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#every plot point was so plot point
theskyisblue892 · 8 months
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the way that that was the most percy jackson episode to every percy jackson is wild. the essence that was captured in this singular episode is insane.
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dollsghost · 3 months
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simon eats it sloppy.
through the mask, slobbering on his hands and knees like the mutt he truly is; like his only salvation is the ichor that drips between your thighs. like your cunt is the only thing that could save his wretched, blackened soul. he wants to roll in the tang that'll stay on the back of his tongue for weeks into deployment, that'll stay soaked into the fabric of his balaclava because fok no he isn't washing it before he leaves (he'll nearly tears the thing to shreds when he can no longer smell you on it).
large, calloused palms scratch over the sensitive skin of your quads and inner thighs as he opens you up for him, watches your folds part like that of a carnation (love, devotion, distinction, fascination) as he pushes your knees up to your chest. drags his tongue all over you, the creases where your vulva and thighs meet and gets you shaking before he's even touched your clit. before he's even taken the mask off. brushes his thumb over the little bud reverently, fondly. he thinks the way your thighs tremble in response is the most precious fucking thing.
and when he finally breaks watching you drip onto the cushions below, he's feral. rabid. barely gets the damned mask up to free his mouth before he's on you again, slurping up your slick and sucking your clit into his mouth. the suction is heavenly after so much teasing, and if his tongue finds its way to your ass too, that's his business. your toes curl in the air where your feet dangle uselessly, panties you're sure that simon will pocket later still around one ankle.
simon's relentless when he's like this, a dog chasing after it's favorite toy. he won't let up, won't even palm over his cock until you're at least three climaxes deep from his mouth alone. totally pussydrunk and ready for more.
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kurikorso · 2 months
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nostalgia slapped me upside the head a little while ago so i had to draw my favorite dudes ft. the gecko effect
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me when im a literal pjo blog and my mother has watched the pjo show but i have not 🧍‍♀️🧍‍♀️
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cantdealwiththisnow · 6 months
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Part 1 - Appreciation post for all the TFP universe Autobot mugshot cameos (known and unknown) in RID2015 3x25 (even if the context is that they've been OUSTED against their will)
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sunnydayaoe · 3 months
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Thing I noticed HAHA. My writing and drawing of Circuit [and the others too, but focusing on Circuit cus that's the only guy who I have written anything for] is extremely different,,, It's funny! I see the writing as much more in character, but what I show most other people is silly drawings of them cuddling instead, which I see as less in character.
[ID in ALT]
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foundfamilynonsense · 11 months
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Y’know. Anakin was a real asshole in Ahsoka’s hallucination.
Like. She mentions something about what she’ll be able to teach her padawan one day, since all she’s being taught is how to be a soldier, and Anakin’s like “teaching’s not all it’s cracked up to be”
And like. Asshole move. And Ahsoka rightfully calls him out on it. And he goes on the whole “uuuh I was joking. Lighten up.” Literally a complete jackass.
But beyond how he answered the question, it’s a valid complaint Ahsoka is bringing up! Anakin’s teaching her how to live or die. But Ahsoka wants to be taught how to be a jedi.
What happens after the war is over (order 66 never happens) and she now has to navigate a galaxy without a war? The Jedi take teaching very seriously there’s no greater honor than teaching a padawan. And she’s not being accurately taught, so she will not be able to pass anything on to the next generation.
But Anakin brushes it aside because he simply does not respect her or her wishes. Like. He never wanted a padawan, despite teaching being foundational to the Jedi. And he only took ahsoka in because he started to like her and became attached to her. He doesn’t care about jedi legacy, not really. So he brushes her comment off with a joke.
But in the rest of the vision… idk it didn’t feel like we were supposed view Anakin as entirely wrong here. He wasn’t in the right, he was definitely channeling Vader and being an ass, but he was basically the reason Ahsoka survived the fall, right? Bc he was making her choose life? When Ahsoka wins against him it’s sort of like she’s both learned his lesson and moved beyond him. And then for the rest of the season he’s only talked about in positive ways.
And like. That one line ahsoka said was really powerful in relation to the entire point of the show. What does she have to pass onto her own padawan (Sabine) if she wasn’t properly trained herself? That is, perhaps, the only valid plot question asked in the entire show. And it doesn’t get an answer. It’s never even brought up again.
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sea-owl · 5 months
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You know both Kate and Penelope come off, to me at least, the type to go fight a man. Like in different ways that compliment each other. They be terrifying together in team ups.
