#and he absolutely died here

[daisybell-on-a-carousel]

Hes so silly and we love him for it

[ghost-bxrd]

Prompt:

It’s not that Jason forgot, per se.

But between smuggling a toddler out of the League of Assassins, trekking halfway across the world, and finding a suitable hiding place that’s also child friendly… well, it kind of slipped his mind that he’s supposed to be… dead.

Something that comes back to bite him in the ass when he takes Dami out for some ice cream and just so happens to run into non other than Brucie-fucking-Wayne

[egophiliac]

Sorry, most likely my memory being poor, but I thought Malleus' mom (don't know how to spell her name and too lazy to check how to spell it) was already an adult when Lilia ""proposed""?? Like I was always under the assumption that it was like a one-sided child crush on somebody completely out of your league you tend to have as a kid 💀

I don't think they say how old she was? although it's entirely possible I just misunderstood; my Japanese is...shaky. :') the actual line is "幼い頃に私に求婚したのは偽りか?", which I read as "isn't it true that you proposed to me as a kid?", and took as her being older than him, but not necessarily an adult (like, I was thinking of Lilia as being not quite a preteen and Mel being preteen/young teen). although I don't know if there's a connotation or something I'm missing that implies a bigger age gap, if that makes sense!

(and of course, I might also just be forgetting some other line -- if someone else knows, then please correct me! I need to know which headcanons need adjusting 👀)

BUT YEAH in a canon-y sense, Malleus is 178 and around the third-years developmentally. which makes me think that even though dragons have a way longer lifespan, they go through childhood at about the same rate as most fae (or at least the kind that Lilia is) and just kinda...slow waaaaay down once they hit adulthood. so it makes sense in my brain that he and Meleanor could've basically grown up together!

...it makes it angstier that way, anyway. :)

[navree]

i wanted what any father wants for his son ... hope. happiness. a future of never wanting or regretting something he could never have again ...

[starheirxero]

After revisiting your "came back wrong" comic, absolutely wonderful btw, I came to a rather haunting realization.

Because it became true. But instead of Bloodmoon, it's Eclipse. And that's both much worse(for the characters), and much better(for the narrative).

Because both him and Lunar went through the same, and in a way seem to parallel each other, though that's probably me overthinking.

Both of them died. Both of them were blown to smithereens. Both of them came back after several months. Both found themselves in a body not their own. We've seen what they look like in every other universe.

Both of them came back wrong.

Lunar came back numb, quieter than before, with all their energy being a play. He came back running from unknown danger. They died a normal animatronic, and came back being more.

Eclipse is the opposite. He came back louder, erratic, full of madness. Where Lunar is running from unknown danger, he is sprinting towards it, not realizing the consequences until it's to late. Not to forget the star. Eclipse died being somewhat of a god, and came back as nothing more than a plaything, a puppet on a string.

In a twist of fate, they can relate best to each other now, and that might be the worst part for both of them.

Because what is there to do? Even though they understand, even though, one day, they might glance at each other and wonder "Do you feel the same?", they will never be able to confide in each other. Their relationship is beyond repair, and for good reason. Eclipse hurt Lunar, used and ab*sed him, and then blew him up.

This also opens up so much emotional baggage. What will Lunar think? Will he wonder "Do you regret what you did now, knowing how it felt?" Will a part of him feel the smallest bit of satisfaction? Will they ever be able to look at him at all, or will they forever hide away?

What about Eclipse? Will he feel guilty? He seems aware of the damage he has caused the celestial twins, even telling Ruin that he deserves what's coming for him, but he still showed no remorse when he talked to them.

I'm sorry this got so long, I am incredibly emotional about this right now, and I can't even begin to describe, how this makes me feel-

ANON OH MY GHOD /POS

DID YOU KNOW YOU HAVE THE BIGGEST FUCJING BRAIN EVER. DID YOU KNOW YOU'VE CONNECTED THE MOST PERFECT DOTS KNOWN TO MAN. HOLY SHIT.

LUNAR CAME BACK AS MORE AND ECLIPSE CAME BACK AS LESS BUT BOTH CAME BACK WRONG AAIAUAUAYAGAGGGHHHHHH

[carnivalcarriondiscarded]

had a human au thought of Barnaby and Wally. idk doing their taxes or going through bills together since they share a house & Barnaby going "hey we could get married for tax benefits and health insurance. wait no what if i want to marry Howdy someday? it's illegal to be married to two people." Wally goes "we could get divorced" and Barnaby gets legitimately sad like:

[uncanny-tranny]

I think what might actually help the families of trans loved ones is to actually engage with where the trans person is at - especially if the family isn't quite understanding yet. When I came out, I was completely alone in figuring out my manhood. I had peers and I had exposed myself to so many trans people who explored gender, and while it was amazing, it isn't quite the same at times. I grieve quietly, sometimes, about all the missed opportunities that might have just made it easier for my family to have seen how utterly happy I was. It took them a very long time to actually notice that I was happy, especially once I got on testosterone. I'm lucky that they saw that happiness eventually, and slowly accepted it. My manhood is completely detached from their influence, both to my relief and chagrin. It's sad to me that I learned to shave from a kind online stranger, somebody who didn't even have a father and yet, I do. I have a father. I grieve at the loss of a potential shared experience. I grieve about the pain I went through when I was in that stage of transition, especially because it was raw and vulnerable. I grieve that many trans people today are traversing the path I had to, because it's sometimes lonely (even when you do have other forms of support).

