#examples of when i LOVED this route:

[loubetcha]

ok i either absolutely love when a character dates the wrong person to see the right one or i hate it. regardless, it feels more accurate to life and relationships, because generally you don’t end up with your first relationship or love (that’s not to dismiss those that do). in my moderately analytical viewer opinion, i have watched writers make both the right and wrong decisions concerning this. i think the duffers have done a wonderful job of getting people to root for byler and i cannot comprehend anyone being unable to see the obvious endeavors to reveal homosexuality- not just from will- the duffers have placed at their feet.

[front-facing-pokemon]

[featherymainffins]

Now this might be because I have issues but is it just me or does Slay The Princess feel like an allegory for a relationship?

[meringuejellyfish]

adaptations that are a deliberate alternate telling of a story arent all that crazy to me (and also sometimes its as simple as someone like o'malley saying "the books already exist") ive been quite fascinated by this concept for a long time but alas i do not have many examples of this off the top of my head. but i do love picking apart adaptations and differences as a general thing. hoho !

[littlebitofrue]

Sleeperfixation; like a hyperfixation, but instead of you being constantly thinking about it, your fixation on the object(s) won't awaken until an occurrence of your fixation happens coincidentally or naturally.

Think of like a sleeper agent hearing their obscure code word or sound. But instead of half consciously murdering people, you instead put yourself in a trance and start gushing or going off about your fixation until you grow tired or something else grabs your attention.

[ratgingi]

ok ive decided im punting . Some people (people who are like. non-chars basically) frm the carrd and will just link my dt folder on th so people can see them still bc this site is so double cheeked up i can barely load it as is

[bmpmp3]

cars are chipmunks from the front and aliens from the back

[myothertardisisonthemun]

I think OP still has a point though.

It is true it lessens of at night, and that OP has (rightfully) not revealed the house's location, I'd like to give some numbers from my light-mixed density city for comparison.

I used regularly leave university a few suburbs away from the city at about 11:15 ish, and get home to the suburbs in 1 hour 20. These days with a new metro and tram route, I can do the same trip more than an hour later.

And this is 45 minutes to an hour's drive.

The only time I've ever had anything close to Op's situation was when I was out at about 3am, and couldn't get connections, but still I got home 6:30 - 7sh.

I'm on a bus right now, and decided to try plugging in random locations to my phone with a midnight departure - none of them super practical, but they averaged out at about 2:30 - 3 hours. And were talking 1.5 hours equivalent drive not 20 minutes.

The only one which would have been 9 hours was because there were no busses running was when I tried to cross from isolated corner to isolated corner:

It basically told me wait untill next morning, even then it was 4 hours, with equivalent drive about 2.

None if these are exactly practical trips, I think the public transport to drive time ratio speaks for itself. Plus, none of these required driving or rideshare segments.

Op's city (Pittsburg) is slightly more sprawled than Sydney, they're both hilly, and at a glance, Pittsburg has a slightly more unfriendly to bus road layout, at a glance.

But unless they were trying to get somewhere along a rural highway, with a 9 hour to 20 min difference, I think they have something worth complaining about.

out of interest I just looked up transit directions in Google maps from my parents house to my house and it told me to drive 20 minutes to a park to ride bus station, wait 6 hours, get on several different busses, then get off and order a Lyft

[pastel-peach-writes]

Hii, i just read all and i mean ALL of ur fics, but i saw you wrote for arcane women and was wondering if you could write headcanons abt them with a socially awkward/anxious reader?? If not thats A-Ok 👌 with me

Sure! How is everyone doing after the first three eps? I still haven't seen it but the edits I've seen... oh boy.

"I Got You." | Arcane Ladies Headcanons

╰┈➤ PLOT: How the ladies of Arcane(Jinx, Vi, Caitlyn, Sevika, Mel) act with a socially awkward and/or anxious partner

╰┈➤ WARNINGS: Spoiler Free, On The Shorter Side, Cursing, Not Proofread

⍣ ೋ Enjoy!⍣ ೋ

JINX

– At first, Jinx didn't get that you were socially awkward. She was used to people being awkward or even scared around her so she thought it was the same case with you until you two got closer.

