#everything else has to be inferred

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)

[sacredsorceress]

Scars / Logan Howlett

pairing: dofp!logan howlett x mutant!reader summary: every person has a soulmate. after settling in the future that he saved, logan starts to consider his next mission when a suspicious mark appears on him. word count: 3.2k a/n: good ol'fashioned soulmate AU. this is the first actual fic i've written in a long time so please have some grace. reblogs and replies are super appreciated! warnings: general mentions of logan's past, scars, self-doubt, alcoholism, reader smokes a cigar, mentions of razors, scars, wounds, two uses of y/n

logan masterlist | inbox | full masterlist

It had been a week since Logan woke up in his healed timeline.

For most people, the change would have been dramatic. But Logan was far unlike most people. The initial dreamlike state he was in when he first walked through the mansion- seeing the ghosts he had once known returned to the flesh, unscathed- quickly subsided. Logan had always been a man thrown onto a new path- how he lived life constantly changing to best fit his interests. Now, with his newfound peace he found the most complicated mission of all: what to do with the life he was now free to live?

Even before the sentinels, the battles, the wars- he had always been a man on the run. He was solo, strategic, concise. For a man who was gifted with infinite regeneration, he had solely concerned himself with staying alive. He ate for sustenance, sought shelter for safety, and nursed a bottle to find enough peace of mind to sleep at night.

The professor had once told him that for a person to reach self-actualization they first had to have all of their needs met. Logan had scoffed at the time, assuring the professor that he knew himself just fine. But now, with his problems so solved that they had ceased to ever exist, he wondered if maybe the professor was right.

Who was he? Where did he go from here?

The answer was found in the form of a scar on his hand.

"Well, everything seems to be just fine."

Logan scoffed at the blue man in front of him

"Well it's not." Logan said. "Check again."

Two days after he had come back, a large, circular scar had appeared on the palms of each of his hands. When they hadn't disappeared after two minutes, he rushed to the bathroom and nicked himself with his razor, watching as the wound healed with only blood dripping down his scruff as a remanent of it. Thirty minutes after that he found himself in the lab with Hank, Jean, and the Professor hypothesizing his miraculous marks.

"Logan, the tests came back clear." Jean assured him, leaning against the wall. "Maybe it's time to consider that it's something else."

Logan quirked his head towards her.

"I haven't had a scar in over two hundred years," he reminded her, his voice laced with irony. "I get not one, but two and you... what? Think it's a coincidence?"

Before Jean had a chance at rebuttal, the professor moved to face Logan.

"That's not what Jean's inferring, Logan." Charles reminded him. "We're simply asking that you consider other options. Less... dire options. It could, after all, be a good thing."

"Yeah?" Logan scoffed. "Like what?"

A silence hung in the air.

When Logan had first come to them with news of his scar, the thought had been on all three of their minds. Still, there were a plethora of things that could have caused that. Though, when the tests came back clear and his skin continued to heal from all sorts of abrasions, it felt as if there was only one answer for his seemingly magical scars.

However, none of them were keen on sharing this diagnosis with Logan. One wondered whether he'd handle the idea of his body failing him over fated love.

Hank was the first to speak up.

"Like a soulmate."

Oh that was rich, Logan thought.

Logan wasn't unfamiliar with the idea of soulmates.

Around the time that two fated lovers were destined to meet, there would be a sign for each of them. In some cases they were eyes changing colors, feeling the other's pain, finding their names everywhere they looked. In other cases they were new birthmarks, tattoos, scars.

In some way, the two were inextricably connected.

In his long life he had seen others experience it dozens if not hundreds of times. When the first thirty years of his life rolled around with no one, Logan accepted that he was one of the outliers. He considered it for the best and by now, with everything that he had gone through, the concept of soulmates almost seemed like an old wives' tale.

Logan glanced at their faces. When he realized they were serious, a deep laugh escaped from his gut. There was a lack of light in his eyes that admitted his insincerity.

"So I disappear for a few decades and you all start believing in fairytales?" Logan pulled the needles from his arm, the heart rate monitor going flat as he did. "What a bunch of bullshit."

Jean laid her hand against his chest, urging him back into the seat.

"Logan." She soothed him. "This is a good thing. Scott and I-"

Oh this was real rich.

"Scott and you are... what, huh?" Logan urged. "Soulmates?"

Logan scoffed, swiping Jean's hand from his chest.

"Bet you're so happy with your 'soulmate' and that's why you lead me on, huh? That it? You're happy?" He taunted, a dark laugh escaping him once more. "Spare me-"

"Logan, that's enough!"

The professor's voice echoed against the linoleum walls of the lab, reverberating off of the medical equipment throughout.

"If you want to wallow in your own self-deprivation, be my guest, but spare the rest of us your grief." Charles continued. "I think it would be best if you go back to your quarters and consider the future the universe has offered you."

The energy in the air was thick.

Jean and Hank avoided Logan’s eye contact while the professor’s nearly burned a whole through him.

Accepting defeat, Logan threw his hands up in the air and pushed himself out of his metal chair.

“Fine.”

Soulmates. Logan thought. Who would believe in a thing like that?

-

"It's a pleasure to see you again."

The atmosphere in the mansion was a stark contrast to the lab Charles had been in days before.

Now the school day had commenced: children skipping from class to class, students chatting with their friends in the hallway, teachers grabbing coffee between lessons. Amidst the organized chaos, Charles had arranged to meet you in the foyer: the replacement history teacher for Logan's class.

"You too, professor." You smiled, reaching out your hand. "I was so glad to hear from you."

Your hand hung in the air briefly, awaiting his return. Charles examined it for a moment- a twinkle in his eye- before taking it. His thumbs brushed against the newfound scars between your knuckles as he did.

"Correct me if I'm wrong, but you didn't always have these scars, did you, Y/n?" Charles asked.

You had not.

You had woken with them a few days before. Despite your powers rooted in chaos magic, it wasn't uncommon for blemishes or wounds to etch themselves into your skin. However, you often knew why. These marks, scars, were not faint, but instead quite profound. Three thick, healed over wounds patched together like a stitch on the back of each of your hands.

"No professor."

He closed his eyes, a soft smile gracing his lips. Though you knew he wished to ask more questions, the moment was broken by Logan.

"Ah, the man himself." Charles beamed. "Logan, I'd like you to meet Y/n. She'll be covering your class."

You had seen your fair share of news stories about the Wolverine. Who hadn't? Though the television had never prepared you for just how tall, or broad he was.

"It's nice to meet you, Logan."

"You too." He nodded, taking your hand.

His hand lingered in yours for a moment. Charles cleared his throat.

"We were just discussing the most peculiar scar on Y/n's hand." Charles said. "Appeared just a few days ago out of nowhere."

Charles nodded his head in the direction of your hand, leading Logan to squint. As if a light bulb had gone off over his head, Logan glanced between Charles and yourself and with your hand still in his, he turned it examine the back.

Three scars between your knuckles. Right where his own claws would be.

Though he liked to imagine himself as the patron of remaining suave, Logan's eyebrows shot up at the recognition. He traced his view from your hands, up your torso, to your face where you eyed him questioningly.

He thought back to the way that he woke up in the seventies, wrapped in the arms of another woman. If times had been different and Logan hadn't undergone all the so-called character development in the last forty years, he was sure that a face like yours would have gotten him in a lot of trouble. You were beautiful, and your demeanor highlighted your strength.

Your face radiated kindness, warmth and most of all, sincerity- a trait that was difficult to come by in a trade such as his.

But then Logan recalled that this wasn't the seventies and you weren't at some bar leading him on the entire night: your hand was in his and, according to everyone else, he was yours.

The idea almost couldn't register in Logan's brain.

"Interesting, isn't it, Logan?" Charles asked, breaking the silence. "Almost identical to where your claws are, hmm?"

Oh the professor thought he was quite funny.

Logan pulled his hand back from your grasp and shook his head.

"Not that easy, Charles." Logan commented before turning to you, a spiteful tone in his voice. "See you around, bub."

Before you had the chance to open your mouth, you watched as Logan stomped down the nearest hallway, his boots squeaking against the floorboards as he did. His fists clenched and released at his sides as he disappeared from view.

His reaction had come so far from left field that if it hadn't given you whiplash, it would have hurt your ego. Instead you turned back to the professor.

"Was it something I said?" You asked.

The professor shook his head, patting your hand gently.

"Logan's quite a complicated man." He assured you. "I'm sure you'll come to know that more than the rest of us. Now, to your classroom..."

Glancing over your shoulder to the void-like hallway that Logan went down, you considered the professor's words.

-

A storm had taken over the mansion by nightfall.

As you padded down the wood panelled hallways, the lightbulbs shook in their glass with each thunder clap- wind swatting at the window panes every few seconds. The pitter patter of the raindrops, although harsh, was comforting. It was almost as if the mansion had been engulfed by the storm, trapping everyone inside, while consequently making the outside world feel a thousand miles away.

When you found Logan's door, tucked in at the end of the hallway, you knocked.

"Yep."

The weight of the door fell against the palm of your hands as you pushed it open.

Logan's room was dark. The only light in the space had been from the embers of the cigar that hung in his mouth, cradled between his thumb and forefinger. Despite the darkness, you could make out his figure sitting at his desk chair by the window, feet kicked up on the sill.

Logan only gave you a quick glance over his shoulder before turning back to the view.

"What d'you want?"

His voice was thick and rough around the edges.

