#evolution of ethnic wear

[shreeisspecial]

We have always had a particular place in our hearts for ethnic clothing. It's more than just clothing; it's a reflection of our cultural heritage, identity, and values. From traditional attire steeped in history to contemporary styles that blend tradition with modernity, ethnic wear has undergone a fascinating evolution. This journey from the past to the present showcases how ethnic wear has adapted to changing times while preserving its essence.

[icedsodapop]

One of my biggest frustrations is how (mostly) white pple often wilfully misunderstand the concept of cultural appropriation becos they want to wear the "pretty (ethnic) dress".

Like, take the cheongsam/qipao for instance. To the average lay White person, it's a "pretty dress", a costume to wear for a party. But the dress itself comes with centuries of history, marking the evolution of fashion for Chinese women and how it's shaped by war, colonialism, globalisation and political revolution.

And White women can wear the cheongsam/qipao without having to worry about the cultural, socio-historical baggage that comes with it. On the white body, which is seen as the default, these White women get to be seen as beautiful without having to worry about being dehumanized as a result of racial fetishization and sinophobia.

As Jenny Zhang writes in RACKED:

What I wanted to say was how it felt to grow up in a country that indicated to me everything from the country I was born in looked good on anyone but me. This trap made me think the classmate in the hallway making fun of my Chinese last name while sporting a Chinese character tattoo above her ass, was the person I had to defeat, when, in reality, we belonged to the same world — a world that said that Chinese culture looked best as an accessory on a white person. In this world, a qipao was a garish costume on me, but a polyester cheongsam mini-dress on a white girl was adorable.

[hyrule-in-a-pokeball]

THE MODERN DESCENDANTS OF THE ZONAI

In my last post I explained how the game tells us that the Zonai came to Hyrule from somewhere else, and eventually disappeared, leaving just two Zonai behind.

There are only two possible explanations for why they disappeared.

1: They went back to where they came from. Pretty simple. 2: They died out. This is the possibility we'll be looking at.

There are two forms of extinction. Extinction as you probably know it, in which the species just dies out, and "Pseudoextinction" in which the species dies out, but in doing so has given rise to an entirely new species, either through evolution or mass breeding with a compatible species.

We know that Hylians and Zonai were sexually compatible, as Rauru; a Zonai, married Sonia; a Hylian, and started what would become the Hyrule royal family. Though never seen in game, they have surely reproduced by the time Zelda is sent back in time, as she is their descendant, both of their unique magical abilities, light and time, residing within her.

Another potential example of Zonai/non-zonai breeding is the nameless ancient hero, who appears to be Zonai, but his unique Zonai features are somewhat diminished, even lacking the Zonai's third eye entiely.

Oh yeah, Zonais have 3 eyes. Forgot to mention that. Its actually pretty important. The Zonai certainly think it is. The Zonai 3rd eye is very prominent in their artwork and fashion, and in armor and clothing made by Zonai to be worn by non-zonai, importance is given to this region of the head

In fact, when Ganondorf obtains a sage's stone, he places it on his forehead, possibly to mark himself as an equal to the Zonai, a people who the land dwellers once saw as gods. But getting back to the subject at hand here... What if the Hyrulean royals and the nameless ancient hero aren't the only examples of Zonai/Hylian interbreeding?

Here we see Rauru, a pure-blooded Zonai male His hair is naturally white, and he has a 3rd eye in the middle of his forehead. The eye is adorned with gold around the edges of the eyelid. When opened, and couple with the marking on the ridge of his nose, the 3rd eye takes on a very familiar appearance

Do you see it?

Here let me just...

Do you see it now?

I don't believe that the Zonai returned to their own world. I don't believe that all but two of them got sick and kicked all their buckets. I believe that the Zonai interbred with local Hylians to the point that the Zonai themselves, who likely already had a smaller population than the Hylians, vanished, and after further generations of breeding with more pure-blood Hylians, a new type of Hylian almost completely lacking Zonai features rose up in their place, co-existing with regular Hylians. I believe that group to be none other than...

The Sheikah. The importance placed on their bizarre eye symbol. The way their leaders wear that symbol in the center of their foreheads, representing a 3rd eye, which we now know is a literal trait of Zonai. Their penchant for advanced technology. The naturally white hair from birth, and the unusually long life spans despite being classified as Hylians*. I believe strongly that the Sheikah are the closest living descendants of the Zonai. This could also explain why the Sheikah are so dedicated to the Hyrulean royal family, because at its deepest roots, the royal family is as much Zonai as it is Hylian.

*In character logs, Sheikah are listed as "Hylian (Sheikah)" indicating that they're an ethnic group and not a separate race.

[autisticexpression2]

Understanding human prehistory is extremely important, and it should be taught in schools. I genuinely think a lot of persistent and irritating issues would be somewhat mitigated if prehistory was more commonly understood.

The issue of race really gets put into perspective when you understand what a genetic bottleneck modern humans are. That we are not only all one species but all one subspecies. That we all ultimately descend from dark-skinned Africans, with light skin evolving relatively late. Similarly, the idea that any one ethnicity is more or less intelligent falls apart when you learn that full human intelligence evolved before modern humans.

Evolution would also become less touchy if more people actually understood that we are the last in a long line of human species rather than directly descended from apes.

There would be less trendy diet bullshit if we all had a basic understanding of how our prehistoric ancestors ate. No "humans are herbivores" if you know that even the earliest humans were eating meat. No raw meat bullshit if you know that humans have been cooking since Homo erectus and that we as a species evolved to eat cooked meat. There's even a theory that more easily digestible cooked meat freed up energy that allowed our brains to get as big as they are!

You're less likely to waste your time looking for shit like Atlantis, Mu, or Lemuria if you know about actual sunken landmasses like Doggerland, Sahul, and Sundaland.

Also, the unga bunga caveman stereotype is bullshit and ultimately rooted in racism. Prehistoric people did not live in caves, and they didn't only wear crude furs. They lived in houses like anyone else, and some wore very elaborate clothing, as in this reconstruction of the Gravettian culture by Libor Balák:

We can distinguish distinct cultures going back to the early paleolithic based on what art, jewelery, or tools they have left behind.

Not to mention, there are many cultures that have retained a paleolithic way of life into modern times, like the Sentinalese:

Note that not one person in this photo is dragging a club or a woman by her hair.

It's just a really fascinating and important subject, and more people deserve to know more about it.

[meeks-just-wants-to-scroll]

Catman Worldbuilding Brainstorming

I’m bored and wish to brainstorm more ideas about what a world where catmen existed alongside Homo Sapiens would look like.

Western Society known now vs a western society that was conceived alongside catmen would differ for sure.

This is an open pool of my ideas and then anyone who wishes to add on can.

If western society didn’t changed (aka: modern western society)

- I am 100% sure it would just be crazy ass speciesism. People would use the same tactics used by racists but apply it to catmen and because they *are* different species, the see that as proof of their racists explanations being true.

- 🥲all the racist Christian’s who would say shit about man being made in god’s image and “god wasn’t a cat so you are frowned upon in his eyes” or some shit.

- Not to mention how Catmen (female or male) will look like a mlm relationship to humans.- also shit about catmen being born with fangs and claws and them being “uncivilized” for having animal characteristics. They would be seen as dangerous just because of how they’re born.

- efforts to hide tails, claws, paws, ears, or other feline features would likely be done; like wearing concealing clothes or trimming fur and whiskers.

- ^ adding to this: in the efforts to conform with western binary gender, catmen may ham up nonexistent differences between their sexes. Depends on if the catmen are in a group that values the gender binary forced upon them, of if they’re in a group that intentionally disregards binary gender.