– After knowing that your awkwardness was just you and not your fear of her, she observed you in social situations and noted what made you more anxious than normal.

– For example, she noticed you're more anxious and timid in bigger, louder spaces but if a space was quiet and quaint, you would be just fine so she often took you to quiet places for dates.

– If Jinx notices you're anxious in places you typically aren't, without a doubt she's removing you from the situation and taking you home where you can relax. No words, just grabs and tugs.

– She's tried the pep talk route before but it ended up in her rambling and somehow planning a terrorist scheme aloud... (yeah, a few patrons quickly left the area after hearing that), so she decided to scrap that idea altogether.

– At home though she would prepare what she calls, "A Safety Nest". It was a place in your shared space that had all your favorite things and trinkets, and she usually kept the space dimly lit and played your favorite music to calm you down.

– In social interactions where you take the lead in conversation, Jinx would quietly encourage you with big, almost alarming smiles and "gentle" pats on your back. Let's face it, Jinx can be socially awkward herself.

– Once the conversation concludes, she'll jump on you proudly, ruffle up your clothing, and pinch your cheeks endearingly all while calling you weird nicknames and quoting what you said while mimicking your tone and cadence.

––

VI

– Before you've had your first real conversation together, Vi could sense that you were an anxious individual.

– You fidgeted with your body while speaking, didn't hold eye contact long, and used a decent amount of filler words to casualize your sentences.

– She thought it was endearing to watch you act and move as if you thought no one truly cared about what you were saying or were afraid of boring others but you never bored her. She didn't think it was possible.

– You had tells and quips that revealed themselves with each conversation you two had. You showed more and more of your personality the more you got comfortable with her too. Vi loved it.

– When you spoke to her, especially when you went on tangents about things you were interested in, she always showed signs of active listening by nodding and asking follow-up questions. Even days later, she'll bring up the topic again to see if you have any updates.

– She made you feel seen and heard, something you've subconsciously craved. And when you went on your worry rambles, she consoled you and tried her best to stop you from spiraling.

– You thought about a lot of things and oftentimes about things no one else thought about. Vi thought your brain must've been exhausted with all the worries, doubts, and judgments that were usually wrapped up as others' but were truly your own; it was a lot for one person to handle so she strove to let you know that you were not alone.

– Is there a night you can't sleep because of your racing mind? Vi is there, holding you or reassuring you that everything is going to be okay. She can't sleep until you do anyway so why not speed the process along?

– You often had yourself stuck with your head stressing and worrying about multiple things at once and Vi was always there to bring you down to Earth.

__

CAITLYN

– Caitlyn's an encourager and a comforter with you.

– She's patient and silently allows you to take your time when gathering your thoughts midconversation but she'll also be the one to say, "It's okay, take your time," in the sweetest way possible.

– If there's an instance when you two are out and about and you really want something but are too scared to get it, she'll spring into action and get that thing for you. (Even if it was just a napkin).

– The only time she's frazzled socially is when you both are in an unfamiliar area and need to ask for directions. She'll stumble over her words and try to get someone's attention but they're moving too fast to hear her soft words.

– She'll get frustrated and you end up comforting her, but after a few backrubs, she's ready to try again. Her voice is strong and powerful, and people have no problem hearing her.

– You secretly thank whomever you have to for her determination but there was no way in hell you were going to walk up to a stranger and ask for directions like a tourist... which you were.

– Since Caitlyn's job has her socializing with a lot of people, she can get burnt out easily. Especially if work hasn't been going her way lately but even if she's burnt out and tired, if you seem to be more awkward or anxious than her, she's more than happy to step up socially.

– When you both have someplace to attend to or some event that holds significance, Caitlyn will not hesitate to stage a "social rehearsal" with you. She'll make flashcards of topics you could bring up, you'll both dress accordingly for the event in her living room, and she'll pretend to be an assortment of people so you can get used to different personalities all at once.

