#everything has to be on the same layer for it to work so. the drawing is On the background

[littlehatmouse]

everyone look at my vampire boyfriend

[h0neylevi]

post-war, canonverse, semi-public sex, fingering, fem!reader, some light degradation, dry humping, MDNI

w/c: ~ 1630

Everything has been so new lately.

Moving to Marley after the war had been an easy decision, but that didn’t mean the physical act of settling into a new place wasn’t without its hurdles. Mostly, it was about adjusting—getting used to the advances in technology that wasn’t present on Paradis. Telephones, cars, radios, even electric stoves were commonplace things that Levi still marveled at.

And then, there was also you.

More specifically, the way you’d both found yourselves quite suddenly thrust into a life after war, a life without titans and the looming threat of death hanging over your heads like a dense fog. 

As former comrades, it only made sense once the smoke cleared to navigate this new world together. And Levi was more than happy to experience all manner of firsts at your side.

It’s through this different layer of companionship that Levi learns so many new things about you. How you like your eggs in the morning, how tired you get after having too much pasta, the way the hair at the back of your head always sticks up the next day if you go to sleep with it still wet. He learns how you organize your books on your shelves (by size) and how when you’re having a bad day and tell him to leave you alone, you don’t actually mean it.

He’s always known how to make you laugh, but after eight months of living together under the same roof, he learns how to make you moan. It’s a sound he’d like to bottle forever, the sight of your body arched beneath him a vision too precious to look away for even a second. Even with only one good eye, he soaks it in like you’re a dream that’ll fade if he blinks.

He learns that he likes kissing, and you do too. So, when you lean across the center console of his brand new car at Marley’s drive-in movie theater one summer night, he doesn’t think much of it. At least, not until your hands start wandering and he finds himself pulled into the backseat.

You give him very little time to recover from the surprise of being pulled from his seat before your lips are on his again. The leather of the upholstery groans as you straddle his narrow waist and on instinct, Levi reaches out, eyes still closed as he guides you onto his lap.

His palm splays over the skirt of your dress, hiking it up a little in his haste. When he feels the fabric, he pulls away slightly.

He gently squeezes your thigh, watching the cloth bunch a little in his grasp. The sound of your breath hitching in your throat makes him look up. “What’s got you so worked up, hm?”

Above him, forming words feels borderline impossible. Not while his thumb is drawing circles on the inside of your thigh and he’s looking up at you through those delightfully full lashes. It strikes you that this facet of your relationship is still relatively new, so the warmth on your cheeks doesn’t feel out of place when you swallow around your meekness and say, “You.”

“Me?” Levi’s brows raise, but he thinks he gets it. The moment you’d walked out of your room in this little number, his mind had gone straight to the gutter.

Like he’s revisiting the memory, his hands begin to slowly trail every part of you his eyes drift over—thumbs tracing the tantalizing curve of your breasts, down the silky material over your waist before resting his palms on your hips. When he gives you another subtle squeeze, you roll against him, feeling the hardening outline of his cock through his trousers against your core.

“Can’t help it,” you breathe out slowly, like you're making every effort to remain composed, but the strain in your voice betrays the neediness beneath. 

Your palms drift over the soft fabric of his shirt, moving over firm muscle. They’re not as defined as they once were, but you relish in his solid warmth all the same. Enamored by him, always.

He lets you explore unimpeded. You’ve always been handsy—checking him for signs of injury or illness when he inevitably pushed himself too far during expeditions. Now he’s grown used to the way that protective tendency has turned into an act of appreciation and fondness. It makes something light and airy form in his chest when you lean down again to kiss him.

“These windows aren’t tinted,” he says a moment later. The warning is half-hearted and murmured mostly against your lips, in conflict with the way his hands keep you anchored where you are.

His feeble hesitation makes you laugh.

You settle further into his lap, nearly chest to chest now. You can feel the way his breathing has grown labored against you. “No one’s looking at us, Levi.”

It is dark, at least. He has enough sense still to acknowledge that the large screen up front will be capturing most peoples’ attention, even though it’s currently in an intermission right now. There are only fifteen minutes between the double features tonight. A shame, he thinks. When it comes to you especially, he always likes to take his time.

You move your attention to the curve of his jaw, peppering hot, pillowy kisses down the expanse of his neck before suckling the sensitive flesh of his clavicle, and every thought not focused on the present stops. 

He closes his eyes, caught between the feeling of your lips on his neck and your warm cunt gliding over his cockhead. Even through several layers of clothes, pleasure rushes through him with each rut of your hips. You’re so warm and pretty that it’s dizzying.

In retaliation, a thumb swipes over your clothed clit, and Levi smirks when your movements almost completely stop. Behind you, the large screen lights up and Levi watches in the soft blue light as you lean back slightly, mouth slightly agape in a silent gasp.

“Never took you for an exhibitionist,” he says, the reflection of the movie behind you mirrored in his unclouded iris.

Before you can say anything, he hooks two fingers around your panties and pulls them to the side, sliding the digits through the arousal that’s already beginning to soak into the cotton.

“I-I’m not,” you attempt to defend, but the protest comes out weak and shaky with his movements.

“Is that right?” Levi asks, his tone mildly condescending. “Well, the fact that you’re grinding on top of me right now says otherwise.”

The pressure of his fingers on your cunt makes it difficult to think. If you were in your right mind, you might be embarrassed about the way the windows have started to fog, but you can only be grateful for the extra coverage.

The air is thick and your body feels like it’s on fire. Every brush of Levi’s fingers on your skin sends you aflame. His injured hand anchors you in place, thumb rubbing soothing circles into the flesh of your hip while his other hand continues to pick you apart, making your knees quiver.

Your voice is a strained gasp against the shell of his ear. “Like you’re not hard already just from kissing.”

“I never said I wasn’t.”

The hand on your hip lowers, and for a moment you think he’s gesturing for you to get up, but the new position allows his other hand to slide down. Two fingers quickly bottom out inside your cunt.

Your features pinch with the effort it takes to keep yourself quiet.

“There you go,” Levi coos, smug as your fingers struggle for purchase on his shoulders. “Is that what you wanted?”

His cock, his fingers, his mouth. All three. You want to tell him that you’d gladly take anything he’d give you, but all you can do is pant uselessly into his neck and try to hold on.

“Couldn’t wait until we got home, hm?” Levi continues, his fingers pumping and curling in such a way to make you see stars in your vision. “Needy thing.”

You clench around him, spurred on by his words. “Levi.”

He keeps talking, undeterred. A glow appears in his eyes as you rock into his palm, meeting his movements. “Dirty girl, fucking my fingers like this in the open.”

Pleasure coils in your belly. You grasp helplessly against his sturdy neck, cheeks burning and nails dragging over the soft fuzz of his undercut as it continues to build and build. The pressure of his thumb on your clit pulls all of your muscles taut.

When your moans become wispy and delicate gasps of air, he knows you’re right on the edge.

“Let go, sweetheart,” Levi murmurs. “You can come.”

Your orgasm hits you like a train. With a single gasp of his name, you come undone. Levi holds you through it as you shudder and spasm, his free arm now wrapped around your waist.

When you pull back, your eyes are bleary and content. Every muscle in your body seems to relax against him.

Levi pulls his hand from between your legs. “Satisfied?”

“Mmm,” is all you can manage. The aftershocks still continue to wash over you, making you feel boneless and tired.

When they subside, you give him a quick peck and slide off of his lap, climbing back into the front passenger seat.

Levi follows with a grunt. When he settles back into the driver’s seat, he buckles his seatbelt and starts the car.

You turn, confused. “What are you doing? The movie isn’t over.”

Slowly, he eases out of the parking spot toward the exit. Just before he turns onto the road, he gives you an incredulous look.

“You think I can focus on anything else after that?” From the streetlight above, you can finally see the deep shade of pink tinting his neck and face. “I’m taking you home so I can really make you scream.”

[alllgator-blood]

I s2g if you add the layers of these comic pages together, it's over 350 layers. THIS is why I don't do full color for my comics lmaooo- ANYWAY EVERYONE HERE HAS AN AU APPARENTLY, SO THIS IS A BRIEF GLIMPSE INTO MINE. I don't know what to call it yet but I'm thinking of calling it "famous prophets" because 1. I like that car seat headrest song, 2. it's about shamura who is prophetic, 3. it's about trying to outrun fate with the Power of Love (and failing. Like the song!!!). It takes place when all the bishops were teens/kids during the age of hundreds of gods at war, and were trying to survive as a family.

I'm really excited to work on stuff for it but it's all gonna be drawn out of order. Maybe I'll write a full explanation of what it's gonna be about when I have a better idea...I want to channel my eldest sibling angst in a productive way, and maybe establish a QPP between shamura and a completely random npc everyone forgets about <3 also kallamar is trans too cause I said so. I'll do a comic about it eventually. Instead of an absence of gender he has TOO much gender. It simply cannot be contained.

I like that nonbinary genders are normalized in cult of the lamb to the point where nobody singles anyone out for being a they/them, it's not like "THIS IS MY SIBLING SHAMURA. THEY ARE NONBINARY AND USE THEY/THEM. ALRIGHT BACK TO KILLING YOU", it's just like "don't you fucking dare make my poor sibling wake up from their nap to kick your ass. Cause they deserve better than this."

But at the same time I like having the freedom to be more specific, and say "shamura is voidpunk and their gender is best described as the feeling that overtakes you during the first snow of the year, when everything outside is deathly quiet". This comic is actually derived from the time I was walking through a forest that's been torn down for a few years, and came out to my little sister as trans. I must've been like 13 or 14 and she didn't really get it as a 10 year old, but it was better than my mom FREAKING OUT about me coming out. So it was a nice little bonding moment between just the two of us. I don't have a good memory so I don't recall how it went unfortunately...

Now, the climate is a little different. My sis tried out transmasculinity for maybe 5-6 years before feeling happier as a woman, my mom is trying to be Based and flaunt her Woke trans children, and my dad remembered "oh yeah trans natives have existed before colonization. Maybe me being transphobic is a product of my culture being erased" and has gotten better about calling me the right thing. I have a mustache (thanks pcos!!) and wear skirts and am not a repressed "tomboy" teenager anymore. But I can't help but wonder what would've happened if I could've been like shamura and just...been nonbinary without people being fucking weird about it. Or been born as a badass war god who will tear you to shreds before you can perceive my birth sex. I know they're fictional but they are my ultimate gender envy GRRRRR BARK BARK BARK

Here is the secret image for this post- I listen to mostly EDM when I draw cause it keeps the energy up, but as I was finishing up shamura's poetry part, I was like THESE ARE JUST KMFDM LYRICS so I made this

[yesimwriting]

okay but after the whole lucy gray thing we know coryo was done with “love” and everything BUT what if during the following year of thg he ends up falling in love with another tribute also from district 12 and he’s just going through it bad (again) however he somehow ends up actually getting the girl in the end, maybe even buying her way into the capitol

A/n I've been thinking about a very specific part of this since i first read it but i told myself no more fic writing until i finished at least one of my essays for finals seasons 😭

also ik in the book (and it's implied in the movie) that after the events of the book he lives with the plinths, but let's pretend he lives on his own with access to the plinth fortune for privacy

ik that makes it sound like it's smutty, but it's not lol

----

Proximity aggravates distance. The closer you are to something, the more damage any remaining space causes.