That’s a lotta really depressing shit. But let us consider what if the jointed evolution of the two resulted in a more accepting society…

Alternate Universe Western Society:

- Catmen exist /migrated anywhere humans settled and traded so there would be differences across the world, hence why I focus on western society. My history knowledge isn’t incredibly detailed, hence why this is not going into a lot of specifics

- the main visual distinguishes between Catmen and humans is the cat features and the lack of sexual dimorphism.

- A society with these normalized would result in a wider acceptance of genders, sex, and visual looks (I would hope. Historically, just because two cultures differ doesn’t mean they’ll come shake hands and become buddies).

- btw, Catmen was a term given to them by humans. I don’t have a name at the moment for what they would have referred to themselves. Considering they live around the world, I am sure they too would take up a nationality-centric identity as opposed to labels that identify them as a member in the collective species. A little like how humans don’t say “ah, well I am a human!” to other humans. They say “I am *insert nationality, ethnicity, group or etc.*”

- catmen gender in their society likely differed from being binary. They lack sexual dimorphism and had no reason to draw lines between the sexes (that is unless they wanted to make a mountain out of a mole hill in relations to which sex carried the baby). Because of his, I bet gender fluidity, genders that would be outside of the western gender binary, would be common place.

- the diversity in appearances would surely create tension between human and Catmen even in this AU west society. Look at our own society, being distinct lead to stronger in vs out grouping which snowballs.

- but to inject some hopecore into this, let’s say Catmen and human interaction led to a better understanding of accommodating people’s bodies and wishes.

- ex: kids are taught to not touch catmen ears or tails without asking. It is also frowned upon to ask a catmen stranger “can I touch your fur?”

- Another ex: there are clothes and hats made to accommodate ears, tails, and claws. Toddler clothes are durable so the kids don’t tear the fabric as they get used to their claws and retracting them.

- being gay is hopeless less frowned upon. 🥲 catmen can present themselves very androgynous so at the very least, relationships and bonds between those who don’t resemble human male and female pairings would be normalized through exposure.

Misc additions and world building:

- to tie this AU back into RDR2 (if you aren’t aware, this is world building for a rdr2 AU), catnip/catmint could be a deadeye thing. It can be interpreted as calming the hand of twitches or energizing the cat and making them quicker at firing. So… maybe humans try catnip (to no effect).

- catmen across the world would of course differ, but in the west, catmen social groups are mostly familial with a loose collection of loners that join. There is no strongly defined hierarchy, it’s a group come together to help with hunting and survival. The offspring of a family often leave to join or create new colonies.

- ^ this idea can explain why being a loner / joining a group you’re not biologically related to is more normal. Society is so stringent on in and out groups, but perhaps catmen values can make the barriers for entry or exit from a group less barbed.

I’m running out of ideas and have a headache but yeah. Feel free to add on and have a conversation with me.

[mysticdragon3md3]

Maybe this was in the online digital Nimona artbook before it went offline, but I didn't pay attention to the costume design rules for all the people in the Kingdom, until this video "Visual Storytelling: The Production Design of 'Nimona'" by Gnomon (from which I screencapped all these pics).

It's interesting to consider how these clothing design rules symbolized Ballister's and Ambrosius's positions in society, but also might have reflected bits of their personalities.

"So we first approached it by a very anthropological approach, where we sat down and said, "if this world was to actually evolve in a closed setting, behind these walls, from the medieval, in this kind of fear-based world, how would society evolve from the medieval rules? And how would that work?" So we researched the medieval rules and found that there was the distinction between, you know, nobility and citizenry, and then non-citizens. And so that was a good place to start for us, to say of "How do we organize this massive pool and system of crowd characters? but in a---in a getable way, that also relates to our story and expresses this world that we're doing?""

The Institute:

Nobility:

"So we broke we broke it down into contemporary, um, a contemporary ideology, where our main---our nobility was much more based on, um you know, haute couture rules, where we were---they were simple. They were bold. They were evolution of the kind of royal colors and sumptuary laws that the medieval had, but in a modern, in a modern take."

Citizens:

"Same with the citizens, where we leaned more into broader scope, where we needed to have the ability to have business wear, and athleisure, and, um you know, the color palettes that would be associated. …The range of body types that you would need, and…the range of races and ethnicities."

The Magicals:

Interesting thing about The Magicals, is this note "NO blue or neutral grey (due to the Institute's persecution, magicals have refused to wear Institute colors)."

Ballister's regular clothes seem to be the same color palette as The Magicals. Given the order of these slides, The Magicals seem to be the lowest rank in the Kingdom's society. Previous concept art showed that the Nimona 2023 movie originally would have portrayed a secret society of people with magical powers like Nimona. I assume these costume design rules were for them, though they got cut from the final movie. It seems appropriate that though Ballister has no magical powers, he is dressed in the colors of the Kingdom's lowest societal rank. But as anyone who has drawn him has noticed, the pendant on his shirt is blue. The one color which The Magicals do not wear, because it is the color of The Institute. Ballister is a commoner trying to become a Knight of the Institute, so it makes sense for him. And though Ballister's clothes could maybe be considered shades of gray (as per The Institute), they have the same dark values of The Magicals and are actually more of the "earthy" tones, noted in The Magicals' palettes. Ballister does not wear the light, almost silver, grays of The Institute. But he does wear a blue pendant. And though his pants have a thin golden stripe running down the sides, which is another color emblematic of The Institute, on second look, it is less gold, and more of a light tan, another earthy color. Almost makes me think that after the end of the movie, maybe he should change his blue pendant to purple, since these design instructions for The Magicals also note "One subtle purple item on each magical as a symbol of resistance and solidarity". (It explains the shade of purple in Nimona's skirt.)

Interesting to look at Ambrosius's outfit, while considering these design instructions. Ambrosius does not wear the "bold" colors or high amount of patterns prescribed for Nobility. Instead, he wears white and a dark shade of blue, with mostly solid, non-patterned clothes, as prescribed for The Institute. He is their symbol, through and through. Except for one point: his hoodie's secondary color of tan. Not only is tan an earthy tone, like The Magicals, the lowest societal rank in the Kingdom, but is takes up a noticeable amount of space in his outfit. It is almost like his one little piece of rebellion against his birth position and the expectations of society for him to represent The Institute and Nobility. It may be his one expression of who he is as a person, rather than the expectations placed onto him. It's kind of interesting that they let him get away with that. Maybe he had to fight for it. Maybe it makes him feel closer to Bal. Maybe he likes the distance it puts between him and the Institute. Maybe he didn't get brave enough to start wearing such colors until after he met Bal. (Now I'm getting into headcanon territory.)

Medievals:

This was explained as the costume design instructions for the flashback characters from 1,000 years ago.

[katerinaaqu]

Since that anon brings out the topic about Greek Gods looking like Greek. I would like to share about my culture, well my ancestors culture. Their religion used to be Hindu-Buddhism which means they worshipped both Gods from those religion. Mind you we are neither Indian or Chinese, but at no point in time do my ancestors changes those Gods to look like them. The statues were kept the same, the Hindu Gods hold their original features, wear their cultural attire and carry their symbolism same as the Buddhist Gods. My ancestors just worship them as they were. The temples also follows the structure from the regions respectively.

We no longer follows the same religion but we still tells their mythology and lore in our local traditions and I never felt estranged at all if these Gods don't look like me or my people at present because at one point in history, they were worshipped by my ancestors and they assimilate that religion into their culture.

So how can my ancestors can worship Gods that don't even look like them, even respect the culture they come from, but modern people who only read mythology couldn't?