"I came for your textbooks." You replied, tiptoeing against his floorboards. "The professor said you'd have them."

The hand of his that held the cigar waved around. Minuscule ashes fell to the floor as your eyes remained trained on the light and the faint glow of the moon that illuminated the side of his face.

"Be my guest," he said. "Don’t have a clue where they are."

The professor had given you the lowdown when he saw your scars.

Charles told you that despite everything that you had learned- the history that you had known- the Wolverine you'd meet was not the same person. He was a man from a different time with far different, darker memories and enough baggage to weigh down dozens.

Amidst the silence, you cleared your throat.

"Must be hard to wake up in someone else's life."

By now you had reached his desk, your fingertips tracing the lines in the dark, lacquered wood.

You could smell him and the cigar from this distance- aftershave mixed with smoke.

"The professor tell you that?"

"Mhm."

The chair creaked as Logan flicked his hand towards the window, ushering you to come closer.

Watching your step in the dark, you maneuvered around the furniture and sat beside Logan on his desk- pushing loose papers to the side.

"He give you his whole spiel on soulmates too?" He asked, eyes trained on the rain outside.

Soulmates.

Now that was the last thing you expected to come from the Wolverine's mouth.

You'd heard of them more times than you could count. You once wondered whether every repetitive coincidence was a sign that your person was coming. But, when that never happened, you lost hope.

Who got to tell you who you belonged to anyway?

Leaning over, you gingerly took the cigar from his grasp and replaced it with your own fingers. Sitting back into the desk as lightening struck a tree in the distance, you took a puff.

"So that's what the scars on my hands were all about," You thought aloud.

The window fogged as you let the smoke leave from your mouth in a breathy sigh.

Logan tapped his fingers on his thighs, counting the seconds between a lightening strike and its consecutive rumble of thunder.

"Listen, I'm no prince charming if that's what you came here looking for."

Logan's chair creaked again as he leaned back in his seat. His arm draped against the desk as he met your gaze.

You chuckled and held out his cigar, offering it back to him.

"I came here looking for textbooks." You laughed. "You're the one who keeps talking about soulmates. I think you're more of a romantic than you let on.”

His fingers brushed against yours as he took the cigar back into his own hand. Another lightning strike met the ground in the distance, a clap of thunder following moments afterwards.

"You don't buy it?" Logan quirked his eyebrow. It was a teasing question, one he was curious to hear your answer to.

You shrugged.

"I don't think the universe gets to tell me who to love," you said. "If I fall in love with you it's because I love you, Logan. Not because some mark told me to. I just think of it as... a little shove in the right direction.”

The corner of his mouth quirked into a smile for the first time.

"A shove?"

"Like a... blind date." You finished. "Ever been on one of those?"

A congested laugh escaped him.

"Sweetheart, do I look like the type of guy to go on a blind date?"

You bit the inside of your cheek at the name.

Rolling your eyes, you swatted at his arm. You wouldn't admit how much it hurt your knuckles to do so. You'd have to make a mental note to remember his adamantium skeleton.

"Gosh, you're cocky!"

Logan shrugged, "You're the one who likes it apparently."

You felt yourself grow hot at his accusation.

Even though he had a mark signalling his future affection for you, you couldn't help but feel embarrassed by Logan's knowledge of yours. You felt like a child who's crush had just been exposed to the whole class. Was he noting ever glance that you gave him? The way you didn't move when his arm brushed against yours?

A brief pause hung in the air until another thunder clap reverberated against the walls.

"So what's your mark?" You asked.

Logan shoved the cigar into the corner of his mouth. The biting motion forced him to flex his jaw in a way that you would refuse to admit made you start to realize that maybe the universe was right.

And that maybe his cockiness was justified.

He laid out his hands for you. The room was still dark, making the ability to discern the details of his scar impossible. Taking Logan's hands in yours, you summoned your magic into your hands, watching as they glowed gold.

Logan had two large, circular scars imprinted into his palms. It was a clear indicator of your own magical power that surged from your hands.

It left a feeling you couldn't describe in your chest to know that someone else was marked for you. They were destined for you. To be with you. You had a future written together before the two of you had met. Even if he rejected you, there was a sign etched into his skin that bound the two of you together in some fateful way.

Gently, you traced your fingertips against the mark, feeling the warmth that radiated from his palms.

When your eyes flicked upwards, you noticed how close the two of you were now sitting. You could feel his warm breath against your lips as the lingering smell of the cigar drifted up your nose.

Although he wouldn’t admit it, Logan was enchanted by the energy radiating from you. Whether people hated or loved him, his ability got a lot of talk. In his mind though, he would never be a hero. He was just some guy who got lucky.

You, though? He didn’t need you to tell him that you were an Omega level mutant. Logan had heard about you from the professor: you could cast spells, read minds, reconfigure reality- to name a few. You didn't need a reason to fight for what's right, you just did. Again, and again, and again. Even here, now, you were picking up Logan's history class when he knew very well you could be on the other side of the world sipping pina coladas if you wanted.

What the hell was the universe thinking putting you with him?

Logan admired the reflection of the magic on your cheeks and the way your eyes stayed trained on his palms. Your touch was so gentle he could have sworn he was in a distant dream until your eyes met his.

The two of you stared at each other for a moment, gaze locked.

Then another clap of thunder shook the mansion.

You quickly leaned back, pulling your hands from Logan's touch.

"I should... I should go." You said, pushing yourself off of Logan's desk. "It's getting late and I have my first class in the morning."

Logan leaned back in his seat. He said nothing but eyes remained fixed on your form as you made your way towards the door.

Looking back at him with your hand on the knob you made a mental note to remember the image of him with his feet kicked back on the window as he smoked his cigar.

A soft smile remained.

"Good night, Logan."

When you didn't leave immediately, he nodded.

"Night, sweetheart."

Mustering up the courage to shoot him one last smile, you pulled open the door and stepped outside.

Now, Logan didn't know how much he believed in soulmates, but he could be inclined to consider that it was one good wingman.

Leaning back in his seat, Logan sighed and closed his eyes, letting himself drown out his worries with the sound of the rain.

a/n: my inbox is open for more requests! thank you for the request @welcometochilis585

[hazelfoureyes]

The Big Part

Alastor x Virgin FemReader smut

(part 2)

You were dead, it was time to divest yourself of your virginity. When you ask Alastor, he takes to the task immediately. Unfortunately, he seems to enjoy surprising you.

warnings/promises: Alastor x Reader smut, Alastor dislikes getting naked, virginity does not rock, possessive Alastor, head pats, reader is an adult she’s just a nervous idiot bad at words

Horny little deer cult: @frompeach , @chirimeimei , @poppingaround , @polytheatrix , @itsmskeisha , @stygianoir , @celestial-vomit , @xx-all-purpose-nerd-xx , @amurtan

minors dni, this isn’t educational in the slightest and is just straight smut

It made sense, at the time. You didn’t want a relationship and you didn’t want to meet a stranger you couldn’t trust, that left very few people to ask. Husk would say no, and probably stop serving you drinks. Angel would most likely agree, but you were a little intimidated by his experience. That left Alastor. While you hadn’t spent much time together, your interactions were always cordial. And plus, this was hell. Isn’t this kind of situation a sinners dream come true?

For most, maybe. But you didn’t know Alastor. Not yet, not really. Everything he did had some ulterior motive. Perhaps nothing he had ever done was simply selfless. If Alastor wasn’t gaining something, Alastor wasn’t interested.

You caught him in the hallway one evening after redemption-oriented activities, deciding to get the moment over with as quickly as possible.

“It’s a favor, little… odd. But you’re the only person I have to ask.” Your eyes darted around his face, down the hall, up the walls, anywhere really but his eyes.

“I’m all ears!” Alastor tapped the microphone to the ground with a satisfying ‘thud’.

Oh— you had rehearsed this but you hadn’t prepared to be staring at that large, toothy grin. It wasn’t unsettling, it was just distracting. Would he be smiling the entire time he… ya know.

“I am,” you steepled your hands, pointing them at him, “a virgin.” You paused, hoping maybe he’d just infer the rest and you could stop talking.

His face was motionless save his eyelids rising up.

“And I don’t want to be. Anymore.” Your lips pursed together. C’mon, Alastor. Figure it out.

Alastor nodded.

You dragged your fingers down your face, “Would you help me with that?”

His head cocked to the side like a golden retriever being handed a book on ancient Egypt. Very nice offer but what exactly do I do with it?

“Help how, precisely?” He finally spoke, tone unchanged from any normal topic of discussion. Alastor watched your face scrunch up, mouth moving around words you abandoned half way through. You weren’t saying anything, just making panicked sounds. “I find annunciation most helpful when wanting to be understood, dear.”

You wanted to somersault out the nearest window. “Alastor will you take my virginity?”

“Take it where?”

You groaned, he laughed, “Just kidding, my dear! All in good fun. So, to be clear, you would like your first sexual experience to be with me?” He pointed the microphone from you to him.

You nodded, “Yes, please.”

His smile seemed to strain. Staring down at you, he tried to understand what your motivation was for this. But as he looked into your big, concerningly innocent eyes, he realized there was none. You really, simply, want him to be the first.

Ooh, as he thought it, he felt his pulse quicken in his lap. The first. A spot no one else could take. For the rest of your afterlife, he would always be the one who was first in you. A delicious thought. He could work with that.

“Are you free now?” He leaned down to your level.

