#everything else has to be inferred

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)

[thehardkandy]

i have been lurking around online help forums answering questions for probably at least 15 years and to this day it still drives me absolutely bananas when people essentially just post "HELP! I HAVE A PROBLEM" and then refuse to provide any information or context as if you are some sort of mind-reading savant capable of inducing all the information required on the broadest problem imaginable

[sacredsorceress]

Scars / Logan Howlett

pairing: dofp!logan howlett x mutant!reader summary: every person has a soulmate. after settling in the future that he saved, logan starts to consider his next mission when a suspicious mark appears on him. word count: 3.2k a/n: good ol'fashioned soulmate AU. this is the first actual fic i've written in a long time so please have some grace. reblogs and replies are super appreciated! warnings: general mentions of logan's past, scars, self-doubt, alcoholism, reader smokes a cigar, mentions of razors, scars, wounds, two uses of y/n

logan masterlist | inbox | full masterlist

It had been a week since Logan woke up in his healed timeline.

For most people, the change would have been dramatic. But Logan was far unlike most people. The initial dreamlike state he was in when he first walked through the mansion- seeing the ghosts he had once known returned to the flesh, unscathed- quickly subsided. Logan had always been a man thrown onto a new path- how he lived life constantly changing to best fit his interests. Now, with his newfound peace he found the most complicated mission of all: what to do with the life he was now free to live?

Even before the sentinels, the battles, the wars- he had always been a man on the run. He was solo, strategic, concise. For a man who was gifted with infinite regeneration, he had solely concerned himself with staying alive. He ate for sustenance, sought shelter for safety, and nursed a bottle to find enough peace of mind to sleep at night.

The professor had once told him that for a person to reach self-actualization they first had to have all of their needs met. Logan had scoffed at the time, assuring the professor that he knew himself just fine. But now, with his problems so solved that they had ceased to ever exist, he wondered if maybe the professor was right.

Who was he? Where did he go from here?

The answer was found in the form of a scar on his hand.

"Well, everything seems to be just fine."

Logan scoffed at the blue man in front of him

"Well it's not." Logan said. "Check again."

Two days after he had come back, a large, circular scar had appeared on the palms of each of his hands. When they hadn't disappeared after two minutes, he rushed to the bathroom and nicked himself with his razor, watching as the wound healed with only blood dripping down his scruff as a remanent of it. Thirty minutes after that he found himself in the lab with Hank, Jean, and the Professor hypothesizing his miraculous marks.

"Logan, the tests came back clear." Jean assured him, leaning against the wall. "Maybe it's time to consider that it's something else."

Logan quirked his head towards her.

"I haven't had a scar in over two hundred years," he reminded her, his voice laced with irony. "I get not one, but two and you... what? Think it's a coincidence?"

Before Jean had a chance at rebuttal, the professor moved to face Logan.

"That's not what Jean's inferring, Logan." Charles reminded him. "We're simply asking that you consider other options. Less... dire options. It could, after all, be a good thing."

"Yeah?" Logan scoffed. "Like what?"

A silence hung in the air.

When Logan had first come to them with news of his scar, the thought had been on all three of their minds. Still, there were a plethora of things that could have caused that. Though, when the tests came back clear and his skin continued to heal from all sorts of abrasions, it felt as if there was only one answer for his seemingly magical scars.

However, none of them were keen on sharing this diagnosis with Logan. One wondered whether he'd handle the idea of his body failing him over fated love.

Hank was the first to speak up.

"Like a soulmate."

Oh that was rich, Logan thought.

Logan wasn't unfamiliar with the idea of soulmates.

Around the time that two fated lovers were destined to meet, there would be a sign for each of them. In some cases they were eyes changing colors, feeling the other's pain, finding their names everywhere they looked. In other cases they were new birthmarks, tattoos, scars.

In some way, the two were inextricably connected.

In his long life he had seen others experience it dozens if not hundreds of times. When the first thirty years of his life rolled around with no one, Logan accepted that he was one of the outliers. He considered it for the best and by now, with everything that he had gone through, the concept of soulmates almost seemed like an old wives' tale.

Logan glanced at their faces. When he realized they were serious, a deep laugh escaped from his gut. There was a lack of light in his eyes that admitted his insincerity.

"So I disappear for a few decades and you all start believing in fairytales?" Logan pulled the needles from his arm, the heart rate monitor going flat as he did. "What a bunch of bullshit."

Jean laid her hand against his chest, urging him back into the seat.

"Logan." She soothed him. "This is a good thing. Scott and I-"

Oh this was real rich.

"Scott and you are... what, huh?" Logan urged. "Soulmates?"

Logan scoffed, swiping Jean's hand from his chest.

"Bet you're so happy with your 'soulmate' and that's why you lead me on, huh? That it? You're happy?" He taunted, a dark laugh escaping him once more. "Spare me-"

"Logan, that's enough!"

The professor's voice echoed against the linoleum walls of the lab, reverberating off of the medical equipment throughout.

"If you want to wallow in your own self-deprivation, be my guest, but spare the rest of us your grief." Charles continued. "I think it would be best if you go back to your quarters and consider the future the universe has offered you."

The energy in the air was thick.

Jean and Hank avoided Logan’s eye contact while the professor’s nearly burned a whole through him.

Accepting defeat, Logan threw his hands up in the air and pushed himself out of his metal chair.

“Fine.”

Soulmates. Logan thought. Who would believe in a thing like that?

-

"It's a pleasure to see you again."

The atmosphere in the mansion was a stark contrast to the lab Charles had been in days before.

Now the school day had commenced: children skipping from class to class, students chatting with their friends in the hallway, teachers grabbing coffee between lessons. Amidst the organized chaos, Charles had arranged to meet you in the foyer: the replacement history teacher for Logan's class.

"You too, professor." You smiled, reaching out your hand. "I was so glad to hear from you."

Your hand hung in the air briefly, awaiting his return. Charles examined it for a moment- a twinkle in his eye- before taking it. His thumbs brushed against the newfound scars between your knuckles as he did.

"Correct me if I'm wrong, but you didn't always have these scars, did you, Y/n?" Charles asked.

You had not.

You had woken with them a few days before. Despite your powers rooted in chaos magic, it wasn't uncommon for blemishes or wounds to etch themselves into your skin. However, you often knew why. These marks, scars, were not faint, but instead quite profound. Three thick, healed over wounds patched together like a stitch on the back of each of your hands.

"No professor."

He closed his eyes, a soft smile gracing his lips. Though you knew he wished to ask more questions, the moment was broken by Logan.

"Ah, the man himself." Charles beamed. "Logan, I'd like you to meet Y/n. She'll be covering your class."

You had seen your fair share of news stories about the Wolverine. Who hadn't? Though the television had never prepared you for just how tall, or broad he was.

"It's nice to meet you, Logan."

"You too." He nodded, taking your hand.

His hand lingered in yours for a moment. Charles cleared his throat.

"We were just discussing the most peculiar scar on Y/n's hand." Charles said. "Appeared just a few days ago out of nowhere."

Charles nodded his head in the direction of your hand, leading Logan to squint. As if a light bulb had gone off over his head, Logan glanced between Charles and yourself and with your hand still in his, he turned it examine the back.

Three scars between your knuckles. Right where his own claws would be.

Though he liked to imagine himself as the patron of remaining suave, Logan's eyebrows shot up at the recognition. He traced his view from your hands, up your torso, to your face where you eyed him questioningly.

He thought back to the way that he woke up in the seventies, wrapped in the arms of another woman. If times had been different and Logan hadn't undergone all the so-called character development in the last forty years, he was sure that a face like yours would have gotten him in a lot of trouble. You were beautiful, and your demeanor highlighted your strength.

Your face radiated kindness, warmth and most of all, sincerity- a trait that was difficult to come by in a trade such as his.

But then Logan recalled that this wasn't the seventies and you weren't at some bar leading him on the entire night: your hand was in his and, according to everyone else, he was yours.

The idea almost couldn't register in Logan's brain.

"Interesting, isn't it, Logan?" Charles asked, breaking the silence. "Almost identical to where your claws are, hmm?"

Oh the professor thought he was quite funny.

Logan pulled his hand back from your grasp and shook his head.

"Not that easy, Charles." Logan commented before turning to you, a spiteful tone in his voice. "See you around, bub."

Before you had the chance to open your mouth, you watched as Logan stomped down the nearest hallway, his boots squeaking against the floorboards as he did. His fists clenched and released at his sides as he disappeared from view.

His reaction had come so far from left field that if it hadn't given you whiplash, it would have hurt your ego. Instead you turned back to the professor.

"Was it something I said?" You asked.

The professor shook his head, patting your hand gently.

"Logan's quite a complicated man." He assured you. "I'm sure you'll come to know that more than the rest of us. Now, to your classroom..."

Glancing over your shoulder to the void-like hallway that Logan went down, you considered the professor's words.

-

A storm had taken over the mansion by nightfall.

As you padded down the wood panelled hallways, the lightbulbs shook in their glass with each thunder clap- wind swatting at the window panes every few seconds. The pitter patter of the raindrops, although harsh, was comforting. It was almost as if the mansion had been engulfed by the storm, trapping everyone inside, while consequently making the outside world feel a thousand miles away.

When you found Logan's door, tucked in at the end of the hallway, you knocked.

"Yep."

The weight of the door fell against the palm of your hands as you pushed it open.

Logan's room was dark. The only light in the space had been from the embers of the cigar that hung in his mouth, cradled between his thumb and forefinger. Despite the darkness, you could make out his figure sitting at his desk chair by the window, feet kicked up on the sill.

Logan only gave you a quick glance over his shoulder before turning back to the view.

"What d'you want?"

His voice was thick and rough around the edges.

"I came for your textbooks." You replied, tiptoeing against his floorboards. "The professor said you'd have them."

The hand of his that held the cigar waved around. Minuscule ashes fell to the floor as your eyes remained trained on the light and the faint glow of the moon that illuminated the side of his face.

"Be my guest," he said. "Don’t have a clue where they are."

The professor had given you the lowdown when he saw your scars.

Charles told you that despite everything that you had learned- the history that you had known- the Wolverine you'd meet was not the same person. He was a man from a different time with far different, darker memories and enough baggage to weigh down dozens.

Amidst the silence, you cleared your throat.

"Must be hard to wake up in someone else's life."

By now you had reached his desk, your fingertips tracing the lines in the dark, lacquered wood.

You could smell him and the cigar from this distance- aftershave mixed with smoke.

"The professor tell you that?"

"Mhm."

The chair creaked as Logan flicked his hand towards the window, ushering you to come closer.

Watching your step in the dark, you maneuvered around the furniture and sat beside Logan on his desk- pushing loose papers to the side.

"He give you his whole spiel on soulmates too?" He asked, eyes trained on the rain outside.

Soulmates.

Now that was the last thing you expected to come from the Wolverine's mouth.

You'd heard of them more times than you could count. You once wondered whether every repetitive coincidence was a sign that your person was coming. But, when that never happened, you lost hope.

Who got to tell you who you belonged to anyway?

Leaning over, you gingerly took the cigar from his grasp and replaced it with your own fingers. Sitting back into the desk as lightening struck a tree in the distance, you took a puff.

"So that's what the scars on my hands were all about," You thought aloud.

The window fogged as you let the smoke leave from your mouth in a breathy sigh.

Logan tapped his fingers on his thighs, counting the seconds between a lightening strike and its consecutive rumble of thunder.

"Listen, I'm no prince charming if that's what you came here looking for."

Logan's chair creaked again as he leaned back in his seat. His arm draped against the desk as he met your gaze.

You chuckled and held out his cigar, offering it back to him.

"I came here looking for textbooks." You laughed. "You're the one who keeps talking about soulmates. I think you're more of a romantic than you let on.”

His fingers brushed against yours as he took the cigar back into his own hand. Another lightning strike met the ground in the distance, a clap of thunder following moments afterwards.

"You don't buy it?" Logan quirked his eyebrow. It was a teasing question, one he was curious to hear your answer to.

You shrugged.

"I don't think the universe gets to tell me who to love," you said. "If I fall in love with you it's because I love you, Logan. Not because some mark told me to. I just think of it as... a little shove in the right direction.”

The corner of his mouth quirked into a smile for the first time.

"A shove?"

"Like a... blind date." You finished. "Ever been on one of those?"

A congested laugh escaped him.

"Sweetheart, do I look like the type of guy to go on a blind date?"

You bit the inside of your cheek at the name.

Rolling your eyes, you swatted at his arm. You wouldn't admit how much it hurt your knuckles to do so. You'd have to make a mental note to remember his adamantium skeleton.

"Gosh, you're cocky!"

Logan shrugged, "You're the one who likes it apparently."

You felt yourself grow hot at his accusation.

Even though he had a mark signalling his future affection for you, you couldn't help but feel embarrassed by Logan's knowledge of yours. You felt like a child who's crush had just been exposed to the whole class. Was he noting ever glance that you gave him? The way you didn't move when his arm brushed against yours?

A brief pause hung in the air until another thunder clap reverberated against the walls.

"So what's your mark?" You asked.

Logan shoved the cigar into the corner of his mouth. The biting motion forced him to flex his jaw in a way that you would refuse to admit made you start to realize that maybe the universe was right.

And that maybe his cockiness was justified.

He laid out his hands for you. The room was still dark, making the ability to discern the details of his scar impossible. Taking Logan's hands in yours, you summoned your magic into your hands, watching as they glowed gold.

Logan had two large, circular scars imprinted into his palms. It was a clear indicator of your own magical power that surged from your hands.

It left a feeling you couldn't describe in your chest to know that someone else was marked for you. They were destined for you. To be with you. You had a future written together before the two of you had met. Even if he rejected you, there was a sign etched into his skin that bound the two of you together in some fateful way.

Gently, you traced your fingertips against the mark, feeling the warmth that radiated from his palms.

When your eyes flicked upwards, you noticed how close the two of you were now sitting. You could feel his warm breath against your lips as the lingering smell of the cigar drifted up your nose.

Although he wouldn’t admit it, Logan was enchanted by the energy radiating from you. Whether people hated or loved him, his ability got a lot of talk. In his mind though, he would never be a hero. He was just some guy who got lucky.

You, though? He didn’t need you to tell him that you were an Omega level mutant. Logan had heard about you from the professor: you could cast spells, read minds, reconfigure reality- to name a few. You didn't need a reason to fight for what's right, you just did. Again, and again, and again. Even here, now, you were picking up Logan's history class when he knew very well you could be on the other side of the world sipping pina coladas if you wanted.

What the hell was the universe thinking putting you with him?

Logan admired the reflection of the magic on your cheeks and the way your eyes stayed trained on his palms. Your touch was so gentle he could have sworn he was in a distant dream until your eyes met his.

The two of you stared at each other for a moment, gaze locked.

Then another clap of thunder shook the mansion.

You quickly leaned back, pulling your hands from Logan's touch.

"I should... I should go." You said, pushing yourself off of Logan's desk. "It's getting late and I have my first class in the morning."

Logan leaned back in his seat. He said nothing but eyes remained fixed on your form as you made your way towards the door.

Looking back at him with your hand on the knob you made a mental note to remember the image of him with his feet kicked back on the window as he smoked his cigar.

A soft smile remained.

"Good night, Logan."

When you didn't leave immediately, he nodded.

"Night, sweetheart."

Mustering up the courage to shoot him one last smile, you pulled open the door and stepped outside.

Now, Logan didn't know how much he believed in soulmates, but he could be inclined to consider that it was one good wingman.

Leaning back in his seat, Logan sighed and closed his eyes, letting himself drown out his worries with the sound of the rain.

a/n: my inbox is open for more requests! thank you for the request @welcometochilis585

[hazelfoureyes]

The Big Part

Alastor x Virgin FemReader smut

(part 2)

You were dead, it was time to divest yourself of your virginity. When you ask Alastor, he takes to the task immediately. Unfortunately, he seems to enjoy surprising you.

warnings/promises: Alastor x Reader smut, Alastor dislikes getting naked, virginity does not rock, possessive Alastor, head pats, reader is an adult she’s just a nervous idiot bad at words

Horny little deer cult: @frompeach , @chirimeimei , @poppingaround , @polytheatrix , @itsmskeisha , @stygianoir , @celestial-vomit , @xx-all-purpose-nerd-xx , @amurtan

minors dni, this isn’t educational in the slightest and is just straight smut

It made sense, at the time. You didn’t want a relationship and you didn’t want to meet a stranger you couldn’t trust, that left very few people to ask. Husk would say no, and probably stop serving you drinks. Angel would most likely agree, but you were a little intimidated by his experience. That left Alastor. While you hadn’t spent much time together, your interactions were always cordial. And plus, this was hell. Isn’t this kind of situation a sinners dream come true?

For most, maybe. But you didn’t know Alastor. Not yet, not really. Everything he did had some ulterior motive. Perhaps nothing he had ever done was simply selfless. If Alastor wasn’t gaining something, Alastor wasn’t interested.

You caught him in the hallway one evening after redemption-oriented activities, deciding to get the moment over with as quickly as possible.

“It’s a favor, little… odd. But you’re the only person I have to ask.” Your eyes darted around his face, down the hall, up the walls, anywhere really but his eyes.

“I’m all ears!” Alastor tapped the microphone to the ground with a satisfying ‘thud’.

Oh— you had rehearsed this but you hadn’t prepared to be staring at that large, toothy grin. It wasn’t unsettling, it was just distracting. Would he be smiling the entire time he… ya know.

“I am,” you steepled your hands, pointing them at him, “a virgin.” You paused, hoping maybe he’d just infer the rest and you could stop talking.

His face was motionless save his eyelids rising up.

“And I don’t want to be. Anymore.” Your lips pursed together. C’mon, Alastor. Figure it out.

Alastor nodded.

You dragged your fingers down your face, “Would you help me with that?”

