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hier--soir · 3 months ago

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may + june + july reads

the strange case of dr jekyll and mr hyde by r. l. stevenson [★★★★]

"Though so profound a double-dealer, I was in no sense a hypocrite; both sides of me were in dead earnest; I was no more myself when I laid aside restraint and plunged in shame, than when I laboured, in the eye of day, at the furtherance of knowledge or the relief of sorrow and suffering."

: ̗̀➛ a london lawyer, mr utterson, investigates strange occurrences between his old friend dr henry jekyll, and the evil edward hyde.

: ̗̀➛ a horror classic! coming in at a sweet 96-pages, it was easy to smash out in an evening. and despite the brevity of the text and the fact that it's over a century old, i found it insanely compelling and indeed pretty chilling at multiple points.

: ̗̀➛ there are some ridiculously funny lines in this. i believe he named the evil character hyde just so he could drop this banger: "'If he be Mr. Hyde,' he had thought, 'I shall be Mr. Seek.'"

: ̗̀➛ henry jekyll my sweet summer child, you flew way too close to the sun with this shit.

: ̗̀➛ "You must suffer me to go my own dark way." BARS.

babel: an arcane history by r. f. kuang [★★★★★]

"The poet runs untrammelled across the meadow. The translator dances in shackles."

: ̗̀➛ opening in the year 1828, a young boy from canton is orphaned by cholera and brought to london by a mysterious professor. he is trained in latin, ancient greek, and chinese, in preparation for the day he will attend oxford university's royal institute of translation - babel. the tower is the world's center for translation and silver-working, the magical craft that has so far brought unrivalled power to the british and supports the empire's ongoing colonisation of the world. but what happens when it is discovered that britain is pursuing an unjust war against china, and robin realises that serving babel means betraying his motherland.

: ̗̀➛ this book left me absolutely speechless. upon starting it i was immediately ashamed at how long it had taken me to pick this up considering all the hype. serious thanks to @seventeenpins for recommending this to me recently, you are the best for putting me onto this.

: ̗̀➛ beautifully crafted, incredibly intelligent, great central characters. i don't even know how to put into words what i felt about this one. and as someone who consumes a fair amount of translated literature [see: my love of ancient greek and roman classics] it tickled my interest around the biases and intricacy of translation so perfectly. you need to read it. please.

: ̗̀➛ have to include: "It should have been distressing. In truth, Robin found it was actually quite easy to put up with any degree of social unrest, as long as one got used to looking away."

: ̗̀➛ have to include #2: "So then where does that leave us? How can we conclude, except by acknowledging that an act of translation is then necessarily always an act of betrayal?"

: ̗̀➛ and absolutely cannot not include this iconic PBS diss: "He greatly enjoyed Mary Shelley's Frankenstein, though he could not say the same of the poems by her less talented husband, whom he found overly dramatic."

paradise rot by jenny hval [★★★★]

"But my dreams are full of apples, and in the dark my body slowly transforms into fruit: tonsils shrinking to seeds and lungs to cores. I dream of white flowers blossoming under my nails, as if under ice. Then my nails break, opening up like clams and in the finger flesh there are little sticky fruit pearls."

: ̗̀➛ jo is in a strange new country for university, living in a house with no walls, a roommate with no boundaries, and a home that seems increasingly more and more alive.

: ̗̀➛ so much piss in this one folks.

: ̗̀➛ jenny hval is a norwegian musician and this was her debut novel, and it was bizarre and haunting and disgusting and made me cringe and feel squeamish at many points, and yet i read it in one fell swoop. it grips you for 120-odd pages and when you're done it feels like you've been spit out disoriented.

mrs s by k. patrick [★★★]

"When she is not around, I invent her. When she is around, I invent her. It is not her fault."

: ̗̀➛ an australian butch lesbian travels to england to work in an elite boarding school, where she meets mrs s, the headmaster's wife. over a hot, restless summer, the two engage in an affair.

: ̗̀➛ i enjoyed this one decently enough. the writing style grew a bit tiresome, and the storyline seemed quite laissez-faire, but overall yes i enjoyed it. what can also grow tiresome for me is the woman-on-woman affair when one of them is married to a man - but maybe i've just read too much queer lit with no foreseeable happy ending lately, idk.

: ̗̀➛ the way the dialogue was structured [or perhaps, unstructured to a painful extent] was not my cup of tea at all.

: ̗̀➛ i was really tickled by her living in an annexe so close to the school nurse, who is very religious. the dynamic gave way to great passages like this: "I imagine her, at night, sending prayers my way, so sweet as to be malicious. In each of our interactions there is always the feeling that I would do better under her God. I don't mind her God, so tangible. The sexy Jesus in her bedroom. His body I too would die to have. Not just the chest but the legs, a footballer's legs, complex with muscle. Even those sad, raised palms. Brazen in their injuries. Such glamour." like hello??? incredible.

grey dog by elliott gish [★★★★]

"You called me a dirty little beast, and I have become as dirty and beastly a woman as there ever was."

"What is that quote from Othello, what Emilia says about men? They are all but stomachs, and we all but food; They eat us hungerly, and when they are full, they belch us."

: ̗̀➛ a 'literary horror novel' set in 1901 about the unmarried and almost 30 'spinster' ada byrd who accepts a teaching post in a small isolated town. she wants to be rid of her past, one 'riddled with grief and shame', but upon witnessing strange and grisly sights, ada begins to believe that something ancient and beastly is behind all the peculiarities in this little town. her confusion deepens, and ada's grip on what is reality, delusion, or traumatic memory, begins to blur and fail.

: ̗̀➛ body horror, gore, the horrors of being a woman, witchy business, descent into madness, women longing for women.

: ̗̀➛ because the entire text is written in first person diary entries, i found that it sometimes failed to establish a creepy atmosphere. although this issue was more prominent for me in the first half, while in the second half the diary entries acted as a great insight as to how unhinged she was becoming. slay.

: ̗̀➛ imo this is simply what happens to a woman when she is raised by a heinous father and ends up an adult surrounded by too many sexy older women!

the sleepwalkers by scarlett thomas [★★★]

"How many eyes can one storm have?"

: ̗̀➛ still reeling from the chaos of their wedding, evelyn and richard arrive on a tiny greek island for their honeymoon. it's the end of the season and a storm is brewing on the horizon. they check into the villa rosa, which has a peculiar owner named isabella, and everyone wants to talk about the famous sleepwalkers, a couple who stayed at the hotel recently and drowned.

: ̗̀➛ saw a tagline that coined this as 'patricia highsmith meets white lotus' and i'd agree. good mystery thriller with some action.

: ̗̀➛ this one was a touch slow at first [it's told in letters, dictated audio recordings, from different perspectives, etc] but ultimately gripped me and i thoroughly enjoyed the drama and mystery. newlyweds that hate each other's guts? yeah, bestie, i need to know why.

: ̗̀➛ i really got into some of the takes showing how evelyn and richard viewed each other. this really stuck with me: "I read infrequently, partly because every book change me, right down the level of my DNA. I didn't want to be changed so often. But you were able to hoover up contemporary culture without so much as a little belch afterwards. You just carried on being you."

: ̗̀➛ also let me fucking tell you, there was a line in this book that made me drop my kindle and GUFFAW in shock. page 88, HELLO. evelyn girl you kill me.

the drift by c. j. tudor [★★★]

"These days death had been laid bare for what it really was. An ending. Often brutal, seldom fair, rarely kind."

: ̗̀➛ a thriller-esque, horror-esque book about a deadly infectious virus, and the attempted survival of three seperate groups trapped in isolated circumstances in the icy wilderness. [this one is so hard to describe sorry]

: ̗̀➛ the book is told through three different pov's. i normally despise this but i actually didn't hate it in this case, although i did have favourites.

: ̗̀➛ boyfriend asked me to read this when he finished it and then watched me from across the room the almost whole time, pretending not to be staring whenever i looked up. and he was right, it was fast-paced, had some good twists and turns, and was enjoyable, albeit very different from what i normally read.

what have i done? an honest memoir about surviving post-natal mental illness by laura dockrill [★★★★]

"Put me out of my misery. I feel like a killer on the loose. I need to turn myself in."

"Or the one of New Mum having champagne and cake with the girls. Another doing 'date night' two weeks before her six-week check, like, 'Yes, we still have sex!' Mum is fitting back into her clothes; Mum is making papier-mâché piggy banks; drinking enough water; shaving her armpits; reading a bedtime story; going to a gig; playing peekaboo. Mum is keeping up with her favourite TV shows; reading the Booker longlist; being a good friend; making a healthy yet tasty cost-effective-probably-vegan meal; recycling; giving baby massage; sterilising. Mum is getting rid of her pregnancy knickers when they are the only knickers she truly likes; doing her taxes; walking the dog; donating to charity; freezing bananas; learning Japanese because why not? ... Oh look! Mum is abseiling down the Shard and still finding the time to express and write a blog about the whole experience."

: ̗̀➛ a memoir about a first-time mum's experience with post-partum psychosis, and her survival.

: ̗̀➛ this book was a heart-ache of a read. honest and raw and devastating and uplifting. often very very funny -- "People told Hugo, 'Don't go down the goal end, mate; it's like watching your favourite pub burn down.' Oh ha. Ha. Ha." -- i couldn't put it down.

: ̗̀➛ the end did start to feel a touch self-helpy which isn't necessarily my bag of tricks when it comes to non-fiction, but those inclusions felt warranted and fair after such an in-depth depiction of everything laura had gone through.

: ̗̀➛ serious mental health trigger warnings for this one. there is plenty of humour, but it gets very dark.

the death of jane lawrence by caitlin starling [★★]

"She dreamed of tearing out a rotted pit inside of him where his martyrdom resided."

: ̗̀➛ in an alternate version of victorian-era britain, jane shoringfield is seeking a marriage of convenience that will allow her to continue working, with all the benefits of being a married woman, and she finds this in dr augustine lawrence. however, he has one condition - she can never visit lindridge hall, his family manor outside of town, where he himself will sleep each and every night. but on their wedding night, an accident strands jane at the door in a rainstorm, and in place of her husband she finds a terrified, paranoid man who cannot tell reality from nightmare. by morning he is himself again, but jane knows something is terribly wrong at lindridge hall.

: ̗̀➛ i picked this up looking for a fun, spooky little read, but am sad to say that i absolutely did not like it. the characters were fickle, the plot twists were unsurprising and revealed poorly, and the storyline was all over the place. sadge!

: ̗̀➛ sold itself as a gothic ghost horror, but didn't live up to that at all [for me!] heavily inspired by crimson peak, and it doesn't care if you know it.

: ̗̀➛ also - when your 'independent strong female' mc marries a guy who lies constantly and makes up bullshit and every time she confronts him he boo-hoos so she forgives him immediately cause he really is a nice man?? womp womp.

: ̗̀➛ also also - way more cocaine in this than i expected.

my book rating system is as follows:

★ = i felt pure contempt the entire time

★★ = yeah it's a book

★★★ = i liked it!

★★★★ = good fucking book, damn

★★★★★ = blew my dick clean off and i'll throw a tantrum if everyone i know doesn't also read it and love it

if you want to share a book you love with me, please do! i am always looking out for new recs.

#jessie reads #books #if you've read any of these lets talk

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literaryvein-reblogs · 3 months ago

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Writing Reference: 5 Symbols

for your next poem/story (pt. 1)

AESCLEPIUS WAND

The Wand or Rod of Aesclepius is a symbol of the medical profession.

The symbol belongs to the Greek God of Healing whose name it bears.

Although the origins of many symbols are indeterminate, there is a theory that the Aesclepius Wand came about due to the method of removal of a certain parasite that was drawn gradually from the body by winding it around a stick.

However, the serpent is a powerful symbol of healing, despite its toxic nature.

In general, the symbol of the serpent rising up toward the top of a pole or tree is representative of matter transforming into spirit and of enlightenment.

AKWABA

This is an African fertility symbol belonging to the Ashanti tribe.

The Akwaba is a doll, usually carved of wood, which commands the same attention as a real infant.

It is dressed, washed, and even “fed” until the human child is actually born, an example of sympathetic magic believed to ensure the arrival of the true baby.

AMULET

Although it is worn on the body as a piece of jewelry, the amulet is different from “normal” jewelry in that it holds a magical significance that is peculiar to its owner or wearer.

Generally, the powers of the amulet fall into two specific categories, either to bring luck or to avert evil;

either of these qualities arguably reflect a positive or negative attitude on the part of the owner.

The talisman is effectively the same thing as an amulet although its name derives from an Arabic word meaning “magic picture.”

A charm made specifically and inscribed with the names of the spirits, the Seal of Solomon, and other mystical symbols is more likely to be referred to as a talisman.

Significant symbols for use as amulets include birthstones (or other gems according to their magical powers), astrological signs, specific symbols such as the Hand of Fatima or the cornus, and symbols specific to the religious and spiritual beliefs of the wearer, such as the cross, the star, words, names, and numbers.

Incidentally, both amulets and talismans are referred to as “charms;” the origin of this word has the same root as the Latin word for “song,” indicating the link between a magical sound and a magical intention.

ANKH

Essentially the tau cross surmounted by a loop or circle, the ankh is a prominent feature of Ancient Egyptian reliefs, artworks, and funerary paraphernalia.

Like the tau, the ankh is a letter; specifically, it is a hieroglyph meaning “life.”

The volume of meaning that can be squeezed from such a simple symbol is awe-inspiring.

The ankh represents the male and female genitalia, the Sun coming over the horizon, and the union of Heaven and Earth.

This association with the Sun means that the ankh is traditionally drawn in gold—the color of the Sun—and never in silver, which relates to the Moon.

Putting aside the complexities of these separate elements, though, what does the ankh look like?

Its resemblance to a key gives a clue to another meaning of this magical symbol.

The Egyptians believed that the Afterlife was as meaningful as the present one, and the ankh provided the key to the gates of death and what lay beyond.

Powerful symbols frequently stray across into other cultures despite their origins, and the ankh is no exception.

Because it symbolizes immortality and the Universe, it was initially borrowed by the 4th century Coptic Christians who used it as a symbol to reinforce Christ’s message that there is life after death.

The ankh is used by the Rosicrucians too.

Even though its actual invention is shrouded in thousands of years of mystery, the ankh symbol can be bought in any high street jewelry store anywhere in the world.

ARROW

Symbol of flight, penetration, and direction.

As a weapon, the arrow is a symbol of the power of the person who carries it, along with the bow.

As a sacred symbol, it is the attribute of the Goddess of the Hunt, Artemis/Diana, as well as of Eros, who uses his arrows to pierce the people’s hearts with love.

The arrow also serves as a phallic symbol and an emblem of masculine power.

The symbol of the heart pierced with an arrow, popular on Valentine’s Day cards, is a covert symbol of sexual union.

As a symbol of direction, it works on a physical level and a metaphorical level.

The arrow that shoots high up into the sky is an emblem of the link between Earth and Heaven, a symbol of an idea, or of a message being carried directly to the Gods.

The arrow is used, too, as an analogy for swiftness and sureness, since the arrow travels in the direction in which it is shot.

The astrological sign of Sagittarius, the hybrid creature that is always depicted in the process of shooting an arrow from his bow, has a Latin root, sagitta; this means “arrow” and is derived from a verb, sagire, that means “to perceive keenly or quickly.”

Therefore, the arrow is symbolic of quick-wittedness and intuition.