“Oh. I wasn’t-,”

“Expecting immediacy? Perfect, the element of surprise has never failed me before.” His hand wrapped around your waist and drew you in to his chest, there was a rush of cold air over your skin before you felt yourself falling back.

It was soft, the room was dark, save for a small floor lamp in the corner. Your room, you realized.

“I didn’t know you knew my room number.”

“It’s my job to know everything about the hotel.” He said, tossing your shoes behind him. Was this happening now? Right now?

“I can do it, it’s, it’s fine.” You sat up and began undoing your pants. Alastor just standing there, watching. Smiling. Fuck, was it going to be this awkward the entire time? Should you say something? Touch him? You were lifting the hem of your shirt when you realized he was still fully dressed. “Are you going to take off your clothes?”

“Why would I do that?” Head lolled to the side.

You stopped mid-way through unhooking your bra, “Alastor you do know I was asking you to fuck me, right?”

He nodded. Maybe this was a mistake.

After taking off your bra, and finally your panties, you crawled to the top of your bed and drew your knees to your chest. Your feet hid your sex from view. Heart racing, but it wasn’t excitement, as you had anticipated. It was nerves. Would it hurt? Would you make a stupid face? What if he didn’t like the sounds you made? What if you regretted it after?

Alastor got on the bed on his knees, undoing his belt buckle but not his pants. The way he looked at you, your heart skipped a beat. You suddenly remembered he was called the ‘cannibal deer’ as you saw something akin to hunger in his eyes.

“What experience do you have?” His voice was suddenly low, deeper than before. This wasn’t the pun loving radio man you saw prodding the staff.

“I dated. Before. Kissing, um, I don’t know the bases. Groping?” You grimaced, it sounded so formal.

“Have you ever,” he began to slink toward you on his hands and knees, red eyes glowing in the dim light of your room, “been entered?”

Your cheeks burned, your head suddenly swayed as if it was half full of water and someone tipped you over. “Just myself, my,” you lifted your hand.

“Show me.”

All the air left the room, sucked out of your lungs and into his grin.

Uncrossing your feet, you tried to open your thighs without seperating your knees. It didn’t work, but you still managed to get a hand between your legs and to your entrance. You could have cried, you were soaking wet to an embarrassing degree. Your eyes return to Alastor, his gaze never leaving you. Even as you slipped a finger, then two, into yourself. You thought for sure he would want to watch your hands playing with your wet pussy but no, his eyes stayed on your face. Somehow, that was worse.

A shaky sigh escaped, your eyes closing as you tried to focus on relaxing around your digits.

Your head smacked against the headboard when you felt a third finger enter. Not yours. Your eyes flew back open to see him now directly in front of you.

“Two won’t do, dear.” He spun his finger around, pulling slightly at the thin skin of your entrance. “Unless you’d prefer this to hurt?”

You shook your head no, still stinging from the impact you had made. “May I?” His hand took your wrist and removing your fingers. Swiping your wetness from your ass to your clit, he coated his claw-like digits and pushed three back in. They were longer than yours, sharper. You could feel he moved gently, in and out. Your head was heavy, breath short and fast.

He laughed, bringing your consciousness fully back into the room, “Already wanting to change your mind?”

You shook your head side to side, still too embarrassed to speak, and took a grounding breath to help your body accept his fingers. He took his time, sliding in and out of you. His fingers picking up the slick and letting it lubricate your lips. It was so slow, the only pleasure for you was knowing it wasn’t your hand doing it.

But then his stretching of your hole stopped, and he grabbed both of your knees from underneath and pulled you down toward him. Now on your back, legs up and in his hands, you heard his belt slide through the loopholes, his zipper drop. You wanted to look, but you also absolutely did not want to look.

Your knees came together when you felt something hot and round at your entrance. “Ah-ah,” He opened them immediately. He reached for one of your hands, and brought it down to his cock. It was so hard under your fingers, but gave a little when you squeezed. It made him hiss.

“You tell me when to stop, little doe.” He pressed into your opening, pulled back. Pressed in, just barely making it past your lips, pulled back. He kept this pressing and pulling, head making slightly more leeway every time. Your fingers were holding right behind the tip.

“How about this, dear. I’ll just get the head in for now. Manageable!”

“Just— just get the big part in first?” You asked, the pressure at your entrance building with every shallow thrust.

He laughed, nodding as he held both of your knees further apart. When he attempted to get past the curve of his cock’s head, your hands flew down to press against his thigh, pushing back with the intrusion. Alastor stilled, sighed, and pressed his head fully in with a determined thrust. Instinctively, your feet came to his chest and tried to push away from him. It felt like you were being torn down the middle, your body forced apart at your most sensitive junction. He held you still now by the ankles, legs splayed in the air.

It burned where your walls were pushed aside. Stinging where the skin tore slightly just beneath your hole, unable to stretch.

“Breath, sweetheart.” He set your ankles down. “Does it hurt?”

You nodded.

“I’ll stay here for a bit,” he settled on his legs, looking down at where he was connected to you. Your pink little pussy looking positively overwhelmed by his cock. No one has ever been here before, and he could feel it. Your walls were pressing so hard against him his shaft was slightly curved from the force pushing his head out. You still had so much to take, there was so much more of you for him to explore. You tried to calm your breathing but your heart was racking against your sternum.

Hand reaching down again, you let your fingers count little paces from his core to yours. You knew the hardest part was over, but that didn’t bring much comfort as you felt how far you still had to go.

Alastor let his eyes wander away from your not-so-virgin cunt to your face. Your expression was twisted, not pained but clearly uncomfortable.

“How does it feel?” He asked, gesturing to your lap with a nod of his head.

“Full, so full.”

His cackle disheartened you, “Darling I am no where done filling you up.”

You clenched when he said it, earning a small groan from him. You were already too tight, when you spasmed on him it was nearly painful. There was more to do yet, more of you to claim as his. Just the tip of his cock was simply not enough.

His hips started moving again, the folds of his head pulling at the skin of your entrance but not actually crossing the barrier. He was gently rocking, barely making friction between you two. Your hand clawed at his knee, breath hitching. You let an airy moan slip, his head no longer an intrusion but something hot and melty barely rubbing your walls. It started to feel almost good.

Alastor’s cock was throbbing, his shaft touch-starved and desperate for the heat of your cunt. Your face was relaxing now, eyes blinking around new sensations. He wanted to see you experience more, more firsts and frighteningly foreign pleasures. He wanted to see you scared of how good he could make you feel. Alastor wanted you to never feel whole again without him buried balls deep in you.

“Can you take more?” His voice was like gravel, a radio static crackling in.

You met his eyes, glowing still in the dim light, wide and nearly frenzied in their dilation. His smile was practically beaming down at you.

“I don’t know.” You were scared to move forward, even though you wanted more.

“I don’t like liars.” A pop of electricity arcing at the end of his words. You pulled a pillow over your face, trying to hide from the reaction you knew he’d have as his voice made you tighten around him. “Your body says otherwise,” he hissed.

You wanted to say ‘yes’, if this could feel good then how great would all of him feel? But you were scared to vocalize it. Scared to make it start. Alastor lifted the pillow, “I need to see you, dear.” He set it beside his leg, “Do you remember what I said earlier?”

Brow furrowed, you shook your head. His grin widened to his ears as his hands slid down your thighs to your hips and he sank his cock to the hilt.

The element of surprise definitely made the nerves of saying ‘yes’ dissipate, but you were now choking on your breath, hands gripping at the blankets beneath you. Was this normal? Was he too far inside you? You felt nauseous, your guts prodded by Alastor’s member.

“How does it feel now?” He watched your eyes scanning the ceiling for an answer. You felt sure there was no way his head could leave you ever again. It was so snuggly fit in you, you feared you’d be pulled inside out. “Words, dear.”

You sat up on your elbows, sweating from the nerves of it all. “Like there’s a big stick stuck in me.”

“Accurate!” He laughed, and began pulling out. You whined, head dropping back. Almost taking himself out completely, he paused before thrusting back in. The head of his cock dragged against your walls, you could feel him with such detail. Every inch of him leaving impressions behind. Alastor could feel it too, how your soft warmth moved out of his way with every push. How pliable your womb was to his intrusions.

More. You could take more, he was positive of it.

Slowly, your moans began to get louder as the pressure faded into pleasure. Every time he bottomed out, you jumped. Every time he pulled out, you wanted to chase after him with your hips.

Watching your face soften, eyes now watery, Alastor was sure you were relaxed enough. He grabbed the pillow beside him, lifting your ass and sliding it under the small of your back. You didn’t ask, just waited to see what the point was. Dissatisfied, he grabbed another and added it under you.

Your hips were up, ass hanging over the ledge the pillows made, back bent upward. When he began to thrust again, you whinced feeling a new part of you widen for him. “Can you see me?” You looked at him when he said it, but he grabbed your hand and placed it beneath your belly button. When he pushed back in, you could feel his cock beneath your hand. Moving it, you watched your stomach bulge slightly when he was completely sheathed in you.

“Oh fuck-,” your head fell back into the bed, it was too much to feel let alone to watch, “Too deep.”

He hummed an acknowledgement, picking up his pace. “Let me see how you cum.”

Your face was hot, reluctantly bringing your hand to your clit and rubbing.

No, this wasn’t a mistake at all. If anything you regretted not asking sooner.

His thrusts now brought lightning to your core, your finger quickening in speed with the realization of just how good he could feel.

Studying your face still, he adjusted his angle until he saw the muscles in your neck tighten. He knew he found your g-spot, your moans dipping into cries.