Every culture treats their deities differently. It is not a matter of "who can" and "who cannot". With the same logic then how can Europe embrace Christianity but Middle East cannot? Simple because that is how cultures work and it is all part of the worshipping process. Every culture has their own essences and their own history of evolution in their culture.

Greeks for once like I said before valued their culture too much even when they literally incorporate things from other cultures in their mythology or pantheon. Like I answered to the other ask, even when they literally added Egyptian gods to their pantheon they still depicted them like themselves. Even their names were changed to fit their own linguistic preferences. Not all cultures evolve the same and not all cultures have the same target points or goals.

So people in modern times randomly changing their appearance has nothing to do with Greek culture at least as ancient Greeks perceived it. You describe a process that lasted for centuries. I oppose a modern trend that has no cultural background at all in antiquity or almost not at all and it is purely based on the essence of "we do it because is our imagination". Valid arguement but culturally speaking is not what the ancient greeks did. By n large the Greeks incorporated elements from other cultures in their own but transformed them to fit their image and their standards.

But you also mention the religion of iconographic change. Who said that Greeks did not change iconography to their gods? But even those changes were done in the spectrum of their own image.

And again what you describe is something that occured to your culture naturally and the people who worshipped them chose to follow that path which of course happens. The Greeks by n large kept their own iconography based on their own ethnicity.

I believe there is a misunderstanding on the matter, similarly as to people who like inaccurate retellings say to me "I can enjoy them both so why can't you?" the same goes with here. Just because one culture did it doesn't mean all did and each culture has their own standards and their own evolving process.

I hope that answers your question

PS: Also that anon had also mentioned swaps in general including people. Not just gods and goddesses.

[religion-is-a-mental-illness]

By: Joseph (Jake) Klein

Published: Nov 15, 2023

From top-to-bottom, society has conditioned us to think kindness is an unmitigated good. The golden rule to “do unto others as you would have others do unto you” is one of the most remembered lines of Jesus, but the lesson is near ubiquitous across both the world’s religions and secular moral philosophy. To be kind is one of the first lessons we teach our children. Our greatest works of fiction have focused on the heroism of kindness. Even our advertising frequently uses the morality of kindness to ingratiate us to brands.

But far from an unmitigated good, kindness has a dark side. The once virtuous cell of kindness has metastasized into a cancer. The evolution of kindness, manifested in the unparalleled cooperative ability of mankind, enabled the development of civilization.

In contemporary times, however, pathological kindness has become one of the greatest threats to bring about its destruction.

In the beginning, kindness was not a luxury, but a need. To escape the poverty and starvation inherent to the state of nature, humanity had no choice but to learn to be kind to each other in order to successfully cooperate and produce what they needed to survive. As the great economist Ludwig von Mises explained, “[w]e may call consciousness of kind, sense of community, or sense of belonging together the acknowledgment of the fact that all other human beings are potential collaborators in the struggle for survival because they are capable of recognizing the mutual benefits of cooperation, while the animals lack this faculty.”

“However,” Mises continues, kindness was not developed as a virtue purely in the abstract. “we must not forget that the primary facts that bring about such consciousness or such a sense are the two mentioned above. In a hypothetical world in which the division of labor would not increase productivity, there would not be any society. There would not be any sentiments of benevolence and good will.”

Kindness became a virtue precisely because it’s productive. But, in a world of abundance, kindness instead now often eats away at the resources of society. In a prosperous, advanced society where individuals have moved up Maslow’s Hierarchy of Needs, expressions of kindness towards those who cannot or will not help themselves has been able to develop as a dominant virtue.

Kindness towards those who cannot help themselves is indeed a virtue; anyone of us could fall into this situation through no fault of our own. But kindness towards those who will not help themselves, who seek to leech off of us rather than contribute to society’s progress, is where virtue slips into vice. Most dangerously, those who are successful at taking advantage of society’s kindness rarely admit they will not help themselves, but wear the mask of those who cannot.

When a scammer takes advantage of your kindness to profit at your expense, we all know they’re the bad guy. But when someone claims victimhood and takes advantage of you by passing laws and regulations, we’re supposed to call that the justice of democracy.

This is the politics of Leftism, from the Jacobins through classical Marxism and now wearing its more fashionable woke regalia. A class group or cultural group (including race, ethnicity, gender, sexual orientation, etc.) flips morality on its head by claiming itself as oppressed—those who cannot help themselves—and appeals to the vice of kindness to gain legal advantages over other groups and redistribute resources towards itself.

To be clear, not everyone on the Left is a manipulative leech. Numerically most will be manipulated hosts. But their manipulators fit a personality type known as the dark tetrad: narcissism, psychopathy, machiavellianism, and sadism. Amongst other traits, dark tetrad types tend to present with a sense of entitlement and a victim mentality. Studies have demonstrated a strong link between the dark tetrad personality and politically correct authoritarian behavior, which includes a belief in censorship of words and ideas deemed offensive by the authoritarian, that those who utter these words and ideas should be punished for it, and a belief that alleged perpetrators of crimes against a victim group should be treated as guilty before proving their innocence.

Distinguished evolutionary biologist Richard Dawkins brilliantly explains in the video below how evolution leads to the existence of such dark tetrad behavior. A world full of kind people is evolutionarily unstable as it creates an incentive to take advantage of the productive ability of the kind masses. But if those who live by leeching off of others become dominant in society then it’s just as evolutionarily unstable, as society collapses from its inability to produce. A society mostly full of kind people, but with a few leeches, can last for the long run.

In an era where victimhood culture is becoming dominant, we are moving into unstable space. It wouldn’t be the first time such an unstable arrangement had the opportunity to destroy a civilization—just look at the Soviet Union. While dark tetrad personalities only constitute about 7% of the international population, in the contemporary West the leech’s activism appears to have led to a far larger percentage of their hosts accepting their destructive ideas. These hosts are overrepresented amongst the world’s upper classes given that being higher on Maslow’s Hierarchy provides more of an opportunity to extend pathological kindness. Rob Henderson has famously labeled this phenomenon “luxury beliefs.”

So what do we do about this problem? You read it already: it’s time to stop being kind to people. Not everyone, obviously, kindness is usually a virtue and should be extended to everyone who wishes to cooperate to build our shared society in peace and productivity, and should also extend to the many well-intentioned hosts of bad ideas who know not what they do.

But when it comes to the leeches, it’s time to cease acting as if it’s a moral virtue to extend endless kindness to those who seek to gain at your expense. Feeding their victimhood and entitlement is what provides an incentive for them to continue; like training an animal, when the rewards cease the behavior will follow.

As the French economist Frédéric Bastiat put it, “[w]hen, then, does plunder stop? It stops when it becomes more painful and more dangerous than labor.”

Yes, many already express hostility and disgust towards the woke and mock them online (and sometimes in person), but how many speak of it with clarity as a moral virtue to do so? To make the leech’s hosts stop feeding them, they must understand that their overextended kindness is a moral evil.

At least one woman understood this: Ayn Rand. Rand spoke of the “virtue of selfishness,” pioneering clickbait tactics with an intentionally provocative phrase designed to grab people and force them to think, but that when explained becomes more agreeable than at first glance. “Selfishness” to Rand did not mean gaining at another’s expense, as the leeches (or “parasites," in her words) do, but acting in one’s long-term rational self-interest. That includes being kind to those who work cooperatively with us to make the world a better place, which is most people most of the time. But to be virtuously selfish, in Rand’s view, one must oppose altruism: self-sacrifice for another’s gain.

