, smiled with what could only be described as 'ethereal grace'… Though the truth eluded me at first, I later determined that she was an Ancient - or a 'steward of the planet', as they are referred to in legend”. 

Remembering the battles with Jenova Dreamweaver and Jenova Emergent, the creature is far from "graceful" or "ethereal". There is nothing graceful about her figure in the tube either, and she is not smiling. The game goes out of its way to lampshade the glaring contradiction by showing the flashes of Jenova’s fanged skull and grotesque body as Sephiroth quotes the passage. So how could Gast perceive her as such?.. The answer is most likely found in Jenova Dreamweaver's description given in Ultimania: the entity has the ability to induce hallucinations in individuals who come into proximity with it, which is further corroborated by Jenova Emergent description.

An ancient lifeform that Shinra Company has kept under strict confidentiality. Those who come into contact can have their conscience interfered as well as see illusions. Professor Hojo has dedicated half of his life to researching Jenova, and within the Shinra Company building's top floors lies a secret research center called the "Dome," where Jenova's cells are injected into lifeforms or machinery to conduct experiments. (Ultimania)

Gast even writes that “the truth eluded him at first”, but LATER he determines the specimen belonged to the race of Ancients, as if that answer was suggested. The implication is chilling: Jenova may have purposefully misled Gast in order to present itself as an Ancient. As Sephiroth later explains in the FF7Rb, Jenova is capable of seeing deep into one's soul and impersonating individuals you fear, love, or hate.

If ShinRA and Gast were determined to unravel the mysteries of Ancients and their Promised Land, it would make sense for Jenova to "scan" Gast and determine the best course of action: disguise itself as an Ancient in order to escape captivity in geological strata jail.

The scene in which Sephiroth reads Gast's notes is possibly the final time he is more or less himself, before Jenova's image intermingles with his for a brief moment. Again, I appreciate Tyler's voice acting in this particular section and the real rage he brought to it. Admittedly, I was concerned that with next-gen visuals, they would take a more gruesome approach, displaying Sephiroth conducting the Nibelheim carnage with sadistic pleasure, but they took a different route. Slow, zombie-like movements, and a glassy expression.

He speared the militiamen as casually as if he were spearing bugs, which is far more frightening from a narrative point. What jumped out was how they emphasized the possessed-like behavior: from snarling and flailing the book like a suffering person to an empty countenance and automaton-like strides, as if he was being beckoned. Which is what "Mother is waiting" implies.

The final segment of the Nibelheim flashback is likely the most essential as well. According to previous developer claims, Sephiroth's will took precedence over Jenova's, and he was in control — whether Jenova was brain-dead or simply of lesser willpower.  However, the Rebirth appears to suggest something different right off the bat. First, "Cloud" shouts, "I believed in you… No… Not you — whoever the hell you are!", highlighting the significant personality change and the resulting lack of recognition. But then "Cloud" sees Jenova's image superimposed over that of Sephiroth in a rapid, glitch-like succession.

In other words, he sees Jenova inhabiting Sephiroth's body as a vehicle to once again escape the confinements. Whatever that means, whether it suggests that Jenova is in control from the start, or whether Sephiroth is literally the greatest functional agglomeration of her cells, and therefore literally “becomes” Jenova. 

If Jenova's original body was severely damaged — either as a result of eons of incarceration or Hojo's tinkering — it stands to reason that, if she wished to carry out her plan, she would need a new body, one capable of moving at the very least. Perhaps Sephiroth, an able-bodied skilled Mako-infused fighter of considerable might, served as a better "vessel" than her original damaged one. 

But the crux of the matter lies elsewhere. The possibility of Jenova being conscious and influencing Gast is very terrifying. With the potential to affect others in close vicinity, she may have influenced the minds of the whole science team behind the Jenova Project, particularly those who had long-term contact with her tissue — Gast and Hojo. It could turn out that the whole idea to revive an “Ancient” was planted by Jenova in order to grow itself a powerful host. In fact, if it could "peer into one's soul," i.e. read minds and memories, it might have easily identified a pressure point to indoctrinate people who could forward her objective. It's one thing to inject tissue samples into an adult body; it's quite another to devise a plan to inject cells into a developing human fetus. Who knows. Perhaps Hojo is such an obsessed Jenova nutcase in large part because he fell under its spell; feelings of inadequacy and being overshadowed by his colleague may have offered a crack in his defenses.