“I can’t—,” You couldn’t get over the hump, knowing he was watching you, waiting for you.

“You can”, the lights flickered, his eyes now black with small red pupils illuminating your naked body, “and you will, my dear.” One of his hands stopped pressing finger sized bruises into your hips to instead push your own finger aside. The wide pad of his thumb took over and began thrumming you fast and hard.

That familiar build up of pleasure was stronger than you’d ever felt it, and when it finally snapped your muscles from your thighs to your toes cramped. How long had you been tensing?

You practically sobbed into the crook of your arm, Alastor’s hips slowing but still carrying you through your orgasm. They moved slower and slower, until stopping entirely. His head popped out of you, leaving you feeling hollow. Cold.

Eyes wet and blurry, you looked up at him, “Aren’t you going to finish?”

“If we do everything now, what ‘first’ will we have for tomorrow night? And the night after that?” He smiled, member already hidden away and pants buttoned. Your thighs twitched. “Same time tomorrow, little doe?”

You covered your face with both hands, and nodded.

His big hand came to your head and patted you gently, “Good girl.”

I hope you liked it 🥺 I don’t feel as confident about this one. Fun fact, my first time involved bondage. Very on brand, huh? 💖

༻Masterlist༺

Gonna start calling his dick ‘the element of surprise’. You look tired today! What happened? Oh the element of surprise kept me up all night.

[simpjaes]

what do you think abt being jake’s newly gf, always being super cute and thinking he was super innocent. only ever kissing here and there and holding hands in your relationship

but then u find out after he left his phone unlocked to go to the bathroom, u curiously see one of his tabs open to a twitter link, and shockingly seeing the most vulgar videos that u can infer jake gets off too in secret

tags: jake has a HUUUUUUUUUUUUUUUUGE fucking gigantic cock. a mini fic is tagged as the continuation.

"Oh...that's...hot." You mutter in thought, staring down at the evidence in your hand, all huddled up on the couch. It had been a few weeks now since the two of you became official, or whatever. That's a few weeks of close to nothing in terms of sexuality though, mostly just a few kisses here or there, maybe a hug where he pulls you close and kisses you just slightly harder than usual. Always keeping his lower half away from you though.

For a while there you were wondering if the dude was a virgin. Given, well, he fucking acts like one. But now, oh...now. If, for some reason, he was a virgin, you wouldn't expect an interest such as this one.

You stare down at the muted phone, internally on fire as you watch a woman get absolutely fucking obliterated by a man with a dick way, way too big. Like, to the point you know it's gotta hurt her. But still, you tingle at it, almost clicking the bookmark button as if forgetting this isn't your phone, only to remember that yes, this is Jake's phone, and it's already fucking bookmarked.

Your sweet, caring, soft-voiced boyfriend jerks off to this. To the mess of it, the tears this woman offers to the camera, the huge cock stuffing inside of her without so much as letting her adjust.

And god, don't get you started on the position. An ugly one, most would say, but you just know that she feels good. So, good.

"Uh..."

You jump in surprise at your boyfriend's awkward voice, practically throwing the phone across the room before you're able to close out or lock it. Somehow, luck isn't on your side and you guess when the phone hit your table before bouncing off of it and sliding onto the floor, it somehow ended up unmuted.

And now, you're staring at Jake, and he's staring at you, all with a woman moaning, choking, crying loudly on the floor just three feet away from his phone. You watch his cheeks darken before he scratches the back of his neck, side stepping to grab his phone and close out of everything. He avoids eye contact after that, standing there in the middle of your living room with a somewhat....amused look now. "I...wasn't snooping." You try to start, voice caught in your throat for both embarrassment in your own actions, but second hand embarrassment for him. After all, the ice hasn't been broken yet with him. The, uh, sexual ice. "It seems a lot like you were snooping." He shoots his gaze at you now, pocketing his phone and huffing. "Well?" "Jake, I swear I thought you were like, a virgin or something." You explain quickly and in a panic. "I just, was wondering if maybe you weren't interested in me, or like, had someone else or something you were interested in since we haven't like...you know-" He cuts you off quickly, his entire demeanor changing in an instant. "A fucking virgin?! Really?" He says it as if he's offended, then he walks up to you, and stands right in front of you. You're sitting on the couch, and he's standing to where his cock is basically at eye level with you. He arches his back slightly, grabbing his bulge, palming it, warming it up. Showing it to you. "I just wasn't sure if you could take it, if I'm being honest. Plus, it's not like you've ever tried." A switch in your brain flicks on. He's right, you haven't made any moves on him due to your...you know, assumptions. And he, apparently, hasn't made the move out of the assumption you couldn't handle it. "Take what, your dick?" You raise a brow. "Well, if it's anything like, uh, the one in th-" "It's exactly like the one in the video, why do you think I watch it?" He smiles, grabbing himself blatantly as if to prove to you that even half hard, he's huge. "Oh..." "So I was right?" He asks now, tilting his head down at you. "Can you take it?" Well... you guess you'll just have to try and see. ~ BIG DICK FOR DUMMIES: basically a continuation that i already wrote.

[zoe-oneesama]

It's really unclear in the cannon, and I don't remember if you mention it in your comic, but to the public (and Adrien's) knowledge, was Emily dead?

I think I remember That Guy tweeting that they held a funeral and everything, but if it didn't happen in universe~ 🙃It's honestly kinda wishy-washy.

Everyone in universe calls her "missing". And that's technically correct, since a body was never found. You can infer that Gabriel didn't do an ol' switcharoo and have a closed casket funeral after having proven that she's D-E-A-D dead because of the choice to use the word "missing" and not "gone".

But they also just act like she's been "missing" for 7 years or something. No one's looking for her, Adrien is fine with his dad moving on to Nathalie, Amelie comes back for her sister's heirlooms. Everyone has accepted that she's not coming back as if she didn't vanish under mysterious circumstances.

But she's only been "missing" for one year! Well, nearly two years if we go off "Ephemeral", but the way everyone talks about her (besides Gabriel) is as if she suddenly died in a car accident or finally succumbed to her very visible and long lasting illness.

But that's not the case. There's no body, as far as everyone else is concerned. She just VANISHED but everyone treats it like when a cat slinks off to the woods to die in peace!

It's BIZARRE how the show wants her "missing" and "dead" at the same time and doesn't seem to realize that there's a HUGE! DIFFERENCE!

As for SL, you'll see in the next page.

[nostalgebraist]

Honestly I'm pretty tired of supporting nostalgebraist-autoresponder. Going to wind down the project some time before the end of this year.

Posting this mainly to get the idea out there, I guess.

This project has taken an immense amount of effort from me over the years, and still does, even when it's just in maintenance mode.

Today some mysterious system update (or something) made the model no longer fit on the GPU I normally use for it, despite all the same code and settings on my end.

This exact kind of thing happened once before this year, and I eventually figured it out, but I haven't figured this one out yet. This problem consumed several hours of what was meant to be a relaxing Sunday. Based on past experience, getting to the bottom of the issue would take many more hours.

My options in the short term are to

A. spend (even) more money per unit time, by renting a more powerful GPU to do the same damn thing I know the less powerful one can do (it was doing it this morning!), or

B. silently reduce the context window length by a large amount (and thus the "smartness" of the output, to some degree) to allow the model to fit on the old GPU.

Things like this happen all the time, behind the scenes.

I don't want to be doing this for another year, much less several years. I don't want to be doing it at all.

----

In 2019 and 2020, it was fun to make a GPT-2 autoresponder bot.

[EDIT: I've seen several people misread the previous line and infer that nostalgebraist-autoresponder is still using GPT-2. She isn't, and hasn't been for a long time. Her latest model is a finetuned LLaMA-13B.]

Hardly anyone else was doing anything like it. I wasn't the most qualified person in the world to do it, and I didn't do the best possible job, but who cares? I learned a lot, and the really competent tech bros of 2019 were off doing something else.

And it was fun to watch the bot "pretend to be me" while interacting (mostly) with my actual group of tumblr mutuals.

In 2023, everyone and their grandmother is making some kind of "gen AI" app. They are helped along by a dizzying array of tools, cranked out by hyper-competent tech bros with apparently infinite reserves of free time.

There are so many of these tools and demos. Every week it seems like there are a hundred more; it feels like every day I wake up and am expected to be familiar with a hundred more vaguely nostalgebraist-autoresponder-shaped things.

And every one of them is vastly better-engineered than my own hacky efforts. They build on each other, and reap the accelerating returns.

I've tended to do everything first, ahead of the curve, in my own way. This is what I like doing. Going out into unexplored wilderness, not really knowing what I'm doing, without any maps.

Later, hundreds of others with go to the same place. They'll make maps, and share them. They'll go there again and again, learning to make the expeditions systematically. They'll make an optimized industrial process of it. Meanwhile, I'll be locked in to my own cottage-industry mode of production.

Being the first to do something means you end up eventually being the worst.

----

I had a GPT chatbot in 2019, before GPT-3 existed. I don't think Huggingface Transformers existed, either. I used the primitive tools that were available at the time, and built on them in my own way. These days, it is almost trivial to do the things I did, much better, with standardized tools.

I had a denoising diffusion image generator in 2021, before DALLE-2 or Stable Diffusion or Huggingface Diffusers. I used the primitive tools that were available at the time, and built on them in my own way. These days, it is almost trivial to do the things I did, much better, with standardized tools.

