#everyone says these things but do they read my comic?

[thankskenpenders]

IDW's Knuckles 30th Anniversary special

I'm still working on finishing Shadow Generations and writing up a big thing about it (yes, yes, it's taken me a month to finish a four hour game, I know), but in the meantime we've got another new Classic era comic out from IDW! Let's talk about that.

The last Classic era release we got was the Fang miniseries earlier this year, which I mostly enjoyed but also found a bit underwhelming. It felt like we were getting diminishing returns with the Classic comics. Ian seemed to be struggling to make the Classic era feel fresh within Sega's current restrictions for that branch of the brand, a branch that by its very nature discourages experimentation and new ideas in a way that the ever-evolving Modern era doesn't. He was mostly just playing the hits, sticking the currently permitted Classic era characters next to each other in straightforward one-off adventures and letting the art team do their thing. We were getting the Ian who was happy to simply be able to take these toys out of the toy box. Again, these comics have been fine, and the art's always a treat, but the novelty of simply seeing a comic with the old character designs was wearing off for me when the stories didn't have as much meat as Ian's (or Evan's) excellent Modern era work.

And then along comes this Knuckles 30th Anniversary special, which is by far my favorite Classic Sonic comic Ian's written for IDW.

...I can't really talk about why it's so good without getting into spoilers, though. The short version is that it's a really nice little story about Knuckles and another character from the games, who's used as a great foil for him... except the solicit didn't even say which character it is, so I'm hesitant to say here. But if you're a fan of Knuckles, you should definitely just go read this. It's great. This one's mandatory reading to me.

And with that out of the way, let's dig deeper and get into the spoilers.

The spoiler zone

After an opening that very blatantly homages Tyson Hesse's old Knuckles comic (yes, the very same one that helped inspire the name of this blog), Knuckles realizes that Angel Island has drifted near the Northstar Islands from Sonic Superstars, and decides that the Master Emerald must be giving him a mission to train the archipelago's own resident guardian.

Yes, this isn't just a Knuckles comic. It's a Knuckles and Trip comic!

I was really delighted by this. I like Trip a lot, and it's nice to get this chance to expand upon her as a character. I think this is her first speaking role, even? I'm glad to see her stick around, and I'm glad to see her appear in the comics so soon, especially since we're still waiting for the mainline comics to incorporate Sage. She's still clumsy and fairly timid, like in the game, but without the looming thread of Eggman she gets to let loose a little. She's very exuberant and expressive and playful, especially thanks to Aaron Hammerstrom's fantastic art throughout the issue (complemented with inks by Rik Mack and colors by Valentina Pinto). It makes sense why she gets along so well with Amy. I hope we get to see those two interact more in the future!

Anyway, so Knuckles shows up on the Northstar Islands after contemplating his lot in life, and realizes that he and Trip have a lot in common. She's not as strong or confident as him, but they're both the last of their kind, these lone guardians of these ancient magical gemstones. He's showing up under the pretense of training her, but you can tell it's nice for him to have a kindred spirit, someone who might be able to really get him.

And then Trip's like... wait, you think I'm the last of my kind?

Yes, the Northstar Islands have actually been inhabited by a whole civilization of sungazers like Trip the whole time! We just didn't see them in the game because, y'know. Eggman was attacking. So Trip told everyone to find shelter and hide from the Badniks. (This actually makes a lot of sense, since you pass by this very village in Speed Jungle Zone. Somebody's gotta maintain those straw roofs and light those torches, and I can't imagine Trip managing all that upkeep herself.)

This also includes a grandfather for Trip, who's been training her as the archipelago's new guardian. Naturally, this has led to some speculation from fans about the old "mandates." In the wake of the Penders lawsuits and Archie's reboot, Sega declared that the comics could no longer create comic-original relatives for the game characters. Has that changed now?

Well, I'm hesitant to read too much into this. For one, as Ian has tried to drill into peoples' heads for years now, the so-called "mandates" aren't a set of concrete commandments from Sega, they just have some general guidelines for the brand, some of which have more wiggle room than others and some of which have changed over time. There's also the simple fact that Sega is working way more closely with the team at IDW, and that people like Ian and Evan are literally on the official Sonic lore team now. Ian can presumably work with the lore team and Sega to figure out Trip's family, and then go and work what they've decided on into a comic, so it's entirely possible Trip's grandpa isn't considered a comic-original character so much as he's a character conceptualized at Sega who just happens to have appeared in an IDW comic before anything else. The lines are a lot blurrier now with all this cross-pollination, compared to the Archie days when it was a separate creative team and a separate canon.