One that Jenova easily took advantage of. After all, as Dirge of Cerberus implies, Hojo ended up implanting himself with alien organic material.

Again, Jenova's power to extract information from an individual when in proximity supports a bleak reading of the events leading up to Nibelheim's ransacking. A person who kept on carrying a photograph of his supposedly late mother and badgered others about his background, as suggested by Ever Crisis episodes, was literally wearing his weakness on a sleeve.

Perhaps the 30-something years of the Jenova Project were supposed to bring Sephiroth there.

Perhaps the chain of events had been nudged in that direction, starting from the very discovery of a derelict non-human lifeform. Nudged by an intelligence both cunning and incomprehensible. And that makes Jenova a much, much scarier presence in the remake than it was ever suggested in OG.

[ckret2]

(I said earlier I had a fic excerpt about DEATH LAWYER AXOLOTL, here it is.)

The god hopefully turned to the time giant—

She shook her head, expression flat. "Nope. I'm a civil engineer, not a hostage negotiator."

—and then turned to the Axolotl. "You. You know how to talk to mortals like this triangle that's taken over Dimension Zero, don't you? Isn't he like the omnicidal monsters you represent every day?"

The Axolotl looked nervously at the wormhole into Dimension Zero. He could see blue fire and hear wails of pain on the other side. "Ah," he said.

####

Biologically there was really no such thing as a god, in the same way that botanically there is really no such thing as a vegetable. Tomatoes are fruits; spinach is a leaf; carrots are roots; broccoli is an unfinished flower. The word "vegetable" just indicates the cultural role a plant performs in the kitchen.

The word "god" indicated the cultural role an entity performed in cosmology: a god was anything that exerted enough power that mortals felt driven to worship it.

Different beings so honored with the title "god" handled it in different ways. For the Axolotl's part, he thought it was a useful designation to help with networking, but mostly it was a pain that meant he was put up on a pedestal for doing his job.

The Axolotl was a god of justice. Not the god of justice, but one. He held dominion over an abstract concept; over millions and billions of years, his words and decisions slowly, inexorably altered the idea of "justice" on a multiversal scale. Mercy, retribution, punishment, rehabilitation, equity, equality, fairness, and righteousness were like multicolored clays he could twist, squish, sculpt, and blend at his leisure, permanently altering what those ideas meant to the mortals they affected.

Which was to say: he was a lawyer.

He was also known as a god of rebirth. Which was to say: he specialized in afterlife law. Before going into law he'd only been a psychopomp, but after having to escort too many despairing souls to afterlives he felt were too severe for their sins, he'd decided he wanted a say in where he took his souls. Now he helped clients get their charges reduced so they were eligible for a higher-tier reincarnation, or got their purgatorial sentences reduced, or—on rare occasions—even helped them avoid damnation. (Although he didn't take many damnation cases. He didn't always win—and those ones were too depressing to lose.)

And lately, he'd been developing a reputation.

For the past few centuries, he'd been working on a damnation case. He was defending a supervillain who'd built a weapon that could slice open the fabric of spacetime—a crime against reality—and bisect planets in its wake. He'd died inside the jurisdiction of an afterlife that had legalized eternal damnation. Case law had long since established that the dead had to be sent either to the afterlife system of their native jurisdiction or an alternate afterlife system of their choice in order to be judged, provided that the proper afterlife accepted their transfer request.

But if this villain had been extradited to his home world, the heaviest sentence he could have faced was a thousand years purgatory, with an option for early reincarnation for good behavior after a hundred years. So the jurisdiction he'd died in had summoned up some bureaucratic red tape to dismiss his native afterlife's extradition request, and he'd been sentenced where he'd died. They'd wanted to establish via case law that the dead who had committed crimes against reality could be damned in whichever jurisdiction they happened to die in, and hoped they could get away with it just for lack of anyone protesting the move. After all, everyone involved much preferred that a mortal wicked enough to obliterate multiple populated planets and trillions of lives receive eternal punishment.