Arrows were used by the ancient Arabians, Chaldeans, Greeks, and Tibetans in a form of divination called Belomancy:

This was practiced by shooting arrows in the air and reading a meaning from the direction of the arrows or their positions in relation to each other.

For example, crossed or touching arrows meant “no.”

Later, the arrows had words written on them to make any answers even more definitive.

Source ⚜ More: On Symbols ⚜ Writing Notes & References

#writing reference #symbols #symbolism #writeblr #spilled ink #dark academia #literature #writers on tumblr #writing prompt #poetry #poets on tumblr #art reference #light academia #creative writing #writing inspiration #writing inspo #writing ideas #writing resources

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insidemyrottenbrain · 1 month ago

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Henry, meus cupitus - TSH

TW: gore, toxicity

Where do I even begin? I should start by mentioning that this little piece was inspired by multiple books including but not limited to: "The Meek One" by Dostoyevsky, "Lolita" by Nabokov, "American Psycho" by Bret Easton Ellis and "The Iliad" by the one and only Homer.

This is the toned-down version. I felt that the original was much too explicit to post, but nevertheless it will continue to live in my drafts. Keep in mind, that this version may still be incredibly violent for a part of the audience. Read at your own risk.

Henry, meus cupitus, the last season of the year. My sin, my soul. Henry Winter marching down the banks with his umbrella and books.

He was Henry when we spent our weekends at Francis’ country house, rowing on the lake, finding out about the moon landing. Henry Winter was him, spreading around campus like a dark November mist or in Julian’s attentive green eyes. But he was and still is Henry Marchbanks Winter ever since my ears listened to the convoluted story of the scar; ever since he started forgetting the Latin diary in my sight; ever since our ἕνωσις.

Ladies and gentlemen of the jury, what right have you to judge me? No one should speak of love in the third person, for it is intangible, running so differently through our bones, that it mimics our soul’s very rhythm and so drowns each of us with unique scents, extorted from the desire for which we spill blood. And yet, here it is, my poor heart standing trial for its depth. Little lords and gentlewomen of the jury, I urge you to be magnanimous and instead ask yourself: how will I ever stay behind all on my own?

We met at Hampden. Our fates intertwined unexpectedly, gloriously, under the pressure of Julian’s classes and consequently under his guiding gaze. We were each other’s equal, neither of us possessing the ability to surpass the other. Though our views on matters weren’t, generally speaking, that different we still somehow managed to find little details so insignificant that the vast majority forget. What I believed in he stood against. What he stated I debated. A continuous chase between cat and mouse, except neither of us hid in walls. Oh, please, listen, how beautifully we were at each other’s throat with winged words whispered by Pallas Athene herself! With every class, my desire to stomp on his toes, to cut out his tongue and compare it to mine, to reduce him to absolute submission grew. As I’m sure did his. My only wish, which Zeus who drives the storm clouds later granted me, was to have him under my despotism. It was sickly divine and it consumed my insides raw.

Fate is funny in its own sadistic way. And so, despite everything, despite every warning that I’m sure his precious guts gave him, he fell in stride with me. Dangerous, obsessive me. Slowly, with every argument we lost ourselves in the other’s carefully crafted web, our souls moving to do their twisted dance. We couldn’t stop and certainly, we did not want to stop mixing that which made us two. The knot of selves was but a mere preamble to the waltz of unification we performed under the influence of all the gods above.

Now, most esteemed jury, that you understand the extent of our strange relationship, I can begin to narrate the following events: his demise (and the attempt of mine). I’ll tell it as I myself see fit and understand. That’s the horror of it for me, that I understand everything.

On October 11th of a certain year which I fail to recall, we were sitting against each other on the couch in his apartment, talking, quietly laughing, wasting our minds with wine as one does during the exam period. Take note, that Henry is reserved while his usual self, however, alcohol slightly enables the more emotive side of him. Through our conversation, he grew serious. I didn’t have to ask I knew he was going to tell me.

“You ruin me. You must know since you keep doing it.” Henry mumbled under his breath. “You lurk through the darkest depths of my mind,” I looked at him, his expression a mirror of mine “I wander dazed, like Hades’ dead undead, unable to form a single coherent thought.” He scoffed. “You are my worst nightmare.”

I remember closing my eyes for a moment. Knowing he was suffering because of me filled me with bliss. I could see that he was terribly irritated with his emotions, but I wasn’t going to soften anything. Oh no, on the contrary, seeing him in such a state made me deliberately want to intensify it. And then I opened my eyes only to find him, him, holding a knife to my throat.

“This has to stop.” He said solemnly, yet my gaze fell on his shaky hand. “I don’t want to plague my rationality further with you.”

I knew that all he had was his mind. And so, when I felt the sharp metal press against my neck; when I saw his determined, icy gaze I knew I had to twirl around him again. To prove to him that we are far from equals, that I am the sublime.

“You don’t have to love me.” I started out almost desperately, though it was only a trick, I assure you. “Don’t answer me anything, don’t take any notice of me at all, and only let me look at you from the corner, turn me into your thing, into your little dog..” I whispered.

With his thumb, he wiped away the wetness falling from my eyes (not tears). He was distracted and so I gripped his arm turning it away from my throat and towards his chest. He reacted and used his force to push it in my face. I stopped it with my free hand just before the tempting edge deflated my round eye and all the liquid from it spilled on my face. However, doing so, Henry did severe my ring finger. It ripped from the last jagged skin and juicy flesh that held it tied to my stained hand, fell on the sofa and rolled down onto Henry’s oriental rug with a barely audible thump, all while leaving dark red stains behind. I got up and used my body to push him to the ground. I step on my lost finger. It lets out a crack. He drops the knife due to the force and I get my greedy hands on it. He hurried to get up but I straddled his hips and kissed him, pushing my wet tongue into his warm mouth. I lost myself in it and I only snapped out of my daze when I felt his thick blood staining my skin. Drip, drop, little ladybugs everywhere.

I opened my eyes only to find his, or rather my, icy eyes still staring at me. What was left of my finger I dipped in blood and licked it. The glorious taste of his fluids mixed with mine exploded on my tongue and a voice whispered. And I believed it blindly, madly, terribly.

You all whom you believe yourself above me, pitiless hermaphrodites, inquire endlessly about the location of his body. It is not good manners to insist. Settle down, brutes, I’ll give you a clue just so you’ll leave me alone to mourn.

I listened to the voice that sang so sweetly in my ear. That is where his body is, in eternity with me.

Pass judgment on me, for that is why you’re here. However, you all are witnesses to my ‘crimes’, so judge yourself too, with the guidance of the Gods, for every accusation that leaves your wretched lips is a cast of your own dark depths. Answer if you are without sin: is it wrong to prove yourself to the one you love?

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ckret2 · 2 months ago

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Hi! Love your bill fic<3

I'm sorry if you answered this already, but Would Bill be able to open gates, because I would think he could just think of them as 'pieces of fence that open', but again that's like loosely what doors are. So could Bill think normal doors(like doorknob swinging doors) as something like 'pieces of wall that open', 'gates of wood' or 'weird vertical roof lids', would that work or would trying to make a definition for the concept of doors not work?

Also I don't quite know if this is a spoiler, but does Bill's native language/text only require two different colours or do the colour change the meaning of the text?

Gates are definitely a kind of door, and—much like how the spell includes windows—gates clearly perform an identical enough function to doors that the spell probably internally specifies "and yes this category of object is obviously a door."

Yes, if Bill can convince himself that doors aren't [object in the internal mental category of what we perceive as doors], he could open one. Stating "a door isn't a door" is insufficient; it requires believing in your heart that this thing isn't conceptually a door. But looking at a door without mentally understanding it as a door is like trying to focus your attention on a written word without reading the word. Bill "lie until you can't remember what's a truth and what's a lie" Cipher has a bigger advantage at that than most humans, but even for him it's difficult. He's only able to use the "roof lids" trick when he's unconscious and can apply Dream Logic to the situation, doing something similar with door-doors would be even harder.

Here's my post about his native language! tl;dr the colors are irrelevant, there just have to be two, a "lighter" one and a "darker" one.

With the release of TBOB, I've decided his written language comes in two forms: a fancier "high" script and an easier "low" script. The color code used in TBOB is the "high" script, and it's fancier because you need to switch between at least* 26 different colors to write it, meaning it'd be a pain to write out by hand. The "low" script only needs two colors, Light and Dark, so it's a lot easier to write by hand.

(*"At least" because I'm assuming that Bill's language isn't actually literally English except it's written in colors, what we see in the book is just an approximation of how his language looks but his actual language would have its own words/letters/etc that don't match the Latin alphabet.)

The low script takes up a lot more space (since it could take 3 dots/dashes to write a letter that could've been represented by a single dot in high script), so it's only for handwriting; for printed documents (like books & newspapers), formal documents (like contracts), and digital documents (anything on a computer or typed & printed from a computer), the high script is used since it's easy to type out. The high script is probably hell for colorblind shapes.

#whoht t #ask #bill goldilocks cipher #headcanons

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maniculum · 11 months ago

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Bestiaryposting Results: Raggfong

This week's beast was the Raggfong, much to the dismay of everyone who is sick of birds. Again, sorry, there are a bunch... and the random distribution put a clump of them in December/January, so it's going to get worse before it gets better. If it helps, imagine it's some kind of ritual to empower the birds currently eating the Gävle goat. Or maybe a "Twelve Days of Christmas" sort of thing -- we've already had the partridge.

Also again please forgive me if I fail to string sentences together properly -- still sick. Covid, actually, turns out. The brain fog is difficult; almost forgot I was supposed to do this today.

Anyway, here is the link to the entry that our artists are working from:

(Why did I redact the Greek and Latin names for the coot? I'm not making any effort to hide its identity... baffling choice on the part of Past Me.)

And if you have no idea what this is about, you should take a look at https://maniculum.tumblr.com/bestiaryposting for an explanation and previous entries.

As usual, art will appear in roughly chronological order under the cut.

@elodieunderglass (link to post here) responded days before anyone else with this image, which successfully conveys a lot of emotion in my opinion. Those are some very communicative facial expressions on the birds. I particularly like the coot, and how it's positioned to shield the chick from the sun. The real gem here, however, is the text of the post linked above, which I would describe as a prose poem about the bird depicted. I'm genuinely a bit blown away by it -- go click the link and read it for yourself.

@embervoices (link to post here) has got some kind of effect going on here that I don't know enough about art to describe, but I like the way it looks. Her post mentions the phoenix connection, which I think comes through pretty clearly in the design and pose. The linked post explains some design decisions, including which real-world birds were the inspiration for this one.

@silverhart-makes-art (link to post here) helpfully specifies that this Raggfong is resting on a bed of sea kale. The design of this bird is very good, I think, conveying a certain gravity one does not always associate with seabirds. I also like the effect created by the background; it kind of looks like it's the cover for something, you know? The linked post explains the various birds from which the artist borrowed features and why, and also discusses the evocative nature of the entry this is based on -- I'm glad people are enjoying that aspect.

@rautavaara (link to post here) has made the executive decision that this bird is actually a frog, and the drawing is frankly too pretty for me to have any kind of problem with that. Look at that border. And the wonderful color palette. Also there's a flying frog, which is very cool.

@cheapsweets (link to post here) notes an emerging theme in these entries that birds (except coots) are jerks. I honestly can't remember how consistent that theme is across all the birds... I know there are some the author likes, but there are also definitely going to be additional Birds That Are Jerks in future. I like the crown-like crest on the Raggfong, and I'm impressed by the dedication involved in doing all those little body feathers with a fountain pen. Also, if you look closely, you'll see that one of those chicks the adult Raggfong is carrying has been shown staring off in the same direction as its parent, while the other has its head turned and its eyes closed, meaning we can expect it to join the coots off to the right... and there's already a young Raggfong there, too. The linked post contains a detailed explanation of design decisions, which you should go check out. (Also, thanks again for providing alt text.)

@coolest-capybara (link to post here) has employed her usual medieval stylization to depict a Raggfong inspired by an albatross (on the grounds that they are a seabird with "judgy" eyes... you know, I can see it). I am absolutely delighted by the scrungliness of the chick being shown here, which does indeed have the "muppet made from dryer lint" quality of a real albatross chick. They have also included a series of pictures that show the whole life cycle, which I've decided (after substantial back-and-forth) to not copy over here as there's a certain color-of-the-sky quality there, but which I strongly encourage you to click on the link and look at for yourself. I particularly like that the coot in the "life cycle" picture appears to have a couple Ilyechams in her flock in addition to the new Raggfong.

@moustawott (link to post here) describes their Raggfong as a gannet mixed with an eagle, and it looks pretty majestic, honestly. The background really enhances that effect, and I think it makes a much more entertaining contrast with the two little chicks being carried below. There's a certain severity to the design that I think is fitting.

@pomrania (link to post here) has ditched the whole "coot" thing for a more direct interpretation of the Raggfong's "common counterpart", which they deem the "Ritchfong". I kind of like the idea of two related species of bird that the human observer has interpreted to have class divisions. The crest on the Raggfong is also a very appropriate touch, I think. The linked post contains additional detail on design decisions, and links to some process images, so go check that out.

@treesurface (link to post here) has decided that the Raggfong should actually be a sort of insect that people mistake for a bird, which I think is quite clever. They explain their reasoning for that a bit more in the linked post, along with some other notes on design and execution that I think are worth reading. I really like the concept that the "unmoving wings" are elytra, and the kind of glittering quality that they suggest here. (I also appreciate that they provide their own alt text.)

@karthara (link to post here) has drawn a Raggfong in several scenarios to express the behavior described in the entry. I really like the overall design here, with the feathery tufts on its head. Also charming is that one flying up near the sun -- it looks so happy to be on fire. The linked post explains the design decisions and the real-world birds from which karthara has taken inspiration. They also mention they included the coot chicks after looking them up and seeing how colorful they are, so I did a quick google and found this great headline:

(Tl:dr coot parents show preference for more colorful chicks, so the later the chick hatches, the more colorful it is, allowing it to compete with its larger, older siblings for food and attention.)

And finally, the Aberdeen Bestiary depiction:

The one diving into the basin just looks so goofy to me, sorry. Anyway, as I'm sure everyone has guessed, this is the eagle.

Yeah. I know. The whole "fiery rebirth" thing sounds like it should be the phoenix, but this bestiary has an entry for "Phoenix" and it's not this one.

Regular listeners to the Maniculum Podcast may recall this particular eagle behavior coming up before, in the quiz-show episode we did for the second part of "Sidrak & Bokkus". I still don't really know where this idea comes from, but there you go. Eagles.

I feel like there's some kind of comment that could be made over the lack of compassion shown by the medieval eagle here and, you know...

... but I can't quite formulate it, so you'll have to write your own.

Anyway, see y'all next week for our next beaſt.

#maniculum bestiaryposting #raggfong

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phoenix-creates · 4 months ago

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Hi, I just saw your post about Hoyo's colorism, and I'd like to bring something to the table that I've been thinking about recently, but can't be sure about whether or not it's a thing or if it's in my head

Sumeru and Natlan, for some reason, have many names that are taken from important historical figures (Al Tighnari, Ibn Al Haitham, Dihya, Kandake Amanirenas) and gods (Anahita, Sethos, Chasca, Kinich, Mahuika, Olorun, Xilonen, Iansan)

And I might be wrong, but I don't think any other nation does that, at least not to this extent??? (Except for Fontaine with Wriothesley and Neuvillette (Neville), but again: not the extent Sumeru and Natlan do it)

I don’t think this is in your head Anon.