But, again, I don't want to speculate too heavily about what goes on behind the scenes. Regardless, Ian was able to use this comic to expand upon the world of the games and the characters that inhabit it, and I love it for that. It's the first of these Classic comics that feels like truly mandatory reading for the way it builds upon the games. These days we so rarely get to see communities like this in the Sonic world with their own cultures. It's not like we know anything about "hedgehog culture" or whatever. So this is a nice change of pace. The Northstar Islands feel totally different now that I know they've actually been inhabited the whole time, and knowing that Trip is part of an active community with their own history and customs puts a whole new spin on her as a character.

It also makes her a great foil for Knuckles here. He showed up on the island thinking he'd have a lot to teach Trip as someone who's got more life experience as a lone guardian, only to realize his assumptions about her life were completely wrong. Trip brags to her grandpa that Knuckles is gonna train her, but he quickly realizes he doesn't have much to teach her. She may be kind of cowardly, but she knows her way around the island, she can think on her feet, and she can handle herself well enough in a fight, in her own slapstick way.

He doesn't say as much, but you can tell Knuckles is embarrassed about all this. This clumsy kid is showing him up, even though she won't even really listen to his advice! He's also, perhaps, a bit jealous. It's not like he had a grandfather to train him in the ways of being a guardian. (Not in this continuity, anyway.) He doesn't get a whole village of echidnas to teach him about his heritage. He doesn't get fancy ceremonial armor. It's just him, a big green rock, and his two fists. He thought he had this whole guardian thing figured out, and he'd be able to give a kindred spirit like Trip some advice, but it turns out she's lived a whole different life, making him question if he even knows what he's doing. He quickly gets fed up with both Trip and himself, blowing up at her a little.

After reflecting a bit, Knuckles goes back to Trip and comes clean. He doesn't really know how to train her, because no one ever trained him. He figured things out on his own. If he had anyone there to raise him, they've been gone since he was too young to remember. He just knows he has to protect the Master Emerald. That's it. It's a pretty vulnerable moment for Knuckles, one where his dissatisfaction with his life comes to the surface.

Still, Trip sees things differently. He may be used to the fact that he lives on a giant floating island powered by a giant magic emerald, but she thinks that's, like, the coolest thing in the world. HER islands don't fly! And while Knuckles might wish he had someone to train him, Trip thinks that Knuckles becoming such a fearsome fighter all on his own, without even armor to protect him, makes him super awesome and admirable. With both of them feeling better, Trip takes Knuckles to Golden Capital to talk about her heritage as a guardian of the Northstar Islands a bit more, and Knuckles tells her that he thinks she'll be a great guardian before he heads home, once again feeling pretty good about himself.

While this is a pretty straightforward little story about how the grass is always greener on the other side, it's a very effective and sweet one that I enjoyed reading a ton. Aside from the fun of learning more about Trip and the Northstar Islands, it's just a great showcase for Knuckles. (It's definitely a way better showcase for him than his Paramount+ show, as much as I took sick pleasure in that show's baffling creative decisions.) There are also some fun details about his life in here, such as the fact that Sonic, Tails, and Amy have taken camping trips to hang out with him on Angel Island, and the fact that he trained Amy in using her hammer better.

It's just real good, and it feels like the most meaningful addition to The Canon out of any of these Classic era comics Ian's written. We're still gonna be getting more in the future, so hopefully this is a sign that Ian and the lore team have found that happy middle ground where they can keep the Classic comics familiar and nostalgic while also being able to branch out and expand upon things.

Speaking of future comics!

Coming attractions

The end of this issue confirms some things that are in the works for IDW Sonic. For one, we're getting a Chaotix 30th Anniversary special next year. Neat! They also mention some kind of Shadow one-shot dropping following the movie, however fans seem split on whether this is referring to a new story or just the "Best of Shadow" compilation one-shot that's coming out next month. So don't get your hopes up about that in case it's the latter, I guess.

And while we're still waiting for issue #75 of the main series, the IDW team is already thinking all the way ahead to #100, which should drop sometime during the 35th anniversary of the franchise in 2026. Clearly the team's still confident about the longevity of IDW Sonic and excited for the future. And I am, too! Bring on #75!