His head cocked to the side like a golden retriever being handed a book on ancient Egypt. Very nice offer but what exactly do I do with it?

“Help how, precisely?” He finally spoke, tone unchanged from any normal topic of discussion. Alastor watched your face scrunch up, mouth moving around words you abandoned half way through. You weren’t saying anything, just making panicked sounds. “I find annunciation most helpful when wanting to be understood, dear.”

You wanted to somersault out the nearest window. “Alastor will you take my virginity?”

“Take it where?”

You groaned, he laughed, “Just kidding, my dear! All in good fun. So, to be clear, you would like your first sexual experience to be with me?” He pointed the microphone from you to him.

You nodded, “Yes, please.”

His smile seemed to strain. Staring down at you, he tried to understand what your motivation was for this. But as he looked into your big, concerningly innocent eyes, he realized there was none. You really, simply, want him to be the first.

Ooh, as he thought it, he felt his pulse quicken in his lap. The first. A spot no one else could take. For the rest of your afterlife, he would always be the one who was first in you. A delicious thought. He could work with that.

“Are you free now?” He leaned down to your level.

“Oh. I wasn’t-,”

“Expecting immediacy? Perfect, the element of surprise has never failed me before.” His hand wrapped around your waist and drew you in to his chest, there was a rush of cold air over your skin before you felt yourself falling back.

It was soft, the room was dark, save for a small floor lamp in the corner. Your room, you realized.

“I didn’t know you knew my room number.”

“It’s my job to know everything about the hotel.” He said, tossing your shoes behind him. Was this happening now? Right now?

“I can do it, it’s, it’s fine.” You sat up and began undoing your pants. Alastor just standing there, watching. Smiling. Fuck, was it going to be this awkward the entire time? Should you say something? Touch him? You were lifting the hem of your shirt when you realized he was still fully dressed. “Are you going to take off your clothes?”

“Why would I do that?” Head lolled to the side.

You stopped mid-way through unhooking your bra, “Alastor you do know I was asking you to fuck me, right?”

He nodded. Maybe this was a mistake.

After taking off your bra, and finally your panties, you crawled to the top of your bed and drew your knees to your chest. Your feet hid your sex from view. Heart racing, but it wasn’t excitement, as you had anticipated. It was nerves. Would it hurt? Would you make a stupid face? What if he didn’t like the sounds you made? What if you regretted it after?

Alastor got on the bed on his knees, undoing his belt buckle but not his pants. The way he looked at you, your heart skipped a beat. You suddenly remembered he was called the ‘cannibal deer’ as you saw something akin to hunger in his eyes.

“What experience do you have?” His voice was suddenly low, deeper than before. This wasn’t the pun loving radio man you saw prodding the staff.

“I dated. Before. Kissing, um, I don’t know the bases. Groping?” You grimaced, it sounded so formal.

“Have you ever,” he began to slink toward you on his hands and knees, red eyes glowing in the dim light of your room, “been entered?”

Your cheeks burned, your head suddenly swayed as if it was half full of water and someone tipped you over. “Just myself, my,” you lifted your hand.

“Show me.”

All the air left the room, sucked out of your lungs and into his grin.

Uncrossing your feet, you tried to open your thighs without seperating your knees. It didn’t work, but you still managed to get a hand between your legs and to your entrance. You could have cried, you were soaking wet to an embarrassing degree. Your eyes return to Alastor, his gaze never leaving you. Even as you slipped a finger, then two, into yourself. You thought for sure he would want to watch your hands playing with your wet pussy but no, his eyes stayed on your face. Somehow, that was worse.

A shaky sigh escaped, your eyes closing as you tried to focus on relaxing around your digits.

Your head smacked against the headboard when you felt a third finger enter. Not yours. Your eyes flew back open to see him now directly in front of you.

“Two won’t do, dear.” He spun his finger around, pulling slightly at the thin skin of your entrance. “Unless you’d prefer this to hurt?”

You shook your head no, still stinging from the impact you had made. “May I?” His hand took your wrist and removing your fingers. Swiping your wetness from your ass to your clit, he coated his claw-like digits and pushed three back in. They were longer than yours, sharper. You could feel he moved gently, in and out. Your head was heavy, breath short and fast.

He laughed, bringing your consciousness fully back into the room, “Already wanting to change your mind?”

You shook your head side to side, still too embarrassed to speak, and took a grounding breath to help your body accept his fingers. He took his time, sliding in and out of you. His fingers picking up the slick and letting it lubricate your lips. It was so slow, the only pleasure for you was knowing it wasn’t your hand doing it.

But then his stretching of your hole stopped, and he grabbed both of your knees from underneath and pulled you down toward him. Now on your back, legs up and in his hands, you heard his belt slide through the loopholes, his zipper drop. You wanted to look, but you also absolutely did not want to look.

Your knees came together when you felt something hot and round at your entrance. “Ah-ah,” He opened them immediately. He reached for one of your hands, and brought it down to his cock. It was so hard under your fingers, but gave a little when you squeezed. It made him hiss.

“You tell me when to stop, little doe.” He pressed into your opening, pulled back. Pressed in, just barely making it past your lips, pulled back. He kept this pressing and pulling, head making slightly more leeway every time. Your fingers were holding right behind the tip.

“How about this, dear. I’ll just get the head in for now. Manageable!”

“Just— just get the big part in first?” You asked, the pressure at your entrance building with every shallow thrust.

He laughed, nodding as he held both of your knees further apart. When he attempted to get past the curve of his cock’s head, your hands flew down to press against his thigh, pushing back with the intrusion. Alastor stilled, sighed, and pressed his head fully in with a determined thrust. Instinctively, your feet came to his chest and tried to push away from him. It felt like you were being torn down the middle, your body forced apart at your most sensitive junction. He held you still now by the ankles, legs splayed in the air.

It burned where your walls were pushed aside. Stinging where the skin tore slightly just beneath your hole, unable to stretch.

“Breath, sweetheart.” He set your ankles down. “Does it hurt?”

You nodded.

“I’ll stay here for a bit,” he settled on his legs, looking down at where he was connected to you. Your pink little pussy looking positively overwhelmed by his cock. No one has ever been here before, and he could feel it. Your walls were pressing so hard against him his shaft was slightly curved from the force pushing his head out. You still had so much to take, there was so much more of you for him to explore. You tried to calm your breathing but your heart was racking against your sternum.

Hand reaching down again, you let your fingers count little paces from his core to yours. You knew the hardest part was over, but that didn’t bring much comfort as you felt how far you still had to go.

Alastor let his eyes wander away from your not-so-virgin cunt to your face. Your expression was twisted, not pained but clearly uncomfortable.

“How does it feel?” He asked, gesturing to your lap with a nod of his head.

“Full, so full.”

His cackle disheartened you, “Darling I am no where done filling you up.”

You clenched when he said it, earning a small groan from him. You were already too tight, when you spasmed on him it was nearly painful. There was more to do yet, more of you to claim as his. Just the tip of his cock was simply not enough.

His hips started moving again, the folds of his head pulling at the skin of your entrance but not actually crossing the barrier. He was gently rocking, barely making friction between you two. Your hand clawed at his knee, breath hitching. You let an airy moan slip, his head no longer an intrusion but something hot and melty barely rubbing your walls. It started to feel almost good.

Alastor’s cock was throbbing, his shaft touch-starved and desperate for the heat of your cunt. Your face was relaxing now, eyes blinking around new sensations. He wanted to see you experience more, more firsts and frighteningly foreign pleasures. He wanted to see you scared of how good he could make you feel. Alastor wanted you to never feel whole again without him buried balls deep in you.

“Can you take more?” His voice was like gravel, a radio static crackling in.

You met his eyes, glowing still in the dim light, wide and nearly frenzied in their dilation. His smile was practically beaming down at you.

“I don’t know.” You were scared to move forward, even though you wanted more.

“I don’t like liars.” A pop of electricity arcing at the end of his words. You pulled a pillow over your face, trying to hide from the reaction you knew he’d have as his voice made you tighten around him. “Your body says otherwise,” he hissed.

You wanted to say ‘yes’, if this could feel good then how great would all of him feel? But you were scared to vocalize it. Scared to make it start. Alastor lifted the pillow, “I need to see you, dear.” He set it beside his leg, “Do you remember what I said earlier?”

Brow furrowed, you shook your head. His grin widened to his ears as his hands slid down your thighs to your hips and he sank his cock to the hilt.

The element of surprise definitely made the nerves of saying ‘yes’ dissipate, but you were now choking on your breath, hands gripping at the blankets beneath you. Was this normal? Was he too far inside you? You felt nauseous, your guts prodded by Alastor’s member.

“How does it feel now?” He watched your eyes scanning the ceiling for an answer. You felt sure there was no way his head could leave you ever again. It was so snuggly fit in you, you feared you’d be pulled inside out. “Words, dear.”

You sat up on your elbows, sweating from the nerves of it all. “Like there’s a big stick stuck in me.”

“Accurate!” He laughed, and began pulling out. You whined, head dropping back. Almost taking himself out completely, he paused before thrusting back in. The head of his cock dragged against your walls, you could feel him with such detail. Every inch of him leaving impressions behind. Alastor could feel it too, how your soft warmth moved out of his way with every push. How pliable your womb was to his intrusions.

More. You could take more, he was positive of it.

Slowly, your moans began to get louder as the pressure faded into pleasure. Every time he bottomed out, you jumped. Every time he pulled out, you wanted to chase after him with your hips.

Watching your face soften, eyes now watery, Alastor was sure you were relaxed enough. He grabbed the pillow beside him, lifting your ass and sliding it under the small of your back. You didn’t ask, just waited to see what the point was. Dissatisfied, he grabbed another and added it under you.

Your hips were up, ass hanging over the ledge the pillows made, back bent upward. When he began to thrust again, you whinced feeling a new part of you widen for him. “Can you see me?” You looked at him when he said it, but he grabbed your hand and placed it beneath your belly button. When he pushed back in, you could feel his cock beneath your hand. Moving it, you watched your stomach bulge slightly when he was completely sheathed in you.

“Oh fuck-,” your head fell back into the bed, it was too much to feel let alone to watch, “Too deep.”

He hummed an acknowledgement, picking up his pace. “Let me see how you cum.”

Your face was hot, reluctantly bringing your hand to your clit and rubbing.

No, this wasn’t a mistake at all. If anything you regretted not asking sooner.

His thrusts now brought lightning to your core, your finger quickening in speed with the realization of just how good he could feel.

Studying your face still, he adjusted his angle until he saw the muscles in your neck tighten. He knew he found your g-spot, your moans dipping into cries.

“I can’t—,” You couldn’t get over the hump, knowing he was watching you, waiting for you.

“You can”, the lights flickered, his eyes now black with small red pupils illuminating your naked body, “and you will, my dear.” One of his hands stopped pressing finger sized bruises into your hips to instead push your own finger aside. The wide pad of his thumb took over and began thrumming you fast and hard.

That familiar build up of pleasure was stronger than you’d ever felt it, and when it finally snapped your muscles from your thighs to your toes cramped. How long had you been tensing?

You practically sobbed into the crook of your arm, Alastor’s hips slowing but still carrying you through your orgasm. They moved slower and slower, until stopping entirely. His head popped out of you, leaving you feeling hollow. Cold.

Eyes wet and blurry, you looked up at him, “Aren’t you going to finish?”

“If we do everything now, what ‘first’ will we have for tomorrow night? And the night after that?” He smiled, member already hidden away and pants buttoned. Your thighs twitched. “Same time tomorrow, little doe?”

You covered your face with both hands, and nodded.

His big hand came to your head and patted you gently, “Good girl.”

I hope you liked it 🥺 I don’t feel as confident about this one. Fun fact, my first time involved bondage. Very on brand, huh? 💖

༻Masterlist༺

Gonna start calling his dick ‘the element of surprise’. You look tired today! What happened? Oh the element of surprise kept me up all night.

[zoe-oneesama]

It's really unclear in the cannon, and I don't remember if you mention it in your comic, but to the public (and Adrien's) knowledge, was Emily dead?

I think I remember That Guy tweeting that they held a funeral and everything, but if it didn't happen in universe~ 🙃It's honestly kinda wishy-washy.

Everyone in universe calls her "missing". And that's technically correct, since a body was never found. You can infer that Gabriel didn't do an ol' switcharoo and have a closed casket funeral after having proven that she's D-E-A-D dead because of the choice to use the word "missing" and not "gone".

But they also just act like she's been "missing" for 7 years or something. No one's looking for her, Adrien is fine with his dad moving on to Nathalie, Amelie comes back for her sister's heirlooms. Everyone has accepted that she's not coming back as if she didn't vanish under mysterious circumstances.

But she's only been "missing" for one year! Well, nearly two years if we go off "Ephemeral", but the way everyone talks about her (besides Gabriel) is as if she suddenly died in a car accident or finally succumbed to her very visible and long lasting illness.

But that's not the case. There's no body, as far as everyone else is concerned. She just VANISHED but everyone treats it like when a cat slinks off to the woods to die in peace!

It's BIZARRE how the show wants her "missing" and "dead" at the same time and doesn't seem to realize that there's a HUGE! DIFFERENCE!

As for SL, you'll see in the next page.

[nostalgebraist]

Honestly I'm pretty tired of supporting nostalgebraist-autoresponder. Going to wind down the project some time before the end of this year.

Posting this mainly to get the idea out there, I guess.

This project has taken an immense amount of effort from me over the years, and still does, even when it's just in maintenance mode.

Today some mysterious system update (or something) made the model no longer fit on the GPU I normally use for it, despite all the same code and settings on my end.

This exact kind of thing happened once before this year, and I eventually figured it out, but I haven't figured this one out yet. This problem consumed several hours of what was meant to be a relaxing Sunday. Based on past experience, getting to the bottom of the issue would take many more hours.

My options in the short term are to

A. spend (even) more money per unit time, by renting a more powerful GPU to do the same damn thing I know the less powerful one can do (it was doing it this morning!), or

B. silently reduce the context window length by a large amount (and thus the "smartness" of the output, to some degree) to allow the model to fit on the old GPU.

Things like this happen all the time, behind the scenes.

I don't want to be doing this for another year, much less several years. I don't want to be doing it at all.

----

In 2019 and 2020, it was fun to make a GPT-2 autoresponder bot.

[EDIT: I've seen several people misread the previous line and infer that nostalgebraist-autoresponder is still using GPT-2. She isn't, and hasn't been for a long time. Her latest model is a finetuned LLaMA-13B.]

Hardly anyone else was doing anything like it. I wasn't the most qualified person in the world to do it, and I didn't do the best possible job, but who cares? I learned a lot, and the really competent tech bros of 2019 were off doing something else.

And it was fun to watch the bot "pretend to be me" while interacting (mostly) with my actual group of tumblr mutuals.

In 2023, everyone and their grandmother is making some kind of "gen AI" app. They are helped along by a dizzying array of tools, cranked out by hyper-competent tech bros with apparently infinite reserves of free time.

There are so many of these tools and demos. Every week it seems like there are a hundred more; it feels like every day I wake up and am expected to be familiar with a hundred more vaguely nostalgebraist-autoresponder-shaped things.

And every one of them is vastly better-engineered than my own hacky efforts. They build on each other, and reap the accelerating returns.

I've tended to do everything first, ahead of the curve, in my own way. This is what I like doing. Going out into unexplored wilderness, not really knowing what I'm doing, without any maps.

Later, hundreds of others with go to the same place. They'll make maps, and share them. They'll go there again and again, learning to make the expeditions systematically. They'll make an optimized industrial process of it. Meanwhile, I'll be locked in to my own cottage-industry mode of production.

Being the first to do something means you end up eventually being the worst.

----

I had a GPT chatbot in 2019, before GPT-3 existed. I don't think Huggingface Transformers existed, either. I used the primitive tools that were available at the time, and built on them in my own way. These days, it is almost trivial to do the things I did, much better, with standardized tools.

I had a denoising diffusion image generator in 2021, before DALLE-2 or Stable Diffusion or Huggingface Diffusers. I used the primitive tools that were available at the time, and built on them in my own way. These days, it is almost trivial to do the things I did, much better, with standardized tools.

Earlier this year, I was (probably) one the first people to finetune LLaMA. I manually strapped LoRA and 8-bit quantization onto the original codebase, figuring out everything the hard way. It was fun.

Just a few months later, and your grandmother is probably running LLaMA on her toaster as we speak. My homegrown methods look hopelessly antiquated. I think everyone's doing 4-bit quantization now?

(Are they? I can't keep track anymore -- the hyper-competent tech bros are too damn fast. A few months from now the thing will be probably be quantized to -1 bits, somehow. It'll be running in your phone's browser. And it'll be using RLHF, except no, it'll be using some successor to RLHF that everyone's hyping up at the time...)

"You have a GPT chatbot?" someone will ask me. "I assume you're using AutoLangGPTLayerPrompt?"

No, no, I'm not. I'm trying to debug obscure CUDA issues on a Sunday so my bot can carry on talking to a thousand strangers, every one of whom is asking it something like "PENIS PENIS PENIS."

Only I am capable of unplugging the blockage and giving the "PENIS PENIS PENIS" askers the responses they crave. ("Which is ... what, exactly?", one might justly wonder.) No one else would fully understand the nature of the bug. It is special to my own bizarre, antiquated, homegrown system.

I must have one of the longest-running GPT chatbots in existence, by now. Possibly the longest-running one?

I like doing new things. I like hacking through uncharted wilderness. The world of GPT chatbots has long since ceased to provide this kind of value to me.

I want to cede this ground to the LLaMA techbros and the prompt engineers. It is not my wilderness anymore.

I miss wilderness. Maybe I will find a new patch of it, in some new place, that no one cares about yet.

----

Even in 2023, there isn't really anything else out there quite like Frank. But there could be.

If you want to develop some sort of Frank-like thing, there has never been a better time than now. Everyone and their grandmother is doing it.

