#everyone knows he’s very neurotic but everyone’s neurotic so they love him the same | Explore Tumblr posts and blogs

nexility-sims · 7 months ago

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𝐍𝐎. 𝟕 ❛ 𝐡𝐨𝐭 𝐚𝐧𝐝 𝐟𝐚𝐬𝐭 ❜ | AUGUST 1991

❧ 𝐝𝐢𝐫𝐞𝐜𝐭𝐨𝐫𝐲 / 𝐛𝐞𝐠𝐢𝐧𝐧𝐢𝐧𝐠 / 𝐩𝐫𝐞𝐯𝐢𝐨𝐮𝐬 / 𝐧𝐞𝐱𝐭.

Trish Fitzpatrick wore many hats, but her favorite was “freelance journalist.” Her area of expertise grew directly out of myriad side gigs: what she called portrait pieces of interesting people. Outlets clamored for them—or, they had since she’d buttered up famous, neurotic opera singer-turned-starlet Prudence Boone into revealing she had a glass eye, a secret runaway daughter, and a hair-eating habit. Of course, Prudence was basically a stranger. They had once had a fifteen minute conversation on the deck of a yacht, bonding over the fact that neither actually knew to whom the vessel belonged. Prudence thought Trish’s outlandish suggestions were funny enough to remember her when she called to pitch the piece. It had gone the same way with Renzo. Of course, they had met while fighting over a scarf in a vintage clothing store. Trish considered letting him win to be a debt, one for which she would demand recompense at the ideal time. Opportunities passed, and then August 1991 proved to be the time.

❧ i got the irresistible urge to do renzo backstory, which was meant to be an outtake, but then i was like, "uh, no, this totally works as story proper if i put leonor in it," so here we are ! context and such. given the amount of work, this might be my magnum opus until further notice ... it was also just fun to do :^) checked off the sex, drugs, and rock-n-roll boxes ?? where's my prize. in conclusion, i love my white boy of the week or whatever

𝐭𝐫𝐚𝐧𝐬𝐜𝐫𝐢𝐩𝐭 ↓

I grew up in a tiny town—Petunia. Petunia? You say it differently. It’s the country coming out, I guess. Not “pee-tyoon-ee-ah,” it’s “puh-toon-yuh.” Petunia. That’s it. So, how was it? Fond memories? In retrospect, maybe. I wanted to get the hell out of there from day one. What I remember is being very unhappy—dispositionally sullen, not just a pouty kid, but fully down and out. Born that way, probably. And your parents? My parents … Life had the upper hand, man. They were good at losing. I didn’t want that life.

My dad professed to be a traveling salesman—What, he wasn’t? I mean, he didn’t know jack shit about vacuums or whatever the fuck. I don’t know. But, he wasn’t around a lot, it sounds like? Gone for weeks at a time. Just me and my mom. How was she? Not really there either. When I got home from school, she’d pop her pills and be gone until morning. She wasn’t avoiding me; she was avoiding life. She did what she had to do in the mornings—you know, I had what I needed, the bare essentials—but she was checked out. You had a lot of unsupervised time, then. Oh, did I. Too much. I mean, I had books to read, and I got into music early—From her? No. My dad’d blow into town and bring pity gifts. Not kid-appropriate shit, now that I think about it. Heavy, gritty stories. A guitar I was too little to use. Flip lighter. But, you know, I was a kid. I wanted to run and play with everyone else, too. Of course.

Here’s the thing: it was hard to be a scrawny kid named Lorencio in Petunia. Shit, I can imagine. What was that like? … Hard, like I said. Well—Details? I got the shit kicked out of me. Regularly. What do they call it—um—“school of hard knocks”? Yeah. I remember, one time, I limped home on a Saturday. Mom was out of it, but she leapt up when she saw all the blood. Cleaned me up. It’s like I’m there now—in that bathroom with the dirty tile, her burning me with peroxide … She didn’t really talk, you know, not in a serious way? But she did then? She said, in Uspanian, “‘Don’t roll over for anyone.’” Interesting. So, that’s the lesson? Part of it. I realized that summer it didn’t matter if you were scrawny, if you talked funny, if you were poor. What mattered was not being a pussy. [Laughs] Oh, yeah? If you want credibility, if you want respect, sometimes you gotta be able to take a beating. Don’t roll over. That’s right.

I think it also helped when the growth spurt hit. You must’ve still been scrawny. [Laughs] String bean. So it goes. Adolescence . Now, you grew up fast, is what I’ve heard. You could say that. My life changed when Marty got out of lock-up—Sorry, what?—for “teen offenders”; he set his grandparents’ car on fire—oh, I see, regular kid shit—Uh huh. We hit it off. He introduced me to other guys, including Jesse. They’d huff gas together. Oh my God. Not whippits? Sure, but less convenient. That’s—No good, yeah. Fun though. Have you—? I’ve tried everything, Patricia.

Jesus! So, Marty and Jesse…? We got on like a house fire. [Groans] They were into petty crime for the thrill of it—Now, Renzo, is arson petty? He did it one fucking time. Everyone overreacted. They got into trouble for fun, and for you it was—? Money. Not a lot. I was too dumb to consider the risks. But, you did other things for money, too? Don’t say it like that. I wasn’t hooking. [Snorts] I worked a lot. I was cutting school to work, getting paid under the table, all of that. Maybe—hear me out—some of it was thrilling for you, too? I won’t tell anyone. [Chuckles] What can I say? Credibility.

I feel like I’m mischaracterizing … I love Marty and Jesse, to this day. Jesse’s daughter is your godchild, right? Yeah. Marty went back to Petunia in … ‘88? Jesse and I had better luck, or maybe we were just more desperate. Either way, my point is that delinquents get a bad rap—With good reason! Sure, okay. Both of them were deeper and more complicated than that. You’re not an outlier. No. We’re a dime a dozen. No one gives them the chances you got. Uh huh. So, we bonded over that—feeling down and out, like I said, but also the fact that we loved music. Marty’s family had money, so they’d bought him a nice bass guitar. But, Jesse’s mind … He’s so fucking creative. He wasn’t a reader, but I could tell him about something I’d been chewing on, and he’d have a song inspired by it within the hour. He has an incredible voice, too. He does.

I guess it’s not surprising that you guys did what you did. There was nothing for us at home, you know? Packing up and heading out west didn’t feel like a risk. And your mom understood that? Better than anyone. I know people judged her—shit, I judge her, too—but I always knew she was trying. That’s sweet. Is it? I mean, I think so … She met my dad at a bus stop three weeks after she arrived in the country and made the mistake of getting off at his stop. That’s it. That was her crime. Well, I’m sure she’s doing better now, huh? She lives in a nicer house in a nicer city, but that doesn’t cure depression, now does it? I suppose not. There was this woman whose lawn I’d cut all the time … A real bitch, but she was extra nice because she felt bad for me. Hated my mother. I think she was just jealous because my dad was her high school sweetheart. Isn’t that just how it goes? Damn foreigner stealing a real catch from her. [Scoffs] Sticky fingers when she invited me inside for lemonade—cigs and quarters from her purse, Valium from the cabinet, that kind of thing. [Laughs] Casual. It was pretty brazen, honestly. Fucking dumb kid.

Alright, so, you come out here with Marty and Jesse to make music, and now you’re a serious actor with a name and a big career ahead of you. How’d that happen? It was completely accidental. While we waited for a record deal, I did odd jobs, like auto work—you know, in a body shop. It was decent. Had you worked on cars before that? So, I got familiar, uh … [Chuckles] We’ve established I was a rascal. We could get under the hood of a parked car and make a few dollars off parts. I can get you in so much trouble, Renzo! [Laughs]

Don’t tell anyone, come on! I was a kid. Have a heart. I guess it paid off. But, alright, body work? What’s the connection? It’s kind of convoluted. When business was slow, the guy I worked for loaned his employees out to another mechanic. This guy, long story short, brought me along to assist him on a movie set. I guess he was a known quantity? Everyone knows the right guy! That’s everyone’s explanation for where they end up. Me, too. Uh huh. I don’t know why they let me do it, but—Somehow it worked out. Yeah, it did. Right place, right time.