So, like, say they besties with Sophie or one of their daughters is getting harassed by some dude. Kate is going to hit first and physically fight the dude. Hit him in his ego too by cutting him down to size with her sharp tongue. After she's done Penelope comes in with the steel chair to fuck up his social capital and business contracts. They both make sure to leave lasting consequences on the guy.
Their husbands beg them to let them take care of things. Then, said husbands tell their kids mom's methods are a last resort.
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loki-valeska · 11 months
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Something interesting I noticed about Count Bleck's writing
Other people have probably pointed this out, but I want to talk about it. Throughout SPM, the Count's minions show some level of fear over disappointing/offending him. O'Chunks is a big indicator of that, going so far as to ask for death when defeated in the Land of the Cragnons.
Similarly O'Chunks yells at Mimi for shapeshifting as him, saying it was "disrespectful", implying the Count would be mad at this.
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But he's not.
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He doesn't care, in fact he seems to find it amusing.
After Sammer's Kingdom, Nastasia informs Count Bleck about Mr. L's insubordination, she seems worried about his reaction. She's very quick to apologize and take full blame for it.
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But he's not bothered at all. He simply brushes it off.
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Even when Nastasia tells him about Mimi's insubordination, she seems more somber about it. Almost like she's expecting that this'll make him very upset and she's accepting it.
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But even that doesn't bother him. He leaves the punishments to her, like he always does.
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This seems to actively scare or worry Nastasia. Pointing out that something is different about him.
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Now in the post Sammer cutscene we can infer that his behaviors is because he's doubting whether or not Tippi is indeed Timpani, and thus causing his goals to shift.
But in all the cutscenes before this, Count Bleck displays a similar level of disinterest in his minions failing. Nastasia is in charge of punishment, and the Count himself doesn't usually appear in those cutscenes until later irrc.
I bring these points up because I think it's a very clever way of portraying something we don't realize until we have hindsight.
Count Bleck in SPM is severely depressed by the loss of his love, Timpani. So while this drives him to want to end his own life, and end to worlds that took her from him by fulfilling the prophecy of the Dark Prognosticus; ultimately he doesn't care. He doesn't care about the universe, or love, or even his own minions failing him. He can't be bothered to care anymore. He doesn't even really care that the heroes are getting closer and closer to him. Nastasia even mentions how the Count used to love life and the universe, until he lost Timpani.
Now, he doesn't care.
I think it's a really clever way of writing depression, because that's exactly how it can feel. Not really caring about the things going on around you, even when they're directly interfering with you. Or how depression can make you feel nothing for things you used to cherish and love dearly.
Not caring about life, or death, or anything in between.
Maybe I'm looking too far into it, but I think it speaks to the masterclass of writing that is the SPM story. And I think it's a really cool detail about Count Bleck's character.
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invye · 9 days
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So @kacievvbbbb asking about modern AU headcanons had me revisiting my 'modernised' MiShanks AU I thought up a couple months ago.
I call it 'modernised' because it is more of a medium modern AU, where I keep much of the base OP lore and history, but shrink the 'active' world down to just a few islands. The overall tech level and societal developments are much closer to what we have now and I do away with most of the political plot. I haven't yet decided if Devil Fruits still exist, but if they do, they are much more rare and are kind of a thing of legend most people don't believe in. Only very select few people would know about them and the curse associated with them.
So lets get into it, I've got plenty of thoughts on Mihawk, Shanks and how their relationship plays together in a more modern world. (And because Rosinante is also one of my favourites, and I can't seem to not smush them all together, there is a CoraMiShanks bit at the end too.)
- Mihawk -
Basic weaponry is a bit more in line with modern expectations in this AU, but that will never ever stop Mihawk from being a swords guy. Mihawk is the authority on fencing, especially in historical context. He's basically got a PHD in swords, identifying them, maintaining them, using them. He's filthy rich, not just because he won every fencing tournament there is, but also because he straight up inherited that half maintained castle outside of town along with stupid amounts of money from an uncle everyone thought already died decades before Mihawk received his testament.
These days Mihawk only competes in the highest level tournament once a year to defend the title (his 'rivalry' with Shanks makes the news every time) and otherwise spends his time at home, reading, drinking, occasionally taking small sailing trips with his beloved Hitsugibune, and of course training his swordsmanship. Everyone thinks he's just living it up big in Kuraigana castle, but the people in town know that he just wants to raise his kids in peace.