Everyone involved except the Axolotl. 

Taking this case hadn't made him many friends. He didn't care; he had his principles. Let an interplanetary supervillain be dragged away to a foreign afterlife just so that he can be forced into damnation, and next it'll be a planetary dictator; let a dictator be dragged away, and next it'll be a murderer; and next it'll be a burglar; and next it'll be a jaywalker that a psychopomp has a personal grudge against. If the Axolotl could establish that even the most undeserving mortal imaginable, a criminal against reality, still deserved the right to be sentenced in the afterlife of his choice, then he could establish that everyone less evil deserved the same right.

If he had anything to say about it, in two or three trillion years he'd see eternal punishment outlawed completely; but untilthen, he was not going to sit idly by and let this flagrant abuse of interdimensional law become the new meaning of justice! He would get that supervillain out of eternal damnation, personally escort him to his native afterlife, and see him reincarnated on his own home world—and mark his words, he would rain so much bureaucratic hell on the judges and psychopomps that had let this abuse of justice take place that no god would dare keep a soul from its rightful afterlife ever again, or he wasn't the Axolotl!

All of which was to say:

Yes, unfortunately. This triangle was like the omnicidal monsters he represented every day.

And so he was appointed hostage negotiator.

####

(And that's why a trillion years later he's the guy helping Bill submit an insanity plea so that he can go to Theraprism rather than get the permadeath penalty.)

[1moreoffkeyanthem]

My favorite Stan Moments in this btw:

Kyle’s hard days were always his own hard days, seeing him suffer like that. The uncertainty, the anger, everything he’d felt and seen since selling part of his soul to the Haven was only a drop in the ocean to what Kyle had faced all those years.

All those years, even before moving onto the ranch, of not being looked after emotionally, being seen as a possession rather than an equal, of being toyed with physically. Roughly. Abused repeatedly and gas lit into believing he wasn’t. Wanting so badly to be loved in the way HE loved others, only to have it be thrown back into his face, to be thrown around, beaten within an inch of his life there at the end…

See, that’s what drove Stan’s bouts of anxiety about the whole thing. His nightmares were always about losing Kyle. He was okay once he realized Kyle was there.

Goddamnit. He didn’t want to cry in public, but he hated that he couldn’t fix this. Only time could, and Stan couldn’t control time.

“I wish I could take it from him, Ken. I really do. Like, on his bad days he makes himself worse because he feels so helpless. It’s so fucking scary, seeing him like that.” He stubbornly blinked back the burn in his sinuses. “He’s not weak, dude, he knows he’s not, he’s just sick, and traumatized, and he’d totally kick my ass if he heard me say this, but I just want to wrap him in that shit they stuff quilts with and protect him from everything that could ever hurt him, but I CAN’T because even if the Spider’s gone, he hurt him so BAD, Kenny, and I can’t protect him from his memories or the dreams-“

“I’m sorry I’m… broken,” he whispered.

“Hey, no.” Stan brushed his thumb over Kyle’s cheekbone and kissed his forehead. “You’re not broken. You’re HEALING.”

Kenny’s heart broke for both of them. They’d been through Hell, no one could deny that. But they had each other, at the end of the day, and nothing would ever change that.

Yeah I just love this Stan ok

So guess whomst wrote a lil sum that only a handful of people will be down with?

That’s right, a sequel to my weirdass rural horror magical realism bs The Webs In The Rafters, here’s No Strings Attached

Welcome to Post Traumatic Spider Disorder

[deedala]

SHAMELESS CREATORS NETWORK MARCH THEME: GROWTH🌱

mickey + roots (an excerpt from James Norbury) [x]

when i sat and thought about mickey and growth i found myself imagining roots. moments of growth that didn't feel exactly like blooming but like rebirth and creating a foundation for his own desires and his own place in the world. the first thing a seed does before it breaks through towards the sun is that it sprouts roots down into the dirt below. what we see on the surface growing upwards is delicate, easily blows in the wind, and easy to tear. but that is deceptive, because hidden in the earth there are hundreds of roots weaving around and in-between the soil, the stones, and even older stronger roots. they reach lower and wider making themselves a permanent piece of the land to the point that to truly extract it would require extraordinary strength and effort that would leave behind a literal crater in the earth. we see so many plants get mowed over or seem to die in the winter, but their roots keep them alive and we see them flourish again and again. and that is what mickey's growth feels like to me. he planted himself a new place in ian's existence and he grew deep strong roots that stayed alive even when things above the surface looked bleak. and now they can weather any storm.