You’re in the spot. How did you get into it, though? This is embarrassing as hell but, fuck it, I’ll be honest. Please. Don’t stop now. [Chuckles] I got a shot because I’d been chatting up this girl who, as it turns out, was the director’s kid—or, in fact, she approached me. I had no idea who she was or why she was there. Of course she did! That’s not surprising, is it? I think I was the most disinterested person there. I don’t know. Anyway, we talked a couple times, then—out of the blue—someone asked me if I wanted to hop into a scene, say a line, ten seconds flat. She did that for you? I don’t know what she did. No one mentioned her. Maybe she thought you looked like a movie star. [Snorts] Fuck. I hope not. Did you want to do it? I wanted to make music. I wanted to finish reading my book. I wanted … I mean, I said yeah. Can’t decline that. Makes a good story, right? What happened with her—? Oh, hell. Sorry! Moving on, for now. [Groans]

I got a call several weeks later about an audition. How did that feel? Bizarre. We’d done a demo for a producer once, but this was different. Were you excited? I was terrified. But, I went. Didn’t get that part, although everyone was perfectly nice to me. How disappointing. You always remember your first … But, hey, you have to look at it this way: I didn’t want to be an actor. I thought it was cool, but it felt like … ? Go ahead, give me a good metaphor. Like when you’ve been craving your favorite food, but then someone offers you a helping of something different, new, appetizing. How’s that? Passable. C-plus. [Laughs] Fuck you, Pat.

Okay, so the road didn’t end there. No, it didn’t. I got another call, and that one went well. This was for … Sugar Sweet? That’s the one. Cornball, but I love that movie. Never seen it. What! How is that possible? You were in it. You went to the premiere screening. There are pictures. Saw my first scene, excused myself to go piss, didn’t come back until the applause had started. Wow. Everyone has opinions about that movie these days—very contentious, whether or not Alicia was in the wrong when she left me and stole my lifelong dream. What do you think? Me, Renzo? Good for her. I thought it was kind of bitchy. It’s peculiar how many women say that. I wonder why … ! Billy’s so dreamy. Please, ask me about something else, Pat. So, this romantic comedy is your launching pad. It leads to the television show. The television show blows up immediately. Walk me through what that felt like?

Also terrifying. I really cannot emphasize enough that I didn’t want attention. I wanted money and time to support my music, and acting seemed like a good way to do that. Just didn’t account for the side effects. Like fame? Uh huh. I was a nobody in Sugar Sweet, and the pay was shit, but it felt like a miraculously good deal at the time. What it did is put me in the running for more serious work. I think, even then, sometimes the casting folks were hesitant to take a risk on someone with no experience whatsoever, even if they had—A spark? Talent? Sure. It was unsettling, the idea that I was some kind of “natural,” and I compensated by working really hard. Well, you’ve established yourself as a hard worker. Sure. I guess they saw that—the improvement, in addition to the fact that I had a resume to speak of by then. Or, eh, they saw that you were pretty. Right, of course, you don’t need talent if you have Teen Mag’s favorite cheekbones. [Snickers] I joined a cast with other people who had very little experience, and we bonded over that. I just didn’t expect to be … What, the center of attention? That, yeah.

You know what’s fucking weird? Huh? Signing your name on a picture of your own face that belongs to someone else. That they’re going to take it home and pin it to their fucking wall or frame it on their bedside table. Someone’s kid treating you like their school crush, blushing and shit while they’re asking for you to do it. That does seem like a strange experience. Over and over again. Teenyboppers, goddamn. You were in the magazines for them. I read a couple interviews. No the fuck I was not. I did not do those. No? What they do is take quotes from actual, consented conversations and stitch them together for their own use. It’s legal. That’s fascinating. Maybe I should try that. Less work. [Laughs] Yeah, alright, flush your “exclusive access” privilege right down the toilet.

But, look, I’m not disparaging the fans wholesale. That’d be unfair. And, ouch, ungrateful? Yeah. The initial couple years were fucking insane, but I was with people I liked, and a lot of the fans we actually met were … Normal? Uh huh. Not a hysterical, handsy, screaming blob. You got grabbed? Groped, Pat. Oh boy. We don’t like grabass, I guess. Well, hold on now, just not like that—You keep sidetracking me. What kind of interviewer are you? I’m having fun with my buddy! Sue me. [Chuckles] You got it, baby. What was I saying? The fans? Yeah. The ones we met one-on-one were cool, usually. They had deep thoughts about the show, you know? Ideas about the characters, the plots—filled in holes in the shitty writing. No offense to Jack and Reuben, I hope! Don’t print that, Pat.

If I’m being honest, having to answer their questions made me think deeply about the role. That’s stayed with me. I don’t like being walked up on in public, but sometimes it’d go fine. The first time someone came up to me in the wild, her mother looked so fucking apologetic that I decided, “Cool it, don’t be a jackass.” She wanted to talk about the book I was buying. Same thing would happen to Frank, Perry, Vicky. How about the show itself? That was a three year commitment.

It was alright. In retrospect, I understand that television isn’t for respectable actors, which made the transition hard. Harder to have been on a show for teenagers. But, you made that switch in Uspana. So, did that play into the calculus at all? I lucked out, in the sense that the show was co-produced, and I got to do the dubbing for the Uspanian version. I wasn’t a total unknown, even if they thought my Uspanian was shitty. Is it? Losing an accent is hard, in my defense.

When my contract ended, I hit the road. You didn’t think about staying on? I thought about it with horror, yes. [Laughs] You’d keep shit-talking the whole production if I let you. Maybe. So, in Uspana? It was like exhaling for the first time in a while. I did nothing for a couple months. All that hard work, being a beloved TV star … Throw me a bone, Pat. But, anyway, I didn’t even see my mom’s family again for a few weeks—You knew them, though? Yeah, we’d met, during the press trips. Beach life by yourself. Luxury.

You know, I needed to reconnect with myself. That’s how I felt. I felt like I had been an imposter, then I felt like I had to be someone I wasn’t, and now … You could go a different way. A fork in the road, for your career. Your life, really. Right, yeah. I went to Canarís like any good tourist. I had more money than I’d ever had in my life. I had no plans. Sounds like a dream. It was.

Crucially, I was out of my mind most of the time. Kite high. So fucking high. I swear I almost drowned twice, at which point it was politely suggested that I stop using the pool. Did you politely agree? Fuck no. [Laughs] Troublemaking aside, I ended up taking phone calls, making plans with people—Industry people? Yeah. There were people I knew already, but meeting the ones I really wanted to work with happened kind of organically—parties, premieres for other films, cafes. At the Morningstar Cafe in Canarís? Right, exactly. Same way I ended up finding The Den. Someone at the cafe had worked with Karolina Teague, and she took me there one evening after we all got tossed out of some poor son of a bitch’s house. Sounds rowdy. Can’t blame him. It was after midnight. And? Well, it was a lunch that’d started at eleven in the morning, so. [Chuckles]

So, I have a question. You’re pretty consistent—in terms of behavior. “Behavior?” [Snorts] Yeah, okay, I understand. What was that like, with cameras on you? The photographers in Uspana definitely aren’t less aggressive. That’s part of it. I don’t know if I’d call it an epiphany, but I left Canarís for Nakawe with the understanding that I was going to just do what I wanted to do. Oh boy. Within reason, fuck. Reason. Sure, yes. You didn’t feel like a dumb kid anymore. I mean, I guess I have more fun with the camera guys here. They can get away with more, ergo, so can we.

I distinctly recall you got arrested for—I barely touched that guy or his fucking camera. Did him a favor, if I did. Dogshit quality device. [Chuckles] Not sure he saw it that way, but the charges were dropped. I mean, don’t get me wrong, shouldn’t have reacted that way. I kept thinking about my mom seeing those pictures … The one time I got picked up, she backhanded me in the middle of the station, right in front of the cops. Jesus. In the car, she goes, “If you get caught again, I’m going to rip your ears off.” Empty threat, I guess.

The Den—I want to talk about that. Please, let’s. Your first time there? It was with Karolina, like I said, and there was a local band playing that night. They’d wrapped up their set by the time we arrived and were just … jamming on the stage, taking feedback and requests from the people who were still there. Some kind of funky jazz mash-up. I liked it. How did it come to you? It opened in ‘57 as a bar and, at some point, it turned into more of a music venue open to a certain segment of Nakawe. The guy who owned it gave exposure to a lot of people who went on to really do something with their art, and that’s why it ended up being a somewhat exclusive spot. Celebrities already knew it and brought their friends. Uh huh. I could stroll up, and the cameras weren’t with me because they were already there. He got tired of that, I think—He was an older fella, right? Yeah. But, really, he managed other properties, and The Den wasn’t his passion project the way it’s become for me. So, you had the money and took it off his hands.

What goes on in there? [Laughs] Pat, you’ve been inside. Well, not for me! If I’m going to describe it to people who’ll never go inside, what would I say? I mean, it’s a hangout spot. It’s a performance venue. We had, uh, mimes last month. Truly gifted, those people. [Laughs] Really? I don’t come up with all of the ideas myself, but I only agree to the shit I’m interested in. It’s kind of selfish, but I guess I’m lucky to know a lot of people who’ll toss in five dollars to enjoy it. It’s something. Compelling. I mean it. Thanks. That’s not all, though. I mean, you describe it as a “haven.” It’s very private. Some of your regulars are troubled individuals. Damn, Patricia, just say it. I feel like a cop! “Do you condone drug use in your establishment?” nonsense. But, well … I’m not explaining it. Either you—they, whoever the hell—get it or don’t. Come for the music, come to unwind however you like, doesn’t fucking matter to me as long as you’re coming with an invitation. I like to go in the back room, close the door, let the music and noise seep through. Muffled. You don’t really strike me as a partier, frankly. You never have. I wouldn’t argue with that. I like parties, but I don’t need to be at the center. Some do. That’s fine. This place is for us all.