The few feet dividing the two of you have no right to jab at something inside of him the way it does. It's bad enough that instead of going to bed after a long night of fulfilling his apprenticeship duties under Volumnia's watchful eye, he stopped by your apartment. Only one floor away from his.

For months, the only thing holding the two of you together had been memories of those few nights before the Games.

Coriolanus's attempt to remain indifferent towards you had quickly failed, and his backup plan of learning to loathe you had proven to be just as useless. So he settled on letting you unabashedly take his hand whenever fear overwhelmed you and committing the way your kind eyes watched him to memory.

You're looking around the room--his room--openly, eyes darting from the mahogany surface of his desk to the details elegantly carved into his bed frame.

His fingertips itch with the uncertain desire to reach for you. You've only been in the Capitol for about a day and a half. Less than 48 hours. But the move, the beginning of a program for certain, qualifying victors and their families, had been planned for months.

You shouldn't feel like a phantom that'll vanish if he lets go for too long. "What are you thinking about?"

The question grounds you the same way it did last time he asked. You do your best to hide it, but you're still adjusting, still surprised that he managed to find a way to bring you together again. Just like he promised. Your doubt isn't personal, a fact he has to remind himself of.

"I'm just..." You tilt your head slightly, gaze retreating from the royal blue wallpaper and silver trim of his bedroom walls, "Analyzing."

The comment is followed by an easygoing smile that pinches at something in his chest. His new apartment, the penthouse of one of the largest buildings in the city, another gift from the ever flowing well that is the Plinth fortune, still reeks of former poverty. The few things that hint at the personal are hidden behind layers of desperate wealth so thick the items might as well be standard.

A lifetime spent in 12 means that there's no way you can read between the lines. He can't decide if your perspective will make this room look worse or better. It's a nice bedroom, definitely grander than any bedroom you've stood in before...but it's understated. Maybe even disappointing to someone like you.

"Analyzing?"

You turn fully, "A bedroom says a lot about a person."

"You might get more out of analyzing my study," an oddly school boy worthy partial truth slips out before he can stop himself, "I think I've been spending more time there than here recently."

You shake your head once, eyes landing on the crimson red vase filed with crisp white roses his grandma'am had gifted him on his last visit. Her pride and joy now more than ever. "I'm seeing all I need."

A hint of a smile tugs at the corner of his mouth. It's the most genuine expression that's slipped past him in weeks. When he first worked out a way to bring you here, some doubting part of him wondered if the draw he felt towards you would still exist in person.

Less than two weeks after your victorious departure from the Capitol, he had searched through your files and found your address. He had written the letter in a moment of weakness and only sent it after deciding that writing a letter to never be sent is the only thing more pathetic than writing to you in the first place. He had spent the week following that wallowing in self loathing until an age-stained envelope arrived at his door.

"And what are you seeing?" He keeps his tone light. This is ridiculous. He dragged himself and his family out of a gutter clogged by the casualties of war. Coriolanus is stronger than fleeting emotion now. Your opinions on his room can't possibly affect him.

If he were to simplify what brought you here, to the Capitol, to him, he could blame it on his bedroom. The urge to see you, to figure out some way the two of you closer together before your undeserving district could swallow you whole in an attempt to make you like them, would flare up whenever he received one of your letters.

Those urges, however, had never burned him. Not until you wrote about wanting to see him out of the most curious nostalgia you'd ever felt. You wanted to see him in a way that'd let you know what his room looked like, in a way that'd let you guess at his favorite color.

He takes a few steps forward, making the conscious decision to not reach for you. You've never rejected his advances, not even when he instinctually intertwined your fingers after picking you and your family up from the train station. You had scolded him after, telling him that you'd hear no end of it from your mother. It took a lot of focus for Coriolanus to not smile at that. You spoke of it like it would've never occurred to you to just pull your hand away.

Your eyes shift from end of the room to the other. Coriolanus moves carefully, passing you before sitting at the edge of his crisply made bed.

"Before you make your decision..." You turn instinctually, expression so polite and expecting he almost doesn't know how to bear it. His hand briefly pats the space beside him in a silent invitation. "So you can see it from all perspectives."

Your head tilts slightly, and for a moment, Coriolanus can practically feel your rejection. Then you move, sock clad feet treading over smooth white-gray marble. You sit next to him so assuredly, anyone else would have taken the way you neatly fold your hands in your lap as politeness instead of a display of nerves.

Your family's presence makes you less pliable. It's a factor he's willing to work around considering that you would've never left them to come to the Capitol. And even if he had managed to talk you into it, your nostalgia and homesickness would've made you more of a ghost to him than before.

At least the position your family's in is uncertain enough to allow for some leeway in the social norms that you cling to. However, every once in awhile it hits you that at the end of the day, he's still a boy that you're close to, which means that it's your duty to create the distance necessary to keep everything proper. Leaving your bedroom in the middle of the night because said boy knocked at your door and then entering his room in his empty penthouse is something you would've done under normal circumstances.

But your connection isn't that black and white. If it was something so simple, he would have been able to sever it the night before your Games.

"It makes all the difference," you agree warmly, and only somewhat sarcastically. You give yourself another second to take in the space, "I like it."

He can tell that you mean it. "I haven't fully settled in yet."

You shrug, paying him little mind, "There's something about it that just feels like you."

Coriolanus shifts his focus to the ground. You can't possibly mean it in the way that he sees the room, as a reminder that he still doesn't fully fit into who he's become.

"I've been meaning to pick up a few things," he says, "Tomorrow, after my classes, I was thinking about browsing some paintings." Another half truth. He had been meaning to. Mrs. Plinth had instructed him to visit her art dealer whenever he had enough free time to pick out a few pieces to demonstrate his taste. He'd been putting it off as a dismissable task, but it feels like a safe way to give you your first taste of life in the Capitol. "If you'd like to help me pick some out."

You smile, eyebrows pinching together in a way that's just barely noticeable. You're as interested as you are puzzled. "I'd like that." Relaxing enough to let your hand rest between the two of you, you beam, "I don't know if I'd be much help, but I'd like that."

He'd be willing to get anything that caught your eye. Paintings and vases already with such an exclusive art dealer hold more or less the same level of standing, anyway.

Coriolanus moves his hand slowly, careful not to startle you before his fingers can settle against your own. You instinctually turn over your palm, intertwining your fingers. "I trust you."

You stare at him with wide, understanding eyes. Sometimes when you look at him, really look at him, Coriolanus is struck with the feeling that you can see right through him. It's an irrational feeling, that every good action and cruel deed is reflected in his eyes. Moments like this make it hard to be near you. They also, however, make the thought of adding distance between the two of you unbearable.

"I have an early class."

You dip your chin forward in an attempt to accept what you're considering a dismissal. "Right, you must be tired." The words sit between you for a long moment.

Your free hand presses into the silk of your still new pajamas. You shift like you're going to stand. His hold on your hand tightens before you can move away. You still.

He's being ridiculous. There's nothing about this situation that warrants his inability to look at you. "Stay here." His thumb runs across your knuckles. "With me."

The words are soft enough to be a request, but there's not enough space between them for questioning. He cautiously lifts his head enough to take in your reaction.

"What?" It's a display of shock more than an actual question. Coriolanus squeezes your hand even tighter. You don't try to get him to let go, but you do shift away just enough to create the reminder of distance. "You know I can't."

His other hand reaches forward, settling against your wrist. "Why not?" He doesn't mean for his voice to come off as raspy, as desperate as it does.

You swallow, attempting to straighten your spine in an attempt to offset the instinctual urge to hide your face. This isn't a topic you're even comfortable implying. "My mother would kill me if she so much as found out that I came up here so late, let alone..." You trail off, head dropping to your lap. "Stayed here."

He envelops your hand between both of his. "She knows we're friendly."

You look up just long enough to imply a pointed not that friendly. "It's--" You blink, eyes darting from to your joint hands and then finally to the ground. "You know it's..."

Coriolanus leans forward. The shift is small, just enough for his knee to brush against yours. "It's what?" He keeps his voice low, a barely there whisper that comes off as so innocent it nearly circles back to anything but.

You glance up, so wide eyed and flighty he's reminded of a rabbit. The level of precaution you're exuding can't just be about your mother's opinions, can it? He studies your expression openly, taking in the set of your eyebrows and the way you steadily press your lips together to avoid speaking without thinking. At least some part of you believes in your mother's concerns.

The realization strike shim so quickly he has to focus on keeping his expression neutral. Your bond is so much more than just coming together on a random night where exhaustion's already clouding his focus.

It will happen between the two of you. Eventually. But not yet. You've barely entered the Capitol and every aspect of your life has become vastly different than what you're accustomed to. If he were to attempt to cement any relationship between the two of you like that now, you'd be too overwhelmed or you might think that that's the only reason he brought you here.

He learned early on that it's best to introduce adjustments to you slowly, giving you enough time to hold onto ideas before enacting them. Anything of that nature would work that way too.

"I haven't been able to see much of you." He focuses on your hand, still resting safely between both of his. The words came out too quickly, a flash of some genuine sort of emotion that claw at him on the way out. With you, sometimes a glimpse of feeling works wonders.

Your thumb draws gentle patterns against the side of his hand. "You're busy." He relaxes his hand, turning over his palm. You place his hand on your knee, fingers tracing the natural creases etched into his skin. "You're important."

The way that last word comes out makes an uncertain warmth crawl up his neck. "I--I've wanted to see you more." Another thing he means so much it turns his stomach to admit it.

Your nail drags down a line that cuts across the length of his hand. "Me too."

He bends his fingers slowly, moving in until he's trapped your pointer finger against his palm. "Then stay." You twist your finger enough to express some lighthearted irritation, but not enough to count as a real attempt at escaping. "If your mother says anything, I'll explain it to her." You glare at him without any true aggression. "She likes me, doesn't she?"

Coriolanus already knows the answer. She credits your survival to him. You had mentioned that in a letter once, telling him that she insisted you pass along her gratitude after discovering that the two of you had started to correspond regularly.

He also saw the way she reacted to realizing that she had made it to the Capitol. Your mother's family had once been part of the wealthier side of 12. You're part of a recently fallen line of mine owners, a fact that your mother has only pretended to let go of. He saw a hunger behind her eyes that reminded him of a warped version of his own.

Coriolanus gave her back the pride the war had stolen from her family name tenfold. He owes her this much.

"She'd trade me for you in a heartbeat." He hears the grin in your voice more than he sees it. Your family means the world to you, which means he's subjected himself to seeking your mother's validation and winning over your two younger sisters.

It's not the way he'd choose to spend his limited free time, especially with you standing right there, but he's endured worse for less of a pay off. "Then she'd be a fool."

You fight to hold his gaze. "I doubt that."

Your eyes are pools of honest, unfiltered affection. The care that you're watching him with makes it hard to swallow. The instinct to press, to dig and claw and tear anything that could be hiding an ulterior motive into shreds makes it hard to take a full breath. You've always worn your heart on your sleeve. You're not a flighty songbird that uses its charm to distract its prey from its fang-like talons.