– It may seem like this is all for you, but honestly it helps her too. Sometimes she misses the personal cues of conversation leading the other to think she's a black-and-white thinking who has no time for pleasanties. Not true! She's very pleasant... sometimes she's just shy.

– Shyness is not a crime!

– After talking with the host and a few others she has to talk to due to her job, her social battery is depleted. She's extremely thankful you're able to recognize this and suggest leaving early. What would you two do without each other?

––

SEVIKA

– Oh, man. This lady found your awkwardness charming as hell.

– Your awkwardness was different than all the nerds and scaly-beings she's forced to be around. You were cute, looked perfect sitting next to her, and your awkwardness, as mentioned before, had a certain charming quality she can't quite place.

– She'll see you in your workplace trying to make casual conversation or small talk but none of your topics seemed to be landing. Your coworkers would give you a thin pressed-lips smile that she wanted to strike off of them to your attempts and then scoff at you behind your back.

– You were authentically yourself and those bastards didn't know what to do with it. They were scared, not her though.

– When you two got closer and comfortable enough with each other that you could tease one another or make playful jabs at the other's expense, no doubt she would tease you about your awkwardness.

– With those gorgeous eyes of yours, you would look everywhere else but her own, prompting her to say, "You know you can look me in the eyes, right? I won't bite", with the stupidest most shit-eating smirk on her face. And then when you look at her, a bit shocked and playfully annoyed, her smirk would only grow. "Unless you want me to."

– Sevika never made your awkwardness seem like a flaw. Your awkwardness came with you and she wanted all of you so she often encouraged your awkwardness.

– If she caught you trying to "reel" it in or realizing that you've talked for a few seconds too long, she'll playfully scold you and tell you to continue or to "let it out". Y'know. As someone who seethes dominance does.

– There would be an instance in which you go to Sevika asking for advice to be "less awkward" and her only response would be, "Why? I like your awkwardness, you don't need to change it. Anyone else who thinks otherwise is a sad loser and don't deserve to be in your life anyways."

– like damnnnn, okay!

– Safe to say you never asked her a question like that again.

--

MEL

– Mel understands your worries about what others think and the awkwardness that can come with it so she likes to help you in any way she can.

– If you're stressed about a council meeting and afraid of what everyone's going to think about the new perspective you'd like to bring to the table, she'll reassure you and tell you she's right by your side.

– If she can't physically with her hand on the small of your back, she give you nods of encouragement, raise her brows proudly, and look at you with that sense of pride and admiration in her golden eyes.

– After the meeting goes well, which she knew would, she'll congratulate you with your favorite drink and a night in doing all your favorite things.

– Even if there were parts in the meeting that were rocky, like the council people asking questions you weren't prepared for or getting rowdy, she'll say you did an excellent job and what you presented will help the people of Piltover.

– Oh, and don't think for a second that she wasn't sending glares and daggers to those who stirred up your anxiety even more. If looks could kill.

– Mel sees that sometimes your awkwardness and anxiety result in people-pleasing and she would shut that down real quick. She's fallen into that dangerous pool before and knows how hard it feels when you disappoint others and how much harder it is to get out of that mindset.

– She can get quite spirited with her encouragement...

– "Well, if they don't like it, that's on them! They don't know something good when they see it." "I've learned that hard way that you can't please everyone. You might as well say what you have to now. They can get over themselves later."

– It's actually quite attractive to see her stand up for you, even if she was standing up for the possibility.

– Always keeping her words in your mind, you find yourself navigating through life easier and you only have her to thank.

WC: 1,705

[timmydraker]

Tim Drakes parents were very traditional and overly proud of the fact that they came from old money.

They boasted about this in many ways for several years, but once their son was born they decided they would use him as a prime example of how they would continue the old ways they learnt.