Maybe it works out because of that, that you’re curating this space but not necessarily always in it? What do you mean? Well, you reopened it and then, if memory serves, immediately went off to do a film. The party kept going. You just like to know it’s happening. Alright, sure. That’s true. Knowing it’s there … Yeah. I like it. I was in that back room, thinking about the script, when I decided to do it, actually. Life felt like it was falling into place. It was a good time to take a leap. “’You are going to be a cowboy?’” “’No, I’m going to be a farmer.’” I had that conversation a thousand times. Reporters, man. Hey! Everyone was so surprised. I think they thought the premise was … I don’t know, that it just wasn’t something I would want to do? Or, worse, that the filmmakers wouldn’t want to work with someone like me? Unflattering assumptions, sounds like. Can’t blame them. I had a lot to prove. Still do.

How was six weeks in Texict? Fucking heaven. I loved it. My mother’s from the northwest so, even when I visited family, it wasn’t anywhere close. No reason to visit until we dropped in to do the film. Every day, I woke up happy to be alive. Happy to be doing this job. Gorgeous. I’m gonna go out on a limb and guess it wasn’t just the location, was it?

No, you’re right. I felt like I was really acting—for the first time, seriously. Maybe the cast helped? I’d worked with established actors before. The leads in Sugar Sweet were—well, you know who they were. I learned a ton from them. But, yeah, I guess Sasha was the first person I’d worked alongside who had me sweating. Oh? I wanted to impress her so fucking badly. I wanted to keep up, you know? So talented. So raw. She rips every line out of her chest with her bare hands. Bloodbath of emotion. The premise was new, too. Not a lighthearted romance this time. No. We were young parents of a ill child—stressed as fuck, trying to make life work, struggling separately to be together. Can’t lie, I ate that shit up. So did the critics. Hell yeah.

Every nomination felt surreal. The recognition was incredible. Validating. Sasha and some of the others swept up. I was just honored to be up there with them, honestly. Okay, well, let’s talk about Sasha. Do we have to? Yes. Indulge me! [Grumbling] I mean, all I can really say at this point is that I was obsessed, and it wasn’t until it was over that I had the clarity of mind to really wonder, hm, “Was I in love with Sasha, my coworker, or was I in love with Sasha playing Lucy, my wife?” That seems like an occupational hazard. I wouldn’t describe it that way. You take sensitive, delusional, beautiful people, pay them to get vulnerable and intimate with each other … It’s special, even if it’s … Not genuine? No, it is that. It’s not real, but it is genuine. How else can you say, “Well, our schedules don’t line up anymore, but I’ll have this scar of our initials forever?” You do not! No, I don’t. The letter S is really hard to cut without fucking up. Not a sober man’s idea. No.

Since I have you on the topic—hey, no, absolutely not—I’m obligated to ask if there’s anyone in your life right now. How’s that? Women’s magazines can snap this up and stitch it together for themselves. This is a public service. Patricia … Yes, Lorencio?

Look, I know you do your research. I do. I’m very good at it, too. What’s that like, princess pus—Pat. Pat, I’m begging you—Are you obsessed? The letter L is easier, I bet. It is. Would you go with another L or an R?

I’m not talking about this—not for you to print, anyway. Well, talk to me as a friend, then? I’m not just professionally nosy. We’re friends? Who else calls me Pat and gets away with it? You haven’t been Trish in a long time, it’s true … [Sighs] Fuck. Someone can be precious, right? Lovable. You can hold them in your hands and think, “This person matters to me. They’re special. I like to be around them; I like to listen to them; I want their affection.” You can really, genuinely cherish someone.

But? Maybe you find their life to be completely fucking repellent. Unbearable. … Damn.

There’s parallels, though, right? I mean, fame is fame, there’s got to be value in relatability, and—There’s an open mic going on downstairs in the hotel bar right this minute. Let’s take a break, Pat, what do you say? Let’s just go watch some of it. I’ll let you print dick measurements and my deepest, darkest secrets if you say yes. [Laughs] Well, if that’s on the table—

#just gonna toss in a cw #cw drugs #long post #ts4 story #sims story #sims 4 story #royal sims #simblr #ts4 legacy #1992.story.post #1992.a1 #1992.e04

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askthekoopsandjr · 2 months ago

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Iggy Koopa (head)canons

He's creepy and he's kooky, mysterious and spooky, all together ooky... Just kidding, he's not really scary; but he is a silly little enigma.

G̲e̲n̲e̲r̲a̲l̲ I̲n̲f̲o̲r̲m̲a̲t̲i̲o̲n̲

16 years old

- Very important to note: Dragon Koopas do not age the same as humans. It is unknown how they age in equivalence to humans, but the adult age for dragon koopas is their early 30's. Dragon koopas can live for several centuries. The maximum years of life is unknown.

Agender, any pronouns (prefers he/she/it). Asexual lesbian.

- (Everyone is asexual because "it"™ doesn't exist hahaha)

- Has identified as agender for a while, but recently chose the lesbian label for himself. This choice was inspired by Wendy.

Second oldest of the 7

- All are biological siblings, born to the late Morton Koopa Sr. and Adaeh Koopa

Adopted by Bowser along with his siblings at 10 years old.

- Remembers the day his parents died just as well as Ludwig, but doesn't let on to that.

Also like Ludwig, Iggy has uncomplicated PTSD. His symptoms show drastically different from his older brother, however.

Story of losing their parents and meeting Bowser:

All creatures in the Mario world... the Underground whatever it's called have all the races/ethnicities of humans. Iggy and her siblings are German and British from their father, and South African from their Mother.

C̲h̲a̲r̲a̲c̲t̲e̲r̲

At 10, he was sporadic and neurotic, often acting out by doing dangerous things and showing the opposite emotions than were appropriate. This would piss off Bowser a lot, and he'd often get in trouble. Iggy was miserable, but as a younger Ludwig pleaded for Iggy to "snap out of it", he just... Laughed. Things seemed to click in place for him; he realized he didn't have to be so angry and stressed all the time. In that moment, he found acceptance for himself. The worst thing that could have happened, happened. It made him weird and he was only going to get weirder, but that was okay. It felt better to laugh and smile than cause distress to those he loved.

Before 10, Iggy didn't really act much of anything like he is today. He was well mannered and calm. Is that to say he would've never ended up like this if his parent's didn't pass away? Not necessarily. He was always a brilliant mind who loved anything mechanics and robotics; but as smart as he was, his inventions still took many trials and errors. This was how he discovered that it's fun to make things act the complete opposite of their intended purpose. Mischief in general filled him with this feeling of euphoria, but it felt forbidden. He didn't let himself indulge in it the way he secretly desired.

The Iggy we currently know is a chaos-causing giddy teen. He enjoys not taking much of anything seriously and frustrating his opponents with his unpredictable and obnoxious behavior.

His hobbies are: learning and documenting/ exploring or just being within nature/ anything S.T.E.M. and/or science related/ taming chain chomps/ making friends with wildlife in general/ pulling pranks/ being silly and whimsical

Iggy loves absorbing knowledge about literally anything. All those notes hanging around in his room/lab? Look closely, and you'll see things ranging from a list of top 10 uses of nickel, to how the banana got it's name.

He's almost always smiling. There's just not much that upsets him.

He is very affectionate, and usually shows this through touch. She'll show this in unusual ways though, of course. For example, standing behind Ludwig and resting her head on his hair... Just standing there. Sometimes they'll do this to their other siblings, too.

Iggy can play various instruments, but chooses to play only the dumbest ones. For example: cat piano, otamatone, Furby organ, and other children's instrument toys.

She owns Iggy's Glass as seen in MK8D. He takes care of all the kart's windshields and mirrors.

Upon receiving their wand from Kamek, the only knowledge of magic Iggy had was a couple of nature based healing spells learned from his mother. What got Iggy interested in magic was the difficulty to learn to wield a wand; if you're not careful (or properly trained), the power from the staff could be destructive. Exploding green magic that could destroy anything in it's wake? "Sign me up, please! BAHAHA!"

- This is why Iggy's magic is the fastest. She quickly harnesses a few magic blasts one after the other, her heightened emotions in battle providing how strong a single blast is.

Kamek still teaches all 7 of them magic lessons, but it's more of a once a week thing (except in the case of Ludwig).

Iggy's hair is naturally curly, being about 3B closer to the roots and 3A up at the top. His hair is able to stand up like that on it's own when he styles it- no hairspray or gel, he just brushes it straight up and it stays. Look, if bricks can float in the air in that world, so can his hair.