From what I do remember, some of the names from the Mondstadt cast are translations of Latin words (ex. Diluc coming from the word “diluculum” which roughly translates to “dawn” or “twilight”, hence Diluc’s in-game skills.), and the Liyue cast names being combinations of certain words (ex. Xinyan which uses the characters 辛焱, which roughly means 辛 (xīn) "spicy" 焱 (yàn) “flame"). I don’t recall if anyone else is named after gods or a specific pantheon.

I’ll probably do a bit more research on the other names to make sure and to see if I find anything else but this is something I don’t think people have realized. I might even make an edit to the post to include this information as well because it is a big deal.

Thank you Anon. 🙏🏾

#genshin impact #anon ask #just when I thought it couldn’t get worse #anon I don’t think you realize the door you’ve opened I’m gonna spend my morning locked the fuck in

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simplyclary · 5 months ago

Text

Double The Charm, Double The Talent

(Photo edit by me)

I find myself constantly inspired by the incredible talents, undeniable charisma and the unique qualities that actors Taylor Zakhar Perez and Nicholas Galitzine bring to the screen. While I hold a special place in my heart for Taylor, that does not decrease my admiration for Nick. Loving or preferring one more than the other is only natural in a fandom, but it’s important to recognize that this preference does not mean that we should spread negativity or hate. Both Taylor and Nick are exceptional in their own right, and honestly, it’s their differences that make them so captivating.

Taylor Zakhar Perez has captured my heart with his Latino charm and boundless charisma. From his breakout role as Marco in “The Kissing Booth” film series to his more recent performance as Alex Claremont-Diaz in the film adaptation of hit novel “Red, White and Royal Blue”, Taylor consistently exudes a magnetic presence that draws viewers in. His natural ability to convey deep emotions and his dedication to his craft make him a standout in every project that he’s a part of.

What I most admire about Taylor is his authenticity. He brings a genuine warmth to his roles, and his passion for representing Latino voices and breaking stereotypes is truly inspiring. Taylor’s commitment to telling diverse stories and highlighting the richness of Latino culture is a testament to his character and vision as an actor. His charm isn’t just skin-deep; it’s rooted in a deep understanding of his heritage and a desire to make a positive impact through his work.

Beyond Taylor’s on-screen talent, his own personal attributes are equally compelling. His eloquent nature and ability to speak his mind without being mean are qualities that many of his fans, including me, find incredibly attractive. His intelligence and thoughtful approach to both his career and his interactions make him more than just a pretty face. His involvement in projects that resonate with his audience on a deeper level as well as his constant advocating for Latin representation, set him apart as a truly inspiring figure.

On the other hand, the British innocence of Nicholas Galitzine has also won me over (not as much as my best friend Jam, of course). From his roles in movies like “High Strung” and “Handsome Devil” to his portrayal of Prince Henry in “Red, White and Royal Blue” and George Villiers in “Mary & George”, Nick brings a unique blend of vulnerability and strength to his characters. His ability to connect with audiences on an emotional level is remarkable. And his dedication to his roles is obvious and evident in every one of his performances.

Nick also has a certain mystique about him that is endearing, intriguing and mysterious. His British charm, coupled with his ability to fully immerse himself in diverse roles, makes him a notable actor to watch. His journey in the entertainment industry has been nothing short of impressive, and I will eagerly anticipate every new project he takes on.

Nick’s appeal lies in his authenticity and the depth he brings to his characters. His British innocence, combined with his talent for portraying complex characters and emotions, makes him a joy to watch. He has a knack for choosing roles that challenge him and allow him to showcase his range as an actor. His genuine nature and dedication to his craft resonate with fans who appreciate his ability to connect on an emotional level.

Both Taylor and Nick bring something unique to the roles and projects that they bring to life. Taylor’s Latino charm and commitment to representation are incredibly impactful, while Nick’s British innocence and emotional depth offer a different kind of allure. Both of these actors have the ability to draw audiences in, not just with their looks but with the authenticity and passion that they bring to their performances.

It’s entirely possible to have a preference for one actor over the other without decreasing the talent and value of either. While Taylor might hold a slightly larger piece of my heart, this fact does not decrease my admiration for Nick. Both actors bring something special to a project, and their unique qualities are what makes them so beloved and treasured by fans.

Also to note that as fans, we are privileged to witness the growth and evolution of both Taylor and Nick. Their careers are filled with exciting potential, and I eagerly anticipate and await every new project that they’re gonna take on. Whether they’re working individually or on a project together, the anticipation and excitement will always remain high.

In an industry that often pits stars against each other, it is crucial and essential to remember that admiration is not a zero-sum game. Taylor and Nick are both immensely talented and charming individuals with their own distinct careers and paths. They are also great friends, and they support each other in their professional endeavors. As fans, we should strive to emulate this aura of positivity and camaraderie.

Now, a message to the fans: let us stop spreading negativity and tearing each other down. It honestly hurts to see fan communities divided, especially when Taylor and Nick themselves share a mutual respect and friendship. We can love one more than the other without resorting to hate or negativity. Respecting each other’s opinions and preferences is essential in creating a supportive and positive fan environment.

Let’s continue to celebrate the diversity of talents and projects that both Taylor and Nick bring to our screens. If you prefer one over the other, that is entirely okay, but let’s do so with kindness and respect. By supporting both actors and appreciating their unique contributions, we can create a fandom that reflects the positivity, inspiration and happiness that they bring into our lives.

Let us just focus on the love and admiration that we have for both Taylor James Zakhar Perez and Nicholas Dimitri Constantine Galitzine. They are both exceptional talents who constantly bring joy and inspiration to their fans. By supporting them with positivity and respect, we can create a welcoming and inclusive fan community.

Let’s enjoy consuming the beautiful projects that they do and celebrate their achievements, and as a fan community, let’s continue to uplift each other as we continue to follow their careers. After all, it’s their talent and dedication that brought us here in the first place, and that talent deserves nothing but the utmost amount of respect and appreciation.

#rwrb #red white and royal blue #taylor zakhar perez #nicholas galitzine #alex claremont diaz #prince henry rwrb #firstprince

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ambyandony · 9 months ago

Text

Pannacotta Fugo - Monster AU Profile

(hopefully screen-reader-friendly variant with detailed image descriptions)

Pannacotta Fugo, a completely normal human being with a completely abnormal understanding of the supernatural.

Preface about species type:

Fugo is a human being, and as such, there's not much to say in terms of species. You probably know a human. You probably are a human (I won't assume). A majority of humans (unless cursed or blessed) are not born with any innate magical properties or capabilities like some nonhumans are. Although some human beings are capable of magic, whether learnt, spiritual, religious or bestowed, Fugo simply isn't one of them, and does not practise magic, thus making him a completely normal human.

Details related to Humanity:

Being human means that he ages normally, doesn't exceed human strength, and cannot perceive magic supernaturally. Being human does have at least one advantage; a human who neither practises magic nor carries magical objects on their person cannot really be detected by magical detection senses...They're also very frequently underestimated by monsters and other humans alike.

Details about Fugo:

Just a normal human, except he's incredibly smart and incredibly bold.

Incredibly aware of nonhumans and their shenanigans, to the point where he's wildly desensitised and frankly quite sick of it sometimes. He has had it UP TO HERE with this shit.

Nothing fazes him anymore. He's fully, 100% aware that practically everyone around him is inhuman so now he just doesn't care when they do weird shit at this point. Rarely questions this shit anymore. He just Gets It now.

Knows more about nonhumans than he's ever really wanted to. Not afraid of them in the least (anymore) and is quite well-versed with a wealth of folk knowledge, a good majority of which he learnt when he was little from his Nonna.

Particularly familiar with the Gentry. He's incredibly cautious with all his wording, especially when it comes to introductions, and he knows quite a few preventative measures and deterrents, should he ever come to need them for any reason.

Far too hard to trick with snaky language. Excellent with loopholes, too-- he was studying law, for God's sake.

Audacious enough to insult nonhumans and humans to their faces pretty indiscriminately when he thinks it's called for.

Not afraid to speak his mind to anyone and gets away without any repercussions, in part just due to the SHEER AUDACITY, but also because everyone knows what Buccellati will do if anything should happen to Fugo (who is definitely not his son).

Has seen most everyone's true forms (at least to the extent he's capable of perceiving) so he's just used to it. The others usually don't feel a need to disguise themselves when it's just him around.

Knows around 12 languages including, allegedly, Ancient Sumerian (don't ask) and Latin. Comedically he frequently corrects Buccellati when he tries to speak Latin. Often. It just kills him to hear any kind of grammatical errors.

Anaemic. Maybe the lack of iron in his blood is why Giorno wants it so badly...

An excellent strategist. Always thinking of contingencies and worst-case scenarios. This is also known as having anxiety.

Has never given any part of his identity to the Fae and he's not about to start now.

Has a crush on giorno...??? but he also constantly wants to fucking THROTTLE the bitch

So Giorno likes to do this thing where he changes his appearance slightly, just enough to be subconsciously noticeable, bit by bit, just to fuck with people. Problem is, Narancia also likes to do this, so when Giorno tried it on Fugo, Fugo nearly fucking jumped him.

"Buccellati you don't have to say 'be not afraid' every fucking time you wake me up at three in the fucking morning and i see your true form what the fuck do you want"

"Ah. Okay. Fine, Buccellati. Why don't I just stay out here and converse with the Devil, then? Hey, Abbacchio-" "FUGO!"

"What's your favourite colour?" "Snakes, do you like boys?"

Emotionally he's a broke college student, mentally a clever little rich boy, physically, a mess.

Neurodivergent. Autistic. Hyperfixates on a random-ass topic and then if your trust level is at 8 or higher he infodumps at you about literally every single thing he knows on the subject. Aggressively.

Wears tiny mirrors sewn into his tie. They're silver-backed, and serve the function of a sort of countermeasure against certain nonhumans. Obviously it doesn't work for every nonhuman, but if the person he's talking to just straight up doesn't appear in the the mirrors, then they're, of course, inhuman.

Has an ongoing argument with Mista regarding what kind of luck four-leaf clovers bring. For the sake of peace, they've decided that, since Fugo insists that ”four-leaf clovers are lucky" and Mista insists that "four-leaf anything is unlucky", then surely four-leaf clovers must be "absolutely no luck at all".

fugo dismayed, seconds apart: "I BROUGHT THIS CHILD [narancia] IN under FALSE PRETENCES and BOY AM I FUCKING PISSED ABOUT IT!!!" "-hey you stay away from him That is my gremlin brother bitch" "THIS IS NOT HOW MATH WORKS! WE HAVE BEEN OVER THIS YOU STUPID MOTHERFUCKER!!!!"

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mikalara-dracula · 2 years ago

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Hello

Can you headcanon for S boys teaching you how to dance for a vampire ball?

And can it be fluff and slight NSFW if it applies

🎻 Extended Vampire Ball Alphabet + Additional Hcs [Shu's Vers.]—

Warning: 18+ content below; don't read if you're a minor and aren't comfortable with slight NSFW. This is a fictional work and should not be taken seriously.

Caution: Unfortunately, Tumblr has a history of admins quarreling over completing carbon copy asks due to users sending the same request(s) to multiple admins, thus, resulting in unintentional plagiarism. With this, please DO NOT send the same request to multiple blogs as it can cause unintended plagiarism discord to other blogs across Tumblr. The word “plagiarism” stems from the early 17th-century Latin word, “plagiarius,” meaning “kidnapper.” So please, do not send in the same request to multiple blogs and make admins appear to be “kidnapping” other people’s work when it isn’t their intention. If this is to occur with any of my posts, please contact me so we can work something out.

Hi there, Anon!

Thank you so much for requesting! Sorry for the wait. I hope you don’t mind but I decided to go all out for this post since I had a lot to say. I included what you wanted but added a bunch of other stuff that contributed to the subject and turned it into a vampire ball alphabet. As much as I wanted to include all of the brothers in one post, Tumblr's limitations on posts are restricting me from doing so. So with this, the other S brother’s versions will be out soon, and I’ll link them to this one when they’re finished. Hope you enjoy Shu’s version. Feel free to request again anytime. :)

Additional note: I extended my alphabet and added additional hcs because I hate limiting myself to just the standard alphabet alone haha. Cuz like who tf does that lmao? xDD

Made with: @liannelara-dracula

***Before we get into the alphabet and hcs, let’s get into some context about this scenario***

Since there's much more to vampire balls, I figured I'd cover a whole bunch of stuff that happens in them as well.

So, to start off, even though the Sakamakis have lives to maintain in the human realm, every so often they’re summoned back to the demon world by their father with some sort of excuse.

And one of those excuses (of many!) Karl arranges for them to attend a vampire ball every so often since he has to provide some alternate form of entertainment to his vampire nobles, so why not have his sons attend since they’re the talk amongst women in the demon realm?

It’s one of the many perfect excuses to make them come and do what Karl wants, and there may be more to this depending on what he wants from his sons.

His sons are what everyones’ eyes are on, so he expects them to be flawless in every way, including how they act and such since they’re royalty.

So, who they choose to bring to balls is no exception since they not only have to appear perfect, but their dates must be as well.

The same goes for their dancing, especially since they’ll all be participating in their own dance pieces with their dates, so it has to be perfect. Since the boys are all required to have a performance of their own, they’ve just stuck to waltzes due to tradition since they’re classy and sophisticated.

(We’ll get to the types of dances danced at vampire balls in just a sec!)

Traditionally, all members of a royal household would perform their own dance pieces before the nobles got the dancefloor for themselves and started dancing all different types of dances. And you can bet Karl definitely holds this custom strong at the royal court.

It’s something he insists on due to tradition, and bear in mind that his sons may even be forced to dance with other vampire nobles if the situation calls for it regardless of who they take to the ball as their date.

After all, if one of his sons refused to dance with a nobleman’s daughter, it would be an offense and you can bet Karl would punish any one of his sons if he found out about this.

And as their dates, you have to be prepared to dance with other nobles if they seek for your hand, and no refusal is accepted without an adequate excuse.

Bear in mind that the boys most certainly act differently in the demon realm since they need to appear “perfect”—so no “off” behavior, it is strictly forbidden and enforced by Karl himself since he has an image to uphold as the king of vampires. So basically, the bad traits they display in the human world, they’re not allowed here, or at least, some are a bit faint or muted.

The luxurious vampire stereotype originates from the Byronic Hero. So since vampires are depicted to ravish in luxury and live lavish lives, balls in demon realm are highly luxurious.

They are usually a mix of baroque or victorian in style since Karl really liked the elegance from these time periods.

Since balls encompass a mix of baroque and victorian style, the dances danced at court are usually quadrille dances, the Courante, the Bourée, the Gallopade, the Sarabande, the Laender, the Minuet, the Rigaudon, Bohemian Polka, the Gigue, the Hornpipe, the Gavotte, L’Allemande, and the Viennese Waltz.

Here are some videos for reference examples:

Quadrille: (1), (2), (3). Gallopade: (1). Laendler and Bohemian Polka: (1). Viennese Waltz: (1). Minuet: (1). Sarabande: (1). Gigue: (1). Bourée: (1). Hornpipe: (1). Rigaudon: (1). Gavotte: (1). Courante: (1). L'Allemande: (1).

These dances are the ones nobles usually dance since they all group together and dance after each royal family member has finished their personal performance with their date.

But Karl honestly doesn’t mind if sons don’t use the waltz as their personal dance piece because he likes being up with the times in the human world along with modern human customs.