Earlier this year, I was (probably) one the first people to finetune LLaMA. I manually strapped LoRA and 8-bit quantization onto the original codebase, figuring out everything the hard way. It was fun.

Just a few months later, and your grandmother is probably running LLaMA on her toaster as we speak. My homegrown methods look hopelessly antiquated. I think everyone's doing 4-bit quantization now?

(Are they? I can't keep track anymore -- the hyper-competent tech bros are too damn fast. A few months from now the thing will be probably be quantized to -1 bits, somehow. It'll be running in your phone's browser. And it'll be using RLHF, except no, it'll be using some successor to RLHF that everyone's hyping up at the time...)

"You have a GPT chatbot?" someone will ask me. "I assume you're using AutoLangGPTLayerPrompt?"

No, no, I'm not. I'm trying to debug obscure CUDA issues on a Sunday so my bot can carry on talking to a thousand strangers, every one of whom is asking it something like "PENIS PENIS PENIS."

Only I am capable of unplugging the blockage and giving the "PENIS PENIS PENIS" askers the responses they crave. ("Which is ... what, exactly?", one might justly wonder.) No one else would fully understand the nature of the bug. It is special to my own bizarre, antiquated, homegrown system.

I must have one of the longest-running GPT chatbots in existence, by now. Possibly the longest-running one?

I like doing new things. I like hacking through uncharted wilderness. The world of GPT chatbots has long since ceased to provide this kind of value to me.

I want to cede this ground to the LLaMA techbros and the prompt engineers. It is not my wilderness anymore.

I miss wilderness. Maybe I will find a new patch of it, in some new place, that no one cares about yet.

----

Even in 2023, there isn't really anything else out there quite like Frank. But there could be.

If you want to develop some sort of Frank-like thing, there has never been a better time than now. Everyone and their grandmother is doing it.

"But -- but how, exactly?"

Don't ask me. I don't know. This isn't my area anymore.

There has never been a better time to make a GPT chatbot -- for everyone except me, that is.

Ask the techbros, the prompt engineers, the grandmas running OpenChatGPT on their ironing boards. They are doing what I did, faster and easier and better, in their sleep. Ask them.

[the-clock-of-the-time-dragon]

Musings on how magic works in the Wicked musical/film(s):

So I've actually never really heard anyone explore in-depth how the powers work in Wicked, because I guess they're both simple AND mysterious enough that most people regard them as self-explanatory. But I think there's actually a lot of interesting things we might learn about the characters and world through observing how and when magic happens in Oz.

So with the Grimmerie, it seems to work by reading people's hearts and granting them an approximation of what they ask for. I've pointed out before how it's kind of a mirror version of what the Wizard does: people come asking for their "heart's desire", and both the Wizard and the Grimmerie want to grant that desire and make people happy. But whereas the Wizard must do this with charlatanry (and in the end, people always end up having to either go and get what they came for themselves, elsewhere, or they already had it all along), the Grimmerie can actually twist reality to give people some version of what they wanted (and didn't already have): but it always comes with some fucked up cost that makes them regret it. It plays into the overarching theme of "what is happiness? Is it getting your heart's desire? What will you give up to get it? Is it worth it?", etc. I think it could even be inferred that every character who ever comes into contact with the book — directly or indirectly — is in a way "cursed" to never obtain true happiness, only a mockery of what they'd imagined happiness to be. This extends to the Wizard, Glinda, Morrible, Elphaba, Nessa, and even Chistery. And the grander the desire, the graver the cost for getting it — Chistery is able to get away with physical pain for his dream of flying, but the human characters all have their dreams come true only in ways they are never able to actually enjoy. I think the reason Elphaba is the only one able to not only read the book but get away with using it repeatedly, is due to her own innate power.

Elphaba's power is very different from that of the Grimmerie. She seems to have the ability to just flat-out REJECT ACCEPTED REALITY. She defies the law of gravity; even TIME (essentially "remembering" things that have yet to happen). Every time we see her use her powers, she does so to STOP what is transpiring, or simply to say NO to what is before her. Making things fall up instead of down, recalling the future instead of the past, reading books that are illegible. It's in keeping with her overall character, being off, or backwards, or at odds with everything around her: crowds part as if repelled when she comes near; her first day of school she's already being told she's going to excel far beyond what any of the other students could ever hope to achieve. The idea of "I clash with everything" isn't just a joke about color coordination, it's quite literally how she interacts with the world, including on a metaphysical level. She distorts and repulses.

The reason she has such a different relationship to the Grimmerie than everyone else who's tried to use it, is precisely because she clashes with everything. More importantly: she rejects both the world as it is, AND the world as she wants it. She denies her own desires for the sake of what she considers more important. She knows that she can have all she ever wanted: but she can't. She won't. She chooses to go AGAINST heart's desire, REJECT happiness — to deny HERSELF. Something that, perhaps, only a child of both Oz and Kansas — of fantasy and reality — is able to do. She's so at odds with the fantasy world she's been born into, so committed to Truth — a world of objective non-fiction — that she actively says no to her own dreams, and can literally disrupt and challenge the basic laws and logics of the story that she's in. She can use the Grimmerie because she uses the same language: negation. You can't reverse the Grimmerie's spells because they ARE reversals — distortions of a twisted nature. But Elphaba can't want what she truly wants in her heart; she rejects it; it's already reversed. To the "what are you willing to give up to get what you want?" question, Elphaba is the only one in Oz who can honestly just reply "NO", and give up her heart's desire of her own accord.

Now, how Morrible's powers work seem to be a lot different from the others. Her abilities aren't derived directly from the Grimmerie (though we know she has at least studied it), and appear to be innate like Elphaba's, but they manifest very differently. But why weather?? I think it pertains to her innate nature. She's a manipulator whose temperament changes like the wind (warm with some and cold with others), capable of clouding the truth or making things clear as she pleases, and acts as if the world revolves around her like a cyclone. She has total control over her powers because her power is control. There might have been a time when her powers were more benign — she says her talent is "encouraging talent", so perhaps we could infer that her true powers are motivating/suggesting things, giving directions, and that whenever she developed into the truly wicked person she is now, that power darkened into coercion/manipulation. So she can direct a cloud to disperse, encourage a wind to blow, or persuade a crowd to become a raging tempest.

As for Glinda: the musical/film(s) kinda implies she doesn't have any powers?? At least not the innate kind that Elphaba and Morrible have. We haven't seen her use any spells (except a simple one that got cut way back in the pre-Broadway tryout run of the musical), her bubble is shown to be mechanical rather than magical, and she's obviously interested in learning sorcery but fails the only time we really see her try to use it, and she doesn't believe she can read the Grimmerie. So whatever magic Glinda possesses has to be developed, and given she has never really been encouraged to do so (whether in school or when she's Glinda the Good), she probably hasn't had much of a chance to become a real witch by the time the story wraps up (although it would be a fun inclusion if the second film shows her using a spell at some point). Also: since magic seems to be related to character's personal qualities or narrative themes, it's actually quite meaningful that Glinda (at the very least) struggles to use it — she's constantly questioning who she is, what she wants, etc., and so whether she possesses a natural power of her own or needs to develop it through training, we might infer that her magic is similarly "unsure" of what it's supposed to do.

Feel free to respond with any thoughts — I just find this aspect of the story really interesting and hopefully this all came together to at least mostly make sense, lol

[bakuhatsufallinlove]

"Queer-coding" is only useful for a narrow range of media and it'd be great if we could stop using it for literally everything

Here's my problem with it:

The term originated to discuss negative media depictions of cultural stereotypes for LGBTQ people in the United States. It is inherently tied to the conditions of media censorship at play in the USA during the 1900s, with the Hays Code restricting depictions of anything it deemed "immoral."

Now, for whatever reason, people are using it to refer to literally anything they see as "kind of gay."

The term begins with the premise that making the audience see the character as queer is the creator's explicit intention. The creator knows the stereotype, you know the stereotype, so they are using the stereotype to convey to you something they can't say outright.

However, you can see how this goes awry, right?

The second we cross language, cultural, or even generational lines, this gets messy.

What traits are deemed queer? What behaviors or characteristics are seen as gay? The reality is this is a huge spectrum, and every culture has a different relationship with queerness in its history. For that matter, every nation has its own unique issues with censorship. A viewer from the USA may interpret a Japanese character as exhibiting stereotypically gay characteristics, but does that mean the Japanese creator intended it to be taken that way?

But then, if we try to account for what stereotypes Japanese media might use for queer characters to ascertain what the Japanese creator might have intended, we arrive at the same dead-end: the implication that queerness is only really portrayed via (usually negative) stereotypes.

This suggests that if media does not contain enough "clues" to imply a character is queer to the broadest possible audience, a queer reading of their story is out of the question. "Queer-coding" is treated as a metric of validity, a way to "prove" queer interpretations are allowable, yet it is based in stereotypes, censorship, and presumption of authorial intent.

The way queer-coding is continually brought into discussions about art essentially creates an ultimatum: media needs to be "explicit" by using direct (usually English language) terminology, or characters need to engage in things like kissing, declaring one's love, sexual activity, etc., yet even those are dismissed at times.

This creates a dynamic where art which is intentionally subtle or multifaceted may be seen as exhibiting cowardice rather than artistic complexity. It implies that if something is not "confirmed queer," queer themes cannot be read into it, queer subtext cannot be interpreted from it, and queer people are not allowed to identify with it.