Where did the kids come from? No one knows. They're definitely not his though. Anyway, turns out that Mihawk is really good with kids, so it takes barely a couple years for the whole town to load off their kids with him during holidays and days off school. (Look, Zeff runs a busy kitchen, and as much as Sanji tries to help, he's still too young for the holiday rush. Garp has to leave on Marine assignments at the most random times, and his bum of a son has vanished to who knows where years ago, and the grandkids are friends with Zoro and Sanji anyway and can do with burning out their energy running around the woods behind the castle. Bellemère has to leave on those assignments with Garp most of the time, so Nami joins the fray while Nojiko mostly plays with Perona. Mihawk usually leaves the teen girls be on their own, especially since Robin showed up a while ago to join them [she seems to stay on her own, and Mihawk keeps an eye on her in case she needs additional help, but Crocodile seems to have that sorted already]. Usopp's mom is still sick, and she's grateful to know her son is out there having fun with his friends while she tries the next medicine with horrible side effects.)
The kids love Mihawk. Mihawk loves the kids too and to much of his dismay, the kids know it. He is a figure of authority to them, but also a person of trust, who they can approach with problems and worries when their usual parental figure is unavailable or out of reach. Given that Mihawk is pretty much always around, he begrudgingly accepts his new job as free childcare provider for the town (Garp tried to pay once. They all realised very quickly they get much farther by paying in favours, food, or doing little odd jobs because that old castle always needs something done).
Mihawk promised to teach Ace and Sabo to sail this summer, and with Luffy insisting to bounce around them, he already plans on doing more swimming and child fishing than actual sailing.
- Shanks -
Shanks is still a pirate, but it's all on a much smaller scale. He's still got the 'Red Emperor' epithet, but his reputation is much more Robin Hood of the seas. The Red Force gets into small tussles with other pirates more often than the Marines, and really, as long as they have food and alcohol on board they are all perfectly fine just sailing and enjoying their freedom. No one ever knows where the Red Force is at any given time, but they are known to show up when natural disasters strike, not to plunder the remains, but to help the people rebuild long before the Marines get around to offer their help (once the Marines show up on the horizon the Red Force clears out, a couple shots are exchanged, none of them ever hit). Garp tried to yell them into joining the Marines more than once, really Shanks could even stay captain and keep his ship and crew, he just needs to fly the Marine flag, but they all simply laugh and wave as they go off again to who knows where.
However, there is one week every year, where everyone knows exactly where the Red Force will be. Shanks won't ever miss his chance to duel Mihawk in the grand fencing tournament a couple islands over from Mihawk's home. As opposed to Mihawk, who has his fixed position as defending champion, Shanks fights his way through the other contenders every year. He leans into the pirate reputation, taunting opponents, refusing protective gear, tiptoe-ing the line to breaking the rules. The people love to hate him, it's a spectacle every time. The grand finale inevitably is a duel between Mihawk and Shanks, even after Shanks lost his arm (he sat out for a year and people thought that was the end. They were very relieved when Shanks made his over the top entrance again the year after).
They have long abandoned the actual fencing rules and equipment during the finale. People clap and scream when Mihawk steps on stage carrying Yoru, the black blade just as legendary as his own reputation. Shanks never fails to grin and deliver a witty one liner (the people's boo is part of the performance) and then they lunge. Watching that fight is exhilarating. No protective gear, real blades, and two absolute masters going at each other with a force that would leave less competent fighters with the gravest of wounds. It's every bit as real as it is a performance. Everyone knows Mihawk will win before they even start, and the people can recognise a small collection of moves that they build in every time, the more flashy and wide swipes that could easily be punished but never are. It's not simply about Mihawk winning and Shanks losing, it's about witnessing a piece of history being brought back to life right in front of their eyes.
The fencing tournament has always been held within the context of the summer solstice, and with Mihawk and Shanks putting on their show its become a part of a bigger festival that focusses on celebrating history and old rites, the origins of which aren't always known anymore. Every year after the finale they throw a huge feast, traditional food all over, as historically accurate to a long past pirate era as it can get (Mihawk makes sure of it, that history PHD has to be good for something), dressing up accordingly is very much encouraged. Shanks and Mihawk keep carrying their blades and play up their daring villain and chivalrous hero act and no one thinks twice about drinking with the Red Hair Pirates (they have amazing stories to tell). Usually Mihawk ends up in the middle of a group of kids and answers all kinds of history questions, all professor like, but in his full on historical get up. Shanks catches a glimpse of him and sighs dreamily and all the people he's jokingly been flirting with and threatening to kidnap as part of his role know that they're talking to a very much taken man. They enjoy his company anyway and talk to him about what it is like to raise a kid out at sea as they watch Perona and Uta tease Zoro in the distance.