"Stay." Again. So breathless he almost doesn't recognize the word as his own.

The deliberation is transparent behind your eyes. You're considering it, but you're still not convinced. The hesitation stings in a way he doesn't understand. "I don't want to give her a reason to not like you."

So softly spoken he's shocked by the way the words manage to feel like a nail being hammered into his chest.

"She's let you stay with other people before." The response is too sharp, too sudden. He should refocus and think through what he's about to say. Coriolanus knows that it's easier to get you to agree to something through the use of honey sweetened words and displays of patience. "You wrote about him."

The confusion that briefly etches its way into your expression threatens to quell the uncomfortable swell of jealousy tightening his chest. "Warren?" The name makes tints the air between you with something acidic. "That was--different."

Your explanation adds an edge to the pressure in his chest. "Why?"

"We weren't--" You cut yourself off, the instinct to placate him and your desire to not start a conversation you can't finish battling each other oddly. "We were never alone." You squeeze his hand as best as you can. "He's a family friend and I only stayed over when my mom had to work late and I was too young to be alone for so long, so I haven't stayed over in years. And--and he shared a room with three of his siblings and his parents checked on us constantly."

He frowns, unconvinced. The lack of approval has you clinging to him, adjusting your hold on his hand as you gently trail your knuckles against the inside of his wrist. "I do miss you." You stare at your hands. "I know it's weird because we're--y'know--closer than before, but I-I do miss you."

The expanding wave of tension in his chest begins to deflate. You're good at that, at redirecting and soothing without even realizing it. A talent that had contributed to his original desire to loathe you. "I understand that." He runs his thumb over your knuckles. "Things aren't going to get less busy. That's why I want to use all the time we have."

You nod slowly, a hint of understanding making its appearance in the set of your brow. "I know."

"What you wrote," he begins, too aware of how much he means the question that follows, "Did you mean it."

"Of course I did." Not an ounce of hesitation, of uncertainty.

He turns your hand over before shifting his fingers up the inside of your wrist. "You wrote about wanting to see me."

"I did..." The pad of his thumb gently makes its way up your forearm. Your even breathing falters. "I do."

Coriolanus lets himself look up just enough to take in your expression. "Then stay." He swallows, too aware of the sudden dryness of his mouth. "Please."

You glance up at him through your lashes. There's a softness there that jabs at him. "Okay."

He lifts the back of your hand, carefully brushing his lips against your skin. "You mentioned wanting to see a library."

You wrote about it once. A brief mention in one of your letters of the small room in your school's office that served as a sort of communal study space with a few books stacked on a small shelf. Your longing had been clear.

Nodding curiously, you agree, "Yeah?"

"I could leave for my classes a little earlier tomorrow, you could come with me." The proposal comes out slowly, his own suggestion taking him by surprise. "My driver could bring you back, that'll give you time to meet the tutor that's being sent over for your sisters, and then when I get back we'll look at the paintings."

You immediately grin, "Really?"

He finds himself smiling back, pulling your arm closer. "Whatever you want."

You beam. "I'd really like that."

"Good," he affirms with a nod of his head that's a touch too forward. He regrets it almost immediately. "If you like it, I might be able to get your own tutor to meet you at a library."

Part of the still uncertain victor program relies on setting up the victor and their family with a new life. Education plays a role in that. Placing any one of you in an actual Capitol run institution is far out of the question. For everyone's sake. Even if the thought of sharing a classroom with someone from 12 didn't horrify the Capitol parents, you and your siblings wouldn't be able to just jump in. It's not that he views you as unintelligent, but District 12's education system isn't exactly on par with the Capitol's.

"That sounds nice," you sit up a little straighter, excited by the prospect, "A part of me kind of misses school."

Another aspect of your personality that he had learned about after your Games. You like school for the sake of it. "I'll check on the arrangements tomorrow."

He clears his throat before you can do more than just nod, "It's getting late."

Coriolanus carefully sets your hand down on the comforter. You awkwardly shift, now more aware of what you agreed to than ever. "Right," you push yourself to stand, "You need your sleep."

He pulls back his sheets before you can think about it even further. You crawl into the provided space without looking at anything in particular. He's quick to join you beneath the safety of plush bedding before leaning over and turning off the bedside lamp.

Darkness floods the space. There's something about the absence of light that makes things feel heavier. The potential intimacy of the situation sneaks up on him with no warning.

This isn't a loss of control. It can't be. It was his idea, he had pushed and convinced you to stay here. He's aware of everything that's led up to this moment, but that's not enough to stop him from wondering if this is something than he should have known better than to embrace. He had accepted the familiar, fickle knotting of his stomach once before.

Steady warmth presses itself against his arm. He blinks, head turning a second too quickly. Your hand has found his. Coriolanus relaxes, allowing himself to fully relax against his pillow. You pick up on his shift, reflecting it by laying down as well.

For someone that had been so hesitant, you seem to know what to do better than he does. You pull his arm towards you, gently trailing your fingers against the exposed skin. Heat crawls up his neck.

"Goodnight," you mumble, voice already drowsy.

Coriolanus lets out a long breath. He grasps your hand, bringing it back to his lips before settling back into the position the two of you were in before. "Goodnight."

[erika-xero]

Thoughts on ai and Art

What has Ai really changed for me is the perception of my own art. Years back, I was extremely concerned of my work being imperfect: everything had to look "right", the anatomy had to be flawless, the lines - clean and refined. The pipe-line had to be flawless too: minimal amount of layers, one - for lines, one - for colors, and a few for lighting/shading.

Meanwhile I was yearning for chaos and the standard pipe-line felt too strict, too limiting. I finished the drawing and cried over the imperfections, but I could not let myself create a new layer and just paint it all over as I wanted to - that would "mess up my perfect psd". This was even harder because I started as a traditional artist and traditional art is basically the same as drawing on one layer or stacking the layers on top of each other whenever you wish to change anything. I was so obsessed with the anatomy/perspective looking right that my works started looking boring and stiff. If I was not sure that I would be able to draw a certain body part at a certain angle ANATOMICALLY PERFECT - I just refused to draw it at all. Drawing back then was HARD. I forced too much limitations upon myself, I was so scared of making any mistakes and thus did everything I could to avoid the risk to fail. It felts like an entire world would see me failing and everyone - literally everyone - will disapprove. And don't get me wrong - the art community in my country has always been astonishingly toxic. We had, like, a group of 20 THOUSANDS individuals hunting down children online and bullying them into oblivion for drawing anime and furry characters in their school textbooks. And pretty much everyone except a small group of people (which I was a part of) thought that it's absolutely fine and this is how the things should be. Even the industry professionals were absolutely sure that young artists have to suffer and be ashamed of everything they do unless it is absolutely flawless at an any aspect. I was ashamed of everything I did back then. I was ashamed of drawing and posting sketches because I felt like they are not good enough to be shown to anyone. And then the Ai-boom started. And I had mixed feelings because I was not THAT scared, but I was somewhat disappointed of people? General public praised the generated slop ignoring the mistakes far worse than what real artists got bullied for for DECADES. The synthetic artworks are shiny. They are overrendered. They are liveless, boring, they lack fundamentals and yet somehow people viewed them as some kind of a miracle. I decided to learn how does those little machines generated their slop out of morbid curiosity, just to make sure that I got it right and it is spitting out cadavers created from mutilated, dismembered works of real artists. Used by people who did not care enough to pick up a bloody pencils. And I thought: why would I care enough to look at something that no one bothered to create? And then I started seeing everything I do completely different. I suddenly stopped caring of being perfect. Every piece I have ever done, every work I was crying over for it being ugly, every messy sketch and unfinished doodle suddenly started to matter a lot. Not that I stopped caring of doing my best, no. I stopped wishing to disown my own mistakes. They are my own. I cared enough to try and fail and to try again, and fail so badly that I wanted to cry, scream and throw up. And I repeated the cycle for long enough that I started to enjoy my silly doodles and started loving every tiny imperfection because this is what made my art so human. I still suck at drawing hands and feet. My line-art is messy and I started doing it right on top of my colored sketch. My pipe-line is in chaos and my PSDs look like a total mess of three hundreds of layers. I draw sketches with huge-ass round brush only adding the details that really matters. My works are better than they could ever be because they feel alive and chaotic as we human had always been. This is a love letter to my art and write it while flipping off my middle finger to the cadavers generated by the machine. I will not be stopped by glorified autocomplete and I refuse to be outdone by people who confuse googling an image with the act of creation.

My worst drawing is better than any of the generative imagery out there, because I cared drawing it.

[ddarker-dreams]

Intimidation Ranking / Yan Sumeru Boys.

Kaveh — 2/10

Like... he's writing your names next to one another in his notebook and drawing a heart around it. Kaveh isn't inspiring much fear in the traditional sense. You find him endearing more than anything. He visibly brightens up when you're around, stares off into the horizon and sighs when you're not. His more socially unacceptable tendencies are kept under lock and key (such as his innumerable blueprints for how he'll build your house when you get married, despite how you're both only friends). His romantic rivals don't have to fear for their lives as much as they would if put up against the others on this list. That being said, he still has his methods for dealing with them. It's more psychological in nature. Once he's cemented himself as an important figure in your life, he'll 'exaggerate the truth' (he thinks the word lying has a negative connotation), about any rivals' negative traits. He does this covertly over increments of time so as not to arouse any suspicion. You couldn't possibly look at Kaveh and suspect any wrongdoing on his part.

Alhaitham — 5/10

Alhaitham is weird because he has the potential to rank high, but he'd rather not go that route if it isn't necessary. Outsourcing to criminals would require extra work. He'd prefer to stay in the realm of legality for convenience's sake, perhaps pushing gray areas, but nothing that'll require a major coverup. Just a little good old-fashioned coercion if you're being stubborn about returning his affections. He's crafty, he needn't get his hands dirty to obtain the outcome he desires. Should you be of an academic inclination, he'll utilize his influence in those spheres to impede your progress. There's no physical evidence so you have no means of retaliation. Given his dispassionate demeanor, people will have a hard time believing you should you tell them about this. Alhaitham himself will utilize a similar tactic should you ever confront him. His sound logic and steady voice make you wonder if you really are imagining everything. It's maddening.

Cyno — 7.5/10

Cyno is a force of nature. Once he's set his sights on you, that's it. While it isn't you who needs to be frightened per se, the same cannot be said for those he deems as questionable influences in your life (basically anyone who isn't him that receives your attention). He has the authority and resources to comb through their entire bloodline for any potential wrongdoings. No one's lived a perfect life, he's bound to find something, even if it just ends with them having to pay a fine. Still, in a highly competitive area like Sumeru, having anything on their record is a death sentence. Rumors start circulating that anyone who hangs out around you is subject to meticulous background checks. No one knows why, but that doesn't matter, the risk alone serves as a sufficient deterrent. If they cheated on a test when they were ten, Cyno is going to find out. The man's nothing if not determined. Cyno genuinely thinks he's doing this in your best interest — his conscience is crystal clear. This adds another layer of formidability because there will be no convincing him to stop.