[elaemae]

What did Og!Cale sacrifice?

Genuine question...

Hear me out;

I'm reading the latest chapter of 'In an Instant' by Messy_haired_bum and something just clicked in my head.

See, I know that the Og!Cale is a fan favorite, something that I didn't really understand because we don't know a whole lot about the guy, but there's just something that's been stopping me from getting enamored with him via various fanfictions I've read even though they've made the Og!Cale very lovable, and I didn't really know what it was, for a long time, until now.

There are various posts circulating around saying that Og!Cale sacrificed himself greatly with the deal he made with the GoD, and at a time, I believed that. But... reading this chapter opened my eyes and made me think, what did Og!Cale sacrificed?

What did he sacrifice that he didn't already lose?

A lot of ppl say that Og!Cale lost everything to be KRS but the only thing he had left was his identity. That's... not a lot to be honest. Not enough, actually.

Now, I can hear y'all thinking "Current!Cale got his wealth, backing, and a family–", but so did Current!KRS.

Current!KRS also didn't need to deal with a world war involving a megalomaniac, entire enemy nations, and a literal divine being.

Og!Cale was a foot soldier for 40 years, most likely didn't help a lot against Arm and The White Star, and he died without any (known) great feats but he's given such an amazing opportunity to take over the body of someone that'll need to deal with all those problems? An opportunity of rebirth that even Lee Soo Hyuk wasn't given until he gave one up of his abilities to help seal a deity?

He knows he couldn't shoulder the burden of saving the world so he just... washed his hands off that responsibility... And then occupied the body of a high-ranking well-known individual to then go off and get a happy ending with his reincarnated mom.

As the excerpt above said, it's a win-win for him, he doesn't get soul-crushing responsibilities, he gets a high-ranking position that grants him power, he can deal with the learning curve due to being given Og!KRS's abilities and having an actual reliable guide, and he gets to be back with his mom.

And...

... If Current!Cale ever fails?

He can just shrug and say it's not his problem anymore.

He's got his new happy life now. (I'm not saying he will, I'm just saying he could, if he was a lesser man)

Current!Cale lost everything he had too, all the fruits of his labors, the results of him dealing with all sorts of issues and problems for years, just... taken away by a stranger in his body. You can say KRS!Cale wasn't really happy, that Og!Cale didn't know if the body he'll end up in would be okay, that he gambled with his life in taking over Og!KRS's life.

Life that... he was about to lose anyways.

It just wasn't fair...

If we ignore the fact the KRS!Cale is literally thriving and just look subjectively at the situation of the body switch, KRS!Cale got the short end of the bloody, hellish, rotting stick.

I can only get closure if I personally find out if Og!Cale ever gave a fuck about the uninvolved, innocent guy that he sent to deal with a 20 year war, and not in the 'Is he doing the saving he's supposed to?' typa way, I want to find out if he ever feels guilty of the responsibility that he gave the man, if he ever worries for KRS!Cale's personal safety and mental health, for putting an innocent man through war. An innocent man that couldn't just stand by, as the world he found himself in, burns around him.

I don't want to dislike the current KRS, I want to love him actually, but this is my current perspective on the matter and you guys are free to share yours so that I can broaden my mindset about Og!Cale (pls do, I wanna like the guy but I wanna know if he's a good guy first, I wanna know why ppl love him so I can love him as well)

[graeaenotgrey]

I ask you to break me, as if I want to be broken

The words fall off my tongue so easily, as though they’ve made a home here

And who would blame them

It is I who keeps calling them back.