What people don't know, is that the Red Force winters. Pretty much everyone aside from a volunteer skeleton crew leaves the ship for home during the winter months.
No one in town mentions to outsiders that the Red Emperor stays with the Strongest Swordsman up in Kuraigana castle. Why would they? They're great with the kids. And Uta singing with Brook during the Baratie winter solstice celebration sells out the house every time (the townsfolk get a cheeky 50% off that day, it's a community event after all [except for Mihawk. His filthy rich ass can pay double and wouldn't notice {he does pay double. He does notice. He does not care}]).
- Rosinante & Law -
Because I can't help myself and I love thinking about Rosinante together with MiShanks, this story's active events that would make up a proper fic make it a CoraMiShanks story, which starts with Cora-san and Law arriving in town. (Rosinante is genuinely a situational mute in this one, and Law's illness is a bit less horrifying, and potentially cured/managed with medicine.) They're on assignment from Doflamingo who heard that there's a spot that has gone unfilled in the island's underworld and wants to take full advantage of the opportunity to weasel into Crocodile's operations.
Little does Doffy know that: a) Corazón accepted the assignment so he could get away from him; b) Corazón insisted on taking Law because he's still working on getting Law's illness cured; [c) {depending on if Devil Fruits exist} Corazón may have secretly taken the Ope Ope no Mi on his way out;] d) Dracule Mihawk personally checks out every newcomer in town and seems to know much more than he reasonably should; e) Dracule Mihawk loves kids and bonds with Rosinante in a single meeting that included him pulling Law out of a lake; f) gods damned Dracule Mihawk directly protects Crocodile's operations in a infuriating 'someone will do it so I pick the smallest evil' mindset and Crocodile is so damn smug about it; g) fucking Dracule Mihawk decides to keep Rosinante and Law under his protection; h) and WHERE DID THE FUCKING RED EMPEROR COME FROM???
Doffy is seething at his plans foiled. Crocodile laughs at him, tells him to go pound sand and uses the opportunity to poach a couple of Doffy's operatives. Doffy has no choice but to retreat and plot his vengeance for later.
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adelinamoteru · 7 months
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purely fanon jason vent below so feel free to ignore
every other fic in the jason todd tag whether its romantic or platonic or whatever just has to include something about the no kill rule or him giving up killing like is it not enough ! have we not hashed out this argument enough already ! can I not read some jason content without having to be randomly bombarded by the morality police and how “oh jasons not killed anyone for x amount of months thats great! we knew u could do it jay”
and I wish I was just joking like I really do but I have scoured the tag almost from top to bottom and it always, without a doubt, has to come up at some point. its his fucking defining character trait apparently. mind u he’s not even the only dc character that kills but yall just won’t let it go! I do not need jason giving up his stance on killing to be written out for me to be able enjoy content about him
and whether its included so that his relationships with other characters can be viewed as ‘realistic’ is just so. what does it matter. its already fan-fiction who the hell cares about justifying the universe that you’re choosing to write him in
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bumblingbabooshka · 8 months
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Polycule Moments Guess who got access to recording software
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arctic-bookclub · 8 months
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I'm so glad more people are noticing Phil stumbling over words when answering Quackie if he will go on a date with Missa LIKE SIRRRRR WHAT DO YOU MEAN YOU'VE BEEN???
YEAHHHH i have so many questions over it like sir?? could you elaborate?? did you perhaps view some of the times you spent time alone with qmissa (for example all their boat rides, travelling together with only qmissa by his side to save the frozen members, almost all of mexican independance day when they were both online) as dates?? is that why he didn’t react when qmissa said ”i’m on a date!” at the maze entrance all those months ago??
his answer to quacki was so like, casual, almost like going on dates is a regular thing they do? like they’re husbands of course it would be (from qphil’s pov), so that makes me wonder: how much of their interactions has qphil viewed as ”more” than we as viewers have? how many things we as viewers or even qmissa might see as groundbreaking (going on dates, the kisses) might he see as casual, as a thing he and qmissa just, do. something he views as a part of their dynamic, their relationship, without question, natural? or did he see them as significant? but simply kept it to himself? or is it both? something he feels he should see as natural (they’re husbands, of course they would do such and such) but still sees as significant? he’s not one for grand gestures, he gifts qmissa with busted equipment and piles of food when it’s scarce like it’s natural, as natural as the breath in his lungs. is this what he wants, the casualty of marriage, the domesticness of it all? the significance of having someone by your side, where every moment you spend together feels like it’s dedicated to only you two, when the one you desire to see the most is so rarely seen that every moment you spend together feels significant, like a break from the typical rush of routine, like a date?
this cubito with his subtlety will be the end of me /positive
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incorrect-hs-quotes · 9 months
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DIRK: Everyone stop sending me asks telling me to kill myself. God won’t let me die, so you’re really just wasting your time.