- Why'd he choose to style it like a carrot/palm tree/turnip/pineapple? Idk. He never really did anything with his hair. As a kid, it looked like Hop's from the Super Mario World cartoon, so it always just stuck up like that (no, their cartoon counterparts don't exist and were not their childhood selves). His hair was always just green, btw.

Just like with Ludwig, if you ran your fingers through Iggy's hair you would feel the curls.

Pranks. Iggy is notorious for pranking others. He'll do stupid stuff like misplacing an object after somebody set it down for just a moment, or telling someone the wrong information to little things. For example: "Iggy, what's the super move for [insert game and character]?" "It's [enter sequence of buttons]" *tries it, character explodes instead* ┻⁠┻⁠︵⁠ヽ⁠(⁠`⁠Д⁠´⁠)⁠ﾉ⁠︵⁠┻⁠┻

Sometimes he'll go too far with them. One time Larry had pranked him and he wanted to get revenge, so he placed a rake outside of a door of a room Larry was in. The plan was that Larry would walk out, not notice the rake on the floor, step on it, and the handle would come smacking him square in the face. The thing was, Larry was not the only one in that room. Ludwig was reading a book and decided to leave the room because Larry was being too loud with his game. Nose stuck in book, he opens the door and steps out... WHAP! Ludwig got squared in the face with a rake handle... And a book. Ludwig chased Iggy all around the castle with that rake. Iggy and Larry will still laugh their asses off if they see a rake to this day.

R̲e̲l̲a̲t̲i̲o̲n̲s̲h̲i̲p̲s̲

With Ludwig: Iggy and Ludwig have a very close bond, even if it doesn't really show that way. Iggy loves how Ludwig's personality sort of mirrors his. He knows that Luddy is just as crazy as he is, and is probably the only one capable of bringing out Luddy's "kooky" side. Iggy's pretty good at bringing out a lot of sides of Luddy most don't see very often. Iggy also enjoys messing with Ludwig because he's way too easy to annoy, and his reactions are funny. If Iggy ever wants to infodump something new he learned, he could always turn to his oldest sibling. Luddy is guaranteed to listen and engage in a conversation, whether he likes it or not.

With Morton: Iggy likes how easy going and happy Morton is. He can use Morton as a physical leverage whenever he wanted (as seen in their NSMB2 render), because he knows Morton wouldn't mind at all. Besides that, Iggy likes partaking in Morton's interests when they hang out. A good example would be cooking; we know Morton has the best intentions, but... Not the best execution. As we know, Iggy lives for things gone wrong. Besides, she does it for brotherly bonding! Everyone else's inconvenience is just a bonus. Iggy also enjoys telling Morton about her discoveries with nature, since Morton shares that interest. Morton likes physical affection as well, so Iggy won't hesitate to give Morton hugs and stuff.

With Roy: You might think Iggy and Roy in the same room would only lead to familial disaster, but that's not really true! These two actually make a pretty dynamic team; They've both got a destructive nature and love for disorder that makes it surprisingly easy for them to work together in battle. Outside of that, Roy treats Iggy the same as his other siblings, and Iggy treads more carefully with Roy. I mean, getting bonked isn't ideal, he's not that hard to annoy. Iggy has to think of clever ways if she wants to prank or mess with Roy, like having a planned escape route ahead of time or someone/something to take the blame instead. They'll hang out casually more often than not when there's no missions to be done, like watching TV or going out to do something.

With Wendy: Iggy will totally let Wendy give him makeovers, mess with his hair and paint his nails. He's loved doing these things with her since they were little kids. Wendy was actually the one Iggy originally confided in with emotional vulnerability before Lemmy was old enough to have critical thinking. He'll still go to Wendy for that sometimes. The most recent example was when Iggy still questioned their sexuality. As the only sister, Iggy regards Wendy highly, and probably shows her the most respect out of anyone in the family. If you thought pranking Roy was a bad idea, imagine Wendy. She's safe from Iggy's antics... Intentional antics, that is. She'll definitely still get annoyed with him and yell sometimes. Teehee

With Lemmy: The Lemster and the Igmeiser... These two act like twins. They're almost always seen together, and have a closer bond than with any of their other siblings. It's not really clear how it started. Since the moment Lemmy hatched from his egg, they've always been really close. The two love causing mischief and chaos, naturally in sync to the point where they can predict what the other will do/say most of the time. Everything is fun and whimsy when they're paired together in missions, which typically leads to not succeeding... But we know that wasn't really their priority lmao. Naturally, as siblings, they'll get into fights sometimes too (ex. When both of them wanted to push the button in Paper Jam lol). Lemmy is the one who Iggy usually goes to to talk about his feelings and troubles with. He finds that Lemmy understands him best, and can see things from a different perspective that makes his advice more useful and realistic.

With Larry: Like Ludwig, Iggy wants his youngest sibling to be the best he can be. But unlike Ludwig, Iggy doesn't take it upon herself to parent Larry. She guides him in her own little weird way, as an older sibling. Iggy won't outright say what Larry is doing wrong or what he should be doing; instead she'll do things that make Larry think about why she's acting that way, and make him realize what he's doing and how he should change his actions. Iggy enjoys spending time with Larry, which is usually playing video games, other electronic-based activities, and sports. Sometimes they do stupid things, such as the prank example from earlier. They have more in common than most realize!

F̲u̲n̲ F̲a̲c̲t̲s̲

Iggy never felt connected with the concept of gender. Even as a kid, she would express indifference and even discomfort with being a "boy". It just never felt right; nothing did. As Ludwig and Wendy transitioned, it made Iggy think really hard about their own identity yet again. So Ludwig is now a boy, and Wendy now a girl, but Iggy didn't want to be either! Where did his answer lie? Iggy turned to the computer in the library. Now imagine Iggy doing research on mid-2000's internet, and whatever the Nintendo universe equivalent of Tumblr is- he found the word "agender" and it's definition. That felt right. Iggy then first told Ludwig and Wendy about his discovery. Upon receiving their support, he came out to the rest of the family. He would go through different uses of pronouns until deciding that any works.

Figuring out their sexuality was a lot harder. Iggy would find themselves attracted to characters within stories and otherwise fictional people/koopas/whatever, but not really anyone in real life. Iggy wondered if she was aromantic for quite a while, but ultimately decided against it. Her feelings of romance weren't limited or exclusive. She even found herself liking the idea of dating someone in real life- she just didn't really have anyone to gain those feelings for in castle life. She then started to try meeting new people, which mainly happened through Mario Kart tournaments. There were several talented creatures who worked for her sibling's companies he's made good relationships with! She would take the time to become acquaintances with each of them, trying to see who stuck out as a potential romantic interest or who would remain friends. Iggy actually found himself giddy over a few of these creatures, confirming he definitely feels and enjoys romance. Exploring like this helped Iggy to realize that none of his crushes were ever men, only women and non-binary/mixed trans-identifying creatures. Iggy turned to Wendy for answers, in which she provided a few labels that Iggy could consider if he wanted to use them. Iggy decided that who he's attracted to best fit under the lesbian label, feeling a connection of solidarity with Wendy. He's happy with the labels he's chosen for himself.

"But Izzy, who stood out to Iggy the most? Will she ever get a girlfriend/partner???" There is a Lakitu named Brit who works for Morton's company she's had an eye on for a little while...

Iggy's needed glasses since they were about 4 years old. Momma made the glass, and Dad made the frames. He watched them as they made the glasses- perhaps this taught Iggy how to make the unparalled glass that she sells.

Iggy owns Iggy's Glass yeah yeah we know. Her company is responsible for creating the windsheilds and mirrors on the karts.

I don't consider Hotel Mario to be canon in my story, but Iggy would absolutely try to pull something as stupid as a cheese hotel.

Iggy runs a Tumblr blog, except it's not called Tumblr idk what the platform would be called in the Mario world. It's dedicated to her scientific findings, interests, computer shit, etc. Nerd things. It's got a lot of followers.

Iggy has a lot of online friends. More than irl friends. She messages them on her computer everyday.

What would Mario world Discord be called? She has an account there too

He also has a YouTube (KoopTube??), but only uploads tutorials.

She loves to bother her siblings on social media. Usually through tagging them in stupid posts, or making a post mentioning them such as: "Like for a tbh" *2 minutes later* "@/LudwigvonMaestro ur kinda gay :/" "I DIDN'T EVEN LIKE!!!!"

That also goes for the sibling group chat.

You may have noticed the favorite foods I gave Iggy were all pineapple based. That is because Iggy is one with the pineapple. There's no explanation for it.