It's hard to know that I will never have gotten my sense of being from my family. In many ways, it has severed a lot of connection with them because there were so many times that I was begging them to see happiness when they were focused on the idea that I was almost in a state of purgatory - flesh which felt warm but held no familiarity to them. I don't harbor ill-will toward them, I hope I don't leave the impression that I despise them. I understand what they felt, even if I can't conceptualize it myself. However, it's a raw wound in my heart, and I don't want to leave anybody else feeling that way, either.

[echo-stimmingrose]

It's 1 in the morning and for whatever reason I am imagining the servants of Hades (i.e. Charon, the Furies, ect) unionizing.

[buccellato]

Fucks me up to think about how Legato's legacy in-universe after his death in Trimax (and presumably Tristamp) is probably gonna be how much he sucked and nothing else....

Like, nobody will like Knives but Vash will be long-lived enough to be able to eventually talk about his good qualities from when he was a child and his quasi-redemption in his last days. But who remembers Legato? Livio and Vash are the only living people with any extended memory of him and neither of them would have anything nice to say (and rightfully so). Neither of them probably knew he was a slave, either—as far as Vash can tell this dude showed up one day and hated his guts, for all he knows he's just another survivor from July! Outside of Knives, Elendira, Legato, and maybe Conrad, I don't think any other character knows his actual life story.

And to add on to that, there's no way of looking up that past either—he had no name or personhood before he was effectively rescued, so who could investigators or reporters or archivists track down for information? The human being that was Legato only existed for as long as he knew Knives, before that he was something to be kept and abused as an object. There's presumably no surviving family they can reliably contact, nobody to really say "yes I knew him, here's what his life was like, here's how we can prevent something like this from happening again".

His entire existence will be reduced down to "a human weapon that was freakishly loyal to public enemy #1" without any reflection on the mechanisms that made him the way he was because there's just no actual knowledge of his life.

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc

[scrambledslut]

still thinking about alec hardy asking a woman if she’d like to sleep with him and her going GOD NO and laughing in his face

[daisybell-on-a-carousel]

*Ages of this post based on information from Jason and Tim's original runs in the 80s, as im still in the process of reading the comics and I respect original runs more anyway

Jason was 12 (pre-crisis, not contradicted) when Bruce adopted him at some point after Dick left, and Dick had left Wayne Manor for about 2 years by the time Jason died (Batman #436) making Jason 14 at death, to turn 15 that year if his birthday is August 16th

Tim is 13 when he introduces himself after Jason's death (Batman #441)

They have like, a 1-2 year age difference

Jason returns to life 6 months after his death, spends 1 year in the hospital, then 1 year on the streets before someone recognizes him as Robin, then 1 year with the league of assassin's before being thrown into the pit (Batman Annual #25)

A total of 3 years with Jason running on just instinct and muscle memory before being healed by the pit

Therefore, Jason, while physically older, is largely missing 3 years of his life

Jason is younger than Tim

Thank you coming to my ted talk

(Dont take this seriously please bcksbdjsnks)

[lagosbratzdoll]

You guys are always yapping about how Criston Cole is Rhaenyra’s victim. Even though the show contradicts you on this point many times. Even though the producers contradict you on this point repeatedly. 

However, no one wants to reckon with the fact that those men took a tale about a misogynistic paedophile and the child he groomed and isolated and then turned his child victim into the initiator/aggressor. 

It’s par for the course with the adaptors. We watched it happen with Dany and Jorah, Doreah and Xaro Xhoan Daxos, Loras Tyrell and the homophobic way they adapted his story. The racist, heavily sexualised way they adapted the sand snakes and Ellaria Sand. I had hoped the fandom would know better by now but alas!

[frobby]

The fact that mukuro is 15 is wild I thought he was like 25 with how he's in fucking prison

[pumpkinrootbeer]

The majority of sejanus analysis I see falls into this trap of simply critizing characters for not being completely rational actors which happens a lot with media analysis. Think "they both could have fit on the door!" brand of almost cinema sins-esq story analysis.

Which I could get into how I absolutely hate that style of media critique because it so often boils to asking "why is this story happening at all!?"

"Why does gothel keep Rapunzel so close to her kingdom why not run away to a different country" because then this story wouldn't be happening at all, man. I don't know what to tell you.

But to keep this focused on Sejanus and how so much criticism is just "he's too irrational" I think miss completely miss the mark. Obviously I think there's a lot of misinterpretation of characters (their motivations, emotions, intent and so on) due to Coriolanus beings an incredibly unreliable narrator, and people tend to just skim over how young and vulnerable Sejanus is. (He is 17-18 and actively suicidal to say the least.)

But Sejanus isn't irrational, or well, he is, but no more than anyone else in the story. I often see "he should have changed the system from within" as a critique for his character, and sure you can absolutely think that. But the issue wasn't he wasn't thinking ahead or that he was just too emotional and irrational to see the merit in that. Thinking he couldn't understand the value of playing along fundamentally misses what asking to play the long con is asking Sejanus to do.

He would have to stomach going along with the games, staying silent, working in a city with slaves, and watching every year as children get massacred. Asking him to wait it out until he has enough power is asking him to not just stomach capitol cruelty but actively participate within it. Sejanus doesn't make choices out of just pure emotion but a sense of right and wrong. He is a character completely guided by his morals, and one that is constantly punished because of it. People say "He should have used his money to change things" He tried to, in the story, explicitly. And Coriolanus killed him for it.

Yes, using only his morals as a guiding light resulted in his death. Yes, if he played along he might have been able to change things for the better. But what it really comes down to is this, Sejanus refused to play the capitol's game, refused to let them make him something he's not. And he died for it. Kind of reminds you of another character in the franchise huh.