Wanderer — 9/10

As Scaramouche, it would've been a 10/10, but he's had some character development. Emphasis on the word some. Nahida considers his budding attachment to you a healthy development, especially since you're the first person he's taken an active interest in without her involvement. He's keen on maintaining this innocent, well-meaning façade since he's still under surveillance for his previous crimes. This unintentionally works wonders for him. While he still has a sharp tongue, the fact he actively chooses to be in your general vicinity proves you're special to him. You think he's harmless, if not a touch blunt. He's perpetually hanging around and offering to help with whatever you're up to. You're happy, Nahida's happy, and surprisingly enough, he's happy. This cannot be said for anyone else in your friend group. He increases his unpleasantness when around them, never to an incriminating degree, but just enough to give them pause. They'd rather not deal with him and he's always around you, like a miserable little forcefield that repels any outside force. Wanderer may not be free to wreak havoc anymore, but all that means is that he has to get creative about it. Nahida's lack of omnipotence gives him enough room to slink around. Where there's a will, there's a way.

[emilyyyts]

Chapter 17 foreshadowing/why I think Fushiguro Megumi might be in love with Itadori Yuuji

I've never understood the reason why Gege will add that line of Todo (i mean the special mention of the "it can be a guy")

The idea could've been perfectly understood even if the line wasn't added, but Gege purposefully sat on their desk and decided to draw this panel and add that specific line.

This means opening the possibility of Megumi liking guys, right?

I might be overthinking this, but text and dialogs are super important in mangas. Practically everything that it's said has (or should have) a purpose .

Dialogue scenes move the story forward, for instance, by giving important information about the characters, their relationships, the milieu, and the evolving events; they can also build suspense and reorientate the narrative.

So why then adding this?

We've seen several times that Fushiguro often thought of Itadori as a kind person—even since the beginning.

(It's literally Itadori being described)

If we go back some chapters, we can easily notice this is how Itadori is first introduced in the Manga: as a compassionate person, a good person with the intent of helping others.

In fact, Compassion its a highlighted feature Itadori has always showed through the entire series.

Even at Sukuna's final moment, he shows himself compassionate offering help to him.

Many had thought Itadori fits that description of Megumi, and now I'll explain why I think this is a possibility.

We know the relationship between them its centric in the story —it practically started because Megumi decided he wanted to save Yuuji.

We've see them caring for each other over and over again, many decisions they take are influenced by the thought of benefiting/trying to help the other.

And then we got Itadori really trying hard for an entire arc to save Fushiguro, and when the opportunity comes, he tells him it's okay if he doesn't want to live anymore, but at the same time addmiting he will miss him if he goes.

This scales to the point its practically the love they hold for each other that helps to completely defeat Sukuna

I would also like to add this panel and why I think Fushiguro was projecting himself with the desire of his sister being with someone like Itadori.

The line is Fushiguro stating he wanted his sister —a person we know he LOVES and thinks very highly of— to be with someone as good as Itadori.

He thinks very highly of the two of them.

Theyre both good persons so they deserve each other?

Therefore, he projects himself that way:

He might think it's Tsumiki who deserves to be with Yuuji because she was good, and Yuuji is good too, so logically they deserve each other, right?

He loves Yuuji, but he might not be worth his love because it was him who introduced Yuuji into the jujutsu world (a painful life full of lost and worries).

But maybe someone else might be worth, maybe his sister.

This is how he imagine a perfect peaceful life, he's trasmitng and projecting his desires.

It's not her who wants to be with Yuuji. It's you.

So gathering all the pieces together gives us the big picture, and Megumi's words might feel more like a foreshadowing of their relationship rather than simple words for introducing Todo in the Manga (tho it works in both ways). The response Megumi gives open the possibility for such feelings between the two of them.

So basically, everything we saw to this point that involves the two of them has been development and profundization in their relationship for this last punchline we got of Megumi realizing that he wants to keep trying because its worth living out of love

After all, love IS a centric theme in the story. It's mentioned several times along the series. Gojo describes it as the worst curse, Itadori thinks Sukuna acts that way because of the lack of it. And if we add this new layer, Megumi thinks its woth living out of it.

Ultimately, what's going on between them is inherently love— aside if it's or not romantic

I can't fully explain my ideas cause i can't put them in orden, sorry :/

This is just my opinion btw 🤷‍♀️ also there's only 3 chapters left so I might end up as a big fucking clown 🤡 literally anything could happen but we'll see

Anyway, tell me your thoughts on this 👇

[anim-ttrpgs]

I recently ran an oneshot for my friends in Eureka.

It was a lot of fun and went mostly smoothly! The charakter creation was very easy. It still took more time than I expected, but that was simply because the players needed it to decide on which traits etc. to pick.

The central resolution mechanic with 2d6 is of course tried and true (I assume. Never played one of the many other 2d6 games.) but especially the Eureka system felt really good.

I think I read in a recent post of your's, that you are overhauling the chapter on combat. That seems very important to me. Even though I read the whole book once before running the game, I had immense problems finding out how small details of the combat worked during play. The musings on game design (eg, "yes, the combat is deadly, thats on purpose heres why" and such) where really enlightening to read, but got in the way when searching for concrete stats.

I will run the same oneshot again for different friends. The game seems really promising to me.

My mystery took place on a single in game evening, and none of the players were monsters. Having therefore only scratched at the surface of Eureka, I am looking forward to running it more.

Woo! We LOVE hearing about this kinda stuff!

And yeah everything about how the combat-related rules are structured is getting overhauled. All of that was written like 2 years ago when I was a slightly worse game designer and MUCH worse at writing coherent paragraphs and hasn’t been touched since until now. Instead of being split across like four paragraphs (what was I thinking), there will be just two chapters on it: “Instruments of Violence”, which is mostly just a giant list of references for the stats and special rules of weapons and armor, and “Dangerous Situations”, which covers every rule related to how your investigators can get killed. Some of these clean-ups are already available in the latest patreon release, and the rest are coming soon to both patreon and the itchio beta.

Combat is a very rare thing in Eureka, but when it does come up, we want it to be tight and granular, but without wasting the players’ time, which I think we’ve done pretty well at.

Like the book says, combat is deadly and there’s a reason why: so it doesn’t waste the players’ time.

This is a twofold problem to solve. The first layer of it, we solved by making sure the numbers are low. Most weapons can take a character down in 2 to 3 hits, so a single instance of two guys smacking each other will never take too many rounds.

Secondly, well, combat is dangerous and deadly, and if the PCs approach it without a plan, they’re gonna die, or at least get their asses kicked fast. Otherwise, well, I consider that a waste of the players’ time. If it was predetermined that the PCs would win otherwise the story can’t continue, well, what did we roll all those die, look up all those stats, and track all that HP for? Why didn’t we just describe the PCs winning and move on? Combat matters because it can change the outcome of the adventure, and if it can’t change the outcome, why are you rolling dice? Of course with death being so possible, to keep it fun, we gotta include lots of “tools” like cover, positioning, different weapons, special melee attacks, etc. that the PCs can use cleverly to give themselves an edge, and *earn* their survival.

Oh and also yeah can’t wait to hear what you think about the monsters. Funny thing about that, everyone who has read the rulebook knows that monsters and other supernatural creatures are supposed to be really rare, like one supernatural person for every 3,000,000 normal people kinda rare, but, monsters are super cool and fun to play, and are one of the big draws of the system, so we were kinda worried that that rarity wouldn’t come through in play, everyone would just be monsters. We considered setting a limit on how many monsters can be in a party? But quickly decided against it, because then players would have to compete for the limited monster slots, and people might even feel like if they’re not filling in that slot every single adventure, they’re missing an opportunity, and so every party would max out their monster limit every time and there’d, again, be way too many monsters.

In practice, though, most parties in Eureka seem to be comprised of all normal people, or all normal people and 1 monster at most, even without the limit. And I suspect this is both because monsters are kinda difficult to play despite their immense power, and, just to brag, because we made the normal PCs fun has hell to play too. :)

[vaguely-concerned]

another really interesting thing in our man bashir to me is that I think this is the point where garak finally mostly relinquishes his self-appointed role as bashir's teacher. he seems to have taken it upon himself early on, for inscrutable but probably partially horny, partially cultivating a promising (and lovely) contact reasons of his own, to imbue julian bashir with some spysmarts and basic bastard thinking literacy skills, in the hopes that he won't go get his bright beautiful excitable ass killed at the first opportunity. there's a lot of mentor/protege undertone there in the early years. (if you want to get into asit stuff, very much in the same vein as palandine and garak's relationship in the beginning.)

but in omb garak really only has one of his little lectures, and it's basically about The thing about being a spy (and a person) that has most shaped his life: That's something else you've yet to learn, Doctor. A real intelligence agent has no ego, no conscience, no remorse. Only a sense of professionalism. There is no joy, no magic, no real delight to this, no winning, no recognition, and most importantly no connection; the reward for work well done is only ever the work itself. You don’t kiss the girl, get the key — you simply get on with turning yourself into nothing as best you can. and julian, who had just been trying to momentarily imagine a world where secrets can be cool and glamorous and for good, meaningful reasons that empower him to help the world rather than shameful and isolating and alienating and like a damocles sword hanging over him and everything he cares about, shoots back with 'well, but what if not that, though? that's the whole point of this game! this is my story not yours, trust me to know it better than you do. (I have more things to teach you too, if you’d just listen. And once he gets shot a little bit, garak does listen.)'

(somewhere beneath all this is almost exactly the same debate they will have explicitly later on -- "Sentiment is the greatest weakness of all"/"If that's true, that's one lesson I never want to learn". Something something the freedom to imagine and play around with different worlds in your head, no matter how cringefail james bond LARP nonsense that world is as long as it brings you hope and joy and new perspectives, kill the part of you that cringes etc. Garak you're allowed to get out of the closet in your head now, Tain is gone, you can imagine different things than what has been and no one will turn it against you. Im… sad)

through most of this episode garak is observing, and when he's not simply bitching about everything from the sidelines (<3), he's tentatively trying to throw in comments to play along, to figure out how the flow goes like he's learning a different language, and he's BAD at it hahaha. he barged in there to put himself in a position to learn something about julian bashir's ~*hidden inner psyche*~, but UH-OH spiritual uno reverse card time he's having to face some shit about his own psyche and the immense barrenness it's been forced to operate under for so long.

The learning between them has of course always been two-way (that’s partially what the whole relationship is built on), but in giving up the more ‘formal’ role — mask — of teacher, garak is also opening up space for realer emotional intimacy, letting one layer of artificiality fall and allowing more realness to shine through. even so he doesn’t let go of control completely until he’s faced with irrefutable (horny) proof that julian’s sentiments and ideals are backed by real conviction — julian knows (possibly better than garak does) what is a game, and what is real, and where he draws the line between frivolous and deeply necessary is different from where garak would and by the end of the ep I think garak trusts julian more, enough to leave the story in julian’s hands without trying to steer or form him even indirectly/sneakily. And to top it all off, the way julian uses his last dramatic speech to signal that he did also listen to what garak told him… augh.  

the teacher role, along with the lies (ever his swiss army knife god bless), has helped garak keep a sort of fine-tuned control of the level of emotional intimacy possible between them, stay in control of what narratives are even on the table. and I think finally letting that fade more into the background transforms their relationship in ways that can pay off big time down the line, for all that it leaves things a bit strange and tentative in the meantime. by garak standards he’s being positively transparent in this episode. for the first time he talks about his time in the order without any coy prevarication, he states his hunger for knowing julian better right down to his ~*hidden inner psyche*~ almost pathetically openly (<3<3<3<3). And this is just my headcanon and definitely not what was meant at the time of airing, the unplanned nature of the augment reveal being what it is, but in context of the whole show as it became it feels a lot like garak offering some of his own authenticity to signal that julian could trust him with his. It feels like garak has figured out at least the rough outlines of what julian has uh got going on and tried to make this gambit, having… perhaps underestimated the extent of the defenses julian has internally/psychologically against Being Known, quite aside from the practical real world consequences of his secret getting out. Anyway. Lots in this episode. Many thoughts.