His full name is Ignatius Koopa. Calling him by full name will make him go 😐

There is nothing wrong with Iggy's irises. The thickness of his glasses provides a magnified effect on his eyes that make it look like the iris is separated from the pupil. If he took his glasses off, or if you saw his eyes from an angle unobscured by the glasses, you'd see the pupil and iris are connected like normal. His pupils are swirls as I've been drawing them, though. It's symbolic of how he changed.

Iggy's tail wags a lot. He's like a dog it's funny

Iggy engineers a lot of things that are used around the castle and by her family. Ludwig's hearing aids are one example. She also invented the Mechakoopas, and even taught Junior how to build them.

They would really like to collaborate more with Ludwig in engineering terms, but Luddy lets his pride get in the way of that.

Iggy does not care one little bit who's the "smartest Koopaling". There's just no talking sense into Ludwig sometimes, so she doesn't bother.

#koopalings #super mario #super mario bros #nintendo #nintendo fanart #ask blog #ask box open #iggy koopa #headcanons post #may be updated in the future

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lakesbian · 10 months ago

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Put the Undersiders in a busy airport or train station. How do they handle it? Who gets onto a the wrong flight/train? How many times would Aisha use her power to get into the cockpit or engine room of the train?

oh my GOD how is putting the undersiders in a busy airport or train station not one of the Situations we've put them in yet. this is great. paging @simurghed urgently. everyone please share your undersiders go to busy airport or train station thoughts this is my favorite kind of autism to engage in

brian is like. You know he's being brian about this. you know he's got his schedule printed out and all the tickets pointed out and they're in some little binder and he's making sure he specifically is carrying it the whole time. and the one time lisa casually reminds him to make sure he has xyz necessary item he's like I Have It, Don't Be Neurotic, because his coping mechanism for being nervous and feeling like a woman is questioning his Authority (<- assumed as the main and eternal coping mechanism) is misogyny. love him.

obviously taylor is bringing bugs with her wherever they go and i like to imagine if theyre sitting down in an airport waiting for a really long time and they were in one of the areas where the birds have gotten inside and are nesting + looking for food (that's a universal airport feature right? the birds that got indoors and just live there now?) she might entertain alec and aisha and also herself by flying bugs around 4 the birds and leading them on little hunting excursions and into loops and shit.

aisha takes selfies in the cockpit or engine room (shes posing next to the pilot and making bunny ears behind their head with her fingers) whenever she gets bored and then comes back to show them to alec and brian realizes theres Muffled Laughter happening in their row after aishas been Not There for a while and is like. hmm. that cant be good. and is doing a really bad job of trying to twist himself out of his seat casual-style to find out whats all that then. i can also imagine him insisting on seating himself next to aisha

...three seat plane rows. brian sitting in the middle of aisha and alec and having a wretched time. taylor rachel and lisa lezzing it up in the row in front of them.

i think alec would really enjoy take-off on a plane because Wheee he's all floaty :) and then spend the next however many hours experiencing boredom-induced ego death. possible activities include: fiddling around on his ds. making a little teenager-typical 2011-era flipaclip animation. accidentally falling asleep on brian's arm and starting to snore and drool while aisha is doing the same thing on his other arm. watching a bad movie on his little in-flight tv screen and hopefully trying to engage both brian and aisha in conversation about it because he wants to have friends.

okay i diverged from the point of air Port or train Station sorry. ive never been in a real train station so i have less to speak for there but i think it would be fun to watch the undersiders get crotchety with each other in a long line for overpriced airport food.

imagine if you will brian and taylor trying to fit comfortably in a Nappable Position in the chairs in the flight waiting area. leg cramp city

i think this would all probably be very stressful for rachel :( maybe she andt aylor should hold hands about it. to be safe.

i want to see how lisa tries to make waiting in an airport an enriching and fulfilling activity for taylor so bad. honestly it would probably be no matter what. real bonding experience.

brian laborn tries to carry 9 suitcases at once: and other fun adventures in toxic masculinity

alec vasil has to go pee, right now, for approximately 10-15 minutes, when he's asked to find something in a heavy bag: and other fun adventures in shirking responsibility

aisha laborn's mysterious magical snack manifestation: and other fun adventures in robbing the airport

you know if they were at a busy train station brian would do that thing where he ushers the undersiders around physically and it is fully an indicator of his psychological issues but also it'd be cute. it'd be cute to watch him blocking the crowd so everyone else could move more comfortably and use his Height Advantage to guide everyone most efficiently by pressing on their backs. his psychological issues are endearing

people keep asking about How Much Longer Until Boarding and lisa starts getting bored and providing real-time updates of the Precise amount of time left. if theres a delay she reads out why too

???

its nice. to imagine if they could have a fun time going to locations.

#ask #wormblr #parahumans #this isnt my best its nothing actually im just Rotating

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verdemint · 2 months ago

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sooooo this is the translation for the icon interview with Pecco and a bit of Enea + (my little notes) (for @vr46ridersacademyofficial and whoever wants to read about pecco being a neurotic bestie and a "true rock" nerd)

Genius and moderation: Francesco Bagnaia’s winning qualities. He’s the champion who says about himself that he’s shy (and that already sounds like an oxymoron); then you see him race, and you ask yourself if he hadn't been just joking…

To win a MotoGP world championship, the highest class of motorcycle racing, you need a lot of talent, to win two of them, and one after the other even, you need to be extraordinary.

The third centaur who was able to do something like that is Francesco Pecco Bagnia (don't pretend you don't know who I'm talking about!). The third after Valentino Rossi, his idol and mentor, and Marc Marquez, his next year teammate in Ducati. And, because the hunger comes while eating (lol that's prob just an Italian idiom and it means that when you start to eat you start to get more hungry too, so winning is making him more hungry for more victories), Pecco is trying to do the same this year with the new Desmosedici GP24.

“Motivation is not something I’ll ever be lacking” says Pecco wearing the new glasses carrera Ducati (lol)

When I asked him to draw an imaginary identikit about himself to start our interview he replied: “I’m shy, very determined and an hard worker”. You can feel all of his Savoy (i guess coz he’s from the Savoy region but idk its more of a stereotype for people in the north of italy, being serious and quiet) essence - a mix of being a very private person, and also respectful and polite - that’s his own signature “ethics/moral code" and style. “It’s difficult for me to clash or argue with someone. If I’m angry or annoyed or nervous I keep that inside of me.” That's true in the paddock and outside.

Who better than him is the opposite of the cliche “to be a pilot you must be crazy”?

“Being lucid is the most important thing in this type of sport. The instinct can make you go fast, and maybe there’s a bit of madness, but during the race, everything you do has to be calculated, and every decision is considered and thoroughly thought through. Nothing is left to chance. And seeing red on track/not being lucid is what makes you do mistakes.”

Most people would think you have to live a life full of sacrifices to become a champion, but Francesco lives that life differently. “Everything I’ve ever done, I’ve done it cause I wanted to, I’ve never missed out on anything, not really. I’ve chosen to go train on track instead of going out with my friends most of the time, but it’s because I truly believe you’ll always have time to do all the other things you want to do.”

Respected by everyone in the paddock, Pecco is also praised by Enea Bastianini, his colleague and teammate, also born in 1997 but nearly 12 months after Francesco.

“He has the type of determination and awareness that when he decides to do something he’ll go and get it. On a more technical side, his braking is super effective with the types of tyres we’re using.”

Their relationship is really good and Pecco says “Enea is one of my many rivals. The only ally I have on track is myself: I motivate and help myself”- he displays a strong sense of duty and responsibility- “cause I’m also the most self-critical person in the world.”

And maybe it is this moderation (I guess she’s talking about the self-criticism bit) that becomes a strength for the natural-born rider Pecco.

Francesco Bagnaia is cast in the same mold as another Italian sports prodigy ( shes trying to say the have similar vibes lol) Jannik Sinner, and not coincidentally Pecco is also a big fan of Jannik (he also carries Juventus in his heart, and he received a personalized jersey in December from the club).

“(Sinner) appears as a very “clean” person, it makes you want to support him. I’ve always loved tennis and thanks to him I’ve become an even bigger fan. I play tennis especially during the winter, I take classes three times a week”

Francesco always brings the same things to all of his races and most between the all: “Socks just under the calf, however it has nothing to do with superstition” and also music.

“I listen to music as soon as I wake up. I love old rock, the true rock. Favourite rock group? Led Zeppelin, of course, and I also really like Greta van Fleet.”

Around the circuits, his sister Carola, assistant and media manager, follows him like a shadow.

“I would like Domizia with me at races more often, her presence is a necessity for me.” Pecco and Domiziaa are gonna be married in a handful of hours (July 20) after seven years of engagement: “Organizing the wedding was easy: there is no comparison with the World Championship. Maybe Domizia thinks differently about it.”

What does Francesco Bagnaia see in his future? “A successful career and a large family. And still riding a prototype bike: if not until I’m 37, the goal is at least 35.”