[gatorbites-imagines]

I actually caught you when your asks are open this is spectacular

I know you write for Plastic Man, but I don't know about Negative Man? Larry Trainor, comics or show. So you can do this with either one you want.

Male reader who's similar to the invisible man – Not criminal, maybe backstory, but at least was a scientist who turned himslef invisible but a tad more realistic, blind but in the more Matt Murdock way, or just blind, I don't mind either. Hcs or anything else of any kind, but hcs would probably be easier.

I alao don't mind if it's ftm reader or the explicitly of it!! So sorry if this is all over the place. I didn't want it to be long😞

Lawrence “Larry” Trainor x Male reader

Headcanons

I don’t actually know a lot about Larry, so this is based off the wiki. The reader is also somewhat based off the 1933 movie The Invisible Man but with my own spin, since I wasn’t sure what else you might have been referring too, hehe. I hope my lack of knowledge still makes this good to read.

I got major Morticia and Gomez vibes from these two as i wrote.

You were no superhero, nor were you a villain. You were just a man who flew too close to the sun and got burnt on the way to discovery. The sun had so much to give, something you knew so many years ago before Superman appeared, and you learned his power source was the sun.

You barely kept track of when you were born nowadays, there was no need too. From what little you could gather, you didn’t age, you didn’t hunger or thirst, you didn’t even need to sleep. But you knew you had been around before radioactivity was discovered.

You had been around before the major superheroes became a thing, it wasn’t something that interested you a lot. There were a couple you knew, like Alan Scott, and Jay Garrick, you had even met wonder woman once or twice. But you were no hero.

So, it was no shocker that you didn’t know about this so-called doom patrol. How would you. Its not like you owned a tv, and you didn’t care much for the news stations on the radio nowadays. It was all ads and dramatic sound effects.

You were never sure what to call yourself. Alan used to call you a scientist, and Jay did too even though he hadn’t visited in a long time, at least it felt like a long time. But you had heard he got married and had kids, so of course that was more important. You still sent them both holiday cards though.

As a scientist you had studied radioactivity before it was discovered by anyone else. You had always had a habit of being consumed by your work, so when you climbed out of your pit of research, someone else had already claimed the discovery.

It didn’t matter though, as what interested you was the sun and the power you just knew it stored. Of course, it didn’t end well. Going invisible, blind, deaf, and losing pretty much every other sense hadn’t been on your list of predictions. But that’s what happened.

You could still see, hear, smell, and so on… in your own way. It was impossible to explain, but you didn’t truly exist the same way everyone else seemed to do. The radioactivity from the sun had given you other powers too.

But those powers weren’t used a lot. Why would you need to fly, or phase through things, or channel the power of the sun to blast somebody. You were anti-military and anti-government, that’s why they never supported your research and buried your existence from the history books, so you weren’t gonna fight.

When you finally learned about this so-called doom patrol you almost felt a little bashful, or could you say miffed? It was like one of them had stolen your entire look. Well, most of it anyways.

You were both wrapped from head to toe in bandages, though his seemed much thicker and sturdier than yours, like they were inlaid with something. And his clothing were more modern, and looked more practical.

What could you say, you were a sucker for the fashion you grew up with. So, what if your clothing, furniture and everything about you screamed Victorian era. Some of the younglings Jay brought along when he visited said you looked very “antique” and that “old stuff is in”.

You also didn’t wear shades like Mr. negative, Larry, you later learned, did. You were blind as a bat and had no physical eyes anyways, so why wear shades in the first place?

It was hard to explain how your body worked, it had the form of a human when you wrapped it, but it also… didn’t exist. You always just blamed it on the undiscovered art of radioactivity and science so advanced the world hadn’t gotten there yet.

It did look slightly entertaining to see you in your Victorian era dressing robe, in a pair of your best slippers with a glass of brandy you couldn’t really taste, beside Larry, who had very clearly seen better days.

Both being wrapped in bandages created a kind of comradery between you two in the beginning. Lary had thought maybe you were like him, especially when you explained how you got where you were, since his accident was based around radioactivity too.

Only for you to shock him, but unwrapping your head and revealing… nothing. Literally nothing. You even grabbed his hand and brought it to where your head would be, only for it to pass through it like nothing.