[kozachenko]

[Click image for better quality]

I FIGURED OUT A WAY TO FUCKING MAKE THE IMAGE SMALLER FOR POSTING ON TUMBLR WITHOUT SACRIFICING THE ACTUAL QUALITY OF THE IMAGE OH MY GOD

Ok so, what I did is go into the clip studio paint file, make a new file, copy and paste the group in the original file, merge everything, get rid of the extra stuff outside of the canvas, and then make the flattened image smaller and crop the canvas. Once you have that, export it and you're done. This helps maintain the actual quality of the image and also helps shrink the file size down to something actually postable (if anyone has a better way of doing this please tell me)

[Edit]: Ok I guess posting something to Tumblr just naturally compresses the image a bit more somehow because I'm looking at it now and zooming in too much makes it a bit blurry so I'm still gonna have to futz around with image quality for future pieces oof

Artist's Note:

I'm so glad I figured out a way to do this because I like working on a big canvas so I can get as much detail in as I possibly can. Only problems are how laggy it gets while drawing lol.

I had an idea for a drawing with Reimu and Zanmu because I really like thinking about their potential dynamic a lot. I also wanted an excuse to draw Zanmu again but in my normal rendering style because last time I drew her she was in my more sketchy style with generally flat colours so I wanted to draw her again. Speaking of, looking at the sketch for this is a jumpscare that I never enjoy seeing, like, man am I glad I didn't use those for my final piece.

Also about her spear. I was originally gonna make it like the ones she had in game, but it kinda threw off the whole piece. It was too big, too blue, and too flat, so I just went "fuck it" and gave her a different one instead. My headcanon justifying this is that the ones she uses in game are for danmaku battles whereas in any other fight she just uses a proper yari, or she still uses the yari and just makes it all glowy to power it up, maybe both lol. I pulled as much inspiration as I could from Sengoku era spears, and even put in some blue into the decorative part of the spear and also added a little skull to pay tribute to the original spear. Also, in my research I saw some art of izanami and izanagi making japan and saw that the yari izanagi has had a little decorative tassley thingy on it so I took some inspo from that and just made it one of Zanmu's tassles (Idk when that art was from or if the spear was still accurate to Sengoku period Japan but hey, probably the same reasons Eirin puts little bow ties on her arrows, it's just for personalization purposes).

I love rendering hair and clothes so much omg, while I like the super curly hair Zanmu, the longer, wavier hair suits her better for this drawing (I imagine it only does that like how Ghibli characters hair moves when they feel angry lol). I love making Zanmu's hair all messy and crazy, as well as giving her grey hairs, this woman has aged like a fine wine. Also, if the hem on the ends of her sleeves, top of her shirt, and her pants look like gold to you, that's because it is! It's fairly light so she's not collapsing under the weight, but it's gold! (I don't care how impractical it is, it's just cool). Not the undershirt though, it's made of a gold fabric. I had a cute idea with Reimu's hair to make it have a red shine to it. I also changed up Reimu's outfit so it isn't just a blob of red. I like it a lot when Reimu's skirt and outfit is segmented into different layers, so I wanted to incorporate that.

I tried to draw their hands differently as well, but IDK how noticeable that is. Also, I am super happy with how the side profiles for the two of them turned out, I used to struggle a lot with how to make the side profile of a character actually look like the character, so I'm really happy that they actually look like themselves.

Also added in the tree and rocks in the background as an homage to Zanmu's character art in Touhou 19, just because I was getting kinda stumped on what to do with the background lol.

In terms of a story idea with Reimu and Zanmu, idk why but the potential plotline of Zanmu wanting to ascend to godhood is so fascinating to me. Like, it is very possible that if she just convinced everyone she was a god (which would be very easy for her to do), she would become one in a heartbeat. Also, if she were to become a god, with her ability to return stuff to nothing, could she hypothetically get similar abilities to (Jojo Part 5 spoiler btw) GER? Like, idk about the death timeloop stuff, but the concept has been haunting me every night as I have been trying to find loopholes in GER's ability for a while now ( for no reason in particular). Back to the main topic, I imagine that she would probably tell Reimu that if she were to become a god she would take over the Hakurei shrine since the god there might as well be dead, and Reimu just says to her, "Over my dead body bitch." Like, I have no idea how to summarize their dynamic but like, it's the type of hero-villain dynamic where the phrase "We're not so different, you and I" would definitely be a phrase said during a fight. I think that if another IN style game were to release, Reimu and Zanmu would be in a team together. They could also have an interesting mentor and pupil kind of dynamic. Can you tell that Zanmu has been charging my mind rent these part few months? Like, instead of living in my head rent free, she kinda just uno reversed the whole situation and now she's the one charging me rent. What happens if I get evicted from my own brain? Actually, scratch that, I don't think I wanna know.

[gideonisms]

modern au meet-cute where gideon calls harrow her nicknames because she doesn't know harrow's name and is too afraid to ask

all right so I struggled to come up with nicknames, but hopefully the meet-cute bit makes up for it. This one also got kind of long

The girl is sitting cross-legged on Gideon’s favorite dryer in the laundry room when Gideon first sees her. Her first thought is: what the hell, now how am I supposed to dry my clothing? It’s not that they don’t have other dryers here. It’s just that the others either leave her clothing too damp, or smell extensively of wet dog. And Gideon has things to do.

Her next thought is: what the hell, she’s perfect.

Because the girl is perfect. Before this, Gideon couldn’t say she had one particular type, but as she looks at the miniature thrift-store goth in front of her, with her five different layers of black clothing, huge fuckoff boots, and grown-out buzz cut, she has to admit that the effect is both intimidating and extremely cool. That it’s working for the girl in a way it never worked for Gideon back when she’d had a brief goth phase.

The girl’s eyes are closed, body still. As though she’s waiting for something. Her lashes are dark against her cheeks.

“Um,” Gideon says eloquently. The girl does not respond. “Hello?” Nothing. Does she have earbuds in?

Gideon steps closer, and that’s when the girl’s body sways forwards, right into Gideon’s waiting chest. She smells kind of sweaty, and she’s warm as a fever. Gideon’s heart starts pounding. Is the girl dying? Gideon doesn’t know how to fix that.

“Hello, Morticia? Can you wake up for me?”

The girl’s eyes blink open. They’re extremely large and dark, and that’s probably why Gideon just stares down at her stupidly. But then they focus on Gideon. The girl’s eyebrows draw down immediately, and she shoves Gideon back, almost toppling off the dryer in her haste to get down on her own.

“Leave me alone!” she says.

“Okay. Sorry, it just seemed like you were having some kind of cri—”

“I am fine,” the girl says very definitely. She grabs her phone, which is lying on the table in the middle of the room, and hastily exits before Gideon can even ask her name. She leaves a bunch of cheap, badly-dyed black jeans in Gideon’s favorite dryer, too. Well, damp clothing it is.

At the coffee shop where Gideon works, she’s having a normal one. She greets the usual crowd from the university—there’s a twinge of pain in her knee whenever she thinks about the soccer scholarship she’ll never get there now. Anyway, the girls from the university are always very nice to Gideon. They ask her about herself, how long she’s worked here, what she likes to do on the weekends. Sometimes they look at her askance but later slide their numbers to her on a napkin. One even tried to get Gideon to come to a church function; Gideon thinks she would have killed it at the potluck, but she had a workout scheduled with Cam that afternoon. The guys either call her “dude” or don’t speak to her except to order.

This is the type of day Gideon has come to expect, and everything runs along the same well-worn track, with a brief appearance from Pyrrha, who turns on cheesy love songs on the store radio and shamelessly flirts with every mom who comes in until Gideon can only roll her eyes and tell her to stop stealing all the tips.

Even then, Gideon’s heart isn’t really in it. She has the vague sense that she’s running through the motions, living the life of the person named Gideon Nav because that’s the one she knows how to live.

Until around six PM, when The Girl walks in. Gideon had been starting to wonder if she’d dreamed the whole encounter, if her mind had conjured a beautiful goth girl out of sheer boredom. But no, there she is in the flesh.

She doesn’t look like she’s doing any better than last time, if Gideon’s being honest. Her boots are caked in mud, and she struggles to open the door. As she approaches the counter, she shivers even though the day is barely chilly. This time she is wearing headphones, big boxy ones with a visible wire that she keeps twisting through her fingers. She takes them off when she steps up in front of Gideon, distracted.

“Oh hey! You’re that goth bitch from before! The one on my dryer.”

The girl’s gaze immediately sharpens. Gideon could swear that she flushes darker.

“What are you doing here?” she snaps.

“Uh.” Gideon looks around. “I work here?”

“It’s not your dryer. It belongs to the complex.”

“Yes it is! It’s the one I always use. It’s my dryer.”

Gideon is beginning to think this whole conversation was a mistake.

“Well,” says the girl slowly. She’s staring Gideon down like she might kill and eat her, which is kind of doing it for Gideon. “When I’m sitting on it, it is in fact, my dryer. You can find your own.”

“Whatever you say, dryer despot.”

“Do you normally talk to customers like this?”

“Lord of the laundry.”

At that, the girl gives her one more withering glare, which suggests that not only is Gideon beneath her, but that she can’t even deign to continue a conversation with such an imbecile, then sweeps away. But not out the door, as Gideon expects. Instead, she sits down at a table.

For about ten minutes, she glares at the table like she wants it dead too. Or maybe she’s spacing out?

Gideon starts to ask her if she’s going to order anything, because at this point, she’s a bit worried the girl might pass out again, but then the girl pulls out her phone and starts typing rapidly. After about thirty minutes of this mysterious typing, she stands up and exits the building without fanfare.

Gideon doesn’t know what her problem is. But more importantly, she still doesn’t know her name.

“No, hang on,” Gideon says. “You’ve lost me again. I’m seeing an ashwaganda and I’m seeing a thething, but I’m not seeing them both together.”

“L-Theanine,” Palamedes says over the phone. “It’s a supplement meant to improve focus. Your grocery store might not have it, I just thought I’d ask.”

“No, I’ll keep looking,” Gideon says, although it’s late enough the people at the store might kick her out soon. “How is Dulcie doing, anyway? Does she need some soup too? Some chicken nuggets? I don’t know what people like when they’re sick.”

Palamedes might be laughing. “Perks of being Gideon Nav,” he says drily. “Anyway, it’s just the flu this time. She had it all checked. But you know how she is. She’ll want to keep working on the dissertation through it. Says she knows what being at death’s door feels like, and it isn’t this.”