©️Graeae

[daesungindistress]

"Watching together and appreciating the countless shooting stars"

💫

[battyaboutbooksreviews]

🌈 Queer Books Coming Out in August 2024 🌈

🌈 Good afternoon, my bookish bats! Here are a FEW of the stunning, diverse queer books you can add to your TBR before the year is over. Happy reading!

[ Text list below ⤵ ]

❓What was the last queer book you read?

[ Release dates may have changed. ]

❤️ Failure to Comply - Sarah Cavar 🧡 I Spit On Your Celluloid - Heidi Honeycutt 💛 You're Embarrassing Yourself - Desiree Akhavan 💚 Death of the Hero - Briona Johnson 💙 Between Dragons and Their Wrath - Devin Madson 💜 The Crimson Crown - Heather Walter ❤️ Sacrificial Animals - Kailee Pedersen 🧡 Oath of Fire - K. Arsenault Rivera 💛 The Palace of Eros - Caro De Robertis 💙 This Ravenous Fate - Hayley Dennings 💜 Mistress of Lies - K.M. Enright 🌈 Wolf Bite - T.J. Nichols

❤️ In the Valley, A Shadow - Samantha Tano 🧡 Follow My Lead - Adrian J. Smith 💛 The Last Woman I Kissed - Venetia Di Pierro 💚 Full Shift - Jennifer Dugan & Kristen Seaton 💙 Hers for the Weekend - Helena Greer 💜 Come Out, Come Out - Natalie C. Parker ❤️ Rules for Ghosting - Shelly Jay Shore 🧡 How to Leave the House - Nathan Newman 💛 Plot Twist - Carmen Sereno 💙 On the Far Side of a Crescendo - Kalyn Hazel 💜 Tiny Oblivions and Mutual Self Destructions - Maxwell I. Gold 🌈 Daylan and the River of Secrets - Edd Tello

❤️ The Italy Letters - Vi Khi Nao 🧡 The Gender Binary Is a Big Lie - Lee Wind 💚 The House Where Death Lives - Alex Brown 💙 Ash's Cabin - Jen Wang 💜 The Avian Hourglass - Lindsey Drager ❤️ The Heart Wants - Krystina Rivers 🧡 A Grand Love - Janna Barkin 💛 You Can't Go Home Again - Jeanette Bears 💜 Libertad - Bessie Flores Zaldivar 🌈 Her Golden Coast - Anat Deracine

❤️ Mighty Millie Novak - Elizabeth Holden 💛 Rise and Divine - Lana Harper 💚 Dying for You - L Flowers 💙 I'll Have What He's Having - Adib Khorram 💜 Changing Her Tune - Amanda Kabak ❤️ Monogamy? In this Economy? - Laura Boyle 🧡 The Rainbow Age of Television - Sayna Maci Warner 💛 Medusa of the Roses - Navid Sinaki 💙 Confounding Oaths - Alexis Hall 💜 Idol Lives - K.T. Salvo 🌈 Brother's Keeper - Quinn Cameron

❤️ Key Lime Sky - Al Hess 🧡 Crushing It - Erin Becker 💛 The Husky and His White Cat Shizun - Rou Bao Bu Chi Rou 💚 Not for the Faint of Heart - Lex Croucher 💙 Tasting Temptation - JJ Arias 💜 Ami - S. Jae-Jones ❤️ You're the Problem, It's You - Emma R. Alban 🧡 Cubs & Campfires - Dylan Drakes 💛 The Dark We Know - Wen-yi Lee 💙 Practical Rules for Cursed Witches - Kayla Cottingham 💜 Riyati Rebirth - Kalani Shimizu 🌈 The Brujos of Borderland High - Gume Laurel III

❤️ A Bánh Mì for Two - Trinity Nguyen 🧡 Dance of the Starlit Sea - Kiana Krystle 💛 Scattered Snows, to the North - Carl Phillips 💚 Beyond a World Apart - Caitlin Myers 💙 Don't Let It Break Your Heart - Maggie Horne 💜 Nothing Heals Me Like You Do - Harper Bliss ❤️ How It All Ends - Emma Hunsinger 🧡 How Do I Sexy? - Mx. Nillin Lore 💛 The Palace of Eros - Caro De Robertis 💙 Prince of the Palisades - Julian Winters 💜 Better Left Buried - Mary E. Roach 🌈 Back to Back - Jo Fletcher