Unkindness towards those who deserve it needn’t and shouldn’t be a permanent attitude. Those willing to stop using victimhood as a weapon should be met with forgiveness. Perhaps they should even be treated with disproportionate kindness to encourage others to also give up their maladaptive beliefs. We want to reward people who stop their pathological behavior and join the cooperative harmony of human civilization. But until then, we must be brave. We must be willing to be seen as black sheep in order to fix society’s broken morality.

Don’t be kind to those who seek your destruction, and know and say loudly that you are right not to do it.

==

It's not a kindness to help people avoid living in reality. It's not kindness to lie in order to deprive grown adults of the opportunity to live in the real world.

We don't lie to the religious any more. We don't pretend to pray with them because they'd be offended otherwise. We don't say that their faith is reason enough to believe an obvious lie.

Stop letting people manipulate you into lying for their benefit.

[canichangemyblogname]

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Classification: There is a division of "us" v. "them," often carried out using stereotypes or excluding people perceived as different.

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Dehumanization: Those who are perceived as "different" are treated with no form of compassion or personal dignity. Dominant groups will refer to affected groups as "animals," "inhuman," or "vermin."

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Discrimination: The dominant group denies civil rights and even citizenship to identified groups.

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Polarization: Propaganda begins to incite messages of hate or fear about those perceived as "different."

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Symbolization: A visual manifestation of hatred, often forcing an "othered" group to wear or carry a marker to show they're "different."

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Organization: Genocide is always planned. The perpetrators are trained and armed, often by the state or state actors. They begin to build up armies and stock weapons.

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Preparation: Perpetrators plan the genocide. They will have organized, institutional plans to kill and will cloak it with euphemisms.

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Persecution: Victims are singled out because of their ethnicity or religion, and death lists are drawn up. People are sometimes segregated into ghettos, deported or starved, and property is often expropriated. Massacres begin.

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Extermination: The hate group murders its identified victims in a deliberate and systematic campaign of violence.

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[anarkissm]

FIRST MEETINGS MEME A meme for first meetings and introduction threads, aka a ‘What you will notice about my muse first’ cheat sheet. Repost, don’t reblog. Bold what applies. Fill in details. (Please do not remove the credit + blank meme link)

tagged by: @sayitan ty! xx tagging:  @alphateamsfinest​ @ubcs​ @disentomb​ (riddick) @strangercrime​​ (charlie) @variisis​ (shepard) @allkilled​ @frensie​ @mrgoatman​ @heartsapclypse​ (charlotte) @pumpkinstabs​ @whorrcr​ (shepard) + everyone!!

blank meme: x

GENERAL APPEARANCE

Sex: Masculine. Feminine. Non-Binary. Notes: the turian hierarchy and its societal evolution are not particularly obsessed with gender constrictions, due to the vast and complex sexual dimorphism and subspecies diversity among their race. many “male” turians are born exclusively with cloacas, just like their “female” counterparts. many others have a cloacal phallus (including nihlus). it is entirely dependent on the turian’s native region and environmental evolution. transpeople also exist in turian society, because turians have multiple genders that vary between a vast array of turian ethnicity and subcultures. nihlus is considered masculine by human standards, but this is a concept he does not personally consign to. unsurprisingly, he is not very well-versed in human epistemology and belief systems.

Race: turian (sapient avian/raptor species native to the planet palaven).

Complexion: mahogany brown (dark).

Height: 7′1″.

Body Type: Endomorph. Mesomorph. Ectomorph. Other / More Details: lean, but not particularly gangly.

Body Build: Small. Medium. Athletic. Muscular. Soft. Curvy. Voluptuous. Other / More Details: nihlus is part of a forest-dwelling subspecies of turians who left palaven to start an independent colony separated from the turian hierarchy in 300 BCE, migrating to a garden planet in the terminus systems. they developed darker plates and thicker, flexible bodies, adjusting to environmental stressors that contrasted palaven’s irradiated biomes. the sheer physicality of nihlus’ work as a soldier (without biotics) also contributed to his athletic build, relying on speed, strength and conditioned reflexes to overpower biotic or enhanced enemies.

Body Hair: None. Shaves/Waxes. Trims/Grooms. Untamed. Color: Notes:

Head Hair: None. Buzzed. Short. Medium. Long. Very Long. Asymmetrical Cut. Color: Style:

Eye color: a deep spring green. Details: green eyes are rare among turians, but clan victus has several green-eyed turians in their collective family.

Scars: surgical scarring located at the base of his skull, just underneath the fringes, after recovering from a bullet wound shot at point-black range. various scars scattered across his legs, arms, and carapace from missions nihlus was assigned to as a spectre. it is difficult for turians to develop scars unless the injury is severe; a turian’s dermis or “exoskeleton” is tougher than bone, layered with an inch of metallic minerals (similar properties to radiation-resistant chemicals such as tungsten, copper, lead, etc., which accounts for the average turian’s cool or earthy complexions) that can withstand harsh radiation and debris.

FASHION

Fashion Style: Vintage. Traditional. Casual. Artsy. Vibrant. Geeky/Nerdy. Tomboy. Sporty. Trendy. Preppy. Girly. Bohemian. Elegant. Formal. Grunge. Punk. Rocker. Gothic. Other: nihlus’s fashion sense is “armor” and “not armor”. smh

Color Palette: black, grey, red, green, and white tends to be his preferred colors. he rarely wears bright or flashy colors.

Typical Clothing: turian fashion is often practical and fitted. or sleek and flowing. nihlus wears stuff like this outfit here.

Piercings: none.

Tattoos: white facial tattoos which represents his mother’s clan, clan victus. the tattoos are customized to look distinct, separating himself from the traditional clan markings of the victus legacy (considered deeply disrespectful, but in nihlus’ defense they started it by actively rejecting him for being the progeny of a “bare-faced” or clanless turian mercenary).

Other Information: n/a.

EXPRESSION

General Facial Expression: turian facial expressions are primarily limited to their eyes, which are the most expressive parts of their face apart from their mandibles. turians communicate with their extendable mandibles and subtle head movements in the same way humans might make sweeping gestures with their arms, or small, fiddling gestures with their hands. nihlus has very expressive eyes. eyes that seem to smile or frown or bite, depending on what he’s looking at.

Default Body Language: alert, cautious, nihlus always expects trouble and always makes a point to remain calm under pressure. as a spectre, his body language depends on the company. nonthreatening to an ally or asset. and cold professionalism to his enemies. 

General Movements:  like many turians, nihlus is fast. at top speed, he can sprint at forty-five miles per hour. the turians’ ancestors were massive avian predators that were comparable to earth’s extinct terror birds. he moves fluidly, on strong and steady legs that evolved to pursue prey for days in dense, rugged wilderness.

NOTABLE FOR RP

Presence: surprisingly disarming, usually. dry. straightforward. but not unkind. nihlus does not engage in violence unless it is utilized as an appropriate response. 

Appearance: his training with the turian military, and then with the turian spectre saren arterius, emphasized the importance of appearances and staying organized.

Scent: a metallic, sweet scent. the sweetness is due to his dextro-based biology. the faint stench of ozone, spent heatsinks and rifle-cleaning solvents.   

Voice Description: the turian species have a unique language that evolved alongside their biological and behavioral evolution. their mouths have no lips, but they have complex vocal muscles and organs that allow turians to make various flanged sounds and reverberations. turians can mimic human speech to an extent, similar to corvids and parrots, but nihlus’ “human” voice is exclusively processed through his universal translator. 

Accent: yes / no More information: the AI-generated “human” voice provided by his translator has a slight european accent in its english. the voice itself extrapolates key vocals from nihlus’ real voice, including his unique tones and pitch, but the european accent does not actually exist.

Speech Mannerisms: nihlus’ speech can be curt, succinct, but relatively formal and courteous. his voice is expressive, so he tends to be careful with his words and exercises restraint.