But as mentioned before, because the waltz has been used by the boys as a tradition for so long, and it’s a classy, sophisticated dance, he’d much prefer it since you can’t go wrong because some modern dances will be viewed as vulgar even though contemporary society doesn’t view them that way.

Traditionally, men pick out their partner's dresses since women are just puppets for status display.

Since the entire ball will consist of vampires who are constantly battling to find something to quench their thirst, human servants are definitely supplied to the palace that night to not only serve the noble guests but also be their appetizers if desired. These servants are pretty lifeless and are not allowed to speak whatsoever, so they’re just thrown around anywhere by these vampire nobles and Karl could care less if they’re killed. He literally has other servants to clean up that type of mess.

And like any other ball, food will be served. At Karl’s balls, he prefers to have human world food since it’s a luxury for vampires as Reiji has mentioned. And all the nobles look forward to it because it’s not all the time that they get to have a taste of human-world food that is delicate compared to their grotesque and “off” cuisine.

Since the boys are royalty, they’ll be introduced to nobles, and you as their date will be as well.

Nobles are required to curtsy/bow to them when greeting or meeting them for the first time, so you can best bet you’ll be getting the same treatment as their date.

It’s canon that the demon realm has an official demon language, but since this is high society, most are educated, and because Karl likes adding humanistic elements to his events, he mainly requires everyone to speak English since it's the most popular language in the human world, but the demon language is still allowed

Side note: English is only taught to vampire nobles in the demon realm since Karl requires them to know it. It’s considered super high education since English belongs to a world most vampires can never go to.

Karl usually hosts his balls at his private castle where he rules the entire vampire kingdom, the main royal court basically.

Or, he sometimes holds them at the castle he has set for his sons to use when they marry off.

(It’s canon that Karl has one main castle for himself where he rules, and one for his sons to refuge to if needed. It’s also used as another home for them as seen in one of the game routes.)

Hopefully this all makes sense thus far haha!

So with this, let’s move on to the boy’s extended alphabets + additional hcs. :)

This is going to be a long ride since there’s a lot of stuff to cover, so feel free to grab a coffee/tea or whatever. :)

General Hcs:

He honestly hates the idea of balls in general.

And in the demon realm it’s much worse since he has to set a perfect impression due to being the heir.

@liannelara-dracula and I have headcanoned that Karl doesn’t tolerate Shu’s laziness when it comes to demon realm-related things. Karl lets Shu get away with it in the human world, but not in the demon world.

There, Shu is the heir—the next king—and the last thing Karl wants is for the heir to be viewed with an unamiable trait unfit for a future king.

So yeah, his laziness—Karl won’t tolerate it here, and Shu will receive punishments if he disappoints in anyway so.

It’s mostly because he had an image to maintain as the heir, which means having to put in effort that he doesn’t want.

In the past, balls for him were always annoying since he was presented with suitresses or had to engage in small talk with noblemen, it being just a bunch of forced effort.

As the heir, his mother nudged him a lot to choose a suitress as well, so a lot more pressure and annoyance was added.

Shu just doesn’t care about things like this—it’s as simple as that, but there’s no way he’s getting out of this.

And you can bet there was a lot of scolding/nudging from Reiji and Karlheinz to get his ass in gear for the next vampire ball in order to maintain the family image, but yet, he was still unwilling.

He was honestly so reluctant that it even took Laito to give him a nudge.

At first, Shu refused, but when Laito said that dancing would be the perfect excuse to touch/hold his lover close and show others that they're taken, he had second thoughts about it all.

Plus, with Shu receiving a final threat from Karl to be launched into space also put him over the top to get moving for this event.

Vampire Ball Alphabet:

A || Advice

🎻 What kind of advice does he give his s/o before the ball?

Bear in mind that vampire balls are total snake pits. There’s a lot of wandering eyes and curious ears.

Women’s lips are the main source of gossip in the royal court and they’ll try to set you up with other suitors even if you’re taken, so Shu warns you to not pay any attention to them.

“But how exactly am I supposed to shake them off without being rude?” You’d ask.

“It’s simple.” He’d answer with the usual hazy look in his eyes. “Just tell them what we do in bed and they’ll buzz off.”

“Shu!” You’d smack his arm playfully, causing him to chuckle at your reaction. “I meant more appropriate advice.”

He’d sigh. “Just ignore them, they have nothing better to do anyways.”

Also, remember that everybody there is trying to get info out of you regarding Shu since he’s the heir.

And this can be pretty intimate in query, even going down to asking if you two are planning to get married any time soon, which lets them know if they or their daughters have a chance because even if you’re Shu’s partner, it doesn’t stop others from pursuing him regardless.

Basically, in the demon realm, only married people are off-limits. Until then, they’re still considered “single.”

Shu also warns you about the male nobles as well, such as how some will try to pursue you either for fun or just an advantage since you’re close to the heir himself.

B || Behavior

🎻 How does he act at the ball? What does he do while there?

Bear in mind that at vampire balls, he’s acting.

And putting on one hell of an act considering he’s ditching his usual lazy persona and putting on the “heir” facade.

Plus, Karl’s watching his ass like a hawk to ensure he doesn’t get lazy during the event or ditch/leave early.

In general when Shu’s speaking to nobles at the ball, he’s polite but rather cold with his words. It’s all minor small talk that he’s simply not interested in, but gives it his all because he can’t be rude or avoid conversation unless he wants to be sent to the North Pole again, or better yet, outer space (it’s canon that he’s worried about being sent there next for a punishment).

As for you, he likes to keep you close to him since he doesn’t want others roping you into trouble since this isn’t a world you’re familiar with.

C || Class ranking

🎻 Which social classes are allowed at vampire balls? In the world of royalty, only specific classes of nobles are allowed to speak to the noble family. So with this, which ranking of classes is he comfortable speaking with, or does he not care about this sort of thing at all?

In general (apart from the royal family), only dukes/duchesses, marquis/marquises, counts/countesses, earls/viscounts/viscountesses, and barons/baronesses are allowed to participate in royal balls since it takes place at court.

In addition, an invitation is required in order to enter and participate at the ball.

When it comes to nobles speaking to him, Shu could care less about which class they’re in.

I mean, it’s canon that he brought Edgar to a ball when they were kids so he could participate, so class ranking is the last thing on his mind since Edgar was a village boy. Shu could honestly care less about that shit.

If someone approaches him even if they’re not supposed to according to their class, he’ll speak to them regardless, but will try to brush them off quickly since he doesn’t want to attract attention.

Sadly, it just looks bad in the demon realm for him to speaking with someone of lower rank.

Ugh! Those classist, arrogant, vampire nobles!

D || Dance lessons

🎻 How does he teach/prep his s/o for dancing at the ball?

Now, when it comes to dancing, it’s just something that Shu knows how to do due to being the heir, not something he really enjoys like a certain fedora-wearing vampire.

But because you’re going with Shu, he actually doesn’t mind it, but he considers prepping to be a bit of a drag.

He was pretty apathetic about teaching you at first.

Not because you sucked or anything, it was just because he was being his usual lazy self.

You both had just returned home from school and were now standing in the manor’s ballroom.

With the usual hazy look on his face, he’d sigh, “Let’s just get this over with.”

As stated before, each member of a royal household has to have a dance of their own with the person they bring to the ball (the waltz I mentioned earlier); and these are performed before the nobles have the dancefloor to themselves and dance among themselves along with members of the royal family.

Since he has to perform a dance of his own with you, he’ll definitely focus more on that special waltz than the other dances since this is the one that really has to set an impression.

But he’ll also be teaching you other dances as well since you might have to dance with other nobles if you’re asked to.

Shu would begin by teaching you the basics of the waltz first, such as how to hold his hand and where to place the other, even going down to how close you two need to be in order to dance properly.

When you first started, you thought you were close enough to him, but that was until he put a hand on your lower back and pulled you closer to him, almost to the point where you felt that you were grinding into him.

A subtle hint of blush rose to your cheeks due to the proximity, and of course, because he noticed and loves to tease you, he has to say something.

“Heh, admit it, you like being on me.”

“Shut up!”

And bear in mind that this is only the beginning of his antics.

Shu’s not strict like Reiji when it comes to teaching you, but bear in mind that he’s expecting you to dance right and make it look presentable at least (to which you are of course!).

When it would come to movement, Shu would begin to teach you where to step, but in all honesty, he insists you follow his lead since he gets lazy to explain.

Just let him do all the work for once, seriously.

If you’re wearing leggings, tight pants, or short shorts, he’s definitely going to smack/clutch your ass while practicing with you.

Like, you’ll be so focused on following his lead along with the music, that you’re letting your guard down, which is where he’ll decide to throw you off.

“Shu, quit it! You made me mess up.”

“What? You’re the one that got distracted.” He’d smirk, playing oh-so innocent.

If he’s dipping you, he’ll purposely drop you just to annoy you.

“Shu!” You’d complain, pain echoing in your body due to the sudden impact of hitting the ground.

“Heh, my bad.” He’d chuckle, a smirk soon following. “Guess I forgot to catch you.”

“Ugh!”

Even though he won’t admit it, but he does like to twirl you. He just loves the idea of spinning you and roping you back into his arms. He also thinks you look pretty while doing so.

Because he’s preparing you for something he has to make a perfect impression on, you can imagine the practice goes on for quite a while.

At some point, if you get tired and your breath begins to hitch due to it, he’s definitely going to be an ass and tease you about it, his stamina far above your own.

“Heh, are you tired already? You usually last longer when we-,”

“Shut up!” You’d say, playfully hitting his arm, leading him to laugh.

Luckily though, Shu’s lead isn’t very tough to follow and you end up picking up his style and pace, thus dancing pretty well with him.

Shu does rectify a few things in order to hone your skills, but isn’t too picky—as long as it’s right and looks presentable to a noble audience, that’s all he’s expecting from you.

Not like Reiji where he expects perfection.

As for the other dances, they were fairly complicated when it came to movement and speed, and you kept stepping on his feet or in the wrong direction.

Surprisingly, he doesn’t get mad or even irked no matter how many times you’d mess up, he actually found it funny.

Sometimes, he’d even trick you and make you go in the wrong direction when it was supposed to be the opposite, which led you to scold him every time he’d do it since he found it amusing how much you trusted him.

“Shu, stop it. At this rate, I’ll never get it.”

“Heh, who told you to trust me?” He’d slightly smirk.

Will sometimes poke your sides to make you jolt and mess up.

But nonetheless, with enough practice and teasing, you ended up learning the other dances pretty well and felt pretty prepared for the ball.

Fingers crossed.🤞

E || Etiquette

🎻 How does he teach his s/o ball etiquette (language and actions)? How does he teach his s/o ball-relevant table manners?

In general, when it comes to teaching you he barely explains.

He usually explains about once or twice because he's too lazy to reiterate and practice/demo with you.

He is so vague about everything, it’s enough to drive anyone crazy. It’s the lazy-ass in him.

When covering table etiquette, he gets exponentially lazy with explaining what each utensil is for.

For example, he’ll tell you that a utensil is for something specific, and then when speaking about it again, he’ll tell you it’s for something else.

"Shu, a minute ago you said that spoon was for soup!"

"Oh, really?” He’d say, his voice tainted with its usual haze. “Guess I was thinking about the second spoon then."

He'll even make up rules just to throw you off.

Or to make matters worse, he’ll just start making up stuff that’s enough to have your eyes roll.

“They say the people that start with the third spoon have really dirty minds.”

Countering his remark, you’d say, “Then I can guess which one you start with.”

He’d only end up laughing at your remark, finding it amusing as his teasing is relentless to cease.

If you're really struggling tho, he’ll step in and help a bit more.

But he honestly just loves teasing you and seeing you mess up since he finds you getting angry to be amusing and hot.

While you’re busy looking at the set plate in front of you and trying to figure out which utensil to pick up next without his help, he’ll purposely throw you off such as poking your side or licking your ear.

“Shu, quit it! I have to figure this out.” You’d scold.

“It’s the first fork on the right.” He’d say, revealing the answer to which utensil you were supposed to pick up next.

“Ugh! You weren’t supposed to tell me. I’m the one who has to figure it out.”

When teaching you the proper ball etiquette (language/movement), it’s honestly an adventure.

You actually end up forcing him to practice because you need help since you don’t want to say the wrong thing, and like usual, is he much help? Nah.

He will laugh if you mess up, and if you ask him for clarification he’ll lie to you just to embarrass you during practice.

Of course, you'll realize that he's messing with you sooner than later, which leads you to playfully hit him, to which he laughs and gets a kick out of.

And after enough teasing, he'll then tell you what you actually have to do, such as how to take his arm when walking and such.

If you do or say something that is a little too scandalous for a ball during practice, he'll point it out.

For example, at some point you wanted to take off your silk gloves (you’ll be wearing them at the ball obviously, so why not practice with them on) during practice because it was getting a little warm after wearing them for a while.

And with this, Shu would be quick to say something since women removing their gloves was considered sexual at one point. And in the demon world, they still think that way.

“Well, aren’t you a lewd woman.” He’d tease.

“What?” You’d question, having no idea what he’s talking about.

“Your gloves.”

Feeling confused, you’d say, “All I did was take them off?”

With his gaze elsewhere, he’d add, “It’s suggestive.”

“How so?”

Quickly pinning you to a nearby surface, he’d smirk, “Heh, I could show you.”

“Shu!”

And because this is a royal ball, it’s certain that hand kissing will happen.

So when practicing this, he may lick and take a drink from your hand or fingers since it's canon that Shu likes drawing blood from these areas.

Additional E-word || Eye-contact

🎻 How often is he keeping eye contact with you? Is he constantly keep an eye on you during the ball or does he let you go off and do your own thing?

Shu prefers that you stick by his side during the ball to avoid the trouble of people pestering you and possibly roping you into trouble.

However, he’s not going to be strict with you and insist you stay glued to him the entire time, so he lets you venture whenever and wherever you please.

But make no mistake that his sapphire eyes are constantly wavering over to your figure to make sure you’re doing okay and that no trouble is arising.

You sometimes meet and lock gazes with him for a split second since he’s averting his eyes to you every few minutes or so.

He even does this when conversing with other nobles!

It’s honestly crazy how no one questions him about it, he’s just that good at hiding it and acting totally normal.

But you know Shu only does this because he knows this is all new to you, and the last thing he wants is for others to take advantage.

You wish he wouldn’t worry so much, but you can’t change a vampire’s protective nature. And because he’s acting composed while being observant of your safety, you let it slide even though he’s on edge.

F || Fashion

🎻 What kind of attire does he pick out for his s/o?

As mentioned before, men pick their partner’s dresses according to demon world tradition.

Shu honestly wanted you to pick it out since he could care less about some silly custom of the ancients, but Karl wasn’t having this since like I mentioned before, he has no tolerance for his laziness for demon world-related things.

So, considering this is a vampire ball, which showcases luxury of all sorts, the dresses are expected to be extravagant and princess-like whether someone likes it or not—so it means layers upon layers before finally putting the actual dress on.

And all that layering was quite annoying, but pain is beauty as they say.

And with this, Shu teases you about the layering, but more so in a lewd way.

“Y’know, you can’t say this is exactly fair.” He’d say, eyeing you in the gown. “All those layers will be tiresome to take off you after the ball is over.”

“Shut up!”

Since he has to pick it out, he kinda ranges between blue or yellow or even gold in color since he thinks they’ll look beautiful on you.