This limits art. This builds walls that diminish human connection; it creates a situation where queer people are discouraged from seeing themselves in media not explicitly designated for them. Because, obviously, queer people are a completely different species from "normal people," right? Their feelings and experiences are so alien and distinct, there's no overlap anyone else could sympathize with.

You don't need permission to see queerness in art. You don't have anything to prove. Queer interpretations are just as valid as any other, and anyone who tells you different is selling something.

As I spoke about in this post, authorial intent is not more important than audience perception, and trying to infer the creator's intentions is a fool's errand. Especially in a situation where censorship is supposedly at play, any public statement from a creator could be reasonably disregarded as dishonest, which leaves us alone with ourselves and the work.

Which, by the way, is the only real way anyone experiences art. It's not you and the creator, it's you and the work. When people try to infer authorial intent, they are not discerning real, objective truth. They are sorting available information through a filter of what they consider believable before arriving at a subjective conclusion, which they then project onto a mental image of the creator.

In literary analysis, we select a "lens" through which to view art. This means that we decide to accept certain ideas as given fact and explore what the works says once we look at it that way. For example, we could accept as fact the idea that a number of the core cast are queer in some way. It posits the question: once we dismiss heterosexuality and cisgender identity as the only options, what do we see?

This is an intellectual concept, but the reality is that everybody naturally applies their own lens to art when they view it. This lens is not nearly so rigid or clearly defined, but it is a lens nonetheless, defined by their experiences, values, and individual personality.

I would love for people to stop using the phrase "queer-coding" quite so freely. It centers a need for validation and hinges that on "what the creator intended."

If you want some ideas for different language about this, consider these:

A theme might be queer by exploring broad topics queer people often struggle with, such as secrecy, shame, or self-acceptance.

The subtext of something might be queer in that one could read a double-meaning or deeper implication to the narrative device or scenario.

A work might contain allegory, symbolism, imagery or parallels that could be interpreted with queerness.

I don't think it's interesting to try to "win" by convincing you I personally know what the creator intended. That leaves the art static, unchanging, and lifeless. I would much rather tell you how I personally see the art and why, because that dynamic allows all of us examine the work more deeply.

In the end, it is not an author's edict in some external statement that gives art meaning. It is the audience. Our feelings are what give art meaning, and connecting with other people about what it all means to us is what keeps art alive.

[literaryvein-reblogs]

Writing Notes: Point of View

Point of view (POV) - the position from which the events of a story are observed.

The author establishes point of view through the use of characters, dialogue, actions, setting, and events.

Authors rarely speak in their own voices. Instead, they assume a particular persona and adopt a "voice" that enables them to narrate their stories and novels. This voice is called point of view.

4 Common Points of View

1. Omniscient 2. Limited Omniscient:

Major character

Minor character

3. Objective 4. First Person:

Major character

Minor character

OMNISCIENT

The story is told in the third person ("he," "she," "it") by a narrator who knows everything about the characters, actions, and events.

The narrator is able to move in time and place, to shift from character to character, and to reveal or conceal as little or as much as he or she pleases.

This type of narrator is "all knowing."

Example from "Godfather Death:"

"He ought to have remembered his godfather's warning."

The narrator has unlimited knowledge, even knowing the mind of Death, and he comments on and evaluates the doctor as he is dying.

LIMITED OMNISCIENT

The story is also told in the third person, but only from the viewpoint of a single character, whether a major or minor one.

The author selects which character to see through, and the narrator is confined to knowing only the thoughts and actions of that character.

Such a character is the "lens" through which events pass in the story.

Example from Gustave Flaubert's Madame Bovary:

"Charles went upstairs to see the patient. He found him in bed, seating under blankets, his nightcap lying where he had flung it....The fracture was a simple one, without complications of any kind. Charles couldn't have wished for anything easier. Then he recalled his teachers' bedside manner in accident cases, and proceeded to cheer up his patient...."

It is only through Charlie's eyes that readers "see" and learn about the patient.

OBJECTIVE

The story is told in third person, but the narrator does not enter the mind of any character.

The narrator objectively describes events from the outside.

The reader is left to infer the character's inner thoughts and feelings.

The narrator knows which details to use to communicate deep meaning.

Example from Dashiell Hammett's the Maltese Falcon:

"Spade's thick fingers made a cigarette with deliberate care, sifting a measured quantity of tan flakes down into curved paper, spreading the flakes so that they lay equal at the ends with a slight depression in the middle...."

Readers must infer that Spade is deliberate, cool, efficient, and painstaking during a crisis; the author never uses those adjectives to describe Spade.

FIRST PERSON

The story is told in first person ("I"), through the thoughts and feelings of the narrator, not anyone else's.

What reaches the reader is subjective.

So, more important than whether the narrator is a major or minor character is the narrator's reliability.

An unreliable narrator can present a distorted picture of events; a reliable one can render events with accuracy.

Example from Aesop's Ant and the Grasshopper:

"Cold and hungry, I watched the ant tugging over the snow a piece of corn he had stored up last summer. My feelers twitched, and I was conscious of a tic in my left hind leg. Finally I could bear it no longer. 'Please, friend ant,' I asked, 'may I have a bit of your corn?"

Readers only know the thoughts and feelings of the grasshopper. They know nothing about what the ant thinks or how the ant feels.

Determining Point of View

The attitudes and opinions of a narrator aren't necessarily those of the author.

Don't confuse a character with the author.

To determine point of view, ask who the narrator is and what pronoun the author attaches to the narrator.

Also ask yourself what role, if any, the narrator plays.

By using a particular point of view, an author determines how much the narrator reveals about the characters.

If these writing notes help with your poem/story, do tag me. Or send me a link. I'd love to read them!

More: Writing Notes & References ⚜ POV

[causenessus]

cold kisses

part 0.3. USER 7193

PLAYING FROM KODZUKEN'S STREAM . . . feels by calvin harris

maybe he should have expected this. 

nearly all of his posts have been overrun with questions about y/n in the comments. the comments range from simple “who was the girl in your cooking stream??” demands to extremely specific ones detailing her exact hair color, height, and voice pitch as if he’s had another mysterious girl on a stream that he’ll confuse her for.

he’s been doing his best to avoid questions about her but it could only work for so long. now there’s only questions about y/n left in the chat and he’s not sure what to do. it was easy to ignore the questions when he wasn’t doing an entire question and answer live stream but he’d promised to do one soon and he thought having shoyo with him was going to help. 

it did for the most part, and everything seemed normal but he was at a loss for words when the chat started to flood with questions about y/n.

shoyo leaned closer to read a question outloud, “‘girl from the cooking stream?’ i keep seeing that, do they not know–”

a reflex kicks in and he slaps a hand over shoyo’s mouth, pushing him away from the screen again before removing his hand trying to act normal.

the ginger looks at him, a mix of surprise and confusion on his face. “sorry,” kenma apologizes quickly, shocked by his own actions. “no, they don’t know anything about her,” he answers, trying to make it clear that he wants to keep it that way.

but the chat is already too far gone, using this one mention to run wild with theories. he can’t blame them, really. sometimes they’re a little over the top and unnecessarily pushy as if they have no sense of respect but in this scenario what else could they talk about besides a mysterious person that just entered the picture? but that didn't mean he enjoyed dealing with it.

messages transition quickly from asking what they “don’t know about” to inferring that he has a secret girlfriend. he groans, looking away from the screen. his mind working fast to try and come up with an excuse or explanation; a single mention of her and they already think he’s dating someone. he’s sure that the internet would go crazy with this information as well, fabricating stories, scandals, and everything in between.

his phone starts to buzz.

speak of the devil.

it’s a notification from twitter, some unofficial update account that’s tagged him about having a secret girlfriend.

he needs to think.

he can see shoyo eyeing him out of the corner of his eyes and he knows he’s been silent for too long on camera.

god, someone was going to find out who she was soon, right? weren’t fans supposed to be good at doxxing each other?

but how does he play off being roommates with an olympic athlete? an olympic athlete whose currently being shipped to the max with the most typical copy and paste guy everyone has the hots for?

maybe it’d be better for him to leave it to a random fan to find out who she is and announce it to the world–no, then he’ll just look bad for hiding things after so much has already come to light. it’s best for him to come up with an excuse right now. if he said she was his girlfriend maybe he could ask them to leave her alone. maybe they’d listen to him.

it sounded like his best option but he couldn’t just make that decision on his own without talking to her.

but he also couldn’t stand up and the leave the room for an unprecedented amount of time after keeping quiet for so long.

he looks at the chat one more time, seeing the word girlfriend in nearly every message. if they already think they’re dating it can’t be that bad, right?

“kenma…?” shoyo breaks him out of a trance, touching him on the back.

kenma looks at him, unsure of what to say. he feels dizzy and his mind won’t stop whirring with thoughts and worries.

“you’ve been really quiet,” shoyo lowers his voice so that only kenma can hear him, “i think you need to say something.”

he glances at the chat again. still stuff about y/n.

she’d be okay with it, right? maybe if she isn’t he’ll just tell twitter that his girlfriend broke up with him because his fans are pushy little shits and he’ll agree with her word for word and then his fans will cancel him and he can move to another country and live a happy little life working in a cat shelter–

no. he likes his life the way it is now. he’s winged everything so far but he’s grown quite a small community for himself this way. he can do this. if y/n doesn’t agree, he’ll figure something out later.