"But -- but how, exactly?"

Don't ask me. I don't know. This isn't my area anymore.

There has never been a better time to make a GPT chatbot -- for everyone except me, that is.

Ask the techbros, the prompt engineers, the grandmas running OpenChatGPT on their ironing boards. They are doing what I did, faster and easier and better, in their sleep. Ask them.

[tofixtheshadows]

I should've made this in the first place to go as a reference to my post about Kabru rarely being shown eating (and when he does it, it isn't pleasurable) and linked it somewhere. I didn't feel like I needed to go through every example and based on people's tags I do think everyone gets it ... but I'm compiling this anyway because I find it really interesting from an artistic/writerly standpoint.

Like, Kabru obviously is eating meals in the abstract sense. But as I said, Kui almost never actually draws him putting food in his mouth. At first I assumed that she was avoiding it to save on space because he needs to be shown talking instead, but as I've looked back, I've noted that she doesn't usually shy away from giving characters speech bubbles even when they're chewing or they have utensils in their mouths. Unless they're Kabru.

This would realistically be the best time to actually show him eating, since it's a normal meal at a normal restaurant, but no. He doesn't actually put food in his mouth in this entire scene. They show him taking a bite in the anime, so I almost forgot, but honestly the manga just makes it look like he's picking at his food. Again: I'm sure he does eat this meal. My point is that I think it's a deliberate choice to keep that off-page, to contrast all the other characters who get to both visibly eat food and enjoy it.

As mentioned, Kabru is only shown drinking wine while his party eats the snacks in chapter 32. I think it's possible to infer that he doesn't actually eat any food here at all.

The harpy egg omelette bit barely counts as eating lmao we all saw him struggling to even swallow a bite down. Let's move on.

Quick sidebar:

Are we all going insane over this panel or is it just me? Okay continue.

Like with the omelette, it gets a checkmark for actually going into his mouth but no checkmark for enjoyment. He hates this. He's being spoon fed bad cake and patronized.

Next:

Literally the worst meal in Dungeon Meshi lmao.

Barometz:

He does actually eat this. Rare Kabru mastication panel, not clickbait. But it's kind of a sad moment when you remember that he was looking forward to a cultural dish of his mother's- literal comfort food from his childhood- and instead got the weird godless crab-meat-plant that is the barometz. This may be the only time Kabru goes looking for comfort, and he's pointedly denied it.

Next:

Yeah he isn't drawn eating during this entire scene either. Only drawn holding the food and his utensil.

As stated: still never shown eating. Deliberately shown getting Mithrun to eat instead. Kabru, the call is coming from inside the goddamn house.

Bavarois is next, and once again it gets a checkmark for actual on-page chewing but as we see, he still hates it and has to concentrate very hard and block out all thoughts of what he's doing in order to swallow it down without making a scene.

Okay. Faligon feast. Kabru does canonically spend days eating for the sake of Laios and Falin! Yay! Caloric fucking intake! Clean plate club!

And yet.

Literally shown stopping himself before he can put the food in his mouth.

Mickbell is so real for this. No one needed to hear a lecture from Senshi more than Kabru.

Anyway. Given how surgically precise Kui is with everything else in this story, I just feel the choice to constantly show Kabru focusing on his worries during mealtimes, instead of drawing him just enjoying food, was purposeful.

[literaryvein-reblogs]

Writing Notes: Point of View

Point of view (POV) - the position from which the events of a story are observed.

The author establishes point of view through the use of characters, dialogue, actions, setting, and events.

Authors rarely speak in their own voices. Instead, they assume a particular persona and adopt a "voice" that enables them to narrate their stories and novels. This voice is called point of view.

4 Common Points of View

1. Omniscient 2. Limited Omniscient:

Major character

Minor character

3. Objective 4. First Person:

Major character

Minor character

OMNISCIENT

The story is told in the third person ("he," "she," "it") by a narrator who knows everything about the characters, actions, and events.

The narrator is able to move in time and place, to shift from character to character, and to reveal or conceal as little or as much as he or she pleases.

This type of narrator is "all knowing."

Example from "Godfather Death:"

"He ought to have remembered his godfather's warning."

The narrator has unlimited knowledge, even knowing the mind of Death, and he comments on and evaluates the doctor as he is dying.

LIMITED OMNISCIENT

The story is also told in the third person, but only from the viewpoint of a single character, whether a major or minor one.

The author selects which character to see through, and the narrator is confined to knowing only the thoughts and actions of that character.

Such a character is the "lens" through which events pass in the story.

Example from Gustave Flaubert's Madame Bovary:

"Charles went upstairs to see the patient. He found him in bed, seating under blankets, his nightcap lying where he had flung it....The fracture was a simple one, without complications of any kind. Charles couldn't have wished for anything easier. Then he recalled his teachers' bedside manner in accident cases, and proceeded to cheer up his patient...."

It is only through Charlie's eyes that readers "see" and learn about the patient.

OBJECTIVE

The story is told in third person, but the narrator does not enter the mind of any character.

The narrator objectively describes events from the outside.

The reader is left to infer the character's inner thoughts and feelings.

The narrator knows which details to use to communicate deep meaning.

Example from Dashiell Hammett's the Maltese Falcon:

"Spade's thick fingers made a cigarette with deliberate care, sifting a measured quantity of tan flakes down into curved paper, spreading the flakes so that they lay equal at the ends with a slight depression in the middle...."

Readers must infer that Spade is deliberate, cool, efficient, and painstaking during a crisis; the author never uses those adjectives to describe Spade.

FIRST PERSON

The story is told in first person ("I"), through the thoughts and feelings of the narrator, not anyone else's.

What reaches the reader is subjective.

So, more important than whether the narrator is a major or minor character is the narrator's reliability.

An unreliable narrator can present a distorted picture of events; a reliable one can render events with accuracy.

Example from Aesop's Ant and the Grasshopper:

"Cold and hungry, I watched the ant tugging over the snow a piece of corn he had stored up last summer. My feelers twitched, and I was conscious of a tic in my left hind leg. Finally I could bear it no longer. 'Please, friend ant,' I asked, 'may I have a bit of your corn?"

Readers only know the thoughts and feelings of the grasshopper. They know nothing about what the ant thinks or how the ant feels.

Determining Point of View

The attitudes and opinions of a narrator aren't necessarily those of the author.

Don't confuse a character with the author.

To determine point of view, ask who the narrator is and what pronoun the author attaches to the narrator.

Also ask yourself what role, if any, the narrator plays.

By using a particular point of view, an author determines how much the narrator reveals about the characters.

If these writing notes help with your poem/story, do tag me. Or send me a link. I'd love to read them!

More: Writing Notes & References ⚜ POV

[causenessus]

cold kisses

part 0.3. USER 7193

PLAYING FROM KODZUKEN'S STREAM . . . feels by calvin harris

maybe he should have expected this. 

nearly all of his posts have been overrun with questions about y/n in the comments. the comments range from simple “who was the girl in your cooking stream??” demands to extremely specific ones detailing her exact hair color, height, and voice pitch as if he’s had another mysterious girl on a stream that he’ll confuse her for.

he’s been doing his best to avoid questions about her but it could only work for so long. now there’s only questions about y/n left in the chat and he’s not sure what to do. it was easy to ignore the questions when he wasn’t doing an entire question and answer live stream but he’d promised to do one soon and he thought having shoyo with him was going to help. 

it did for the most part, and everything seemed normal but he was at a loss for words when the chat started to flood with questions about y/n.

shoyo leaned closer to read a question outloud, “‘girl from the cooking stream?’ i keep seeing that, do they not know–”

a reflex kicks in and he slaps a hand over shoyo’s mouth, pushing him away from the screen again before removing his hand trying to act normal.

the ginger looks at him, a mix of surprise and confusion on his face. “sorry,” kenma apologizes quickly, shocked by his own actions. “no, they don’t know anything about her,” he answers, trying to make it clear that he wants to keep it that way.

but the chat is already too far gone, using this one mention to run wild with theories. he can’t blame them, really. sometimes they’re a little over the top and unnecessarily pushy as if they have no sense of respect but in this scenario what else could they talk about besides a mysterious person that just entered the picture? but that didn't mean he enjoyed dealing with it.

messages transition quickly from asking what they “don’t know about” to inferring that he has a secret girlfriend. he groans, looking away from the screen. his mind working fast to try and come up with an excuse or explanation; a single mention of her and they already think he’s dating someone. he’s sure that the internet would go crazy with this information as well, fabricating stories, scandals, and everything in between.

his phone starts to buzz.

speak of the devil.

it’s a notification from twitter, some unofficial update account that’s tagged him about having a secret girlfriend.

he needs to think.

he can see shoyo eyeing him out of the corner of his eyes and he knows he’s been silent for too long on camera.

god, someone was going to find out who she was soon, right? weren’t fans supposed to be good at doxxing each other?

but how does he play off being roommates with an olympic athlete? an olympic athlete whose currently being shipped to the max with the most typical copy and paste guy everyone has the hots for?

maybe it’d be better for him to leave it to a random fan to find out who she is and announce it to the world–no, then he’ll just look bad for hiding things after so much has already come to light. it’s best for him to come up with an excuse right now. if he said she was his girlfriend maybe he could ask them to leave her alone. maybe they’d listen to him.

it sounded like his best option but he couldn’t just make that decision on his own without talking to her.

but he also couldn’t stand up and the leave the room for an unprecedented amount of time after keeping quiet for so long.

he looks at the chat one more time, seeing the word girlfriend in nearly every message. if they already think they’re dating it can’t be that bad, right?

“kenma…?” shoyo breaks him out of a trance, touching him on the back.

kenma looks at him, unsure of what to say. he feels dizzy and his mind won’t stop whirring with thoughts and worries.

“you’ve been really quiet,” shoyo lowers his voice so that only kenma can hear him, “i think you need to say something.”

he glances at the chat again. still stuff about y/n.

she’d be okay with it, right? maybe if she isn’t he’ll just tell twitter that his girlfriend broke up with him because his fans are pushy little shits and he’ll agree with her word for word and then his fans will cancel him and he can move to another country and live a happy little life working in a cat shelter–

no. he likes his life the way it is now. he’s winged everything so far but he’s grown quite a small community for himself this way. he can do this. if y/n doesn’t agree, he’ll figure something out later.

“okay,” kenma finally speaks, dropping his hands that he’s been running through his hair absentmindedly. “since none of you guys are gonna leave this alone, yes. the girl from that last stream is my girlfriend, happy?” he watches his chat run wild with numerous exclamations. he thinks finally about his poor moderators. he’ll definitely have to give them something after this stream. “i’ve been trying to lay low about it because i didn’t want the world to freak out but now it’s out. just try and be respectful, okay? i love her a lot.” the words aren’t hard to say when they’re about her. he can say them honestly and play them off as a joke later, but for now he enjoys how nice it feels to say it.

he can see that shoyo has frozen up out of the corner of his eye. he needs to end this stream before either of them say something else they shouldn’t. he’ll answer a few more questions and slowly ease into a goodbye so that he can end the stream and debrief shoyo.

prev. | m.list | next

extras <3

this is a long chapter i'm sorry 💀 literally there's more but i tried to split this evenly into two chapters

kenma was literally just going through some random person's account who made edits of ice skating partners to self sabotage himself

yn wasn't sure when they'd be releasing partner pair ups and really freaked out when they were announced

she was texting everyone and tweeting a ton

she messaged her media girl like "hey i'm not comfortable with people sending me writing shipping me with atsumu can we please do something about it" and the girl replied, "what do you want me to do?? report them?? write you a message that you can tweet about your boundaries?? (yes) if that's what they want to write deal with it at least they like u"

and they wonder why she just posts whatever she's feeling on her main unless iwa tells her otherwise

noya has gotten distracted from the main topic of a chat to reply with a <3 to something nice y/n says multiple times

they're fr just best buds holding hand in the middle of a warzone where iwaizumi reigns over all

(the only two soldiers are suna and tsukishima)

suna's a lot softer without tsukishima around

he just feels like he needs his guard up around such a salty person

do not ask me why i made rofltropper an antagonist for no reason

kageyama was really just trying to finally do his english homework while waiting for hinata to come home and then he heard kuroo and oikawa start to yell

he was a little scared but then was like "if they can't reach me i'm safe" and they they slammed the door shut and his room shook a little

someone on the floor probably wrote up a complaint about them

taglist: @rinheartshyunlix @kettlepop @eggyrocks @cr4yolaas @httpakkeiji @keioover @does-directions @calx-bdo @staygoldsquatchling02 @cherrypieyourface @iluv-ace @kitty-m30w @h3xi2g0n3 @mylahrins @thechaosoflonging @momoriii-i @localgaytrainwreck @a-pastel-edgelord @bugglesboop @polish-cereal @osakis-gf @whykirbo @phoenix-eclipses @faesix @ryeyeyer @starxq.zip @skylarkalchemist @kunimix @sereniteav @kodzubaby (form to be added to taglist! <3)

[thelightsandtheroses]

everywhere, everything | jm x female reader [au]

Summary: In recent months, the bar your family has owned for generations has changed. Now it can't keep a bouncer beyond one shift, attracts the 'wrong' crowd, and is an albatross around you and your cousin's neck. Your cousin's latest hire, Joel Miller, seems like he might just survive the shift and as time passes, you can't help but want to know him more. AKA the Bouncer!Joel fic Word Count: 8.2k Warnings: 18+ MDNI, mentions of canon typical violence, RoadHouseBouncer!Joel AU, no outbreak, no specified age but reader has a cousin and inferred (not detailed) family deaths in the past, flirting, smut (p in v), Joel Miller is his chaotic self, mentions of death of a child (canon), many scenes set in a bar and mentions of alcohol or drinking, your standard lolabee flangst and introspection, reader mentions music, singing and playing guitar. Notes: So much appreciation for encouraging me to write this fic goes to @trulybetty for listening toand supporting my ideas and @rhoorl. Watching the new Road House movie at the same time as starting TLOU games led to this idea I couldn't let go of. Fic title isfrom the Noah Kahan song of the same name.

It’s starting to weigh on you.

You see it in your cousin more though; the weariness in her eyes as the local gangs come in and inevitably cause trouble. Both of you know where it comes from, the reasons behind it, why it’s so much worse for your roadhouse than anywhere else in the town.

Most days, you want to leave and sell up. Sometimes a fight is too much, it isn’t worth the cost, there’s too high a loss, too tiresome a battle. Everything your cousin possesses is tied up in the bar though. It’s not that simple for her and you won’t walk away from your family. You can’t.

The two of you cannot be the ones who let decades of your family’s legacy just wash away to nothing.

That was why your cousin had started with the bouncers in the first place. The two of you can only afford one, but it’s a small building, a small town.

“This one will be different,” your cousin says with a firm nod and smile that doesn’t quite meet her eyes. “I just know he will. He’s new in town, he starts tonight and he - when you meet him, you’ll see what I mean.”

You don’t say that she said the same thing about the last bouncer - what was his name? Dave, or Frankie, or something like that. You’ve stopped learning their names now - it’s pointless when they never last longer than a few days.

The bar is still quiet; tinny music coming through the speakers as you finish unloading the clean glasses from the dishwasher.

“Are you playin’ tonight?” she asks.

“Might do. If the crowd let me,” you say, smiling at your cousin gently. It’s a joke now; the bar hasn’t been safe enough in months for that.

It used to be your favourite thing about this place; the music, the ability to perform songs and transport yourself to what could have been, what could be. It might not be Nashville, or the Sofi stadium, but it’s the closest you think you’ll ever get to feeling like a real musician. And now you don’t even have that.

“Good, they will. It’s going to be a good one tonight, you’ll see.”

The new bouncer is called Joel but your cousin calls him by his surname: Miller.

He’s quiet, not like the other one. Instead of stalking around and flexing, Miller sits in the corner of the bar, perched on a stool and staring into a cup of coffee as though it would answer all his queries about the universe.

You feel bad about the coffee; you should have warned him that it’s truly awful, pointed him in the direction of the small diner ten minutes away that serves some of the best coffee in the whole state. You think your own coffee isn’t too bad either; perfected and tweaked over years to figure out the perfect combination of beans and grind to bring the best out of your worn moka pot.

“Next time, I’d go for water,” you say lightly as you approach his side of the bar. It’s still quiet for this time of the evening but the trouble doesn’t usually start until after ten anyway.

“Oh, yeah?”

“I’m not sure we can even legally call this coffee. I think there’s more caffeine in the Kahlua.”

“You have Kahlua?” Miller asks.

“It’s a very old bottle, I really wouldn’t risk it.” You try and remember the last time someone ordered a drink with it here but it’s hazy. The Bar doesn’t exactly attract people for its cocktail list anymore.

“Pity.”

“I can get you a water if you’d prefer. Or something else?”

“It’s fine.” You notice Miller has pushed the cup slightly away from him though. He eyes it with mild disgust and you feel suddenly even more worried for him. If he can’t handle the coffee, he surely won’t be able to handle the patrons.

“You’re Joe, right?”

“Joel,” he corrects instantly.

“Joel, right. Sorry.”

“Are there that many of us passin’ through, that you don’t learn the names properly now? Is that why your boss calling me Miller?” He doesn’t know who you are, that’s clear. He doesn’t know it’s your family’s legacy here too and you’re not just a bartender. This place matters to you.

“It’s only your first shift.”

Joel sighs and meets your gaze. His eyes are deep brown and you take in the slight salt and pepper to his stubble, the surprisingly comfortable looking plaid flannel he’s wearing. At the same time, you notice the stoniness in his posture, the wariness in his eyes.

He isn’t spoiling for a fight because he lives for them, not like the other bouncers your cousin has hired.

You’ve already realised that Joel Miller fights in an entirely differently way to his predecessors. You can tell his biggest battles aren’t the ones in a bar like this. Without projecting too much, you think they’re probably inside his mind. No one has haunted eyes like that without a story. You’re a bartender, you can just tell.