Anything else to add? n/a.

[kateperkins23]

Artificial Jewellery: Your Ultimate Online Shopping Destination

In an era characterized by rapid digital transformation, the way we shop for jewelry has undergone a significant evolution. Gone are the days when you had to visit multiple stores, sift through countless options, and haggle over prices to find that perfect piece of jewelry. Today, the world of best artificial jewellery online has emerged as a game-changer, offering a vast array of stylish, affordable, and trendy options. Saheli Ethnic Indian Wear, a leading online shopping destination, has carved its niche as the ultimate hub for artificial jewelry. 

In this comprehensive guide, we'll delve deep into the world of artificial jewelry, explore the offerings at Saheli Ethnic Indian Wear, and understand why it has become the go-to platform for jewelry enthusiasts.

The Rise of Artificial Jewelry

A Brief History of Artificial Jewelry

Artificial jewelry, also known as imitation or fashion jewelry, has a long and fascinating history that dates back centuries. The concept of replicating precious jewelry with less expensive materials has been a part of human culture for generations. Historically, artificial jewelry was made from materials like glass, enamel, and base metals to mimic the appearance of gold, silver, and gemstones. Over time, advancements in craftsmanship and technology have elevated artificial jewelry to a whole new level.

Why Choose Artificial Jewelry?

The allure of artificial jewelry lies in its versatility and affordability. Here are some compelling reasons why people are increasingly opting for artificial jewelry:

1. Affordability

Precious metals and gemstones come with hefty price tags. Artificial jewelry, on the other hand, offers the same aesthetic appeal at a fraction of the cost, making it accessible to a wider audience.

2. Trendy Designs

Artificial jewelry designers continuously innovate, staying on top of fashion trends. This means you can easily find pieces that reflect the latest styles and designs without breaking the bank.

3. Variety

Artificial jewelry comes in a staggering variety of designs, colors, and styles. Whether you're looking for traditional Indian pieces or contemporary designs, you'll find something that suits your taste.

4. Everyday Wear

Artificial jewelry is perfect for everyday wear. You can enjoy accessorizing your outfits without worrying about the risk of losing expensive pieces.

Saheli Ethnic Indian Wear - Your One-Stop Shop for Artificial Jewelry

In the realm of artificial jewelry, Saheli Ethnic Indian Wear has emerged as a trusted and go-to online destination. Let's take a closer look at why this platform has gained such popularity.

A Wide Range of Choices

Traditional Elegance

Saheli Ethnic Indian Wear offers a stunning collection of traditional artificial jewelry that perfectly complements Indian attire. From intricately designed Kundan sets to beautiful Meenakari pieces, you'll find the ideal accessories to complete your ethnic look.

Contemporary Chic

If you're more inclined toward contemporary fashion, Saheli Ethnic Indian Wear has you covered. Explore their extensive range of modern and trendy artificial jewelry that effortlessly enhances your Western or fusion ensembles.

Quality and Craftsmanship

Impeccable Craftsmanship

One of the hallmarks of Saheli Ethnic Indian Wear is its commitment to craftsmanship. Each piece of artificial jewelry is meticulously crafted by skilled artisans, ensuring that you receive jewelry that not only looks stunning but also lasts for a long time.

Premium Materials

Saheli Ethnic Indian Wear uses high-quality materials to create their artificial jewelry. From premium alloys to carefully selected stones and beads, the attention to detail is evident in every piece.

Affordability and Value

Competitive Pricing

At Saheli Ethnic Indian Wear, affordability is a priority. You can enjoy the luxury of wearing beautiful jewelry without burning a hole in your pocket. Their competitive pricing ensures that you get exceptional value for your money.

Discounts and Offers

Keep an eye out for regular discounts and special offers on Saheli Ethnic Indian Wear. They frequently run promotions that allow you to snag your favorite jewelry pieces at even more attractive prices.

Convenience and Trustworthiness

User-Friendly Website

Saheli Ethnic Indian Wear's website is designed with the user in mind. It's easy to navigate, ensuring a seamless shopping experience from browsing to checkout.

Customer Reviews

The platform boasts an impressive collection of positive customer reviews and testimonials, showcasing the satisfaction of countless shoppers who have found their perfect jewelry pieces at Saheli Ethnic Indian Wear.

The Saheli Experience: From Selection to Delivery

Finding Your Perfect Jewelry

Browsing through the extensive collection of Saheli Ethnic Indian Wear is a delightful experience. The website offers multiple filters and search options, making it simple to find the jewelry piece that resonates with your style.

Hassle-Free Checkout

Once you've selected your desired items, the checkout process is straightforward and secure. Saheli Ethnic Indian Wear offers multiple payment options, including credit/debit cards and online wallets, for your convenience.

Prompt Delivery

Saheli Ethnic Indian Wear prides itself on timely delivery. Your chosen jewelry pieces will reach your doorstep in pristine condition, ready to adorn your outfits.

Caring for Your Artificial Jewelry

Maintenance Tips

To ensure the longevity of your artificial jewelry, it's essential to care for it properly. Here are some maintenance tips:

1. Store Properly

Keep your jewelry in a cool, dry place away from direct sunlight to prevent discoloration.

2. Avoid Contact with Water

Remove your jewelry before swimming or bathing to prevent tarnishing.

3. Clean Gently

Clean your artificial jewelry with a soft, damp cloth to remove dust and sweat. Avoid harsh chemicals or abrasive materials.

4. Rotate Usage

Rotate your jewelry pieces to prevent excessive wear on any single item.

The Saheli Promise: Beyond Jewelry

At Saheli Ethnic Indian Wear, the commitment to customer satisfaction extends beyond the exquisite jewelry collection. Here are some additional reasons why Saheli has become the ultimate online shopping destination:

Customization Options

Personalized Touch

For those who desire a unique touch to their jewelry, Saheli Ethnic Indian Wear offers customization options. You can work with their team to create bespoke pieces that align perfectly with your style and preferences. Whether it's a custom engraving or a specific design, Saheli is dedicated to bringing your vision to life.

Customer Support

Expert Assistance

Navigating the world of jewelry can be overwhelming, especially if you're a first-time buyer. Saheli's customer support team is readily available to answer your queries, offer styling advice, and guide you through the selection process. Their friendly and knowledgeable staff ensures that your shopping experience is seamless and enjoyable.

Ethical Practices

Responsible Sourcing

Saheli Ethnic Indian Wear is committed to responsible and ethical sourcing of materials. They take steps to ensure that the materials used in their jewelry are ethically obtained, aligning with global sustainability and ethical standards.

Saheli Blog: A Treasure Trove of Fashion Insights

Fashion Trends and Tips

Saheli Ethnic Indian Wear's website features a blog section that is a treasure trove of fashion insights. Here, you can explore articles on the latest fashion trends, styling tips, and guides on how to accessorize effectively. Whether you're a fashion novice or a seasoned style icon, the Saheli blog has something for everyone.

Customer Stories and Reviews

The blog also showcases real customer stories and reviews, providing you with a glimpse into the experiences of individuals who have found their perfect jewelry at Saheli. Reading about others' journeys can help you make informed decisions and build trust in the brand.

Community Engagement

Supporting Artisans

Saheli Ethnic Indian Wear actively engages with and supports local artisans and craftsmen. By choosing Saheli, you contribute to the livelihoods of these talented individuals, fostering a sense of community and empowerment.

Exclusive Offers and Loyalty Rewards

Saheli VIP Club

For frequent shoppers, Saheli Ethnic Indian Wear offers a VIP Club membership. As a member, you gain access to exclusive discounts, early product launches, and special promotions. It's their way of expressing gratitude to their loyal customers.