Tim learnt things like piano and proper dinner etiquette before he was four, and learnt old Latin and French as a means to showcase his wealth and knowledge. They made him learn many things and luckily he enjoyed most of them, especially when it came to STEM and reading.

They also valued the arts and wanted him to learn as much as he could about architecture and literature.

When he showcased some knowledge for waltz and ballroom dancing, they decided he should do dance lessons.

This is where Tim discovered Ballet and fell deeply in love with the artistic and passionate form of dance. He began to study it around the same time he grew an interest in Batman, though he had yet to try get photos of the man.

Tim talked to his instructor and asked the older man about male dancers in Ballet and Mr Volkov was more that happy to help. Tim’s parents weren’t very in tuned with their son by that point and only cared that he was attending classes that were traditional, so they payed no mind to him learning ballet.

The skills he learnt regarding balance and core strength was greatly appreciated when he began to stalk Batman and Robin. He would do his warm up stretches while thinking about what patrol route the two would make that night, considering why Bruce Wayne chose to become The Bat while he counted each step 1, 2, 3, 4 with the music. He wondered to himself why Jason Todd became Robin when Dick Graysons motivations were much more obvious as he practiced and perfected sauté and focused on how his hands were placed, something he often forget was important.

By the time he became Robin he had been allowed to do several permanences, and was practicing for his role as Prince Siegfried in Swan Lake in just a few months.

It was one of his biggest dreams to play as the Prince in such an iconic performance, especially when he got along well with both Odettes dancer and Odile’s.

Bruce and Dick are excited for him, though Dick shows it better, and Tim is overjoyed to know that his parents will be in town when the opening night is. They say they’ll come and are proud of him for being in such a well known play and doing so in the traditional manner that the play was once made in.

Tim does wonderfully and Alfred organises for it to be recorded for them all to watch later.

Tim is greeted by them back stage after it ends and excitedly runs up to Dick to receive a huge hug. Dick is loudly saying how proud he is and that he’s so impressed his brother can do such an amazing dance. It’s the first time they’ve seen him perform and they were enamoured.

But Bruce looks tense.

“Bruce? Did… did you not like-“

Bruce cuts him off with a hug, “Of course I like it. Loved it even. It’s just…”

It’s then that Tim looks around and notices his parents aren’t there. They could have just gone home, but they wouldn’t give up a chance to boast about their money and successful heir.

Unless…

Tim looks down and tries to hold back his tears, “they didn’t show, huh?”

Tim can’t help but break down once Dick moves in to hug him, yet as Mr Volkov and some of his costars who are his friends come up and join them, he feels okay.

It’s not Janet and Jack, but it’s nice. It’s warm and kind and maybe that’s all that matters.

[vorestarr]

I mostly agree with this but I have some other thoughts to add and hope that's okay.

I've played tav friend, tav romance, and durge romance with Astarion now and I think I have to disagree that it's a power imbalance with Tav. (I mean, maybe it is because the player character is inherently more powerful than anyone else in the game, but that's not what I or you mean by power imbalance, I think.)

I think with Tav, Astarion is imbalanced because he doesn't know what to expect or how to ground himself. For all the reasons you listed, I agree. I just don't see it as a power thing. I see it as an Astarion trying to figure out how to orient himself and adapt to this new life, and it's so different from what he's known for 200 years that he has trouble doing it or even conceptualizing what he should do. How does he relate to someone like Tav? What does Tav want from him or the relationship? How does Astarion even go about figuring that out when the only ways he's had to relate to others in 200 years have been, what they were?

Compared to Durge, who is a cruel murderer with a voice in their head urging them to do more terrible things, and wow Astarion can relate to that a lot. He isn't phased at all when you wake him in the middle of the night to tell him you have an uncontrollable urge to murder him. He jokes about it the next day and reiterates that HE is not going ANYWHERE and you are going to get through this TOGETHER.

Which sounds remarkably like a lot of what Tav can say to Astarion during that romance.