#domiiiiii come to more races pls!!!#pecco bagnaia #interviews #translation im trying my best here lol #francesco bagnaia #fb63 #peccoooooooo #again the “im really critical about myself”#yay pecco!#pecco lore

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itsdeathofabachelor · 6 months ago

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Ugh, childhood friends. . . Doomed by the narrative. . . The layers ughhhb like I love the idea of a Jotakak situation where both are reincarnated or if the events of stone ocean reset the original universe back on itself instead of making it a whole new thing— like, instead of it being completely changed it simply restarted, like re-reading a book. Nothing changes, and when you get to the end it’s the same.

But maybe after the billionth time this happens, after Jotaro drowns and everyone melts away in this big cosmic event, something does change. A little, very small thing. A rock moves two paces to the left, there’s a rainy day when there was supposed to be sun. Whatever. And Jotaro is in the same primary school with Kakyoin, introducing himself because he saw him make a pencil float and wanted to know how.

Kakyoin, being too young to have complete acceptance of his loneliness, asks him if he can tell him a secret.

And he does. And they become best friends. Things change. But the ending doesn’t. And then the story ends, and the book closes, and Jotaro is six, sitting with Kakyoin in the sandbox at recess. They’re promising they’ll get a big house on Mount Fuji, and they’ll stay up there forever.

“Will there be dogs?” Kakyoin asks. He knows Jotaro loves dogs.

“Yeah. And lots of big, super tall trees.” He knows how much Kakyoin loves climbing trees.

“Okay. Can I have the upstairs?”

“If we have one. . .” He thinks about it, “We can share. You’ll have the top bunk. So then it’s fair.”

And then he’s gripping Kakyoin’s hand in his as he watches the sun dip and dive about the sky like some neurotic dolphin. His head is tingly and the water against his back cold. Kakyoin isn’t holding his hand back.

He thinks the end of the world looks a lot like a spinning top, and he wonders what it would look like, seeing it from the branches of a big, super tall tree in a house on Mount Fuji. . .

#ugh #jotakak #jjba #jojo stardust crusaders #jotaro kujo #noriaki kakyoin #jjba kakyoin #jjba jotaro #they make me sick #SICK I SAY #SICK #!!!#noritaro

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ombrathefurry · 7 months ago

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canon vs fanon main characters

I’ve had to answer this ask six times because Tumblr on my phone keeps deleting my response

Canon: Severely traumatized, not very loud about his feelings, not very loud in general, good intentions but DEFINITELY not innocent, avoids attention and confrontation as much as possible, a cat, child that needs protecting, actually kind of smart sometimes, “everything that happens to me isn’t my choice anymore” but in a bitterness to the world way

Fanon: Neurotically anxious, main character syndrome, loud, “PLEASE DONT HURT ME PLEASE PLEASE PLEASE,” panics a lot (but not in the way he actually does this one is more like a meltdown than a panic attack,) innocent bean, literally almost every other animal other than a cat (usually mouse or sheep,) kind of dumb child that needs protecting, shouldn’t be left on his own, warms up to people too fast, “everything that happens to me isn’t my choice” but in a woe is me kind of way (main character syndrome)

Phoenix

Canon: Literally a horrible person, woman, boxy and strong, scariest and most dangerous out of the main cast, a literal sadist, horribly unwell both physically and mentally, actually just a monster she’s just become the epitome of a monster, TORTURES people and never intentionally KILLS them, absolutely terrifying especially in a fight, very unstable mentality (which leads to her being not so evil sometimes,) she cannot be fixed

Fanon: Man (???) less scary than loading (??????) kind of edgy but not super scary, the cool lady baddie character that everyone avoids because she’s kind of scary, kills people, isn’t very cruel she’s just insane, “ehehehheee” evil instead of just actual pure evil

Canon: Mentally unstable, gayest man alive, very severe mood swings (can be the nicest man alive or the most viscerally psychotic creature chasing you like a rabid dog,) a stupid idiot, no capability of manipulation (he also would have no interest,) manic killer, loves Draven with a deep passion, people think he’s evil because it’s just the way he is, silly

Fanon: Big evil mastermind, calculating psycho, always evil, kind of a jerk, smart, a simp for Draven, people think he’s evil because he tries to be, sfs worst nightmare (occasionally #1 tormentor???????) scariest of the gang

Draven

Canon: Apathetic scary man, he’s scary because he’s unpredictable, occasionally sadistic and when he is he’s actually really bad, doesn’t look for much trouble but when he does his craziness shows through, but he’s also actually traumatized and is struggling with it, love loading with the same deep passion, okay yeah now that I think about it he’s actually very mentally unwell too

Fanon: Emotionless man who doesn’t care about anything (he does he just doesn’t show it) not scary, kind of uninterested in loading, dad vibes sometimes I don’t know how

Reena

Canon: Bubbly, kind of a jerk actually, annoying, nice to her friends though, can’t do much about anything that’s happening to sf despite really wanting to, watches over sf rather than protects him

Fanon: Protects sf, innocent, elegant, kind peaceful ghost type thing idk there’s not much else she doesn’t get a lot of attention

#answered #art #oc #canon vs fanon #the difference is funny #loading especially like what #not blaming anyone for these I understand why you’d think this

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senjuushi · 1 year ago

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Antique Gun Character Intros

Since a good few people have asked for this now, here's a character intro post covering the Rhodoknight Antiques! o3o Disclaimer that I do not know these characters anywhere near as well as I do the Moderns, and as a result, my takes are subject to change as I get a better feel for them. Still, I hope this post makes the Antiques more accessible to y'all and gets me some more requests for them... XD

. . .

This is Enfield. Outwardly, he appears to be polite, good-natured, and normal. He’s very much not that. A lot of Enfield’s character is shaped by his younger brother, Snider, whose terrible behavior and constant threats of remodeling Enfield to be “just like him” are a real handful to deal with. They deserve each other. Underneath his noble exterior, Enfield is a little freak. He’s obsessive, smothering, and neurotically desperate to be of use, with stalker-y tendencies and a bad habit of idol worship. He wants to be good and helpful, and he’ll do some highly disturbing things to accomplish that. His relationship with Snider also has a weird amount of tension... of the suspiciously suggestive variety.

. . .

This is Snider. He’s awful. Snider’s whole personality revolves around the fact that he really, REALLY doesn’t want to be a person. His belief that he’s still nothing more than a weapon leads him to a fixation on combat and an utter rejection of anything too human for his liking. This includes eating, sleeping, and bathing. His gun is a special case that was made right on the cusp of what separates a Modern and an Antique— and as a result, Snider is technically both. He can function as whichever side he chooses to and only defaults to Antique because that’s what he finds most useful. He’s Enfield’s younger brother, a directly adapted and functionally superior model of gun, and because of that, he’s constantly trying to “remodel” Enfield into the same type of gun. They have a weird relationship where Enfield babysits him, Snider is unfailingly bratty and threatening, and the suspicious levels of maybe-sexual tension are just plain weird.

. . .

This is George. For the most part. He’s the embodiment of the “cheerful, stupid American” stereotype that’s so common in anime. An all-around sunshine boy, George is good-natured, friendly, sweet, and more than a little oblivious. His main issues come from the fact that he shares a body/gun with the “Brown Bess” personality (the poster boy of the first game). George feels inferior to Brown Bess in both his capabilities as a weapon and his value as an individual, and he repeatedly expresses a belief that everyone around him would rather have his counterpart in his place. Though he tries his best to be good and useful, he’s painfully aware that his existence is kind of a disappointment. He’s way too self-sacrificing for his own good.

. . .

This is Kentucky. He’s more or less an overexcited puppy who REALLY wants to prove himself. Passionate, energetic, and with very little volume control, he’s somewhere between adorably earnest and annoyingly intense. He has a sort of one-sided rivalry with his older brother, Pennsylvania, where he’s aggressively trying to surpass his big bro... while Pennsylvania just wishes they could get along better. Kentucky is also pretty short-tempered; he’s perfectly respectful to his Master but ready to throw hands with other guns whenever the chance arises. He cares a lot about aesthetics and his appearance, wants Master’s attention desperately, and is definitely compensating for a lot of internal insecurity.

. . .

This is Pennsylvania. He’s a laid-back guy with a love of hunting and the outdoors. The level-headed parallel to Kentucky’s hot-tempered enthusiasm, Pennsylvania is calm, independent, and a bit aloof. He can get caught up in his own way of doing things to the point of forgetting about others’ feelings, but he’s well-intentioned and generally kind. A reliable “big brother” type who looks after others, he very much seems like the type who’d willingly get hurt if it meant protecting someone he cares about. He doesn’t have a lot of pride in the sense of how he appears to others and is more concerned with doing what needs to be done than getting his way or looking good.

. . .