Gideon hums sympathetically. She doesn’t really know what to say. She doesn’t have a lot of experience either being sick, dying, or caring for people who are sick. Recent events notwithstanding.

Gideon did almost die once, as a baby, but she hardly thinks that counts. What’s a little carbon monoxide poisoning when faced with a future strong, handsome lesbian? Although sometimes, she thinks it might be the reason she wakes sad for no reason in the early hours of the morning, as though her body is remembering the time everything almost ended.

“Oh, Cam wants me to relay a message. She says she’s going to, and I quote ‘kick your ass at Scrabble this weekend.’”

“I have work,” Gideon says absently. “I switched shifts with the new girl. She had to take off to take her weird dog to the vet.”

Palamedes is saying something about future plans, a topic Gideon has always struggled with, and Gideon gets this feeling again, like she’s gone missing in her own life.

And there in front of her, like an omen, The Girl appears. She just rounds the corner with a boxcutter in hand, running her finger along the catch over and over rhythmically. Her eyes are huge and dark and unfocused. Somehow, she looks more real than everything around her, like a dark ink blot over an aging photo.

In her other hand is a small box of cosmetics. They’re not in the aisle for cosmetics.

“Oh,” Gideon says, “It’s you.”

And then she stares stupidly. The girl seriously doesn’t look good—she’s had an air of malnourishment any time Gideon has seen her, but today, she’s practically swaying on her feet. On one side, her eyeliner is jagged. Gideon can’t tell if it was intentional.

“Yes,” Palamedes says on the other end of the line, baffled. “It’s still me. Does Thursday work, because Cam has clinicals on—”

“Look, I’m going to have to call you back, Sex Pal,” she says, and hangs up.

“Sex Pal?” the girl says in apparent disgust. “Is that really what you call your hookups?”

“Hang on—it’s not like that!” But Gideon’s protests are futile. In front of her, the strangest person Gideon knows, this unlikely bit of theatre in a world that has largely abandoned the stage, tips gently into a shelf of protein powders—and then she passes out.

When the girl comes to, it hasn’t been more than ten seconds. Gideon caught her before she could do any real damage. She wonders if she should call an ambulance. She’s halfway to shifting the girl’s weight so she can reach for her phone again, looking around for any other employees, when she feels a surprisingly strong grip on her arm.

The girl’s gaze snaps up to Gideon’s face, then to her arms, then to the tank top she’s wearing, which says #shredicated underneath the slogan for Gideon’s gym.

She narrows her eyes in confusion. “What does that even mean?”

“I’m dedicated to shredding. Why else would you keep passing out in my arms?”

The girl immediately tries to sit up, but loses her battle with gravity.

“Okay, seriously,” Gideon says. “I’m calling the ambulance. You don’t seem okay.”

The girl’s grip tightens, her short, black-painted nails digging into Gideon’s forearm.

“You will not call the ambulance, moron. Why do you think I’m working here? Does it look like I can afford to miss the rest of my shift?”

“Not really,” Gideon admits. “But it kind of seems like you’re about to miss the rest of your life, so.”

She digs the phone out of the pocket of her shorts. On her lap, the girl twitches in a futile attempt to grab it from her. Gideon puts her hand around the girl’s wrist to hold her back, and holy shit, it’s so easy to wrap her fingers around the whole thing. The girl’s pulse pounds. Her wrist is way too warm. But she stops struggling. She just looks up at Gideon.

“All right, my discount duchess. We’re gonna get you taken care of.”

For a second, Gideon thinks the girl is going to protest again. But she just says, nonsensically,

“Harrow.”

“What?” Gideon pauses in the act of dialing.

“That’s my name. Harrow.” She points to her nametag, which actually says Harrowhark in a slanting, hurried script.

Gideon forgets to dial. She forgets everything about their surroundings. Because now the girl, Harrow, is blinking up at her with something like trust. It makes Gideon stupid. She feels like she’s holding the life of some very small, very helpless baby bird in her hands, and she’s terrified she’s going to fuck it all up.

“Don’t call the ambulance. Please. Just—I know what this is. I need—” She looks away to glare at the side of a protein powder cannister as though it’s personally offended her. Gideon falls a little bit in love. “I need sleep,” she finally says. “And water. Probably food.”

“Yeah, no shit,” Gideon says.

The girl sits up slowly and glares at Gideon too. “Well? Are you going to bring me water? Please,” she tacks on again reluctantly at the end.

“Yeah. Yeah, I am.”

Gideon brings Harrow water. She brings her a box of saltine crackers. And she brings her a protein shake which she doubts Harrow will actually drink, but she can hope. As Harrow nibbles on the crackers, she seems to gain vitality. At least, she goes from looking like roadkill to looking like someone who would take roadkill home and examine the skeleton.

Finally, Harrow looks up at Gideon in sincerity. “Thank you,” she says, only once.

“Gideon,” Gideon blurts out.

“What?”

“My name is Gideon.”

Harrow blinks slowly. “Thank you, Gideon.”

Gideon’s whole chest constricts like she’s in some kind of melodrama. She feels like she’d go slay dragons if Harrow wanted her to. Maybe it is just her need to be useful to someone, like Cam once said when they were both drunk, but Gideon thinks she wants to maybe pledge herself to Harrow forever.

“Mhmm,” she says.

“Now,” says Harrow, “I need you to help me up. I’m going to take an early lunch. We’re avoiding a nondescript man in a grey button-up, by the way,” she informs Gideon as Gideon helps her to her feet and walks with her to the back. “He’ll only start telling me stories about his troubled youth as a struggling freelancer. I don’t have the time. I need to study.”

“Noted. Avoiding guys who look like freelancers.”

When they reach the double doors to the back room, Gideon almost follows Harrow in, but Harrow stops her with a hand.

“You. Stay here,” she commands, which does funny things to Gideon’s stomach? Oh hell, Gideon might as well find out some more new things about herself tonight.

“Like, until you’re done with lunch break?”

“No.” Harrow looks at her as though she’s an idiot. “I mean, I am going to go about my evening. And you should go back home. I’ve troubled you enough.”

“It’s no trouble. I mean, gotta make sure you don’t faint on me again. It doesn’t really seem like your coworkers give a shit. Harrow, are you studying during the day and working here at night?”

Harrow’s expression tightens. “It is none of your business.”

“It’s my business when you faint into my arms.”

At this, Harrow does actually blush, Gideon is sure of it. She gets all annoyed about it too, scrunching her face up in outrage. “I didn’t purposefully faint into your arms! Yours were just the arms that were there at the times I fainted.”

“Keep telling yourself that.”

Harrow makes to turn around and leave Gideon behind.

“Wait, I—look.” She holds out her hand. “Give me your phone.”

To Gideon’s astonishment, Harrow gives her the phone. Gideon quickly opens up the contacts app and types her number in.

“I’m going to leave now. But you’re gonna text me when you get back home safe.”

Harrow raises an eyebrow. “Why should I text you? We live at the same complex. Come see for yourself. Building nine, number nine. Nine AM.”

“Are you inviting me over?”

Harrow looks her up and down. The look is brief, but comprehensive. Gideon can feel it in her spine.

“Your choice,” Harrow says.

Later, when Gideon is lying awake in bed, she’ll wonder about choice, about coincidence, about the unlikeliness of anyone ever meeting anyone, about why she lived long enough to become herself instead of dying before she could ever keep beautiful girls from hitting their heads.

But in the earliest hours of the morning, she receives a text from an unknown number. The text is a single word.

Home.

Yeah, Gideon thinks. Maybe she is, after all.

[forgettable-au]

Whats your process like for making the pages/script/comic in general? any advice you could give?

Hii:D

I'm gonna ramble about this a lot, so I'm adding this read more <3

That way this post won't be super long on the main page

If you DO want to see everything go ahead!

So! Right now I work on the pages from monday to saturday :]

I divide work like this:

Monday-Tuesday: Script, storyboard and dialogue bubbles!

Wednesday-Thursday: Lineart for the 4 pages! 2 pages each day

Friday-Saturday: Color the 4 pages! 2 pages each day

Talking about writing

I don't have the full script ready yet because I realized

I SUCK AT WRITING, NOT IN A "My writing is so bad way" BUT IN A "I can't write words without getting confused" WAY

That's one of the reasons why it took me SO long to start this thing! Because I wanted the script to be fully ready! And I couldn't do that because whenever I'm writing I get super confused😭😭I don't know how to explain it but I NEED visuals ??? I need to see how the dialogue I'm writing is gonna look???

So now, whenever I'm writing, I'm also drawing at the same time! AND FOR SOME REASON THAT WORKS, AND SUDDENLY I CAN WRITE

I REALLY DON'T KNOW WHY THAT IS BUT, UH, IT WORKS FOR ME!!! THAT'S ALL I NEED!!

This does NOT mean I'm improvising the story! I do have the full story ready and outlined! I'm following that outline :]

I realized having everything ready might work for some people, but it wasn't working for me D:

So, uh, my advice for writing is to trust yourself and to try different methods! You'll find something that works for you :]

I DO recommend having an outline of the story before beginning!! You don't need to know everything from the beginning but you need to know what NEEDS to happen and a basic idea of how it should end :]

Now about the making of the comic pages

Pls look for references constantly!! Very important!!

There's many different ways to make comics!

I always look in pinterest for panel layout/color pallete inspiration

I use clip studio paint to make everything, it's super useful cause it has a LOT of features that make the process MUCH easier (vector layers, a paint bucket that actually works, special comic configurations, a panel tool, 3d viewing which is super fun, predetermined speech bubbles, the story editor, etc.)

It takes me like?? Approximately 2 and half hours to make one page?? Some more and some less

But I'm also an easily distracted person so sometimes 2 hours turn into 3 because I spent 1 hour getting distracted with other stuff 😭

Uhhm, so yeah!! I think the layout is my favorite part, my least favorite part is adding the speech bubbles...ESPECIALLY if I have to add Wingdings

Andd I think that covers most of it? If you all have more specific questions let me know because there's a LOT of stuff that goes into making these😭😭but I get better and faster each time! My first pages took me like 4 hours on average...some would take me 6 hours...THAT WENT DOWN A LOT :D

[lovesick-feelings]

UPDATE: This is just a repost for the tags. The original reblog will be kept up! Original AU made by @soleilxe please go check out their blog they are a genius (๑♡ ⌓♡๑)

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I had to get this one out in case the DLC mysteriously dropped out of nowhere! (ʘᗩʘ’)

I absolutely love this AU so much! I am telling you rn that when I first read this I couldn't stop thinking about it and i was so sad that it was never expanded! So I ended up drawing a small comic (this is like my first time doing something like this so sorry if its messy! ) and that was supposed to be it but I ended up writing a short fic as well (⌒_⌒;) Btw this is just my spin on things so sorry if I made any errors!

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"Irreparable," the company claimed. It made no sense to Sun and Moon. From what they know the incident occurred the night an unexpected visitor came by. On the morning management came in, they were met with their main star missing, busted animatronics, and a disheveled mall. To think that the boy they met that fateful night caused all this was… strange, to say the least. At least they were perfectly fine! Yeah, they had a bit of trouble avoiding the flames resulting in slight damage but they were working! With a few repairs and replacements, everything would be right as rain! However, that didn't stop Fazbear Mall from permanently shutting its doors. 