Meanwhile, I think Tav has the potential to have that experience from the other direction. For example, if you go the typical tell the truth route at the carnival that all the other romanced companions like, Astarion HATES that. A lot of romantic-sounding choices (in the context of playing a video game romance, I mean), Astarion also hates. And part of his romance in act 1 I think is figuring out where he's coming from and what's important to him so you can relate to him better. I think that's what Astarion is doing as well, he just has a lot more to overcome there compared to Tav.

So I don't think this is a power imbalance per se, I think this is a clashing of experience and expectations. You're right Astarion doesn't know how to be in a romantic relationship and if it weren't for the player, he wouldn't pursue that on his own. But I also think that he does know exactly what would've helped him, what does help him, what he would've wanted when he was/is struggling, and he shows you that in the Durge route.

And so I think to me this feels more like, with Tav, not only does he have to learn how to be in a romantic relationship, but he also has to learn all of these other rules for engagement with people and society to feel accepted. With Durge, he just has to learn the romance thing, because Durge knows exactly what it's like to struggle with being a terrible person. He doesn't have to wonder why someone like Durge likes him -- they're similar in too many ways.

I present to you: at no point in the game is Astarion actually ready for a romantic relationship

Tav is the first person he drank from

The first person he has consensual sex with after 200 years

And he says to them: no one is like you. You're YOU

He genuinely believes that Tav is the *only* person who would be this way, even if it isn't true. He does fall in love with you, he does want you, but I present to you the idea that if things hadn't gone down EXACTLY as they had, Astarion NEVER would have initiated a partnership/romantic relationship for YEARS after escaping Cazador for good.

The man is coded for survival, for self-preservation, and is inherently selfish by nature. It is only because Tav gives selflessly and determinedly reinforces wanting to be with him that he caves in and allows it, but if you try to leave he's thrilled. This is for the best he says, you don't deserve this facade from me he says.

"I don't know how to be with someone even if I want to. I want this to be real but I don't know what real is. I need to not have sex right now"

In act 2, if you break up with him, he agrees with you. He thinks it's the right thing for you because hes not ready. He won't say this unless you initiate a break up but how could he possibly let go of the best thing that's happened to him in his entire undead life? He wouldn't toss out the treasure of you even if he didn't feel ready.

It really does take a patient, calm, supportive Tav to get him in the end, and he DOES want you, I'm not arguing that

I'm arguing that that man is not ready for a committed relationship, doesn't know what a healthy relationship looks like, and in an ideal situation if he thought he had time and options in his life and if he felt safe he would have focused 100% on himself first for a VERY long time.

The tadpoles, the adventure, the pressures of the battles, the fighting the revenge the ascension and the ritual he has to fight or succumb to the fact that the sunlight is gonna nerf him again- all of this contributes to the perfect scene where Tav gets him right "out the gate", first by being a mark and a target and then by simply *not breaking it off with him*

And yes he's in love to the best of his ability to know what love is at this point

And yes he wants you very much

But the man is going through the biggest whiplash of his life and I can say with confidence that he's not... *Ready*. And after all is said and done, Tav will have to continue to be patient with many things with him. There are still a lot of hurdles. He may be with them for a long time before he wakes up one day and realizes, really really realizes, that he's ready.

The power dynamics are off, they're imbalanced. How could he say no to a perfect mark that gives him everything ? Blood, sex, waits when sex is off the table, never breaks up with him never leaves no matter how he rails against them? He can't. He won't, and he doesn't want to, but that doesnt make him emotionally ready for what a genuine relationship is.

He has to learn it, with you, over time, but I don't think he'd jump into learning that and going for it and seeing it as worth it if the situation were in any way different

Without the perfect storm of events, I don't see Astarion jumping into "commited relationship" to be clear, I'm not saying that he isn't capable of feelings or doesn't want tav it's just

It doesn't *seem* to match his character or his struggles to me. For a man that is completely self serving, he accidentally catches feels and then doesn't have the strength to cut you loose even though his act 2 confession is practically him asking you to leave him. If you take the Araj route in particular, he VERY plainly lays his shitty behaviour on the table as if daring you to punish him for it... Or maybe just expecting.