Dress examples that he may pick out for his s/o:

Dress 1 (shoes I found that could match)

Dress 2

Dress 3

Dress 4

Dress 5

Dress 6

Dress 7

Dress 8

(Note: You can pick out any dress/garments/accessories you want, these are just examples.)

Additional F-word || Flabbergasted

🎻 Something his s/o does at the ball that leaves him flabbergasted.

If you happened to refuse one guy who wanted to dance with you (all with a good excuse of course) and you explicitly said no because you thought he was creepy.

That would make Shu’s day and he has to say something about it.

“That wasn’t royal-like.” He’d tease chuckling under his breath, soon approaching you.

“Well, you're the only one that really has to behave.” You’d mention.

“Is that so? Are you saying princesses can be naughty?” He’d tease.

“Shut up!”

G || Gallantry

🎻 Is there anything he likes to do with his s/o at balls? Scandalous even?

Shu honestly just likes being by your side and not much else.

He’s quite lazy, and balls are not a thing that piques his interest.

Although, if Shu sees an opportunity, he’ll definitely do something scandalous with you, such as kissing you when no one’s looking—he finds this really amusing, especially if he can kiss your shoulders or neck and catch you off guard since you’re not expecting it.

And if you just so happen to sound lewd to him while doing so, he honestly can’t contain himself.

“Heh, sounds like you want everyone to hear you.” He’d smirk.

“Shut up.” You’d half whisper, playfully hitting him in hopes of no one noticing, leaving him to slightly laugh at your retort.

Additional G-word || Gift

🎻 Does he give gifts to his s/o before/at the ball/or after?

Considering this is a royal ball, and because he’s the heir, he’s definitely expected to give his date something before they go to the ball.

In the past with his dates, he’d usually just give them whatever, as long as it was luxurious in value, it just pennies to the family’s fortune.

But since you’re his girl, you’re special, so he’s take time into giving you something meaningful.

The one time he isn’t lazy.

Since you mean a lot to him, he’s going to give you two gifts, but both as a surprise of course—one before the ball and one during the ball so others can watch him spoiling you. It’s a way for him to show his devotion towards you and that he’s not planning on seeing anyone else.

Before the ball, he’d probably gift you something along the lines of jewels. Apart from it being a thought in regards to you, but it’s also something for you to wear to the ball and add the perfect accessories to your attire.

During the ball however, he wants to give you something that will definitely call everyone’s attention.

He probably got it all wrapped up in a super cute and intricate box with silk ribbon and a bow to finish it off.

When it comes to this gift, he’s probably going to give you something like a small cat or dog with a satin bow around its neck.

Now, I know this may not seem like a super royal gift, but vampires in the demon world find animals from the human world to be fascinating since the animals in their world are demonic and unapproachable.

So a cute, docile thing like a cat or a dog is enough to send them over the edge in awe and possible jealousy since they can’t have one due to the demon realm being inhabitable for human world animals.

H || Honor

🎻 Undoubtedly, since you’re this prince’s date, people are going to have a million questions about you. So when asked about you, how does he speak about you to other nobles? What does he consider you as/what does he think of you?

Shu already knows that he’s going to be bombarded with a lot of questions regarding you, so it’s no surprise to him when it happens.

He actually handles this subject pretty well and is rather prepared.

Since you’re his date and not married to him in this scenario, he just tells nobles that you’re someone he’s interested in whenever he’s prompted with this question.

The reason why he doesn’t say you’re his girlfriend or whatever is simply because it isn’t sophisticated in this world because nobles are old-fashioned and still stuck in the Baroque and Victorian periods.

And who back then called a woman their girlfriend back then? No one. It was either they were pursuing them to become their wives or they already were.

Shu has to drop the modernism here since the ball’s guests are far from understanding modern customs to which he can his brothers have somewhat adapted to.

I mean, it’s not like the Diaboys have accepted every modern idea from the human world.

So Shu has to be very careful with his language here regarding you since he doesn’t want to come off as vulgar or too modern in an out-of-date world, especially since he’s the heir and the one most girls want to pursue because of his title.

I || Image

🎻 What kind of image does he uphold at the ball?

Shu upholds the image of being the heir, and really does try his best since he doesn’t want to be punished for not acting as expected.

As was said before, he’s acting.

So no laziness or plopping down on a couch to listen to his MP3 player, or attempting to leave early—none of that!

He comes off as this dutiful heir that still has a lot to learn compared to his father, but is very well prepared for what’s to come when he succeeds the throne.

So basically, he’s viewed as perfect for his position as heir and prince at the moment—prepared, knowledgeable, but not more than his father yet.

And because Shu’s so good at faking this active-heir facade, people fall for this faulty image of him, and he’s viewed as the ultimate future king.

Karl gets lots of comments regarding Shu’s “preparedness” for the throne, to which Karl fakely appreciates.

Deep down, Karl knows his son’s just a lazy-ass that is nowhere near succeeding him and isn’t the “perfect” heir he displays himself to be.

J || Jealousy

🎻 How does he feel if you have to dance with someone else?

Shu knows this is unavoidable, but there isn’t much he can do since there’s no law prohibiting it in the demon realm.

It’s viewed as respectful, and in your case specifically, it’s an honor for anyone who gets to dance with the heir’s date/partner.

Some believe that by doing this, it may secure them a place closer to the king and/or future king by dancing with their partner. So you can best bet you’re going to get asked by many at the ball.

Shu may seem controlled and demonstrate a cold exterior to everyone there, but deep down he’s a little annoyed by you having to dance with someone else.

And Shu’s definitely going to be observant of who dances with you, how many times they do, and how they’re touching you while doing so.

Omg his pettiness.

And he’ll be doing this while being all stone cold towards it and acting like it doesn’t bother him when it does.

And if he sees that you’re getting too focused or wrapped up in it, he’ll try to distract you while you’re dancing by sending you seductive stares or mouthing dirty words in your direction to throw you off guard so you’ll mess up and the dance will stop.

Or better yet, if his jealousy really gets the best of him, he might even step in and make a surprise entrance by joining the dance himself, leaving you quite shocked since you’re not expecting it, and leaving one guy out of the group singled out since Shu took his spot in dancing with you lol xDD.

K || Karlheinz’s approval

🎻 What would Karl think of you as his son’s date? Does he approve?

Shu doesn’t really like the idea of presenting you to his father, but he knows that as the heir, there’s no way he’s going to get out o this.

Plus, he’s Karl’s favorite son, so the bar is set quite high on who Shu chooses to date/bring to the ball.

Karl’s honestly pretty interested in who his sons bring to the ball since he likes to mingle and get to know them.

Karl most certainly took a liking to you since he knows Shu won’t bring just anyone with him to the ball.

He’s not Laito.

For Shu to bring you, and not some random noblewoman as he had done in the past countless times, Karl acknowledges that you’re quite special to him.

And if you really set an impression on his father and he takes a liking to you, he may even ask for a dance with you.

Shu definitely doesn’t like this since he knows his father’s prone to literally “pounce” on just any girl. But Shu can’t exactly say no to his father dancing with you since it might lead to him getting punished.

So Shu decides to let this go since it’s pretty harmless, but make no mistake that he’s watching Karl like a hawk to make sure he doesn’t try anything foolish or plan anything later on.

Hell, Karl even flirted with Yui once, but that’s another story.

So you can best bet Karl might do the same thing to you if his interest and liking to you took him far enough, but Shu would be quick to intervene and prevent him from doing so.

Karl may even show romantic interest in you not because he means it, but it may be to piss Shu off and to see how much he really cares about you since Karl’s not close with his son, thus, not really allowing him to know much about his heir’s love life (to which he takes high interest in!).

This mischievous mf!

L || Libido

🎻 Is he into pre/post-ball sex?

Mmm, if there’s one thing Shu looks forward to about this entire thing (probably the only thing if he’s in the mood), it’s post-ball sex.

Especially because the ball is over and he can be himself again lol.

He really loves the idea, especially since he’s just been eyeing you all night in that dress and restraining his desire for you, being eager to put it into play.

He’s not really into pre-ball sex because there’s just too much going on with preparations and such before the ball, so he won’t bother with it.

But post-ball sex, he’s very much into it.

For instance, you’ll be alone in your room beginning to settle down, your delicate hands taking off your jewels, reaching up into your hair to let it down from its torture of being kept up and tied down with bobby pins for hours.

It’d be mere minutes of silence until he’d show up to your room, his figure coming up behind yours to help you undo your corset, both of you sharing a few words about the ball until you’d find him at your neck, placing a few soft kisses as he’d trail them down to your shoulders, his hands seductively pulling down the sleeves of your dress in the process. It wouldn’t be long until he’d pick you up and carry you over to the nearby bed, eagerly hovering above your form to feed his yearn of having you under him and all to himself.

And you can best bet Mr. Heir prefers that you sleep naked with him after sex.

Doesn’t give a shit if servants or his brothers walk in on you two in the actual act or in the morning and see you two in a nude state under the sheets.

Shu honestly hopes that they do so he can rub it in and show them that you’re his.

In the game routes, we see how any individual Sakamaki brother gets worried about another brother stealing Yui away from them. An example of this is Reiji worrying that Shu will steal Yui away from him.

And this paranoia also extends to their own servants because in one of Shu’s game routes, one of the butlers was acting a little too friendly (and a little creepy) with Yui. It was heavily indicated that Shu was jealous upon seeing this, so with this, you can imagine that he likes flexing the fact that you're his—especially in such a vulnerable state such as sex or after sex.

But, bear in mind that even though Shu loves the risk of getting caught in the act or its post-state by his brothers or servants, one thing he could never live down is if Karl or his mom walked in on him in either situation.

With Karl he’d be less embarrassed if he walked in on him, but because Karl’s pretty suggestive, he’d be the one getting a kick out of it.

As for his mom though, Shu would be most embarrassed if she walked in on him in either state…. And she in fact has!

Beatrix didn’t catch him in the literal act, but rather after sex when he was lying down with a chick he once brought to the ball the night before.

She was so honestly disappointed since she didn’t really like the girl.

And as pissed off as she was, she approached the both of them, told Shu that she wanted to speak to him about “family matters” and then walked out.

He literally didn’t care that she walked in though. He played neutral and was slightly annoyed and just went on like it never happened.

Damn, I’ve derailed us too much in this category lmao.

But I guess these extra details were needed. Yes?

M || Mistakes

🎻 How does he cover up his s/o’s mistakes if they accidentally mess up?

Shu knows you’re bound to make mistakes during the ball since all of this is so new to you.

It’s not like you’ve been raised with it like he has, so he’s expecting that you’ll mess up.

And just like magic, he’s there to back you up.

For example, if you get confused about what to say with a noble when a conversation goes in a direction you didn’t expect, he’ll either interrupt or come up with an excuse to pull you away.

Or if he can’t do that, he’ll send you some kind of signal as a form of guidance on what to say next or change the subject.

Overall, he has your back the entire time and knows you’ll be fine, but still, he’ll step in in some way if he deems it necessary or senses that you’re having trouble.

Additional M-word || Manners

🎻 What’s he like at the dining table with you?

Shu actually doesn’t mind the dinner table part of the evening.

It’s mostly because he gets to sit down. xDD

And here you’d think he’d be tranquil to sit next to because he’s sitting down and relaxing, but he’s a teasing fuck.

He’s going to do everything in his power to tease you, especially since you’re stuck at the table in front of many others for as long as the dinner session lasts.

But bear in mind that he has to be careful and do it in ways where no one suspects that the heir is being scandalous or when no one is looking.

He’ll run his foot up and down your leg while you’re sitting there in tranquility, all to have you look at him as he gives you a small smirk in return for acknowledging his antics that are unknown to the others around you.

he gets a kick out of teasing you with his touch and does it to get a glimpse of your legs, or at least feel them.

And to make matters worse, he’ll also do this if you’re speaking with someone and getting really deep in conversation with them just to throw you off or get you to jolt and mess up in your conversation.

He’ll get an even bigger kick out of it if the person asks if you’re alright because of you acting slightly off, but you’d be quick to deny it and say that you’re fine when you know it’s just the asshole next to you.

Shu’s a secretive fuck when he wants to be playful in these settings, so this is one of many ways that he demonstrates this.

Might poke your side every few minutes or so to make you jolt, which you glare at him for because he’s trying to make you lose your composure in front of others. This is all to get you to yelp, and if you do even in the slightest, he can’t repress from sending a devious smirk in your direction.

Might whisper some smack or laugh about certain nobles with you amidst the rumbling of the dining room.

Will whisper seductive or lewd things into your ears if he wants to be bold, it’s mostly just to get you to blush.

Might even run his fingers down your spine in a quick fashion to give you a rush and/or throw you off.

And his teasing fuckery won’t stop there. He’ll even mess with your hair while you’re looking in a different direction just to get your attention, and when you’d turn back, he’d be quick to make it look like he wasn’t doing anything.

This ass- like I-

As far as partaking goes, if you get stuck regarding which piece of cutlery to pick up first (I mean, it’s possible that anyone can forget if they didn’t grow up in this environment), he’ll just nudge your arm with his elbow and whisper the answer or to just copy him since he literally can’t teach you at that moment.

N || Names

🎻 How is he addressed/announced? How is his s/o announced upon arrival?

As is seen in balls, guests’ names are announced upon their arrival.

It’s canon that the Sakamaki brothers are referred to as “Masters” of the household, but because they’re also royalty, they’ll be addressed differently in a hierarchical setting, especially when arriving at a ball and being announced.

And to be honest, this part is most amusing to Shu about balls since he finds announcing people’s names to be kinda funny but also cringy since it’s an old tradition.

“Heh, should I tell them to announce you by your nickname?”

“Shu, quit it!” You’d say, playfully smacking his arm, leaving him to chuckle.

Based on his royal status, he’d just be addressed as “His royal highness, Prince Shu.”

For you, Shu decided to have you addressed as “Her royal highness, Princess Y/N” despite you not having the actual title of princess.

By having you addressed this way, it gives you a higher position in court and a much grander presence and entrance. He mostly wanted it this way because you’re special to him and doesn’t want people to think you have no title.

Just be prepared to answer questions about your “royal family” and connections since nobles are curious, especially since you’re the heir’s date. But no need to worry, Shu prepared you for this part.

But at the end of the day, this title bs doesn’t it doesn’t really matter because you’re still his princess anyways, title or no title. :)

O || Objection

🎻 Since you’re not married to him, suitresses are bound to be presented to him at the ball regardless since people believe he’s still “available,” despite you being in the picture. So, how does he handle this situation with you around?

Shu acts pretty distant and kind of colder than he usually does in this situation.

And let’s just say that some girls are a little irritated by this factor, especially if they’ve danced with him in the past and were looking for some sort of chance of pursuing him.

It honestly gets so bad that girls brush up on him just to make you pissed off.

And their scheming is just so obvious since they keep making faces and demonstrating gestures that literally prove that they’re trying to steal him from you, which leaves you pretty irritated, but Shu warned you about this before hand so it’s something you expected.

However, it’s still pretty annoying….

And these girls literally do anything to get his attention since they’re interested in pursuing the heir, such as coaxing him to dance with them, to which he has to do because punishment awaits if he offends a noble.

The girls will even try to pull him aside for themselves or just engage in conversation a little longer than needed. And you can bet those conversations lead or have the potential to be semi-sensitive in nature.

Shu would take note of your irritated aura, finding it amusing that you were jealous since it proves to him that he’s your weakness.

But as stated before, he warned you about this and is aware that you know, and that you have to tolerate it based on royal etiquette.