Your body seemed present when you wrapped it, a phenomenon you were still studying to this day. Right now, your results were pointing in the direction of it being mental, but who truly knew at the end of the day.

Larry hadn’t been willing to remove his own bandages for very obvious reasons, no matter how many times you told him it wouldn’t hurt you, and that it wouldn’t matter. You were raised too well to make any demands.

Instead, you pulled out your very old photo album and walked him through your family, happily pointing out pictures of yourself and how you looked, only scowling a little as he laughed at your hairstyle and outfits of the time.

In the end you touched him by accident. There was some accident in your lab that tore some of the bandages on his hand, and without a second thought you took his hand and wrapped it again. Obviously, nothing happened to you, you didn’t have a body that could be hurt, but it was still a shock for Larry.

It shouldn’t have come as a surprise that Larry was as touch starved as he was. Not having any human contact for so long would drive anybody mad, except you that is, but you also were convinced that that was some mental result of your accident.

So, you didn’t turn him away when Larry would start appearing in your giant Victorian era mansion, far out in the mountains, so far away from anything that whatever radioactivity you worked on wouldn’t reach.

You also didn’t mind that Larry started searching you out for contact. He started small, just sitting closer to you as you had tea together, where it evolved to sitting up against you as you went through your papers, to Larry going as far as laying his bandaged head in your lap as you read aloud from one of your many books.

Larry was so sweet, in his own hesitant way. He even let you study how his own powers worked, but to no surprise you two didn’t reach a certain result, but neither of you had expected that.

Hell, Larry even got more comfortable going around in public, as you would hook your arms together and almost strut along, as if the wide eyed and sometimes hateful stares didn’t touch you.

That was also how you finally met the justice league. The only one that interested you was Superman, and he wouldn’t let you study him as much as you wanted. Your extreme studies of the sun at least caught Batman’s interest, enough for you two to have very long difficult conversations about science. You later learned you reminded him of his butler, which you took as a compliment since he was spoken so highly of.

The doom patrol wasn’t your favorite, you didn’t trust that Chief guy, and rightfully so. But who were you to tell Larry who he could and couldn’t forgive, you just made it very clear you weren’t gonna help that guy.

In the end, the relationship you two shared was strange, but soft in ways that was hard to put into words. Your first kiss took months to happen, as you didn’t have lips when you unwrapped your bandages, and Larry needed so long to grow comfortable to pull his off.

Holding hands, or tapping your foot against each other’s became how you expressed love. That, or giving gifts. You made place in your giant mansion for his many gifts, wanting to show them all off.

And Larry? Larry got a whole new wardrobe as well as many other trinkets he might need. You even dove head first into the tools and armor market, wanting to give Larry something to keep him safe. You couldn’t have cared less about the rest of his team, they weren’t really your friends, just Larry.

Those items might have gotten your usual Victorian flare to them too, even if they were sleek and modern in their abilities and storage. It was a bit like your way of marking Larry as yours.

It was still difficult for Larry to feel safe without his bandages in your mansion, not just because of how dangerous it was, but also because he found himself so hideous. You didn’t find him ugly, not at all. You also knew it would take Larry a long time to believe you, so you didn’t force him to accept it, just left the opportunity open.

You two made a strange but surprisingly strong couple, when you finally visited the outside world. Those few times were either to have tea with Batman’s very smart butler, or to blast somebody with the power of the sun for hurting your dear love. No matter what though, you always left an impression, not that you cared. All you cared about was leaving one with Larry.

[rei-ismyname]

EXCEPTIONAL X-MEN #3 FTA

After a pretty disappointing week of X-Men comics it's a delight to read and analyse Eve Ewing's Exceptional X-Men. The repeated issues I have with the other titles are just not present here and after three consistent bangers Ewing and co have my trust.

Emma is right

We pick up exactly where issue #2 left off, and this opening scene of all the main characters makes me realise how tightly the execution is. We know where each of them is at and (at least broadly what they want) - we're getting to know the kids organically. Where the other two books feel like action figures isolated from each other for no good reason, Kate Pryde's need to get away from the X-Men was established before the title even began. She just wants a normal life, to date girls and process her trauma. Emma Frost showing up to answer the call she refused throws her off immediately and they briefly scrap. The kids aren't just saying nothing because they didn't get a script today (hi Jubilee) - they're frozen by Emma. It's a small thing, but it's purposeful and flows elegantly.

