Ok. I need to talk about S5E23: The Mangiacavallo Curse Makes a Lousy Wedding Present because it's a) a damn good episode and b) so filled with Blanche/Dorothy (and a good pinch of Golden Wives too) I can feel my gay power level increase minute by minute every time I watch it. Under a cut because I (unsurprisingly) got verbose about it.
First of all: the whole thing with Blanche 'lending' one of her men to Dorothy for the wedding. The concept alone is just -- I've said before, several times, that the Girls treat their men as accessories, and this episode just spells it out.
Dorothy doesn't really want a date per se, she's mostly upset because of social expectations:
"I still don't have a date for Jenny's wedding. My own goddaughter, and I'm gonna show up alone."
She's worried because weddings are events where you typically bring a +1 along, especially if you're closely related (either as family or via friendship) to one of the spouses. She's worried about the social norm! This is a bit of a general thing in the series, especially for Dorothy, I think; there are several instances when she's upset at not having a date for a specific event, rather than not dating in general. Plus, she gets over it fairly quickly! Before Blanche agrees to lend her the judge, she tells Sophia that she's just going to go alone!
Speaking of Blanche, look at how she describes her men! Here's some quotes:
"You can borrow one of my extras. What kind of guy would you like?"
"Oh, Dorothy, come on. Borrow one of my men. One of my many, many, many, many, many, many men!"
"Oh, Dorothy, not Doug! I couldn't possibly. He's on my A-list."
"Oh, Dorothy, let me get you somebody hot off my A-list. Somebody tall, good-looking, goes with everything!"
"Don't you forget, you be careful. This man is on loan from the Blanche Devereaux collection."
I mean -- she might as well be talking about a purse or a pair of shoes! (As a side note: yes, all those lines begin with 'Oh, Dorothy'. I checked.)
Dorothy fully embraces this point of view, too:
"You always do this, Blanche. You always keep all the good guys for yourself and you give us the leftovers."
She complains about Blanche's lack of generosity -- and this might just be my personal opinion, but generosity is usually connected to material things. Once again: she might as well be getting upset because Blanche refuses to let her borrow a purse.
Rose is the only one who's somewhat concerned at not having Miles as a +1, but it seems to me that's essentially because of the 'getting hot at weddings' thing. When she introduces the problem, we get this dialogue between her and Dorothy:
"Miles can't take me to the wedding. He's going to be out of town at a teaching seminar. Now I can't go."
"That shouldn't keep you from going."
"Oh, I have my reasons."
And then she says:
"So now you see why I can't go if Miles is gonna be out of town. I might end up almost going to bed with the caterer again."
It seems to me she's not that upset because of Miles's absence; she would have gone anyway without a care in the world if the event wasn't a wedding. She doesn't necessarily treat Miles like an accessory, but she's not particularly saddened by his absence, either -- just worried about the effect weddings have on her.
And then, with all this established: the toilet scene. When the scene returns on Dorothy keeping Blanche trapped in the toilet, there's already a couple of guests looking at them and whispering among themselves (which isn't strange at all: they're making A Scene™ right there in the ladies' room!). The whole fight has such an incredible Married Couple Quarrel energy:
"Dorothy, let me out of here right now!"
"There's only one way out, Blanche, and I don't think you can hold your breath long enough."
"You're just making a mountain out of a molehill."
"Five years of molehills. They add up."
"I didn't know Doug meant this much to you."
"I'm not talking about Doug, this is about you."
Talking to the small group of guests that gathered at the scene, she then adds:
"She asked me for another chance, I gave it to her. I trusted her. Biggest mistake I ever made."
Tell me those lines aren't the most married thing you've ever heard. I'm almost tempted to make a poll and ask people what they think about this quote; I'm sure at least a good 85% would assume this is being said by someone to their lover (or ex-lover, at least!).
Then the bride (because let's remember, this is all happening at a wedding) appears and likens the situation between Dorothy and Blanche to what's happening between her and the groom -- so we have a clear line drawn between Blanche/Dorothy and a committed romantic relationship. She calls Dorothy 'Aunt Dorothy', as is expected since Dorothy is her godmother, but she also calls Blanche 'Aunt Blanche', because... I don't know, there's no heterosexual explanation for it. Note that this girl invited Dorothy and Sophia to her wedding (no wonder: her godmother and her godmother's mother; they must be close) but she also invited Blanche and Rose, whom she technically has no relation to -- we have to assume they were invited because of their relation to Dorothy (she's possibly close to them too, considering she calls Blanche her 'aunt', but that's still due to their relation to Dorothy, of course). I mean -- would you invite your godmother's roommates to your wedding, as a general rule?
And!! After all this, the whole talking/not talking thing! Dorothy tells Jen:
"Jen, honey, I think you should go and talk to Joey. The best thing to do in any relationship is talk."
She says this right after she found an excuse to speak to Blanche in private and trapped her into a toilet because she wanted to talk:
"Listen, Blanche, we have to talk."
"Not now, Dorothy."
"Suit yourself."
"Dorothy, will you let me out of here?"
"No way, Blanche."