Even after conversations they overheard between co-workers, workers leaving as soon as they arrived with salvaged valuables, and the final click of the lock shutting the doors permanently, Sun was in denial. 

"They'll come back for us! We'll just have to wait till then!" Although Moon was still troubled by the events that night, he still held onto hope.

"Yes, yes you're right. In the meantime, we should clean up~" 

"That's the spirit!" Sun cheered.

The first few months played out like this: waiting and cleaning up whatever they could in anticipation that the company or someone would return. However, those beliefs slowly slipped away with each passing month. Sun tried so hard to keep them distracted from their situation but it’s difficult when you wake up in the same hell every day. Nowadays when he tries to comfort Moon every word comes out unsteady. If only he could make them more believable.

Moon couldn't handle it. It was all his fault. If he'd just fought back none of this would have happened. But how could you fight against something you didn’t know was coming? The night he became corrupted haunted him endlessly. It didn’t help that they also became more beat-up after several failed escapes he made. Though he was grateful for his brother's support, it felt more like lies and empty promises as time passed. Failure after failure, shame, and guilt built up. It was always at his lowest when he felt the same corrupt urges he had that fateful night back.  

"SHUT IT! JUST SHUT IT! IT'S THE SAME THING EVERY SINGLE DAY! NO ONE IS COMING FOR US!!" 

"...sorry" Sun whimpered. 

It was always too late by the time he snapped back to his senses. It was like he was stuck in an endless loop of mistakes. All he could do was apologize and blame himself again.

With no business and no people to tend to days have been spent pacing and cleaning the decrepit daycare. Today was no different. Sun wiped his hands in the desk cabinet causing thick layers of dust to fly in every direction. Every item out of place has already been put back in its original spot long ago. All there was left was the tedious task of wiping away dust.

Moon never understood why he was so keen on getting into the smallest crevices. He couldn’t deny he had his fastidious tendencies but Sun always went above him. He always claimed it was a good way to pass time but Moon knew better. Even with the new body allowing both of them to be present at once Sun still was never the biggest fan of shutting down for long periods. Normally, Moon would push him into resting but Sun seemed to be in a better mood today and he didn't want to disturb him.

The crash of crumbling rubble made them jump from their spot. It was loud enough to hear across the daycare. Their eyes were drawn to the ceiling and they noticed a huge hole. Sun frowned. Was the building finally caving down?

"Must've been a rat"

"whAT?-" Sun choked out.

"What do you mean by a rat? A rat does not cause a hole in the ceiling to collapse!" Moon's only response was a shrug. From where they were it looked like it was around the ball pit area.

"Let’s check it to see-"

"NO"

"WhaT WHy?" Sun’s voice glitched from surprise. He didn’t expect such a sudden response.

"Because it's most likely nothing. The building is just deteriorating again…" He stated plain and simple.

"Well yes but-” Sun paused for a moment, “B-but we may as well check to make sure nothing is wrong!" Moon didn't respond. It’s going to be nothing again and he really wasn’t up for disappointment. Knowing Sun, they were bound to end up there regardless.

"Okay," he grumbled. Moon could feel Sun slightly bounce up. He sighed as they walked around the desk and towards the ball pit. As they continue their journey, Sun can sense Moon slowing down.

"Moon, what's wrong?-"

"Shhh listen" Sun paused. He didn't know what he was trying to listen to but he did so anyway. There was something in the distance. Were those… footsteps? The bots trudged closer to the sound quietly. For the first time in ages, their sensors picked up someone.

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"Dammit..."

This was your fifth time wiping your clothes off debris. You knew buildings like this had weak floors but you didn't expect it to give in that easily! You would say you’ve been through worse but you’ve never been through something like this. You’re honestly not sure if watching Youtube videos of failed urban exploring counts as an experience. 

This was supposed to be your biggest project yet. Entering the abandoned Pizzaplex had been done before but nobody had ever explored past the ground floor. You had one goal: Record as much exploration as your camera storage will allow, upload all footage to your channel, and satisfy the hungry viewers with the possibility of getting that sweet YouTube money. What you hadn’t anticipated was falling through the floor and being trapped in one of the areas 30 minutes into your exploration. Now you have to find a way out.

 You looked back at the ball pit and shuddered, thinking of what might have happened if it hadn't stopped your fall. Walking over the chipped rainbow bridge you pulled out your flashlight and observed what was in front of you. You had to admit the place didn’t age as badly as you thought! It has its flaws from the fire but you were surprised by how much stuff still survived.

The bright cheery colors that once painted this daycare have dulled to darker hues. Somehow the kid's chairs were neatly pushed into the tables and toy barrels were still stacked on top of each other. You looked over the massive play structure. They were still standing strong and tall beside some large dark spots in some areas which you assumed was also caused by the fire. A few of the giant mascot cutouts were hanging on the sides while others that had fallen were carefully propped up against the walls. When you shined your light on one of the aisles, the light didn't reach much distance.

"Geez this place is huge..."

You took a few steps before hearing a scuffle. For a second, you assumed it was some small animal. At least that's what you hoped it was. You were about to turn back when you heard it again. You whipped your flashlight in the sound’s direction.

"Hello!?" You kinda cringed at how hoarse your voice came out. You darted your flashlight for a bit until you caught it. You froze. How long was it standing there? You pointed your light at the animatronic.

Even from a distance, you could tell how huge the animatronic were. A split separated the two sides, which gave the appearance of two heads. Among them, one half had dark yellow skin and a crown that resembled rays from the sun, while the other half had darker blue skin with a nightcap resembling a moon. Each had two pairs of arms. Their clothes or at least what remained of them were tattered. Parts of their endoskeleton are exposed most noticeably on their face. Their glowing eyes pierced your soul. What felt like hours of silence were finally broken when their soft chuckles turned into hysterical laughter.

"NEW FRIEND!!"

"NOPE! NOPE! NOPE! NOPE!" You bolted in the opposite direction of the playground. As you ran you tried dodging as much debris as you could without falling over. As you approached the wall you could see large wooden doors. That's the exit! You weren't able to slow down your speed in time causing you to slam your arm against the door. Thanks to your adrenaline pumping you couldn't feel a thing. You tried pulling open the door only to hear clicking noises. IT’S FUCKING LOCKED!!!

“New friend!”

“New friend~”

“New friend!”

Their calls were growing closer.

You looked around until you crawled into one of the kiddie slides. You climbed your way up, lying flat on your stomach. You were pretty high up. There was no way they could see you as long as you didn't lean against the bars. The metal grating grows louder as the robot approaches where you once stood.

"N-new friend please cOME BaCK!!" He wailed in distress like a mother trying to find her lost infant.

“Shhh you’re going to scare them~” You gritted your teeth. Yeah, like they hadn’t scared you to death already. Unlike the other voice, this one was hushed and calm. As if it was a situation he knew all too well. The other voice gasped and quietly apologized. 

"Where are you, new friend?~" There was intense silence. They let out what sounded like a disgruntled sigh before the scraping faded away. Once you were sure they were gone you took a breath of relief. You didn't realize you were holding your breath the whole time. Your heartbeat was so loud you were afraid they would hear it. 'What even was that…?' You tried to recollect your thoughts. Everything happened so fast that you couldn't comprehend what was happening. When you tried thinking back about what happened all your mind could replay was the moment you stared into their ghostly irises.

'Okay, that's enough…’ You sat up. Another deep breath calmed your heart. There has to be another way out of here. You peer through the cage. From your vantage point, you couldn’t get much. There were only two things you could see from where you were: the front desk and the children's pit in front of it. You had to get a better view but how? You sure as hell wasn’t about to sneak down again. You looked towards the bridge connecting the two playgrounds. Despite its aging, it still looked sturdy enough to cross. Maybe this was your chance? You didn’t want to risk getting caught but you also didn’t want to die either. Well, there's only one way to find out… 

A small knock made you recoil back. You turned your head to the slide you came from. No. There’s no way they could get in here. With how big and clunky the animatronic look, they’d probably fall apart the moment you hit them. 

Upon getting up, you were met with jelly legs. You're gonna have to crawl this one out. You navigated carefully through the colorful maze. The number of dead ends you ran into got ridiculous. Sometimes you felt like you were crawling in circles until you finally found it. You silently cheered for yourself. The bridge was only a turn away!

Something wrapped around your ankle before you took another step. Your head spins to see several pairs of hands gripping your ankle. You couldn't scream before those hands brutally dragged your body down the slide. The suddenness of it all caused your head to bang against a turn. You hit the floor with a loud thud holding your head. All you could do was lay limp on the foam flooring. What even happened? You could feel your head throbbing from the pain. A giant shadow loomed over your figure. Rough, metal arms wrap themselves around you in a cold embrace. 

“Found you, friend, ~” The two laughed together making a strange combination of a cackle and a giggle. You wish you could fight back but you feel so nauseous and weak. All you could do was stand there awkwardly as you got crushed. Dread overwhelms your body.

“We were so worried about you, friend! You shouldn’t run away like that! I-I mean what if you got lost or h-URT!?” Their grasp on you was tightened as he spoke. The voice coming from what you assumed was the sun’s side made you tense up. His voice made your ears start ringing. Was he always this panicky?

“Now, now there’s no need for that anymore.” His hand cupped your cheek tilting it so you could face them.

“It won’t happen again~” The drop in his voice made it sound like a death threat.

“Besides-" He resumed back to himself.

"Think of all the fun we'll have together~!” Sun’s eyes lit up. 

“Oh, you’re right! We have so many activities we could do now that we’re together!” They easily pull you up and swing your body around. 

“We’ll have soooooo much fun~!” Moon chuckled

“We could play charades!” 

“And tell stories~!” 

“Oh oh, we could finger paint too! I haven’t done that in so long!!” The two exchanged enthusiastic opinions about everything they planned. 

You honestly felt like you would puke. It was too loud. Your head was throbbed and your whole body was aching. Everything felt so overwhelming. You didn’t care about exploring anymore, you just wanted to go back to the comfort of your home. You tried holding back the tears brimming in your eyes. The robots tensed when they heard soft hiccups. Hot tears rolled down your cheeks. Your body was lowered, bringing you closer together. Moon’s eyes widened while Sun’s eyelids drooped when they realized you were crying. 

“Friend, what's wrong?” Your cry turned into a full-blown sob. Sun and Moon quickly sat down. Laying you on their lap, they gently rocked you back and forth with their arms propping you up. Your sobbing could be heard throughout the whole daycare all the while Sun and Moon tried calming you down. They rubbed circles around your back whispering reassurances. 

“It’s alright~” 

“You’re safe now!”

“There’s no need to cry~” Their hands whipped your tears away. Your body becomes less tense.

“Did we do this?” You opened your eyes realizing they were looking at your head. Their concern was evident. You flinched when their fingers grazed the area you hit.