“What have you have been told about this gig? Do you know what you’re getting into?”

“I know this place has some troubles,” he says carefully.

“I’ll say.”

You remember when things were different in the town, in the bar. It wasn’t like this back then. It used to be for families. Your aunt once joked that your dad’s cooking could bring the entire town together. It’s been a long time since the place was known for a family meal though.

You grew up with laughter and joy inside these walls. Now, it feels like it must have happened somewhere else entirely. This bar is still where you ran in after being asked on your first date ever, where you opened your SAT results, studied while the bar was closed, had every family significant gathering or event you can remember.

This isn’t just a job for you.

“How long have you been here? No offence, but you don’t seem the type -”

“It’s my family’s bar. Your boss you mentioned, she’s my cousin. The two of us run it these days, well I mean, I only help out. It’s her bar now more than mine but it’s been our family’s place for generations. We’re what’s left.” All that’s left.

“I didn’t know. I wasn’t - I didn’t mean anything by that.”

“Of course, Miller.” His words weren’t meant with offence but he had still managed to pick at your vulnerability that you don’t truly belong and cut at your soul.

Your family never thought you’d keep up with the bar, your cousin was the clear front runner to inherit it and you supported that. You wanted to leave your hometown, that had never been a secret and your childhood bedroom had been covered in posters and postcards for exciting and different places.

Once, you dreamt of Nashville, of music venues and guitar calloused hands playing idle melodies as a tour bus drove you to your next city across a starlit sky.

Life had different plans for you thought.

“This town didn’t used to be like this,” you add, “We’ve had a lot of bad luck and - the whole town is suffering. You wouldn’t have recognised this place if you passed through even just a few years ago.”

”I’m -“

The door to the bar crashes open before Joel can finish his sentence. You notice the first of the regular troublemakers walking in and warily look around the bar. You can tell by their posture, the look on their face exactly what type of night it’s going to be.

“Looks like your work will be getting started soon, Miller. I’d drink up.”

He might just survive his first shift. That’s annoying - you have five bucks counting on him either walking out or be stretchered out like any of the bouncers by the end of the night.

You try and pay attention to your surroundings. It’s sensible in your line of work. For so many people that line between a good night and becoming the worst version of themselves is wafer thin and you’re often the first line of defence, you’re the one who has to say when someone’s not being served anymore.

Your cousin is in the back office, trying to sort out the multitude of paperwork that comes with owning a bar or business that nobody ever thinks about.

He’s calm, polite even for the most part.

He doesn’t escalate the situation, not like some of the bouncers who have spent a shift here recently. Mostly he sits and observes. His calmness is almost disconcerting and contrasts sharply with the danger in his posture, the readiness to move he’s concealing.

There hasn’t been too much trouble so far tonight; a mild fight which was easily taken outside but you can feel the tension in the air.

“Can I get ‘nother whiskey?” Robert slurs. He’s a regular to the bar now and has a particular penchant for not being able to handle his alcohol, being very resentful at being cut off, and worse of all never has enough money to cover his bill or damages.

“I think you’re done for tonight,” you say lightly.

“Nah, I say when I’m done.”

“Not according to the liquor licence,” you snark back.

“Look, just pour me -”

“You’re done.”

“You’re such a fucking bitch.” Robert slams his fist down on the bar.

“I think it’s time to go,” Joel says politely, suddenly standing next to Robert in the bar. You’re not sure if he’ll last as a bouncer here but you’ll give him points for stealthiness. You hadn’t even heard him approaching.

“I think -“ Robert starts before pulling a sloppy punch. Joel easily dodges it, raising his eyebrow incredulously at Robert.

“C’mon, now, it’s time to go.”

He places a hand on Robert’s shoulder and guides him out. You’re struck that he didn’t escalate the situation - that was the last bouncer’s mistake. What he hadn’t counted on was what Robert is a mean drunk and often gets a second wind of energy.

Joel walks back up to you at the bar. “The way people talk about this place. That wasn’t so -“

“That, Miller, that was nothing.”

You watch as another troublemaker, Owen, walks in, all biker vest and swagger. It’s never a good night when he’s here. Usually his presence signals a full moon style night of fights, shouting and misery. He hasn’t been in for weeks to your joy; you’d heard a rumour he was in jail. Not any more though.

“Miller you see now the trouble’s really going to start. That wasn’t even your warmup.”

Sunlight streams through the window as you finish wiping over the table. It’s your favourite time of day in the bar. Your cousin is catching up on admin, sleep and supplier deliveries, the bar is empty and it’s just you, the stereo and sunlight.

You can’t help but lose yourself in the music just for a moment. You love this song, the beat, the lyrics, the way it ebbs and flows in all the right places. Music is magic.

You’re not in a rundown bar, not weighed down by obligation and memories and self-doubt. You’re not here, you’re somewhere else. In a city, in a crowd, on a stage or even just dancing around somewhere else. You’re lighter and freer and desperate for the song to continue just a little more as you spin around, humming along with the lyrics.

You hear the door open and turn around quickly. You heard about the diner getting robbed a couple of weeks ago. You should have locked the door.

Miller’s there, some light discolouration to his jaw from the one punch he didn’t dodge, but otherwise intact.

“You seem surprised to see me,” he says.

“You’ve cost me five bucks,” you reply simply.

He raises an eyebrow, “Didn’t think I could hack it*?*”

“The odds are the odds.”

“Well, I’m sorry about your money.”

“Yep, that five bucks was my ticket out of this town,” you joke.

“Not sure that would even cover a bus ticket,” he replies dryly.

“Maybe the coffee for on the bus?”

“Maybe.”

“So, day two,” you say awkwardly, swinging your arms around you and then immediately wondering why on earth you did that. You busy yourself by turning down the speakers.

“Yep,” Miller says casually, sitting on a bar stool.

“Have - are you hungry?” you ask, suddenly conscious that it’s lunchtime and Joel not doubt has another difficult day ahead.

“I could eat.”

”It’s nothing fancy, because the kitchen’s not open, but it is homemade - well, it was. I froze it but it’s defrosted and it’s really good. Also, frozen food still retains its nutrients well, and in the case of cake, freezing it makes it even better.”

“I see.” Miller pauses, “It’s not cake, is it? I don’t think I can eat frozen cake before a shift. ”

“No,” you argue, “it’s Tuesday, that’s what we’d do on a Wednesday! Today it’s lasagne.”

Miller smiles then. It’s a good smile. Slightly crooked and his eyes crease a little, the way you always associate someone smiling when they mean it. His deep eyes are momentarily lighter, there’s a change in him.

You want to tease more smiles out of this man, want to identify each and every changed in his face or the way his hands tap against the old bar. You want to keep him like this, bask in the glow that you’ve bought that expression to his face.

“Lasagne sounds great,” he says after a moment.

“Sure, okay, Miller. Coming right up.”

“Call me Joel. Please.”

“Okay, Joel.”

You like how his name sounds against your teeth, the way he smiles once more when you say his name.

It becomes a habit. Joel survives shift after shift and inevitably turns up to the bar early the following day when you’re there.

He’s lasted longer than fourteen bouncers now. He might just make it. He’s quiet, yes, but you’ve seen the violence in his movements when needed, the way he tries to be polite and then it’s over, then it’s a line. There’s something that compels and terrifies you about the violence he holds, its contradiction because he speaks to you so softly and how can a man be capable of both?

“You need a second bouncer,” he says one morning as you’re trying and failing to sort the back door out.

The employee room in the bar is a barely functioning space. Cliche after cliche with the cheap red IKEA futon, mismatching furniture and chairs and elderly microwave and kettle. The air conditioning has never worked in the room and now the back door is jammed too.

The place is falling apart.

“Can’t afford it,” you reply nonchalantly. “We’re doing our best.”

“I know. But then someone could try and watch at the door, stop some of these people coming in.”

“I know. But no one’s coming in because they’re there so we can’t afford a bouncer. It’s uh, a catch 22. Can’t even afford to replace the damn -” You shove your weight against the door to no avail.

“I can fix that,” Joel says softly as you kick the door one more time.

“The gangs? That’s ambitious.”

“The door.”

“Oh, it’s just the weather and it always gets stuck now. Replacing it would cost-”

“I can fix it. I uh, used to be a contractor.”

“A contractor?” Joel hasn’t talked about his past much before. You know he has a brother, he’s the oldest and that he’s from Texas. Joel carries that

“Did you have to say that with the air of a cowboy in an old movie?”

“I wasn’t aware I did,” he replies, cocking his eyebrow in a way.

“What sort of contractor were you?”

“Building, just the general type.”

“Oh, okay. So you could actually fix the door?”

“I said so, didn’t I?”

“How do you get from contractor to bouncer?”

“It’s a long story.”

“I’d expect so.”

Joel squirms awkwardly. You’ve watched him easily apprehend aggressive gang members shouting the vilest things to Joel and move them outside. You’ve seen him barely blink over ill drunks spilling their souls on his shoes. You’ve seen him so strong and resolute.

He looks at his watch which, for the first time, you notice is broken and then at the ground.

“It’s fine, Joel,” you say, “you don’t need to tell me anymore.”

He keeps coming back, night after night and things start to change. It’s small, a fixed door and then a window catch replaced, the fact the gangs start coming around less. It’s change but the quiet type of change you only discover through previously entrenched routines.

You’ve spent time cataloguing his details, each scar or line, the way he takes his coffee (black, but a two to one ratio of sugar that makes you wince a little). Joel Miller has a sweet tooth.

You’re used to Joel now, you like talking to him in quiet moments in the bar, before or after shifts as he hangs around just a little longer. You tell him about the town, about how it was growing up, he lets it slip he’s from Texas, mentions a brother, Tommy, and you want to unpeel his secrets more and more.

You proudly place the slab of cake in front of him. Rain hammers against the windows and roof, creating great echoes as it sounds like the bar will come down around you. It’s unseasonal, the rain, an omen of quiet days. Today you don’t mind.

“What’s the occasion?” Joel asks, looking at the cake curiously.

“It’s a Wednesday.” You take a bite of your own slice, savouring the flavours, the delicate balance of sponge and icing. If you can say so, it’s a pretty great cake. You really have improved over recent months and while this was experimental, you’re happy with the result.

“Ah. Say no more.”

“Also, congrats, you’ve officially been here for eight and half weeks.”

“I pass probation then?” Joel looks around dubiously, clearly concerned your cousin or others will suddenly pop out in some surprise party or sense of occasion.

“Pretty much passed that by coming back on day two, but that’s my cousin’s domain. I just pour drinks.”

“And provide frozen food to the bouncers.”

“Only the ones who come back. Besides, it’s defrosted. I can take that cake back you know.”

“No, don’t you dare.” Joel takes a large forkful of the cake. “So why the cake though, sweetheart?”

“You, Joel Miller, are officially our longest standing bouncer.” You clap lightly in mock celebration as he cocks an eyebrow in response.

“What an honour,” he replies sardonically.

”You’re welcome.”

“Do I need to make a speech?”

“I think it was the speech that bought the previous record holder down.” Clint had lasted forty-five minutes after that speech. It was a bad night - a particularly nasty gang fight.

“Hubris,” Joel says lightly.

“Exactly.”

“Not bad for a contractor turned bouncer though.”

Joel laughs. “You going to tell me that story one day?” you ask, hoping your teasing expression hides how genuine your question is.

“Maybe,” he says. “You’ve not hit my records yet.”

“That a challenge?”

He shrugs and walks towards the door to ready the bar for opening.

You hand Joel the frozen peas wrapped in an old cloth. After the commotion, your cousin’s closed the bar early. It’s hard to recover the night from a scene like that and you’re pretty sure the broken table and glass amount to some sort of safety violation at the least.

“Thanks,” Joel says gruffly.

“You could have a concussion.”

“I'm fine.”

“You’re bleeding.”

Joel looks at his cracked knuckles and raises a finger to the cut on his head, lightly touching it and observing the blood that comes away on his hand. “’m fine.”

“You hit the bar.”

“Standard night on the job.”

“You hit it with your head.”

Joel shrugs, nonchalance and mischief at once.

“How’s the idiot?” Owen had come in with the intention of causing trouble; something about the rival gang, or his girlfriend, or something that would never justify his trail of destruction. Joel had maintained his usual rules; polite, carefully moving Owen outside the bar, even as he tried to fight back. You’re not sure how it went so wrong, how instead of getting Owen outside suddenly there were more of the gang, broken tables and chaos.

It’s been weeks since a night like that. It makes it feel brand new, the hurt starker somehow.

“He needs to go to hospital,” you say, wrapping your jacket around you after you lock the bar door, keys heavy in your hand.

“Oh.”

“He’ll be fine. His friends are taking him. You probably need the hospital too, I’ll drive you.”

“’m fine.”

“You’re not. Get in the damn car, Joel.”

“I’m -”

“The car, Joel. Don’t make me start calling you Miller again.”

Joel holds his hands up and shakes his head. “Fine, I’ll go.”

“Excellent,” you say with a sweet smile.

You drive in near silence but once you’re both in the hospital waiting room, he talks. He talks more than he ever usually does.

“I didn't need to come here,” he grumbles.

“Are you on the lam?”

“What?” He asks incredulously.

“You seem reluctant to be in a hospital that takes down personal information. It’s a reasonable question.”

He sighs, pinches between his eyebrows. “No, I’m not on the damn lam. I just - I just don’t like hospitals.”

“I don’t think a lot of people do. I guess it’s an occupational habit with your work.”

“I patch myself up usually. Last time I was in one of these places, it was … I was …”

“Joel, it’s okay, you don’t have to say anything.” You reach for his bloody hand and squeeze, unsure if the blood on it is from his own split knuckles or the fight. The violence of his body contrasts so much with the man you talk to, the friend you’ve made.

“When I told you it was a long story, how I went from a contractor to this … it’s, I don’t know.”

You shift so you can face Joel and try and model your best supportive expression. Joel and you talk about everything now, but he’s guarded and this is the first time he’s volunteered this story to you.

“We can talk about it later.”

“I had a daughter,” he says so quietly that you can barely hear him. “And then I had a chance, a second chance to - but it’s been a mess. I’ve been a mess. I’ve got a lot wrong.”

So much of Joel Miller makes sense to you know and you can understand the sadness that crosses his eyes sometimes, the reluctance to talk about his past.

“Haven’t we all?” You pause. “I’m really sorry about your daughter, Joel.“

“I don’t know how to make it right now though.”

“I think,” you say gently, “all you can do is try. For what it’s worth, you’re making a difference here, you’re making a difference with me.”

“Really?” He glances up at you, suddenly years younger and as you nod a slight smile light up his face briefly.

“Why don’t you tell me about her? If you want to.”

He smiles. “I do, but not tonight, but I will.”

“Joel Miller,” a doctor calls.

“C’mon, you’re up.” You squeeze Joel’s arm before standing up.

The balance has shifted and something’s changed.

The bar changes gradually like the way spring teases itself for weeks. It’s all subtle shifts, blossoms of hope and shoots of a future you didn’t dare think of too much. The bar might survive, your cousin is smiling again.

And then there’s you and Joel. Joel, who still pops in to talk to you even on his days off. Joel, who you sit out with after the bar closes and drink beer and play guitar to the stars.

“You should play here,” he says, taking a sip of his beer, “you’re good.” “You’re better. I can’t play guitar like you.” “Nah. Just had more practice at best. Your voice is pretty, so pretty.” “Oh, I’m not so good at playing. I’m better at singing,” you say. “Four basic chords are about my limit on the guitar.” “Don’t do yourself down.” “Trust me, I’m not.” You pause. ”Joel, you could - you could play with me. If I ever played here. it’s probably stupid.” There’s something unreadable in his eyes, a soft smile on his lips. “No, I’d like that.”

You’re accustomed to his presence, his low but grounding voice, his calm demeanour throughout all chaos.

He’s told you more about his past now. About Sarah and how her loss tore him apart for years, and also about the foster daughter he took in, Ellie. He won’t tell you much about Ellie though, except they stopped talking around about the time he became a bouncer. He once asked you if you would do anything to save the life of someone you love and you said yes. He nodded and moved on. You think it’s connected, you’re not sure.

You’ve worked at a bar long enough to know when it’ll be a bad night. There’s an electricity in the air, a tension that is so tight anything could snap it. You look over at Joel to see if he’s picked up on the same energy.

He’s sitting on the stool, observing quietly, but you notice the slight furrow in his brows. He looks at you and his mouth twitches into the smallest of smiles, but there’s anxiety in his eyes.

“I heard that Owen’s gang declared war on the Rattlers,” you say in a low voice. You don’t like Owen, or his friends, but the Rattlers are worst. Owen’s gang is the typical cliched grouping of a small town that’s become lost. They drink too much, throw punches without thinking and cause trouble. They’re not evil though.

The Rattlers are.

“Didn’t hear the Rattlers came through here,” Joel says in a low voice. “I heard of their reputation at a previous gig.”

“Their uh, second in command, is that the term? Anyway, he’s had a thing with someone in town for years. On and off. Guess it’s on again.”

“They cause trouble when they’re here?”

You scoff. “This was starting to feel like -”

“It still is, it still will. Let me do my job,” Joel says firmly.

You want to trust him; you do trust him. It’s the Rattlers that worry you, the feeling in your gut that this hard sought over peace is threatened, the deep and terrifying fear that this bar can never change. Not now. Not even with Joel.

Joel smiles at you, the picture of reassurance. “Owen might not come in here. This is hardly a welcome environment for his group anymore.”

“Joel,” you say nervously, “I just … I have a feeling.”

Joel doesn’t laugh or dismiss you; he straightens up and nods.

You’re not sure how things fall apart so quickly. One moment the bar was quiet, then Owen was there and before Joel could get him to leave, the Rattlers were here too. Maybe it was planned, maybe it was what they all wanted.