This is Charleville. He’s a sweet little guy who’s very damaged. In the game’s story, his previous Master (before the player owns him) is literally renting him out. For his healing abilities as an Antique, technically, but the more sexual implication is still very much there. Because of this renting out and his previous Master’s general mistreatment, Charleville has an intense fixation on purity, perfection, and being appealing to everyone around him. He’s delicate, gentle, polite, and affectionate, but also has a bad tendency of hiding any problems in an attempt not to bother people. He values his physical appearance and holds himself to a strict standard of behavior, though his more attention-seeking side does slip out from time to time. Charleville desperately wants to be loved, especially by his Master, but he’s convinced he has to be all but perfect to earn it.

. . .

This is Chassepot. He’s Gras’s older brother and the source of MANY of Gras’s problems. Like Gras, Chassepot initially comes across as a polite, charming gentleman. That’s very intentional. He wants Master’s affection and approval desperately and does everything possible to come across as the kind of capable, pleasant person who his Master can rely on and be close to. Under that surface, though, Chassepot is dangerously prone to feelings of jealousy, inferiority, and comparing himself to others. He’s easily provoked and can have a violent temper with other guns, and his past failures haunt him endlessly. It’s likely that he has the same tendency for rabies as Gras, but is just better at keeping it contained... in the short term. We know from the previous game that Chassepot can snap, and when he does, it’s bad.

. . .

This is Tabatiere. He’s a laid-back, inoffensive person who’s perfectly open about the fact that he’s meant for a support role, not the front lines. Usually functioning as Chassepot and Gras’s babysitter, Tabatiere sticks to the sidelines, minds his own business, and tries to be helpful where he can. He’s deeply insecure, however, and his self-esteem is so low that getting too much attention, even positive, makes him highly uncomfortable. He has the atmosphere of someone who willingly accepts anything bad that happens to him because he can’t imagine deserving better.

. . .

This is Dreyse. He’s an ultra-strict, ultra-serious sort who values rules, order, and hard work. Between his massive body and imposing personality, he comes across as highly intimidating... but he’s as respectful and obedient as can be when it comes to authority figures. Dreyse has high expectations of himself and his performance, to the point where he’ll accept nothing less than perfection. No matter what physical or emotional distress it causes him, he’ll do everything possible to fulfill his orders and succeed as a Musketeer. Deep down, he has a lot of guilt over his past and personal failings, and the only value he sees in himself is as a weapon and tool. Herme respects him massively, and the two are close in a kind of weird way. Dreyse ends up as his caretaker during Iron Days, for example.

. . .

This is Jitte. He has that kind of happy-go-lucky, easygoing personality where he’s both pleasant to be around and kind of a ditz. Very much “drunk goofy uncle” energy. When his self-esteem issues aren’t getting in the way, he can be quite affectionate (especially with Master). Sensitive, earnest, and emotional, Jitte has nothing but good intentions in mind with everything he does. He has the typical bizarre gun insecurity, though, and worries a lot about if he’s as useful and worthwhile as the other Musketeers around him. His gun also functions as a jitte, which is more or less an Edo-period police baton. Though he seems pretty carefree, Jitte is surprisingly hardworking and takes pride in being able to protect people. He’s very moral, with a strong sense of justice.

. . .

This is Karl. He’s a dignified little man who, despite his youthful appearance, is the oldest gun in the series. As in, he’s from the early 1500s. A unique weapon who belonged to Emperor Charles V, Karl has a long and prestigious history, and he knows it. He’s proud and well-mannered, takes his status as a famous piece of history very seriously, and is quite concerned with how he appears and behaves in front of others. Showing weakness is hard for Karl. He does a lot to hide how lonely and weak he can be, including active attempts to remain aloof and relatively unattached to his Master. The most he can tolerate is a professional, weapon-and-wielder relationship, since anything else would be opening him up to even more loss. I think he’s also weak to stress and VERY bad at dealing with unfamiliar situations; being esteemed as a valuable relic for so long means that he’s pretty sheltered and more unused to physical pain than he wants to admit.

. . .

This is Lorenz. He’s kind of insufferable. The mad-scientist intellectual type, he has a massive ego and a superiority complex to match. His type of gun was made in both government and private factories, with the government factory-made ones being notably superior in function— and this Lorenz is one of those. Like a lot of the Antiques, he’s eager and insistent to prove that he’s a useful, high-quality tool, even and especially when that means making himself look good at others’ expense. He’s extremely loyal to Karl, to a kind of pathetic degree... and also absolutely terrified of Dreyse. That leads to the part where Lorenz is very much a coward who’s playing tough in the hopes no one will see through the farce. He’s easily agitated, neurotically stressed, and can’t stand things not going his way.

. . .

This is Cutlery. He’s a little brat who has the typical bizarre-gun problem of pathetically low self-esteem. His gun is a weird one— it’s technically three guns disguised as pieces of silverware that were used on pirate ships as a covert weapon. Cutlery has a whole complex about how “cowardly” he is, and despite his prickly attitude and initial rudeness, he’s painfully shy, insecure, and unable to handle attention of any kind. He’s prone to idolizing people and desperately wants close relationships, but is too anxious, defensive, and afraid of being hated to open up to people without panicking. That said, he can be awfully needy and clingy once he’s attached. He also has a strong fixation on food, to the point where hoarding behavior and general food insecurity seem likely.

. . .

#Senjuushi #千銃士 #Info #Everyone #Enfield #Snider #George #Kentucky #Pennsylvania #Charleville #Chassepot #Tabatiere #Dreyse #Jitte #Karl #Lorenz #Cutlery

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roxannepolice · 1 year ago

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So I was thinking of the answer for one of the ask games (which is coming!) but soon realised my reflections are both too long and slightly too salty to include in a fun ask, so here we are.

Because yeah what is below is hands down my favourite Delgado!Master quote, and one of my favourites from any regenerations. Hell, it may be one of my favourites in the entire show.

Gifs by cleowho and I'm sorry I ended up including them this way but I gave up trying to find the exact moment via gif searcher when my phone started smelling of burnt plastic.

So why do I love this so much and why should this result in saltiness? Because this is a very clear statement: there's actual philosophical outlook on the universe behind the Master's villainy. A deeply nietzschean one, but ironically enough underlying much of contemporary critical theories, usually of the progressive vibe. The Master apparently sees power relations as the inherent, fundamental aspect of all sentient relations, and acts accordingly, doing onto others before they do onto them (And that [a self-defence in advance] is how the Master started). And I don't even see it as a neurotic reaction to direct abuse! No, this is something much more intellectual, frozen and abstract. The salt lies therein that there is nothing "just..." to the outlook the Master presents here. Those aren't daddy issues, or the drums (which I love and think can be reconciled with classic Who canon with a bit of timey wimey cause and effect grandfather paradox shenanigans, but fundamentally don't see as the source of Master's villainy, unless they are a metaphor of permanent unsatisfaction and indeed neurotic need for more which is on the one hand awfully difficult for one and everyone around them but on the other perhaps underlie everything you are and you don't know what you'd be without it but you actually like at least a bit of what you are and this is very narcissistic and yes I have OCD), or getaway of insanity, there is no cheap psychologizing, no never heard the music, no Doctor complex that just needs to be talked through, only actual outlook presumably built on decades if not centuries of experience. That is not to say those psychological elements aren't essential to the Master's choices, just that there is no simple obstacle to overcome, no freudian complex to solve for them to see the light. This is something much more conscious.

And I can't express how fitting it is that this nietzscheanism should be the "dark twin" of the Doctor's philosophy of fixing everything they can - in its extreme taking on the form of prometheanism. Frankly, probably the reason Thoschei gives me such a brainrot is the idea of two people with very similar backgrounds (compare and contrast with Professor X and Magneto's backgrounds) arriving at universal outlooks that are at the same time so morally opposing yet in a way fundamentally similar. Because is not overcoming all possible pains of the universe an expression of will?

And the best part? The Doctor does not refute the Master's philosophy! He rejects it morally, but does not point to any single fallacy, does not overthrow it intellectually! And then...

... And then there's the reason I see Tensimm as Goethe's Faust to Threegado Marlowe's (that is not in terms of one being superior or sth only one being a logical development and discussion with the other). At a first glance, Ten is simply repeating what Three said all those episodes ago. But there's more, and there's no way I'm risking my phone again, so a quote will have to suffice.

To have the privilege of seeing the whole of time and space. That's ownership enough.

Ownership. As in having discretion to dispose of something as pleased? As in a very simple power relation?

Like. Wow. This here is indeed a Prometheus whose desire to make people better and literal knowledge of all possible pasts and futures pushed him to call some people more important than others and superimpose his will and knowledge of good and evil disregarding anyone else's choices. This here is indeed the Time Lord Victorious. And yes, knowing when to stop was much easier when there was an external shadow to judge.