Priti, Kate's housemate/friend from school, breaks up the fight for the most relatable reason - she doesn't want to lose the security deposit. Perhaps a sign that Kate doesn't fit into the 'norma'l world as much as she wants...or Emma just really knows how to push her buttons. I think Emma is hurting too, though she hides it under her usual scene-stealing exterior. I can't wait for more of their dynamic. Yeah, they'll almost certainly figure out a working relationship but their pain isn't being dismissed either. I feel like the pair are a successful version of what Gail Simone is doing with Rogue.

They stop fighting and have a little tea party, then Axo asks the question I'd been dreading the answer to - 'do you trust Emma or not?' Kate grew up being terrified of Emma with good reason and never let her forget why she did not trust her. Emma spent decades earning that trust and proving herself a hero, leader and teacher - but the First Krakoan Age had them grow closer than ever before. They worked well together and became friends, they were a force for good on Krakoa (mostly.) It's a shame that this is a metric, but two thumbs up for not rolling any of that back. These feel like the members of the resistance who were there for each other in Fall of X. Kate herself is regressing a little, but it's believable as a trauma response.

Kate doesn't want to train young mutants and Emma does. Prito even has a space they can use and the kids are keen! Everyone is happy then, right? Well, I think that's going to be the core tension for a while. Everyone except Kate wants this, but I think Kate needs this.

This 'getting to know you' circle does a lot of work in centering the young mutants, reminding us they're here to stay while showing us who they are and the beginning of their social dynamic. I haven't been a teen for a long time but their voices sound authentic, even to the point of highlighting that Bronze/Trista is a bit younger than the other two.

Agreed, do not read the comments.

They want to be doing this! One of the most challenging parts of being a teen is navigating peer groups. Solidarity in experiencing the same kind of otherness plus scary body changes is healthy, and it's lovely to chalk up a W despite the fact that 'people hate us.'

This issue also asks the question Rogue did in Uncanny #1, but as organic dialectic. It introduces the tension between self defense and being a superhero when you have powers - the difference between Emma and Kate externalised. Kate is excited despite herself until Emma shows up with costumes, and I think she's right to push back or at least be wary. But is this about her or the kids? It's not the most admirable contradiction but it's very human. They're both right that the old ways were flawed and they need to try something new.

Is she talking about Colossus? MF is not that gentle. Their costumes look amazing.

Unsurprisingly, Emma and Kate are a great team. There's tension underneath there, but they wouldn't be doing this if their friendship didn't run deep. New kids in relaunches past have often had their powers explained by Cerebro or a nosy telepath. Learning about it from their mouths as they're starting to use them in a controlled environment achieves the wiki entry, shows them learning to use them, and importantly gives us more of their personality.

Emma conjures up some Brood-like baddies and everyone freaks out but some growth is evident. It's Axo that figures out they're not real. Kate is not impressed. I doubt they'll throw down, but her sending the kids away feels like an extreme reaction. Good, she's got shit to say and hurts that need to be spoken. The kids don't leave, but we're left with all this tension in the air to be resolved next issue.

I LOVE that the three kids cuddle/huddle in the background.

Who better to break the ice (sorry) than Bobby Drake? Having him just fly in the window and cooling down the tension (sorry again) could feel random and silly but it works. These two have a lot of history and it makes sense that he'd seek her out. Kate has been turning her back on anyone X-related - will she freeze Bobby out too? The kids are awed by him and it's half the Marauders back together, so I don't think he'll get the cold shoulder.

I feel very confident in calling Exceptional X-Men the best X-Men book in From The Ashes. It's got an honesty and sincerity to it while remixing the hits of first arcs and adding plenty of new. The art style is colourful and emotive which adds so much to a book taking people's feelings seriously. If you pick up nothing else, this is the one.

[igordumbra]

You know, I agreed with the sentiment the whole "Well, High Stakes, world ending, events every year would be boring" but like.

It really isn't? It's actually pretty funny to think that at the exact same timeframe every year the neath being threatened because of some bullshit one of the forces inside it pulled.

Maybe it's hubris, maybe it's a vendetta, maybe some hidden power. It's like, really funny??

Like imagine with me, you're a new arrival at the neath and you're accommodating to your new life and normal routine, by neath standards, and then boom it's the end of july.