“Evening, unfortunately I need to ask you all to leave tonight,” Joel says politely, standing from his barstool. “I’m afraid the business is at capacity and we have a private function on.”

“Well,” Owen begins.

“Leave.”

“Look, Miller, it’s not -”

“I’m not asking, Owen.” Joel’s voice is low, deadly, the tone he uses when polite words fall flat, when it’s time to not be nice. “That goes to all of you.”

Owen falters slightly at the sound of that, you wonder if he remembers how things went the last time Joel used that voice.

“Y’all got a function on?” one of the Rattlers asks you. He’s covered in tattoos and is wearing a leather vest with numerous patches with no other top underneath. You wonder if he based his outfit on the existing tropes, if he’s intentionally as cliched as possible or if it truly is just an unspoken truth now. His hair is slicked back into a ponytail that highlights his receding hairline and a puckered scar that runs from his brow to his nose.

“I’m afraid so, gentlemen. While we, uh appreciate the desire to visit, I’m afraid Mr Miller is correct.”

“Really?”

“Uh huh. It doesn’t look so-”

“Please,” you say quietly.

For a moment you wonder if it will work, you’re on bated breath as the Rattler steps back and moves to say something to his gang. However, that’s the very moment Owen smashes a chair on his back and hell breaks loose.

“Oh, thank you so fucking much for that,” Joel says in an irritated voice, immediately pulled into action to try and get the situation outside, away from the patrons, from you.

You step backwards, hoping the protection of the bar will be enough.

People are running out of the bar as the chaos unfolds. It’s a flood of sound,

Someone pushes Owen onto the bar, pummelling him as you try and back away. “Please stop,” you say.

Then a flash and searing heat.

That’s when you hear Joel swear, you notice his eyes have darkened, his entire demeanour has changed.

Your vision is blurred by something and you can feel a sharp pain on your face along with something sticky and hot when you touch it.

You shut your eyes, willing the events away and allowing yourself to crouch under the bar and wait for the noises to stop.

It’s fine. It’s fine.

You’re fine.

“Hey, hey, hey, it’s okay,” a soothing voice says. “Ladies and gentlemen, I apologise but we do have to close early today.”

There’s a pause, noise around you and then something cool on your face. “I need to see the damage, okay? It’s me, it’s Joel, you’re going to be okay. I’ve got you.”

You open your eyes to see Joel crouched in front of you. He’s holding a damp cloth that is already soaked in red.

“You’ll need stitches, I’ll drive you.” Joel moves your head gently and nods. “Your eye looks okay; can you see normally?”

“Yeah. What happened?”

”Fucking - it was Owen, he grabbed a glass from the bar and instead of hitting the rattler - ”

“Got me.”

“Yeah. It’s deep but um ‘”

“I’ll live. I’m okay. Don’t need hospital.”

“Huh, you trying to prove a point here? How annoyin’ it is when someone who needs hospital won’t go?”

”It’s fine, Joel.”

“You’re hurt,” he says and he looks disappointed.

You feel a burst of shame, you should have defended yourself better.

“I’m going to call your cousin and tell her what happened and then I’m driving you to hospital. No arguments, okay?”

You try and smile weakly in acquiescence which seems to only make Joel frown more.

His hand lingers on your shoulder slightly as he hands you the seatbelt after bundling you into his truck. He moved quickly, closing the bar, making a hushed call in the corner to your cousin and then immediately guiding you out, a clean cloth placed in your hands to hold against your cut.

There’s a nodding dog ornament on the dash, something that doesn’t seem like Joel at all.

“Ellie,” he says quietly as he notices you looking at it. “Keep the pressure on that wound, okay?”

He turns out of the bar.

“Didn’t seem your sort of ornament,” you reply placidly.

“She called it Ernie, I - that kid.” Joel sighs heavily.

“You could call her,” you say, braver in the wake of your injury.

“I would. But she doesn’t want to hear from me, trust me.” He mumbles something else you can’t make out.

“You’re a good person, Joel. She -”

“I’m not.”

“You are,” you say, “trust me, I know bad men, but you aren’t one of them. Owen? The Rattlers?”

“The bar’s pretty damn low there.”

“You know the town I live in.”

Joel chuckles mirthlessly.

“I was going to play tonight,” you say quietly, “I thought it was time. That’ll teach me.”

“You could still play, maybe tomorrow though.”

“It would be harder with the blood right now.”

“Just a tad.”

“Thanks for driving me.”

“Of course.”

You wonder if he’s trying to return a favour, whether he’s the sort of person who just can’t feel indebted to someone else. Now you’ve bled on his car too, now you’re even?

He looked worried though. You think about the way he sounded too, the forced calmness when he checked on you.

You’re friends.

That’s normal, right?

“I’m sorry,” he says suddenly. “You shouldn’t have got hurt.”

“Joel, it’s … you can’t be everywhere at once. It’s not on you.”

“I should have -”

“Miller,” you say sharply, “it’s not on you. Not one bit. Do you think I can bar Owen for good now?”

Joel chuckles. “Yeah, I reckon so.

“Good, well that’s something, isn’t it? Almost makes it worth it. Do you think it will scar?”

“I don’t know, sweetheart.”

You pause. It’s vanity, you know, but the idea of this leaving a permanent scar on your face hurts worse than the injury itself.

“That’s not ideal. I-it’s stupid.” It feels so foolish to be worried about a scar when things could be so much worse, for your own vanity to say ‘well, now, you’ll never make it as a musician or star’ or to focus on your looks. It’s normal, it’s human, but it makes you feel guilty.

Joel looks at you carefully and he places a warm, solid hand on your hand that is not holding a compress to your face. “You’re so beautiful, you know that, right?” he says in a low voice. “This won’t change that. It couldn’t, okay?”

No-one calls you beautiful. There’s been half-hearted claims of your ‘hotness’ with exes, of your friends’ encouragement when you make a particular effort in your appearance, but nothing like this. Nothing that feels this sincere either.

He takes his hand away as the doctor joins you. You can feel the heat lingering like butterflies as the doctor attends to your wound.

Joel stays with you the whole time.

You hear the guitar before you can see him. Soft, melodic chords that reach a crescendo as you walk closer to the small cabin style house he’s renting. You’re not sure if it’s a complete betrayal of the trust from when you dropped him off after his hospital trip weeks ago, but you need to see him outside of the bar.

“Hey,” he says in surprise when he sees you. He places the guitar carefully down before standing up to greet you.

“I’m sorry to just turn up, I hope it’s okay.” You awkwardly clasp your hands and wring them together. “I was passing through and I thought - I thought I’d say hi.”

This is a complete lie; you are not passing through at all.

You’re wearing your favourite outfit and you sprayed an extra two spritzes of your best perfume on this morning. In fact, you have made considerable effort when you think about all of this.

“No, it’s great. I’m happy you stopped by.”

“You’re good. The guitar, it was … really good. I’ve not heard you play that before.”

“Oh, it’s just something I’ve been working on.”

“It’s really good.”

“Nah, not really.”

You frown, hands on your hips and he raises his own hands in defence.

“Can I - do you want a drink?” Joel indicates inside the cabin and you nod enthusiastically.

“That would be great, thanks Joel.”

There are three cabins in the area that a local businessman rents out. Joel’s cabin is the closest to the woods, the one that’s slightly hidden away. Inside it looks like a typical rental; the slightly shabby furniture and neutral demeanour that feels void of any character, the aged kitchen stove and units, an abundance of wood furniture.

There are touches of Joel too though. There’s a vinyl player and box of records on the coffee table, a plaid blanket over the sofa and a couple of photos on the fireplace mantle. You think they might be Sarah, maybe Ellie, but you don’t want to pry.

This changes things. It’s not the bar, neither of you are at work, or hanging out outside after a shift. This feels more personal, more intimate. This is Joel Miller, the real Joel, the one you can’t hide your feelings for now.

You do have feelings for Joel.

It’s funny, when he started you wanted to keep him at a distance because you expected him to leave like everyone else, you thought the bar was beyond help. You wondered if you were beyond your dreams. He’s helping bring you back though.

It’s his calm demeanour, the wry expressions and dry humour, his plaid shirts and the way when he smiles, which is rare but you’ve seen it, his whole face softens and lightens up. It’s electric.

You think about him all the time; reading articles you try and remember to bring up at the bar, when you hear a song he’d like. Joel’s found his way into your life and you don’t want to let him go.

He’ll leave though. The bouncers inevitably do, most people in your life do. You just don’t want that with him. You want him to stay.

“Are you okay?” Joel asks.

“Why?”

“You have that serious thought face on.”

“I have a serious thought face?”

Joel scoffs. “So, what’s up?”

“I just - I’m sorry, I shouldn’t have come here.”

Joel frowns then. “Why not?”

“I don’t know.”

“Okay, c’mon I said I’d get you a drink, right?” Joel indicates the sturdy wooden table and you sit obligingly. “So I’ve got a choice of tea, well It says it’s tea anyway. Uh, some whiskey, beer, water …. I’m out of coffee.”

“That should be illegal.”

“Shouldn’t it?”

“I might just leave now.”

“Wouldn’t blame ya.”

He’s close to you now and you feel emboldened by the fact you’re here, you’re with him and he’s not pushing you away or looking like he wants to leave. Maybe, just maybe this is a great idea.

“Now I think about it though, I’m not sure that I’m thirsty after all,” you say boldly.

“Oh no?” He leans in closer, hands hovering just over your waist. “Look, you don’t want -”

“I do. I do want.”

Joel swallows. “Really?” He’s looking at you as though you’re something mythical, something intangible he could lose at any second. There’s reverence in his eyes and it’s overwhelming and beautiful at once.

You nod. “I’m not the only one here who - I’m not though, right?” There’s a hint of nervousness in your voice now, a sense that perhaps this isn’t the great idea you thought it was just seconds ago. It’s like whiplash. This is why you should just focus on music instead.

“No,” Joel says softly, “you’re not.”

His hands, hands you’ve seen both acts of violence and hold your injured face so gently, skim your body. Joel’s hands, like him, are contradictions. He steps minutely closer, a little more into your space and oh so welcome.

He smells like soap and coffee, with the faint hints of autumn you noticed around the cabin and there’s something magic in this Joel Miller. Something in every sense of him, the way he touches you, the sound of his voice, the feel of his skin and sound of his voice that instantly draws you closer, that makes heat pool in your stomach.

He kisses you and you reach for his hands, entwines them together. He stops, concern mounting over his face. “You’re injured, I should have -”

“Doesn’t hurt,” you say softly, drawing him close again.

You’re a mess of hands and lips, a clash of sensations and finally, finally this is happening you think as h guides you further into the cabin. Towards his bedroom.

He guides you past the kitchenette, down the narrow corridor to his room.

You want to drink him in, absorb every detail of his body and commit it to memory.

There’s a ragged scar on his abdomen, a light scattering of stories across his body from other bars, other jobs, other Joels.

There are other details you want to remember though, especially the look in his eyes right now, heavy with desire.

“You’re so beautiful,” he says. You’ve heard the words before in similar settings but it’s been clear to you it’s the lust, it’s the ‘right’ thing to say. You know when isn’t meant, the lack sincerity signalling a paint by the numbers dalliance at best.

Joel’s voice is fervent though. Honest. He means this.

The majority of your clothes are soon discarded, both yours and his in a combined mess on the floor.

Your hands are running through his hair as he guides you onto the bed, as his fingers hover over the edge of your underwear.

He pauses, just for a moment. You wonder if it’s recognition of the line you’re both about to cross, if it’s to give you the space to confirm that yes, you still want him, to offer an out just in case.

You reach for his face, run your hand down his stubbly cheek. You’re trying to sum up your thoughts, to bring everything you want to say together into a neat sentence.

You smile and gently say, “I want you, want this. I thought you knew.”

“I didn’t, I didn’t think you’d want me. Been driving myself crazy thinkin’ about you lately.”

“Oh yeah?”

“Yeah.”

“Why don’t you show me what you thought about?” you ask.

He smiles as his fingers finally reach beneath your underwear, carefully pulling them down and then gently gliding his finger.

You’re wet, almost embarrassingly so, you think, for just making out.

“This all for me?” He asks with a devilishly teasing tone.

You don’t immediately answer, just smirk as he teases up to your clit and traces circles around it, smiling as you finally make a groan of contentment.

He slides a finger inside you, lazily moving it within you, finding that spot that makes you moan, adding another finger.

You feel close already, but he withdraws his fingers and then, looking at you, brings them to his mouth one at a time in a move that makes your cheeks heat up.

He moves to his bedside drawer, fumbling for a box of condoms you suppose. You’re still lost in catching your breath, in replaying the last few moments, in anticipating what’s about to happen.

He kisses you before positioning himself and you ready yourself for him.

You’re entwined, adjusting yourself for the feel of him, the weight of him. Hands interlocked with his as he finally moves, as he meets your kiss once again.

He adapts quickly, noticing micro=movements or sounds and changing his rhythm to draw every one of them out, to bring you to the edge once more.

You’re both a mess of rushed breaths, a chorus of names and gasps, ebbing and flowing to tease each other apart.

He’s everything and nothing like you expected. Hoped for even.

The feeling builds in your stomach, the rush of pleasure building almost unbearably.

Finally, finally you get your release. The ripples of pleasure ride through your body as the two of you lie together, boneless, catching your breath.

You usually feel a need to say something, to fill a silence, but it’s comfortable. You roll over, daringly placing an arm over Joel’s chest and leaning close. He pulls you towards you, kissing your brow lazily

You can feel his heartbeat, the warmth of his skin.

You feel like you could stay here forever.

Instead though, you’re practical. You excuse yourself to his bathroom to clean up.

You take in your reflection; the telltale signs of your exploits feel so visible to you as you freshen up.

He’s not in bed when you return. You pull your clothes on and head back into the main room of the cabin.

Joel’s wearing his jeans and not much else, humming as he concentrates on something by the stove.

“I promised tea, didn’t I?”

“We did get sidetracked.”

“Well, that was welcome,” Joel says. His voice is so much softer than you’ve heard it in the bar. There’s a vulnerability leaking through with each moment you stay here. It’s two sided, you can feel your own edges softening, a desire to open yourself even more to the man in front of you.

“I agree.”

The kettle boils and you watch Joel making the tea, try and not lose yourself in the broadness of his shoulders.

“So …” you break off, swinging your arms nervously and then wrapping them around yourself.

Joel hands you a steaming mug. “So,” he says. His voice is calm though, relaxed and somehow that helps.

“That wasn’t exactly what I thought was - I didn’t turn up for this specifically, you know? It wasn’t intentional.” Not that intentional.

“Would you have been wearing a trench coat if it was? Seduce me properly?” There’s mischief in his eyes as you meet his gaze.

“That a fantasy or something, Joel?”

He laughs. “Maybe, maybe it is.”

“Okay then. Logging that for another day.”

“Oh really?” Joel’s smile warms his entire face, it softens each feature and it’s something you never want to stop seeing.

It feels like you’ve known him so much longer. You feel comfortable in his house, you feel comfortable around him.

“So we’re opening back up at the weekend,” you say, “Got any plans for this time off?”

“Nope. You?”

You shake your head. “How about that?”

“Hmm, that’s not right. We should do something about that. Let me take you to dinner?”

“Dinner?“

“People still do that, right?”

“Yes, but - I’d love to.”

“Great. I’ll uh, defer to your recommendation, seeing as you know this area more.” It hits you then. Joel doesn’t have roots here and the bar, except for the Rattlers, has improved. What does this town, what do you have to offer?

“Are you going to leave?” you ask suddenly, the anxious thought you’ve tried to suppress bubbling to the surface.

“Leave?”

“When the bar’s open, when there’s no trouble.”

“There’s always some trouble.”

“Don’t. You know what I mean.”

Joel sighs and takes a sip of his drink. “Usually, I would.”

“But this isn’t usual?”

He points his hand at you and adds, “I don’t make a habit of this. I don’t …. Usually, yes I go in and out of places and I don’t stay long.”

Your heart sinks. “I understand,” you lie.

“I think, I think maybe there are some reasons to stick around here though?” It’s a question, not a confirmation. It strikes you then that maybe Joel feels just as exposed as you do.

“I think there could be,” you say.

“Good. I’m glad.“

The bar looks like the Rattlers never came through here. Everything is neat, clean and in its place. There are no broken chairs or tables. It seems almost impossible for how short a time ago it was.

Joel helped, you realise, he helped your cousin bring this place back.

“Are you okay?” she asks, “I can cover the bar if you need -”

“I’m fine.”

“You’re sure.”

You pause and run your hand over the smooth, clean bar surface. You think of Joel, of the conversations over so many nights about music, about what makes you happy. “Can you still cover the bar for a bit?”

“Sure.” Your cousin pauses and hesitantly puts down the crate of soda bottles. “Is everything -”

“I want to play tonight.”

“Wow.”

“Yeah, I’ve got to stop waiting right for the right moment, right? Just do it,” you say.

“And this has nothing to do with a certain bouncer?”

“No,” you say, thinking of the scar on your face, the battles you’ve won and will win in the future. “It’s for me.”

You can feel his eyes on you. It doesn’t make you feel nervous or under a spotlight though as you carefully sit on the stool.

It’s almost as though it’s just the two of you. Another night after work under the stars and messing around with a guitar. Or outside his cabin, thick flannel wrapped around you as you both play.

The bar feels safer somehow. It’s funny considering the recent Rattlers attack. Maybe that’s why - they came in and they tried to wreck the place, you were caught in that crossfire, but you survived. The bar survived. And the locals are back, the locals you wanted back. If you shut your eyes, it almost feels like before when your family ran the place.

It’s different though, because it’s your cousins. Because even though it might not be on paper, it’s yours too. Your legacy. You don’t want to fight it anymore. You don’t want to feel cynical about this town.

You look at Joel and smile and then you start playing.