Once they turn to helping Jen and Blanche finally escapes the toilet, Dorothy is understandably upset and refuses to talk to her, and this makes Blanche very upset in turn. I'll let the dialogue speak for me on this one because there's no way I can say it any better:
"Dorothy, I wish you'd talk to me."
"..."
"I really do, 'cause what I need is a good talking-to."
"..."
"I don't care what you say, just so long as you care enough to say it."
"You stink."
"God bless you, Dorothy."
Yeah. Married. Blanche is so relieved and reassured once Dorothy starts talking to her again that she follows the conversation for just a little while after that (just as long as they're talking about Rose) and then immediately zones out again, because she's back in her comfort zone. Dorothy's talking to her! Dorothy forgave her! Everything's fine -- back to your regularly scheduled Blanche Devereaux™ content. (Note that she also pointedly does not dance with Doug after he comes back, even though he's from her A-list. This episode should have ended with a Blanche/Dorothy dance, if only to spite Doug.)
Rose is mostly busy dealing with her own thing in this one, but you all know I love the Golden Wives, so let me point out a couple of things:
Blanche and Dorothy (especially Dorothy) really do take care of Rose at the wedding! ... well, at the beginning of the party, at least. But they do genuinely try to reassure her! It's sweet!
"Rose, honey, take it easy. Breathe deeply. It'll be all right."
"Don't worry, honey. Nothing to worry about. We're here to look out for you." [...]
"We're gonna have to keep an eye on her."
"Hmm."
We see her flirt with a couple of men during the party, but she only ends up going away with Doug and only while Dorothy and Blanche are having their little moment in the ladies' room, so it seems like they did keep her out of trouble after all! Until they got tangled up in their own thing, that is.
Right after they get out of the ladies' room (i.e., right after Dorothy tells Blanche 'I have nothing to say to you") Dorothy immediately notices that Rose isn't around, and talks to Blanche about it, despite the fact that she's supposedly not talking to her at all.
Blanche manages to keep her attention up as long as she and Dorothy worry about Rose, then gets immediately distracted by a man in the band. This exchange specifically is really touching to me:
"Oh, I hope she can forgive us."
"She will. That's what she does best."
Just -- the complete certainty... my heart...
Blanche is really aggressive to Doug when he comes back! She was using every trick in her book to get him to act as her date earlier on, but as soon as she gets the hint that he took advantage of Rose, she immediately enters Protective Wife Mode™.
This line by Dorothy:
"He must really be something."
"So is Rose."
This line? Said with the most affectionate smile in the world? Yeah. Yeah.
So anyway. I just spent like an hour and a half writing all this down, I love this episode, I adore these ladies and I am going to scream, thank you, goodbye.
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I see this held up as major proof of Dean's badness, but couldn't it also be proof of Cas having faith Dean can get past anything without Cas having to change his behavior? The way it's structured the onus is on DEAN to work through it, not others to change or make amends. ---- CASTIEL: You know, Dean, he – he feels things more acutely than any human I've ever known. So it's possible he could work through this. One day, he may explode and let it all out and breathe deeply and move on.
I see what you mean in a general sense, and it's extremely possible that Cas is thinking about his own past fights with Dean and Dean forgiving him, and from the perspective of the critique you have in mind that you're refuting, I agree. But of course deancrit casgirls will forever insist that Cas has never in his life done anything harmful to Dean either accidentally or on purpose, so any time Dean might dare try to hold him accountable for anything, he's actually just making shit up and being toxic and controlling, so here Cas is just apologizing for his own abusive relationship. You can only get their take by being deliberately obtuse/disingenuous.
That said, the context of that line (from 15.13 "Destinty's Child") is Cas answering soulless Jack's question about whether Dean will eventually forgive him for murdering Mary.
CASTIEL: Hey, Jack.
JACK: Cas, you know what's good about being dead?
CASTIEL: Uh, as I recall, very little.
JACK: Well, when you come back, you – you really get into all that life is. Hot, cold, sweet, spicy, funny, scary.
CASTIEL: And are you? "Into it"?
JACK: I want to be. But I don't... feel things the way I used to. Before I lost my...
CASTIEL: Your soul.
JACK: I used to feel things. In my bones. It was glorious, and sometimes unbearable. But I felt them. Now, I understand joy or sadness, but... I know those things aren't in me. I understand why Sam and Dean were angered by what happened to Mary...
CASTIEL: By what you did to Mary.
JACK: Yes. I see that I've caused them pain. And it's clear that things have changed. Especially with – with Dean. Will he ever forgive me?
CASTIEL: You know, Dean, he – he feels things more acutely than any human I've ever known. So it's possible he could work through this. One day, he may explode and let it all out and breathe deeply and move on.
JACK: How long will that take?
CASTIEL: I don't know.