❤️ DITCHLAPSE / [REALLY AFRAID] - Tommy Wyatt 🧡 The Love Archives: Bonus Scenes & Excerpts for Palestine - Various 💛 Guardian: Zhen Hun - Ying Priest 💚 The Sunforge - Sascha Stronach 💙 Queering Reproductive Justice - Candace Bond-Theriault 💜 Gender Explained - Diane Ehrensaft & Michelle Jurkiewicz ❤️ The Unlikely Pair - Jax Calder 🧡 In Universes - Emet North 💛 We Love the Nightlife - Rachel Koller Croft 💙 Lessons from Cruising - Martin Goodman 💜 Wild Ginger in the Rhubarb - Eule Grey 🌈 Not My Circus - Delicia Niami

❤️ Asunder - Kerstin Hall 🧡 The Phoenix Keeper - S.A. MacLean 💛 Encounters with James Baldwin - Various 💚 Verity's Game - Jennifer Giacalone 💙 Hunt Me! I Crave the Chase - Fae Quin 💜 The Audacity Omnibus - Carmen Loup ❤️ Haunted to Death - Frank Anthony Polito 🧡 Blood Orange - Paige Grunewald 💛 The Bad Things We Did - Chris Archeske 💙 Dark Restraint - Katee Robert 💜 Worth the Wait - Kenna White 🌈 The Maid and the Crocodile - Jordan Ifueko

❤️ Loving Corrections - Adrienne Maree Brown 🧡 The Last Witch in Edinburgh - Marielle Thompson 💛 The Duchess of Kokora - Nikhil Prabala 💚 The Scales of Seduction - Rien Gray 💙 Survival Is a Promise - Alexis Pauline Gumbs 💜 Loka - S.B. Divya ❤️ The Every Body Book of Consent - Rachel E Simon 🧡 Southern Lights - Liz Arncliffe 💛 Then Things Went Dark - Bea Fitzgerald 💙 Death at Morning House - Maureen Johnson 💜 The Last Doorbell - William Parker 🌈 The Pairing - Casey McQuiston

[felassan]

In the UK market, Dragon Age: The Veilguard did almost as well as Dragon's Dogma 2 and Final Fantasy VII: Rebirth. (physical+digital) [source, two]

and an excerpt from Stockhouse:

"Despite controversy, EA stock rises amid new ‘Dragon Age’ release Last week, Electronic Arts (NASDAQ:EA) stock rose by a 4.15 per cent, reflecting a positive market response to the recent launch of its highly anticipated RPG, ‘Dragon Age: The Veilguard’" [source]

[laurelwen]

Nigel's Book Details: Spread One

Over the past months, I've been intermittently engaged in the painstaking process of trying to identify the various images we see in Nigel's book. Because the format is a scrapbook with excerpts of text, photos, drawings, etc pasted in, it's clear that the prop department must have pulled these pieces of ephemera from other books either by directly cutting them apart or via photocopy/reproduction. Some of the images are easily identifiable if you're familiar with the subject matter, and others are impossible to identify due to angle/blurriness/incomplete image. For most of them, the trick was to determine what search terms to start with to find the right type of image, and then narrow your search from there.

Using the order in which each spread is presented in the scene where Alex finally reads through Nigel's book, this is the first spread:

The Medal - Knight Templar Star

A key data point I started with on several images from the book is the text that Greg Read mentions in the director's commentary for the film: Freemasonry and the Ancient Gods. He cites this text as inspiration for the occult/secret society elements in the film, most notably the Maraclea story (discussed in this post.) Because this text is in the public domain, it is available online from a few places, though a few of the images are on fold out pages that were not folded out for scanning. Luckily, the Freemasons have full page scans available on this site: Gallery. Because we know Greg used this book, it stands to reason that he provided this book to the prop department for use/inspiration.