Everything Pedro tag-list: @harriedandharassed@pedrostories@hiroikegawa @pedrosaidsheispunk @pastelnap

[silverthehedgehoganalysis]

Continuing from this post, Shun Nakamura stated that the reasoning behind the initial name “Venice” for Silver was for the simple reason that “it’s a character that lives there” (in relation to the Venice inspired city state of Soleanna) meaning that Silver has been intended to live in Soleanna from his very conception.

So combined with everything else, we can infer that Silver does live in Soleanna, in both the future and Sonic’s time period.

[darkficsyouneveraskedfor]

Drabble Roulette: Knifeplay - Steve Rogers

Hey hey! This weekend (July 6 -7) I'm going to be playing drabble roulette! I've curated a list of characters, tropes, AUs, and kinks and I'm spinning the wheel! Hopefully I can do this once a month as a little writing exercise.

Character: Steve Rogers

Warnings: this drabble includes knifeplay, threats, and inference of coercive acts. Please mind these warnings and take care.

Explicit, 18+.

You shiver as the blade glints from the sheath, flecks of blood dried around the handle. Steve turns it over in his hands as he examines it as you do the same from afar. He’s not the type for blades, he's more of brawler. At least from what you’ve seen. 

His hair is still shiny with sweat, small red marks on his forehead from the friction of his cowl, and his uniform is gashed and singed with the remnants of the fight. Still, he doesn’t seem worn by his mission. The adrenaline is probably pumping through him. You imagine it lasts a while with the serum. 

His blue eyes flick up and look almost frightened as he finds you staring. You give a sheepish smile and turn your gaze to the table, the other things he’s brought in. You pick up the cracked marble-like gadget you’ve yet to figure out. 

“I’ll catalogue the rest,” you offer. 

He tends to stick around longer than you prefer. You work better alone. Without distraction. He’s always talkative after his mission. 

“Any idea what that is?” He asks. 

Just along the edge of your vision, there’s movement. He continues to play with the knife. It’s just a knife. Nothing too fascination. You focus on the little orb, running the tip of a metal pick along the broken casing. 

“Not yet. I’ll run some scans. Just like everything else,” you try not to sound dismissive. He is the Cap. His work is much more important. He’s in the thick of things, you’re in the background sifting through the collateral. 

He hums and his footsteps pace stiffly along the table. You feel him round the far edge and come up beside you. He still has that knife. You want to snatch it and tell him to stop playing around. Well, he is trained. You’re certain he can handle it. 

He’s quiet as he turns the knife, first one way, then the other. He spins it lengthwise and grips the handle firmly again. He balances it and hums. 

“You don’t like me, do you, doc?” 

You don’t react to the little nickname. Tony often tosses it at you when he’s mocking your bookish ways. Still, there’s a reason you work there. 

The question catches you off-guard as much as the epithet, “what makes you say that?” 

You look over at him and wince as suddenly the knife tip is at your chin. 

“You never wanna chat,” he says. 

You swallow and your eyes cross as you look down at the blade, “well, Captain, I’m working.” 

He scoffs and touches your skin with the blade, “I’ve told you to call me Steve.” 

“Steve,” you wisp out and meet his gaze again. “You should put that down. I need to tag it.” 

He snorts and lightly trails the metal under your chin and pushes it up. You face him completely, throat bobbing nervously. What is he doing? 

“I’m not much for knives. More Bucky’s thing,” he says, “still... they can be useful.” 

You feel your skin split. Shallow. Superficial. The blade is sharp enough that it slices too easily into your skin. You hiss. 

“Cap-- Steve, what?” 

“It’s a lot easier than bruising my knuckles,” he lets up as you feel your blood smear onto the tip. “What do you prefer?” 

You flutter your lashes at him. You don’t understand what he’s asking. Your lips part and he tuts before you can speak. 

“What I wanna know is what’s more convincing?” He raises his other hand, knuckles bruised above the fingerless leather, “hm? Which one get you on my cock?” 

You suck in air but resist the urge to recoil. You almost don’t believe it. Steve Rogers. The golden boy. The picture perfect hero. 

“Pardon?” You breathe. 

“You know,” his cheeks dimple and he drops his hand, “the way your heartbeat picked up, definitely the knife,” he traces along your throat and parts your blouse collar with the metal, his eyes following the movement, “that sound..." He hooks the tip beneath the button and pops it free of the thread, “makes me hard.” 

[bits-and-babs]

Hi sweet Jas, can I please request some forced proximity smut? A tight space and a whole load of sexual tension 😮‍💨 the character is up to you! Thank you!

𝐃𝐎𝐍’𝐓 𝐇𝐎𝐋𝐃 𝐘𝐎𝐔𝐑 𝐁𝐑𝐄𝐀𝐓𝐇 — 𝐃𝐈𝐍 𝐃𝐉𝐀𝐑𝐈𝐍

» PAIRING : The Mandalorian x Reader

» CONTENTS : Dry humping, dirty talk, Greef Karga and his loveable bullshit. Not proof read, who has time for that?

» DIN MASTERLIST : here || MAIN MASTERLIST : here

“Mando- Mando!”

You cry out as the durasteel walls of the trash compactor suddenly brace against your palms in your feeble attempt to prevent the kriffing things from smushing you.

Lodged between you and one of the walls, The Mandalorian stands firm. He, too, had been shouldering the advancing walls. The silver sheen of his beskar armour reflects your terrified expression, eyes frenzied as you realise they’ve stopped.

“Are you alright?!” Greef Karga’s voice sounds from above, no doubt shouting down the rubbish chute. This was the last time you were offering yourself up for a bounty mission on an Empire fleet ship- not even for five thousand imperial credi—

“We’re fine,” Mando’s raised, modulated voice sounds tinny in close quarters, hurting your eardrums. “If we let go, it’ll crush us.”

“I’ll find a way to get you out!” Karga calls down the chute, “Wait there!”

You cringe slightly at the order, finding it hard enough to safely unwind your limbs from The Mandalorian that had tangled in your desperate attempts to survive the compactor, let alone leave the blasted thing.

“Can’t wait anywhere else.” The Mandalorian’s response, muttered sarcastically, makes you huff out a laugh. He turns his face back to you, the beskar steel helmet barely brushing your nose.

One of his palms rests beside your head with his arm locking you in place, while his left leg, situated between your own, pushes the toe of his boot into the wall. Your own hands are settled on the opposite side of the compactor, trapping his body between your forearms. It’s a tight squeeze.

Blackness stares back at you, his tinted visor obscuring the view of his eyes. Besides the shaky rise and fall of his chest plate, thanks to his exertions in trying to stop you both from becoming Jawa Juice, Mando offers no insight into how he’s feeling.

Swallowing thickly, you cast your eyes to the darkness above your heads. It’s ridiculous, but you can feel his body heat from the breaks in his armour, covered only by his undersuit. It makes your heart flutter, the biting scent of leather.

“… I apologise,” his voice cuts through the silence and causes you to jump, “This-… This is uncomfortable for you.”

“‘S okay,” you mumble weakly, attempting to smother the butterflies that launch in your stomach at the soft, soothing whisper of his voice.

Silence settles between the two of you again. Despite your attempts to loosen up, the searing gaze through The Mandalorian’s visor feels as though it’s settled on your face, burning a hole into your lips. Stars, there must be fumes in the rubbish beneath your feet, driving you crazy.

Swallowing, you avoid his line of sight by looking at literally everything else. The woven flight suit that conceals his neck, the contours of his shoulder plates. Was that a Mudhorn-?

The sharp inhale through your nose as his knee brushes against your heat practically ricochet off the walls, eyes finally snapping to his visor against your better judgement. Unmoving, he offers nothing to infer he even noticed how he effortlessly set your body alight as though he’d triggered the flamethrower on his vambrace. Surely not. Surely he’d just been adjusting his foot to hold the wall better!

“You’re fogging up my eyeshade.”

It’s mortifying. Condensation from your heavy breaths is steaming up the silver beskar of his mask. The Mandalorian’s voice is flat but rich, and you can’t read his tone through that fucking modulator!

“S-orry,” you stumble over your apology when his thigh drags between your thighs deliberately, the second syllable coming out in a pathetic little squeak.

“Don’t be,” he says. “Don’t hold your breath.” He catches you before you even manage to still your lungs in embarrassment. “I want to hear them.”

His admission has the air trapped in your throat expelling in a quiet whine, unable to stop the noise from slipping out when he slooowly grinds his thigh up and forwards, rolling your clit between the layers of fabric.

“Hoh- '' you heave another breath, the mist encroaching across the beskar of his mask and mattifying the shine of the pure metal. “Oh fuck-“

“Don’t move,” he orders calmly. It sounds less like an order and more like an observation. “You need to hold the wall.” Yes. Yes, he has to remind you that you’re in a life-threatening situation, because the simple friction is enough to numb your brain with the thrill.

You whimper softly, shaking your head. The tip of your nose drags against the cold metal of his mask, sweeping through the misty dew and exposing the shine beneath. Stars, you can see your expression through the track you leave behind. It’s obscene, jaw slack and eyelids heavy as you mindlessly grind your hips down on the cuisse beneath you.

“So desperate you’re willing to risk your life,” he murmurs, watching you use him to get off like you’re a fragment of kyber- the prettiest thing he’s ever seen. “You like this? Using me to get off when your life hangs in the balance?”

“Y-ou starte-ahh-“ your pussy clenches as he drives his thigh up to match the roll of your hips. It grinds just right, and you arch against the throbbing hum between your legs.

“I started it,” he nods slightly, the low lighting flickering off the grooves and concaves of his mask, “I did. But you wanted it first. Burning for it.”

He’s right. Fuck, The Mandalorian is right, and you’re too far gone to be ashamed by his observation. If you weren’t on the brink of an obliterating orgasm, you’d be mortified that he’d found it so easy to read you.

You stifle a sob by biting the flesh of your lip as your clit drags against the smooth metal again. Trembling, your own thighs nearly give out entirely as you begin to crest the euphoric surge he’s pulling from you.

“Yes,” he breathes, his voice haggard as he watches you, “That’s it. That’s it, ther-“

“There!” A loud call bounces off the walls of the compactor room. A loud beep splits your eardrums, and suddenly the walls fall away as they draw back. The sudden lack of support has you falling into the chest plate of The Mandalorian in front of you, your orgasm blurring away between your thighs with the sudden lack of attention.

“Knew I could find the button!” Karga chuckles, the compactor walls falling in place to reveal your boss standing with his hands on his hips, grinning with a complete obliviousness that has you wanting to punch him in the face. With an ion cannon.

You sag against The Mandalorian slightly, devastated by Karga’s interruption. The little sigh you let out is pathetic, almost childish in nature.

“A thank you would be nice!” Karga chastises you, “I’ve never seen someone look so ungrateful to have their life saved!”

You swear you hear The Mandalorian huff a chuckle behind that stupid fucking mask, and you decide he was deserving of a punch with an ion cannon too.

-

-

[thepersonperson]

I can't believe it's genuinely canon that Geto was jealous of Sukuna being the one to fill up Gojo.

I know Gojo reassured him but we saw he thought of Toji as the last person who satisfied him. No wonder Geto ended up on a crusade against no cursed energy monkeys.

Geto's insecurity with his place in Gojo's life really was his downfall. (On top of not having access to Karl Marx.) He kind of just assumed that Gojo being in a league of his own after awakening meant they could never be together as The Strongest duo.

That insecurity was so pervasive he initiated their break up by objectifying Gojo for his strength. And he later assumed Gojo stopped loving him too.

But you might be onto something with Geto's jealousy starting with Toji. Though he didn't see Gojo awaken (which was essentially "la petite mort" or the little death), Geto was around to hear Gojo call Toji アンタ (Anta). And that particular usage of Anta was really weird.

(Yeah this is one of those asks that poked my neuroses in just the right way.)

-Content Warning: Brief discussion of teenage sexuality.

-Mangareader(.)to for the raws.

-TCBscans for everything but Vol 0.

(Click images for captions/citations.)

Gojo's You Pronouns

I kind of lost my mind over Sukuna's you pronoun usage if you want to know why this kind of thing matters to me. Thankfully, Gojo's you pronoun usage is much more straightforward. Which is why the use of Anta for Toji sticks out a lot.

Gojo usually uses オマエ (Omae—masculine, informal, between peers or to look down on the addressee) for absolutely everyone. Friends, enemies? Doesn't matter, he's using Omae. It's either that, 君 (Kimi—affectionate towards juniors) with his students, or he avoids using you pronouns to be polite. He has only deviated from this pattern with two people—Uraume with てまえ (Temee—hostile and offensive), and Anta with Toji.

Anta is a contraction of あなた (Anata) and both are used in the exact same way. It's an informal you mostly used by people learning Japanese since normal use suggests a familiar and casual relationship with the addressee. That can be rude depending on the context. In the context of love, it's a romantic thing, colloquially called the wife pronoun as its often used by a wife to her husband. The only real difference between Anta and Anata is the indication of class. As a contraction, Anta is seen as more low class/uneducated than Anata.

So what did Gojo mean by his use of Anta with Toji?

Since Anta can indicate the speaker is casual/friendly, uneducated, or flirting, we'll have to infer what Gojo meant with context. Sometimes, it's easier to look at how other characters use this pronoun to get an idea.

For example, Hanami uses Anata for everyone which is why there's nothing flirtatious about them using it. This is just how they talk in general and they aren't singling anyone out in a special way.

A male character who uses Anta for most people in the way Hanami uses Anata is Ike from Fire Emblem. (I'm so sorry this is the only guy I can think of using this as a default you pronoun and he's from a completely different series.)

Ike uses Ore (masculine, informal) as his personal pronoun and he was raised as a mercenary with no formal education, so the Anta in context is more of him being from the lower class and casual. Anta is also less masculine than Omae, so this is also gives Ike that soft edge to his roughness that everyone loves him for. When he uses Anta while speaking to nobles in Path of Radiance Ch 14, they find it extremely offensive and get pissed because they perceive it as him not showing enough respect. (And he does call them out for being dickholes using Anta which makes them even angrier.)

If I recall correctly, (sorry I only really remember Zelgius and Sephiran's pronouns because it subtly confirms them a queer couple), Ike uses Omae (or Temee? The fudging accessible JP transcript went poof.) for the Black Knight and no one else. The Black Knight killed his father and Ike hates him for this. This Omae is not friendly, it's hostile.

I use this example because it shows how for one character these pronouns mean one thing and other characters it the polar opposite. Gojo uses Omae to be friendly, Ike uses Omae to be hostile. Ike uses Anta to be friendly, Gojo uses Anta to...

I don't know.

I don't know why Gojo uses Anta for Toji. It's really fudging odd and he never uses it again or for anyone else. Gojo for Toji uses Anta then Omae then Anta.

First it's confusion over being stabbed. I think in this context it means more of "hey there, buddy" in the way someone might try to talk down an aggressive person by trying to be chummy.

At the time, it probably told Geto something was really wrong because Gojo never uses that pronoun.

The Omae he swaps to is normal Gojo usage. He explains how Toji screwed up with killing him in the way he's been talking at all the assassins that came after Riko.

But internally? Toji remains Anta. This is weird since Gojo usually just sticks to Omae or some kind of nomer when he doesn't know people's names.

Leading up to this internal monologue, Gojo is not angry. He's extremely zen. So much so that he apologizes to Riko for not being upset she was just murdered. This makes me think the Anta isn’t meant to be disparaging.

Anta has always been less harsh than Omae in comparison. It can imply a distance between the speaker and addressee or it can suggest they're very close.

I can't tell if Gojo is trying to express a unique kinship he feels with Toji or if he's putting Toji on a pedestal of strength he idolizes and considers himself separate from. Perhaps it's both and this confusion is intentional. Gojo is a teenager figuring himself out in the most traumatic way possible here. My point is that this use of Anta indicates Gojo feels some kind of way about Toji he doesn't for anyone else.

Toji is very special to Gojo.

Most people are aware of Gojo picking up certain habits and speech patterns because Geto. Rereading JJK after learning about Gojo's history with Geto turns a lot of his silly quirks into things that are really depressing.

Toji is second to Geto in terms of influencing adult Gojo's behavior I think. Not just in the paranoia he experiences of being made vulnerable again, but some of his speaking mannerisms. Gojo asking for last words before he kills someone started with Toji.

He has that same empty look when he does it each time too. This doesn't seem to be like him mourning Toji in the way he mourns Geto by speaking in the way his beloved suggested. It's like he's reliving trauma. And dear lord did Toji traumatize Gojo. The kind of terror in the faces teenage Gojo makes while being hunted and killed are never made again.

But despite this, Gojo as an adult seems to look back on this awful experience fondly sometimes. When Sukuna starts to make him think he's about to lose, Gojo smiles as he recalls this feeling.

Satisfaction? Being killed by this guy was satisfying? I suppose it makes sense, this temporary death did awaken him to immense power that made him feel amazing. In that sense, Toji was Gojo's greatest teacher. And as a teacher, Gojo molds a philosophy from that experience and tries to imbue it on his students in a less traumatic fashion. (I say tries because this still killed Yuji by accident and caused a lot of unneeded stress for the second years in Vol 0.)

As you can see here, Gojo thinks this way because he did die alone despite having strong allies. And because his death made him stronger, he thinks growth can be triggered in a similar fashion. Geto calls him out on how fudged up this ���tough love” is.

Gray morally aside, these beliefs and actions are because of Toji. A lot of what Gojo is as an adult is one giant unhealthy coping mechanism for Toji, fondness included.

When Nanami calls Gojo a Jujutsu Pervert he isn't wrong. Gojo is a freak that gets off to fighting in part due to Toji. It's like this horrible little ball of fear, denial, and horny with him. Thinking about Toji being the last person who satisfied him in that way over Geto isn't out of character. The types of blissed out faces he made during that fight do pop up in the Sukuna fight.