In his spontaneous scene it's softer, it's I love you but I don't know how to do this. And still if you say "I don't think you're ready to be in a relationship" he immediately agrees. In act 3, if you've stuck to him the whole time like glue, he never wants to let you go. Again, I think this level of connection is impossibly rare and everything had to happen as it did to get you there, but the power balance is off still. He says partner, equal, and he wants that. And he WILL get there

But he not only has to struggle with his past, his issues, his trauma, he has to struggle with the power imabalance that you're his Savior. YOU defeated Cazador. YOU protected him in camp and didn't stake him on sight. YOU fed him from thinking creatures for the first time. YOU are one of "a very few select people" who have had sex with him and not been slaughtered immediately afterwards.

You're everything to him

And by the end of the game you already see him trying to shift that power imabalance because HE SEES IT. If you say you'll protect him he WINCES and disagrees, he doesn't want that. He doesn't want to be below you, but he sees himself that way anyway. And to me, that's the sign that he wasn't ready, he still isn't ready,

But he will be, one day. And I think that makes it a better written romance than thousands I've read, because it's not perfect. There's grey areas. There's things that can make you uncomfortable. There's parts of it that aren't healthy and won't be for a while. Who knows how long until he feels like he's your equal? Until he feels like this relationship is something he ever would have chosen if things were different?

But he does choose you. He does. He wants you. He'd just never have gotten the chance to if it hadn't been "right place right time" imho

[deerspherestudios]

I'm kinda confused... In the main route, Mychael doesn't know yet if what he's feeling is love (that's what I think based on the last posts). But in 2 of the bad endings (the one that MC kills Mychael and the other where you are hypnotized by Mychael to stay with him forever), he says things that make us think he already knows he loves us. For example: "At least I'm dying by the side of someone, I'd like to hear your voice" or "I'm sorry, I wish I could know the way you are or that you'd love me the way I am" (I don't quite remember the quotes but they are something like this), and it ends saying "You love Mychael. Mychael loves you. You two live happy".

It makes me think... Mychael being placed in a dangerous situation where MC does not accept him the way he is, makes he know he loves her? What does it change? Actually, have I understand everything wrong? He does not love her in those endings, he's just desperate for companionship?

The last line of your question already answers it!

In Ending 2: You Monster, when he says that, he's comforting himself in his last moments knowing he's not dying alone. In Ending 3: Playing Pretend, when the narration says those lines ("You love Mychael. And he loves you.") he only thinks he knows what love is in his desperate attempt to convince you that everything is fine. In reality those words are empty, only serving as fodder to fill your head. In his eyes what he's doing with you (living together, spending time together and doing things together) equals 'love' when it's far from the truth. Especially considering he's puppeting your actions the whole time. He was just,,, a little,,, desperate,,,

[mamaito]

People keep questioning the otome label towards Homicipher just because it does not have dates or kissing that is commonly expected in the genre. This is a misconception and is based on common dating games and romance focused visual novels.

Otome means female targeted game, as long as the player is a heroine who can pursue male characters and end up with him then it is an otome, how it goes about it does not matter. It can be any genre and should not be trapped on simply being just a dating game.

Love should not be about constant affirmation but rather a simple validation should be what is expected.

The entire game is about doing something out of love based on action rather than words.

The apparitions in question do in fact express interest, even outside of the 6 bachelors. It's just that people are placing human expectations on individuals who do not understand nor behave in the same manner.

Mr. Silvair for example expresses his interest and affection towards you in his own way but is being brushed aside and assumed that he only wants you for researching, that is half truth.

He doesn't understand the concept of love but is willing to understand it because he does care if you saw his other ending. If Mr. Silvair was a yandere, this way of thinking would've been seen as acceptable and considered 'romantic' but since he isn't, suddenly it's not an otome.