But as a form of reassurance, he sends you a few looks here and there and watches you go about the ball on your own as he’s busy doing whatever with the noblewomen.

The stares he gives you are kinda like his form of morse code if you will. He’s forced to act respectively to other nobles even if they have intentions he doesn’t like, so it’s not like he can say much here.

P || Performance

🎻 How’s he like when he dances with you at the ball?

Ah, the moment you’ve both been preparing for, it being a bit nerve-racking in all honesty.

Shu knows it’s impossible for you to remember everything he taught you, so he just tells you to go with what you remember and to follow his lead.

Due to him having so much experience with this, he makes the dance look perfect if you forgot, it’s honestly surprising.

Don’t ask me how he does it lol.

He may minorly converse with you during the dance tho, and possibly whisper lewd things in your ears to get you to blush.

Although, Shu may throw a move in the dance you two didn’t practice, it’s mostly because he lives for catching you off guard. As discussed, some modern dances in the demon world may be viewed as vulgar, but because Shu’s the heir, he can get away with adding a bit of spice in there to show that he’s cultured regarding the human world, to which Karl doesn’t mind, as long as the move isn’t too scandalous.

So with this, Shu may do something like lifting you or dipping you, to which you give him the most surprised face since it wasn’t practiced while he just gives you a small smirk in return.

And you can best bet that with seeing this, every other woman in there wants the same treatment from him since he’s a favorite among the pursual of noble women. xDD

In the times when balls were used, if two danced more than two dances together, people automatically assumed the pair was engaged—so you can best bet that this is how people think at court in the demon world since they’re old fashioned.

So with this, Shu likes to dance more than two dances with you to make everyone think you’re engaged to him so it eases the pestering of nobles—in other words, it gets people to screw off you and him a little in regards to romantic pursuals.

But like hell Shu would tell you what dancing more than twice with each other means.

He just prefers to be secretly scandalous with you being oblivious to it, but may tell you about this later on if he wants to tease you.

Q || Quarrel

🎻 If you two had a fight before the ball or a minor spat during the ball, how will he deal with the heavy aftermath when surrounded by nobles and expected to uphold the family image?

Shu’s not really the type to fight, but it’s very possible that you could quarrel with the narcoleptic vampire before or during the ball.

It’d be a pretty unexpected thing since Shu’s pretty carefree and kind of difficult to fight with since he’s easygoing.

But whatever the case, if you two did have a fight/spat before or during the ball about whatever, you best bet he’s going to do everything in his power to get your attention that night.

Even though he’s already dropping his laziness for this event, he’ll go out of his way even more to talk to you.

And if you’re giving him the silent treatment, it only intrigues him to pursue you more because he hates the fact that you’re ignoring him.

And that’s the thing, Shu hates it when you do that, especially because he knows that the fight could’ve gone better than it did.

Bear in mind that he’ll do lots of different things to get your attention tho, and he’s petty af about it all.

He’ll range from doing all sorts of things because he wants to fix it, such as staring at you from far away, leaving you to avert your gaze elsewhere.

If he says something to you and you don’t give a response, he’ll make you jealous by him dancing with another girl and putting his hand on the back of her shoulder, which is pretty suggestive since the vampires at this ball are centuries old and have a different mindset regarding the concept of touch.

Tries to get you alone so he can talk to you, or if you’re standing on the sidelines not talking to anyone, he’ll get sly and try to approach to talk to you, to which you ignore or end up walking away from him.

Shu may even get mischievous with his approach if he sees that you keep avoiding him in every possible way, such as if he’s coming your way, you instantly revert to going a different way to keep clear of him, or look for some kind of excuse to get away from him.

For any Anna Karenina fans out there (ME! xDD), he’ll act like the way Vronsky did with Anna in that one scene where he’s going around the room trying to ask her to dance while she’s trying to avoid him in every possible way.

(For those who have absolutely no idea what I’m talking about, here’s a clip of what I’m referring to in case you’re curious. ;)) If it doesn’t work, start it @1:09)

R || Rendezvous

🎻 Is he the type to ditch/leave balls early with his s/o?

He wants to, but he knows he’s going to be severely punished for it since Karl’s expecting a lot from him.

I mean, how does it look if the heir leaves early without an adequate excuse? It just doesn’t look right.

It’s almost like a host leaving their party and leaving the guests to carry it on. Long story short, it just doesn’t put someone in a good light really, him especially as the heir.

Karl cares a little less if his other sons leave early, it just depends on who it is, but it can’t be too early either.

But when it comes to Shu, Karl expects him to stay the entire time and not present excuses since deep down, Karl knows that Shu’s just trying to get out of it and avoid his heir-responsibilities.

In the past, Shu ditched once and he learned the hard way. Like, he paid dearly for it and Karl hadn’t even sent him to the North Pole yet.

Believe me, if Shu could, he would leave early—or better yet, not show up at all since he finds all of this to be a drag, but because he doesn’t want to be punished, he does what he’s told to the bitter end of the event.

S || Speech

🎻 Does he have to give a speech at the ball? If yes, what is he likely to include in it?

As the heir, he’s definitely required to give a speech every so often.

Shu’s not super talkative in general, so he likes to keep things short and sweet in his speeches.

The subjects of these speeches are pretty general in nature, ranging from what his current plans are as the heir, how he’s planning to pursue his Royal oaths, or new ideas Karl wants to implement into the kingdom, all ending with the same ending of thanking everyone for attending and that everyone’s enjoying themselves.

So, business speeches in other words. Nothing personal since he’s not allowed to express an opinion as the heir.

T || Touch

🎻 What types of manners does he exhibit with his s/o in front of others?

Since he’s the heir, he has to be very careful with how he behaves around you, and how he interacts with you since others are constantly laying their eyes on him.

He’s mostly pretty reserved and mostly just links his arm with yours since intertwined hands are not viewed as sophisticated at balls.

He’ll sometimes hold your hand in that rather delicate fashion if he has to walk or lead you somewhere, kinda like this.

At the very most, he’ll either kiss your hand or your forehead, never anything more than that in front of others since it’s considered vulgar at balls.

And bear in mind that a kiss to the forehead will only be given once during the entire evening, otherwise, it starts to look scandalous. It says a lot just doing it once.

If you’re standing next to him or slightly in front, he sometimes lightly touches your upper arms or shoulders, just to reassure you that he’s there and that you’re his girl and no one else's.

U || Unity

🎻 What does he wear to show his unity with you? Like a matching ring or outfit, for example?

In order for Shu to indicate and show that you’re taken, you both decide to wear matching couple rings to the event.

Or if Shu really wants to be bold, he’ll take things a step further in showing that you’re his.

Since it’s canon that he likes to bite and drink blood from fingers, he may bite one of your fingers and leave the mark of his fangs on it for others to see.

Or he even may bite the back of your hand, this way if a noble has to kiss your hand before dancing with you, they’ll know that you’re marked as Shu’s and will think twice about having other ideas regarding you.

Oh, this devious little shit.

V || Valiant

🎻 Every prince is known to be noble for something. What is he noble for?

Believe me, for Shu to be born as the next heir, there’s a real reason for this.

@liannelara-dracula and I think that in the demon realm, heirs are chosen by some type of fate or magical force beyond any immortal’s power.

And this force specifically chooses specific individuals to be rulers for their kingdoms, be they either Vampires, Viboras, Wolves, Adlers, or First Bloods.

And if this “force” sees that anyone else takes the place of the heir it originally chose, this “force” considers it an imbalance and because of this change against “fate,” it may cause chaos/ruin to the certain kingdom, thus, leading it to fall.

In one of the game routes, Reiji himself specifically said that being king of the vampires is harder than anyone can imagine and imposes a large amount of responsibility. Reiji also stated that Shu possesses qualities that are fit for him to be on the throne, whereas he does not.

So with this, it really seems to show that specific people are chosen to be heirs for a reason.

We seriously think it’s the force lmao. xDD

So, because Shu’s actually meant to be king (apart from his lazy facade) and possesses qualities fit for the throne, he’s actually noble for quite a few things even though his laziness prevents him from being someone greater.

He’s probably most noble for being decisive. When he’s hit with making a decision, he chooses a side and stays with it until the bitter end. Once his mind is made up about something, there’s no changing him.

He’s also the type to remain calm even if everything around him is falling apart, making him really centered since he keeps his composure and acts upon the situation instead of expressing emotion towards it. So, he’s definitely noble for this trait as well.

After all, as he grew up, he was constantly reminded by his mother to not let his emotions get the best of him and that a king must never express his opinion nor how he really feels since he must be seen as this rock the entire kingdom sits upon, that it can not falter even the slightest no matter what the kingdom goes through.

W || Words of admiration

🎻 At the end of the ball, it's proper for guests to leave cards for the host about how the balls were and such. So, how does he feel about reading cards addressed to him specifically since he's royalty?

Because Shu’s on the edge of seat to get out of there, you two view the cards the next morning.

Not that he’s very interested, but because you are, he bothers to listen and look through them with you.

Some of the letters are written in their demon world language, so he’s gonna have to translate those for you lol.

After any ball Karl has hosted, Shu would honestly get so many cards it's ridiculous. It’s just endless piles of letters that he’d never read and would tell the servants to burn because he could care less.

Or in worst-case scenarios, Karl would force him to read them in hopes of choosing a future wife if a girl’s letter piqued his interest. This is because Karl’s a big-time advocate of finding a woman’s words to be enticing, and he figures that Shu may be like him in that sense.

Oh the weird kinks of the vampire king

But anyways, Shu makes an exception to read them with you for your sake since you deem it as right to read them in the first place. It’s just plain courtesy.

Oh geez, I sound like Rei rn lmao xDD.

“Aw, look at this one.” You said, beginning to read it aloud, “To a lovely couple and future king and queen. I wish you all the best. Thank you for gracing us with a beautiful evening.”

“Heh, sounds like every other letter.” Shu would smugly comment, his back against his chair as he appeared to be fed up.

“Shu!”

“What? Everyone says exactly the same thing in these letters . . . .” Drawling further with the usual haze in his voice, he’d add, “Whatever…”

Sighing deeply, you’d nudge, “Could you at least try reading one? It’ll take me hours to get through all of these myself.”

“It’s too much of a bother. I don’t have the energy.”

You rolled your eyes. “Fine.”

Leaning over in your chair, you extended an arm to grab a few more letters from the pile, only to feel a large hand clutch your ass.

Whipping your head in his direction, you scolded, “Shu!”

“What?” He’d say, acting oh-so-innocent.

“You don’t have the energy to read the letters, but yet you have the energy to do that.”

“You’re right there, plus, I didn’t say I didn’t have the energy to do nothing.”

“Whatever.” You’d sass, leaving him to chuckle as you sat down again, his lips quickly finding themselves on your neck as he adorned it with a small kiss.

“Heh, you’re feisty today. If you want me to read them with you, I will on one condition.”

“And that is?”

“Strip.” He’d suggest.

“Shu!”

Honestly, can anyone ever get him to do anything without a scandalous price?

X || Xanadu

🎻 Is this event heaven or hell for him?

To be honest, its more of a hell for him.

Especially because he’s constantly being bombarded by suitresses and nobles who are dying to speak with the heir or have a potential chance with him.

It’s all just bothersome to him since deep down he knows most are out for his title.

But because you’re there with him, the ball is much better, more bearable even.

It actually isn’t too bad tbh.

But Shu honestly can’t wait until he gets home so he can take his suit off and your dress and jump into bed after a long night.

And you can best bet you’ll be spending a lot of time cuddling with him since he claims you’re his favorite body pillow and his remedy to truly relax.

Y || Yearning

🎻 What’s something he yearns for during this event?

To leave lmao. xDD

But apart from this, he really just wants to spend time alone with you.

If he can step away for a little, Shu likes to take you to another part of the castle ground, more specifically the garden/courtyard so he can go for a walk with you just to talk and tease.

I said this in another post, but I’ll say it again, if Shu really wants to get scandalous and has a bit of time to spare, he likes ditching the ball and going into a secluded, closed-off room with him for a bit of intimacy with you before going back out to face all the guests again.

And if by any chance you forget to fix your hair and come out looking like a mess that’s been under the touch of Mr. Heir, Shu’s all for it and will send you seductive stares from afar even if he’s busy conversing with other noblemen.

Z || Zealous

🎻 Is there anything he’s passionate about regarding the ball?

Nothing really.

Shu’s just attending this ball as a total chore set upon him by his father. And it’s been this way for as long as he can remember.

He may enjoy a classical piece or two played by the band at the ball, but other than that, there’s literally nothing he’s passionate about since this is a forced gathering with a bunch of people who are out for his title, and he knows this all too well by now.

Although, with you around, the night becomes much more bearable and feels like it goes by faster because as they say, time goes by when you’re having fun.

So even though he’s not free to do whatever he wants with you because he’s in the company of nobles and playing the “perfect” heir, he’s still happy you’re around because it distracts him from the cons of balls.

Aww :’).

Additional Hcs (uncategorized stuff):

🎻 Y’know how many girls Shu’s brought to balls in the past? Too many to count.

🎻 It was always been the same thing for him, and these “dates” were always ranged from girls his mother forced him to bring, suitresses his father presented him, or some high class snob from Ryoutei or his father’s dinner parties in the human world from time to time.

🎻 And each time it was a different experience depending on the girl he brought.

🎻 Some would constantly smother, nag and/or annoy him, to which he found cumbersome. But of course, he had to act polite since Karl would punish him if he was rude, but Shu wasn’t afraid to be colder than he usual towards a girl he brought and demonstrate some indifference that was passable.

🎻 If his mother was beside him by chance and noticed this rudely “cold” behavior towards a girl or just if Shu was acting this way because he was annoyed to be at an event his father hosted, she’d minorly take hold of his arm, give him a minor pinch that was unnoticeable to others and whisper in his ear to get his act together and to stop acting “unamiable.” Shu would give his mother a slight look of annoyance and would resume his perfect heir act all over again. If it isn’t Karl that will give him a punishment for acting in such a way, it’ll be her.

🎻 But some girls Shu brought were actually nice, but he simply couldn’t bring himself to like them as a potential partner. This is mostly because Shu just hates the idea of match making and deems it as an “unnatural” way to meet a romantic partner. It’s just a turn-off to him.

🎻 Overall, his ball-dates have just been a bunch of girls he simply had little to no interest in, or if he did have some interest, it didn’t last long or was just a fling.

🎻 Random, but since this is a space where no specific category reigns, Shu would like to see you get tipsy and kinda let loose on the dancefloor.

🎻 This would seriously make his night since it would be breaking all formality, to which he’s all for since he’s tired of the rigidity his royal lineage imposes on him.

🎻 In fact, he tries to get you drunk/tipsy during the ball bc he finds it funny.

🎻 And if you happen to fall into either state (tipsy or drunk), he literally lives for the chance of you saying something you shouldn't say out loud.

🎻 Asshole.

#diabolik lovers #diabolik lovers headcanons #shu sakamaki #shuu sakamaki #sakamaki shu #sakamaki shuu #diabolik lovers shu #diabolik lovers shuu #anime #anime requests #anime headcanons #diaboys #dialovers #diahell #diabolik brothers #sakamaki brothers #sakamaki family #diabolik lovers fandom

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spanishskulduggery · 2 years ago

Text

Most Essential Vocabulary #2

Part 2 of Most Essential Vocab, as always I’ll include notes when I think something needs more explaining and I’ll point out regionalisms when I know them.