Global Reach

International Shipping

Saheli Ethnic Indian Wear caters to a global audience. No matter where you are in the world, you can enjoy the beauty of Indian jewelry through their efficient international shipping services. Saheli brings the essence of Indian culture to your doorstep.

A Saheli for Every Occasion

Bridal Jewelry

For brides-to-be, Saheli Ethnic Indian Wear offers an enchanting collection of bridal jewelry. From statement pieces for the wedding day to elegant sets for pre-wedding functions, Saheli ensures that you shine on your special day.

Festive Collections

Indian festivals are known for their vibrant celebrations, and what's a celebration without stunning jewelry? Explore Saheli's festive collections to find the perfect adornments for occasions like Diwali, Eid, Navratri, and more.

Stay Updated with Saheli

Social Media Presence

Saheli Ethnic Indian Wear maintains an active presence on various social media platforms. Follow them on Instagram, Facebook, and Pinterest to stay updated on their latest arrivals, promotions, and styling ideas. Their social media channels are a source of inspiration for fashion enthusiasts.

Conclusion: Elevate Your Style with Saheli Ethnic Indian Wear

In the world of the best artificial jewelry, Saheli Ethnic Indian Wear stands out as a reliable, stylish, and affordable online shopping destination. Whether you're looking for traditional Indian jewelry or contemporary chic pieces, Saheli has something for everyone. With a commitment to quality, craftsmanship, and customer satisfaction, Saheli Ethnic Indian Wear has earned its reputation as the ultimate online shopping destination for artificial jewelry enthusiasts.

Embrace the world of artificial jewelry, explore the exquisite collections at Saheli Ethnic Indian Wear, and elevate your style with stunning accessories that won't break the bank. Shop with confidence, knowing that you're choosing jewelry that combines affordability, quality, and fashion-forward designs.

Visit Saheli Ethnic Indian Wear today and experience the joy of accessorizing like never before!

[kryptonbabe]

This is the kind of stuff that keeps me up at night, I'm already super into speculative biological evolution, but I'm just waking up to speculative anthropology... And as I was thinking about the Vulcan-Romulan make up question I came to a few conclusions.

From a biological point of view I doubt that Romulans and Vulcans can be considered different species and are more likely different ethnic groups (as in "races") the same way humans are all the same species, but have several different ethnic groups with their own cultures. The Romulans diverged from the Vulcans for centuries due to ideological differences, not long enough time for their groups to evolve traits that would preclude them from successfully breeding, which would make them the same species according to our current biological species concept.

Knowing that the primitive Vulcans are ancestors of the Romulans and considering that their native planet Vulcan's "climate was generally harsh, with most of the surface consisting of large deserts or mountain ranges", we can think of how cultures from analogous Earth regions developed their cosmetics, the ancient Egypt comes to mind.

Their characteristic black eye makeup, or kohl, that protected the eyes form the desert sun of Egypt, highlighted their features and had a religious significance for association with the eye of Horus and other deities. Also some ingredients in their cosmetics were super toxic and had antibacterial properties because of it, for example, the lead compounds in kohl could offer some protection against certain eye diseases. Due to all of this, make up was used by both men and women.

The ancient Egyptians would use cosmetics as defense against the natural conditions of their harsh environment at first, but later such traditions would evolve to have social and religious status. We could speculate the same about primitive Vulcans, considering how harsh the natural conditions of their planet is.

This would safely lead us to assume that the cultural trait of make up was already established before the split between primitive Vulcans and Romulans. By being apart they evolved numerous other cultural traits that would make them unique, though the make up was still common to both people...

Now, we can only speculate (as if that's not already what I'm doing this whole post lol) about what led the make up habit to be abandoned by the Vulcan men, and that should be the focus of the question since, Romulans and Vulcan women simply kept the ancient tradition intact. What made the Vulcan men stop wearing their eye-shadows and what do they thought of the custom? Would they associate such a trait with their savage era before Surak's? If so, then why Spock proudly wears his make up considering his insecurities regarding his double ancestry? I still have questions, though I have some ideas, but I wrote too much already. Thanks for reading this!

I've noticed that typical Vulcan men do not appear to wear the iconic blue shimmery eyeshadow, while Vulcan women do and with glossy pink lipstick too.

Where as it seems that Romulan men do, in fact, wear eyeshadow. It seems to be an important enough part of their culture that when they put it on Jim too when Bones disguised him as a Romulan.

But you know who also wears eyeshadow (and pink lipstick)? Mister Spock!

Like look! Their makeups literally match. It's very interesting that both Romulan men and women wear makeup, but only Vulcan women seem wear makeup (well maybe the men do too we've just never seen any). And if Romulans and Vulcans have a common ancestor, does it mean that historical Vulcan men did wear makeup? Is Spock doing ancient Vulcan makeup to prove that he's like soooo totally Vulcan? What does it all mean, am I just tin foil hatting 🤔

[civilizednations]

How Progressive Lifestyle Trends Are Changing the Fashion Industry

There have been many changes in the fashion industry in these years due to progressive lifestyle fashion. There is a growing demand for clothing that would not only look good but would also resonate with values associated with sustainability, inclusivity, and social conscience. These progressive trends have been changing the way consumers see fashion and how brands even behave.

Emergence of Purpose-Driven Fashion

One of the greatest enablers of these changes is purpose-driven fashion. The new generation of consumers now seems to be attracted to brands that adopt ethical practices and strengthen social or environmental causes. They are expected to engage in waste reduction, sustainable sourcing, cheap labor practices, etc. Hence, it becomes a good practice for purpose-driven fashion brands to align themselves with the values of the audience they serve in order to build trust and loyalty.

Impact of Positive Mind Attitude Clothes

Positive mindset apparel clothing is the other arm of the Progressive Fashion movement. The weight of these brands is more on clothing, which bears up the inspiring messages as well as looking modish. Apparel with uplifting quotes or affirmations promotes mental wellness, helping customers embrace a positive outlook toward life. This trend encourages wearing attitudes that are supportive of personal growth, self-love, and mindfulness.

The Evolution of Inclusive and Sustainable Values in Fashion

Modern fashion has, therefore, focused on and encouraged integrity and inclusivity. Some centuries before, many domains of fashion are identified with exclusion along with body type, gender, and race. Today, there are collections featuring everything from diverse geographical, ethnic, and cultural backgrounds through size and shape. That is, clothes producers are showing a propensity towards being environment friendly just as they are pursuing social inclusiveness. More and more brands are promoting their own eco-materials, ethical production methods, and recycling programs.

Consumer Dynamics

Consumers are at the center of this whole transformation. A lot of the new ethical trend comes from conscious consumerism: people are now careful about which brand they build an affinity with and often want to pay closer attention to the origin of the clothing they buy or everyone who had anything to do with an item while almost always wanting to find out how that item affects the world, wanting information more than just a label. It is mostly through social media, where this kind of information is disseminated and popularized-fueled by celebrities and social advocates of green and inclusive brands.

The Emerging Scope of Fashion

In fact, it is believed that progressive lifestyle fashion will continue its ascent as more brands add social responsibility to their lists of operational ethos. Indeed, one might have thought that looking ahead, the future of fashion would witness some more leaps toward sustainable materials, ethical fabrications, and contributions to communities. As purpose-driven fashion gains momentum, it ultimately creates demands for greater accountability and transparency in the workplace environment. Thus, social change can make an impact via fashion.