Mr. Hood and Mr. Machete are not considered as options because their spotlight in the game is minimal at best, which is what the game's shortcoming is. Does saying it out loud need to be stated when he's going through lengths to protect and stand by your side? What matters is that he chose you and that should be enough to be seen as affection.

Mr. Gap's entire existence gives insight on how these entities take things in a literal sense and never by it's secondary meaning. He want someone's heart but takes it literally when all this time what he wanted was someone's company. If you have reached his route, he declines your actual heart, he always asks for permission but in the return end, he didn't need to anymore because he found what he was seeking.

There other who think Mr. Chopped has no route when in fact most did not trigger it during Chapter 1.

Mr. Crawling is popular because he is the one with the most screen time, most interactions are with him and he has the optional romance endings and even a confession on chapter 4, which you can still continue onwards Chapter 5 with the info that the two of you are together regardless.

Mr. Scarletella is the main plot and the reason for MC's arrival in the world, everything he did stems from obsessions and misplaced affections towards you.

All of these are otome related, I don't know why people are struggling to accept this. It's right there in front of you.

[blacktabbygames]

Hello! I absolutely love Slay The Princess! I was wondering, were there any major inspirations that helped you create this game that you wouldn’t mind sharing? I’m always fascinated by the art that inspires the art I love so I’d be very curious and happy to hear what vibes helped you all piece together this wonderful game!

It's always tough to pin down inspirations. I think there's kind of three types: 1. Hard inspirations — things that you know are sources of inspiration at the start of a project. Or things that become known sources of inspiration partway through a project. These are sometimes, but not always technical.

2. Soft inspirations — these are more vibes based. Kind of like "what's going through my head on loop while working on a specific chapter." Almost never technical, and for me, this tends to be music more than anything else. (But maybe it's music *from* something specifically)

3. Loose inspirations — these are more along the lines of formative pieces of media. Stuff that seeps into your soul and directs your development as an artist or person, but not in a way where you can specifically tell what its impact is. Sometimes overlaps with #2 Anyways, some examples for each. Hard Inspirations:

• Disco Elysium — IMO hands down the best piece of interactive media ever made, and probably one of the most obvious influences on Slay the Princess. The concept of using internal voices to represent the player's thoughts helped us get around one of the biggest writing challenges in Slay the Princess — if the Princess changes based on your perspective, how do we codify what the player's thinking? The voices were a solution to interpret those choices in sensible ways and inform our players of how the game was reading their choices. Much better than breaking immersion and outright asking players what they tought. • Soma — we didn't play Soma until we were about half of the way through our work on Slay the Princess, but it was one of those games that felt so thematically on-point. I still think about this game most weeks. • The Stanley Parable — I like when narrators get frustrated at players for doing silly things. It helps when your narrator is British, too.

• Madoka — it's like 12 episodes long. Just watch it.

• Evangelion — Similar bucket to Soma. Didn't watch it until we were most of the way done, but boy does it have some similar vibes. Soft Inspirations/Music I've Kept On Loop While Working On the Game I won't tell you what music was looped for what routes. • Ceremonials (Florence + the Machine) — one of my all time favorite artists, and just a phenomenal album.

• Presumably Dead Arm (Sidney Gish) — super underrated. No Dogs Allowed is a great album.

• Haunted (Poe) — another banger album.

• Black Holes and Revelations (Muse)

I'll leave that third bucket unanswered lest this post become 50 pages long.

[bamsara]

I dont know if it was intentional but I love that Narinder when he sees Lamb throwing up he turns gentle and pushes their wool and ears back so they dont get stained with vomit and for some reason it reminded me of how when Nari was throwing up too after the nightmare he had when they were on route to fight Leshy, Lambert helped him with camellias for the nausea.

Ahh, parallels. I think.

IM SO GLAD YOU POINTED THAT OUT allow me to ramble for just a moment.

Narinder was trapped in the Afterlife for over 1000 years, with little social skills and plagued by wishing for vengeance and his only company being two kittens who become disciples under his rule. He has terrible social skills, if not lacking them entirely.