“okay,” kenma finally speaks, dropping his hands that he’s been running through his hair absentmindedly. “since none of you guys are gonna leave this alone, yes. the girl from that last stream is my girlfriend, happy?” he watches his chat run wild with numerous exclamations. he thinks finally about his poor moderators. he’ll definitely have to give them something after this stream. “i’ve been trying to lay low about it because i didn’t want the world to freak out but now it’s out. just try and be respectful, okay? i love her a lot.” the words aren’t hard to say when they’re about her. he can say them honestly and play them off as a joke later, but for now he enjoys how nice it feels to say it.

he can see that shoyo has frozen up out of the corner of his eye. he needs to end this stream before either of them say something else they shouldn’t. he’ll answer a few more questions and slowly ease into a goodbye so that he can end the stream and debrief shoyo.

prev. | m.list | next

extras <3

this is a long chapter i'm sorry 💀 literally there's more but i tried to split this evenly into two chapters

kenma was literally just going through some random person's account who made edits of ice skating partners to self sabotage himself

yn wasn't sure when they'd be releasing partner pair ups and really freaked out when they were announced

she was texting everyone and tweeting a ton

she messaged her media girl like "hey i'm not comfortable with people sending me writing shipping me with atsumu can we please do something about it" and the girl replied, "what do you want me to do?? report them?? write you a message that you can tweet about your boundaries?? (yes) if that's what they want to write deal with it at least they like u"

and they wonder why she just posts whatever she's feeling on her main unless iwa tells her otherwise

noya has gotten distracted from the main topic of a chat to reply with a <3 to something nice y/n says multiple times

they're fr just best buds holding hand in the middle of a warzone where iwaizumi reigns over all

(the only two soldiers are suna and tsukishima)

suna's a lot softer without tsukishima around

he just feels like he needs his guard up around such a salty person

do not ask me why i made rofltropper an antagonist for no reason

kageyama was really just trying to finally do his english homework while waiting for hinata to come home and then he heard kuroo and oikawa start to yell

he was a little scared but then was like "if they can't reach me i'm safe" and they they slammed the door shut and his room shook a little

someone on the floor probably wrote up a complaint about them

taglist: @rinheartshyunlix @kettlepop @eggyrocks @cr4yolaas @httpakkeiji @keioover @does-directions @calx-bdo @staygoldsquatchling02 @cherrypieyourface @iluv-ace @kitty-m30w @h3xi2g0n3 @mylahrins @thechaosoflonging @momoriii-i @localgaytrainwreck @a-pastel-edgelord @bugglesboop @polish-cereal @osakis-gf @whykirbo @phoenix-eclipses @faesix @ryeyeyer @starxq.zip @skylarkalchemist @kunimix @sereniteav @kodzubaby (form to be added to taglist! <3)

[silverthehedgehoganalysis]

Continuing from this post, Shun Nakamura stated that the reasoning behind the initial name “Venice” for Silver was for the simple reason that “it’s a character that lives there” (in relation to the Venice inspired city state of Soleanna) meaning that Silver has been intended to live in Soleanna from his very conception.

So combined with everything else, we can infer that Silver does live in Soleanna, in both the future and Sonic’s time period.

[foibles-fables]

thinking once again about the delicious concept of Talanah having deeper and more numerous hang-ups about sex than Aloy would...

When it comes to the act itself, at least. We all know Aloy has a metric fuckton of interpersonal baggage to work through, and she's certainly gotten started on that. But I think, in an early established relationship with the two of them on equal ground communication-wise, she'd be way more clearheaded about the act of sex specifically.

The Nora are an incredibly sex-positive tribe, as long as it don't result in babies outside of a sanctioned mate blessing. They use contraceptives liberally ("my sister stopped taking her tea!") and same-sex couplings are accepted and not outside of the social norm. While the tribal leadership is a matriarchy specifically based on the merit of having progeny, the rest of their society is an egalitarian one.

Rost, as a devout Nora, would've felt the same way about sex. And he would have impressed these ideas upon Aloy--with frankness, with no nonsense or baggage (since there's no social backing for it)--in preparation for her to join the tribe after her Proving, as was his wish. I think any angst Aloy would have about sex would be connected to her heaps of internalized otherness rather than upbringing--but if that was settled beforehand, I don't think she'd feel shame about the act itself.

The Carja, on the other hand. lmao.

Unlike the Nora, we don't have a canon outline of their attitude toward sex specifically--however, one can infer that it would fall into the rest of their patriarchal societal structure. They're kinda Catholic-lite, if you will, but make it the Sun. Only a couple blips of ambient dialogue give reference to it and they're mostly played for idle laughs.

We know Talanah herself is a badass and hellbent on breaking social barriers--but I think it's also interesting to view her through the lens of also being a product of not only Carja society at large, but also a noble upbringing. I just think it's fascinating, character-wise, to think of her having no shame or trepidation about kicking down the door of the Lodge--but still having to fight internalized shame about sex, when it comes down to it. Obviously, that wouldn't be a part of her everyday behavior we've seen portrayed. But it's just so compelling to think about from a theoretical standpoint.

AND it ties pretty much directly into the Comphet Talanah Hypothesis. Shame about sex is one thing--shame about having and/or wanting to have sex with women is another thing entirely. To me, in-game evidence points to the idea that the Carja are at least somewhat tolerant of same-sex couples in the peasantry. But I do see it being viewed as very very very much against the grain for the upper class, because noble patriarchy. Not downright condemned as sinful in and of itself, but regarded and responded to with an extreme amount of otherness as one falls out of line re: their "rightful duty" to their Khane. For a noble who is gay, lots of repression, lots of internalized homophobia.

So consider Talanah. Already othered to the point of some pretty bitter social rejection, as we see in HZD. Why would she, as a noble with the ingrained upbringing that comes with it, want to embrace that part of herself and bring more otherness upon herself? If she's going to feel shame about sex and baggage about sexual relationships, wouldn't it just be easier to make herself take the path of least resistance and have it be with a man? Because at least that's what she's supposed to do. Right? And she barely even has the language for anything else. Even though she's never really done anything she's "supposed to do" before. Maybe it would just be better to do that, for once. But why does that feel so wrong? Why does it feel like she's going against herself? Why does the thought of being with a man actually make her recoil? That’s what she’s supposed to want, isn’t it? After everything why does this make her want to hide? Why can't she stop thinking about Aloy? Aloy's hands, Aloy's mouth? Why can't this one Sun-damned thing just be easy?

Just. Ough. I love that this concept puts another line of give and take into their developing relationship. Talanah helping Aloy come further out of her internalized isolation through shared experience--Aloy helping Talanah come out of her internalized sexual shame and homophobia thanks to her own lack of baggage surrounding the two.

I have so many moment-specific headcanons about all of this BUT this is already long enough so I'll just spare you and leave you with the meta. for now. (that's a threat)

[darkficsyouneveraskedfor]

Drabble Roulette: Knifeplay - Steve Rogers

Hey hey! This weekend (July 6 -7) I'm going to be playing drabble roulette! I've curated a list of characters, tropes, AUs, and kinks and I'm spinning the wheel! Hopefully I can do this once a month as a little writing exercise.

Character: Steve Rogers

Warnings: this drabble includes knifeplay, threats, and inference of coercive acts. Please mind these warnings and take care.

Explicit, 18+.

You shiver as the blade glints from the sheath, flecks of blood dried around the handle. Steve turns it over in his hands as he examines it as you do the same from afar. He’s not the type for blades, he's more of brawler. At least from what you’ve seen. 

His hair is still shiny with sweat, small red marks on his forehead from the friction of his cowl, and his uniform is gashed and singed with the remnants of the fight. Still, he doesn’t seem worn by his mission. The adrenaline is probably pumping through him. You imagine it lasts a while with the serum. 

His blue eyes flick up and look almost frightened as he finds you staring. You give a sheepish smile and turn your gaze to the table, the other things he’s brought in. You pick up the cracked marble-like gadget you’ve yet to figure out. 

“I’ll catalogue the rest,” you offer. 

He tends to stick around longer than you prefer. You work better alone. Without distraction. He’s always talkative after his mission. 

“Any idea what that is?” He asks. 

Just along the edge of your vision, there’s movement. He continues to play with the knife. It’s just a knife. Nothing too fascination. You focus on the little orb, running the tip of a metal pick along the broken casing. 

“Not yet. I’ll run some scans. Just like everything else,” you try not to sound dismissive. He is the Cap. His work is much more important. He’s in the thick of things, you’re in the background sifting through the collateral. 

He hums and his footsteps pace stiffly along the table. You feel him round the far edge and come up beside you. He still has that knife. You want to snatch it and tell him to stop playing around. Well, he is trained. You’re certain he can handle it. 

He’s quiet as he turns the knife, first one way, then the other. He spins it lengthwise and grips the handle firmly again. He balances it and hums. 

“You don’t like me, do you, doc?” 

You don’t react to the little nickname. Tony often tosses it at you when he’s mocking your bookish ways. Still, there’s a reason you work there. 

The question catches you off-guard as much as the epithet, “what makes you say that?” 

You look over at him and wince as suddenly the knife tip is at your chin. 

“You never wanna chat,” he says. 

You swallow and your eyes cross as you look down at the blade, “well, Captain, I’m working.” 

He scoffs and touches your skin with the blade, “I’ve told you to call me Steve.” 

“Steve,” you wisp out and meet his gaze again. “You should put that down. I need to tag it.” 

He snorts and lightly trails the metal under your chin and pushes it up. You face him completely, throat bobbing nervously. What is he doing? 