Conclusion

The progressive wave of lifestyle environment fashion marks the end of an era and into a new, more transformative time for the fashion world. Such are the brands that practice and preach purpose-driven fashion as well as belief in good mindset apparel, keeping sustainability and inclusivity in focus, which has ushered us into this new, responsible era in fashion. Brands will find that their support from consumers becomes even richer over time. Fashion is no longer just for looking good. There is more.

To understand how progressive trends are shaping the fashion industry, visit Civilized Nations.

[labisa]

Jaipur Garment Manufacturers – Labisa

When you think of vibrant, high-quality, and culturally rich apparel, Jaipur inevitably comes to mind. Known as the Pink City of India, Jaipur is not just a hub for tourism but also a leading center for garment manufacturing. Among the top names in this industry is Labisa, a brand synonymous with premium quality, exquisite craftsmanship, and a deep-rooted commitment to customer satisfaction. Whether you’re a bulk buyer, distributor, wholesaler, or stockist, Labisa is the partner you need for sourcing impeccable garments that fuse tradition with modernity.

What Makes Jaipur a Hub for Garment Manufacturing?

Jaipur has long been celebrated for its rich textile heritage. With artisans skilled in techniques like block printing, tie-dye, and embroidery, the city has evolved into a thriving center for garment manufacturing.

A few reasons why Jaipur stands out in the garment industry include:

Skilled Workforce: The city boasts a pool of talented artisans who specialize in both traditional and modern textile techniques.

Rich Resources: Jaipur’s proximity to high-quality raw materials makes it a cost-effective location for garment production.

Global Appeal: Jaipur's unique blend of traditional and contemporary designs has made it a sought-after choice for international buyers.

If you’re searching for Jaipur garment manufacturers that excel in quality and design, Labisa is your go-to choice.

About Labisa

Labisa is a trusted name in the world of garment manufacturers. Founded with the mission to deliver top-notch apparel, Labisa has grown to become a leading player in the industry.

What Sets Labisa Apart?

Unwavering Quality: Every piece is meticulously crafted to meet international standards.

Cultural Integration: The designs perfectly blend traditional Jaipur artistry with modern fashion trends.

Customer-Centric Approach: Labisa works closely with B2B clients, offering customization options to meet specific requirements.

Explore how Labisa transforms raw fabrics into stunning garments by partnering with this renowned garment supplier in Jaipur.

The Evolution of Jaipur’s Garment Industry

The rise of Jaipur textile manufacturing can be attributed to the city’s seamless blend of heritage and innovation. Initially dominated by traditional designs, the industry has adapted to cater to contemporary global markets.

How Jaipur's Industry Thrives Today:

Adoption of Technology: Modern techniques are integrated to streamline production processes.

Sustainability: Increasing focus on eco-friendly dyes and fabrics.

Global Market Reach: Export of garments to countries like the USA, UK, and Australia.

Labisa actively contributes to this evolution, making it a standout name among large-scale textile manufacturers.

Labisa’s Product Range

Labisa’s extensive product line caters to diverse market needs. Whether you require ethnic wear, casual apparel, or fusion designs, Labisa offers unmatched variety and quality.

Popular Products Include:

Handcrafted kurtis and tunics.

Block-printed dresses.

Designer sarees and lehengas.

Western wear infused with Indian artistry.

With Labisa, you can rely on a dependable garment supplier in Jaipur to source garments in bulk that match your quality expectations.

Why Choose Labisa for Your B2B Needs?

For bulk buyers, distributors, and wholesalers, selecting the right manufacturing partner is critical. Labisa stands out for several reasons:

Consistency in Quality: Every product is rigorously checked for defects.

Scalable Production: With state-of-the-art facilities, Labisa can handle orders of all sizes.

Timely Delivery: Efficient supply chains ensure on-time shipments.

Competitive Pricing: Get premium garments at prices that fit your budget.

Contact Labisa today at Afzal: +91 98929 39564 or Labisa Sales: +91 81699 85975 to discuss your bulk order needs.

Collaboration Opportunities with Labisa

Labisa invites partnerships with B2B clients, including:

Wholesalers: Stock high-quality apparel that sells fast.

Distributors: Expand your portfolio with versatile garment collections.

Retail Chains: Customize clothing lines tailored to your audience.

Exporters: Source garments that meet international standards.

Through collaboration, Labisa ensures mutual growth and satisfaction, positioning itself as a reliable partner among Jaipur garment manufacturers.

Labisa’s Commitment to Sustainability

In a world increasingly conscious of environmental impact, Labisa is proud to implement eco-friendly manufacturing practices. From sourcing sustainable fabrics to using non-toxic dyes, the company upholds its responsibility towards the planet.

This commitment enhances Labisa’s reputation as one of the leading large-scale textile manufacturers.

Efficient Supply Chain Management

Labisa prioritizes efficiency in every aspect of its operations. The supply chain process includes:

Sourcing Premium Materials: Ensuring only the best raw materials are used.

Streamlined Production: Advanced machinery for quicker turnaround times.

Timely Shipping: Dedicated logistics ensure orders reach you without delays.

With Labisa, you can count on a seamless experience, whether you're sourcing garments for local or international markets.

Customer Testimonials

Here’s what satisfied clients have to say about Labisa:

“Labisa has been a game-changer for our retail business. The quality and designs are exceptional!” – Wholesale Client

“We’ve been working with Labisa for years, and they’ve never disappointed us. Highly recommended for bulk buyers.” – Distributor

Want to experience this for yourself? Reach out to Labisa at sales@labisa.in or labisa.fashion1991@gmail.com.

Future Trends in Jaipur’s Garment Industry

The future of Jaipur textile manufacturing looks bright. Trends such as digital printing, augmented reality fittings, and sustainable fashion are likely to redefine the industry. Companies like Labisa are at the forefront of these advancements, ensuring they stay ahead of the curve.

If you’re looking to grow your business with innovative garment solutions, choose Labisa – the trusted garment supplier in Jaipur.

Contact Labisa Today

Ready to partner with a reliable manufacturer? Contact Labisa now:

Afzal: +91 98929 39564

Labisa Sales: +91 81699 85975

Email: sales@labisa.in | labisa.fashion1991@gmail.com

Address: Sion West, Dharavi, Mumbai, Mumbai 400017

Don’t wait – take the first step towards growing your business with Labisa, one of the finest Jaipur garment manufacturers in the industry.

[kaivalya38]

Indian Designer Clothes in Bangalore

Bangalore, often recognized for its tech-savvy environment, is also a hub of vibrant fashion. Amidst this blend of tradition and modernity, Indian designer clothes in Bangalore have carved a special place for themselves. These outfits celebrate India’s rich cultural heritage while embracing contemporary styles that appeal to both local and global tastes. If you’re searching for exclusive, high-quality designer outfits that reflect the beauty of Indian craftsmanship, look no further than Indralokk.

In this blog, we’ll explore the unique charm of Indian designer clothes in Bangalore, with a special focus on traditional attire that remains timeless and cherished by fashion enthusiasts. Let’s take a deeper look at how Indralokk combines modern design sensibilities with India’s cultural richness to bring you the finest collection of designer wear.

The Evolution of Indian Designer Clothes in Bangalore

Fashion in Bangalore has always been dynamic, reflecting the city’s diverse population and cultural heritage. Over the years, Indian designer clothes in Bangalore have evolved to cater to a wide variety of tastes, from the lovers of classic ethnic wear to those who prefer a fusion of traditional and modern styles.

While Bangalore has adopted global fashion trends, the demand for traditional attire remains strong, especially during festivals, weddings, and cultural celebrations. Indian designers have skillfully adapted to the changing fashion landscape by incorporating elements of tradition into contemporary designs. Indralokk, in particular, showcases a perfect blend of these styles, making it one of the top destinations for purchasing Indian designer clothes in Bangalore.