The first image on the far left of this spread is only partially visible, but is identifiable as some kind of medal. Using the two pages of Freemason medals included in the text, there is one that stands out as a match.

The Freemasons have elaborate stories concerning their real or invented ties to the Templars, just as the movie asserts. The Maraclea tale is one such example, but an attempt to recreate Templar mysteries pervades the Freemason rituals and customs. A full discussion of this topic is outside the scope of this post, but here's a brief introductory Wiki article for further reading. The motto contained in the circle is "In hoc signo vinces" meaning "in this sign, you will conquer" and referring to the Christian cross at the center. Here are some modern versions of this medal, which is still in use by Freemasons.

Skull on Altar

This is the first of many skull images used in Nigel's book, which stands to reason given the significance of the Maraclea story in his personal mythology. I have searched long hours trying to identify this actual photo, but to no avail. Many clubs and societies have used skulls as symbols, whether for their esoteric symbolism or simply for the macabre vibes.

However, given the context we have regarding Greg's inspirations as well as details of the photo itself, I believe this may be an image of a Freemason "Chamber of Reflection."

This article from Freemason magazine The Square explains the history and significance of this ritual space:

"The Chamber of Reflection is an important symbol. It represents a womblike state, where the aspirant is to participate in his rebirth as an initiate, to indicate when the candidate emerges from the chamber, in the same manner as being born a new man. Thus, the chamber indicates at the same time, a beginning and an end." --Chamber of Reflection

The article goes on to discuss the nature of how the room should be constructed and what it should contain. It is supposed to be situated underneath the main room of the Lodge, windowless, and should resemble a cave as closely as possible, with dark or black painted walls. In the circled detail above, the wall appears to be a roughly-hewn stone texture, and certainly reads as dark or black. Given it's purpose for reflection on one's decision to begin or continue a path towards exploring esoteric mysteries, the room contains multiple symbols representing key concepts of Freemasonry, most notably a skull and leg bones.

The skull has appeared for centuries in various Masonic degrees, tracing boards, and aprons, such as the nineteenth century Knight Templar apron. The skull, together with the crossbones, is a symbol of mortality, and is used to elaborate on the other symbols present in the chamber. Its purpose is to serve as a reminder of the Latin phrase memento mori, ‘remember, you will die.’ It serves as a reminder that our earthly life is not eternal and your time spent on this earth is limited and should be spent to improve society, yourself, and your spiritual service. Death is eminent, and each of us at one point or another must face this ultimate ending.

The room also has mottoes or important messages written on the walls or on plaques. While we cannot make out the words, there is clearly some writing next to the skull in the detail highlighted above. Finally, the lines on the wall behind the skull could be part of a larger alchemical glyph or drawing or they could represent the knotted rope, another important Freemason symbol. Below are a few examples of what this room looked like in the past and in modern Lodges.

Photos

The other two photos included in this spread have defeated me entirely. I have been unable to even determine what the top left photo IS in order to track down any information about it. Seriously, if anyone can make sense of it, I'm begging you to tell me.

The bottom right side photo seems to be only the bottom half of an actual photo. I have no idea why the prop department would do this to me, so I can only conclude that it was a personal attack. It depicts someone, a man most likely, sitting down. Note the clasped hands in the highlighted detail. The white object next to him looks like some kind of voluminous ceremonial cape or robe. I tried a variety of approaches to narrow down my search but I came up empty handed. Without the other half of the photo, I don't think it's possible. From the shiny finish we can see as Alex turns the page, it does seem to be an actual photo rather than a piece of plain paper with a printed image.

As a side note for anyone who might be crazy enough to think about recreating this book (or is that only me?): if you wanted to recreate this image, you could find a similar photo and fold it in the same pattern, then use sandpaper to wear down the folded edges to simulate the wear and tear of age.

Text

I have found that almost none of the text included in this book is legible enough to identify, a fact which pains me immensely. I did scan through the Freemason book Greg used to see if any of the verse in that book matched up to the snippet of verse on the left page, but none of it is formatted in the same way.

Go here for more unhinged posts like this one:

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