“Oh sorry! I-I-I didn't meAn tO do THat! WE-”

“Sun.” Moon interrupted

“We can fix this. As long as we follow instructed procedures they will be fine~”

“Oh right right! Sorry about that, friend” You could feel their fingers tenderly stroking your hair. They cradled your body while whispering soothing words.

You could’ve easily pushed them away and made a run for them, but you didn’t have the motivation to do so. You were beyond tired to fight back. It was getting harder to hold up heavy eyelids and the animatronic also seemed to realize this.

“Shhh rest~ You will feel better after a good sleep~” You had to admit their voice was comforting. This couldn’t be so bad right? They seemed nice enough. So it was okay to shut your eyes for a bit. You lifted your eyes one more time to see theirs. If only you were more awake you would’ve caught their lovesickness plastered on their faces gazing at you. Maybe then you’d realized sooner the situation you were now trapped in. You felt two soft taps on your forehead, mocking a kiss before slipping into darkness.

“Goodnight, Starlight~”

“Goodnight, Sunshine!”

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[vanessagillings]

I love your art so much!!! I've also been starting to paint with gouache, and I'd love to know a little more about your process! What kind of paints do you use, do you sketch first or start with paint, do you paint in layers over several day or all at once?

Hi and thank you! I hope you don't mind me answering this publicly and apologies for length, but:

MY ART PROCESS!

Supplies: I use winsor and newton gouache and arches cold press paper blocks, usually 140 lbs (the lime green ones) and sometimes 300 lbs (the teal green ones). Even though this paper comes pre-stretched in blocks, I actually take the sheets off and stretch them myself because I've found arches' glue isn't as strong as it used to be. This is how you get watercolor paper to lay flat! I recommend youtubing some videos on how to do it -- there's a lot of great tutorials out there. Also, I use princeton brushes, and kraft paper tape and these boards to stretch my paper. (these aren't affiliate links, I just shop at blick)

A word about art supplies: these are the exact tools I use but everyone uses supplies differently and two people with the exact same supplies might get different results! A lot of it is about what works for you and what you like, so I always suggest that gouache/watercolor beginners just buy a few tubes from a couple of different paint companies and some small pieces of paper from different manufacturers to see what you like. Just changing one ingredient in the above has created massively different results for me, but maybe that'll end up being something you'd like! The first step in learning a new medium imo is to play. Just have fun!

ALSO: gouache isn't super light permanent, check your tubes for which ones hold up to sunlight. Here is winsor and newton's color chart explaining which ones will fade when exposed to sunlight -- all manufacturers will give you this. I only use the colors rated A and AA, and I still frame my pieces with UV glass just to be safe. Not all gouache is re-wettable, but winsor and newton is. I just put it in my palettes and refill my palettes if it runs low. AND SOME PAINT IS TOXIC. A lot of paints have cadmium and cobalt in them. I don't use any of the toxic colors, but if you do, make sure you don't eat while working and wash your hands thoroughly afterwards. This information is also usually available on manufacturer's websites. As more people are rejecting cadmium paint, you'll see more tubes labeled things like cadmium-free yellow. This is why. More artists should be aware that their tools can be dangerous. You don't need that many tubes of paint to begin, just a warm and cool red, warm and cool yellow, warm and cool blue, white and black. I have around 50 colors and use 20 regularly. I always mix all my colors myself, and never use straight tube paint. Most of my colors have about 5-6 different tube colors mixed together. If you use re-wettable paint a tube of paint will last you years; even as a professional I only buy new paints every 5 years or so.

Process: I ALWAYS start with a sketch first. Not everyone has to, but because I do illustration work -- where sometimes a client gets input on a drawing -- I always do a lot of preliminary work before I even begin to paint. At this point, even my personal work usually involves the exact same process:

I start with a 3" or so thumbnail that I scan (left; I traced it quickly digtally for clarity to myself here) and then either clean up digitally or print out and clean up traditionally with tracing paper (right):

Then I scan the cleaned sketch in and color rough it digitally (left, this was for a gallery show, so no one had to approve my color roughs, so it's messy!) then I transfer my sketch to my paper (with either carbon transfer paper or a light table), stretch my paper, and paint (right):

I obviously changed my mind about the color of the ribbon in the trees, ha, and made everything a lot more vibrant. The benefit again of gallery work is no pre-approval!

You are correct, I paint in a series of washes, going from lightest to darkest, where I apply the same color beneath all shapes that are the same warmth (cools under all upcoming cools, warms under all upcoming warms). I paint a piece usually in one or two days, depending on complexity. I didn't take pictures of the above painting, but here's a different painting to show you a little bit what I mean:

I painted the peach color under everything (and twice for skin tones), and the gray color of the sky under everything that would be grayish (the rocks, trees, her pants, her skirt, and coat). I do this to stop me from getting darker lines where two different colors butt up against each other, and also for color harmony. I have step by step photos of this in my process stories highlight on my instagram; also check my FAQ and tip highlights for more info on all this stuff. Most pieces take around 25-30 washes before I start adding in the details (sometimes I add in face details early though because if I mess those up it's not worth finishing the rest of the painting! 😅)

All this might seem like a lot of work (...it is) but I do it so that I can show clients previews of the final piece and so I don't have to repaint the finals. I also used to pre-test all of my washes on scrap paper like this:

I still recommend doing this if you're just beginning! But at this point I only do it when testing techniques because I know my paints really well. (the above was my test for the pine boughs in this piece)

Painting by far is the longest part of the process, so I do more work up front to not have to do it twice. Every piece takes about 6-24 hrs of actual work time to produce. Stretching watercolor paper takes about 24 hrs to dry, and because I sell most of my originals in galleries, they need to be flawless, so planning ahead is useful and in the end saves me time.

And to conclude this novel of an explanation, don't be overwhelmed by all the information I've given you! I put it here so that people at various stages of their artistic journey can maybe find something useful in it. But seriously, the first step to learning how to paint whether it's traditionally or digitally is just to have fun. Try it out, see what's working and what isn't, and then try to solve specific issues that you're struggling with. I've been doing this for a loooooong time at this point, but here's my first watercolor piece from when I was re-teaching myself how to paint traditionally nine years ago:

Obviously, I was destined for greatness. Ha, yeah, no. If you scroll back through my tumblr archive, you can see me learning how to use these paints in real time. And keep in mind that I'd been working digitally for years before then, and years before that where I didn't post my work online at all.

So for anyone who needs to hear it: there's no such thing as talent, just hard work, patience, and trying again and again and again...and sometimes again. What I do is a skill and anyone can learn it. Sometimes, progress is slow. I'm 38. I only really feel like my art was half-way decent starting a few years ago, but I've been making art my entire life, and I went to art school at 18. 20 years later I'm kind of figuring it out.

The best advice I can give, whether it's about art or not, is find the thing you love so much that you'll keep at it even when you suck at it, because most skills you'll suck at to begin with -- and perhaps for a long time. I sucked at art for yeeeaaaaarrrrs. On top of the usual learning curve, I struggled with fine motor control and dexterity. But I loved it so much I kept trying every time I failed. If I can do it, so can all of you, no matter what stage of art you're at now, and no matter how old you are.

Anyway, thank you to those still reading this deep in. I wish you all the best on your artistic journey. Art can kick your butt sometimes, but it's also pretty dang rewarding 💛

[dahliasheep]

Hello! I love your art and your use of colors; I was wondering if you'll ever post a process video or a step by step to show how you approach your art?

hi!! thank you, im always glad people like my sense of color cause it's my favorite part :-) it's a bit hard to show process videos because i tend to work on multiple drawings within a same file, at the same time, so it looks very confusing. but i made this one for that! it shows my process from sketch to finish, and i'll also add some thoughts under the cut

the steps to my art are usually :

sketch, always in color (i dont like sketching in black, it doesn't work as well for me). i did this step on another file so you don't get to see it, but it did happen at some point

set the lines to black, or to whatever color i want the final lineart to be (to make sure the colors work well with whatever lineart i want to have ; if i changed it at the last second, it would look weird)

add very rough colors : here, making the background orange and the character dark blue. if you draw on a white background and try to change it at the last second when everything else is done, it might not work with the colors that well

i work from these basic colors to pick the actual shades. i usually start with skin and hair, then clothes. the idea is to find a color that evokes whatever color i have in mind without clashing with the base tone. so a character who has a bright red base tone, and has blue eyes, i will use very desaturated grey to give the illusion of blue, not actual blue. that would clash too much!

once all the colors are done, i start cleaning the lineart. i usually start with the face, and do that part pretty carefully, but then forthe rest of the body, i might erase the whole rest of the lineart and draw it from scratch. i alternate between cleaning the lineart and refinining the shapes on the other layer, giving them nice clean edges

i think that's about it! i hope this was helpful in some way :-) thank you for your kindness !

[artharakka]

Every time I see your art I remember how much I love your colours - its just...aaaah I can't even explain it, but it's so perfect? Its..muted but not washed out? And it gives such a natural feel to the works that I adore! Do you have any proccess for determining colours?

Thank you!🧡🧡 Colours are often what I think makes or fails my drawings so either way means a lot! Sorry it took approximately a thousand years to answer but this inspired me to do an illustration to experiment and explain with. (Though as said, I don’t think I always nail the colours and I have only little formal art education etc so take with a grain of salt)

With line art, I usually fill in different sections (like character, environment in front, background) with base colours first. Most often with some orange or sienna.

And to mimic the effect that underpaint has in traditional art, I’m usually choosing the final colours by picking a colour I think would be close to the “actual” colour (like skintone), and, probably not very professionally, “mixing” that colour with the base colour by using a brush that is not 100% opaque. I’m also testing and fiddling here & usually doing some kind of colour sketch before cleaning them up.

This way the colours become a bit muted & more harmonious (though I also prefer using more muted colour schemes to begin with).

Orange “underpainting” is usually my go-to, especially when doing “neutral” light like in character sheets. If I want the piece to have a certain atmosphere or environment, I might use other base colours. Sometimes I use actual photos as inspiration or guidelines:

Note that I don’t have strict colour reference sheet where I pick my starting colours from. I’m adjusting those as well even before the sketching brushstrokes:

The skintone’s starting colour (1st one) is redder here, because green underpaint eats some of the redness away as red and green are complementary colours. The blue of the lightest shirt is also darker as the character is more shadowed in the latter version.

Here I used red as a base colour. If I had used skintone’s base colour from the green version, it would’ve been too red. Instead lighter and a bit more orange/yellow tone ends up looking more natural (even though still very red, but it doesn’t stand out that much with everything else also having a red undertone). Hair’s starting colour is also more yellow so it still looks like a blond instead of red hair.

Shadows & other details I do with the same method, just using the picked flat colour as the base colour (so for skin, picking slightly darker & usually bluer colour and painting with low opacity brush over the skintone instead of over only the orange/yellow/etc underpaint)

Here I also did highlights with the soft light layer:

I hope some of that was useful as I’m not native English nor art jargon speaker! This was also mostly my line art process, with paintings (esp. ones that aim for realism-ish look) I look more references from photos and how light & colour acts in them.

And as said, sometimes I miss and the work comes out too washed out. For example these Patreon collection icons came out too dark & colours too similar to each other. Against my dark mode drawing program it looked more vibrant, woops. I edited them a little from here, but should probably re-do them at some point.