And if anyone has any alternate words/regionalisms they know of for things, please let me know - it helps me and everyone else too!

...I also REALLY overdid it with the food categories, but it’s pretty much the majority of things you can find in a grocery store, market, or supermarket as far as food... except for more specific things like names of fish (which I don’t always know myself, and isn’t THAT essential unless you go to the fishmonger a lot)

Occupations [Los Oficios]

I’ll be including the male and female forms of things - anything with just one form is unisex

Note: Pretty much anything with -ista in it is unisex, even if it ends in A; as an example el artista or la artista.

trabajador, trabajadora = worker [n] trabajador(a) = hard-working [adj]

abogado, abogada = lawyer abogado/a defensor(a) / la defensa = defense lawyer / defense fiscal / abogado/a de la acusación = prosecutor [generally in a trial it’s the abogado/a “attorney/lawyer” or la defensa as a general term, and then you have el/la fiscal “prosecutor”... who is also technically abogado/a but a different function]

doctor, doctora = doctor

médico, médica = doctor [specifically medicine]

maestro, maestra = teacher [lit. “master”; it is often used with teachers that cover multiple subjects and pre-college/university... usually a maestro/a tends to teach younger children, or they’re a “master” or “teacher” in martial arts or music]

el profesor, la profesora = professor [more common in university and for people who are more experts or who have specialized learning degrees]

hombre de negocios, mujer de negocios = businessman/businesswoman

artista = artist

músico, música = musician [not to be confused with la música “music” by itself which is a noun]

dentista = dentist

sastre = tailor

albañil = builder, construction worker [lit. “bricklayer”; this is sometimes the word for “mason” and general construction work and those working with stone, brick, or cement]

contratista = contractor

granjero, granjera = farmer

cocinero, cocinera = cook

chef = chef

camarero, camarera = waiter, waitress / server* mesero, mesera = waiter, waitress / server [more Latin America]

panadero, panadera = baker [specifically el pan “bread”]

pastelero, pastelera = baker [specifically cakes or pastry; as la pasta means “dough/pastry” and los pasteles are “cakes”]

carnicero, carnicera = butcher

cazador, cazadora = hunter [la cazadora could also be “huntress” if you’re feeling fancy]

leñador, leñadora = woodcutter / lumberjack, “lumberjill”

mago, maga = magician [or “mage” if you’re playing an RPG; usually mago/a in the real world means someone who does illusions or card tricks etc]

científico, científica = scientist

químico, química = chemist [someone working with chemicals]

farmacéutico, farmacéutica = pharmacist / chemist [UK]

biólogo, bióloga = biologist

pescador, pescadora = fisher

marinero, marinera = sailor

cartero, cartera = postal worker, courier, “mailman” / “mailwoman”

soldado = soldier

atleta = athlete

nadador, nadadora = swimmer

jugador / jugadora (de algo) = player (of something) [in some contexts el juego “game” or jugador, jugadora can be “gambling” and “gambler”]

futbolista = football player / soccer player

beisbolista = baseball player

luchador, luchadora = fighter / wrestler

electricista = electrician

informático, informática = computer tech, IT [internet tech] person [la informática is the general word for “computer sciences” - so anyone who deals with computer things is often called informático/a]

programador, programadora = programmer

plomero, plomera = plumber [Latin America in general] fontanero, fontanera = plumber [Spain and parts of Mexico and Central America] gasiftero, gasfitera = plumber [parts of South America]

técnico, técnica = technician [also sometimes someone who repairs things; it’s not just “tech expert”, it could be very widely applied]

policía = police officer

autor, autora = author

escritor, escritora = writer

dramaturgo, dramaturga = playwright

actor, actriz = actor / actress [sometimes actresses use actor for themselves as a way to distance themselves from the gender of it all; but in general you see actor/actriz and los actores “actors”... saying las actrices specifically refers to “actresses”]

poeta, poetisa = poet [we rarely use “poetess” in English today but it exists]

escultor, escultora = sculpter

pintor, pintora = painter

contable = accountant [I think Spain] contador, contadora = accountant [more Latin America; lit. “counter”]

político, política = politician

juez (sometimes jueza in feminine) = judge

banquero, banquera = banker, bank worker

cajero, cajera = cashier / clerk / teller (at a bank) [cajero/a really means “someone who operates the cash register” but la caja “box” is also applied to la caja fuerte “safe” or “strongbox” so it applies to bank tellers as well; anytime there’s a cash register involved, you’re probably dealing with a cajero/a]

dependiente, dependienta = retail worker, sales clerk

el dueño, la dueña = owner / landlord, landlady

propietario, propietaria = owner, property owner

jefe, jefa = boss

asesor, asesora = consultant

consejero, consejera = advisor, consultant, counselor / councilor (someone serving on a council)

gerente, gerenta = manager manager / mánager = manager

empleado, empleada = employee

*Note: camarero/a by itself is often used as “waiter/waitress” but in some places it means “maid” as in the person who cleans up rooms in a hotel. This is because camarero/a originally meant “chamberlain” related to la cámara “bedroom/chamber” or la cama “bed” - a camarero/a would attend to someone like their personal servant and in older works it meant an adviser or someone who oversaw an important person’s appointments and sometimes coordinated their outfits or oversaw the other staff.

It came to be “waiter/waitress” in inns and hotels and the noble houses where someone might be coordinating your sleeping arrangements and also making sure you were fed, possibly serving you themselves

Today, camarero/a is often your “server” in (I think?) Spain, but in other places they’re the people cleaning up after you at a hotel. To the best of my knowledge, the cleaning crew is typically el criado or la criada “servant” - but often la criada means “maid”, both in history and today............. and outside of Batman you rarely are going to see el mayordomo “butler” used, but just in case, there it is

The term mesero/a is directly related to la mesa “table” so they’re specifically the person bringing things to and from the table which no added meanings. To the best of my knowledge this is more common in Latin America; and your camarero/a is probably the cleaning crew

*Note 2: The word músico/a for “musician” is the umbrella term. Most instruments have their own word and frequently end in -ista... such as pianista “pianist”, flautista “flautist” / “flute player”, or baterista “drummer”, as well as guitarrista “guitar player” and bajista “bass player”

You’ll find more specific terms for specific sports, activities, and other skills. Many end in -ista, and some like martial arts have specific works themselves

el oficio = occupation / job, job title

el puesto = position

el hueco = vacancy [lit. “a hollow/empty spot” or “gap”; can refer to jobs or empty spaces in schedules/calendars, or it can mean “a hollow” of a tree or a “gap” in something]

el trabajo = job / work

la labor = labor, work [used both for working hard and childbirth]

trabajar = to work

laborar / laburar = to work [regional; especially common in South America or Río de la Plata]

el tajo = “work”, “workplace” [I think this is regional; lit. el tajo is “a slice” or “slash”]

la oficina = office

el bufete = firm [usually law firm]

la compañía = company

la empresa = enterprise

el despacho = office (someone’s personal office; usually for teachers or bosses; this is not the “office” you typically work in, this is someone’s private workspace)

Also worth pointing out - somewhat related - that a “doctor’s office” is frequently el consultorio. It’s specifically the place you go to for a consulta “examination” or “medical exam”; so it’s more the actual building. In some places you will see “the doctor’s” referred to as la clínica “clinic” or “doctor’s (office)”; and in some places el hospital although this is very regional as sometimes el hospital or la clínica can carry different connotations of being privately owned or not

Buildings and the City [Los Edificios y la Ciudad]

el edificio = building

el rascacielos = skyscraper [lit. “scratches skies”]

el pueblo = town / population (people)

la aldea = village, small town

la ciudad = city

la calle = street / road

el callejón = alley

el coche, el carro, el auto = car [all are regional, all make perfect sense to everyone but they are regionally preferred - Spain tends towards coche, Latin America in general prefers carro, and parts of South America use auto]

la carretera, la autopista = highway

la acera = sidewalk [semi-related la acera is also used in many expressions related to sexually; ser de la otra acera or ser de la acera de enfrente tend to mean “to play for the other team” as in “to be gay”, and literally they mean “to be from the other sidewalk” or “to be from the opposite sidewalk”]

la escuela = school

el instituto = institute / high school [regional]

el colegio = high school [regional]

la universidad = university, college, academy

el banco = bank [el banco can also be “bench” in some places]

el mercado = market, marketplace

el supermercado, el súper = supermarket

la biblioteca = library

la farmacia = pharmacy la droguería = pharmacy [regional]

el hospital = hospital

la clínica = doctor’s office / clinic

la estación = station la estación de tren = train station la estación de policía / la comisaría = police office

el andén = platform

el ayuntamiento = town hall, city hall

la iglesia = church

el catedral = cathedral

la mezquita = mosque

el templo = temple

la sinagoga = synagogue

el parque = park el parque de diversiones = theme park

el monumento = monument

la galería (de arte) = art gallery

la peluquería = hair salon, hairdresser’s

el bufete = law firm

la oficina = office

la fuente = fountain

la estatua = statue

el aeropuerto = airport

el puerto = port

el barco = ship

el muelle / los muelles = docks, wharf

el autobus, el bus = bus

el taxi = taxi

el restaurante = restaurant

el café = cafe

la granja = farm

la finca, la hacienda = estate / plantation [sometimes “farm” but in the sense of “this is the main house on the farmlands”]

la pastelería = bakery (cakes/sweets)

la panadería = bakery (bread)

el centro comercial = shopping center / mall

la librería = bookstore

el castillo = castle

el palacio = palace

la fábrica = factory

el taller = workshop / art studio

el estadio = stadium

el correo / los correos / la oficina de correos = post office [kinda regional, but el correo is “mail” so it all makes sense regardless]

la tienda = store [la tienda literally means “tent”, so you will see it as la tienda de camping “tent (for camping)” as well; this is because people’s shops used to be outside and covered in awnings or tents, or they could be mobile and they’d set up tents to sell goods]

el almacén = department store [lit. “warehouse”]

el museo = museum

el teatro = theater

el cine = movie theater, “the movies”

el acuario = aquarium

el planetario = planetarium el observatorio = observatory

la torre = tower

la fortaleza = fortress

el portal = gate [or “portal”]

la puerta = door

la ventana = window

el cristal = window [lit. “crystal”, but el cristal is commonly used for “a pane of glass” and “windows” in general; it may also refer to “glass” in general... the other word for “glass” is el vidrio which is sometimes more formal or the material, but el cristal can be the glass part of clocks, watches, compasses, etc]

la casa = house

el hogar = home

In the Kitchen [En la Cocina]

la sal = salt

la pimienta = pepper

el azúcar = sugar

la miel = honey

el agua = water [technically feminine noun]

la grasa = fat

la harina = flour la harina de maíz / la maicena = cornstarch

el ácido = acid

el aceite = oil el aceite de oliva = olive oil el aceite de girasol = sunflower oil el aceite de cártamo = safflower oil el aceite de sésamo = sesame oil el aceite vegetal = vegetable oil el aceite de cacahuete/maní = peanut oil el aceite de coco = coconut oil el aceite de aguacate = avocado oil

el vinagre = vinegar

el huevo = egg

la yema = yolk

la clara (de huevo) = egg white

la tortilla = omelet

[when it’s not the tortillas you see in more Latin American food, a tortilla refers to “omelet”; literally a tortilla refers to “turned/twisted” from torcer, so it originally meant something that was flipped halfway through, or partially folded]

la tortilla de papa / patata = potato omelet [EXTREMELY common dish in Spain] la tortilla española = Spanish tortilla / potato omelet

la tortilla de maíz = corn tortilla la tortilla de harina = flour tortilla

Vegetables [Los Vegetales]

los vegetales = vegetables las verduras = vegetables, greens

la lechuga = lettuce

el tomate = tomato

la zanahoria = carrot

la cebolla = onion

el puerro = leek

el apio = celery

el ajo = garlic el diente de ajo = garlic clove [lit. “tooth of garlic”]

la papa = potato = Latin America la patata = potato [Spain]

(las) papas/patatas fritas = (French) fries / chips [UK] [lit. “fried potatoes”]

la batata = sweet potato el camiote = sweet potato [Central America] el boniato = sweet potato [usually more Rio de la Plata]

la alcachofa = artichoke

la col / el repollo = cabbage

el brócoli = broccoli [has some other regional spellings like brécol or bróculi but generally the same sound-ish]

la coliflor = cauliflower

la col rizada, el repollo rizado = kale [lit. “curly cabbage”] la berza = kale

la calabaza = pumpkin

el calabacín = squash / zucchini / gourd

la berenjena = eggplant, aubergine

el pepino = cucumber

el pimiento = bell pepper [regional]

el chile / el ají = chile pepper

el aguacate = avocado

el hinojo = fennel

la aceituna = olive [regional but the most standard] la oliva = olive [regional]

el hongo = mushroom la seta = mushroom el champiñón = mushroom [all regional but all mostly make sense to everyone else; I believe champiñón is more common in Spain]

el guisante, los guisantes = pea, peas

el nabo = turnip

el rábano = radish

la remolacha = beet el betabel = beet [regional] la betarraga = beet [regional]

la espinaca = spinach

Meat and Fish [La Carne y El Pescado]

la carne = meat / flesh

el pollo = chicken / poultry

el pavo = turkey

el puerco / el cerdo = pork [or “pig”]

el jamón = ham

la salchicha = sausage

el res / (la) vaca = beef [la vaca being “cow”]

la hamburguesa = hamburger

la ternera = veal

el bistec = steak

el lomo (de algo) = loin [usually el lomo de res or el lomo de puerco]

el solomillo = sirloin

el filete = fillet

la albóndiga = meatball [depending on region the exact kind differs, but in general las albóndigas are some kind of meatballs]

el conejo / la liebre = rabbit / hare

la rana = frog

el caracol, los caracoles = snails

el pescado = fish

el bacalao = cod

el salmón = salmon

la platija / el lenguado = flounder

el atún = tuna

la trucha = trout

la pez espada = swordfish

la perca = perch

el esturión = sturgeon

la merluza = hake

el abadejo = pollock

la anguila = eel

la anchoa / el boquerón = anchovy

la sardina = sardine

la almeja = clam

el mejillón = mussel

la ostra = oyster

el calamar = squid

el pulpo = octopus

la vieira = scallop [many regional names here, just saying]

el camarón = shrimp la gamba = prawn, shrimp [both generally mean the same thing, but they are more regional; a gamba is typically bigger in my experience but because they look the same they get used as the same general thing]

el marisco, los mariscos = shellfish, seafood [general term; if you’re being specific, los mariscos mean “anything from the sea”, but if you’re differentiating fish and shellfish you use el pescado for “fish” and los mariscos for “shellfish”]

Dairy [Los Lácteos]

el lácteo, los lácteos = dairy products

la leche = milk

la nata = cream la crema = cream [more or less the same, but some places use one more than the other; everyone understands it though]

el queso = cheese

el yogur = yogurt

la mantequilla = butter la manteca = lard

Starches and Legumes [Los Almidones y Las Legumbres]

el almidón = starch

el maíz = corn

la empanada = empanada / fried dumpling [lit. “covered in bread”, so it can be many things that are covered in dough; I’ve even seen “pot pie” called empanada]

el pan = bread la hogaza = loaf (of bread)

la miga / la migaja = breadcrumb

el trigo = wheat

la avena = oat

los cereales = cereal / grains

el arroz = rice

la pasta = pasta [sometimes “dough”]

el espagueti, los espaguetis = spaghetti

el ñoqui = gnocci

la lasaña = lasagna

los fideos = noodles

la legumbre, las legumbres = legumes

la lenteja, las lentejas = lentils

el frijol, los frijoles = beans la habichuela, las habichuelas = beans la alubia, las alubias = beans la judía, las judías = beans [they all kind of mean “beans”, it’s all regional but frijoles makes me think of Mexico or some parts of Latin America; typically they add a color to specify... so you might see las judías OR las habichuelas verdes for “green beans”, or you might see las habichuelas rojas or los frijoles rojos for “red beans” or “kidney beans”; everyone mostly knows what you’re talking about, don’t worry]