(I would argue that Aym and Baal also have horrific nonexistent social skills, so those three cat's can't really help each other communicate properly to anyone else outside themselves.)

It can be argued that since The One Who Waits had other vessels to pass time and try to kill /annoy his siblings before the prophesized Lamb arrival, that he would have developed them a little bit more, but I would argue that the power balance would have been oodles more severe since the vessels weren't the promised one. He didn't need them, so if they no longer were of service or disobeyed him, he got rid of them. Whether just sending them out or killing them, any how.

Lamb, however, knows they are the last Lamb, the prophesized liberator of The One Who Waits, and therefore his only option. They knew that they were his only reasonable way out of there (whether they asked for it or not) so they were oodles more comfortable than how a professional relationship would have been.

So they asked questions, bothered him, played and ran around him. Complained and vented to him. Yapped and yapped. What is he gonna do? Kill them? Find a new vessel? He can't. "You're as trapped into this prophecy as much as I am, so let's be friends"

Example parts from Chapter 3:

The power balance equalizes because Lamb did not see his presence a God, but rather a fellow prisoner and victim of fate. Rude and demanding, but in the same chains as they were. 'My lord' was simply formalities at first.

This puts Narinder / The One Who Waits in social situations he hasn't been in (or hardly been in) in over a thousand years, and frankly, he had no idea how to navigate them:

Example from Chapter 5:

The God of Death has not needed to comfort or 'be there' for someone in a long, long time. The Lamb's presence is what forces him to try, even if his first attempt aren't perfect. So in that same chapter, he'll ask them a question to distract them. Conversation. Like how they do it.

While I won't post a screenshot of everytime this happens in written format (not including the dreams/memories/flashbacks that haven't been posted yet)-

The One Who Waits is pushed outside of his bubble when it comes to socializing in a way that isn't just 'God-to-Lowly-Vessal' format. He has to talk to them like a person, because he's being talked to like a person, not a god on a pedestal.

Obviously after the final battle and betrayal (to both of them, otherwise known as the Grand Miscommunication) this means nothing for a while as tempers are still high and feelings are hurt. But overtime, this returns, and can show in small ways (ways that may not seem like comfort but is certainly an attempt) like just in Chapter 18:

Trying to bring them an 'offering' (breakfast) mirroring other times the Lamb has done the same for him:

Crudely offering to replace something they are upset at losing/later offering reassurance abet in a curt way:

And what you mentioned: earlier when the Lamb is throwing up, narration shows they're having trouble with keeping their wool, cloak, bell, ect all back at the same time. He can see that. He has a mental boiling pot explosion over the fact that helping them is even a want that he has after the denial crisis he's experiencing where the only answer a minute ago seemed like he needed to kill them, and he chose comfort.

It is intentional. Narinder is learning how to show care, and allowing himself to show care. Slowly, and not perfect, but learning.

[seraphinitegames]

Well, good day to you, romantic writer! It's been a couple years I've been following a certain Detective's journey and I love the journey so far and the world you built. My question for you is; how would our four favorite vampires would react if the Detective were to hug them from behind while they are each doing their favorite activity? It can be inside or outside romance, as best friend for example, in order to offer some support on a bad day.

Oh, I like a hug question, hehe! :D

Hmmm...I think we'll go for the BBF routes, here. Just to change it up!

Adam/Ava would simply enjoy it and not say anything. A does get comfort from physical touch, so they would appreciate that contact with someone they care about, especially for the gesture being shown to them when they didn't need to ask for it.

Nate/Nat would instantly feel better and thank the MC for knowing that they needed the comfort.

Felix/Farah would turn around and hug the MC back. Got to get that full hug time!

Mason/Morgan...it does make me chuckle to imagine this! At this point, being this close as BFFs, M wouldn't be against the contact but would be like 'What is this? What are you doing? If you wanted to comfort me, you could have brought me some more cigarettes.' But still resign themselves to the gesture willingly :D

Thank you so much for the fun ask! :)