Why Indralokk Stands Out in Bangalore’s Designer Fashion Scene

At Indralokk, the goal is to bring you closer to the heart of Indian craftsmanship. They offer a curated collection of Indian designer clothes in Bangalore, showcasing designs that are not only luxurious but also comfortable and elegant. Here’s why Indralokk stands out:

1. Exquisite Craftsmanship

The beauty of Indian designer clothes in Bangalore lies in their intricate craftsmanship. From the handwoven sarees of Banaras to the detailed embroidery seen in lehengas and kurtas, every piece at Indralokk tells a story of Indian artisanship. Their collection includes designs crafted using traditional weaving techniques, embroidery styles like zardozi and chikankari, and textiles such as silk, cotton, and brocade.

Whether you’re searching for a timeless saree or a modern twist on ethnic wear, the craftsmanship at Indralokk ensures that you are wearing a masterpiece, rooted in tradition yet perfect for contemporary wardrobes.

2. Fusion of Tradition and Modernity

One of the unique aspects of Indralokk is how they bring a modern touch to traditional attire. While their designs are firmly rooted in India’s rich cultural heritage, they also embrace modern cuts, patterns, and silhouettes to suit the tastes of today’s fashion-conscious customers. For instance, you may find a saree paired with a modern blouse, or a lehenga styled in a way that makes it versatile for both formal and casual occasions.

This ability to combine tradition with modern sensibilities is what makes Indralokk a leader in Indian designer clothes in Bangalore.

3. A Wide Range of Traditional Attire

Traditional attire has always been central to Indian celebrations. Whether it’s a wedding, a festival like Diwali, or a cultural event, the importance of wearing traditional Indian clothes cannot be understated. Indralokk offers an extensive collection of traditional attire, including sarees, lehengas, sherwanis, kurtas, and more, each piece celebrating the cultural richness of India.

Sarees: From Kanjivaram to chiffon, sarees are a symbol of grace and elegance. Indralokk brings you a range of sarees that are perfect for weddings, festivals, or even formal events, featuring beautiful craftsmanship and attention to detail.

Lehengas: With an emphasis on grandeur, their lehenga collection ranges from traditional bridal wear to lighter, chic designs for pre-wedding events.

Sherwanis and Kurtas: For men, Indralokk offers sherwanis and kurtas, both of which are traditional garments worn on special occasions. Each piece reflects the charm of Indian men’s fashion while maintaining a contemporary look.

4. Customization and Personalized Designs

For those seeking a more personalized touch, Indralokk offers customization services. Whether you want a specific fabric, design, or fit, their team of skilled designers works closely with clients to create custom traditional attire that reflects your style and personality.

This is especially popular for bridal wear, where every detail matters. From the color palette to the embroidery, each outfit is tailored to perfection, ensuring that you look your best on your special day.

The Timeless Appeal of Traditional Attire

There’s something about traditional attire that never goes out of style. Even as fashion trends evolve, traditional attire remains a symbol of Indian culture and values. At Indralokk, traditional attire is not just about wearing clothes — it’s about celebrating heritage, honoring craftsmanship, and embracing the beauty of Indian textiles.

Here are some timeless pieces of traditional attire you’ll find at Indralokk:

Banarasi Sarees: Known for their rich silk fabric and intricate gold and silver brocade, Banarasi sarees are a staple in Indian wardrobes. These sarees are perfect for weddings, offering an aura of opulence and grace.

Chanderi Suits: Lightweight yet luxurious, Chanderi suits are popular for festive occasions and formal gatherings. They are known for their sheer texture and rich embroidery.

Anarkali Suits: A timeless design inspired by the Mughal era, Anarkali suits offer a graceful silhouette and are perfect for formal events or festivals

Sherwanis: For men, sherwanis remain a favorite choice for weddings and cultural celebrations. Embellished with intricate designs and often paired with churidars or dhotis, sherwanis add an air of regal elegance to any occasion.

Shopping for Indian Designer Clothes in Bangalore with Indralokk

Indralokk is more than just a shopping destination — it’s an experience. When you step into their boutique, you are greeted with a world of luxury, craftsmanship, and timeless elegance. Whether you’re in search of a designer saree for a family function or looking for the perfect bridal lehenga, Indralokk offers a diverse range of Indian designer clothes in Bangalore that cater to all your fashion needs.

In addition to their physical store, Indralokk offers an online shopping platform, making it easy for customers to browse and purchase their favorite designer pieces from the comfort of their home.

Why Indralokk is Your Go-To Destination for Indian Designer Clothes in Bangalore

Choosing the perfect outfit for a special occasion is not just about picking a garment; it’s about finding a piece that resonates with your style and personality. At Indralokk, we understand the importance of this, and we strive to make every shopping experience memorable by offering the finest selection of Indian designer clothes in Bangalore.

Here’s what sets Indralokk apart from the rest:

1. Exclusive Designs

At Indralokk, our designs are crafted with attention to detail, ensuring that every piece is unique. Our in-house designers work closely with artisans from across India, combining traditional techniques with contemporary aesthetics. Whether you’re looking for an exquisite bridal lehenga or a simple yet elegant saree, our collection of Indian designer clothes in Bangalore promises exclusivity and quality.

2. Customization and Personalization

Every individual is unique, and so should be their attire. At Indralokk, we offer personalized services to ensure that each piece fits your style, preferences, and measurements. From choosing the perfect fabric to selecting the right embellishments, we work with you to create customized Indian designer clothes in Bangalore that reflect your personal taste and vision.

3. High-Quality Craftsmanship

Quality is at the heart of what we do. Our team of skilled artisans meticulously handcraft each piece, ensuring that the final product is flawless. Whether it’s intricate embroidery, handwoven fabrics, or fine detailing, Indralokk guarantees superior craftsmanship in every outfit.

4. Sustainability

As part of our commitment to sustainable fashion, we source eco-friendly materials and support local artisans. By choosing Indralokk, you’re not just buying an outfit; you’re supporting ethical fashion practices that help preserve India’s rich textile heritage.

5. Versatile Collections

From traditional attire for weddings to modern fusion wear for casual events, Indralokk offers a wide range of Indian designer clothes in Bangalore. Our collection is designed to cater to all age groups, ensuring that there’s something for everyone. Whether you’re looking for a statement piece for a special event or everyday ethnic wear, we have you covered.

Conclusion: Indralokk — The Ultimate Destination for Indian Designer Clothes in Bangalore

Bangalore is a city where tradition attire meets modernity, and this is beautifully reflected in the world of fashion. Indralokk stands at the forefront of this movement, offering some of the finest Indian designer clothes in Bangalore. From intricate sarees to grand lehengas, their collection showcases the best of Indian craftsmanship, with a focus on quality, elegance, and timeless appeal.

If you’re looking for traditional attire that blends the beauty of Indian tradition with modern designs, Indralokk is the place to be. Whether for a wedding, a festival, or any special occasion, you’ll find the perfect outfit that resonates with your style and personality at Indralokk. Explore their collection today and bring home a piece of Indian heritage that you’ll cherish forever.

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https://party.biz/blogs/263722/377876/top-10-modern-kurta-designs-for-the-contemporary-woman

The kurta, a timeless and versatile garment deeply rooted in Indian culture, has undergone a remarkable transformation in recent years. From a traditional ethnic wear staple to a contemporary fashion statement, the kurta has evolved to cater to the discerning tastes of modern women. Leading Indian ethnic wear brands have embraced this evolution, offering a diverse array of modern kurta designs that seamlessly blend traditional craftsmanship with cutting-edge styles.