And suddenly people are more wary, everyone stops working on whatever "the next big thing" they're working. And you start to notice "aren't the houses a bit more reinforced?", "Why are there less people on the streets?", "food prices go up as people stock them in their homes" and there's this everlasting tension in the air, like the second between a lightning and it's thunder.

And then you think that maybe this is normal, after all you arrives just a few months ago so who's to say what's normal or not? Surely not you.

And then it happens, whatever it is and the people have to come together again, to stop it, worrying that maybe, this is the one that does them in.

And then it's over, like the ones before. And the survivors are left to deal with the mess, feeling pride for overcoming it, grief for the ones lost, frustration, resignation and a silly hope that maybe next year will be better.

And then next year happens and it's the same, and the next, and the next.

And at one point it becomes comical, because how could a world threatening event that happens at the same time every year, not be? But people can't bring themselves to joke about it, because everytime people die and not always do they come back, every year countless people mourn, together because of some twisted joke.

Anyway, i just think it would be cool lore wise!

Ps: thanks for reading my podcast, holy shit i wrote too much

on one hand i don't really mind starting fallen london when i did because the fact i started it at all has already significantly impacted my life and i've already had so much fun with it and there's no use dwelling on things that didn't happen. but on the other hand. man the scoundrel would've been a riot at the starved war/horticultural show. could you imagine what saving the world would've done for that bat's character development?? insane

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious

[sev-arts]

HAHA I DO THAT. been doing it in comic form since 2020!

where are the girls without boobs drawings. I'm seeing the boys with boobs. but where are the girls without them? like. idk. you're supposed to be drawing transfems, right? why do they all look the same? they all have boobs and big hips. even if they have tummy you make sure to give them a slut waist. they're all always perfectly clean shaven. enough of this shit. draw a fucking brick. give her some stubble. don't give her tits. draw a girl with some laryngeal prominence. do SOMETHING to indicate that you find non-standard gender presentation acceptable in transfems as well. ANYTHING.

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[rmbunnie]

Red Hood Characterization

This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.

I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?

This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!

tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.

Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.

[a2zillustration]

I just read the most recent comic, and I blitzed over here.

Is this secret other thing about how when going to the Feywild and back, you need to pass a wisdom check to see if you remember the trip? (You don't have to confirm or deny this, I just wanted to share my theory)

Also augh their faces in this one were such a gut punch! Incredible work once again! That little bit of mouth squiggle in the last panel make it look like they're in the beginning stages of 'trying not to cry, but that was almost a big upheaval for me'

Thank you for sharing!

quickly jotting that down in a little notebook and shoving it in my back pocket hoping you didn't see anything-

I love this theory, especially because I didn't know it was a thing!

Unfortunately, it's not that entrenched in actual Feywild lore. When they were younger, Croissant traded a memory to a hag in exchange for something. They assumed (and were assured) it wouldn't be anything too significant, but it ended up being the entire memory and concept of their childhood best friend. I keep waffling on whether or not I'll draw this, but if I decide not to, I'm sure I'll elaborate on it later.

[seaweedstarshine]

RIP Krakoa 🌹 I can’t lie I’ve been kinda behind since midway through Fall of X I’m gonna catch up before my first SDCC this summer but I hear Vulcan didn’t see much action anyway. Anyway my hand slipped and I found myself looking into the eyes of my canonically psychotic son the best Summers brother who’s never done anything wrong in his entire life, (he’s done lotsa wrong things but I love him more for it)

[rogueshadeaux]

Slllliiiiiides over here. Hi hello. I don't think I'll do a bad karma run (IM SORRY. IM SORRY!!) cause a) I'm a wimp and b) I need to get off videogames as soon as I'm done cause I've spent too much time playing lately lmao BUT I will be watching playthrougs cause I gotta know how fucked up he gets.... I gotta know...

