#exams are near

[aadarsh-kannyaa]

Haayeeee

[yaolmao]

girlies I would smooch

[cattosleep]

was watching gameplays n this scene always makes me js wanna SQUISH him

Also a no hat ver. Just because.

[staticvn]

lately the only way i can make myself study or do any work is by pretending that i’m doing some super important world-saving research or uncovering some insane secrets of the universe…i’m straight up gaslighting myself into school…

[dnln7873]

Request to draw them as little babies when they first entered Wammy's house please please please

short and quickly drawn comic with babies NMM❕happy wednesday✨

[estcaligo]

I miss Sebek

[drangues]

finished this old ass wip thats been rotting for weeks

[majosullivan]

Season 3 is returning to us soon! Who here is excited? Who here is ready to be in fear for what Wendy has planned for the reat of the season?

<(66/??)>

[read more]

[parkercore-69]

LETS GO GUYS IM TEMPORARILY THE HEADER IMAGE FOR THE TROBED TAG !!

[iknowwhereyousnoozeatnight]

couple of mello + near doodles

[everythingwasalreadypicked]

No thoughts just Al in a certain au wearing a mock-crown made from pieces of corals arranged around his hair

[delawaredetroit]

Look, narratively this is supposed to be part of an ongoing theme for the Todorokis and eyes. That for both Shouto and Endeavor, they spent most of their lives blind to what was in front of them because they couldn't stop looking far ahead towards the object of their icy hatred. There's a reason one of the most impactful lines directed at Shouto (other than it's your power not his) is "where are you looking?" Izuku shouted this to Shouto at the sports festival and Inasa repeated it here. Because Shouto was still learning to face the people directly in front of him at this point in the manga.

But Inasa harboring a years long grudge over two people glaring in his general direction funny makes him one of the pettiest men alive. In the end, what he was doing here wasn't different from Shishikura (Shiketsu's meatball guy). Inasa was also attempting to be the arbiter of who was worthy of being a hero. Shishikura just decided based on who upheld the dignity of the profession of heroics versus Inasa's belief that that heroes should be passionate and present in the moment.

[det-writing]

Nastasya Filipovna and Eto - when trying to break out of your mold, there's a risk to returning to it

as i am currently reading 'The Idiot' by F. Dostoevsky, i couldn't help but compare Nastasya Filipovna's character and role in the story to Eto's, from Tokyo Ghoul (though to a certain extent, obviously). please be mindful of the fact that i am just begining the third part of the novel. without further ado, disorganized rant incoming...

there are several similar characteristics, some more superficial than others - they are both considered madwomen, the antagonists, by the other characters, as well as the readers (at first).

they may appear disorderly at first glance, their actions an enigma, often cruel, though they are highly intelligent women and controlling in nature.

they are vengeful, they want to destroy the object of their fall, including themselves in the process. however, they do this out of a desire stronger than their rationale - the want to be loved. both characters crave love and connection, but they'd been brought up to think of those as transactional, superficial or as a means to an end.

in their quest for revenge they employ whatever means necessary, even if it means they crush others in the process (even those who wish to help, as I think Kaneki and Prince Myshkin are also interesting to look at - though vastly different to me, without even considering how they 'help').

it is so fascinating to me - because we are led to believe to understand these women, but they are incredible actresses, so much so that they deceive themselves. in the process of letting themselves go for the sake of revenge/a new world, they renounce parts of themselves. or it would appear so! mostly, i see it as a constant denial of self that evolves as the stories progress. they become part of their own narratives, as their pride and refusal of acceptance dictates, and turn into mere characters in the plots they snare.

it is tragical, it is beautiful, and it hurts because we never receive actual insight into their mind, because the story itself does not belong to them, even to themselves. they are painfully, if ironically, aware of their roles as plot devices in a way, and mind you they consider themselves plot devices of their own making, because of their pride. in their hurt way, they see their own depersonalization and loss of self as 'fuck you' to the story and the narrative. it is self-contradictory and it is self harm.

they wish they could be helped, but they don't know how to accept it (enter pride) and they've grown to believe themselves as irredeemable. so what does one do in this situation? damn themselves all the way to the end, of course. they consider it as owning up to their decisions, but it continues the loop of self harm.

and this is merely scratching the surface of their self-image, while barely touching on narrative and actual actions.

i might make a series in which i parallel characters, after finishing the book. i certainly have a lot of material in that aspect (the Myshkin-Kaneki-Arima spatter of idealism)

[spaghett-onaplate]

depression is really weird actually wdym i spent 2.5 years of my life in bed

[saeran-exe]

10/06/24

It's been a pretty lazy day since today's exam's course is fairly easy. I basically just had to have a look at old notes and make new, neater ones, and do a quick recap of some basic maths lol.

It's still very early, though, so I might study calculus, manufacturing processes or programming after my French class. My uni classes start at 19h00 on campus, so the exam will start at that same time and, hopefully, I'll finish it early enough to hit the gym before it closes at 22h because I went to sleep way too late and couldn't wake up early enough to go to my boxing class at 6h00 🥲

I also made some cute blueberry and strawberry milk but drank it before I could take a picture of it... oops!

[redyarns]

snippet (undertow, ch. 6)

IM TIRED OF THIS GRANDPA