The thing is, the Doctor here concedes to the Master's outlook on the universe. Indeed, power relations are unavoidable in sentient life. This is a moment of deep understanding between them because the Doctor now knows what it feels like to wield all that knowledge and perceive no powers saying no. Except, regardless of what poststructuralism might say, there is a fundamental moral difference between power imbalance of seeing vs being seen and y'know, forcing people to build you statues and conquering all other civivlizations and humiliating them in the process. As such, the difference becomes much harder to delineate, forcing one to always reflect instead of following a set of simple guidelines.

The question is, would it still be remembered if the walking counterpoint ceased to exist not physically but intellectually and morally?

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nerves-nebula · 2 years ago

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Hey. Yknow fusions?

This idea can be taken in multiple ways, but there's 2 most popular ways.

Characters go in sync and fuse, becoming a mesh of both, and usually break apart upon major internal disagreements. Steven Universe style.

Or characters are forced together in a body that is basically hc one person and half another.

But either way I'm curious as to what would occur in your iteration for either situation.

i have a character who's a forced fusion and he has. so many emotional issues about it. like he loves the people he's made of but they kind of hate each other, my mans is Mentally Ill <3

ALSO I think I've said this about a million times but YOU SHOULD JUST KNOW THAT I'm so fucking obsessed with body sharing and fusions (consensual or forced) and the idea of HAVING to share a life with someone. It's one of my favorite concepts to explore.

SO WITH THAT SAID!!! apologies it took so long to answer this, I just wanted to give it the time it deserved <<33

Donnie + Leo: most confused motherfucker ever. hates himself, loves himself, furiously frustrated with their state of being. he wants to be taken care of and NEEDS to be adored. everything she makes is brilliant one moment and terrible the next. he is NOT having a good time and she will make it EVERYONE'S problem. (he/they/she)

Donnie + Raph: What if Raph was more irritable and suicidal? what if debilitating guilt kept him going even FURTHER past his boundaries?? this motherfucker can hold so much guilt. hobbies include sleeping and neurotically upgrading the home security system. has a sort of surveillance state situation going on in the lair and will deny it whenever asked. (faggot gender)

Donnie + Mikey: A sweet, excitable, sensitive, artistic boy :) strong morals and a penchant for making friends. very passionate about mixing art and science (they're better together!!) likely the most functional of all the fusions. still hella mentally ill, but in a sort of "I'm going to go quietly insane in my room and secretly fear everyone thinks im awful" kind of way. (he/they)

Mikey + Leo: Most confident motherfucker ever. always righteously angry about something. no impulse control, too violent for her own good. gets herself hurt a lot. Will attack at the slightest sign of provocation. (any pronouns)

Mikey + Raph: overprotective bundle of energy. somehow always hyper and tired at the same time. really into home decor & repair (mixes artistic desire to create and express oneself, with the pragmatism of fixing up the home). probably loves food more than anyone in the world. (any pronouns)

Raph + Leo: Biggest Big Brother Ever. 100% annoying, 100% loving. Will lie to her little brothers for fun (that bug is poisonous. yeah, and if you touch it you'll die in three days. Oh, you already touched it?? :( better write your will!) he carries the world on his shoulders and cracks jokes about it. (he/she)

anyway here's doodles of my favorite fusion ideas.

#nnstuff #ask #teenage mutant neglected turtles #tmnt leo #tmnt raph #tmnt donnie #tmnt mikey #bodysharing #tmnt fusions

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comparativetarot · 11 months ago

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The Sun. Art by Nara Lesser, from Neurotic Owl’s Faerytale Tarot.

East of the Sun, West of the Moon

Do people mostly know this one? I’m never sure – I’ve drawn a few versions of it over the years in a few media, plus drawings of Lyra riding Bjorn in His Dark Materials, and they were always kind of a hit, but I never know if that’s because everyone just likes girls riding bears. Which, fair, same.

Anyhoo, it’s another enchanted prince variation – the girl rides off with the prince to stay a year and a day in his castle, fucks up by using a candle to see what he looks like at night when he’s human (very Psyche and Eros), and he’s snatched away to a troll castle where she has to follow him and save him.

I LOVE it. Young girl on a quest, check. She’s the heroine and he’s mostly along for the ride, check. She uses various homely skills as part of her strategy to save him, check check. It’s all a delight.

Also, I really really wanted to put the little Robber Girl in Sami dress back when I did the Lovers, but I wasn’t going to tie an indigenous culture to horrible abusive possibly cannibalistic robbers, so I’m delighted to have an uncomplicatedly heroic character who makes sense for it instead.

#Nara Lesser #Neurotic Owl’s Faerytale Tarot #The Sun #Major Arcana #Tarot #Folklore #Norway #Sami #East of the Sun West of the Moon

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girl4music · 1 year ago

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youtube

I have to post this brilliant character study video analysis again and provide some commentary for it now that I have figured out what I actually want to say.

Five By Five Takes mentioned ‘Performance’.

“So much of Willow’s evolving identity is tied to the idea of performance. Becoming a competent witch helps Willow project a very curated idealized image of herself. One of the first iconic insults that Cordy makes towards her is about her appearance. It’s not just that she’s a nerd, it’s that someone else has dressed her. Think about the implications of that. So for Willow, her appearance, her identity and her confidence with magic becomes deeply entwined. And we can even see this with Dark Willow. Even grief-stricken, there’s a layer of performance here. Black hair, dark clothes, the corny maniacal villain lines. I’ve seen the dialogue here and Alyson’s performance get criticized as too hammy or cartoonishly evil but I think that’s kind of the point if we read Willow as purposefully putting on a front. So much of Willow has been costumes. This is just her latest and most intense.”

This piece of commentary is on the money for Willow.

I always talk about performance regarding Willow Rosenberg. I believe in this interpretation so much that I actually think Willow never appears authentically as who she actually is throughout her entire arc. But at the same time - I also believe that because her authentic self isn’t ever a solitary or specific thing at any point. Her identity is not solid or permanent. It’s malleable and fleeting. It fluctuates wildly all the time to the point where anything she identifies as is entirely performative. It’s only who she is to make up for her negative perceived image of herself and the image that she believes of others constantly perceiving of her. And both these images are one and the same. Because she deep down perceives of her character as the weak and ugly loser, she also believes everyone else that she loves and that love her perceives of her character that way too. And there is quite a few moments where there is evidence for this so she’s not just making it up entirely based on her paranoia of not having control and neurotic feelings of unworthiness. She has experiences where people do actually express that she’s weak and ugly. It’s just those people don’t really know her very well and therefore don’t matter. Like Percy for example. He directly expresses the way he perceives of Willow to his then-girlfriend and Willow hears these comments about her and immediately gets uncomfortable at the notion that Percy sees her as a nerd and therefore not physically appealing. It bothers her and is on her mind so much that she directly expresses it to Buffy over the phone what he said and immediately defends her character. She hasn’t been a nerd for a long time. She’s cool now.

Does she actually believe it or is she just performing? Is she just trying to tell and convince herself that this perception of her character isn’t true but ultimately fears that it is and always will be the truth about her?

Well, it’s hard to say for sure until her dream in ‘Restless’ that she feels this way about herself because there’s no direct statement of it by her. However, I am very well aware of this behaviour in insecure people. So no, I don’t believe she truly believes and perceives of herself as “cool now”. I think she’s just performing as “cool now” and that her immediate defensiveness proves that she is because truly authentic people don’t have to defend their their character at all. Like Oz. He is never boastful of his “cool” identity. Other insecure people like Xander point it out for him. He never needs to because, to him, it’s not a big deal if he is “cool”. He is just himself because he is happy being himself. He wears his confidence authentically and so “cool” naturally follows because he isn’t trying to be something that he is not. He never really needs to think about his identity. It’s his nature that he is conflicted on but that’s only because he is a werewolf. If he wasn’t - nothing would ever faze him. He’d always be confident in who he is or how he is. Contrasting somebody like Oz with Willow is quite the striking difference because while Willow is so insistent on performing an identity, Oz has no such needs or desires to perform as anyone. And I love how he always tries to tell Willow that she doesn’t have to prove anything to him for him to love her and stay with her. It’s not about her at all why he eventually breaks up with and leaves her. She’s the one that believes of it that way. Of course she would.

So ‘Performance’ is a key part of Willow’s entire arc. It’s practically the only thing that she ever does in the show. And sadly, this is never truly ever properly addressed or concluded for much of the reasons Five By Five Takes mentions. But it should have been because this was Willow’s real problem. Not addiction. That occurred because of the aforementioned issues. If they didn’t make it so much about the magic but rather how Willow uses it to offset her insecurities how the addiction becomes a major problem, then I reckon she would have had a better concluded arc. I have said that I do really like her endgame - but at the same time - I do have quite a few criticisms with it.

#buffy the vampire slayer #willow rosenberg #alyson hannigan #performance #behaviour #addiction #magic #character study analysis #magic in buffy season 6 is better than you think #five by five takes

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