And yeah—I have seen people refer to Cas's little speech here as "condoning child abuse" and other bullshit. Because how DARE Dean not forgive soulless Jack for murdering his mother (something soulless Jack is unable to actually really acknowledge he did). I mean clearly any time someone murders your mom because she made them mad and threatened their sense of security by asking if they're okay and saying their concerning actions can’t stay a secret… That’s just natural understandable stuff! You need to forgive the person who murdered her instantly and if you don’t idk you’re kinda overreacting don’t you think? :/ I mean your mom probably deserved it kind of anyway for reading the room so wrong and talking about getting a person help. And I mean if you don't forgive the person who killed your mom or do anything trying to stop them from hurting more people you're really a child abuser... toward an adult... who murdered your mother in cold blood and is unable to even understand why it was wrong in any sense other than an intellectual one like he read it from a book... preferring to refer to it as "What happened to Mary" instead of acknowledge it as something he himself did because he was mad and felt threatened—which is what he circled back to in "Jack In The Box" too. It's only when Jack gets his soul back that he's able to actually feel true empathy, acknowledge his real actions and the gravity of them, and give an actual sincere apology. Because his soul is actually important—something this fandom refuses, by and large, to notice.
Anyway, this fandom's take on Mary's murder and soulless Jack vs. regular Jack is overwhelmingly a bag of wet third grader vomit and feces so what can one expect?
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Before starting T, when I socially transitionned, I was surrounded by radical feminists who saw masculinity as gross and inherently evil, something to avoid, something to make fun of, something to destroy. The other transmascs in my friend group, sometimes, told me that they didn’t knew if they really were non-binary or if they just were scared shitless of saying “I am a man”. Because they saw this as a betrayal to their younger self who had been SAd and abused.
I saw many of my masc friends and trans men around me hate themselves, not outing themselves as men because it would imply so so much, it was like opening the Pandora Box. Even when we were just together, talking about our masculinity was always coated with bits like “I know we’re the privileged ones but…”, “I don’t want to sound like I have it bad but…”, “Women obviously have it worse, but last time…” and we were talking about terrible traumas we experienced while taking all the precautions in the world in the case the walls were a crowd of people in disguise waiting to get us if we didn’t downplay the violence we faced, or like crying and being upset and being traumatized and afraid and scared and to say it out loud would make us throw up the needles we were forced to swallow every second of every day living in our skin.
Most of us weren’t on T yet, some of us were catcalled every day and harassed in the streets or in abusive relationships nobody seemed to care to help them get out of because they were “strong enough” to do it by themselves.
I was using the gender swap face app and cried for ours when I saw my father looking back at me through the screen. The idea of transforming, of shedding into a body that would deprive me of love, tenderness, and safety, was absolutely terrifying. I knew I couldn’t stay in this body any longer because it wasn’t mine, but I also knew that if I was going to look like my dad, my brother, my abusers, it would be so much worse.
5 years later and I’m almost 2 years on T, and almost 2 months post top surgery.
I ditched my previous group of friends. I was bullied out of my local trans community. But let me tell you how free I am.
I was scared that T would break my singing voice: it made it sound more alive than ever.
I was scared that T would make me less attractive: it made me find myself hot for the first time in my life.
I was scared that T would make me gain weight: it did. But the weight I put on is not the weight I used to put on by binging and eating my body until I forgot that it even existed. It’s the weight of my body belonging to me, little by little. The wolf hunger for life.
I won’t tell you the same story I see everywhere, the one that goes “I started going to the gym 8 times a week, I put on some muscles, I started a diet and now I look like an action film actor”, in fact if you took pictures of me from 5 years ago vs now I’d just have more acne, I’d have longer hair and still look like I don’t know what to do with myself when I take selfies.
But the sparkle in my eyes, my smile, tell the whole story way better than this long ass stream of words could ever.
I want to say some things that I wish someone told me before starting medically transitionning.
It’s okay to take your time. It’s your body, it’s your journey, if you don’t feel comfortable taking full doses and want to go slow, the only voice you need to listen to is your own. Do what feels right.
If you feel overwhelmed, it’s okay to take a break, it’s okay to ask for support.
Trans people are holy. Everyone is. You didn’t lose your angel wings when you came out because you want to be masculine. You are not excluded from the joy of existence, from being proud of yourself, from being sad, from being scared, from being angry. The emotions and feelings you allowed yourself to feel while processing what you experienced when you grew up as a girl and was seen as a woman are still as valid as before. Nobody can take that from you. If someone tries to, don’t let them.
It’s perfectly normal to grieve some things you were and had before you started to transition, like your high soprano voice or even your chest. Hatching is painful. You can find comfort in things that don’t feel right, so making the decision to change can be incredibly scary and weird and you deserve to be heard and supported through this. Wanting top surgery doesn’t make the surgery less intense, less terrifying, less painful to recover from. When it becomes too much you have the right to take a break and take some deep breaths before going on.
You don’t have to have a radical, 180° change for your transition to be acceptable or valid or worthy of praise. Look at how far you’ve come already. It doesn’t have to show, you’re not made to be a spectacle, you’re human and it is your journey.
Oh, and last thing, you know when some people say “Oh this trans person has to grow out of the cringy phase where you think that you can write essays about being trans or transitionning or just their experience because it’s weird” ? If you ever hear this or see this online, remember all the people whose writing you read and, even if they were not professional writers, helped you more than any theorists did ? If you want to write, do it. It won’t be a waste. It can help people. Or it won’t, and even then, if it helped you, that’s enough.
Love every of my trans siblings, take care of yourselves. You deserve the world.
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