To clarify i have a pre existing oc from a story that could be very easily flung into a vat of "au juice" because she's already halfway there in her own cannon LMAO we shall see, for now I have a huge list of things I want to draw for this game so I gotta finish 2 before I explode then I can unleash myself on art again. Gotta feed the discord now. I'm cooking for a crowd.

hi i've been dead for 8 days and recuperating for two lol I understand life stuff (and saw some references to it on your timeline, like the warhammer stuff and the tarot card thing??? bro that shit looks so good!!) as someone that literally shared your stuff and then got ripped away for my own life happenings lmfao. But if you get the chance in the future? Seriously, try an evil karma inF2 run. There's something about how they balanced the story that puts its predecessor AND sequel to shame. They're the same story, but different tales. They have the same goal, but different goalposts. SPP gives you a well-thought-out storyline that both is cohesive, but feels like your choices actually matter. It has none of the "I can help this old lady...or kick her fucking dog lol" of inFAMOUS 1, or the "I will fight for the tribe but literally do everything wrong. everywhere. because I'm a Bad Boy™" of inFAMOUS: Second Son. The choices feel real. They feel sound. They feel like the choices a man wronged by the world would make, if he decided to turn to his harbored resentment instead of his morality. And let's be honest, Cole also feels more morally gray in inF2 than 1 anyways, so seeing the path he takes is great because it genuinely feels like he's done with the accumulation of every shitty situation that has happened to him. And I'm sure you know how the story ends now, so...don't you wanna see what happens if he chose the other option? (pls tell me you haven't watched the playthrough yet lmfao)

Anyways yeah no I totally get life shit, it loves to pull you away from stuff, and also as someone only just now trying to do the bad options in Detroit: Become Human despite getting the game at launch because I need 6 years of preparation to be the bad guy, I understand the wimp bit too. It's hard to be mean sometimes. But with Cole's inF2 story, it doesn't feel mean. It feels like a desperate man, trying to fight for a future he's not convinced cares about him.

And yes oh my god please keep creating lmfao we all love your art so goddamn much. Don't leave this fandom you're now a very important asset. And it's always a good thing, throwing old friends into new situations! I love an OC in a wardrobe change. That's usually the best translation. Think a bit harder about forcing that OC into a new role. Shove her ass onto the stage. We'd all love her.

[nyerusnova]

nevermind i saw the leaks, i was right lmao.

jason is fine and they just coordinated to trick failsafe to get it to frazzle out afaik.

that makes sense considering the entire point of #147 was bruce deciding to work with his family despite his growing paranoia over their safety, etc. given that zdarsky has been trying to explore bruce's mental state, it would have made no sense for him to immediately validate that paranoia, instead.

[jasontoddenthusiastt]

Why are people who look at comic books from a “critical real-world lens” so obsessed with identifying the one person who is “100% right”. That doesn’t even exist in the real world.

Lost Days wasn’t made to protest global issues. It is a comic book exploring fictional character Jason’s mental journey after being resurrected and regaining consciousness against his will and/or power. Now how dare this character, in his own story where he has his own personal objective, not go out of his way to make sure each individual child from the collective hundreds he saved from traffickers and the likes gets adopted into nice homes. Obviously we have to disregard any good he did or that he cares at all because all he did was kill the fucker at the top who was responsible. Winick also never fleshed out all 42 of the trafficked children into nuanced characters with their own thoughts and feelings which was apparently neglectful lol.

In regards to utrh, Idk what this person read but there were more drug dealers Jason didn’t kill than those he did. Not once did he ever say he wanted to eliminate the flow of drugs in the community. He took over the trade. Not to mention he explicitly stated control vs elimination is where his goals differed from Bruce’s pipe dream hence why he’s successful and Bruce is still failing. Obviously if you completely misunderstand the character’s motivations you’ll find issues that don’t exist.

People just don’t want stories to be about what they are about, huh.

[violentdevotion]

wait do you have a fav boys character yet ?

i really like butcher but i feel like that's a basic answer and also the wrong answer. in another world id like frenchie but i can't get over how much i hate the actor. I love maeve theres never a moment she's on screen where im thinking get this woman outta here she's always entertaining to me. i like starlight but (and this is probably a bit nasty to say) there's smth a little uncanny valley about her sometimes where when she's talking im not listening but staring at her face trying to see what features throwing me off. I hate ashley but the actress played an insufferable character in jessica jones too and I really appreciate her ability to play The Most annoying woman you know.

centrist answer i like them all (except stormfront. hated her before i even knew she was a nazi. she was on insta live and i was waiting for her to explode and die) but my fave would have to be butcher bc i find im rooting for him the most and constantly justifying his actions. but sometimes karl urbans accent pisses me off. also black noir but he doesn't Do anything so it's hard to have him as a fave bc he's barely there.