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sarcasrnspasrn · 2 years
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ok yknow what this is something i actually have been wondering abt for a while since apparently the fact that i've used the internet in my dreams like i would when i'm awake is not a universal experience so fuck it.
I'd appreciate it if any of you would like to elaborate on your experiences in the comments/tags also!
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dumb-alek · 2 months
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Say what you want about SNW but I REALLY loved the way in the episode where Pike sees the future where Jim is not the captain of the Enterprise lil glimpses we get of him having just insane professional chemistry with Spock.
Like across realities and in different universes, Kirk sees Spock across the room through a video transmission and calls him impressive. It's like a jolt, bullseye, and laser focus towards eachother before they even meet in person.
They instantly agree and see eachother's point of view. There's SPARKS. I genuinely felt watching this as if they were the only people in the room (and I feel like the camera work in that conference room helped with that - purposely).
Not to mention Jim's full body turn he does when he watches Spock leave, which to me definitely betrayed some kind of interest on Jim's part.
I get being mad at comphet Spock, (though TOS did comphet Spock also so 🤷) and I think if snw went in a slightly different direction with Chapel they could do something interesting and canon-compliant, which is a shame.
But after finishing the 1st season I really do feel the show only gets better (when they lay off the one liners a bit and focus more on the honestly pretty cool episode ideas they have), and it looks like it's done with love, attention to details and understanding, overall, what star trek is. (Which I can't say about some other star trek media cough cough).
But most importantly, at least for the sake of this post and for the sake of the ship that started modern fandom culture, I feel like they understand the gravity of K/S.
Now, I'm not deluding myself that they're going to 'get together' within SNW, if it's to keep with the tos timeline even in the slightest. And as much as I enjoy the show, it doesn't seem likely for it to be breaking any new grounds. Besides, at this point in time it would make no sense, considering there's no space for them to be together in TOS until season three at best. Any alternatives would either be either out of character, or simply upsetting (such as an on and off relationship, a breakup, things I don't want to think about 😞)
HOWEVER. They already made a hint Chapel is bisexual, and while they do try to generally keep with TOS canon - they diverge from it only when they think they are the point A from which they can get to point B, which is TOS. I don't always agree with their vision, but I can respect it. So I wouldn't be that surprised (though ecstatic) if they hinted at at least at Kirk being bisexual, here and there.
And in TOS canon Spirk is inescapable. If we ignore the romantic interpretation, which is already pretty hard to ignore, then in their capacity as soulmates - a part of canon that's impossible to ignore. And with as little Jim and Spock as we got so far, I think they understand that.
In SNW keeping Kirk and Spock apart messed up the whole timeline! You could say that Spock dying is what really messed it up, but we can clearly see the episode we've seen in TOS from a different perspective and things went south the moment Chris started to act. Both Kirk and Spock are there - both the same as in the regular timeline, in their respective duties. But they're not together and them not being together is so bad for the universe that Chris has to go back in time to tell himself to die (well not die but suffer from a horrific accident).
And if it doesn't feel extremely monumental, soulmate level shit idk what to tell you
#spirk#star trek snw#snw#i reeaally am surprised with how good this show is. i know the characterisation is controversial though like i said i get some of it#i get how they think itd get us from point a to point be#but otherwise the little details they get right make me tear up#the enterprise is so REAL AND ALIVE!#i absolutely LOVE uhura. i love her characterisation her motivations and her fears#i adore una. shes such a cool character#id like chapel more if she was an original character to be honest. just the knowledge that its supposed to be chapel has me a little 😣#but honestly its fine#oh I LOOOVE TPRING!#and most importantly. i love the plot points! fhe episodes idea and execution#where mbenga is navigating a storybook version of the enterprise... it was so charming but also so so very tos. and that's what i like#about this show is that it fundamentally understands what tos is. the whimsy and the social commentary#dont get me started about the episode with the CHILD oh my god. it was fantastic. it was sci fi it was horror it was#it slapped me in the face#yeah and while i adore spirk with every fibre of my being most criticisms of snw ignore the fact that they just met#and that it's supposed to be the past to tos ahh i could write a whole separate post about it#but i just cant believe people who hate snw but like a/os 🤨#one of these shows has all the wrong characterisation doesnt respect the source material and just doesnt understand what star trek is.#and it's not snw!
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