Fruits [Las Frutas]

la fruta = fruit

la manzana = apple

la naranja = orange la mandarina = Mandarin oranges / oranges

el melocotón = peach [Spain] el durazno = peach [Latin America]

la cereza = cherry

el coco = coconut

la piña = pineapple

el albaricoque = apricot [Spain] el damasco = apricot [Latin America] el chabacano = apricot [Mexico]

la uva = grape

la toronja = grapefruit

la fresa = strawberry [in general] la frutilla = strawberry [in some countries; fresa in some countries can be “posh” or “rich”]

la frambuesa = raspberry

la mora = mulberry / blueberry [sometimes la mora azul]

el arándano (azul) = blueberry

el arándano rojo = cranberry

la baya = berry

el higo = fig

el dátil = date

el melón = melon

la sandía = watermelon

la ciruela = plum la ciruela pasa = prune

la pasa, las pasas = raisins [la pasa can refer to any kind of dried fruit, usually it’s “raisins” meaning la uva pasa “raisins” from grapes, or la ciruela pasa “prune” from plums]

el limón = lemon

la lima = lime [sometimes it’s limón for “lime”; it’s very confusing and regional]

la banana = banana el banano = banana [regional; sometimes “banana tree”]

el plátano = plantain / banana [regional]

Nuts [Los Frutos Secos]

los frutos secos = nuts [lit. “dry yieldings”; where fruto as “fruit” refers to anything that a plant produces or “bears”]

el maní / el cacahuete = peanut

la castaña = chestnut

la nuez = walnut

el pistacho = pistachio

el anarcado / la castaña de cajú = cashew

la almendra = almond

la avellana = hazelnut

la semilla = seed

la semilla de girasol = sunflower seed

la semilla de calabaza = pumpkin seed la pipa = pumpkin seed [Spain; la pipa is just “pip” or “seed”] la pepita = pumpkin seed [Mexico; it’s a specific type, but in general la pepita can be a pumpkin seed or a small seed]

la mantequilla/crema de (algo) = butter (of some kind) la mantequilla/crema de cacahuete/maní = peanut butter la mantequilla/crema de almendra = almond butter

Herbs and Spices [Las Hierbas y Las Especias]

la hierba = herb [or “grass”]

la hoja = leaf

el tallo = stem, stalk

la albahaca = basil

el laurel, la hoja de laurel = bay leaf, laurel

el perejil = parsley

el orégano = oregano

la salvia = sage

el romero = rosemary

el tomillo = thyme

el eneldo = dill

el cilantro = cilantro / coriander

la especia = spice

la corteza = bark (of a tree) / crust (of bread/cake)

la raíz = root

la canela = cinnamon

el jengibre = ginger

el clavo = clove [or “nail” or “hoof” in general]

la pimienta = pepper (spice)

la pimienta de Jamaica = allspice [lit. “Jamaica pepper”]

el cardamomo = cardamom

la cúrcuma = turmeric

la nuez moscada = nutmeg

el cilantro = coriander / cilantro

la (semilla de) mostaza = mustard (seed)

molido/a = ground en polvo = ground [lit. “in dust (form)”]

el polvo de ajo = garlic powder el polvo de cebolla = onion powder el polvo de chile/ají = chili powder el polvo de curry = curry powder

la paprika = paprika [often the Hungarian sweet kind] el pimentón = paprika [often the spicy Spanish kind, commonly the spice for chorizo, but pimentón can also be used for “bell pepper” in some places]

la sal = salt la sal marina = seasalt la sal en escamas = flakey salt [lit. “salt in scales”; the escamas are “scales” for fish or reptiles, but en escamas is often the term for “flaked” or “flakey”]

Other Things [Otras Cosas]

el condimento = condiment

la mayonesa = mayonnaise

el ketchup, el catsup = ketchup

la mostaza = mustard

la salsa = sauce / salsa la salsa de tomate = tomato sauce la salsa béchamel / el béchamel = bechamel sauce, cream sauce la salsa de soja = soy sauce

la soja = soy

el vino = wine el vino tinto = red wine el vino blanco = white wine

el jerez = sherry

la cerveza = beer / ale

la mezcla = mix, mixture

la vinagreta = vinaigrette / salad dressing el aderezo (de ensalada) / el arreglo (de ensalada) = salad dressing [el aderezo may also mean “condiments” or “fixings” for other foods, but specifically for salads it’s “dressing”]

el puré = puree / mash, “mashed” / blended (el) puré de papa/patata = mashed potatoes (el) puré de manzana = applesauce [also la compota de manzana which is “apple compote”] (el) puré de calabaza = pumpkin puree, mashed pumpkin

endulzado/a = sweetened

enchilado/a = covered in chiles, covered in a spicy sauce

batido/a = whipped / creamed / scrambled [batir means “to strike” like “to slap”, or “to hit”; it could also be “stirred” and you may see it used along with agitado/a “stirred” or “shaken”]

relleno/a = stuffed el relleno = stuffing / filling

en escabeche = marinated / brined, in brine en salmuera = brined, in brine [el escabeche is “marinade” or “pickling juice”, la salmuera is literally “brine” as in related to salt water]

hervido/a = boiled

adobado/a = marinaded (meat usually), covered in spices / spice rubbed [el adobo can mean a few things but it’s often a spice mix of some kind, sometimes a brine or marinade]

frito/a = fried

horneado/a = baked (in the oven) [from el horno “oven”, but hornear is “to bake” or generally “to use the oven”]

al vapor = steamed [lit. “(cooked) in steam”]

asado/a = roasted / baked

tostado/a = toasted

dorado/a = browned [lit. “made golden” from dorar “to gild” or “to coat in gold”, but in cooking it means “to brown”]

estofado/a = stewed, simmered

al horno = oven-baked [or al forno for Italian things]

encurtido/a = pickled los pepinos encurtidos = pickles [lit. “pickled cucumbers”]

el curtido = ceviche / slaw [generally it depends, but a curtido is some kind of sour marinated dish, and it can be vegetables like “coleslaw” OR it could be some kind of ceviche; if you see a curtido just know it is generally acidic or pickled]

la milanesa = breaded cutlet [anything milanesa refers to something breaded and fried; la milanesa de pollo is “breaded chicken cutlet”, la milanesa de res is “breaded beef cutlet” etc]

el sándwich = sandwich [standard I think (?); sometimes it has alternate spellings/pronunciations]

el bocadillo = sandwich [Spain usually, specifically on a long piece of bread like a baguette; for everyone else this is “mouthful” usually] la torta = sandwich [Mexico, specifically on a round roll] el emparedado = sandwich [I think mostly Spain; it literally means “between walls”]

la masa = dough

el pastel = cake [regional] la torta = cake [in Mexico a torta is a type of sandwich]

la tarta = tart, pie / cake [regional]

la galleta = cookie la galleta salada = cracker [lit. “salted gallete”]

la tostada = toast (a piece of toast)

glaseado/a = frosted/iced

el glaseado = frosting/icing la escarcha = frosting/icing [lit. “frost”] [you may also see la cobertura “topping” OR el baño “bath” as frosting or icing, it all depends]

la confitura = jam, jelly, compote, preserves la confitura de (algo) = (something) confit/compote/preserves

la jalea = jelly

la mermelada = jam, jelly, preserves, marmalade

la crema batida = whipped cream

el dulce, los dulces = sweet thing, sweets / possibly candy

la gomita = gummy candy

la golosina = candy [in general; kind of like the category like “confection”; all candies are golosinas really]

el chocolate = chocolate

la vainilla = vanilla

el helado = ice cream

dulce = sweet

agrio/a = sour, bitter ácido/a = sour, tart

amargo = bitter, sour

agridulce = bittersweet, sweet and sour

salado/a = salty, salted

picante = spicy [sometimes picoso/a or enchiloso/a though enchiloso/a to me implies a chile]

duro/a = hard

blando/a = soft

suave = smooth

espeso/a = thick [mixtures]

crujiente = crunchy

grasoso/a = greasy

aceitoso/a = oily

empalagoso/a, empalagante = cloyingly sweet, sickly sweet

seco/a = dry

mojado/a = wet empapado/a = soaked, wet

el sabor = taste

crudo/a = raw

cocido/a = cooked bien cocido/a = “well done” [for steaks]

Beverages [Las Bebidas]

la bebida = beverage, drink

el café = coffee

el tueste = roast [for coffee] el tueste claro = light roast coffee el tueste oscuro = dark roast tostado/a = roasted/toasted

el té = tea el té negro = black tea el té verde = green tea el té helado = iced tea

el té (de algo) = (some kind of) tea el té de manzanilla = chamomile tea el té de hierbas / el té herbal = herbal tea

el alcohol = alcohol

el trago = a shot (of alcohol)

(andar/salir) de copas = to go out drinking [la copa is “wine glass”, related to the word “goblet”, so de copas is “out drinking” in a way]

el vaso (de agua) = glass (of water)

la taza (de té/café) = cup/mug (of tea/coffee) / teacup or coffee cup/mug

la copa = glass (of wine)

el refresco = soda [regional] la gaseosa = soda [regional] la bebida gaseosa = soft drink

la soda = soda [can also be “seltzer water” or “club soda”]

con gas = carbonated, “sparkling” [lit. “with gas” sin gas = uncarbonated, “flat”

la cidra = cider

el vino = wine el vino tinto = red wine el vino blanco = white wine

el champán = champagne

la cerveza = beer la caña = draft beer [at least in Spain; idk about everywhere else; lit. caña is “reed” or “tube” so it means it comes from a keg or spigot or something is “on tap”]

el ron = rum

la ginebra = gin

el vodka = vodka

el whiskey, el whisky = whiskey el (whiskey) escocés = scotch [lit. “Scottish (whiskey)”]

la limonada = lemonade

el zumo = juice [Spain] el jugo = juice [Latin America, usually]*

la pulpa = pulp sin pulpa = no pulp

el hielo = ice con hielo = with ice sin hielo = without ice sobre hielo = on ice / over ice / “on the rocks”

mezclado/a = mixed

*el jugo is used sometimes in Spain, often with “meat juices” and jugoso/a is still “juicy” in many countries, but it’s more common in Spain for fruit juices to be zumo... whether it’s zumo de naranja “orange juice” or zumo de manzana “apple juice” etc

Some common drinks to know: la sangría is “sangria” [lit. “bloodletting” related to la sangre “blood”] which is wine with fruit. Since sangria can be kind of touristy, some places tend to have tinto de verano “summer red wine” which is often cheap red wine and some kind of fruit soda like sparkling lemonade or orange soda. Another common one is la clara which is beer and sparkling lemonade [I think close to a “shandy” in English though lord knows I rarely call it that]

Meals [Las Comidas]

el aperitivo = appetizer

las tapas = tapas, appetizers [typically more of a Spain thing]

el plato fuerte = main dish, entree [lit. “strong dish”] el plato principal = main dish, entree

la ensalada = salad

la sopa = soup

el caldo = broth

el estofado = stew

el desayuno = breakfast [standard, but also sometimes regional where desayuno might be very early or more sweet]

la comida = lunch / meal [in general] el almuerzo = lunch [US/UK; for most other places it’s a midmorning meal]

la merienda = snack / teatime, high tea

la cena = dinner

el postre = dessert

la comida ligera = light meal

la comida basura = junk food

There’s so much to say about eating schedules in Spanish vs English but really your experience will be different depending on if the country has a siesta culture. Just know many of the words can be HIGHLY regional

In most Spanish-speaking countries la comida is “lunch” [lit. “food”]; but in the US we typically say el almuerzo as a meal that happens at noon. Depending on where you are your entire eating schedule is different but in the US we have three meals - el desayuno, el almuerzo, la cena. Your exact meal schedule will depend on the country you’re in

¡Buen provecho! = Bon Appetit, “Dig In” [said before eating]

¡Salud! = Cheers! [lit. “health”, said before drinking during a toast] ¡Chin-chin! = Cheers! [a less formal toast, it’s literally the sound of glasses clinking together so it implies everyone sort of touches their glasses before drinking; chin-chin is often said with salud at these times so you’ll probably hear them both at the same time at an informal party/occasion]

la sobremesa = “dinner conversation” [a culture concept; la sobremesa literally is “above table” but it’s the word for talking and hanging out with friends and family over a meal, sort of like chitchat or conversation... it’s the act of growing closer “at the table”]

School Subjects [Las Materias]

la escuela = school

la tarea = homework / task

la materia = school subject

las matemáticas (mate / las mates) = mathematics, math

el álgebra = algebra [technically feminine]

la geometría = geometry

el cálculo = calculus [or “calculations”, it can be used like “I did the math” or “I ran the numbers”... that’s cálculo too]

la ciencia = science

la biología = biology

la química = chemistry

la física = physics

la informática = computer sciences, IT

la historia = history

la geografía = geography

los estudios sociales = social studies

las bellas artes = fine arts [arte is typically masculine, but in certain contexts it’s feminine - usually for las bellas artes or las artes marciales “martial arts”]

la literatura = literature

la escritura = writing / creative writing la narrativa = writing / creative writing [la narrativa means “narrative” but also could mean “storycraft”, as in one’s ability to write/tell a story]

el arte = art

la música = music

el drama = drama, theater [masculine] el teatro = theater (place and a subject)

el idioma = language [masculine] la lengua = language [lit. “tongue”]

la lengua y literatura = language arts [lit. “language and literature”] las artes del lenguaje = language arts

la poesía = poetry

la comunicación = communication

la traducción = translation

la psicología = psychology [sometimes it’s written as sicología without the P; they’re both correct, but psicología is more common]

la sociología = sociology

la medicina = medicine

el Derecho = Law [often capitalized; by itself el derecho means “a right”]

la contabilidad = accounting

la enseñanza = teaching

la educación físicia = physical education, PE / gym

la gimnasia = gym [it also is “gymnastics”, or basic “physical exercise”]

el deporte / los deportes = sport / sports

el atletismo = track and field / athletics [sometimes “track and field” is (la) pista y (el) campo but pista y campo might also be el atletismo]

(el) tiro al blanco = archery / darts [lit. “the act of shooting at the target”, but el tiro “shooting” can also refer to guns as well]

la esgrima = fencing

la natación = swimming [the noun, not the verb]

Many sports-related things are influenced by Greek traditions - la gimnasia as “gym” or “physical exercise” or “gymnastics” literally means “things pertaining to the gymnasium” which is where people would work out or play certain sports or exercise. And similarly el atletismo means “track and field” because it referred to the kind of sports professional athletes practiced in Greece or practiced for the Olympics... specifically the ones that used to be done outside, such as el maratón “marathon”, running, etc. Obviously we don’t have the discus or horseracing in most schools, but the Greek influence is there. And because el atleta means “athlete”, el atlestismo also refers to “athletics” in general

#Spanish #langblr #spanish vocabulary #language learning #learn Spanish #vocabulario #learning spanish #so much vocab #ref #long post

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