“I’m not much for knives. More Bucky’s thing,” he says, “still... they can be useful.” 

You feel your skin split. Shallow. Superficial. The blade is sharp enough that it slices too easily into your skin. You hiss. 

“Cap-- Steve, what?” 

“It’s a lot easier than bruising my knuckles,” he lets up as you feel your blood smear onto the tip. “What do you prefer?” 

You flutter your lashes at him. You don’t understand what he’s asking. Your lips part and he tuts before you can speak. 

“What I wanna know is what’s more convincing?” He raises his other hand, knuckles bruised above the fingerless leather, “hm? Which one get you on my cock?” 

You suck in air but resist the urge to recoil. You almost don’t believe it. Steve Rogers. The golden boy. The picture perfect hero. 

“Pardon?” You breathe. 

“You know,” his cheeks dimple and he drops his hand, “the way your heartbeat picked up, definitely the knife,” he traces along your throat and parts your blouse collar with the metal, his eyes following the movement, “that sound..." He hooks the tip beneath the button and pops it free of the thread, “makes me hard.” 

[oceanwithouthermoon]

i think one of the biggest misunderstandings that effects people even within the DEPTHS of this fandom is that people dont realize that saiki STILL has a mask on around toritsuka, aiura, and (less than the other two but still) akechi.

hes not being his perfectly true and honest self around them, hes not even being his perfectly true and honest self around his own mother, HES NOT EVEN HIS PERFECTLY TRUE AND HONEST SELF WHEN HES ALONE. because even in his own head hes constantly contradicting himself and denying himself everything he wants 😭 itd probably take the guy a few more YEARS of development to get close to that point with even himself let alone anyone else

idk i just feel like i see a lot of people inferring that since saiki isnt ever that happy, doesnt laugh, isnt very open, etc with those three that that means he wouldnt at all, ever 😭 but this is a saiki natural reaction when he thinks no ones watching

this is also why its annoying when people call literally anything that we wouldnt see him do in the show "mischaracterization" even though we literally dont know what he will be like when more of his walls break down 😭 you can interpret it how you want, but we dont. know. we only know that he hasnt yet opened up much to anyone, which leaves lots and lots of room for interpretation

[bits-and-babs]

Hi sweet Jas, can I please request some forced proximity smut? A tight space and a whole load of sexual tension 😮‍💨 the character is up to you! Thank you!

𝐃𝐎𝐍’𝐓 𝐇𝐎𝐋𝐃 𝐘𝐎𝐔𝐑 𝐁𝐑𝐄𝐀𝐓𝐇 — 𝐃𝐈𝐍 𝐃𝐉𝐀𝐑𝐈𝐍

» PAIRING : The Mandalorian x Reader

» CONTENTS : Dry humping, dirty talk, Greef Karga and his loveable bullshit. Not proof read, who has time for that?

» DIN MASTERLIST : here || MAIN MASTERLIST : here

“Mando- Mando!”

You cry out as the durasteel walls of the trash compactor suddenly brace against your palms in your feeble attempt to prevent the kriffing things from smushing you.

Lodged between you and one of the walls, The Mandalorian stands firm. He, too, had been shouldering the advancing walls. The silver sheen of his beskar armour reflects your terrified expression, eyes frenzied as you realise they’ve stopped.

“Are you alright?!” Greef Karga’s voice sounds from above, no doubt shouting down the rubbish chute. This was the last time you were offering yourself up for a bounty mission on an Empire fleet ship- not even for five thousand imperial credi—

“We’re fine,” Mando’s raised, modulated voice sounds tinny in close quarters, hurting your eardrums. “If we let go, it’ll crush us.”

“I’ll find a way to get you out!” Karga calls down the chute, “Wait there!”

You cringe slightly at the order, finding it hard enough to safely unwind your limbs from The Mandalorian that had tangled in your desperate attempts to survive the compactor, let alone leave the blasted thing.

“Can’t wait anywhere else.” The Mandalorian’s response, muttered sarcastically, makes you huff out a laugh. He turns his face back to you, the beskar steel helmet barely brushing your nose.

One of his palms rests beside your head with his arm locking you in place, while his left leg, situated between your own, pushes the toe of his boot into the wall. Your own hands are settled on the opposite side of the compactor, trapping his body between your forearms. It’s a tight squeeze.

Blackness stares back at you, his tinted visor obscuring the view of his eyes. Besides the shaky rise and fall of his chest plate, thanks to his exertions in trying to stop you both from becoming Jawa Juice, Mando offers no insight into how he’s feeling.

Swallowing thickly, you cast your eyes to the darkness above your heads. It’s ridiculous, but you can feel his body heat from the breaks in his armour, covered only by his undersuit. It makes your heart flutter, the biting scent of leather.

“… I apologise,” his voice cuts through the silence and causes you to jump, “This-… This is uncomfortable for you.”

“‘S okay,” you mumble weakly, attempting to smother the butterflies that launch in your stomach at the soft, soothing whisper of his voice.

Silence settles between the two of you again. Despite your attempts to loosen up, the searing gaze through The Mandalorian’s visor feels as though it’s settled on your face, burning a hole into your lips. Stars, there must be fumes in the rubbish beneath your feet, driving you crazy.

Swallowing, you avoid his line of sight by looking at literally everything else. The woven flight suit that conceals his neck, the contours of his shoulder plates. Was that a Mudhorn-?

The sharp inhale through your nose as his knee brushes against your heat practically ricochet off the walls, eyes finally snapping to his visor against your better judgement. Unmoving, he offers nothing to infer he even noticed how he effortlessly set your body alight as though he’d triggered the flamethrower on his vambrace. Surely not. Surely he’d just been adjusting his foot to hold the wall better!

“You’re fogging up my eyeshade.”

It’s mortifying. Condensation from your heavy breaths is steaming up the silver beskar of his mask. The Mandalorian’s voice is flat but rich, and you can’t read his tone through that fucking modulator!

“S-orry,” you stumble over your apology when his thigh drags between your thighs deliberately, the second syllable coming out in a pathetic little squeak.

“Don’t be,” he says. “Don’t hold your breath.” He catches you before you even manage to still your lungs in embarrassment. “I want to hear them.”

His admission has the air trapped in your throat expelling in a quiet whine, unable to stop the noise from slipping out when he slooowly grinds his thigh up and forwards, rolling your clit between the layers of fabric.

“Hoh- '' you heave another breath, the mist encroaching across the beskar of his mask and mattifying the shine of the pure metal. “Oh fuck-“

“Don’t move,” he orders calmly. It sounds less like an order and more like an observation. “You need to hold the wall.” Yes. Yes, he has to remind you that you’re in a life-threatening situation, because the simple friction is enough to numb your brain with the thrill.

You whimper softly, shaking your head. The tip of your nose drags against the cold metal of his mask, sweeping through the misty dew and exposing the shine beneath. Stars, you can see your expression through the track you leave behind. It’s obscene, jaw slack and eyelids heavy as you mindlessly grind your hips down on the cuisse beneath you.

“So desperate you’re willing to risk your life,” he murmurs, watching you use him to get off like you’re a fragment of kyber- the prettiest thing he’s ever seen. “You like this? Using me to get off when your life hangs in the balance?”

“Y-ou starte-ahh-“ your pussy clenches as he drives his thigh up to match the roll of your hips. It grinds just right, and you arch against the throbbing hum between your legs.

“I started it,” he nods slightly, the low lighting flickering off the grooves and concaves of his mask, “I did. But you wanted it first. Burning for it.”

He’s right. Fuck, The Mandalorian is right, and you’re too far gone to be ashamed by his observation. If you weren’t on the brink of an obliterating orgasm, you’d be mortified that he’d found it so easy to read you.

You stifle a sob by biting the flesh of your lip as your clit drags against the smooth metal again. Trembling, your own thighs nearly give out entirely as you begin to crest the euphoric surge he’s pulling from you.

“Yes,” he breathes, his voice haggard as he watches you, “That’s it. That’s it, ther-“

“There!” A loud call bounces off the walls of the compactor room. A loud beep splits your eardrums, and suddenly the walls fall away as they draw back. The sudden lack of support has you falling into the chest plate of The Mandalorian in front of you, your orgasm blurring away between your thighs with the sudden lack of attention.

“Knew I could find the button!” Karga chuckles, the compactor walls falling in place to reveal your boss standing with his hands on his hips, grinning with a complete obliviousness that has you wanting to punch him in the face. With an ion cannon.

You sag against The Mandalorian slightly, devastated by Karga’s interruption. The little sigh you let out is pathetic, almost childish in nature.

“A thank you would be nice!” Karga chastises you, “I’ve never seen someone look so ungrateful to have their life saved!”

You swear you hear The Mandalorian huff a chuckle behind that stupid fucking mask, and you decide he was deserving of a punch with an ion cannon too.

-

-

[miszocki]

Star Guardian lightcannon actually has such a strong hold on my heart. The fact that it is CANON that Jinx does not care about protecting the world, nor does she care about saving people or giving back, the only thing she’s truly fighting for is Lux’s safety and happiness. The world has never been kind to Jinx, this much we can infer, but the fact Lux and her are friends from childhood tells us clearly that Lux is that constant in her life. She’s that one piece of goodness Jinx can rely on, and she needs to make sure Lux can rely on her as well. Nothing else matters, the world can burn for all she cares, as long as Lux is safe. Even if it costs her own life, as long as Lux is safe everything is okay.