We also have to acknowledge that Toji is at the got dang afterlife airport with everyone else. For some reason, despite all the pain he inflicted, Gojo admires him on a similar level to the people who didn't want him dead.

Toji is a lot of Gojo's firsts. His first fear, his first death, his first awakening, and most importantly his first exposure to revolution. Toji is the first person Gojo met that escaped the bindings of Jujutsu Society and obtained freedom. He defied the Zenins and started a life outside of them. His pride and grief brought him back, but for a few years he was the impossible success story.

Though Geto heavily influenced Gojo’s morality, Toji was the basis for Gojo’s revolutionary ideas. It shows in how he trains his students and values the strength of non-sorcerers. He correctly identifies that Toji only wound up this way because of Jujutsu Society, mainly the higher ups, and vows to do something about it.

Is this to prevent another Toji because of fear? Is this how Gojo honors his memory too? Both, probably. Toji basically asked Gojo to be the godfather to Megumi, his son named Blessing, and prevent him from being raised a Zenin. In other words, he gave Gojo his blessing to do better than him and break that awful generational cycle. Gojo has taken that very seriously.

Megumi knows next to nothing about the Zenins until he's made the head after Naobito dies and Maki massacres them. The fact that Megumi being made the head ultimately triggered Maki's massacre of the Zenin Clan is like Toji getting exactly what he wanted from beyond the grave. A mini revolution made possible with Gojo laying the groundwork by providing a space where Maki can exist without hate.

Geto's Jealousy

As Geto was spiralling, he probably thought back on Gojo’s use of Anta with Toji and got a little jealous. After all, Toji was the reason Gojo grew so much as a sorcerer instead of him.

Can you imagine? The love of your life keeps telling you that together you're The Strongest and that's why he's with you. But he goes off with some dude after calling him something he's never called you and comes back a god. He grew more in those few minutes with this rando than the years he spent with you combined. Inadequate wouldn't even scratch the surface of that feeling.

It was always a one-sided admiration—Toji was a bum who leeched off women as you would expect any straight dude would coming from an immensely misogynistic household. He killed children for money and had beef with an 8 year old after looking at him once. But Geto still might've been envious that a non-sorcerer did more for Gojo’s growth than any sorcerer.

Geto’s Coping

The aftermath of Toji put a strain on their relationship in more ways than one. First and foremost, it made Gojo The Strongest. As I said earlier, this caused Geto to become insecure with his place in Gojo’s life. But what I didn’t mention is that the higher ups exploiting this newfound strength is why this never got addressed until it was way too late.

As shown here Geto’s condition gets worse because not only is he mentally isolated from Gojo, but physically as well. A horrible little detail—changes in weight can be very gradual. If you're with someone all the time, you'll likely never notice it. Gojo was kept separate from Geto for so long that this difference was noticeable.

They fall out of sync because Jujutsu Society has decided that their labor is more valuable apart. The problem here exploitation. Toji made it extremely clear to both Gojo and Geto that was the problem. Geto unfortunately came to the wrong conclusion on how to deal with it.

Tags from @nyan-bynary on this post sum up my feelings on this nicely.

#OK OK I HAVE BEEN THINKING ABOUT HOW GETO GOT RADICALIZED BASICALLY INTO FASCISM BC HE ENDED UP BLAMING THE WRONG CLASS FOR THEIR OPPRESSION #LIKE THIS IS SO VERY MUCH THE CASE WITH LIKE RANDO WHITE LIBERTARIANS AND SHIT IRL TOO LIKE THEY NOTICE SHIT SUCKS #BUT THEY END UP BLAMING THE EVEN MORE OPPRESSED PEOPLE INSTEAD OF TAKING THAT ANGER UPWARDS TOWARDS THE ACTUAL PPL DESTROYING EVERYTHING

#like geto saw a man who was so fucking abused and treated like shit by his clan that he basically ran away and started a new life #where he resents the people who were oppressing him but he still had to work for similar people to make ends meet #and in doing so was made a pawn for the internal power struggles of the higher ups #which hurt the other people lower in the hierarchy as well including gojo and geto #but instead of seeing the hand that guided everything here he blamed the toy in the hand instead #devoting himself to destroy every single toy which unknowingly included himself and the sorcerers he wanted to protect so badly as well

#like in his efforts to gather sorcerers he ended up doing a better more inclusive job of gathering sorceres from EVERYWHERE he could reach #he had the true potential to make real grassroot connections with fellow oppressed people but he was misguided on who the target should be #like it's ironic that the only black sorcerer that we see is in the group of the guy that calls non sorceres 'monkeys' #because it says something about him that his problem actually wasn't racism (against non-sorcerers) #it was the high risk terrible lifestyle forced upon every sorcerer in the name of non-sorcerers #WHO DON'T EVEN KNOW YOU GUYS EXIST AND ARE BEING EXPLOITED LIKE THIS IN THEIR NAME IN THE FIRST PLACE MAYBE TRY TO FIX THAT AT SOME POINT???

#it's all so sad bc the moment he chose the wrong people to blame his fate was sealed and it sucks bc he could've done real good things #gojo was the closest to doing anything remotely revolutionary but he went the too peaceful route and it cost him everything #he didn't organize or protest with enough destruction or maybe he thought he couldn't until it became a last resort

#like I find it funny that despite everything gojo wanted to do bc his form of resistance was so lax he ended up alienating hakari and kirara #and the elders. the divide and conquerers that they were used it to expel them from the school #just ahhhhhhhhh so many thoughts I wish they could've done more I wish I wish I wish

In that post, I joked that Karl Marx could’ve saved Geto, but that wasn’t really a joke. Trying to address exploitation without the theoretical framework to be productive about it is like swimming against an ocean riptide at night. You can recognize that you’re drowning, but not knowing where the shore is or that you need to swim at an angle instead of directly against the current dooms you.

The really sad thing is that Geto never realized that non-sorcerers were exploited just like him. Nanami worked directly alongside them and realized their exploitation was one in the same.

He realized that this exploitation was a systemic issue. Gojo realized that those in power were responsible for enforcing it. Both of them lacked the drive to be aggressive about that in the way Geto was. Together, the 3 of them really could’ve unionized to obtain the work-life balance they desperately needed.

But that was never going to happen. The higher ups isolated them until their communication skills and therefore relationships deteriorated alongside their mental states. (Notice how even outside of Jujustu Nanami has no friends. He's just as alone as those two.)

Geto's Love

I don’t think Geto ever learned how to love properly after Toji in a very similar vein to Gojo. Though he more outwardly shows affection to his family, there’s this sense of distance he has between them as a cult leader. His children call him Master and do not take his last name. He’s worshiped as a figurehead and for his beauty. And no one really understands him in the way Gojo used to.

And it must also be noted that the anguish from his family and daughters at his possession did not cause his body to stir. Only Gojo calling his name did.

It's not that Geto doesn't love his family, he just loves Gojo more despite having spent less time with him. (10 years with his family vs 3 years with Gojo.) Even Geto himself says that his family isn’t enough for him to be truly happy.

A world where sorcerers are not exploited is what he thinks will fix this. He wants this for himself, his family, and Gojo. Especially Gojo.

Their breakup was caused by Gojo being exploited more than anyone else. Geto has always objected to that. A world of only sorcerers hypothetically gets rid of the labor exploitation Geto hates for every sorcerer. And it also creates a world where Gojo doesn't need to be The Strongest. It's a world where instead of being overworked, Gojo will have all the time in the world for Geto.

This love Geto holds for Gojo underlies his actions. Him setting this ridiculous plan into motion on December 24th is a grandiose romantic gesture. You can feel the resentment and the longing. He tried to fill the Gojo hole in his heart with a new family and hatred only to fail.

Gojo reciprocated. He always did. But neither of them realized the love was mutual until both of them were dead because work came first.

So yeah anon, Geto was jealous. Both Toji and Sukuna got to know Gojo in ways he couldn’t because being an enemy of Gojo ironically gives them more direct attention from him since that’s a part of work.

Jujustu Society vs Queerness

Even if Gojo and Geto realized their love before everything went to hell, I'm not sure if they would've acted on it due to societal stigma.

Like @nyan-bynary mentioned, Kiara's transness is something the higher ups no doubt rejected. The type of conservatism modern Japan is under does not embrace the open queerness of the past that was especially prevalent during the Heian Era, you know the Jujutsu Golden Age. In a reflection of these politics, the Zenins embody the type of sexual hierarchy wanted by the elders—men run everything and women have children. Even though Hakari and Kiara are a straight couple, they're unable to have children together which is rebellion in of itself. Why Gojo didn't do more for them is kind of baffling.

To be fair, Gojo kind of sucks at sticking up against injustices like this. Hakari and Kiara aren't the only failed in this way. When Geto is verbally discriminatory towards Maki, Gojo doesn't refute his beliefs, Yuta does.

This is honestly, pretty fudged up. Gojo just lets Geto be horrible and offers a weak "don't do that" as a response instead of arguing for Maki's personhood. And we know for a fact he is strong enough to do something and be taken seriously. After all, he did threaten the elders to protect Yuta's life. He didn't stop Geto until he became a large-scale physical threat. For some reason, that's the only type of discrimination Gojo will act on—violent acts that will result in death.

I think this is because Geto told him he needed a really good reason to kill other humans before he snapped. It took a lot of convincing for Gojo to slaughter the higher ups as the result of this. His inaction here could also stem from Gojo being so used to dehumanization that he hardly recognizes it as a problem. But Gojo did force Nanami to address Yuji as a human child instead of Sukuna's Vessel later, so perhaps he reflected on this exchange and tried to do better. (Despite allowing everyone else from Kyoto to be weird about Yuji.)

Regardless, it's this passive mentality when it comes to non-violent discrimination that makes me think Gojo wouldn't have acted on his feelings for Geto.

There's probably a lot of pressure on Gojo to have progeny of some kind (aka be straight and have babies). I do find it a bit odd we've seen nothing of his Clan to the point that Megumi also knows nothing about it. (Though this was probably to spare him the politics drama for the enjoyment of his youth.) They did spoil Gojo rotten, but that doesn't mean backwards societal expectations weren't thrust on him from birth. He was raised to be a living weapon you know. Suppression of his own queerness was likely a part of that education.

And though Gojo is pretty rebellious when it comes to challenging the status quo, like antagonizing those older than him and letting those younger than him speak freely around him, he still has some toxic ideas from his youth he hasn't let go of. He prioritizes his strength over bonds and allows himself to be exploited while trying to make sure his students don't wind up like him...by having them prioritize strength through pushing their limits.

In other words, Gojo would likely just repress his feelings for Geto if it meant obtaining his goals. A queer relationship would be used against him by the higher ups since it rebels against the expectations of Jujustu Society in a way he hasn't pushed hard against. (I'm so sorry Hakari and Kiara.)

With that being said, it's not all that surprising that a lot of the curse users are openly queer. They've freed themselves of exploitation and expectations. Their genders and sexualities are theirs to control. None of them are shy about it. Larue openly loves Geto, Sukuna will kill you for not respecting his disinterest in romance and sex, Uraume will kill you for not respecting that, Kashimo will hit on a man as he's being killed by him, Kenjaku is Kenjaku.

I don't think it's a coincidence that Gojo is at his horniest when he's fighting other men. It's like the one space where he's allowed to engage that side of himself without fear of repercussion because at the end of the day, one of them is going to be dead anyways. (His flirting with Nanami when they're alone together not included.) Sometimes queer people want their love with violence because it’s the only way they can have their sexuality without guilt. That punishment absolves the sin.

Jujutsu Society as it stands is not compatible with queerness. Gojo has a really fudged up way of expressing his attraction to men as the result of this. And if you ask me, I think Toji is the one who really got his wires crossed.

[johnwickb1tsch]

The Girl Next Door - IV

A Constantine x FemVampire!Reader fic based on this imagine. all chapters warnings: nsfw, blood, biting, violence, mention domestic violence, not reader divider by animatedglittergraphics

4. for it is the blood that makes atonement 

You are doing your best to keep your cool about it, but it’s possible–alright it's damn likely–John Constantine is ghosting you. 

You’d think that would be hard to do, living right next door, but he’s out a lot at night, and so are you. 

It has been over a month since you’ve seen his stupid, handsome face. 

In person, at least. In your daydreams, is another matter entirely. And even, possibly…in your mind’s eye. You don’t really know what else to call it, but ever since drinking his blood, it’s almost been like you can feel John Constantine at the end of a golden thread, his life a shining light. You’re not sure what it means, only that…it feels good, and it fills you with even more longing to be near him. 

Sometimes you even get hints of his emotions, if he’s feeling angry, or sad, or annoyed. 

There’s a lot of annoyed going around, with that man. 

You wonder if it’s the same, for him, to you. 

So you are excited, when a night comes in which you know he’s home. You can hear the sprightly notes of Take Five through the paper thin walls. Somehow, you just know he is sitting at his kitchen table with a bottle of Ardbeg. 

You give him some time before slinking out to the hallway, and knocking on his door.

You listen as he rises, the chair legs scraping the floor, his soft footfalls bringing him to the other side of the door. Your stone-still heart leaps into your throat, as you make out what sounds like the pads of his fingers sliding on the old wood panel right before you, pressing there as though it was a window, and he could see you on the other side. 

There he stands, for minutes. 

You want to, but you dare not knock again, listening to his breathing through the barrier between you, so close and yet so far. You touch the door, willing him to just reach for the knob. You can almost see him with your third eye, just standing there touching the door with his head bowed. 

You hope against hope, that he will let you in.

When you reach out to him, down that metaphysical connection you have no name for, but feel as real as holding a rope in your hands, you sense a shadow of sorrow in him, bleak and black, before he pushes you out entirely, and you can feel nothing. 

As the sound of his footsteps walking away from you reaches your sensitive ears, you are not proud that you return back into your apartment, curl up in your chair, and cry bloody tears until you are wrung out completely.

Whatever is going on with him–he does not want you. 

It shouldn’t hurt the way it does, but it feels like throwing your bare, bleeding heart under a speeding train. 

You do not have the courage to break down his door and demand to know what’s wrong. 

You couldn’t enter without an invitation anyway.

Exhausted, you sit in the dark, staring out the window. 

Again, you have that feeling that you are being watched. 

Maybe you should be afraid, but at the moment you are too sad to care. What’s the worst that could happen now? 

Constantine did warn you not to challenge the gods with such questions. 

♰♰♰

 Just when you thought John Constantine couldn’t hurt you any worse than he already had, you were in for a surprise. 

You have just stepped outside, dressed up to go out on a hunt, and there he is at last, standing under a street light outside your apartment building–with another woman. She is tall, brunette, beautiful. A police officer, you infer from the gun and badge on her belt. You hear John say her name.

Angela.

How fitting.

You can sense the attraction between them from all the way down the street, and it feels like someone carving out your undead heart with a dull blade. 

She’s even religious. You can see her gold crucifix glinting at her neck.

She is everything, you reason, John Constantine could possibly want in a prospective mate. 

Everything, it hurts to admit, he really deserves. 

He is ducking his head towards her, and you are certain they are going to kiss. 

You cannot watch. 

Without really even realizing what you’re doing, you turn on your heel, and run.

Running as a vampire is something out of this world. In a matter of minutes you have covered miles. You find yourself in a part of LA you’re not familiar with, though these days it doesn’t matter much.

You make your way to the roof of an abandoned skyscraper–by climbing it on the outside with your iron-hard claws. At the top you scream at the moon, your eldritch voice lost in the chaos of this soul-devouring city. Empty to the tips of your toes, miserable to the marrow of your bones, you collapse in a sad tangle of limbs and hug yourself, wishing your heart had died along with your body.

♰♰♰

Later, you find yourself in a club in Hollywood called Perla, in the mood for a drink but not what they’re serving behind the bar. There must be something extra special about John Constantine’s blood. You went for weeks without hunger pangs, after your little interlude. 

Nice as that was, it threw off your cycle of rent collection. A girl has expenses, and if you’re not picking scumbags’ pockets, you’re not bringing anything in. What you need is a score, and looking around the rich assholes that fill the room, you don’t think you’ll have any trouble finding one. 

You’re not sure why you picked this club in particular. You just had a feeling as you were wandering, and decided to try to get inside. If you were in a better mood you might have enjoyed the dismay of the onlookers who had been waiting in line for hours, when you glided up to the intimidating bouncer, caught his eyes and asked him politely to let you in–and he did, opening the red rope for you with an absent smile.

There are other perks to being a vampire. Such as, when men you have no interest in try to sidle up, you’re not afraid to send them on their way.

You have noticed lately that you’ve been getting stronger impressions from people. Not just snatches of their thoughts, but scenes from their lives. Sometimes, it’s as simple as their trip to the grocery store the week before. And sometimes, it’s a man’s memory of pushing his wife off a balcony in Mexico, so she wouldn’t take him to the cleaners in divorce court for fucking his secretary. 

He’s drinking in a booth to the side of the dance floor, and you’ve decided he’s going to be your next meal. You suck at pick up lines, but it doesn’t really matter. You’ve found that all you really have to do is make a few seconds of good eye contact, and it seems most of your marks will practically eat out of the palm of your hand, open to your charms and suggestions.

You’ve chosen your prey for tonight, and after finishing your drink (you can consume most liquids to no ill effect) you make your way over to him. He has two human women at his sides when you approach. “Can I sit?”

He looks you over, like a horse at auction, before making the mistake of meeting your eyes. You feel it, when his mind becomes yours, like a Lego clicking into place. “Sure, baby. C’mere.”

You give his companions a look too, suggesting for their own good, “Go away.”

They do.

Maybe being a vampire is actually awesome? Everyone does what you want them to. Everyone…but John Constantine.

Go fucking figure.

You ignore the excruciating pang just the thought of that man sends ripping through you, and concentrate on the task at hand.  

You crawl into the booth, herding him into the most shadowed part of the seating arrangement, and you laugh up your sleeve at this self-assured man, who seems to think he’s in control, snaking an arm around your waist and pulling you close. With a single hand on his chest you pin him against the tufted back of the banquette. It clearly startles him, though he tries to play it off.

“Easy there, muscles,” he says with a smirk.  

“Is that what your wife said?”

His eyes go wide with alarm for a moment before you overpower him with your mind and your strength, your fangs sinking into his neck. The temptation is so real, to bite and tear and end this piece of shit once and for all. The savagery of this urge still startles you, and ultimately, saves his life. You drink your fill but do not kill him, leaving him dazed and unintelligible in his seat, the cash in his wallet stuffing your bra.

You are exiting the shelter of the booth when you feel that presence again. That heavy prickling energy that has been following you all over the city. 

Although it’s dark in the club, you can see perfectly well. He leans on a railing on the level above, his eyes all for you. He is painfully handsome, you hate to admit. Beautiful, even. Tall, dark. A sharply trimmed beard, eyes that glitter like polished jet.. He is wearing a black suit, his white shirt open at the throat. There is a cruel turn to his mouth that raises your guard–and sends a thrill straight to your loins. 

If you weren’t undead, you would consider getting your head checked. It just seems too late for all that, though.

At least you’re not mentally tripping over yourself because he’s so good looking. You’re freaking out, because you recognize him from the night you took a little astral tour of the city while John dozed, and this man? This thing? Hit you hard enough to rattle your teeth with nothing but power from halfway across L.A. You feel the absolute depth of that power again, filling the room. It’s almost suffocating, and as you look around you can’t believe no one else seems affected by it. 

Lucky you. 

You don’t really mean to make eye contact. It just happens, as though you are coerced and cannot resist. You feel this irresistible pull, the urge to go to him, as though he is in your mind–that is when you realize he is a vampire too, and possibly the oldest thing you have ever met in this city.

He is safe.

He is good.

He will care for you.

These are notions that run through you like thought bubbles in a comic strip, and you know they’re not your own, even as you are tempted in every cell of your body to cross the floor and climb the stairs to him. 

You belong with your own kind.

You have nothing but hatred for the vampires who took you, who made you into this thing. But aren’t you curious about what you are? Would he give you some of the answers you seek? 

The insistent urge to go to him amplifies, and you find yourself placing one foot before the other. You can't really fight it, even if deep down, you know you should. 

At the top of the stairs, two bodyguards part to allow you through. He is there, appearing every bit the king in his castle in his throne of a booth in the VIP section, his long legs crossed and his arms spread over the back of the seat. Maybe you are just feeling raw from rejection from a different tall, dark, and handsome man, but he is so gorgeous that your heart feels as though it’s made a date with the Iron Maiden.

“Why, if it isn’t John Constantine’s little pet vampire. At last we meet.” He smirks up at you, as though he is privy to some inside joke you do not understand. “I’ve been waiting for you, querida.” 

You blink, trying to shake off this spell he’s cast over you. What are you doing here? You should be halfway across the city by now, running from this thing, not standing like a stupified little idiot before him. You feel like you're drowning, wrapped up in the magic this man, this monster, has used to cloud your mind. 

It feels like moving a mountain, to answer with some defiance, “I’m afraid you’re not up on your current events.”

You’re not stupid. You know that you were taken as a tool to get to John; you’re not exactly keen to be dangled as bait again, or to even admit your association in this achingly scary vamp’s company. 

The vampire offers you a mocking pout that somehow feels like a dagger slipped between your ribs. 

“Poor thing. Did the demon hunter dump you? Too monstrous for such a good Christian boy to abide?”

Meeting this vampire’s dark gaze feels like looking directly into the dark center of an eclipse; you’re not proud, but you look away first. It has nothing to do with the sting in your heart, or the pain that jettisons all the way to the tips of your fingers. You hope the effect of his words is not written so blatantly upon your features, but you’ve never been that good at hiding your emotions. Being a vampire hasn’t really changed that, and at least at the moment, you wish it had. 

“Come here,” he demands. You do not want to, but your feet move anyway. When he snaps and points you find yourself kneeling at his feet, utterly unable to control your own limbs, even while your eyes fly wide. He leans down towards you, invading your space. It’s ridiculous, how the proximity doesn’t exactly make your heart beat, but it definitely does something to your insides. You want to rub yourself against him like a cat, like you’ve finally found the place where you belonged all along. 

Deep down, you know it’s a lie, but the weight of his will presses down upon you, and in this moment you are helpless.  

He hooks his finger under your chin, turning your gaze up to his, handling you with a possession he absolutely has no right to. “I’ve been waiting for you to come find me.”

You’re sure your confusion is as blatant as your earlier pain. 

“I don’t even know who you are,” you say with a frown, though you cannot pull away. There is something utterly magnetic about him; you feel as though you are drowning under his heavy gaze. Or perhaps you are so lonely, so pathetically touch starved, that you will let a handsome stranger manhandle you if it even vaguely resembles affection? No. This is…something else entirely. 

“How shameful, you do not recognize your lord and Master. I am don Juan de Aragón, and you are a vassal in my kingdom, little one. Furthermore, you have trespassed on my hunting grounds here. How will you make amends to me?”

“Excuse me?”

He leans in further, his whole hand cupping your jaw. He is big, you realize. You feel engulfed, as he looms over you, and though he makes you uneasy, a part of you cannot help but like it.

“Though I suppose it is not your fault–you have not had anyone to properly instruct you in our ways. I can practically taste your loneliness.” 

Utterly derailed by the truth of this, you search his face, looking for the mockery or the cruelty from before. Something that will help you break this spell. You find him unreadable, that dark gaze simply weighing upon you, as though he can see into your soul.

Finally, you come to your senses, answering, “I’m hardly missing the company of other vampires.”

“How would you know?” His long fingers caress your hair, practically petting you. It takes every iota of your self-control, not to let your eyes slide closed and just enjoy it.

What is wrong with you? 

It is as though you’ve been bewitched. This must be what it feels like, when you use your own powers on the hapless humans around you. 

You do not like it at all. 

When a single bloody tear slides out of your eye don Juan gathers it on the tip of his finger, bringing it to his lips. “I can taste your sorrow, little one. It is time you come home. You have been without a coven for too long.”

Alarm erupts inside you, even as you cannot move a muscle. You think about the coven that kidnapped you and turned you into this thing you are–you realize now, probably on this asshole’s orders.

“I think I’m good on that.”

“Oh? Because you are doing so well on your own?” You barely manage to suppress a shudder, when he sweeps a lock of hair behind your ear. “Living in squalor and pining for a man who reviles what you are?”

The last part is probably true, but you think about your tiny but cozy bohemian nest. Screw this rich asshole.  

“I like where I live.”

“You will like where I live better, I guarantee.” You get a vision of an opulent mansion in the Hills, filled with vampires as powerful as he is, all eager to lick his boots. The impression terrifies and repulses you. 

“I’m not going anywhere with you.” The words are right, at least, even if you still can’t quite manage to control your body. Get up. Your legs do not listen. Fuck fuck fuck. 

“I was not asking,” he answers with all the haughtiness of Old World nobility. He sees you struggling with yourself, trying and failing so badly to fight him. That proud mouth curls in a smirk, a devilishly arched eyebrow rising with disdain. “I would advise you not to displease me, little one. I am four centuries your elder. It will not end well for you.”

You blink at that, unable to fathom such a stretch of time lived by one man, and the changes he’s borne witness to. Four hundred years. It gives you chills to think on how a creature such as him would have been perfectly suited to aid the Spanish in their conquest of Alta California, wresting this paradise from the original Indigenous inhabitants and visiting unspeakable horrors upon them with the mission system. Kidnapping, rape, slavery, murder, and disease, all in the name of Greed and God. In the Catholic Church they were two sides of the same coin. 

The corner of his mouth twitches. “Very nearly.”

You shake your head, still hardly able to wrap your head around it. 

“I won’t be any use to you. I’m no one, and John Constantine doesn’t care about me.”

“No?” He reaches down to touch your hair, sweeping a lock behind your ear. The gesture could almost be mistaken as tender, if you didn’t see the glow of malicious glee practically dancing in his eyes. “I think you’re lying.”

“He can’t stand to be around me.” It hurts to say it out loud–but you hope he can sense the truth in your words. At least–he can sense your pain.  

“Pobrecita. Then it is my obligation as your liege lord, to take care of you regardless. I must see to my flock.” 

Maybe he is baiting you with honey, but you smell the bullshit from a mile away. You can still sense the flavor of his mind, like seething wrathful snakes. It scares you more than anything he’s done so far.

“I don’t need to be taken care of. Just let me go.” 

Now he does smile, surely the way the serpent smiled at Eve. 

“Stupid girl…” He moves faster than even your eyes can follow, his long fingers tangling in your hair, pulling you into his lap. “I own you, and I cannot wait to see John Constantine’s face when he realizes he’s too late to stop us!”

You try to struggle, of course, baring your fangs and hissing like a she-cat, but to no avail. He has his full attention fixed upon you, the entire concentration of his power, and you are helpless against this ancient monster. It feels like the first night the vampires took you all over again, and you could do nothing against their strength and their hypnotizing stares, but look at them with big glassy eyes like a lamb to the slaughter. 

They touched you and laughed at you, drank your blood and pressed their bloody mouths to yours, making you taste yourself, all the while knowing they were killing you. 

You have not felt so powerless since the night you died, and like on that night you cry out with all your heart,  “John Constantine!” , even if the words do not leave your lips. That curious metaphysical thread you feel with him flares red hot, almost searing you, though it is not a thing you can touch with your fingertips. 

Don Juan looks at you curiously as though he feels it too, turning your head this way and that rudely with his big hand upon your jaw. Finally, he laughs at you, a cruel sound that grates your ears. “Oh, how rich. You have but one chance to bestow this gift upon a mortal, and you wasted it on John Constantine? You are a stupid girl.” 

You don’t know what he’s talking about, but you don’t get the chance to ask.

One of the intimidating bodyguards at the top of the stairs suddenly collapses in a spray of blood. The second soon follows. The club is loud, and it takes you a lapse of seconds to make out which sounds are the speakers, and which are actually gunfire. The fuck? 

As it turns out there are quite a few vampires up in this VIP area. They emerge from the shadows, keen to meet this new threat for their Master, swarming towards the stairs. The floor erupts into chaos, a storm of fighting, hissing, screaming, dying. 

“It’s the Babayaga!” someone nearby snarls before joining the fray. 

At first you cannot look away, fascinated by the sight of one man taking on three older vampires in a fight–and holding his own. He is a tornado of destruction, striking and kicking, having lost the now empty gun somewhere. You see the silver flash of a sword in his hand, and his face in the light. He is middle aged, bearded, handsome, his longish dark hair pulled back in a half-bun. He wears all black, a long coat, big boots. His eyes glow an electric blue, and you feel an instinctual terror to the very marrow of your undead bones. 

“Pinche dhampiro, hijo de puta!” hisses don Juan behind you, his crushing grip making your bones creak. Yet at last, you can move, because his attention is not fully fixed upon subduing you, this new threat a bit more pressing. You struggle in his grasp, nearly breaking free, but he drags you with him, towards another exit. You push and pull, and you feel his anger for your defiance, like hot pins pricking your skin all over. 

He makes it halfway across the floor before something strikes his torso–alarmingly close to your own. He staggers, nearly taking you to the floor with him. Startled, you look back, to see the attacker staring you down. That blue gaze catches you like a butterfly in a jar, and for the second time tonight it’s as though you cannot move. 

He could have hit you with that silver knife. You were closer, and don Juan was attempting to use you as a sort of shield. 

Why didn’t he?

Two more of don Juan’s vampires attack the man in black, and his hold breaks upon you. You struggle again to free yourself from Juan, but he has his claws in you, and he starts to drag you away from the melee. He is still incredibly strong, despite having taken a large knife to the torso. 

“Fucking High Table,” he snarls under his breath. “We’ll see soon enough who holds the real power here.”

You keep struggling, and Juan hits you hard enough that you see stars. Stunned, he’s able to scoop you up again, making for the opposite side of the balcony–until three bullets strike him in the side, making him jerk. 

He whirls to hiss at the vampire hunter, his eyes flashing an unearthly molten orange. 

The vampire hunter, it dawns on you so very belatedly, that John Constantine had warned you about.

With a final baleful look at you, don Juan hurls himself over the edge of the balcony, opting to save his own skin. 

Frozen in place, you watch as what must be your doom approaches. You see the twisted corpses of the other vampires laying out on the floor behind him. Behold, your fate, you think sadly, as you watch inevitable death limping towards you.

To your surprise, he pauses to lock eyes with you, grousing, “You owe me one, vampling,” before sinking to his knees–and falling over.

The whole club has erupted into chaos now. Everyone is screaming and trampling for the exits below. 

You should too. 

You’re not sure why you scramble over to him, why your hands fly over his powerful body, searching for the fatal wound as though there’s a damn thing you could do about it. Because he chose not to kill you? Because he saved you from don Juan? 

Because you’re fucking stupid? 

You find it in a knife sticking in his side. You know you’re not supposed to take it out until a doctor can supervise the wound.

“Shit, shit, shit.” You reach to check his pulse, when a strong hand closes over yours, pulling you down against his chest. He is solid beneath you, seeming utterly unconcerned about your weight upon his injured body.

“Yelena?” he rasps, his grating tone betraying his injured condition. There is a hint of an accent to his words. Eastern bloc. Russian, maybe, or somewhere near it. 

“What?” 

His eyes fly open, fully awake again. His irises are no longer that eerie glowing blue, but fathomless black pits, and you find yourself caught in his stare again, unable to look away.

“Pull out the knife,” he tells you, his voice strained with pain.

“No, you need a hospital–”

“No hospital. Not human.” He says it like it should be all but obvious. 

“But–” He felt human. He was warm, and he smelled…mortal?

“Take it out, or I will heal over it.”

“What?”

“Do it.”

Cringing, you feel for the handle, meeting his eyes for one last confirmation. He gives the barest of nods, and as you pull the knife free he hardly flinches, staring you down. His big blood-stained hand reaches up to cup your cheek, sliding into your hair.

It feels good. Too good, maybe, for what it is, and you don’t recognize until it’s too late that he’s caught you in that hypnotic stasis again, your limbs gone unresponsive and heavy. You make some sound of protest, which he soothes with a, “Shhh. You smell so sweet.” 

That is when you finally see into his mouth, and you realize he has fangs. Bigger ones than yours. 

And he is looking at your throat.

You try to struggle. You really do. But he just has you in the grip of his hands, and whatever kind of hypnotic magic this man wields over you. It reminds you a little of your own power, that tingling rush that rises in you when you are hungry, and excited, and John Constantine is in your arms. 

Then he is rolling over on you, pinning you with his substantial weight, and even with broken glass from somewhere digging into your back, it is good. His sharp teeth at your throat feel like the only thing you’ve ever wanted in that moment, and even though deep down you know it’s a trick, you tilt your head and bare your neck for him. 

He bites you with a low moan that resonates to your core, a spreading warmth flooding your body, your limbs, and between your thighs. You feel your life draining into him with every draught, and yet you clutch him to you, your leg hooking over his hip. He grinds himself into you, breaking from your throat to kiss you, his fingers laced with yours over your head holding you down. It is messy and bloody and glorious–you don’t want him to stop.

He doesn’t, returning to the wound at your throat, draining you mouthful by mouthful. Languorously you let him have his way, too pleasure-drunk to stop him, even as somewhere in the back of your mind you are vaguely aware that he might be killing you. 

Darkness begins to edge at your vision.

You should try, at least once, to resist him, to save yourself–but you can’t. 

He keeps drinking, and you are taken by the sweet relief of unconsciousness.

—-----------------

*once again I’ve changed Don John to don Juan, because it drives me crazy 😜

**Pinche dhampiro, hijo de puta!” - Fucking dhampir, sonofabitch!

**Writing fic is so fun, you can steal whatever you want… 🤭 My favorite vampire media includes ABVH, the Vampire Chronicles, True Blood, the Jane Yellowrock series, the Dakota del Toro series, and Empire of the Vampire, which def inspired this version of Wick as a dhampir, as did B in The Book of Elsewhere. They both glow when they’re going berzerk 🤣.

[v-a-l]

We don’t talk enough about how every institution Sirius should have been able to put his trust in betrayed him at some point. From his parents to his friends, to the light side he left everything for, to the dark side he would give anything not to be in.

The greatest irony of Sirius, is that for a person who is literally distinguished by his loyalty, a character who let himself be tortured to the brink in Wizarding hell for twelve years simply because he trusted the wrong person, a person whose animagus is literally a dog, is this: He would die, die after being kept in a cage at the urging of Albus Dumbledore and the Order he sacrificed his family for and then murdered by that very family itself. That he’d fall only after he has been utterly ruined by everyone he ever loved, everyone who he should have been able to trust, down to his house elf.

Sirius was 21 years old and lost his entire twenties to Azkaban because even Dumbledore who would bat for reformed Death Eaters and students rearing murderous spiders in his school wouldn’t consider giving him so much as a trial.

Friendly reminder that he wasn’t just locked up in a cell and left there, this was his state of affairs:

“…. he was one of the most heavily guarded in the place, you know. Dementors outside his door day and night.”

And we can infer, considering that he was a barely legal soldier raised in an abusive household that that was not a cakewalk. Dementors are terrifying torture machines even for the well adjusted let alone the traumatised.

It also speaks a lot about why he gives himself to James with such abandon and why no one else will ever hold that position in Sirius’ life. James is the only person to ever to take that love, that trust, that faith and to nurture it, protect it, to worship it. He’s Sirius’ guardian and Sirius’ salvation and Sirius’ font of security. Is it truly such a surprise that Sirius never quite recovers from his death? With James gone, where else could he go?

Sirius was the Brightest Star in the sky and apparently the only thing Death Eaters and the Order of the Phoenix could agree upon is snuffing out his light.